Skip to Main Content
Skip Nav Destination

This short interstitial chapter contemplates the world's most iconic representation of waves, Katsushika Hokusai' woodcut “The Great Wave off Kanagawa” (1829). It examines how the work of Japanese art has lately been re-rendered and quoted to speak about global sociogenic ocean damage.

This content is only available as PDF.
You do not currently have access to this chapter.
Don't already have an account? Register
Close Modal

or Create an Account

Close Modal
Close Modal