Skip to Main Content
Skip Nav Destination
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.
This content is only available as PDF.

Bibliography

Aikens
,
Nick
, and
Robles
Elizabeth
, eds.
The Place Is Here: The Work of Black Artists in 1980s Britain
.
Berlin
:
Sternberg
,
2019
.
Akšamija
,
Azra
. “
Dare to Wear—a Mosque! Immigrant Protest as Cross-Cultural Pedagogy
.” In
Immigrant Protests: Politics, Aesthetics, and Everyday Dissent
, edited by
Marciniak
Katarzyna
and
Tyler
Imogen
,
25
44
.
Albany
:
State University of New York Press
,
2014
.
Alberro
,
Alexander
. “
Institutions, Critique, and Institutional Critique
.” In
Institutional Critique: An Anthology of Artists’ Writings
, edited by
Alberro
Alexander
and
Stimson
Blake
,
2
19
.
Cambridge, MA
:
MIT Press
,
2009
.
Alter
,
Nora
. “
Dead Silence
.” In
Harun Farocki: Against What? Against Whom?
, edited by
Ehmann
Antje
and
Eshun
Kodwo
,
171
78
.
London
:
Koenig
,
2009
.
Alter
,
Nora
. “
The Po liti cal Im/perceptible in the Essay Film: Farocki’s ‘Images of the World and the Inscription of War’
.”
New German Critique
68
(
1996
):
165
92
.
Anderson
,
Benedict
.
Imagined Communities: Reflections on the Origin and Spread of Nationalism
.
London
:
Verso
,
2006
.
Appadurai
,
Arjun
.
Fear of Small Numbers: An Essay on the Geography of Anger
.
Durham, NC
:
Duke University Press
,
2006
.
Arditi
,
Benjamin
. “
Pop u lism Is Hegemony Is Politics? On Ernesto Laclau’s On Populist Reason
.”
Constellations
17
, no.
3
(
2010
):
488
97
.
Arendt
,
Hannah
.
The Human Condition
. 2nd ed.
Chicago
:
University of Chicago Press
,
1998
.
Arendt
,
Hannah
.
The Origins of Totalitarianism
.
New York
:
Harcourt
,
Brace
,
1951
.
Azoulay
,
Ariella
.
The Civil Contract of Photography
.
New York
:
Zone
,
2008
.
Azoulay
,
Ariella
.
Civil Imagination: A Political Ontology of Photography
. Translated by
Bethlehem
Louise
.
London
:
Verso
,
2012
.
Baker
,
Houston A.
, Jr.
Critical Memory and the Black Public Sphere
.”
Public Culture
7
, no.
1
(
1994
):
3
33
.
Balibar
,
Étienne
.
We, the People of Europe? Reflections on Transnational Citizenship
.
Princeton, NJ
:
Princeton University Press
,
2004
.
Bauman
,
Zygmunt
.
Strangers at Our Door
.
Cambridge, UK
:
Polity
,
2016
.
Bee
,
Cristiano
, and
Bozzini
Emanuela
, eds.
Mapping the European Public Sphere: Institutions, Media and Civil Society
.
Surrey, UK
:
Ashgate
,
2010
.
Beltrán
,
Cristina
, and
Ferguson
Kennan
, eds. “
Perspectives on Populism
.” Special issue,
Theory and Event
23
, no.
3
(
2020
).
Benhabib
,
Seyla
. “
Models of Public Space: Hannah Arendt, the Liberal Tradition, and Jürgen Habermas
.” In
Habermas and the Public Sphere
, edited by
Calhoun
Craig
,
73
98
.
Cambridge, MA
:
MIT Press
,
1992
.
Bentham
,
Jeremy
.
The Theory of Legislation
.
Translated from the French of Étienne Dumont by Richard Hildreth
.
New York
:
Harcourt
,
Brace
,
1931
.
Berlant
,
Lauren
.
The Queen of America Goes to Washington City: Essays on Sex and Citizenship
.
