The introduction outlines the general goals of the book and the ways in which the concept of aesthetic autonomy has evolved over the course of the modern period, drawing particular attention to its complex linkage with concepts of political transformation. It focuses in particular on the specific evolution of the aesthetic in art criticism and theory over the past thirty years in relationship to the parallel emergence of new forms of socially engaged art practice, which challenge many of the founding assumptions of conventional aesthetic autonomy. The introduction also includes summaries of each chapter, along with an overview of the broader historical argument that is presented in The Sovereign Self, a companion volume to Beyond the Sovereign Self.
Figures & Tables
Contents
Beyond the Sovereign Self: Aesthetic Autonomy from the Avant-Garde to Socially Engaged Art
By
Grant H. Kester
Grant H. Kester
Grant H. Kester is Professor of Art History at the University of California, San Diego, author of
Search for other works by this author on:
Duke University Press
Copyright:
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
ISBN electronic:
978-1-4780-2747-8
Publication date:
2023
Chapter Contents
Advertisement
References
Works Cited
“
About OCTOBER
.” October 1 (Spring 1976
): 3
–5
.Adams
, Gavin
. “Art Collectives and the Prestes Maia Occupation in Sao Paulo
.” In Collective Situations: Readings in Contemporary Latin American Art, 1995–2010
, edited by Bill
Kelley
Jr. and Grant H.
Kester
, 149
–64
. Durham, NC
: Duke University Press
, 2017
.
Adorno
, Theodor
. Aesthetic Theory
. Edited by Gretel
Adorno
and Rolf
Tiedemann
. Translated by C.
Lenhardt
. London
: Routledge
, 1984
.
Adorno
, Theodor
. “The Artist as Deputy
.” In Notes to Literature
, vol. 1
, translated by Shierry Weber
Nicholsen
, 98
–108
. New York
: Columbia University Press
, 1991
.
Adorno
, Theodor
. “Commitment
.” In Aesthetics and Politics: Debates between Bloch, Lukács, Brecht, Benjamin and Adorno
, translated and edited by Ronald
Taylor
, 177
–95
. London
: Verso
, 1977
.
Adorno
, Theodor
. Negative Dialectics
. Translated by E. B.
Ashton
. New York
: Continuum
, 1995
.
Adorno
, Theodor
, and Max
Horkheimer
. “Towards a New Manifesto?
” (1956
). New Left Review
65
(September–October 2010): 33
–61
.Adorno
, Theodor
, and Herbert
Marcuse
. “Correspondence on the German Student Movement
.” New Left Review
233
(January–February 1999
): 123
–26
.Affourtit
, Lorraine
. “Televising the Revolution: Oaxacan Women on CORTV
.” Third Text
34
, no. 1
(January 2020
): 22
–36
.Alberro
, Alexander
. Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art
. Chicago
: University of Chicago Press
, 2017
.Althusser
, Louis
. “Ideology and Ideological State Apparatuses
.” In Lenin and Philosophy and Other Essays
, translated by Ben
Brewster
, 142
–76
. New York
: Monthly Review Press
, 1971
.Althusser
, Louis
. “Marxism and Humanism
.” Cahiers de l'I.S.E.A
., June
1964
. https://www.marxists.org/reference/archive/althusser/1964/marxism-humanism.htm.Amaral
, Aaron
, and Lillian
Cicerchia
. “Race and Class / Reed and Reductionism: An Interview with Asad Haider
.” Tempest Magazine
, August
25
, 2020
. https://www.tempestmag.org/2020/08/haider-interview-part-1/.Arendt
, Hannah
. The Human Condition
. Introduction by Margaret
Canovan
. Chicago
: University of Chicago Press
, 1958
.Avineri
, Shlomo
. The Social and Political Thought of Karl Marx
. Cambridge
: Cambridge University Press
, 1988
.Awde
, Nick
. “Renata Carvalho: I've Never Known a Play to Raise Discussion in So Many Places
.” The Stage
, October
23
, 2019
. https://www.thestage.co.uk/features/renata-carvalho-ive-never-known-a-play-to-raise-discussions-in-so-many-places.Badiou
, Alain
. “Avant-gardes
.” In The Century
, translated, with a commentary and notes, by Alberto
Toscano
, 131
–47
. Cambridge
: Polity Press
, 2005
.Badiou
, Alain
. The Century
. Translated, with a commentary and notes, by Alberto
Toscano
. Cambridge
: Polity Press
, 2005
.Badiou
, Alain
. The Rebirth of History: Times of Riots and Uprisings
. London
: Verso
, 2012
.Bakhtin
, Mikhail
. Art and Answerability: Early Philosophical Essays
. Edited by Michael
Holquist
and Vadim
Liapunov
. Translated and notes by Vadim
Liapunov
. Austin
: University of Texas Press
, 1990
.Bakhtin
, Mikhail
. “Discourse in the Novel
.” In The Dialogic Imagination: Four Essays
, edited by Michael
Holquist
, translated by Caryl
Emerson
and Michael
Holquist
, 259
–422
. Austin
: University of Texas Press
, 1981
.Bakhtin
, Mikhail
. Problems of Dostoevsky's Poetics
. Edited and translated by Caryl
Emerson
. Minneapolis
: University of Minnesota Press
, 1984
.Bakhtin
, Mikhail
. Toward a Philosophy of the Act
. Translated and notes by Vadim
Liapunov
. Austin
: University of Texas Press
, 1993
.Bakhtin
, Mikhail
, and Pavel
Medvedev
. The Formal Method in Literary Scholarship: A Critical Introduction to Sociological Poetics
. Translated by Albert J.
Wehrle
. Baltimore
: Johns Hopkins University Press
, 1978
.Barker
, Colin
, Gareth
Dale
, and Neil
Davidson
, eds. Revolutionary Rehearsals in the Neoliberal Age
. Chicago
: Haymarket Press
, 2021
.Beck
, Chris Aronson
, Reggie
Emilia
, Lee
Morris
, and Ollie
Patterson
. Strike One to Educate One Hundred: The Rise of the Red Brigades in Italy in the 1960s–1970s
. Chicago
: Seeds Beneath the Snow / Cooperative Distribution Service
, 1986
.Beckstein
, Martin
. “The Dissociative and Polemical Political: Chantal Mouffe and the Intellectual Heritage of Carl Schmitt
.” Journal of Political Ideologies
16
, no. 11
(February
2011
): 33
–51
.Beiser
, Frederick C.
