This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.
The first set of seven letters of Mu marks the movement of the unconscious through a writing hand that befriends the appearance of emptiness in the terrain of radical political desire. Moving between memories of her father’s lessons in math, her political education in Korean independence and black freedom struggles, and her own psychoanalysis, the author establishes her approach to Korean hangul and hanja as a transliterative and dystranslative way to encounter another savoir of language irrevocably saturated by both desire and the violence of slavery and colonialism.
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