Skip to Main Content
Skip Nav Destination
This content is only available as PDF.

Bibliography

Adams
,
Rebecca
, and
Robert
Sardiello
, eds.
Deadhead Social Science: “You Ain't Gonna Learn What You Don't Wanna Know.”
Walnut Creek, CA
:
AltaMira
,
2000
.
Adelt
,
Ulrich
.
Krautrock: German Music in the Seventies
.
Ann Arbor
:
University of Michigan Press
,
2016
.
Albanese
,
Catherine
.
A Republic of Mind and Spirit: A Cultural History of American Metaphysical Religion.
New Haven, CT
:
Yale University Press
,
2007
.
Allbright
,
Thomas
.
Art in the San Francisco Bay Area, 1945–1080: An Illustrated History
.
Berkeley
:
University of California Press
,
2005
.
Ayler
,
Albert
. “
Untitled
.”
IT: International Times
, March 13,
1967
,
9
.
Backstrom
,
Melvin
. “
The Grateful Dead and Their World: Popular Music and the Avant-Garde in the San Francisco Bay Area, 1965–75
.” PhD diss.,
McGill University
,
2017
.
Bailey
,
Derek
.
Improvisation: Its Nature and Practice in Music
.
New York
:
Da Capo
,
1993
.
Baker
,
Glenn
.
Monkeemania: The True Story of the Monkees
.
London
:
Plexus
,
1997
.
Balch
,
Robert
, and
David
Taylor
. “
Seekers and Saucers: The Role of the Cultic Milieu in Joining a UFO Cult
.”
American Behavioral Scientist
20
(
1977
):
839
60
.
Bangs
,
Lester
. “
Of Pop and Pies and Fun
.” In
Psychotic Reactions and Carburetor Dung
, edited by
Greil
Marcus
,
31
51
.
New York
:
Anchor
,
1987
.
Barlow
,
John Perry
. “
Foreword
.” In
Barry
Barnes
,
Everything I Know about Business, I Learned from the Grateful Dead
,
xvii
xxxii
.
New York
:
Hachette
,
2011
.
Barlow
,
John Perry
, with
Robert
Greenfield
.
Mother American Night: My Life in Crazy Times.
New York
:
Crown Archetype
,
2018
.
Barnard
,
G. William
.
Exploring Unseen Worlds: William James and the Philosophy of Mysticism
.
Albany
:
State University of New York Press
,
1997
.
Barthes
,
Roland
. “
The Grain of the Voice
.” In
Images, Music, Text
,
179
89
.
Glasgow
:
Fontana
,
1977
.
Beal
,
Timothy
.
Roadside Religion: In Search of the Sacred, the Strange, and the Substance of Faith
.
Boston
:
Beacon
,
2005
.
Belgrad
,
Daniel
.
The Culture of Spontaneity: Improvisation and the Arts in Postwar America
.
Chicago
:
University of Chicago Press
,
1998
.
Belleville
,
Melinda
. “
The Taoist Perspective in Weather Report Suite
.”
Dead Letters
3
(
2006
):
27
34
.
Bellman
,
Jonathan
. “
Indian Resonances in the British Invasion, 1965–1968
.”
Journal of Musicology
15
, no.
1
(
1995
):
116
36
.
Bender
,
Courtney
.
The New Metaphysicals: Spirituality and the American Religious Imagination
.
Chicago
:
University of Chicago Press
,
2010
.
Benson
,
Michael
.
Why the Grateful Dead Matter.
Chicago
:
ForeEdge
,
2016
.
Berendt
,
Joachim-Ernst
.
The World Is Sound: Nada Brahma
.
Rochester, NY
:
Destiny
,
1991
.
Berger
,
Peter
.
The Sacred Canopy: Elements of a Sociological Theory of Religion
.
New York
:
Anchor
,
1990
.
Berkman
,
Franya
.
Monument Eternal: The Music of Alice Coltrane
.
Middletown, CT
:
Wesleyan University Press
,
2010
.
Berliner
,
Paul
.
Thinking in Jazz: The Infinite Art of Improvisation
.
Chicago
:
University of Chicago Press
,
1999
.
Bernstein
,
David W.
The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde
.
Berkeley
:
University of California Press
,
2008
.
Bivins
,
Jason
.
Spirits Rejoice! Jazz and American Religion.
Oxford
:
Oxford University Press
,
2015
.
Bley
,
Paul
.
Stopping Time: Paul Bley and the Transformation of Jazz
.
Montreal
:
Véhicule
,
1999
.
Blum
,
Jason
. “
Retrieving Phenomenology of Religion as a Method for Religious Studies
.”
Journal of the American Academy of Religion
80
(
2012
):
1025
48
.
Blum
,
Stephen
. “
Recognizing Improvisation
.” In
Nettl
and
Russell
, eds.,
In the Course of Performance
,
27
46
.
Blush
,
Steven
.
American Hardcore: A Tribal History.
Los Angeles
:
Feral House
,
2001
.
Bockris
,
Victor
, and
Gerard
Malanga
.
Up-Tight: The Story of the Velvet Underground
.
London
:
Omnibus
,
1983
.
Bonds
,
Mark Evan
.
Absolute Music: The History of an Idea
.
Oxford
:
Oxford University Press
,
2014
.
Boone
,
Graeme
. “
Mirror Shatters: Tonal and Expressive Ambiguity in ‘Dark Star.’
” In
Covach
and
Boone
,
Understanding Rock
,
171
210
.
Borgo
,
David
.
Sync or Swarm: Improvising Music in a Complex Age
.
New York
:
Continuum
,
2005
.
Bowman
,
Rob
.
Soulsville USA: The Story of Stax Records.
New York
:
Schirmer
,
1997
.
Brackett
,
David
. “
Improvisation and Value in Rock, 1966
.”
Journal of the Society for American Music
14
,
no. 2
(
2020
):
197
232
.
Braunstein
,
Peter
. “
Forever Young: Insurgent Youth and the Sixties Culture of Rejuvenation
.” In Braunstein and
Doyle
, eds.,
Imagine Nation
,
1
16
.
Braunstein
,
Peter
, and
Michael
Doyle
.
Imagine Nation: American Cultural Radicalism in the 1960s
.
New York
:
Routledge
,
2001
.
Brightman
,
Carol
.
Sweet Chaos: The Grateful Dead's American Adventure
.
New York
:
Simon and Schuster
,
1998
.
Bromell
,
Nick
.
Tomorrow Never Knows: Rock and Psychedelics in the 1960s
.
Chicago
:
University of Chicago Press
,
2000
.
Bromley
,
David
, and
Douglas
Cowan
. “
The Invention of a Counter-Tradition: The Case of the North American Anti-Cult Movement
.” In
Lewis
and
Hammer
,
The Invention of Sacred Tradition
,
96
117
.
Bryan
,
David
. “
The Grateful Dead Religious Experience
.” In
Meriwether
,
Reading the Grateful Dead
,
146
62
.
Cale
,
John
, and
Victor
Bockris
.
What's Welsh for Zen: The Autobiography of John Cale
.
London
:
Bloomsbury
,
1999
.
Campbell
,
Colin
. “
The Cultic Milieu and Secularization
.”
Sociological Yearbook of Religion in Britain
5
(
1972
):
119
36
.
Cardena
,
Etzel
, and
Michael
Winkelman
, eds.
Altering Consciousness: Multidisciplinary Perspectives. Vol. 1: History, Culture and the Humanities
.
Santa Barbara, CA
:
Praeger
,
2011
.
Cardena
,
Etzel
, and
Michael
Winkelman
, eds.
Altering Consciousness: Multidisciplinary Perspectives. Vol. 2: Biological and Psychological Perspectives
.
Santa Barbara, CA
:
Praeger
,
2011
.
Chernoff
,
John Miller
.
African Music and African Sensibility: Aesthetics and Social Action in African Musical Idioms.
Chicago
:
University of Chicago Press
,
1979
.
Chidester
,
David
.
Authentic Fakes: Religion and American Popular Culture
.
Berkeley
:
University of California Press
,
2005
.
Cioco
,
Gary
. “
How Dead Beats Became Dead Heads: From Emerson and James to Kerouac and Garcia
.” In
Gimbel
,
The Grateful Dead and Philosophy
,
63
74
.
Clarke
,
Arthur
.
Childhood's End.
New York
:
Ballantine
,
1953
.
Clayson
,
Adam
.
Beat Merchants: The Origins, History, Impact, and Rock Legacy of the 1960s British Pop Groups
.
London
:
Blandford
,
1996
.
Clayson
,
Alan
.
The Yardbirds
.
San Francisco
:
Backbeat
,
2002
.
Coggins
,
Owen
.
Mysticism, Ritual, and Religion in Drone Metal.
London
:
Bloomsbury
,
2018
.
Cole
,
Bill
.
John Coltrane
.
New York
:
Da Capo
,
2001
.
Constanten
,
Tom
.
Between Rock and Hard Places: A Musical Autobiodyssey
.
Eugene, OR
:
Hulogosi
,
1991
.
Corbett
,
John
.
A Listener's Guide to Free Improvisation
.
Chicago
:
University of Chicago Press
,
2016
.
Covach
,
John
. “
The Hippie Aesthetic: Cultural Positioning and Musical Ambition in Early Progressive Rock
.” In
Rock Music
, edited by
Mark
Spicer
,
65
75
.
Farnham, UK
:
Ashgate
,
2012
.
Covach
,
John
, and
Graeme
Boone
, eds.
Understanding Rock: Essays in Musical Analysis
,
New York
:
Oxford University Press
,
1997
.
Crook
,
Hal
.
Ready, Aim, Improvise: Exploring the Basics of Jazz Improvisation
.
Rottenburg, Germany
:
Advance Music
,
1999
.
Crowley
,
Kent
.
Surf Beat: Rock's Forgotten Revolution
.
New York
:
Backbeat
,
2011
.
Csikszentmihalyi
,
Mihaly
.
Flow: The Psychology of Optimal Experience.
New York
:
Harper
,
2008
.
Cutler
,
Chris
.
File under Popular: Theoretical and Critical Writings on Music
.
New York
:
Autonomedia
,
1993
.
Dahl
,
Bill
.
All Music Guide to the Blues
.
New York
:
Freeman
,
1996
.
Daniélou
,
Alain
.
The Ragas of Northern India.
London
:
Cresset
,
1968
.
Davis
,
Erik
.
High Weirdness: Drugs, Esoterica, and Visionary Experiences in the Seventies.
Cambridge, MA
:
MIT Press
,
2019
.
Debord
,
Guy
.
The Society of the Spectacle
. Translated by
Donald
Nicholson-Smith
.
New York
:
Zone
,
1994
.
Demerath
,
N. J.
Sacred Companies: Organizational Aspects of Religion and Religious Aspects of Organizations.
Oxford
:
Oxford University Press
,
1998
.
Denzey Lewis
,
Nicola
.
Introduction to “Gnosticism”: Ancient Voices, Christian Worlds
.
Oxford
:
Oxford University Press
,
2013
.
Devereux
,
Paul
.
The Long Trip: A Prehistory of Psychedelia
.
Brisbane
:
Daily Grail
,
1997
.
DeVito
,
Chris
.
Coltrane on Coltrane: The John Coltrane Interviews.
Chicago
:
A Cappella
,
2010
.
Dines
,
M.
The Sacralization of Straightedge Punk: Bhakti-yoga, Nada Brahma, and the Divine Received: Embodiment of Krishnacore
.”
Musicological Annual
50
,
no. 2
: (
2015
):
147
56
.
Dodd
,
David
.
The Complete Annotated Grateful Dead Lyrics
.
New York
:
Free Press
,
2005
.
Dodd
,
David
, and
Diane
Spaulding
.
The Grateful Dead Reader
.
Oxford
:
Oxford University Press
,
2000
.
Doggett
,
Peter
.
Are You Ready for the Country? Elvis, Dylan, Parsons, and the Roots of Country Rock
.
London
:
Penguin
,
2000
.
Ellens
,
J. Harold
, ed.
Seeking the Sacred with Psychoactive Substances: Chemical Paths to Spirituality and to God
.
Santa Barbara, CA
:
Praeger
,
2014
.
Ellwood
,
Robert
.
The Sixties Spiritual Awakening
.
New Brunswick, NJ
:
Rutgers University Press
,
1994
.
Erhard
,
Werner
.
The Transformation of a Man: The Founding of EST
.
New York
:
Crown
,
1978
.
Farber
,
David
. “
The Intoxicated State / Illegal Nation: Drugs in the Sixties Counterculture
.” In
Braunstein
and
Doyle
, eds.,
Imagine Nation
,
17
40
.
Farley
,
Charles
.
Soul of the Man: Bobby “Blue” Band
.
Jackson
:
University Press of Mississippi
,
2011
.
Fideler
,
David
. “
Introduction
.” In
The Pythagorean Sourcebook and Library
, edited by
Kenneth Sylvan
Guthrie
,
1
19
.
Grand Rapids, MI
:
Phanes
,
1988
.
Fink
,
Robert
.
Repeating Ourselves: American Minimal Music as Cultural Practice
.
Berkeley
:
University of California Press
,
2005
.
Fiorfori
,
Tam
. “
Sun Ra's Space Odyssey
.”
Downbeat
, May 14,
1970
,
14
17
.
Fox
,
Brian
.
Transcription of “Scarlet Begonias
.”
Bass Player
, April
2008
,
81
85
.
Freedman
,
D. X.
On the Use and Abuse of LSD
.”
Archives of General Psychiatry
18
(
1968
):
330
47
.
Freeman
,
Philip
.
Running the Voodoo Down: The Electric Music of Miles Davis
.