Enlightenment, Revolution, and Romanticism: The Genesis of Modern German Political Thought
. Cambridge, MA
: Harvard University Press
, 1992
.Benegas
, Diego
. “The Escrache Is an Intervention on Collective Ethics
.” 2004
. https://hemi.nyu.edu/cuaderno/politicalperformance2004/totalitarianism/WEBSITE/texts/the_escrache_is_an_intervention.htm.Benegas
, Diego
. “If There's No Justice … Trauma and Identity in Post-dictatorship Argentina
.” Performance Research
16
, no. 1
(2011
): 20
–30
.Benjamin
, Walter
. “The Author as Producer
.” In Understanding Brecht
, translated by Anna
Bostock
, 85
–104
. London
: Verso
, 1998
.Berki
, R. N.
“On the Nature and Origins of Marx's Concept of Labor
.” Political Theory
7
, no. 1
(February
1979
): 35
–56
.Bernstein
, Lee
. America Is the Prison: Arts and Politics in Prison in the 1970s
. Chapel Hill
: University of North Carolina Press
, 2010
.Bishop
, Claire
. “Antagonism and Relational Aesthetics
.” October 110 (Fall 2004
): 51
–79
.Bishop
, Claire
. Artificial Hells: Participatory Art and the Politics of Spectatorship
. London
: Verso
, 2012
.Bishop
, Claire
. “The Social Turn: Collaboration and Its Discontents
.” Artforum
44
(February
2006
): 178
–83
.Black Lives Matter
. “The Provocateurs: A Master Series
.” Accessed March
28
, 2021
. https://blacklivesmatter.com/the-provocateurs-a-master-series/.Blustein
, Paul
. And the Money Kept Rolling In (and Out): The World Bank, Wall Street, the IMF, and the Bankrupting of Argentina
. New York
: PublicAffairs
, 2005
.Bois
, Yve-Alain
. “Interview with Rosalind Krauss
.” The Brooklyn Rail
, February
1
, 2012
. http://www.brooklynrail.org/2012/02/art/rosalind-krauss-with-yve-alain-bois.Bosteels
, Bruno
. “Reviewing Rancière. Or, the Persistence of Discrepancies
.” Radical Philosophy
170
(November–December 2011): 25
–31
. https://www.radicalphilosophy.com/article/reviewing-ranciere-or-the-persistence-of-discrepancies.Bowles
, John P.
Adrian Piper: Race, Gender and Embodiment
. Durham, NC
: Duke University Press
, 2011
.Brown
, Nicholas
. Autonomy: The Social Ontology of Art under Capitalism
. Durham, NC
: Duke University Press
, 2019
.Buchloh
, Benjamin H. D.
“Conceptual Art 1962–1969: From the Aesthetic of Administration to the Critique of Institutions
.” October 55 (Winter 1990
): 105
–43
.Buck-Morss
, Susan
. The Origin of Negative Dialectics: Theodor W. Adorno, Walter Benjamin, and the Frankfurt Institute
. New York
: Free Press
, 1977
.Buntinx
, Gustavo
. “Lava la Bandera: The Colectivo Sociedad Civil and the Cultural Overthrow of the Fujimori-Montesinos Dictatorship
.” In Collective Situations: Readings in Contemporary Latin American Art, 1995–2010
, edited by Bill
Kelley
Jr. and Grant H.
Kester
, 21
–42
. Durham, NC
: Duke University Press
, 2017
.Burelle
, Julie
. Encounters on Contested Lands: Indigenous Performances of Sovereignty and Nationhood in Québec
. Evanston, IL
: Northwestern University Press
, 2018
.Burgin
, Victor
. “Yes, Difference Again: What History Plays the First Time Around as Tragedy, It Repeats as Farce
” (1988
). In Conceptual Art: A Critical Anthology
, edited by Alexander
Alberro
and Blake
Stimson
, 428
–30
. Cambridge, MA
: MIT Press
, 1999
.Camnitzer
, Luis
. “Contemporary Colonial Art” (1969
). In Conceptual Art: A Critical Anthology
, edited by Alexander
Alberro
and Blake
Stimson
, 224
–30
. Cambridge, MA
: MIT Press
, 1999
.Cannon
, Steve
. “Godard, the Groupe Dziga Vertov and the Myth of ‘Counter Cinema.’
” Nottingham French Studies
32
, no. 1
(March
1993
): 74
–83
.Carnevale
, Fulvia
, and John
Kelsey
. “Art of the Possible: An Interview with Jacques Rancière
.” Artforum
45
, no. 7
(March
2007
): 256
–69
.Castellano
, Carlos Garrido
. Art Activism for an Anti-Colonial Future
. Albany
: State University of New York Press
, 2021
.Castellano
, Carlos Garrido
. Beyond Representation in Contemporary Caribbean Art: Space, Politics and the Public Sphere
. New Brunswick, NJ
: Rutgers University Press
, 2019
.Castellano
, Carlos Garrido
. “The Boda Moment: Positioning Socially Engaged Art in Contemporary Uganda
.” FIELD: A Journal of Socially Engaged Art Criticism
10
(Spring 2010
). http://field-journal.com/issue-10/the-boda-moment-positioning-socially-engaged-art-in-contemporary-uganda.Caudwell
, Christopher
. Studies and Further Studies in a Dying Culture
. New York
: Dodd, Mead
, 1958
.Cerejido
, Fabián
. “Tucumán Arde and the Changing Face of Censorship
.” In In and Out of View: Art and the Dynamics of Circulation, Suppression, and Censorship
, edited by Catha
Paquette
, Karen
Kleinfelder
, and Chris
Miles
, 119
–36
. New York
: Bloomsbury Visual Arts
, 2020
.Césaire
, Aimé
. The Original 1939 Notebook of a Return to the Native Land
. Translated by A. J.
