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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.

Part 1 focuses on how artists and organizers contend with forces of gentrification and displacement by engaging in strategies that nurture nonextractive relationships with their communities and make visible the overlapping histories of people and places. Contributions highlight dystopian musings on the rapid gentrification of the San Francisco Bay Area; Detroit organizing models for creating community benefit; economic disinvestment and its affect on food access; disability justice and belonging; the relationship between artistic practice and justice movement work; Black underground networks; Indigenous self-reflection through rap; racial inequities in classical music; the power of art during times of social and environmental unrest and instability; celebratory collective memory of LGBTQ+ belonging and resistance; and the intersecting community histories of Los Angeles's Little Tokyo neighborhood.

Introduction

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Aqui Estoy

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Beauty, Justice, and the Ritual of Performance

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An Accumulation of Things That Refuse to Be Discarded

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Counting Coup on the Compartmentalization of Indigenous-Made Rap Music

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Cultural Resiliency in the Face of Crisis: Learning from New Orleans

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Collectively Directing the Current

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The New Eagle Creek Saloon

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Notes from Technotopia 3.0: On the “Creative City” Gone Wrong—an Antigentrification Philosophical Tantrum, 2012–2016

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“Building Temples for Tomorrow”: Cultural Workers as Construction Crews

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Invasive Species

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Sunny and 150 Years of Placekeeping in Little Tokyo

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Local Fruit Still Life

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Stage One: Establishing Community

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Red 40

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More Nodes from the Performance Essay Los Giros De La Siguiente/the turns of the Next

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