San Francisco
:
Backbeat
,
2005
.
Freeman
,
Robert
. “
Other People Play the Music: Improvisation as Social Interaction
.” In
Adams
and
Sardiello
,
Deadhead Social Science
,
75
106
.
Frith
,
Simon
.
Sound Effects: Youth, Leisure, and the Politics of Rock
.
New York
:
Pantheon
,
1981
.
Fuller
,
Robert
.
Spiritual but Not Religious
.
Oxford
:
Oxford University Press
,
2001
.
Fuller
,
Robert
.
Stairways to Heaven: Drugs in American Religious History
.
Boulder, CO
:
Westview
,
2000
.
Gann
,
Kyle
. “
Thankless Attempts at a Definition of Minimalism
.” In
Audio Culture: Readings in Modern Music
, edited by
Christoph
Cox
and
Daniel
Warner
,
299
303
.
New York
:
Continuum
,
2004
.
Gans
,
David
.
Conversations with The Dead: The Grateful Dead Interview Book
.
New York
:
Citadel
,
1995
.
Gans
,
David
, and
Paul
Simon
.
Playing in the Band: An Oral and Visual History of the Grateful Dead
. Updated memorial edition.
New York
:
St. Martin's
,
1996
.
Garcia
,
Jerry
,
Charles
Reich
, and
Jann
Wenner
.
Garcia: A Signpost to New Space
.
New York
:
Da Capo
,
2003
.
Gaskin
,
Stephen
.
The Caravan
.
Summertown, TN
:
Book Publishing
,
2007
.
Gaskin
,
Stephen
.
Haight Ashbury Flashbacks
.
Berkeley, CA
:
Ronin
,
1990
.
Gaskin
,
Stephen
.
Monday Night Class
. Rev. ed.
Summertown, TN
:
Book Publishing
,
2005
.
Gendron
,
Bernard
.
Between the Mudd Club and Montmartre: Popular Music and the Avant Garde
.
Chicago
:
University of Chicago Press
,
2002
.
George-Warren
,
Holly
, ed. Garcia, by the Editors of Rolling Stone.
New York
:
Little, Brown
,
1995
.
Getz
,
Michael M.
, and
John R.
Dwork
, eds.
The Deadhead's Taping Compendium: An In-Depth Guide to the Music of the Grateful Dead on Tape
.
New York
:
Holt
,
1998
.
Gimbel
,
Steve
, ed.
The Grateful Dead and Philosophy: Getting High Minded about Love and Haight
.
Chicago
:
Open Court
,
2007
.
Gimbel
,
Steve
. “
The Other One and the Other: Moral Lessons from a Reluctant Teacher
.” In
Tuedio
and
Spector
,
The Grateful Dead in Concert
,
191
99
.
Ginsberg
,
Allen
. “
First Thought, Best Thought
.” In
Composed on the Tongue
,
106
17
.
San Francisco
:
Grey Fox
,
2001
.
Gleason
,
Ralph J.
The Bands—That's Where It's At
.” In
Gleason
,
The Jefferson Airplane and the San Francisco Sound
,
1
82
.
Gleason
,
Ralph J.
The Jefferson Airplane and the San Francisco Sound
.
New York
:
Ballantine
,
1969
.
Gleason
,
Ralph J.
Jerry Garcia: The Guru
.” In
The Jefferson Airplane and the San Francisco Sound
,
306
29
.
Glock
,
Charles
, and
Rodney
Stark
.
Religion and Society in Tension
.
Chicago
:
Rand McNally
,
1965
.
Godwin
,
Joscelyn
.
Harmonies of Heaven and Earth: The Spiritual Dimensions of Music from Antiquity to the Avant Garde
.
Rochester, NY
:
Inner Traditions
,
1987
.
Godwin
,
Joscelyn
.
Music, Mysticism, and Magic: A Sourcebook
.
London
:
Arkana
,
1987
.
Godwin
,
Joscelyn
, ed.
Cosmic Music: Musical Keys to the Interpretation of Reality
.
Rochester, NY
:
Inner Traditions
,
1989
.
Gracyk
,
Theodore
.
Rhythm and Noise: An Aesthetics of Rock.
Durham, NC
:
Duke University Press
,
1996
.
Greenfield
,
Robert
.
Dark Star: An Oral Biography of Jerry Garcia
.
New York
:
HarperCollins
,
2009
.
Grimshaw
,
Jeremy
.
Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young
.
Oxford
:
Oxford University Press
,
2011
.
Hall
,
Douglas Kent
, and
Sue C.
Clark
.
Rock: A World Bold as Love
.
New York
:
Cowles
,
1970
.
Harrison
,
Hank
.
The Dead
.
Millbrae, CA
:
Celestial Arts
,
1980
.
Hart
,
Mickey
.
Drumming on the Edge of Magic: A Journey into the Spirit of Percussion
.
San Francisco
:
Harpers
,
1990
.
Hartley
,
Jennifer
. “
We Were Given This Dance: Music and Meaning in the Early Unlimited Devotion Family
.” In
Adams
and
Sardiello
,
Deadhead Social Science
,
129
56
.
Hartogsohn
,
Ido
.
American Trip: Set, Setting, and the Psychedelic Experience in the Twentieth Century
.
Cambridge, MA
:
MIT Press
,
2020
.
Hayes
,
Charles
.
Tripping: An Anthology of True-Life Psychedelic Adventures
.
New York
:
Penguin
,
2000
.
Hazell
, Ed. “
Portraits: Beaver Harris
.”
Modern Drummer
, November
1989
,
51
52
.
Headlam
,
Dave
. “
Blues Transformations in the Music of Cream
.” In
Covach
and
Boone
,
Understanding Rock
,
59
92
.
Heble
,
Ajay
, and
Mark
Laver
, eds.
Improvisation and Music Education: Beyond the Classroom
.
London
:
Routledge
,
2017
.
Heffley
,
Mike
.
Northern Sun and Southern Moon: Europe's Reinvention of Jazz
.
Cambridge, MA
:
Harvard University Press
,
2005
.
Heinlein
,
Robert
. “
Lost Legacy
.” In
Assignment in Eternity
, edited by
Robert
Heinlein
,
96
170
.
New York
:
Fantasy
,
1953
.
Heinlein
,
Robert
.
Stranger in a Strange Land
.
New York
:
Berkeley
,
1961
.
Hentoff
,
Nat.
The Truth Is Marching In
.”
Downbeat
, November 17,
1966
,
16
18
, 40.
Heylin
,
Clinton
.
All Yesterday's Parties: The Velvet Underground in Print
,
1966
71
.
New York
:
Da Capo
,
2005
.
Hibbert
,
Tom
. “
The Last Great American Adventurer: Jerome John Garcia, 1942–1995
.”
Q
, February 1988. http://www.rocksbackpages.com/Library/Article/the-last-great-american-adventurer-jerome-john-garcia-1942–1995 (accessed June 1, 2016).
Hicks
,
Michael
.
Sixties Rock: Garage, Psychedelic, and Other Satisfactions
.
Urbana
:
University of Illinois Press
,
1999
.
Hill
,
Christopher
.
Into the Mystic: The Visionary and Ecstatic Roots of 1960s Rock and Roll
.
Rochester, NY
:
Park Street
,
2017
.
Hill
,
Sarah
.
San Francisco and the Long 60s
.
London
:
Bloomsbury
,
2016
.
Hjelm
,
Titus
. “
Tradition as Legitimation in New Religious Movements
.” In
Historicizing “Tradition” in the Study of Religion
, edited by
Steven
Engler
and
Gregory P.
Grieve
,
109
23
.
Berlin
:
De Gruyter
,
2005
.
Hjort
,
Christopher
.
Strange Brew: Eric Clapton and the British Blues Boom
.
London
:
Jawbone
,
2007
.
Hoffmann
,
Albert
.
LSD, My Problem Child
. Translated by
Jonathan
Ott
.
New York
:
McGraw-Hill
,
1980
.
Hollenback
,
Jess
.
Mysticism: Experience, Response, and Empowerment
.
University Park
:
Pennsylvania State University Press
,
2000
.
Horowitz
,
Michael
, and
Cynthia
Palmer
.
Moksha: Aldous Huxley's Classic Writings on Psychedelics and the Visionary Experience
.
Rochester, NY
:
Park Street
,
1999
.
Hudnut-Beumler
,
James
.
Looking for God in the Suburbs: The Religion of the American Dream and Its Critics, 1945–1965
.
New Brunswick, NJ
:
Rutgers
,
1994
.
Hutton
,
Ronald
.
Shamans: Siberian Spirituality and the Western Imagination
.
London
:
Hambledon
,
2001
.
Ireland
,
Brian
, and
Sharif
Gemie
. “
Raga Rock: Popular Music and the Turn to the East in the 1960s
.”
Journal of American Studies
53
,
no. 1
(
2019
):
57
94
.
Jackson
,
Blair
.
Garcia: An American Life
.
New York
:
Penguin
,
1999
.
Jackson
,
Blair
, ed.
Going Down the Road: A Grateful Dead Traveling Companion.
New York
:
Harmony
,
1992
.
Jackson
,
Blair
.
Grateful Dead Gear: The Band's Instruments, Sound Systems, and Recording Sessions from 1965 to 1995
.
San Francisco
:
Backbeat
,
2006
.
Jackson
,
Blair
, and
David
Gans
.
This Is All a Dream We Dreamed: An Oral History of the Grateful Dead
.
New York
:
Flatiron
,
2015
.
Jarnow
,
Jesse
.
Heads: A Biography of Psychedelic America
.
Boston
:
Da Capo
,
2016
.
Johnson
,
Anna
, and
Mike
Stax
. “
From Psychotic to Psychedelic: The Garage Contribution to Psychedelia
.”
Popular Music and Society
29
(
2006
):
411
25
.
Joseph
,
Branden
.
Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage.
New York
:
Zone
,
2011
.
Jost
,
Ekkehard
.
Free Jazz
.
New York
:
Da Capo
,
1994
.
Jung
,
Darryl
. “
Attempting the Impossible
.”
Now Weekly
, February 6–12,
1986
,
11
.
Kaler
,
Michael
. “
How the Grateful Dead Learned to Jam
.” In Meriwether, Reading the Grateful Dead,
67
85
.
Kaler
,
Michael
. “
Jamming the Blues: The Grateful Dead's Development of Models for Rock Improvisation
.”
Critical Studies in Improvisation
9
,
no. 1
(
2013
): https://www.criticalimprov.com/index.php/csieci/article/view/2145/3202 (accessed March 14, 2023).
Kaler
,
Michael
. “
Making Magic with Music: Transcendence and Transformation in the Modern Rediscovery of Radical Improvisation
.” In
Religion: Super Religion
, edited by
Jeffrey J.
Kripal
,
389
404
.
Farmington Hills, MI
:
Macmillan Reference
,
2018
.
Kaler
,
Michael
. “
Music and the Divine: The Acid Tests as Foundation Stories
.”
Studies in Religion/Sciences Religieuses
45
(
2014
):
3
15
.
Kaler
,
Michael
. “
Searching for the (Sacred) Sound: Phil Lesh, the Grateful Dead, and Religion
.”
Journal of Religion and Popular Culture
23
(
2011
):
139
54
.
Kapchan
,
Deborah
.
Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace.
Middletown, CT
:
Wesleyan University Press
,
2007
.
Katz
,
Stephen
.
Mysticism and Philosophical Analysis
.
London
:
Sheldon
,
1978
.
Kelly
,
Aidan
.
Hippie Commie Beatnik Witches: A Social History of the New Reformed Orthodox Order of the Golden Dawn
.
Tacoma, WA
:
Hierophant Wordsmith
,
2011
.
Kelly
,
Kevin
. “
Why We Left the Farm
.”
Whole Earth Review
49
(Winter
1985
):
56
66
.
Kennedy
,
Caleb
. “
The Dead's Early Thematic Jams
.” Grateful Dead Guide, January 8,
2010
. http://deadessays.blogspot.com/2010/01/deads-early-thematic-jams.html.
Kennedy
,
Caleb
. “
The Velvets and the Dead
.” Grateful Dead Guide, September 7,
2010
. http://deadessays.blogspot.com/2010/09/velvets-and-dead.html.
Kerouac
,
Jack
. “
Essentials of Spontaneous Prose
.” In
The Portable Beat Reader
, edited by
Ann
Charters
,
57
.
New York
:
Viking
,
1992
.
Khan
,
Hazrat Inayat
.
The Mysticism of Sound and Music
.
Boston
:
Shambhala
,
1991
.
King
,
Anna
. “
Spirituality: Transformation and Metamorphosis
.”
Religion
26
(
1996
):
343
51
.
King
,
Karen
.
What Is Gnosticism?
Cambridge, MA
:
Belknap Press of Harvard University Press
,
2003
.
Knabb
,
Ken
.
Situationist International Anthology
.
N.p.
:
Bureau of Public Secrets
,
2006
.
Kofsky
,
Frank
.
Black Nationalism and the Revolution in Music
.
New York
:
Pathfinder
,
1970
.
Kofsky
,
Frank
.
Love Cry
. Liner notes. Impulse! AS 9165,
1968
.
Vinyl album
.
Kofsky
,
Frank
. “
A Thread to the Collective Unconscious: Jerry Garcia and Bob Weir on Music, the Haight, and the Sixties
.”
Dead Studies
1
(
2011
):
49
74
.
Kripal
,
Jeffrey
.
Comparing Religions.
New York
:
Wiley-Blackwell
,
2014
.
Kripal
,
Jeffrey
.
Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal
. 2nd ed.
Chicago
:
University of Chicago Press
,
2015
.