Arnold
and Clayton
Eshelman
. Middletown, CT
: Wesleyan University Press
, 2013
.Charlie
, Ayanda
, and Leila
Dougan
. “Shackville Two Years On: A Perspective from the Student Who Graduated
.” Daily Maverick
, February
28
, 2018
. https://www.dailymaverick.co.za/article/2018-02-28-no-filter-volume-4-shackville-two-years-on-a-perspective-from-the-student-who-graduated/.Charnley
, Kim
. Sociopolitical Aesthetics: Art, Crisis and Neoliberalism
. London
: Bloomsbury
, 2021
.Chu
, Xiaoquan
. “Alain Badiou and the Multiple Meanings of the ‘Cultural Revolution
.’ ” China Perspectives
(April
2016
): 85
–88
.Clark
, Katerina
, and Michael
Holquist
. Mikhail Bakhtin
. Cambridge, MA
: Harvard University Press
, 1984
.Colectivo Situaciones
. “Colectivo Situaciones in Conversation with HIJOS
.” In Genocide in the Neighborhood
, edited by Brian
Whitener
, translated by Brian
Whitener
, Daniel
Borzutzky
, and Fernando
Fuentes
, 53
–86
. Oakland
: Chainlinks Press
, 2009
.Corlin Frederiksen
, Mai
. The Bishan Commune and the Practice of Socially Engaged Art in Rural China
. London
: Palgrave Macmillan
, 2020
.Curtis
, James M.
“Mikhail Bakhtin, Nietzsche, and Russian Pre-Revolutionary Thought
.” In Mikhail Bakhtin
, vol. 1
, edited by Michael E.
Gardiner
, 228
–48
. London
: Sage
, 2003
.da
Silva
, Denise
Ferreira
. “Before Man: Sylvia Wynter's Rewriting of the Modern Episteme
.” In Sylvia Wynter: On Being Human as Praxis
, edited by Katherine
McKittrick
, 90
–105
. Durham, NC
: Duke University Press
, 2015
.Demos
, T. J.
Decolonizing Nature: Contemporary Art and the Politics of Ecology
. Berlin
: Sternberg Press
, 2016
.Demos
, T. J.
“The Great Transition: The Arts and Radical System Change
.” E-flux Architecture
, April
2017
. https://www.e-flux.com/architecture/accumulation/122305/the-great-transition-the-arts-and-radical-system-change/.Deranty
, Jean-Philippe
. Beyond Communication: A Critical Study of Axel Honneth's Social Philosophy
. Leiden
: Brill
, 2009
.de Sousa Santos
, Boaventura
. Epistemologies of the South: Justice against Epistemicide
. London
: Routledge
, 2014
.Dinerstein
, Ana Cecilia
. The Politics of Autonomy in Latin America: The Art of Organizing Hope
. Basingstoke, UK
: Palgrave Macmillan
, 2015
.Dinkins
, Bria
. “Interview with Saba Zavarei
.” FIELD: A Journal of Socially Engaged Art Criticism
17
(Fall/Winter 2021
). http://field-journal.com/editorial/interview-with-saba-zavarie.Druliolle
, Vincent
. “H.I.J.O.S. and the Spectacular Denunciation of Impunity: The Struggle for Memory, Truth and Justice and the (Re-)Construction of Democracy in Argentina
.” Journal of Human Rights
12
, no. 2
(2013
): 259
–76
.Durán
, Gloria G.
, and Alan W.
Moore
. “La Tabacalera of Lavapiés: A Social Experiment of a Work of Art?
” FIELD: A Journal of Socially Engaged Art Criticism
2
(Fall 2015
). http://field-journal.com/issue-2/duran-moore.Erlich
, Victor
. Russian Formalism: History-Doctrine
. New Haven, CT
: Yale University Press
, 1981
.Erman
, Eva
. “What Is Wrong with Agonistic Pluralism?
” Philosophy and Social Criticism
35
, no. 9
(2009
): 1039
–62
.Fanon
, Frantz
. The Wretched of the Earth
. Translated by Richard
Philcox
. New York
: Grove Press
, 1961
.Ferrer
, Daniel Fidel
. Oldest Systematic Program of German Idealism: Translation and Notes
. Verden, Germany
: Kuhn von Verden Verlag
, 2021
.Feuerbach
, Ludwig
. The Fiery Brook, Selected Writings
. Translated by Zawar
Hanfi
. London
: Verso
, 2012
.Fleetwood
, Nicole
. Marking Time: Art in the Age of Mass Incarceration
. Cambridge, MA
: Harvard University Press
, 2020
.Florido
, Adrian
. “Developer of Cell Phone Tool for Migrants under Investigation by UCSD
.” Voice of San Diego
, April
6
, 2010
. https://www.voiceofsandiego.org/topics/education/developer-of-cell-phone-tool-for-migrants-under-investigation-by-ucsd/.Foster
, Hal
. “What's the Problem with Critical Art?
” London Review of Books
35
, no. 19
(October
2013
): 14
–15
. https://www.lrb.co.uk/the-paper/v35/n19/hal-foster/what-s-the-problem-with-critical-art.Foucault
, Michel
. “The Great Rage of Facts (La grande colère des faits)
.” Le Nouvel Observateur
652
(May
9–15
, 1977
): 84
–86
.Fraser
, Nancy
. Redistribution or Recognition? A Political-Philosophical Exchange
. London
: Verso
, 2004
.Galliera
, Izabel
. Socially Engaged Art after Socialism: Art and Civil Society in Central and Eastern Europe
. London
: I. B. Tauris
, 2017
.Gibson Graham
, J. K.
Postcapitalist Politics
. Minneapolis
: University of Minnesota Press
, 2006
.Gilbert
, Alan
. “Autonomous Determination: On the Rojava Film Commune
.” Art Forum
, September
2020
. https://www.artforum.com/print/202007/alan-gilbert-on-the-rojava-film-commune-83689.Glissant
, Édouard
. “Creolization in the Making of the Americas
.” Caribbean Quarterly
54
, no. 1–2
(March–June
2008
): 81
–89
.Godard
, Jean-Luc
, dir. Godard and Gorin: Five Films 1968–1971
. Shenley, UK
: Arrow Films
, 2018
.Goldmann
, Lucien
. The Human Sciences and Philosophy
. Translated by Hayden V.
