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The introduction presents the key view of the text: that the photograph is carnal or capable of forging affective relations with the beholder. It also highlights the notion of carnalities as creative practices for self-naming, transformation, and resistance that are influenced by the intimate relation between selves and worlds. Finally, it introduces the various methodologies at work informing the notion of carnal aesthetics: photographic theory; a critical analysis of the notions of Latinidad, Latina/x critical feminist phenomenology, and aesthetics; and a hermeneutics of love.
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