Kripal
,
Jeffrey
. “
The Traumatic Secret: Bataille and the Comparative Erotics of Mystical Literature
.” In
Negative Ecstasies: Georges Bataille and the Study of Religion
, edited by
Jeremy
Biles
and
Kent
Brintnall
,
153
68
.
New York
:
Fordham University Press
,
2015
.
Krippner
,
Stanley
, and
Richard
Davidson
. “
Religious Implications of Paranormal Events Occurring during Chemically Induced ‘Psychedelic’ Experiences
.”
Pastoral Psychology
21
(
1970
):
27
34
.
Kugelberg
,
Johann
.
The Velvet Underground: New York Art
.
New York
:
Rizzoli
,
2009
.
Kuttner
,
Henry
.
Mutant
.
New York
:
Ballantine
,
1953
.
Laski
,
Marghanita
.
Ecstasy in Secular and Religious Experiences
.
New York
:
St. Martin's
,
1961
.
Lavezzoli
,
Peter
.
The Dawn of Indian Music in the West
.
London
:
Continuum
,
2007
.
Lee
,
Martin
, and
Bruce
Shlain
.
Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond
.
New York
:
Grove
,
1991
.
Le Gendre
,
Kevin
.
Soul Unsung: Reflections on the Band in Black Popular Music
.
Sheffield
:
Equinox
,
2012
.
Lesh
,
Phil
. “
Anthem of the Tone: Phil Lesh and the Modern Electric Bass
.” Interview by
Karl
Coryat
, pt. 2.
Bass Player
(July
2000
):
56
64
.
Lesh
,
Phil
. “
Lesh Is More: Portrait of an American Beauty
.” Interview by
Karl
Coryat
, pt. 2.
Bass Player
(June
2000
):
39
49
.
Lesh
,
Phil
.
Searching for the Sound: My Life with the Grateful Dead
.
New York
:
Little, Brown
,
2005
.
Levaux
,
Christophe
.
We Have Always Been Minimalist: The Construction and Triumph of a Musical Style
.
Oakland
:
University of California Press
,
2020
.
Lewis
,
George
.
A Power Stronger than Itself: The AACM and American Experimental Music
.
Chicago
:
University of Chicago Press
,
2008
.
Lewis
,
James
.
Legitimating New Religions
.
New Brunswick, NJ
:
Rutgers
,
2003
.
Lewis
,
James
, and
Olav
Hammer
, eds.
The Invention of Sacred Tradition
.
Cambridge
:
Cambridge University Press
,
2007
.
Lewis
,
Mark
. “Neuroscientist Marc Lewis on His First Acid Trip.” Newsweek, March 3, 2012, 19.
Litweiler
,
John
.
The Freedom Principle: Jazz after 1958
.
New York
:
Quill
,
1984
.
Luhrman
,
Tanya
.
When God Talks Back: Understanding the American Evangelical Relationship with God
.
New York
:
Knopf
,
2012
.
Lundborg
,
Patrick
.
Psychedelia: An Ancient Culture, a Modern Way of Life
.
Stockholm
:
Lysergia
,
2012
.
MacDonald
,
R. A.
, and
G. B.
Wilson
. “
Musical Improvisation and Health: A Review
.”
Psychology of Well-Being
4
,
no. 20
(
2014
). https://doi.org/10.1186/s13612–014–0020–9.
MacFarlane
,
Scott
.
The Hippie Narrative: A Literary Perspective on the Counterculture
.
Jefferson, NC
:
McFarland
,
2007
.
Malvinni
,
David
.
Grateful Dead and the Art of Rock Improvisation.
Lanham, MD
:
Scarecrow
,
2013
.
Marcus
,
Greil
.
In the Fascist Bathroom: Writings on Punk, 1977–1982
.
London
:
Viking
,
1993
.
Martin
,
Craig
. “
Psychedelic Music in San Francisco: Style, Context, and Evolution
.” PhD diss.,
Concordia University
,
2000
.
Mason
,
Nick
.
Inside Out: A Personal History of Pink Floyd
.
London
:
Weidenfeld and Nicolson
,
2004
.
Mathieu
,
W. A.
Bridge of Waves: What Music Is and How Listening to It Changes the World.
Boston
:
Shambhala
,
2010
.
McNally
,
Dennis
.
A Long Strange Trip: The Inside Story of the Grateful Dead
.
New York
:
Broadway
,
2002
.
McStravick
,
Summer
, and
John
Roos
.
Blues-Rock Explosion
.
Mission Viejo, CA
:
Old Goat
,
2001
.
Meriwether
,
Nicholas
. “
The Acid Tests
.” In
Getz
and
Dwork
, eds.,
The Deadhead's Taping Compendium
,
84
91
.
Meriwether
,
Nicholas
. “
1/6/66: The Fillmore Acid Test
.” In
Getz
and
Dwork
,
The Deadhead's Taping Compendium
,
91
94
.
Meriwether
,
Nicholas
.
Reading the Grateful Dead: A Critical Survey
.
Lanham, MD
:
Scarecrow
,
2012
.
Merkur
,
Daniel
. “
The Formation of Hippie Spirituality 1: Union with God
.” In
Ellens
,
Seeking the Sacred with Psychoactive Substances
,
207
38
.
Merkur
,
Daniel
. “
The Formation of Hippie Spirituality 2: Further and Further
.” In
Ellens
,
Seeking the Sacred with Psychoactive Substances
,
239
90
.
Merkur
,
Daniel
. “
The Visionary Practices of the Jewish Apocalypticists
.” In
The Psychoanalytic Study of Society. Vol. 14: Essays in Honor of Paul Parin
, edited by
L. B.
Boyer
and
S. A.
Grolnick
,
119
48
.
Hillsdale, NJ
:
Analytic
,
1989
.
Monson
,
Ingrid
.
Saying Something: Jazz Improvisation and Interaction
.
Chicago
:
University of Chicago Press
,
1997
.
Morley
,
Gabriel Patrick
. “
Tripping with Stephen Gaskin: An Exploration of a Hippy Adult Educator
.” PhD diss.,
University of Southern Mississippi
,
2012
.
Murphy
,
Joseph
.
Working the Spirit: Ceremonies of the African Diaspora
.
Boston
:
Beacon
,
1994
.
Murray
,
Charles Shaar
.
Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century
.
New York
:
St. Martin's
,
2000
.
Napier
,
John
. “
Novelty That Must Be Subtle: Continuity, Innovation, and ‘Improvisation’ in North Indian Music
.”
Critical Studies in Improvisation
1
(
2006
):
1
17
.
Nettl
,
Bruno
. “
Improvisation
.” In
Harvard Dictionary of Music
, edited by
Don Michael
Randel
,
406
8
.
Cambridge, MA
:
Belknap Press of Harvard University Press
,
2003
.
Nettl
,
Bruno
. “
Improvisation
.” In Grove Music Online. Accessed March 8,
2014
. http://www.oxfordmusiconline.com.ezproxy.library.yorku.ca/subscriber/article/grove/music/13738#S13738.
Nettl
,
Bruno
. “
Preface
.” In
Solis
and
Nettl
,
Musical Improvisation
, ix–xv.
Nettl
,
Bruno
.
The Study of Ethnomusicology: Thirty-one Issues and Concepts.
Champaign
:
University of Illinois Press
,
2005
.
Nettl
,
Bruno
. “
Thoughts on Improvisation: A Comparative Approach
.”
Musical Quarterly
40
(
1974
):
1
19
.
Nettl
,
Bruno
, and
Melinda
Russell
, eds.
In the Course of Performance: Studies in the World of Musical Improvisation.
Chicago
:
University of Chicago Press
,
1998
.
Newberg
,
Andrew
.
Principles of Neurotheology
.
London
:
Ashgate
,
2010
.
Nichols
,
David
, and
Benjamin
Chemel
. “
LSD and the Serotonin System's Effects on Human Consciousness
.” In
Cardena
and
Winkelman
,
Altering Consciousness
, vol.
1
:
121
46
.
Nisenson
,
Eric
.
Ascension: John Coltrane and his Quest
.
New York
:
Da Capo
,
1993
.
Norman
,
Philip
.
The Stones
.
London
:
Sidgwick and Jackson
,
2001
.
Nyman
,
Michael
.
Experimental Music: Cage and Beyond
. 2nd ed.
Cambridge
:
Cambridge University Press
,
1999
.
O'Dea
,
Thomas
. “
Sociological Dilemmas: Five Paradoxes of Institutionalization
.” In
Sociological Theory, Values, and Sociocultural Change: Essays in Honour of Pitrim A. Sorokin
, edited by
Edward
Tiryakian
,
71
89
.
London
:
Free Press of Glencoe
,
1963
.
Olsson
,
Ulf
.
Listening for the Secret: The Grateful Dead and the Politics of Improvisation
.
Berkeley
:
University of California Press
,
2017
.
Osmond
,
Humphry
. “
A Review of the Clinical Effects of Psychotomimetic Agents
.”
Annals of the New York Academy of Science
66
(
1957
):
417
35
.
Osto
,
Douglas
.
Altered States: Buddhism and Psychedelic Spirituality in America
.
New York
:
Columbia University Press
,
2016
.
Otto
,
Rudolph
.
The Idea of the Holy
. Translated by
John
Harvey
.
Oxford
:
Oxford University Press
,
1979
.
Paden
,
William
.
Religious Worlds: The Comparative Study of Religion.
2nd ed.
Boston
:
Beacon
,
1994
.
Palacios
,
Julian
.
Lost in the Woods: Syd Barrett and the Pink Floyd
.
London
:
Macmillan
,
1998
.
Partridge
,
Christopher
.
Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-Punk
.
London
:
Equinox
,
2010
.
Partridge
,
Christopher
.
The Lyre of Orpheus: Popular Music, the Sacred, and the Profane
.
Oxford
:
Oxford University Press
,
2013
.
Partridge
,
Christopher
.
Occulture: The Re-Enchantment of the West
.
2
vols.
London
:
Bloomsbury
,
2005–2006
.
Partridge
,
Christopher
, and
Marcus
Moberg
, eds.
The Bloomsbury Handbook of Religion and Popular Music
.
London
:
Bloomsbury
,
2017
.
Pearlman
,
Sandy
. “
Patterns and Sounds: The Uses of Raga in Rock
.”
Paste
magazine, December 1,
1966
. https://www.pastemagazine.com/crawdaddy/patterns-and-sounds-the-uses-of-raga-in-rock.
Perrine
,
Daniel
.
The Chemistry of Mind-Altering Drugs: History, Pharmacology, and Cultural Context
.
Washington, DC
:
American Chemical Society
,
1996
.
Perry
,
Charles
.
The Haight-Ashbury: A History
.
New York
:
Wenner
,
2005
.
Perry
,
Paul
, and
Ken
Babbs
.
On the Bus: The Complete Guide to the Legendary Trip of Ken Kesey and the Merry Pranksters and the Birth of the Counterculture
.
New York
:
Thunder's Mouth
,
1997
.
Pisani
,
Bob
. “
Confessions of a Deadhead: 40 Years with the Grateful Dead
.” CNBC, July 1,
2015
. https://www.cnbc.com/2015/07/01/confessions-of-a-deadhead-40-years-with-the-grateful-dead.html.
Plummer
,
William
.
The Holy Goof: A Biography of Neal Cassady
.
New York
:
Thunder's Mouth
,
1997
.
Poggioli
,
Renato
.
The Theory of the Avant Garde
.
Cambridge, MA
:
Belknap Press of Harvard University Press
,
1968
.
Pohl
,
Frederick
, and
Cyril M.
Kornbluth
.
Wolfbane
.
New York
:
Ballantine
,
1969
.
Polits
,
William
. “
Grateful Jams
.” In
Getz
and
Dwork
,
The Deadhead's Taping Compendium
,
59
61
.
Porter
,
Lewis
.
John Coltrane: His Life and Music
.
Ann Arbor
:
University of Michigan Press
,
1999
.
Prevost
,
Edwin
.
No Sound Is Innocent.
Berkeley
:
Small Press Distribution
,
1997
.
Proudfoot
,
Wayne
.
Religious Experience
.
Berkeley
:
University of California Press
,
1985
.
Prown
,
Peter
, and
H. P.
Newquist
.
Legends of Rock Guitar
.
Milwaukee, WI
:
Hal Leonard
,
1997
.
Qureshi
,
Regula
.
Sufi Music of India and Pakistan: Sound, Context, and Meaning in Qawwali
.
Chicago
:
University of Chicago Press
,
1986
.
Racy
,
A. J.
Making Music in the Arab World: The Culture and Artistry of Tarab
.
Cambridge
:
Cambridge University Press
,
2003
.
Racy
,
A. J.
Why Do They Improvise? Reflections on Meaning and Experience
.” In
Solis
and
Nettl
,
Musical Improvisation
,
313
22
.
Randel
,
Dom Michael
, ed.
The Harvard Dictionary of Music
. 4th ed.
Cambridge
:
Belknap Press of Harvard University Press
,
2003
.
Ratliff
,
Ben
.
Coltrane: The Story of a Sound
.
New York
:
Picador
,
2007
.
Reising
,
Russell
. “
Melting Clocks and the Hallways of Always: Time in Psychedelic Music
.”
Popular Music and Society
32
(
2009
):
523
47
.
Ripani
,
Richard
.
The New Blue Music: Changes in Rhythm and Blues, 1950–1999
.
Jackson
:
University Press of Mississippi
,
2006
.
Roberts
,
Jim
.
How the Fender Bass Changed the World
.
San Francisco
:
Backbeat
,
2001
.
Rocco
,
John
, ed.
Dead Reckonings: The Life and Times of the Grateful Dead.
New York
:
Schirmer
,
1999
.
