Gaming Orientalism
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Published:April 2024
Mixed Connections
The first of five roundtables of four game makers each, this roundtable seeks to understand the textured, global understandings of race depicted in games. The eclectic roundtable features Minh Le, the creator of Counter-Strike; the games writer Matthew Seiji Burns; the fighting game champion Patrick Miller; and the indie game maker Emperatriz Ung. The discussion asks how games, despite their lack of Asian American representation, operate as hybrid Asian/American aesthetic and mechanical products that allow Asian Americans themselves to feel at home in gaming. This roundtable opens the collection’s part 1, “Gaming Orientalism,” by enhancing and expanding the frameworks of Asian American studies and game studies to produce new theoretical variations.
Bibliography
Gaming while Asian
Chapter 1 weaves together close playing, theory, memoir, and choose-your-own-adventure to analyze the cultural and gamic stereotypes and tropes of Asian bodies, identities, and representation in video games, analog games, and other media. It imagines and interrogates what the centering of Asian/American identities and experiences offers to the study, consuming, and playing of games, and it reveals the ludic, representational, personal, and political ramifications of “gaming while Asian.”
Bibliography
The Asiatic and the Anti-Asian Pandemic: On Paradise Killer
Chapter 2 explores the game Paradise Killer as a vehicle to revisit and reshape the term Asiatic, a troubled term that the author attempted to reanimate in his previous book as “a style rather than substance, a technology rather than an essence,” and a politically charged aesthetic. The author examines this term within its unexpected capacity to spread across disciplines during the reemergence of yellow peril anti-Asian racism within the COVID-19 pandemic. Is Asiatic appropriate only to games? How is the term divided from orientalism? Is the Asiatic always queer and/or nonserious and/or racist? Paradise Killer offers a sideways gaze into these inquiries that allows the author to explore these questions lowly, as in, to voice how this term emerged from particular circumstances and experiences and has continued to grow in the present.