Durham, NC
:
Duke University Press
,
1997
.
Berlant
,
Lauren
, and
Warner
Michael
. “
Sex in Public
.”
Critical Inquiry
24
(
1998
):
547
66
.
Bernier
,
Celeste-Marie
.
Stick to the Skin: African American and Black British Art, 1965–2015
.
Berkeley
:
University of California Press
,
2018
.
Bhabha
,
Homi
. “
Democracy De-realized
.” In
Democracy Unrealized: Documenta 11, Platform 1
, edited by
Enwezor
Okwui
,
Bauer
Ute Meta
,
Ghez
Susanne
,
Basualdo
Carlos
,
Nash
Mark
, and
Zaya
Octavio
,
347
64
.
Berlin
:
Hatje Cantz
,
2002
.
Bhabha
,
Homi
.
The Location of Culture
.
London
:
Routledge
,
1994
.
Bishop
,
Claire
. “
‘And That Is What Happened There’: Six Participants of The Bijlmer Spinoza-Festival
.” In
Thomas Hirschhorn: Establishing a Critical Corpus
, edited by
Bizzarri
Thomas
and
Hirschhorn
Thomas
,
6
97
.
Bern
:
JRP-Ringier
,
2011
.
Bishop
,
Claire
. “
Antagonism and Relational Aesthetics
.”
October
110
(
2004
):
51
79
.
Bishop
,
Claire
.
Artificial Hells: Participatory Art and the Politics of Spectator-ship
.
London
:
Verso
,
2012
.
Bizzarri
,
Thomas
, and
Hirschhorn
Thomas
, eds.
Thomas Hirschhorn: Establishing a Critical Corpus
.
Bern
:
jrp-Ringier
,
2011
.
Blair
,
Alasdair
.
The European Union since 1945
.
Harlow, UK
:
Pearson Education
,
2010
.
Blumenthal-Barby
,
Martin
. “
‘Cinematography of Devices’: Harun Farocki’s Eye/Machine Trilogy
.”
German Studies Review
38
, no.
2
(
2015
):
329
51
.
Blumenthal-Barby
,
Martin
. “
Counter-Music: Harun Farocki’s Theory of a New Image Type
.”
October
151
(
2015
):
128
50
.
Blümlinger
,
Christa
. “
Harun Farocki: Critical Strategies
.” In
Harun Farocki: Working on the Sightlines
, edited by
Elsaesser
Thomas
,
315
22
.
Amsterdam
:
Amsterdam University Press
,
2004
.
Bois
,
Yve-Alain
,
Feher
Michel
,
Foster
Hal
, and
Weizman
Eyal
. “
On Forensic Architecture: A Conversation with Eyal Weizman
.”
October
156
(
2016
):
116
40
.
Bourriaud
,
Nicolas
. “
Precarious Constructions: An Answer to Jacques Rancière on Art and Politics
.” In
Open: A Precarious Existence: Vulnerability in the Public Domain
.
Rotterdam
:
NAi
,
2009
.
Bourriaud
,
Nicolas
.
Relational Aesthetics
. Translated by
Pleasance
Simon
and
Woods
Fronza
with
Copeland
Mathieu
.
Dijon
:
Les Presses du réel
,
2002
.
Braun
,
Ariane Kristina
.
Thomas Hirschhorns Bataille Monument: Ein ephemeres Denkmal auf der Documenta 11
.
Saarbrücken, Germany
:
VDM Verlag Dr. Müller
,
2010
.
Brecht
,
Bertolt
. “
Alienation Effects in Chinese Acting
.” In
Brecht on Theatre: The Development of an Aesthetic
, edited and translated by
Willett
John
,
91
99
.
New York
:
Hill and Wang
,
1964
.
Brecht
,
Bertolt
. “
On Gestic Music
.” In
Brecht on Theatre: The Development of an Aesthetic
. Edited and translated by
Willet
John
,
104
6
.
New York
:
Hill and Wang
,
1964
.