Roof
,
Wade Clark
.
A Generation of Seekers: The Spiritual Journeys of the Baby Boom Generation
.
San Francisco
:
Harper
,
1993
.
Roof
,
Wade Clark
.
Spiritual Marketplace: Baby Boomers and the Remaking of American Religion
.
Princeton, NJ
:
Princeton University Press
,
2001
.
Rothstein
,
Mikael
. “
Scientology, Scripture, and Sacred Tradition
.” In
Lewis and Hammer, The Invention of Sacred Tradition
,
18
37
.
Rouget
,
Gilbert
.
Music and Trance: A Theory of the Relations between Music and Possession
. Translated by Rouget and
Brunhilde
Biebuyck
.
Chicago
:
University of Chicago Press
,
1985
.
Sardiello
,
Robert
. “
Studying Deadhead Subculture
.” In
Adams
and
Sardiello
,
Deadhead Social Science
,
267
80
.
Sawyer
,
Keith
.
Group Genius: The Creative Power of Collaboration
. 2nd ed.
New York
:
Basic Books
,
2017
.
Schaffner
,
Nicholas
.
Saucerful of Secrets: The Pink Floyd Odyssey
.
London
:
Sidgwick and Jackson
,
1991
.
Schmidt
,
Leigh Eric
.
Restless Souls: The Making of American Spirituality
.
San Francisco
:
Harper
,
2005
.
Schwartz
,
Jeff
. “
Albert Ayler
.” Accessed April 15,
2012
. http://www.geocities.com/jeff_l_schwartz/ayler.html.
Schwarz
,
K. Robert
.
Minimalists
.
London
:
Phaidon
,
1996
.
Sculatti
,
Gene
, and
Davin
Seay
.
San Francisco Nights: The Psychedelic Music Trip, 1965–1968
.
New York
:
St. Martin's
,
1985
.
Seay
,
Davin
, and
Mary
Neely
. “
Prophets on the Burning Shore
.” In
Stairway to Heaven: The Spiritual Roots of Rock and Roll
, edited by
Davin
Seay
and
Mary
Neely
,
187
217
.
New York
:
Ballantine
,
1986
.
Segal
,
Alan
. “
Religious Experience and the Construction of the Transcendent Self
.” In
Paradise Now: Essays on Early Jewish and Christian Mysticism
, edited by
April
DeConick
,
27
40
.
Atlanta, GA
:
Society for Biblical Literature
,
2006
.
Segal
,
Alan
. “
Transcribing Experience
.” In
With Letters of Light: Studies in the Dead Sea Scrolls, Early Jewish Apocalypticism, Magic, and Mysticism in Honor of Rachel Elior
, edited by
Daphna
Arbel
and
Andrei
Orlov
,
365
82
.
Berlin
:
De Gruyter
,
2011
.
Selvin
,
Joel
.
Summer of Love
.
New York
:
Cooper Square
,
1994
.
Shenk
,
David
, and
Steve
Silberman
.
Skeleton Key: A Dictionary for Deadheads
.
New York
:
Doubleday
,
1994
.
Slawek
,
Stephen
. “
Keeping It Going: Terms, Practices, and Processes of Improvisation in Hindustani Instrumental Music
.” In
Nettl
and
Russell
,
In the Course of Performance
,
335
68
.
Slesinger
,
Ryan
. “
‘And Closed My Eyes to See’: Buddhist Resonances in the Lyrics of the Grateful Dead
.” In
Meriwether
,
Reading the Grateful Dead
,
109
21
.
Sloterdijk
,
Peter
.
You Must Change Your Life: On Anthropotechnics
. Translated by
Wieland
Haban
.
Cambridge
:
Polity
,
2018
.
Smith
,
Huston
.
Cleansing the Doors of Perception: The Religious Significance of Entheogonic Plants and Chemicals.
New York
:
Putnam
,
2000
.
Solis
,
Gabriel
, and
Bruno
Nettl
.
Musical Improvisation: Art, Education, and Society.
Urbana
:
University of Illinois Press
,
2009
.
Spector
,
Stan
. “
Who Is Dionysus and Why Does He Keep Following Me Everywhere?
Dead Letters
2
(
2003
):
19
28
.
Stapledon
,
Olaf
.
Odd John
.
New York
:
Berkeley
,
1965
.
Stark
,
Rodney
, and
William
Bainbridge
.
The Future of Religion
.
Berkeley
:
University of California Press
,
1985
.
Steinbeck
,
Paul
.
Message to Our Folks: The Art Ensemble of Chicago.
Chicago
:
University of Chicago Press
,
2017
.
Stephens
,
Randall
.
The Devil's Music: How Christians Inspired, Condemned, and Embraced Rock and Roll
.
Cambridge, MA
:
Harvard University Press
,
2018
.
Stevens
,
Jay
.
Storming Heaven: LSD and the American Dream
.
New York
:
Grove
,
1987
.
Stewart
,
Earl
.
African American Music: An Introduction
.
New York
:
Schirmer
,
1998
.
Sturgeon
,
Theodore
.
More than Human
.
New York
:
Ballantine
,
1952
.
Sylvan
,
Robin
.
Traces of the Spirit: The Religious Dimensions of Popular Music.
New York
:
New York University Press
,
2002
.
Sylvan
,
Robin
.
Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture.
London
:
Routledge
,
2005
.
Szwed
,
John
.
So What: The Life of Miles Davis
.
New York
:
Simon and Schuster
,
2002
.
Szwed
,
John
.
Space Is the Place: The Lives and Times of Sun Ra
.
New York
:
Da Capo
,
1998
.
Tamarkin
,
Jeff
.
Got a Revolution: The Turbulent Flight of the Jefferson Airplane
.
New York
:
Atria
,
2003
.
Tanner
,
Stephen
.
Ken Kesey
.
Boston
:
Twayne
,
1983
.
Tart
,
Charles
.
States of Consciousness
.
New York
:
Dutton
,
2000
.
Taves
,
Ann
.
Religious Experience Reconsidered
.
Princeton, NJ
:
Princeton University Press
,
2009
.
Taylor
,
Jill Bolte
.
My Stroke of Insight
.
New York
:
Penguin
,
2009
.
Thomas
,
J. C.
Chasin’ the Trane: The Music and Mystique of John Coltrane
.
Garden City, NY
:
Doubleday
,
1975
.
Thompson
,
Dave
.
Cream: How Eric Clapton Took the World by Storm
.
London
:
Virgin
,
2006
.
Thompson
,
Dave
.
Space Daze: The History and Mystery of Electronic Ambient Space Rock
.
Los Angeles
:
Cleopatra
,
1994
.
Tilley
,
Leslie
.
Making It Up Together: The Art of Collective Improvisation in Balinese Music and Beyond
.
Chicago
:
University of Chicago Press
,
2019
.
Tingen
,
Paul
.
Miles Beyond: The Electric Explorations of Miles Davis, 1967–1991
.
New York
:
Billboard
,
2001
.
Titon
,
Jeff
.
Worlds of Music: An Introduction to the Music of the World's Peoples
. 2nd ed.
New York
:
McGraw-Hill
,
1992
.
Torgoff
,
Martin
.
Can't Find My Way Home: America in the Great Stoned Age
.
New York
:
Simon and Schuster
,
2004
.
Troy
,
Sandy
.
One More Saturday Night: Reflections with the Grateful Dead, Dead Family, and Dead Heads
.
New York
:
St. Martin's
,
1991
.
Tuedio
,
Jim
, and
Stan
Spector
, eds.
The Grateful Dead in Concert: Essays on Live Improvisation
.
Jefferson, NC
:
McFarland
,
2010
.
Turino
,
Thomas
.
Music as Social Life: The Politics of Participation
.
Chicago
:
University of Chicago Press
,
2008
.
Turner
,
Steve
.
Hungry for Heaven
.
London
:
Hodder and Stoughton
,
1995
.
Turner
,
Victor
.
The Ritual Process: Structure and Anti-Structure
.
New Brunswick, NJ
:
Transaction
,
2007
.
Turner
,
Victor
. “
Variations on a Theme of Liminality
.” In
Secular Ritual
, edited by
Sally
Moore
and
Barbara
Myerhoff
,
35
52
.
Assen, Netherlands
:
Van Gorcum
,
1977
.
Unterberger
,
Richie
.
Eight Miles High: Folk Rock's Flight from Haight-Ashbury to Woodstock
.
Berkeley, CA
:
Backbeat
,
2003
.
Wach
,
Joachim
.
Sociology of Religion
.
Chicago
:
University of Chicago Press
,
1944
.
Walsh
,
Roger
. “
Chemical and Contemplative Ecstasy: Similarities and Differences
.” In
Hallucinogens: A Reader
, edited by
Charles
Grob
,
72
82
.
New York
:
Putnam
,
2002
.
Watson
,
Ben
.
Derek Bailey and the Story of Free Improvisation
.
New York
:
Verso
,
2004
.
Watts
,
Alan
.
Does It Matter? Essays on Man's Relation to Materiality
.
New York
:
Pantheon
,
1968
.
Waugh
,
Earl
. “
Dispatches from Memory: Genealogies of Tradition
.” In
Historicizing “Tradition” in the Study of Religion
, edited by
Steven
Engler
and
Gregory
Grieve
,
245
65
.
Berlin
:
De Gruyter
,
2005
.
Weber
,
Max
.
Theory of Social and Economic Organization
. Translated by
A. M.
Henderson
and
Talcott
Parsons
.
New York
:
Free Press
,
1947
.
Weiner
,
Robert
, ed.
Perspectives on the Grateful Dead
.
Westport, CT
:
Greenwood
,
1999
.
Weinstein
,
Norman
.
A Night in Tunisia: Imaginings of Africa in Jazz
.
Metuchen, NJ
:
Scarecrow
,
1992
.
Weiss
,
Jason
.
Steve Lacy: Conversations
.
Durham, NC
:
Duke University Press
,
2006
.
Welch
,
Chris
.
Cream: The Legendary British Supergroup
.
London
:
Balafon
,
2000
.
White
,
Christopher
.
Other Worlds: Spirituality and the Search for Invisible Dimensions
.
Cambridge, MA
:
Harvard University Press
,
2018
.
Whitmer
,
Peter
.
Aquarius Revisited: Seven Who Created the Sixties Counterculture That Changed America
.
New York
:
Macmillan
,
1987
.
Widdess
,
Richard
. “
Schemas and Improvisation in Indian Music
.” In
Language, Music, and Interactions
, edited by
Ruth
Kempson
,
Christine
Howes
, and
Martin
Orwin
,
197
209
.
London
:
College Press
,
2013
.
Wildman
,
Wesley
, and
Leslie
Brothers
. “
Neurophysiological-Semiotic Model of Religious Experience
.” In
Neuroscience and the Person
, edited by
Robert
Russell
,
Nancy
Murphy
, and
Michael
Artib
,
347
413
.
Vatican City
:
Vatican Observatory
,
2002
.
Wilke
,
Annette
, and
Oliver
Moebus
.
Sound and Communication: An Aesthetic Cultural History of Sanskrit Hinduism
.
Berlin
:
de Gruyter
,
2010
.
Williams
,
Michael
.
Rethinking “Gnosticism”: An Argument for Dismantling a Dubious Category
.
Princeton, NJ
:
Princeton University Press
,
1996
.
Wilmer
,
Valerie
.
As Serious as Your Life: John Coltrane and Beyond
.
London
:
Serpent's Tail
,
1992
.
Winfree
,
Jason
. “
‘Searching for the Sound’: Grateful Dead Music and Interpretive Transformation
.” In
Tuedio
and
Spector
,
The Grateful Dead in Concert
,
152
63
.
Witts
,
Richard
.
The Velvet Underground
.
London
:
Equinox
,
2006
.
Wolfe
,
Leonard
.
Voices of the Love Generation
.
Boston
:
Little, Brown
,
1968
.
Wolfe
,
Tom
.
The Electric Kool-Aid Acid Test
.
New York
:
Farrar, Straus and Giroux
,
1982
.
Wolkin
,
Jan Mark
, and
Bill
Keenom
.
Michael Bloomfield: If You Love These Blues
.
San Francisco
:
Miller Freeman
,
2000
.
Wood
,
Brent
. “
The Eccentric Revolutions of Phil Lesh
.” In
Tuedio
and
Spector
,
The Grateful Dead in Concert
,
43
57
.
Woods
,
Willie
. “
Cleo's Back
.” Performed by
Junior
Walker
.
Motown TMG
529 (B),
1965
.
Wright
,
Jack
.
The Free Musics
.
N.p.
:
Spring Garden Music Editions
,
2017
.
Wuthnow
,
Robert
.
After Heaven: Spirituality in America since the 1950s
.
Berkeley
:
University of California Press
,
1998
.
Yamane
,
David
. “
Narrative and Religious Experience
.”
Sociology of Religion
61
(
2000
):
171
89
.
Young
,
Charles M.
The Awakening of the Dead
.” In
Garcia
, edited by the Editors of Rolling Stone,
124
29
.
Boston
:
Little, Brown
,
1995
.
Zaehner
,
R. C.
Mysticism Sacred and Profane
.
1957
.
Oxford
:
Oxford University Press
,
1969
.
Zaehner
,
R. C.
Zen, Drugs, and Mysticism
.
New York
:
Pantheon
,
1972
.
Zak
,
Albin
.
The Velvet Underground Companion
.
New York
:
Schirmer
,
1997
.

Figures & Tables

Contents

Advertisement

References

Bibliography

Adams
,
Rebecca
, and
Robert
Sardiello
, eds.
Deadhead Social Science: “You Ain't Gonna Learn What You Don't Wanna Know.”