White
and Robert
Anchor
. London
: Jonathan Cape
, 1969
.Gorky
, Maxim
. “For the Attention of the Workers
.” In Untimely Thoughts: Essays on Revolution, Culture and the Bolsheviks 1917–1918
, translated by Herman
Ermolaev
, 86
–89
. New Haven, CT
: Yale University Press
, 1995
.Gough
, Maria
. “Radical Tourism: Sergei Tret'iakov at the Communist Lighthouse
.” October 118 (Fall 2006
): 159
–78
.Graham
, Dan
. “Art Worker's Coalition Open Hearing Presentation
” (April
10
, 1969
). In Conceptual Art: A Critical Anthology
, edited by Alexander
Alberro
and Blake
Stimson
, 91
–94
. Cambridge, MA
: MIT Press
, 1999
.Gramsci
, Antonio
. Selections from the Prison Notebooks
. Edited and translated by Quinin
Hoare
and Geoffrey Nowell
Smith
. New York
: International Publishers
, 1971
.Grant
, Paul Douglas
. Cinéma Militant: Political Filmmaking and May 1968
. New York
: Columbia University Press
, 2016
.Gratton
, Peter
. “Aisthesis by Jacques Rancière
.” Society and Space
, August
15
, 2014
. https://www.societyandspace.org/articles/aisthesis-by-jacques-ranciere.Groys
, Boris
. “Between Stalin and Dionysus: Bakhtin's Theory of the Carnival
.” Dialogic Pedagogy: An International Online Journal
5
(2017
). https://dpj.pitt.edu/ojs/index.php/dpj1/article/view/212.Grupo de Arte Callejero
. Thought, Practices and Actions
. Translated by the Mareada
Rosa
Translation Collective. Brooklyn, NY
: Common Notions
, 2019
.Grupo Etcetera Archive
. https://grupoetcetera.wordpress.com/.Guest
, Iain
. Behind the Disappearances: Argentina's Dirty War against Human Rights and the United Nations
. Philadelphia
: University of Pennsylvania Press
, 1990
.Habermas
, Jürgen
. Communication and the Evolution of Society
. Translated by Thomas
McCarthy
. Boston
: Beacon Press
, 1979
.Habermas
, Jürgen
. “From Kant to Hegel and Back Again—The Move towards Detranscendentalization
.” European Journal of Philosophy
7
, no. 2
(1999
): 129
–57
.Habermas
, Jürgen
. Knowledge and Human Interests
. Translated by Jeremy
Shapiro
. Boston
: Beacon Press
, 1971
.Habermas
, Jürgen
. Legitimation Crisis
. Translated by Thomas
McCarthy
. Boston
: Beacon Press
, 1975
.Habermas
, Jürgen
. “On Systematically Distorted Communication
.” Inquiry: An Interdisciplinary Journal of Philosophy
13
, no. 1–4
(1970
): 205
–18
.Habermas
, Jürgen
. Theory and Practice
. Translated by John
Viertel
. Boston
: Beacon Press
, 1971
.Habermas
, Jürgen
. Theory of Communicative Action: Reason and the Rationalization of Society
, vol. 1
. Translated by Thomas
McCarthy
. Boston
: Beacon Press
, 1984
.Hall
, Stuart
, Chas
Critcher
, Tony
Jefferson
, John N.
Clarke
, and Brian
Roberts
. Policing the Crisis: Mugging, the State and Law and Order
. London
: Macmillan
, 1978
.Hallward
, Peter
. “Staging Equality: Rancière's Theatrocracy and the Limits of Anarchic Equality
.” In Jacques Rancière: History, Politics, Aesthetics
, edited by Gabriel
Rockhill
and Philip
Watts
, 140
–57
. Durham, NC
: Duke University Press
, 2009
.Harvey
, Stefano
, and Fred
Moten
. The Undercommons: Fugitive Planning and Black Study
. New York
: Minor Compositions
, 2013
.Hegel
, G. W. F.
Hegel's Aesthetics: Lectures on Fine Art
, vol. 1
. Translated by T. M.
Knox
. Oxford
: Clarendon Press
, 1988
.Helguera
, Pablo
. Education for Socially Engaged Art
. Bethesda, MD
: Jorge Pinto Books
, 2012
.Hendricks
, Ashraf
. “Rhodes Must Fall Exhibition Vandalised in UCT Protest
.” GroundUp, March
10
, 2016
. https://www.groundup.org.za/article/rhodes-must-fall-exhibition-vandalised-uct-protest/.Herbst
, Marc
. “On the Relational Transformation of Law through Common Sense, via Objects and Movements
.” FIELD: A Journal of Socially Engaged Art Criticism
16
(Spring 2020
). http://field-journal.com/editorial/on-the-relational-transformation-of-law-through-common-sense-via-objects-and-movements.Hirschhorn
, Thomas
. “Eternal Flame
.” Artforum
45
, no. 7
(March
2007
): 268
. https://www.artforum.com/print/200703/eternal-flame-12846.Hirschhorn
, Thomas
. “Unshared Authorship
.” In Gramsci Monument
, 54
–55
. New York
: Dia Art Foundation
, 2013
.Hofman
, Ana
. “Disobedient: Activist Choirs, Radical Amateurism, and the Politics of the Past after Yugoslavia
.” Ethnomusicology
64
, no. 1
(Winter 2020
): 89
–109
.Holquist
, Michael
. “Bakhtin's Life
.” In Mikhail Bakhtin
, vol. 1
, edited by Michael
Gardiner
, 25
–34
. London
: Sage Publications
, 2003
.Honneth
, Axel
. The Critique of Power: Reflective Stages in a Critical Social Theory
. Cambridge, MA
: MIT Press
, 1991
.Honneth
, Axel
. “Integrity and Disrespect: Principles of a Conception of Morality Based on the Theory of Recognition
.” Political Theory
20
, no. 2
(May
1992
): 187
–201
.Honneth
, Axel
. “Invisibility: On the Epistemology of ‘Recognition.’
” Proceedings of the Aristotelian Society
75
(2001
): 111
–39
.Honneth
, Axel
. The Struggle for Recognition: The Moral Grammar of Social Conflicts.
Translated by Joel
Anderson
. Cambridge, MA
: MIT Press
, 1996
.Honneth
, Axel
. “Work and Instrumental Action
.” New German Critique
26
(Spring–Summer 1982
): 31
–54
.Honneth
, Axel
, and Hans
Joas
. Social Action and Human Nature
. Translated by Raymond
Meyer
. Cambridge
: Cambridge University Press
, 1988
.Hosseini
, Hamed S. A.
Alternative Globalizations: An Integrative Approach to Studying Dissident Knowledge in the Global Justice Movement
. London
: Routledge
, 2010
.Höttcke
, Aude Bertrand
, and Matthias
Kettner
. “The Dead Are Coming: Contemporary Interventionist Art, Political Beauty and the Power of Reason
.” In Arts and Power: Policies in and by the Arts
, edited by Lisa
Glaupp
et al., 287
–309
. Berlin
: Spring Publishing
, 2022
.“
How Shackville Started a War
.” City Press
, February
21
, 2016
. https://www.news24.com/citypress/voices/how-shackville-started-a-war-20160219.Hudis
, Peter
, and Kevin B.
