Book Chapter
Quest for the Moment: The Audio Production of Ellington at Newport
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Published:March 2024
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.
Chapter 3 focuses on Duke Ellington’s celebrated recording from the 1956 Newport Jazz Festival and the invasive yet reparative post-production of Columbia producer George Avakian. Creating jazz history on record necessitated a collaboration among artists, festival organizers, sound engineers, and producers—each were differently invested in the cultural politics that made jazz’s circulation possible. Through Ellington’s LP, this chapter examines how recording jazz in spaces of elite white culture and the expanded possibilities of postproduction helped create a white, mainstream audience for jazz in the mid-1950s. This chapter situates Avakian’s mediation and Ellington’s performance within scholarly discussions of “liveness” to lay the groundwork for understanding the wider stakes of audio production choices in the early LP era.
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Bibliography
Archives and Manuscript Collections
Columbia Center for Oral History, Columbia University Libraries, New York City
Popular Arts Project, Oral History, 1958–1960
George Avakian Private Archives, Riverdale, NY (GAA)
Institute of Jazz Studies, John Cotton Dana Library, Rutgers University, Newark, NJ (IJS)
Charles Mingus Clippings File
Dizzy Gillespie Clippings File
Marshall Winslow Stearns Collection, MC 030 (MSC)
Newport Jazz Festival Records, MC 038
Record Company Files
Library of Congress, Music Division, Washington, DC
Charles Mingus Collection, 2019 organization (CMC-2019)
Louis Armstrong House Museum, Kupferberg Center for the Arts at Queens College,
City University of New York (LAHM)
Gösta Hägglöf Collection
Satchmo Collection
New York Public Library, Music Division, New York City
George Avakian and Anahid Ajemian papers, JPB 14–28 (AAP)
Teo Macero Collection, JPB 00–8 (TMC)
Southern Folklife Collection, the Wilson Library, University of North Carolina at
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George Avakian, interview with the author, July 2012.
Michael Cuscuna, interview with the author, November 2011.
Dan Morgenstern, interview with the author, March 8, 2012.
Dave Usher, telephone interview with the author, July 9, 2015.
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