Walnut Creek, CA
:
AltaMira
,
2000
.
Adelt
,
Ulrich
.
Krautrock: German Music in the Seventies
.
Ann Arbor
:
University of Michigan Press
,
2016
.
Albanese
,
Catherine
.
A Republic of Mind and Spirit: A Cultural History of American Metaphysical Religion.
New Haven, CT
:
Yale University Press
,
2007
.
Allbright
,
Thomas
.
Art in the San Francisco Bay Area, 1945–1080: An Illustrated History
.
Berkeley
:
University of California Press
,
2005
.
Ayler
,
Albert
. “
Untitled
.”
IT: International Times
, March 13,
1967
,
9
.
Backstrom
,
Melvin
. “
The Grateful Dead and Their World: Popular Music and the Avant-Garde in the San Francisco Bay Area, 1965–75
.” PhD diss.,
McGill University
,
2017
.
Bailey
,
Derek
.
Improvisation: Its Nature and Practice in Music
.
New York
:
Da Capo
,
1993
.
Baker
,
Glenn
.
Monkeemania: The True Story of the Monkees
.
London
:
Plexus
,
1997
.
Balch
,
Robert
, and
David
Taylor
. “
Seekers and Saucers: The Role of the Cultic Milieu in Joining a UFO Cult
.”
American Behavioral Scientist
20
(
1977
):
839
60
.
Bangs
,
Lester
. “
Of Pop and Pies and Fun
.” In
Psychotic Reactions and Carburetor Dung
, edited by
Greil
Marcus
,
31
51
.
New York
:
Anchor
,
1987
.
Barlow
,
John Perry
. “
Foreword
.” In
Barry
Barnes
,
Everything I Know about Business, I Learned from the Grateful Dead
,
xvii
xxxii
.
New York
:
Hachette
,
2011
.
Barlow
,
John Perry
, with
Robert
Greenfield
.
Mother American Night: My Life in Crazy Times.
New York
:
Crown Archetype
,
2018
.
Barnard
,
G. William
.
Exploring Unseen Worlds: William James and the Philosophy of Mysticism
.
Albany
:
State University of New York Press
,
1997
.
Barthes
,
Roland
. “
The Grain of the Voice
.” In
Images, Music, Text
,
179
89
.
Glasgow
:
Fontana
,
1977
.
Beal
,
Timothy
.
Roadside Religion: In Search of the Sacred, the Strange, and the Substance of Faith
.
Boston
:
Beacon
,
2005
.
Belgrad
,
Daniel
.
The Culture of Spontaneity: Improvisation and the Arts in Postwar America
.
Chicago
:
University of Chicago Press
,
1998
.
Belleville
,
Melinda
. “
The Taoist Perspective in Weather Report Suite
.”
Dead Letters
3
(
2006
):
27
34
.
Bellman
,
Jonathan
. “
Indian Resonances in the British Invasion, 1965–1968
.”
Journal of Musicology
15
, no.
1
(
1995
):
116
36
.
Bender
,
Courtney
.
The New Metaphysicals: Spirituality and the American Religious Imagination
.
Chicago
:
University of Chicago Press
,
2010
.
Benson
,
Michael
.
Why the Grateful Dead Matter.
Chicago
:
ForeEdge
,
2016
.
Berendt
,
Joachim-Ernst
.
The World Is Sound: Nada Brahma
.
Rochester, NY
:
Destiny
,
1991
.
Berger
,
Peter
.
The Sacred Canopy: Elements of a Sociological Theory of Religion
.
New York
:
Anchor
,
1990
.
Berkman
,
Franya
.
Monument Eternal: The Music of Alice Coltrane
.
Middletown, CT
:
Wesleyan University Press
,
2010
.
Berliner
,
Paul
.
Thinking in Jazz: The Infinite Art of Improvisation
.
Chicago
:
University of Chicago Press
,
1999
.
Bernstein
,
David W.
The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde
.
Berkeley
:
University of California Press
,
2008
.
Bivins
,
Jason
.
Spirits Rejoice! Jazz and American Religion.
Oxford
:
Oxford University Press
,
2015
.
Bley
,
Paul
.
Stopping Time: Paul Bley and the Transformation of Jazz
.
Montreal
:
Véhicule
,
1999
.
Blum
,
Jason
. “
Retrieving Phenomenology of Religion as a Method for Religious Studies
.”
Journal of the American Academy of Religion
80
(
2012
):
1025
48
.
Blum
,
Stephen
. “
Recognizing Improvisation
.” In
Nettl
and
Russell
, eds.,
In the Course of Performance
,
27
46
.
Blush
,
Steven
.
American Hardcore: A Tribal History.
Los Angeles
:
Feral House
,
2001
.
Bockris
,
Victor
, and
Gerard
Malanga
.
Up-Tight: The Story of the Velvet Underground
.
London
:
Omnibus
,
1983
.
Bonds
,
Mark Evan
.
Absolute Music: The History of an Idea
.
Oxford
:
Oxford University Press
,
2014
.
Boone
,
Graeme
. “
Mirror Shatters: Tonal and Expressive Ambiguity in ‘Dark Star.’
” In
Covach
and
Boone
,
Understanding Rock
,
171
210
.
Borgo
,
David
.
Sync or Swarm: Improvising Music in a Complex Age
.
New York
:
Continuum
,
2005
.
Bowman
,
Rob
.
Soulsville USA: The Story of Stax Records.
New York
:
Schirmer
,
1997
.
Brackett
,
David
. “
Improvisation and Value in Rock, 1966
.”
Journal of the Society for American Music
14
,
no. 2
(
2020
):
197
232
.
Braunstein
,
Peter
. “
Forever Young: Insurgent Youth and the Sixties Culture of Rejuvenation
.” In Braunstein and
Doyle
, eds.,
Imagine Nation
,
1
16
.
Braunstein
,
Peter
, and
Michael
Doyle
.
Imagine Nation: American Cultural Radicalism in the 1960s
.
New York
:
Routledge
,
2001
.
Brightman
,
Carol
.
Sweet Chaos: The Grateful Dead's American Adventure
.
New York
:
Simon and Schuster
,
1998
.
Bromell
,
Nick
.
Tomorrow Never Knows: Rock and Psychedelics in the 1960s
.
Chicago
:
University of Chicago Press
,
2000
.
Bromley
,
David
, and
Douglas
Cowan
. “
The Invention of a Counter-Tradition: The Case of the North American Anti-Cult Movement
.” In
Lewis
and
Hammer
,
The Invention of Sacred Tradition
,
96
117
.
Bryan
,
David
. “
The Grateful Dead Religious Experience
.” In
Meriwether
,
Reading the Grateful Dead
,
146
62
.
Cale
,
John
, and
Victor
Bockris
.
What's Welsh for Zen: The Autobiography of John Cale
.
London
:
Bloomsbury
,
1999
.
Campbell
,
Colin
. “
The Cultic Milieu and Secularization
.”
Sociological Yearbook of Religion in Britain
5
(
1972
):
119
36
.
Cardena
,
Etzel
, and
Michael
Winkelman
, eds.
Altering Consciousness: Multidisciplinary Perspectives. Vol. 1: History, Culture and the Humanities
.
Santa Barbara, CA
:
Praeger
,
2011
.
Cardena
,
Etzel
, and
Michael
Winkelman
, eds.
Altering Consciousness: Multidisciplinary Perspectives. Vol. 2: Biological and Psychological Perspectives
.
Santa Barbara, CA
:
Praeger
,
2011
.
Chernoff
,
John Miller
.
African Music and African Sensibility: Aesthetics and Social Action in African Musical Idioms.
Chicago
:
University of Chicago Press
,
1979
.
Chidester
,
David
.
Authentic Fakes: Religion and American Popular Culture
.
Berkeley
:
University of California Press
,
2005
.
Cioco
,
Gary
. “
How Dead Beats Became Dead Heads: From Emerson and James to Kerouac and Garcia
.” In
Gimbel
,
The Grateful Dead and Philosophy
,
63
74
.
Clarke
,
Arthur
.
Childhood's End.
New York
:
Ballantine
,
1953
.
Clayson
,
Adam
.
Beat Merchants: The Origins, History, Impact, and Rock Legacy of the 1960s British Pop Groups
.
London
:
Blandford
,
1996
.
Clayson
,
Alan
.
The Yardbirds
.
San Francisco
:
Backbeat
,
2002
.
Coggins
,
Owen
.
Mysticism, Ritual, and Religion in Drone Metal.
London
:
Bloomsbury
,
2018
.
Cole
,
Bill
.
John Coltrane
.
New York
:
Da Capo
,
2001
.
Constanten
,
Tom
.
Between Rock and Hard Places: A Musical Autobiodyssey
.
Eugene, OR
:
Hulogosi
,
1991
.
Corbett
,
John
.
A Listener's Guide to Free Improvisation
.
Chicago
:
University of Chicago Press
,
2016
.
Covach
,
John
. “
The Hippie Aesthetic: Cultural Positioning and Musical Ambition in Early Progressive Rock
.” In
Rock Music
, edited by
Mark
Spicer
,
65
75
.
Farnham, UK
:
Ashgate
,
2012
.
Covach
,
John
, and
Graeme
Boone
, eds.
Understanding Rock: Essays in Musical Analysis
,
New York
:
Oxford University Press
,
1997
.
Crook
,
Hal
.
Ready, Aim, Improvise: Exploring the Basics of Jazz Improvisation
.
Rottenburg, Germany
:
Advance Music
,
1999
.
Crowley
,
Kent
.
Surf Beat: Rock's Forgotten Revolution
.
New York
:
Backbeat
,
2011
.
Csikszentmihalyi
,
Mihaly
.
Flow: The Psychology of Optimal Experience.
New York
:
Harper
,
2008
.
Cutler
,
Chris
.
File under Popular: Theoretical and Critical Writings on Music
.
New York
:
Autonomedia
,
1993
.
Dahl
,
Bill
.
All Music Guide to the Blues
.
New York
:
Freeman
,
1996
.
Daniélou
,
Alain
.
The Ragas of Northern India.
London
:
Cresset
,
1968
.
Davis
,
Erik
.
High Weirdness: Drugs, Esoterica, and Visionary Experiences in the Seventies.
Cambridge, MA
:
MIT Press
,
2019
.
Debord
,
Guy
.
The Society of the Spectacle
. Translated by
Donald
Nicholson-Smith
.
New York
:
Zone
,
1994
.
Demerath
,
N. J.
Sacred Companies: Organizational Aspects of Religion and Religious Aspects of Organizations.
Oxford
:
Oxford University Press
,
1998
.
Denzey Lewis
,
Nicola
.
Introduction to “Gnosticism”: Ancient Voices, Christian Worlds
.
Oxford
:
Oxford University Press
,
2013
.
Devereux
,
Paul
.
The Long Trip: A Prehistory of Psychedelia
.
Brisbane
:
Daily Grail
,
1997
.
DeVito
,
Chris
.
Coltrane on Coltrane: The John Coltrane Interviews.
Chicago
:
A Cappella
,
2010
.
Dines
,
M.
The Sacralization of Straightedge Punk: Bhakti-yoga, Nada Brahma, and the Divine Received: Embodiment of Krishnacore
.”
Musicological Annual
50
,
no. 2
: (
2015
):
147
56
.
Dodd
,
David
.
The Complete Annotated Grateful Dead Lyrics
.
New York
:
Free Press
,
2005
.
Dodd
,
David
, and
Diane
Spaulding
.
The Grateful Dead Reader
.
Oxford
:
Oxford University Press
,
2000
.
Doggett
,
Peter
.
Are You Ready for the Country? Elvis, Dylan, Parsons, and the Roots of Country Rock
.
London
:
Penguin
,
2000
.
Ellens
,
J. Harold
, ed.
Seeking the Sacred with Psychoactive Substances: Chemical Paths to Spirituality and to God
.
Santa Barbara, CA
:
Praeger
,
2014
.
Ellwood
,
Robert
.
The Sixties Spiritual Awakening
.
New Brunswick, NJ
:
Rutgers University Press
,
1994
.
Erhard
,
Werner
.
The Transformation of a Man: The Founding of EST
.
New York
:
Crown
,
1978
.
Farber
,
David
. “
The Intoxicated State / Illegal Nation: Drugs in the Sixties Counterculture
.” In
Braunstein
and
Doyle
, eds.,
Imagine Nation
,
17
40
.
Farley
,
Charles
.
Soul of the Man: Bobby “Blue” Band
.
Jackson
:
University Press of Mississippi
,
2011
.
Fideler
,
David
. “
Introduction
.” In
The Pythagorean Sourcebook and Library
, edited by
Kenneth Sylvan
Guthrie
,
1
19
.
Grand Rapids, MI
:
Phanes
,
1988
.
Fink
,
Robert
.
Repeating Ourselves: American Minimal Music as Cultural Practice
.
Berkeley
:
University of California Press
,
2005
.
Fiorfori
,
Tam
. “
Sun Ra's Space Odyssey
.”
Downbeat
, May 14,
1970
,
14
17
.
Fox
,
Brian
.
Transcription of “Scarlet Begonias
.”
Bass Player
, April
2008
,
81
85
.
Freedman
,
D. X.
On the Use and Abuse of LSD
.”
Archives of General Psychiatry
18
(
1968
):
330
47
.
Freeman
,
Philip
.
Running the Voodoo Down: The Electric Music of Miles Davis
.
San Francisco
:
Backbeat
,
2005
.
Freeman
,
Robert
. “
Other People Play the Music: Improvisation as Social Interaction
.” In
Adams
and
Sardiello
,
Deadhead Social Science
,
75
106
.
Frith
,
Simon
.