Anderson
, eds. The Rosa Luxemburg Reader
. New York
: Monthly Review Press
, 2004
.Jackson
, Shannon
. Social Works: Performing Art, Supporting Publics
. New York
: Routledge
, 2011
.James
, C. L. R.
The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution
. New York
: Vintage
, 1989
.James
, C. L. R.
, and Grace
Lee
. Facing Reality
(with the collaboration of Cornelius Castoriadis). Detroit, MI
: Bewick Editions
, 1958
.Jardine
, Alice
, and Brian
Massumi
. “Interview with Toni Negri
.” Copyright
1
(1988
): 72
–84
.Jeffries
, Stuart
. Grand Hotel Abyss: The Lives of the Frankfurt School
. London
: Verso
, 2017
.Jesty
, Justin
. Art and Engagement in Early Postwar Japan
. Ithaca, NY
: Cornell University Press
, 2018
.Jesty
, Justin
, ed. “Japan's Social Turn
.” FIELD: A Journal of Socially Engaged Art Criticism
7–8
(Spring and Fall 2017
). http://field-journal.com/category/issue-7.Johnson
, Alan
. “The Power of Nonsense
.” Jacobin
magazine, July
14
, 2011
. https://jacobin.com/2011/07/the-power-of-nonsense.Johnson
, Alan
. “Slavoj Žižek's Linksfaschismus
.” In Radical Intellectuals and the Subversion of Progressive Politics: The Betrayal of Politics
, edited by Gregory
Smulewicz-Zucker
and Michael J.
Thompson
. New York
: Palgrave Macmillan
, 2015
. https://link.springer.com/chapter/10.1057/9781137381606_5.Jones
, Amelia G.
Body Art/Performing the Subject
. Minneapolis
: University of Minnesota Press
, 1998
.Kakande
, Angelo
. “On the Fashion Parade 2017: Pushing Back against the Shrinking Deliberative Space in Uganda
.” FIELD: A Journal of Socially Engaged Art Criticism
17
(Winter 2021
). http://field-journal.com/issue-17/on-the-fashion-parade-2017-pushing-back-against-the-shrinking-deliberative-space-in-uganda.Kamanzi
, Brian
. “ ‘Rhodes Must Fall’—Decolonisation Symbolism—What Is Happening at UCT, South Africa?
” The Postcolonialist
, March
29
, 2015
. http://postcolonialist.com/civil-discourse/rhodes-must-fall-decolonisation-symbolism-happening-uct-south-africa/.Kant
, Immanuel
. Groundwork of the Metaphysics of Morals
. Translated by Mary
Gregor
. Cambridge
: Cambridge University Press
, 2012
.Keep
, John L. H.
, ed. and trans
. The Debate on Soviet Power: Minutes of the All-Russian Central Executive Committee of the Soviets (October 1917–January 1918)
. Oxford
: Clarendon Press
, 1979
.Kelley
, Bill
, Jr., and Grant
Kester
, eds. Collective Situations: Readings in Contemporary Latin American Art 1995–2010
. Durham, NC
: Duke University Press
, 2017
.Kester
, Grant
. “Activist and Socially Engaged Art
.” Oxford Bibliographies
, January
12
, 2021
. https://www.oxfordbibliographies.com.Kester
, Grant
. “The Device Laid Bare: On Some Limitations in Current Art Criticism
.” e-flux journal
50
(December
2013
). https://www.e-flux.com/journal/50/59990/the-device-laid-bare-on-some-limitations-in-current-art-criticism/.Kester
, Grant
. “Interview with Patrisse Cullors
.” FIELD: A Journal of Socially Engaged Art Criticism
12–13
(Spring 2019
). http://field-journal.com/issue-14/interview-with-patrisse-cullors.Kester
, Grant
. “The Limitations of the Exculpatory Critique: A Response to Mikkel Bolt Rasmussen
.” FIELD: A Journal of Socially Engaged Art Criticism
6
(Winter 2017
). https://field-journal.com/issue-6/mikkel-bolt-rasmussen.Kester
, Grant
. “The Noisy Optimism of Immediate Action: Theory, Practice and Pedagogy in Contemporary Art
.” Art Journal
71
, no. 2
(Summer 2012
): 86
–99
.Kester
, Grant
. The One and the Many: Contemporary Collaborative Art in a Global Context
. Durham, NC
: Duke University Press
, 2017
.Kester
, Grant
. “The Sound of Breaking Glass Part 1: Spontaneity and Consciousness in Revolutionary Theory
.” e-flux journal
30
(December
2011
). https://www.e-flux.com/journal/30/68167/the-sound-of-breaking-glass-part-i-spontaneity-and-consciousness-in-revolutionary-theory/.Kester
, Grant
. The Sovereign Self: Aesthetic Autonomy from the Enlightenment to the Avant-Garde
. Durham, NC
: Duke University Press
, 2023
.Kleinmichel
, Philipp
. “The Symbolic Excess of Art Activism
.” In The Art of Direct Action: Social Sculpture and Beyond
, edited by Karen van den
Berg
, Cara M.
Jordan
, and Philipp
Kleinmichel
, 211
–38
. Berlin
: Sternberg Press
, 2019
.Knops
, Andrew
. “Agonism as Deliberation: On Mouffe's Theory of Democracy
.” Journal of Political Philosophy
15
, no. 1
(2007
): 115
–26
.Kosuth
, Joseph
. “Art after Philosophy
” (1969
). In Conceptual Art: A Critical Anthology
, edited by Alexander
Alberro
and Blake
Stimson
, 158
–77
. Cambridge, MA
: MIT Press
, 1999
.La Berge
, Leigh Claire
. Wages against Artwork: Decommodified Labor and the Claims of Socially Engaged Art
. Durham, NC
: Duke University Press
, 2019
.Laclau
, Ernesto
, and Chantal
Mouffe
. Hegemony and Socialist Strategy
. London
: Verso
, 1985
.Lacy
, Suzanne
, ed. Mapping the Terrain: New Genre Public Art
. Seattle
: Bay Press
, 1994
.La Vaca
. “#GenocidaSuelto: Escrache Poético y Señalización
.” La Tinta: Peridismo hasta Mancharse
, November
14
, 2016
. https://latinta.com.ar/2016/11/genocidasuelto-escrache-poetico-y-senalizacion/.Lavaca
Collective
, ed. Sin Patrón: Stories from Argentina's Worker-Run Factories
. Chicago
: Haymarket
, 2007
.Léger
, Marc James
. Vanguardia: Socially Engaged Art and Theory
. Manchester
: Manchester University Press
, 2019
.Lenin
, V. I.