Breckenridge
,
Carol A.
,
Pollock
Sheldon
,
Bhabha
Homi K.
, and
Chakrabarty
Dipesh
, eds.
Cosmopolitanism
.
Durham, NC
:
Duke University Press
,
2002
.
Bruce
,
Caitlin Frances
.
Painting Publics: Transnational Legal Graffiti Scenes as Spaces for Encounter
.
Philadelphia
:
Temple University Press
,
2019
.
Buchloh
,
Benjamin H. D.
Detritus and Decrepitude: The Sculpture of Thomas Hirschhorn
.”
Oxford Art Journal
24
, no.
2
(
2001
):
41
56
.
Buchloh
,
Benjamin H. D.
An Interview with Thomas Hirschhorn
.”
October
113
(
2005
):
77
100
.
Buchloh
,
Benjamin H. D.
Thomas Hirschhorn: Lay Out Sculpture and Display Diagrams
.” In
Thomas Hirschhorn
, edited by
Hirschhorn
Thomas
,
41
93
.
London
:
Phaidon
,
2004
.
Butler
,
Judith
.
The Force of Nonviolence: An Ethico-political Bind
.
London
:
Verso
,
2020
.
Butler
,
Judith
.
Notes toward a Performative Theory of Assembly
.
Cambridge, MA
:
Harvard University Press
,
2015
.
Butler
,
Judith
.
Precarious Life: The Powers of Mourning and Violence
.
London
:
Verso
,
2004
.
Calhoun
,
Craig
. “
Introduction: Habermas and the Public Sphere
.” In
Habermas and the Public Sphere
, edited by
Calhoun
Craig
,
1
48
.
Cambridge, MA
:
MIT Press
,
1992
.
Caloz-Tschopp
,
Marie-Claire
. “
On the Detention of Aliens: The Impact on Democratic Rights
.” Translated by
Hossack
Lindsay
.
Journal of Refugee Studies
10
, no.
2
(
1997
):
165
80
.
Canovan
,
Margaret
.
Introduction to The Human Condition
, 2nd ed., by
Arendt
Hannah
,
vii
xx
.
Chicago
:
University of Chicago Press
,
1998
.
Care Collective
.
The Care Manifesto: The Politics of Interdependence
.
London
:
Verso
,
2020
.
Chakrabarty
,
Dipesh
.
Provincializing Europe
.
Princeton, NJ
:
Princeton University Press
,
2000
.
Chambers
,
Eddie
.
Black Artists in British Art: A History since the 1950s
.
New York
:
I. B. Tauris
,
2014
.
Cheah
,
Pheng
, and
Robbins
Bruce
, eds.
Cosmopolitics: Thinking and Feeling beyond the Nation
.
Minneapolis
:
University of Minnesota Press
,
1998
.
Cohen
,
Brianne
. “
Burning Cars, Caricatures, and Glub: Negotiating Photofilmic Images in a New Europe
.”
Third Text
28
, no.
2
(
2014
):
190
202
.
Cohen
,
Brianne
. “
Burning Cars, Eternal Flame: Counterpublicity in Thomas Hirschhorn’s Artworks
.”
Image [&] Narrative
16
, no.
1
(
2015
):
19
31
.
Cohen
,
Brianne
. “
From Silence to Babel: Farocki’s Image Infoscape
.” In
Digital Anachronisms, Celluloid Spectres: Essays on the New Silent Cinema
, edited by
Groo
Katherine
and
Flaig
Paul
,
220
42
.
London
:
Routledge/afi
,
2014
.
Cohen
,
Brianne
. “
Interview with Henry VIII’s Wives
.”
Contemporaneity: Historical Presence in Visual Culture
2
(
May
2012
):
88
94
.
Cohen
,
Brianne
. “
Thomas Hirschhorn’s Utopia, Utopia = One World, One War, One Army, One Dress: Imagining Alternative Forms of Political Affiliation
.” In
Crossing the Boundaries XVI: Trading Spaces
, edited by
Kennedy
Jennifer
,
20
27
.