Sound Effects: Youth, Leisure, and the Politics of Rock
.
New York
:
Pantheon
,
1981
.
Fuller
,
Robert
.
Spiritual but Not Religious
.
Oxford
:
Oxford University Press
,
2001
.
Fuller
,
Robert
.
Stairways to Heaven: Drugs in American Religious History
.
Boulder, CO
:
Westview
,
2000
.
Gann
,
Kyle
. “
Thankless Attempts at a Definition of Minimalism
.” In
Audio Culture: Readings in Modern Music
, edited by
Christoph
Cox
and
Daniel
Warner
,
299
303
.
New York
:
Continuum
,
2004
.
Gans
,
David
.
Conversations with The Dead: The Grateful Dead Interview Book
.
New York
:
Citadel
,
1995
.
Gans
,
David
, and
Paul
Simon
.
Playing in the Band: An Oral and Visual History of the Grateful Dead
. Updated memorial edition.
New York
:
St. Martin's
,
1996
.
Garcia
,
Jerry
,
Charles
Reich
, and
Jann
Wenner
.
Garcia: A Signpost to New Space
.
New York
:
Da Capo
,
2003
.
Gaskin
,
Stephen
.
The Caravan
.
Summertown, TN
:
Book Publishing
,
2007
.
Gaskin
,
Stephen
.
Haight Ashbury Flashbacks
.
Berkeley, CA
:
Ronin
,
1990
.
Gaskin
,
Stephen
.
Monday Night Class
. Rev. ed.
Summertown, TN
:
Book Publishing
,
2005
.
Gendron
,
Bernard
.
Between the Mudd Club and Montmartre: Popular Music and the Avant Garde
.
Chicago
:
University of Chicago Press
,
2002
.
George-Warren
,
Holly
, ed. Garcia, by the Editors of Rolling Stone.
New York
:
Little, Brown
,
1995
.
Getz
,
Michael M.
, and
John R.
Dwork
, eds.
The Deadhead's Taping Compendium: An In-Depth Guide to the Music of the Grateful Dead on Tape
.
New York
:
Holt
,
1998
.
Gimbel
,
Steve
, ed.
The Grateful Dead and Philosophy: Getting High Minded about Love and Haight
.
Chicago
:
Open Court
,
2007
.
Gimbel
,
Steve
. “
The Other One and the Other: Moral Lessons from a Reluctant Teacher
.” In
Tuedio
and
Spector
,
The Grateful Dead in Concert
,
191
99
.
Ginsberg
,
Allen
. “
First Thought, Best Thought
.” In
Composed on the Tongue
,
106
17
.
San Francisco
:
Grey Fox
,
2001
.
Gleason
,
Ralph J.
The Bands—That's Where It's At
.” In
Gleason
,
The Jefferson Airplane and the San Francisco Sound
,
1
82
.
Gleason
,
Ralph J.
The Jefferson Airplane and the San Francisco Sound
.
New York
:
Ballantine
,
1969
.
Gleason
,
Ralph J.
Jerry Garcia: The Guru
.” In
The Jefferson Airplane and the San Francisco Sound
,
306
29
.
Glock
,
Charles
, and
Rodney
Stark
.
Religion and Society in Tension
.
Chicago
:
Rand McNally
,
1965
.
Godwin
,
Joscelyn
.
Harmonies of Heaven and Earth: The Spiritual Dimensions of Music from Antiquity to the Avant Garde
.
Rochester, NY
:
Inner Traditions
,
1987
.
Godwin
,
Joscelyn
.
Music, Mysticism, and Magic: A Sourcebook
.
London
:
Arkana
,
1987
.
Godwin
,
Joscelyn
, ed.
Cosmic Music: Musical Keys to the Interpretation of Reality
.
Rochester, NY
:
Inner Traditions
,
1989
.
Gracyk
,
Theodore
.
Rhythm and Noise: An Aesthetics of Rock.
Durham, NC
:
Duke University Press
,
1996
.
Greenfield
,
Robert
.
Dark Star: An Oral Biography of Jerry Garcia
.
New York
:
HarperCollins
,
2009
.
Grimshaw
,
Jeremy
.
Draw a Straight Line and Follow It: The Music and Mysticism of La Monte Young
.
Oxford
:
Oxford University Press
,
2011
.
Hall
,
Douglas Kent
, and
Sue C.
Clark
.
Rock: A World Bold as Love
.
New York
:
Cowles
,
1970
.
Harrison
,
Hank
.
The Dead
.
Millbrae, CA
:
Celestial Arts
,
1980
.
Hart
,
Mickey
.
Drumming on the Edge of Magic: A Journey into the Spirit of Percussion
.
San Francisco
:
Harpers
,
1990
.
Hartley
,
Jennifer
. “
We Were Given This Dance: Music and Meaning in the Early Unlimited Devotion Family
.” In
Adams
and
Sardiello
,
Deadhead Social Science
,
129
56
.
Hartogsohn
,
Ido
.
American Trip: Set, Setting, and the Psychedelic Experience in the Twentieth Century
.
Cambridge, MA
:
MIT Press
,
2020
.
Hayes
,
Charles
.
Tripping: An Anthology of True-Life Psychedelic Adventures
.
New York
:
Penguin
,
2000
.
Hazell
, Ed. “
Portraits: Beaver Harris
.”
Modern Drummer
, November
1989
,
51
52
.
Headlam
,
Dave
. “
Blues Transformations in the Music of Cream
.” In
Covach
and
Boone
,
Understanding Rock
,
59
92
.
Heble
,
Ajay
, and
Mark
Laver
, eds.
Improvisation and Music Education: Beyond the Classroom
.
London
:
Routledge
,
2017
.
Heffley
,
Mike
.
Northern Sun and Southern Moon: Europe's Reinvention of Jazz
.
Cambridge, MA
:
Harvard University Press
,
2005
.
Heinlein
,
Robert
. “
Lost Legacy
.” In
Assignment in Eternity
, edited by
Robert
Heinlein
,
96
170
.
New York
:
Fantasy
,
1953
.
Heinlein
,
Robert
.
Stranger in a Strange Land
.
New York
:
Berkeley
,
1961
.
Hentoff
,
Nat.
The Truth Is Marching In
.”
Downbeat
, November 17,
1966
,
16
18
, 40.
Heylin
,
Clinton
.
All Yesterday's Parties: The Velvet Underground in Print
,
1966
71
.
New York
:
Da Capo
,
2005
.
Hibbert
,
Tom
. “
The Last Great American Adventurer: Jerome John Garcia, 1942–1995
.”
Q
, February 1988. http://www.rocksbackpages.com/Library/Article/the-last-great-american-adventurer-jerome-john-garcia-1942–1995 (accessed June 1, 2016).
Hicks
,
Michael
.
Sixties Rock: Garage, Psychedelic, and Other Satisfactions
.
Urbana
:
University of Illinois Press
,
1999
.
Hill
,
Christopher
.
Into the Mystic: The Visionary and Ecstatic Roots of 1960s Rock and Roll
.
Rochester, NY
:
Park Street
,
2017
.
Hill
,
Sarah
.
San Francisco and the Long 60s
.
London
:
Bloomsbury
,
2016
.
Hjelm
,
Titus
. “
Tradition as Legitimation in New Religious Movements
.” In
Historicizing “Tradition” in the Study of Religion
, edited by
Steven
Engler
and
Gregory P.
Grieve
,
109
23
.
Berlin
:
De Gruyter
,
2005
.
Hjort
,
Christopher
.
Strange Brew: Eric Clapton and the British Blues Boom
.
London
:
Jawbone
,
2007
.
Hoffmann
,
Albert
.
LSD, My Problem Child
. Translated by
Jonathan
Ott
.
New York
:
McGraw-Hill
,
1980
.
Hollenback
,
Jess
.
Mysticism: Experience, Response, and Empowerment
.
University Park
:
Pennsylvania State University Press
,
2000
.
Horowitz
,
Michael
, and
Cynthia
Palmer
.
Moksha: Aldous Huxley's Classic Writings on Psychedelics and the Visionary Experience
.
Rochester, NY
:
Park Street
,
1999
.
Hudnut-Beumler
,
James
.
Looking for God in the Suburbs: The Religion of the American Dream and Its Critics, 1945–1965
.
New Brunswick, NJ
:
Rutgers
,
1994
.
Hutton
,
Ronald
.
Shamans: Siberian Spirituality and the Western Imagination
.
London
:
Hambledon
,
2001
.
Ireland
,
Brian
, and
Sharif
Gemie
. “
Raga Rock: Popular Music and the Turn to the East in the 1960s
.”
Journal of American Studies
53
,
no. 1
(
2019
):
57
94
.
Jackson
,
Blair
.
Garcia: An American Life
.
New York
:
Penguin
,
1999
.
Jackson
,
Blair
, ed.
Going Down the Road: A Grateful Dead Traveling Companion.
New York
:
Harmony
,
1992
.
Jackson
,
Blair
.
Grateful Dead Gear: The Band's Instruments, Sound Systems, and Recording Sessions from 1965 to 1995
.
San Francisco
:
Backbeat
,
2006
.
Jackson
,
Blair
, and
David
Gans
.
This Is All a Dream We Dreamed: An Oral History of the Grateful Dead
.
New York
:
Flatiron
,
2015
.
Jarnow
,
Jesse
.
Heads: A Biography of Psychedelic America
.
Boston
:
Da Capo
,
2016
.
Johnson
,
Anna
, and
Mike
Stax
. “
From Psychotic to Psychedelic: The Garage Contribution to Psychedelia
.”
Popular Music and Society
29
(
2006
):
411
25
.
Joseph
,
Branden
.
Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage.
New York
:
Zone
,
2011
.
Jost
,
Ekkehard
.
Free Jazz
.
New York
:
Da Capo
,
1994
.
Jung
,
Darryl
. “
Attempting the Impossible
.”
Now Weekly
, February 6–12,
1986
,
11
.
Kaler
,
Michael
. “
How the Grateful Dead Learned to Jam
.” In Meriwether, Reading the Grateful Dead,
67
85
.
Kaler
,
Michael
. “
Jamming the Blues: The Grateful Dead's Development of Models for Rock Improvisation
.”
Critical Studies in Improvisation
9
,
no. 1
(
2013
): https://www.criticalimprov.com/index.php/csieci/article/view/2145/3202 (accessed March 14, 2023).
Kaler
,
Michael
. “
Making Magic with Music: Transcendence and Transformation in the Modern Rediscovery of Radical Improvisation
.” In
Religion: Super Religion
, edited by
Jeffrey J.
Kripal
,
389
404
.
Farmington Hills, MI
:
Macmillan Reference
,
2018
.
Kaler
,
Michael
. “
Music and the Divine: The Acid Tests as Foundation Stories
.”
Studies in Religion/Sciences Religieuses
45
(
2014
):
3
15
.
Kaler
,
Michael
. “
Searching for the (Sacred) Sound: Phil Lesh, the Grateful Dead, and Religion
.”
Journal of Religion and Popular Culture
23
(
2011
):
139
54
.
Kapchan
,
Deborah
.
Traveling Spirit Masters: Moroccan Gnawa Trance and Music in the Global Marketplace.
Middletown, CT
:
Wesleyan University Press
,
2007
.
Katz
,
Stephen
.
Mysticism and Philosophical Analysis
.
London
:
Sheldon
,
1978
.
Kelly
,
Aidan
.
Hippie Commie Beatnik Witches: A Social History of the New Reformed Orthodox Order of the Golden Dawn
.
Tacoma, WA
:
Hierophant Wordsmith
,
2011
.
Kelly
,
Kevin
. “
Why We Left the Farm
.”
Whole Earth Review
49
(Winter
1985
):
56
66
.
Kennedy
,
Caleb
. “
The Dead's Early Thematic Jams
.” Grateful Dead Guide, January 8,
2010
. http://deadessays.blogspot.com/2010/01/deads-early-thematic-jams.html.
Kennedy
,
Caleb
. “
The Velvets and the Dead
.” Grateful Dead Guide, September 7,
2010
. http://deadessays.blogspot.com/2010/09/velvets-and-dead.html.
Kerouac
,
Jack
. “
Essentials of Spontaneous Prose
.” In
The Portable Beat Reader
, edited by
Ann
Charters
,
57
.
New York
:
Viking
,
1992
.
Khan
,
Hazrat Inayat
.
The Mysticism of Sound and Music
.
Boston
:
Shambhala
,
1991
.
King
,
Anna
. “
Spirituality: Transformation and Metamorphosis
.”
Religion
26
(
1996
):
343
51
.
King
,
Karen
.
What Is Gnosticism?
Cambridge, MA
:
Belknap Press of Harvard University Press
,
2003
.
Knabb
,
Ken
.
Situationist International Anthology
.
N.p.
:
Bureau of Public Secrets
,
2006
.
Kofsky
,
Frank
.
Black Nationalism and the Revolution in Music
.
New York
:
Pathfinder
,
1970
.
Kofsky
,
Frank
.
Love Cry
. Liner notes. Impulse! AS 9165,
1968
.
Vinyl album
.
Kofsky
,
Frank
. “
A Thread to the Collective Unconscious: Jerry Garcia and Bob Weir on Music, the Haight, and the Sixties
.”
Dead Studies
1
(
2011
):
49
74
.
Kripal
,
Jeffrey
.
Comparing Religions.
New York
:
Wiley-Blackwell
,
2014
.
Kripal
,
Jeffrey
.
Mutants and Mystics: Science Fiction, Superhero Comics, and the Paranormal
. 2nd ed.
Chicago
:
University of Chicago Press
,
2015
.