“The Economic Basis of the Withering Away of the State
.” In State and Revolution
. Accessed June
22
, 2022
. https://www.marxists.org/archive/lenin/works/1917/staterev/ch05.htm#s4.Lenin
, V. I.
What Is to Be Done? Burning Questions of Our Movement
. New York
: International Publishers
, 1978
.Lessa
, Francesca
, and Cara
Levey
. “From Blanket Impunity to Judicial Opening(s): H.I.J.O.S. and Memory Making in Postdictatorship Argentina
.” Latin American Perspectives
42
, no. 3
(2015
): 207
–25
.Lewitt
, Sol
. “Paragraphs on Conceptual Art” (1967
). In Conceptual Art: A Critical Anthology
, edited by Alexander
Alberro
and Blake
Stimson
, 12
–16
. Cambridge, MA
: MIT Press
, 1999
.Leyda
, Jay
. Kino: A History of the Russian and Soviet Film
. Princeton, NJ
: Princeton University Press
, 1983
.Lippard
, Lucy
. “Catalysis: An Interview with Adrian Piper
.” The Drama Review
16
, no. 1
(March
1972
): 76
–78
.Lippard
, Lucy
, and John
Chandler
. “The Dematerialization of Art
.” Art International
12
, no. 2
(February 1968
): 31
–36
.Longoni
, Ana
. “A Long Way: Argentine Artistic Activism of the Last Decade
.” In Collective Situations: Readings in Contemporary Latin American Art, 1995–2010,
edited by Bill
Kelley
Jr. and Grant H.
Kester
, 98
–116
. Durham, NC
: Duke University Press
, 2017
.Lovell
, David W.
From Marx to Lenin: An Evaluation of Marx's Responsibility for Soviet Authoritarianism
. Cambridge
: Cambridge University Press
, 1984
.Lukács
, Georg
. History and Class Consciousness
. Translated by Rodney
Livingstone
. Cambridge, MA
: MIT Press
, 1983
.Luxemburg
, Rosa
. “The Russian Revolution
.” In The Rosa Luxemburg Reader
, edited by Peter
Hudis
and Kevin B.
Anderson
, 281
–310
. New York
: Monthly Review Press
, 2004
.Lxs Colectiverxs
. “Lurawi, Doing
.” In Collective Situations: Readings in Contemporary Latin American Art, 1995–2010
, edited by Bill
Kelley
Jr. and Grant H.
Kester
, 343
–66
. Durham, NC
: Duke University Press
, 2017
.MacBean
, James Roy
. “Godard and the Dziga Vertov Group: Film and Dialectics
.” Film Quarterly
26
, no. 1
(Autumn
1972
): 30
–44
.Makhubu
, Nomusa
. “On Apartheid Ruins: Art, Protest and the South African Social Landscape
.” Third Text
34
, no. 4–5
(November
2020
): 569
–90
.Makhubu
, Nomusa
, and Carlos Garrido
Castellano
, eds. “Creative Uprisings: Art, Social Movements and Mobilization in Africa
.” FIELD: A Journal of Socially Engaged Art Criticism
17
(Winter 2021
). https://field-journal.com/category/issue-17.Mann
, Thomas
. Doctor Faustus
. Translated by John E.
Woods
. New York
: Vintage International
, 1999
.Mao Tse-tung
. “Introducing a Co-operative
.” April
15
, 1958
. https://www.marxists.org/reference/archive/mao/selected-works/volume-8/mswv8_09.htm.Martin
, Bradford D.
The Theater Is in the Street: Politics and Public Performance in 1960s America
. Boston
: University of Massachusetts Press
, 2004
.Marx
, Karl
. A Contribution to the Critique of Hegel's Philosophy of Right
. 1843. https://www.marxists.org/archive/marx/works/1843/critique-hpr/intro.htm.Marx
, Karl
. The Economic and Philosophic Manuscripts of 1844
. Edited by Dirk J.
Struik
. Translated by Martin
Milligan
. New York
: International Publishers
, 1972
.Marx
, Karl
. Karl Marx: Early Writings
. Translated by Rodney
Livingstone
and Gregor
Benton
. Harmondsworth, UK
: Penguin Books
, 1975
.Marx
, Karl
, and Friedrich
Engels
. “The Communist Manifesto
.” In Essential Works of Marxism,
13
–44
. New York
: Bantam Books
, 1971
.Marx
, Karl
, and Friedrich
Engels
. The German Ideology, Part One
. Edited by C. J.
Arthur
. New York
: International Publishers
, 1970
.Masotta
, Oscar
. “After Pop, We Dematerialize.” Originally published as “Después del Pop: Nosotros desmaterializamos
.” In Oscar Masotta, Conciencia y estructura,
15
–16
. Buenos Aires
: Editorial Jorge Alvarez
, 1969
.Mayakovsky
, Vladimir
, et al. “A Slap in the Face of Public Taste
.” 1917
. https://www.marxists.org/subject/art/literature/mayakovsky/1917/slap-in-face-public-taste.htm.Mazadiego
, Elize
. Dematerialization and the Social Materiality of Art: Experimental Forms in Argentina, 1955–1968
. Leiden
: Brill
, 2021
.McCarthy
, Thomas
. The Critical Theory of Jürgen Habermas
. Cambridge, MA
: MIT Press
, 1991
.Mills
, Charles W.
