Book Chapter
Introduction: The LP Goes Live
-
Published:March 2024
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.
The introduction argues that one of the most significant and enduring changes in jazz during the 1950s was the practice of record making. To support this assertion, this introduction takes several approaches. It outlines the genesis of the long-playing (LP) format and discusses record production in the pre-LP era. It explores why a cultural history of the jazz LP must attend to Black jazz musicians and their work to redefine notions of Black expertise, Black labor, and Black capital in the early Cold War era. Finally, it outlines four interrelated frameworks that define the book’s overall approach: (1) the contestations over recording format, (2) the reorientation of race within the record business, (3) the creation of new forms of technological mediation, and (4) the codification of jazz’s historical narrative. A summary of each chapter is included.
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Bibliography
Archives and Manuscript Collections
Columbia Center for Oral History, Columbia University Libraries, New York City
Popular Arts Project, Oral History, 1958–1960
George Avakian Private Archives, Riverdale, NY (GAA)
Institute of Jazz Studies, John Cotton Dana Library, Rutgers University, Newark, NJ (IJS)
Charles Mingus Clippings File
Dizzy Gillespie Clippings File
Marshall Winslow Stearns Collection, MC 030 (MSC)
Newport Jazz Festival Records, MC 038
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Library of Congress, Music Division, Washington, DC
Charles Mingus Collection, 2019 organization (CMC-2019)
Louis Armstrong House Museum, Kupferberg Center for the Arts at Queens College,
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Gösta Hägglöf Collection
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