Kripal
,
Jeffrey
. “
The Traumatic Secret: Bataille and the Comparative Erotics of Mystical Literature
.” In
Negative Ecstasies: Georges Bataille and the Study of Religion
, edited by
Jeremy
Biles
and
Kent
Brintnall
,
153
68
.
New York
:
Fordham University Press
,
2015
.
Krippner
,
Stanley
, and
Richard
Davidson
. “
Religious Implications of Paranormal Events Occurring during Chemically Induced ‘Psychedelic’ Experiences
.”
Pastoral Psychology
21
(
1970
):
27
34
.
Kugelberg
,
Johann
.
The Velvet Underground: New York Art
.
New York
:
Rizzoli
,
2009
.
Kuttner
,
Henry
.
Mutant
.
New York
:
Ballantine
,
1953
.
Laski
,
Marghanita
.
Ecstasy in Secular and Religious Experiences
.
New York
:
St. Martin's
,
1961
.
Lavezzoli
,
Peter
.
The Dawn of Indian Music in the West
.
London
:
Continuum
,
2007
.
Lee
,
Martin
, and
Bruce
Shlain
.
Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond
.
New York
:
Grove
,
1991
.
Le Gendre
,
Kevin
.
Soul Unsung: Reflections on the Band in Black Popular Music
.
Sheffield
:
Equinox
,
2012
.
Lesh
,
Phil
. “
Anthem of the Tone: Phil Lesh and the Modern Electric Bass
.” Interview by
Karl
Coryat
, pt. 2.
Bass Player
(July
2000
):
56
64
.
Lesh
,
Phil
. “
Lesh Is More: Portrait of an American Beauty
.” Interview by
Karl
Coryat
, pt. 2.
Bass Player
(June
2000
):
39
49
.
Lesh
,
Phil
.
Searching for the Sound: My Life with the Grateful Dead
.
New York
:
Little, Brown
,
2005
.
Levaux
,
Christophe
.
We Have Always Been Minimalist: The Construction and Triumph of a Musical Style
.
Oakland
:
University of California Press
,
2020
.
Lewis
,
George
.
A Power Stronger than Itself: The AACM and American Experimental Music
.
Chicago
:
University of Chicago Press
,
2008
.
Lewis
,
James
.
Legitimating New Religions
.
New Brunswick, NJ
:
Rutgers
,
2003
.
Lewis
,
James
, and
Olav
Hammer
, eds.
The Invention of Sacred Tradition
.
Cambridge
:
Cambridge University Press
,
2007
.
Lewis
,
Mark
. “Neuroscientist Marc Lewis on His First Acid Trip.” Newsweek, March 3, 2012, 19.
Litweiler
,
John
.
The Freedom Principle: Jazz after 1958
.
New York
:
Quill
,
1984
.
Luhrman
,
Tanya
.
When God Talks Back: Understanding the American Evangelical Relationship with God
.
New York
:
Knopf
,
2012
.
Lundborg
,
Patrick
.
Psychedelia: An Ancient Culture, a Modern Way of Life
.
Stockholm
:
Lysergia
,
2012
.
MacDonald
,
R. A.
, and
G. B.
Wilson
. “
Musical Improvisation and Health: A Review
.”
Psychology of Well-Being
4
,
no. 20
(
2014
). https://doi.org/10.1186/s13612–014–0020–9.
MacFarlane
,
Scott
.
The Hippie Narrative: A Literary Perspective on the Counterculture
.
Jefferson, NC
:
McFarland
,
2007
.
Malvinni
,
David
.
Grateful Dead and the Art of Rock Improvisation.
Lanham, MD
:
Scarecrow
,
2013
.
Marcus
,
Greil
.
In the Fascist Bathroom: Writings on Punk, 1977–1982
.
London
:
Viking
,
1993
.
Martin
,
Craig
. “
Psychedelic Music in San Francisco: Style, Context, and Evolution
.” PhD diss.,
Concordia University
,
2000
.
Mason
,
Nick
.
Inside Out: A Personal History of Pink Floyd
.
London
:
Weidenfeld and Nicolson
,
2004
.
Mathieu
,
W. A.
Bridge of Waves: What Music Is and How Listening to It Changes the World.
Boston
:
Shambhala
,
2010
.
McNally
,
Dennis
.
A Long Strange Trip: The Inside Story of the Grateful Dead
.
New York
:
Broadway
,
2002
.
McStravick
,
Summer
, and
John
Roos
.
Blues-Rock Explosion
.
Mission Viejo, CA
:
Old Goat
,
2001
.
Meriwether
,
Nicholas
. “
The Acid Tests
.” In
Getz
and
Dwork
, eds.,
The Deadhead's Taping Compendium
,
84
91
.
Meriwether
,
Nicholas
. “
1/6/66: The Fillmore Acid Test
.” In
Getz
and
Dwork
,
The Deadhead's Taping Compendium
,
91
94
.
Meriwether
,
Nicholas
.
Reading the Grateful Dead: A Critical Survey
.
Lanham, MD
:
Scarecrow
,
2012
.
Merkur
,
Daniel
. “
The Formation of Hippie Spirituality 1: Union with God
.” In
Ellens
,
Seeking the Sacred with Psychoactive Substances
,
207
38
.
Merkur
,
Daniel
. “
The Formation of Hippie Spirituality 2: Further and Further
.” In
Ellens
,
Seeking the Sacred with Psychoactive Substances
,
239
90
.
Merkur
,
Daniel
. “
The Visionary Practices of the Jewish Apocalypticists
.” In
The Psychoanalytic Study of Society. Vol. 14: Essays in Honor of Paul Parin
, edited by
L. B.
Boyer
and
S. A.
Grolnick
,
119
48
.
Hillsdale, NJ
:
Analytic
,
1989
.
Monson
,
Ingrid
.
Saying Something: Jazz Improvisation and Interaction
.
Chicago
:
University of Chicago Press
,
1997
.
Morley
,
Gabriel Patrick
. “
Tripping with Stephen Gaskin: An Exploration of a Hippy Adult Educator
.” PhD diss.,
University of Southern Mississippi
,
2012
.
Murphy
,
Joseph
.
Working the Spirit: Ceremonies of the African Diaspora
.
Boston
:
Beacon
,
1994
.
Murray
,
Charles Shaar
.
Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century
.
New York
:
St. Martin's
,
2000
.
Napier
,
John
. “
Novelty That Must Be Subtle: Continuity, Innovation, and ‘Improvisation’ in North Indian Music
.”
Critical Studies in Improvisation
1
(
2006
):
1
17
.
Nettl
,
Bruno
. “
Improvisation
.” In
Harvard Dictionary of Music
, edited by
Don Michael
Randel
,
406
8
.
Cambridge, MA
:
Belknap Press of Harvard University Press
,
2003
.
Nettl
,
Bruno
. “
Improvisation
.” In Grove Music Online. Accessed March 8,
2014
. http://www.oxfordmusiconline.com.ezproxy.library.yorku.ca/subscriber/article/grove/music/13738#S13738.
Nettl
,
Bruno
. “
Preface
.” In
Solis
and
Nettl
,
Musical Improvisation
, ix–xv.
Nettl
,
Bruno
.
The Study of Ethnomusicology: Thirty-one Issues and Concepts.
Champaign
:
University of Illinois Press
,
2005
.
Nettl
,
Bruno
. “
Thoughts on Improvisation: A Comparative Approach
.”
Musical Quarterly
40
(
1974
):
1
19
.
Nettl
,
Bruno
, and
Melinda
Russell
, eds.
In the Course of Performance: Studies in the World of Musical Improvisation.
Chicago
:
University of Chicago Press
,
1998
.
Newberg
,
Andrew
.
Principles of Neurotheology
.
London
:
Ashgate
,
2010
.
Nichols
,
David
, and
Benjamin
Chemel
. “
LSD and the Serotonin System's Effects on Human Consciousness
.” In
Cardena
and
Winkelman
,
Altering Consciousness
, vol.
1
:
121
46
.
Nisenson
,
Eric
.
Ascension: John Coltrane and his Quest
.
New York
:
Da Capo
,
1993
.
Norman
,
Philip
.
The Stones
.
London
:
Sidgwick and Jackson
,
2001
.
Nyman
,
Michael
.
Experimental Music: Cage and Beyond
. 2nd ed.
Cambridge
:
Cambridge University Press
,
1999
.
O'Dea
,
Thomas
. “
Sociological Dilemmas: Five Paradoxes of Institutionalization
.” In
Sociological Theory, Values, and Sociocultural Change: Essays in Honour of Pitrim A. Sorokin
, edited by
Edward
Tiryakian
,
71
89
.
London
:
Free Press of Glencoe
,
1963
.
Olsson
,
Ulf
.
Listening for the Secret: The Grateful Dead and the Politics of Improvisation
.
Berkeley
:
University of California Press
,
2017
.
Osmond
,
Humphry
. “
A Review of the Clinical Effects of Psychotomimetic Agents
.”
Annals of the New York Academy of Science
66
(
1957
):
417
35
.
Osto
,
Douglas
.
Altered States: Buddhism and Psychedelic Spirituality in America
.
New York
:
Columbia University Press
,
2016
.
Otto
,
Rudolph
.
The Idea of the Holy
. Translated by
John
Harvey
.
Oxford
:
Oxford University Press
,
1979
.
Paden
,
William
.
Religious Worlds: The Comparative Study of Religion.
2nd ed.
Boston
:
Beacon
,
1994
.
Palacios
,
Julian
.
Lost in the Woods: Syd Barrett and the Pink Floyd
.
London
:
Macmillan
,
1998
.
Partridge
,
Christopher
.
Dub in Babylon: Understanding the Evolution and Significance of Dub Reggae in Jamaica and Britain from King Tubby to Post-Punk
.
London
:
Equinox
,
2010
.
Partridge
,
Christopher
.
The Lyre of Orpheus: Popular Music, the Sacred, and the Profane
.
Oxford
:
Oxford University Press
,
2013
.
Partridge
,
Christopher
.
Occulture: The Re-Enchantment of the West
.
2
vols.
London
:
Bloomsbury
,
2005–2006
.
Partridge
,
Christopher
, and
Marcus
Moberg
, eds.
The Bloomsbury Handbook of Religion and Popular Music
.
London
:
Bloomsbury
,
2017
.
Pearlman
,
Sandy
. “
Patterns and Sounds: The Uses of Raga in Rock
.”
Paste
magazine, December 1,
1966
. https://www.pastemagazine.com/crawdaddy/patterns-and-sounds-the-uses-of-raga-in-rock.
Perrine
,
Daniel
.
The Chemistry of Mind-Altering Drugs: History, Pharmacology, and Cultural Context
.
Washington, DC
:
American Chemical Society
,
1996
.
Perry
,
Charles
.
The Haight-Ashbury: A History
.
New York
:
Wenner
,
2005
.
Perry
,
Paul
, and
Ken
Babbs
.
On the Bus: The Complete Guide to the Legendary Trip of Ken Kesey and the Merry Pranksters and the Birth of the Counterculture
.
New York
:
Thunder's Mouth
,
1997
.
Pisani
,
Bob
. “
Confessions of a Deadhead: 40 Years with the Grateful Dead
.” CNBC, July 1,
2015
. https://www.cnbc.com/2015/07/01/confessions-of-a-deadhead-40-years-with-the-grateful-dead.html.
Plummer
,
William
.
The Holy Goof: A Biography of Neal Cassady
.
New York
:
Thunder's Mouth
,
1997
.
Poggioli
,
Renato
.
The Theory of the Avant Garde
.
Cambridge, MA
:
Belknap Press of Harvard University Press
,
1968
.
Pohl
,
Frederick
, and
Cyril M.
Kornbluth
.
Wolfbane
.
New York
:
Ballantine
,
1969
.
Polits
,
William
. “
Grateful Jams
.” In
Getz
and
Dwork
,
The Deadhead's Taping Compendium
,
59
61
.
Porter
,
Lewis
.
John Coltrane: His Life and Music
.
Ann Arbor
:
University of Michigan Press
,
1999
.
Prevost
,
Edwin
.
No Sound Is Innocent.
Berkeley
:
Small Press Distribution
,
1997
.
Proudfoot
,
Wayne
.
Religious Experience
.
Berkeley
:
University of California Press
,
1985
.
Prown
,
Peter
, and
H. P.
Newquist
.
Legends of Rock Guitar
.
Milwaukee, WI
:
Hal Leonard
,
1997
.
Qureshi
,
Regula
.
Sufi Music of India and Pakistan: Sound, Context, and Meaning in Qawwali
.
Chicago
:
University of Chicago Press
,
1986
.
Racy
,
A. J.
Making Music in the Arab World: The Culture and Artistry of Tarab
.
Cambridge
:
Cambridge University Press
,
2003
.
Racy
,
A. J.
Why Do They Improvise? Reflections on Meaning and Experience
.” In
Solis
and
Nettl
,
Musical Improvisation
,
313
22
.
Randel
,
Dom Michael
, ed.
The Harvard Dictionary of Music
. 4th ed.
Cambridge
:
Belknap Press of Harvard University Press
,
2003
.
Ratliff
,
Ben
.
Coltrane: The Story of a Sound
.
New York
:
Picador
,
2007
.
Reising
,
Russell
. “
Melting Clocks and the Hallways of Always: Time in Psychedelic Music
.”
Popular Music and Society
32
(
2009
):
523
47
.
Ripani
,
Richard
.
The New Blue Music: Changes in Rhythm and Blues, 1950–1999
.
Jackson
:
University Press of Mississippi
,
2006
.
Roberts
,
Jim
.
How the Fender Bass Changed the World
.
San Francisco
:
Backbeat
,
2001
.
Rocco
,
John
, ed.