“ ‘Ideal Theory’ as Ideology
.” Hypatia
20
, no. 3
(Summer 2005
): 165
–84
.Morgan
, Jo-Ann
. The Black Arts Movement and the Black Panther Party in American Visual Culture
. London
: Routledge
, 2019
.Morson
, Gary Saul
, and Caryl
Emerson
. Mikhail Bakhtin: Creation of a Prosaics
. Stanford, CA
: Stanford University Press
, 1990
.Moten
, Fred
. In the Break: The Aesthetics of the Black Radical Tradition
. Minneapolis
: University of Minnesota Press
, 2003
.Mouffe
, Chantal
. “Artistic Activism and Agonistic Spaces
.” Art and Research: A Journal of Ideas, Contexts and Methods
1
, no. 2
(Summer 2007
): 1
–5
. https://www.artandresearch.org.uk/v1n2/mouffe.html.Mouffe
, Chantal
. “For an Agonistic Public Sphere
.” In Democracy Unrealized: Documenta 1 Platform
, edited by Okwui
Enwezor
et al., 87
–97
. Ostfildern-Ruit, Germany
: Hatje Cantz Publishers
, 2002
.Nesbitt
, Nick
. “Edouard Glissant and the Poetics of Truth
.” The CLR James Journal
18
, no. 1
(Fall 2012
): 102
–15
.Nunes
, Rodrigo
. Neither Vertical Nor Horizontal: A Theory of Political Organization
. London
: Verso
, 2021
.Ono-Dit-Biot
, Christophe
. “Regardez: Alain Badiou ‘Je regrette.’
” Le Point Culture
, March
14
, 2012
. https://www.lepoint.fr/culture/regardez-alain-badiou-je-regrette-14-03-2012-1441309_3.php.Perez de Miles
, Adetty
. “The Antinomy of Autonomy and Heteronomy in Contemporary Art Practice
.” Knowledge Cultures
4
, no. 5
(September
2016
): 43
–50
.Piper
, Adrian
. “Concretized Ideas I've Been Working Around
.” In Out of Order, Out of Sight: Selected Writings
, vol. 1
, 42
. Cambridge, MA
: MIT Press
, 1996
.Poggioli
, Renato
. The Theory of the Avant-Garde
. Translated by Gerald
Fitzgerald
. Cambridge, MA
: Belknap Press of Harvard University Press
, 1968
.Polan
, A. J.
Lenin and the End of Politics
. Berkeley
: University of California Press
, 1984
.Polletta
, Francesca
. Freedom Is an Endless Meeting: Democracy in American Social Movements
. Chicago
: University of Chicago Press
, 2012
.Ponce de León
, Jennifer
. Another Aesthetics Is Possible: Arts of Rebellion in the Fourth World War
. Durham, NC
: Duke University Press
, 2021
.Rancière
, Jacques
. “The Aesthetic Revolution and Its Outcomes
.” New Left Review
14
(March–April
2002
): 133
–51
.Rancière
, Jacques
. Aisthesis: Scenes from the Aesthetic Regime of Art
. London
: Verso
, 2013
.Rancière
, Jacques
. “The Emancipated Spectator
.” Artforum
, 45
, no. 7
(March
2007
): 271
–80
.Rancière
, Jacques
. The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation
. Translated with an introduction by Kristin
Ross
. Stanford, CA
: Stanford University Press
, 1991
.Rancière
, Jacques
. The Politics of Aesthetics
. Translated by Gabriel
Rockhill
. London
: Bloomsbury
, 2004
.Rasmussen
, Mikkel Bolt
. “A Note on Socially Engaged Art Criticism
.” FIELD: A Journal of Socially Engaged Art Criticism
6
(Winter 2017
). http://field-journal.com/issue-6/a-note-on-socially-engaged-art-criticism.Raunig
, Gerald
. “Changing the Production Apparatus Anti-Universalist Concepts of Intelligentsia in the Early Soviet Union
.” Translated by Aileen
Derieg
. Transversal
9
(September
2010
). https://transversal.at/transversal/0910/raunig/en.Reuters Staff
. “Argentine Court Sentences 29 to Life for Dictatorship Crimes
.” Reuters World News, November
29
, 2017
. https://www.reuters.com/article/us-argentina-rights/argentine-court-sentences-29-to-life-for-dictatorship-crimes-idUSKBN1DU021.Rockhill
, Gabriel
. Radical History and the Politics of Art
. New York
: Columbia University Press
, 2014
.Rockhill
, Gabriel
, and Philip
Watts
, eds. Jacques Rancière: History, Politics, Aesthetics
. Durham, NC
: Duke University Press
, 2009
.Rodenbeck
, Judith
. Radical Prototypes: Allan Kaprow and the Invention of Happenings
. Cambridge, MA
: MIT Press
, 2014
.Rodney
, Walter
. The Groundings with My Brothers
. Kingston, Jamaica
: Miguel Lorne Publishers
, 1990
.Routhwaite
, Adair
. Asking the Audience: Participatory Art in 1980s New York
. Minneapolis
: University of Minnesota Press
, 2017
.Sand
, George
, and Gustave
Flaubert
. The George Sand–Gustave Flaubert Letters
. Translated by Aimee L.
MacKensie
. New York
: Liveright Press
, 1949
.San Juan
, E.
, Jr. Hegemony and Strategies of Transgression
. Albany
: State University of New York Press
, 1995
.Sanromán
, Lucía
, and Susie
Kantor
, eds. Tania Bruguera: Talking to Power/Hablándole al Poder
. Yerba Buena, CA
: Yerba Buena Center for the Arts
, 2018
.Schiller
, Friedrich
. Letters on the Aesthetic Education of Man
. Translated and edited by Elizabeth M.
Wilkinson
and L. A.
Willoughby
. Oxford
: Oxford University Press/Clarendon Press
, 1987
.Schmitt
, Carl
. Political Romanticism
. Translated by Guy
Oakes
. Cambridge, MA
: MIT Press
, 1986
.Schneewind
, J. B.
The Invention of Autonomy: A History of Modern Moral Philosophy
. Cambridge
: Cambridge University Press
, 1998
.Schoolman
, Morton
. A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics
. Durham, NC
: Duke University Press
, 2020
.Shklovsky
, Viktor
. “Art as Device
.” In Theory of Prose
, translated by Benjamin
Sher
, 1
–14
. Champaign, IL
: Dalkey Archive Press
, 1991
.Sholette
, Greg
, ed. “Art, Anti-Globalism and the Neo-Authoritarian Turn
.” FIELD: A Journal of Socially Engaged Art Criticism
12–13
(Spring
2019
). http://field-journal.com/issue-12.Sholette
, Gregory
. Delirium and Resistance: Activist Art and the Crisis of Capitalism
. London
: Pluto Press
, 2017
.16 Beaver Group
. “Monday Night—05.08.06—Discussion on Rancière's Politics of Aesthetics. 2. Berkeley Talk ‘Aesthetics and Politics: Rethinking the Link
.’ ” 16 Beaver Group, May 6, 2006
. http://16beavergroup.org/mondays/2006/05/06/monday-night-05-08-06-discussion-on-Rancieres-politics-of-aesthetics/.“
Slavoj Zizek at OWS, Oct 9, 2011
.” YouTube. https://www.youtube.com/watch?v=vdwF3j1F2pg.Spelman
, Elizabeth V.
