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The conclusion asserts that the intersection of space, politics, and artistic expression is a driving force for Nuyorican and Diasporican artists navigating urban challenges. Amid gentrification, displacement, and environmental racism, artists like Shellyne Rodriguez, Rigoberto Torres, Lee Quiñones, and Danielle De Jesus engage with these issues, weaving them into their creative narratives. Their work becomes a response to the forces shaping their environment, offering critiques of capitalism and inserting cultural identities into urban landscapes. The essays underscore the importance of recognizing the value of diaspora identities and expanding the parameters of Puerto Rican art. They highlight the interconnectedness of diverse cultural exchanges, amplifying the contributions of Nuyorican artists across Latin American, Latinx, and African American art worlds. By embracing various aesthetics, genres, and perspectives, Nuyorican and Diasporican artists dismantle restrictive definitions, asserting their creative presence in contemporary art.

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