Dead Reckonings: The Life and Times of the Grateful Dead.
New York
:
Schirmer
,
1999
.
Roof
,
Wade Clark
.
A Generation of Seekers: The Spiritual Journeys of the Baby Boom Generation
.
San Francisco
:
Harper
,
1993
.
Roof
,
Wade Clark
.
Spiritual Marketplace: Baby Boomers and the Remaking of American Religion
.
Princeton, NJ
:
Princeton University Press
,
2001
.
Rothstein
,
Mikael
. “
Scientology, Scripture, and Sacred Tradition
.” In
Lewis and Hammer, The Invention of Sacred Tradition
,
18
37
.
Rouget
,
Gilbert
.
Music and Trance: A Theory of the Relations between Music and Possession
. Translated by Rouget and
Brunhilde
Biebuyck
.
Chicago
:
University of Chicago Press
,
1985
.
Sardiello
,
Robert
. “
Studying Deadhead Subculture
.” In
Adams
and
Sardiello
,
Deadhead Social Science
,
267
80
.
Sawyer
,
Keith
.
Group Genius: The Creative Power of Collaboration
. 2nd ed.
New York
:
Basic Books
,
2017
.
Schaffner
,
Nicholas
.
Saucerful of Secrets: The Pink Floyd Odyssey
.
London
:
Sidgwick and Jackson
,
1991
.
Schmidt
,
Leigh Eric
.
Restless Souls: The Making of American Spirituality
.
San Francisco
:
Harper
,
2005
.
Schwartz
,
Jeff
. “
Albert Ayler
.” Accessed April 15,
2012
. http://www.geocities.com/jeff_l_schwartz/ayler.html.
Schwarz
,
K. Robert
.
Minimalists
.
London
:
Phaidon
,
1996
.
Sculatti
,
Gene
, and
Davin
Seay
.
San Francisco Nights: The Psychedelic Music Trip, 1965–1968
.
New York
:
St. Martin's
,
1985
.
Seay
,
Davin
, and
Mary
Neely
. “
Prophets on the Burning Shore
.” In
Stairway to Heaven: The Spiritual Roots of Rock and Roll
, edited by
Davin
Seay
and
Mary
Neely
,
187
217
.
New York
:
Ballantine
,
1986
.
Segal
,
Alan
. “
Religious Experience and the Construction of the Transcendent Self
.” In
Paradise Now: Essays on Early Jewish and Christian Mysticism
, edited by
April
DeConick
,
27
40
.
Atlanta, GA
:
Society for Biblical Literature
,
2006
.
Segal
,
Alan
. “
Transcribing Experience
.” In
With Letters of Light: Studies in the Dead Sea Scrolls, Early Jewish Apocalypticism, Magic, and Mysticism in Honor of Rachel Elior
, edited by
Daphna
Arbel
and
Andrei
Orlov
,
365
82
.
Berlin
:
De Gruyter
,
2011
.
Selvin
,
Joel
.
Summer of Love
.
New York
:
Cooper Square
,
1994
.
Shenk
,
David
, and
Steve
Silberman
.
Skeleton Key: A Dictionary for Deadheads
.
New York
:
Doubleday
,
1994
.
Slawek
,
Stephen
. “
Keeping It Going: Terms, Practices, and Processes of Improvisation in Hindustani Instrumental Music
.” In
Nettl
and
Russell
,
In the Course of Performance
,
335
68
.
Slesinger
,
Ryan
. “
‘And Closed My Eyes to See’: Buddhist Resonances in the Lyrics of the Grateful Dead
.” In
Meriwether
,
Reading the Grateful Dead
,
109
21
.
Sloterdijk
,
Peter
.
You Must Change Your Life: On Anthropotechnics
. Translated by
Wieland
Haban
.
Cambridge
:
Polity
,
2018
.
Smith
,
Huston
.
Cleansing the Doors of Perception: The Religious Significance of Entheogonic Plants and Chemicals.
New York
:
Putnam
,
2000
.
Solis
,
Gabriel
, and
Bruno
Nettl
.
Musical Improvisation: Art, Education, and Society.
Urbana
:
University of Illinois Press
,
2009
.
Spector
,
Stan
. “
Who Is Dionysus and Why Does He Keep Following Me Everywhere?
Dead Letters
2
(
2003
):
19
28
.
Stapledon
,
Olaf
.
Odd John
.
New York
:
Berkeley
,
1965
.
Stark
,
Rodney
, and
William
Bainbridge
.
The Future of Religion
.
Berkeley
:
University of California Press
,
1985
.
Steinbeck
,
Paul
.
Message to Our Folks: The Art Ensemble of Chicago.
Chicago
:
University of Chicago Press
,
2017
.
Stephens
,
Randall
.
The Devil's Music: How Christians Inspired, Condemned, and Embraced Rock and Roll
.
Cambridge, MA
:
Harvard University Press
,
2018
.
Stevens
,
Jay
.
Storming Heaven: LSD and the American Dream
.
New York
:
Grove
,
1987
.
Stewart
,
Earl
.
African American Music: An Introduction
.
New York
:
Schirmer
,
1998
.
Sturgeon
,
Theodore
.
More than Human
.
New York
:
Ballantine
,
1952
.
Sylvan
,
Robin
.
Traces of the Spirit: The Religious Dimensions of Popular Music.
New York
:
New York University Press
,
2002
.
Sylvan
,
Robin
.
Trance Formation: The Spiritual and Religious Dimensions of Global Rave Culture.
London
:
Routledge
,
2005
.
Szwed
,
John
.
So What: The Life of Miles Davis
.
New York
:
Simon and Schuster
,
2002
.
Szwed
,
John
.
Space Is the Place: The Lives and Times of Sun Ra
.
New York
:
Da Capo
,
1998
.
Tamarkin
,
Jeff
.
Got a Revolution: The Turbulent Flight of the Jefferson Airplane
.
New York
:
Atria
,
2003
.
Tanner
,
Stephen
.
Ken Kesey
.
Boston
:
Twayne
,
1983
.
Tart
,
Charles
.
States of Consciousness
.
New York
:
Dutton
,
2000
.
Taves
,
Ann
.
Religious Experience Reconsidered
.
Princeton, NJ
:
Princeton University Press
,
2009
.
Taylor
,
Jill Bolte
.
My Stroke of Insight
.
New York
:
Penguin
,
2009
.
Thomas
,
J. C.
Chasin’ the Trane: The Music and Mystique of John Coltrane
.
Garden City, NY
:
Doubleday
,
1975
.
Thompson
,
Dave
.
Cream: How Eric Clapton Took the World by Storm
.
London
:
Virgin
,
2006
.
Thompson
,
Dave
.
Space Daze: The History and Mystery of Electronic Ambient Space Rock
.
Los Angeles
:
Cleopatra
,
1994
.
Tilley
,
Leslie
.
Making It Up Together: The Art of Collective Improvisation in Balinese Music and Beyond
.
Chicago
:
University of Chicago Press
,
2019
.
Tingen
,
Paul
.
Miles Beyond: The Electric Explorations of Miles Davis, 1967–1991
.
New York
:
Billboard
,
2001
.
Titon
,
Jeff
.
Worlds of Music: An Introduction to the Music of the World's Peoples
. 2nd ed.
New York
:
McGraw-Hill
,
1992
.
Torgoff
,
Martin
.
Can't Find My Way Home: America in the Great Stoned Age
.
New York
:
Simon and Schuster
,
2004
.
Troy
,
Sandy
.
One More Saturday Night: Reflections with the Grateful Dead, Dead Family, and Dead Heads
.
New York
:
St. Martin's
,
1991
.
Tuedio
,
Jim
, and
Stan
Spector
, eds.
The Grateful Dead in Concert: Essays on Live Improvisation
.
Jefferson, NC
:
McFarland
,
2010
.
Turino
,
Thomas
.
Music as Social Life: The Politics of Participation
.
Chicago
:
University of Chicago Press
,
2008
.
Turner
,
Steve
.
Hungry for Heaven
.
London
:
Hodder and Stoughton
,
1995
.
Turner
,
Victor
.
The Ritual Process: Structure and Anti-Structure
.
New Brunswick, NJ
:
Transaction
,
2007
.
Turner
,
Victor
. “
Variations on a Theme of Liminality
.” In
Secular Ritual
, edited by
Sally
Moore
and
Barbara
Myerhoff
,
35
52
.
Assen, Netherlands
:
Van Gorcum
,
1977
.
Unterberger
,
Richie
.
Eight Miles High: Folk Rock's Flight from Haight-Ashbury to Woodstock
.
Berkeley, CA
:
Backbeat
,
2003
.
Wach
,
Joachim
.
Sociology of Religion
.
Chicago
:
University of Chicago Press
,
1944
.
Walsh
,
Roger
. “
Chemical and Contemplative Ecstasy: Similarities and Differences
.” In
Hallucinogens: A Reader
, edited by
Charles
Grob
,
72
82
.
New York
:
Putnam
,
2002
.
Watson
,
Ben
.
Derek Bailey and the Story of Free Improvisation
.
New York
:
Verso
,
2004
.
Watts
,
Alan
.
Does It Matter? Essays on Man's Relation to Materiality
.
New York
:
Pantheon
,
1968
.
Waugh
,
Earl
. “
Dispatches from Memory: Genealogies of Tradition
.” In
Historicizing “Tradition” in the Study of Religion
, edited by
Steven
Engler
and
Gregory
Grieve
,
245
65
.
Berlin
:
De Gruyter
,
2005
.
Weber
,
Max
.
Theory of Social and Economic Organization
. Translated by
A. M.
Henderson
and
Talcott
Parsons
.
New York
:
Free Press
,
1947
.
Weiner
,
Robert
, ed.
Perspectives on the Grateful Dead
.
Westport, CT
:
Greenwood
,
1999
.
Weinstein
,
Norman
.
A Night in Tunisia: Imaginings of Africa in Jazz
.
Metuchen, NJ
:
Scarecrow
,
1992
.
Weiss
,
Jason
.
Steve Lacy: Conversations
.
Durham, NC
:
Duke University Press
,
2006
.
Welch
,
Chris
.
Cream: The Legendary British Supergroup
.
London
:
Balafon
,
2000
.
White
,
Christopher
.
Other Worlds: Spirituality and the Search for Invisible Dimensions
.
Cambridge, MA
:
Harvard University Press
,
2018
.
Whitmer
,
Peter
.
Aquarius Revisited: Seven Who Created the Sixties Counterculture That Changed America
.
New York
:
Macmillan
,
1987
.
Widdess
,
Richard
. “
Schemas and Improvisation in Indian Music
.” In
Language, Music, and Interactions
, edited by
Ruth
Kempson
,
Christine
Howes
, and
Martin
Orwin
,
197
209
.
London
:
College Press
,
2013
.
Wildman
,
Wesley
, and
Leslie
Brothers
. “
Neurophysiological-Semiotic Model of Religious Experience
.” In
Neuroscience and the Person
, edited by
Robert
Russell
,
Nancy
Murphy
, and
Michael
Artib
,
347
413
.
Vatican City
:
Vatican Observatory
,
2002
.
Wilke
,
Annette
, and
Oliver
Moebus
.
Sound and Communication: An Aesthetic Cultural History of Sanskrit Hinduism
.
Berlin
:
de Gruyter
,
2010
.
Williams
,
Michael
.
Rethinking “Gnosticism”: An Argument for Dismantling a Dubious Category
.
Princeton, NJ
:
Princeton University Press
,
1996
.
Wilmer
,
Valerie
.
As Serious as Your Life: John Coltrane and Beyond
.
London
:
Serpent's Tail
,
1992
.
Winfree
,
Jason
. “
‘Searching for the Sound’: Grateful Dead Music and Interpretive Transformation
.” In
Tuedio
and
Spector
,
The Grateful Dead in Concert
,
152
63
.
Witts
,
Richard
.
The Velvet Underground
.
London
:
Equinox
,
2006
.
Wolfe
,
Leonard
.
Voices of the Love Generation
.
Boston
:
Little, Brown
,
1968
.
Wolfe
,
Tom
.
The Electric Kool-Aid Acid Test
.
New York
:
Farrar, Straus and Giroux
,
1982
.
Wolkin
,
Jan Mark
, and
Bill
Keenom
.
Michael Bloomfield: If You Love These Blues
.
San Francisco
:
Miller Freeman
,
2000
.
Wood
,
Brent
. “
The Eccentric Revolutions of Phil Lesh
.” In
Tuedio
and
Spector
,
The Grateful Dead in Concert
,
43
57
.
Woods
,
Willie
. “
Cleo's Back
.” Performed by
Junior
Walker
.
Motown TMG
529 (B),
1965
.
Wright
,
Jack
.
The Free Musics
.
N.p.
:
Spring Garden Music Editions
,
2017
.
Wuthnow
,
Robert
.
After Heaven: Spirituality in America since the 1950s
.
Berkeley
:
University of California Press
,
1998
.
Yamane
,
David
. “
Narrative and Religious Experience
.”
Sociology of Religion
61
(
2000
):
171
89
.
Young
,
Charles M.
The Awakening of the Dead
.” In
Garcia
, edited by the Editors of Rolling Stone,
124
29
.
Boston
:
Little, Brown
,
1995
.
Zaehner
,
R. C.
Mysticism Sacred and Profane
.
1957
.
Oxford
:
Oxford University Press
,
1969
.
Zaehner
,
R. C.
Zen, Drugs, and Mysticism
.
New York
:
Pantheon
,
1972
.
Zak
,
Albin
.
The Velvet Underground Companion
.
New York
:
Schirmer
,
1997
.

Related

Email alerts

Close Modal

or Create an Account

Close Modal
Close Modal