“Woman as Body: Ancient and Contemporary Views
.” Feminist Studies
8
, no. 1
(Spring 1982
): 109
–31
.Stark
, Trevor
. “ ‘Cinema in the Hands of the People’: Chris Marker, the Medvedkin Group and the Potential of Militant Film
.” October 139
(Winter 2012
): 117
–50
.Starr
, Peter
. Logics of Failed Revolt: French Theory After May '68
. Stanford, CA
: Stanford University Press
, 1995
.Stepanova
, Varvara
. “A General Theory of Constructivism
.” In Art and Social Change: A Critical Reader
, edited by Will
Bradley
and Charles
Esche
, 70
–71
. London
: Tate Publishing/Afterall
, 2007
.Strathausen
, Carsten
, ed. A Leftist Ontology: Beyond Relativism and Identity Politics
. Minneapolis
: University of Minnesota Press
, 2009
.Theunissen
, Michael
. The Other: Studies in the Social Ontology of Husserl, Heidegger, Sartre and Buber
. Translated by Christopher
Macann
. Cambridge, MA
: MIT Press
, 1986
.Theunissen
, Michael
. “Society and History. A Critique of Critical Theory
.” In Habermas. A Critical Reader
, edited by Peter
Dews
, 241
–71
. London
: Blackwell
, 1999
.Thompson
, Michael
. The Domestication of Critical Theory
. London
: Rowman and Littlefield
, 2016
.Thompson
, Nato
. Seeing Power: Art and Activism in the Twenty-First Century
. New York
: Melville House
, 2014
.Todorov
, Tzvetan
. Mikhail Bakhtin: The Dialogical Principle
. Translated by Wlad
Godzich
. Minneapolis
: University of Minnesota Press
, 1984
.“
Trans Collective Trashes RMF Exhibition
.” IOL, March
11
, 2016
. https://www.iol.co.za/news/south-africa/western-cape/trans-collective-trashes-rmf-exhibition-1996847.University of Cape Town
. The Final Report by the Institutional Reconciliation and Transformation Commission (IRTC)
(March
2019
). https://www.news.uct.ac.za/downloads/irtc/IRTC_Final_Report_2019.pdf.Varon
, Jeremy
. Bringing the War Home: The Weather Underground, the Red Army Faction and Revolutionary Violence in the Sixties and Seventies
. Berkeley
: University of California Press
, 2004
.Volosinov
, V. N.
Marxism and the Philosophy of Language
. Translated by Ladislav
Matejka
and I. R.
Titunik
. Cambridge, MA
: Harvard University Press
, 1986
.Wang
, Meiqin
. Socially Engaged Art in Contemporary China: Voices from Below
. New York
: Routledge
, 2019
.Wilder
, Gary
. Freedom Time: Négritude, Decolonization, and the Future of the World
. Durham, NC
: Duke University Press
, 2015
.Williams
, Robert C.
The Other Bolsheviks: Lenin and His Critics, 1904–1914
. Bloomington
: Indiana University Press
, 1986
.Wolin
, Richard
. The Wind from the East: French Intellectuals, the Cultural Revolution and the Legacy of the 1960s
. Princeton, NJ
: Princeton University Press
, 2010
.Woodly
, Deva R.
Reckoning: Black Lives Matter and the Democratic Necessity of Social Movements
. New York
: Oxford University Press
, 2021
.Woodmansee
, Martha
. The Author, Art, and the Market: Rereading the History of Aesthetics
. New York
: Columbia University Press
, 1994
.Wright
, Stephen
. “Behind Police Lines: Art Visible and Invisible
.” Art & Research: A Journal of Ideas, Contexts and Methods
2
, no. 1
(Summer 2008
): 1
–8
. http://www.artandresearch.org.uk/v2n1/wright.html.Wright
, Stephen
. “The Future of the Reciprocal Readymade: The Use-Value of Art
.” Apexart, March 17–April 17, 2004. https://apexart.org/exhibitions/wright.php.Wright
, Stephen
. “Users and Usership of Art: Challenging Expert Culture
.” Transform
(European Institute for Progressive Cultural Policies), April
6
, 2007
. http://transform.eipcp.net/correspondence/1180961069.Wright
, Stephen
, et al. “An Exchange with Jacques Rancière
.” Art & Research: A Journal of Ideas, Contexts and Methods
2
, no. 1
(Summer
2008
): 1
–11
. http://www.artandresearch.org.uk/v2n1/jrexchange.html.Wynter
, Sylvia
. Black Metamorphosis: New Natives in a New World
. Unpublished manuscript, 1977–1982
, accessed June
22
, 2022
. https://monoskop.org/log/?p=22948.Wynter
, Sylvia
. “Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, after Man, Its Overrepresentation—An Argument
.” CR: The New Centennial Review
3
, no. 3
(Fall 2003
): 257
–337
.Zamora
, Daniel
, and Michael
Behrent
, eds. Foucault and Neoliberalism
. London
: Polity Press
, 2015
.Zavarei
, Saba
. “Dancing into Alternative Realities: Gender, Dance, and Public Space in Contemporary Iran
.” FIELD: A Journal of Socially Engaged Art Criticism
21
(Spring 2022
). http://field-journal.com/editorial/dancing-another-reality-dance-gender-and-public-space-in-contemporary-iran.Zavarei
, Saba
. “The Song of Disobedience: Interrupting the Patriarchal Order in Everyday Spaces in Iran through Feminist Intervention
.” Performance Research
26
, no. 5
(May
2022
): 122
–27
.Žižek
, Slavoj
. “Don't Act, Just Think
” (undated). Big Think, video transcript. https://bigthink.com/videos/dont-act-just-think/.Žižek
, Slavoj
. “Holding the Place
.” In Judith
Butler
, Ernesto
Laclau
, and Slavoj
Žižek
, Contingency, Hegemony, Universality: Contemporary Dialogues on the Left
. London
: Verso
, 2000
.Žižek
, Slavoj
. “A Leftist Plea for ‘Eurocentrism.’
” Critical Inquiry
24
, no. 4
(Summer
1998
): 988
–1009
.Žižek
, Slavoj
. Lenin 2017: Remembering, Repeating and Working Through
. London
: Verso
, 2017
.