Binghamton, NY
:
Binghamton University
,
2008
.
Cohen
,
Brianne
. “
The Vanishing Vanishing-Point: Violence Prevention through Civil Imagination
.”
Journal for European Studies
47
, no.
4
(
2017
):
1
17
.
Cohen
,
Kris
.
Never Alone, Except for Now: Art, Networks, Populations
.
Durham, NC
:
Duke University Press
,
2017
.
Dauncey
,
Hugh
, and
Morrey
Douglas
. “
Quiet Contradictions of Celebrity: Zinedine Zidane, Image, Sound, Silence and Fury
.”
International Journal of Cultural Studies
11
, no.
3
(
2008
):
301
20
.
de Beus
,
Jos
. “
The European Public Sphere: Conceptual Issues, Political Tensions, Moral Concerns, and Empirical Questions
.” In
The Making of the European Public Sphere: Media Discourse and Political Contention
, edited by
Koopmans
Ruud
and
Statham
Paul
,
13
33
.
Cambridge, UK
:
Cambridge University Press
,
2010
.
Dedman
,
Martin J.
The Origins and Development of the European Union 1945–2008: A History of European Integration
. 2nd ed.
London
:
Routledge
,
2010
.
Deleuze
,
Gilles
.
Difference and Repetition
. Translated by
Patton
Paul
.
1968
.
Reprint
,
New York
:
Columbia University Press
,
1994
.
Deleuze
,
Gilles
. “
Postscript on the Societies of Control
.”
October
59
(
1992
):
3
7
.
Demos
,
T. J.
The 2nd International Biennial of Contemporary Art of Seville
.”
Artforum
,
March
2007
. .
Denham
,
Bryan
, and
Desormeaux
Melissa
. “
Headlining the Head-Butt: Zinedine Zidane/Marco Materazzi Portrayals in Prominent English, Irish and Scottish Newspapers
.”
Media, Culture and Society
30
, no.
3
(
2008
):
375
92
.
Deutsche
,
Rosalyn
.
Evictions: Art and Spatial Politics
.
Cambridge, MA
:
MIT Press
,
1996
.
Dezeuze
,
Anna
.
Thomas Hirschhorn: Deleuze Monument
.
Cambridge, MA
:
MIT Press
,
2014
.
Didi-Huberman
,
Georges
.
Images in Spite of All: Four Photographs from Auschwitz
. Translated by
Lillis
Shane B.
.
Chicago
:
University of Chicago Press
,
2008
.
Didi-Huberman
,
Georges
.
The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg’s History of Art
. Translated by
Mendelsohn
Harvey
.
University Park
:
Pennsylvania State University Press
,
2017
.
Dinan
,
Desmond
.
Europe Recast: A History of the European Union
, 2nd ed.
Boulder, CO
:
Lynne Rienner
,
2014
.
Domínguez
,
César
.
Introduction to Cosmopolitanism and the Postnational: Literature and the New Europe
, edited by
Domínguez
César
and
D’haen
Theo
,
1
9
.
Leiden
:
Brill Rodopi
,
2015
.
Doyle
,
Jennifer
.
Hold It against Me: Difficulty and Emotion in Contemporary Art
.
Durham, NC
:
Duke University Press
,
2013
.
D’Souza
,
Aruna
, and
McDonough
Tom
, eds.
The Invisible Flâneuse? Gender, Public Space, and Visual Culture in Nineteenth-Century Paris
.
Manchester
:
Manchester University Press
,
2006
.
Editorial: Spinoza and Precarity in Contemporary Art
.”
Art and Research
3
, no.
1
(
2009–10
):
1
7
.
Ehmann
,
Antje
, and
Farocki
Harun
, eds.
Cinema Like Never Before
.
Vienna
:
Generali Foundation
,
2006
.
Elsaesser
,
Thomas
. “
Harun Farocki: Filmmaker, Artist, Media Theorist
.” In
Harun Farocki: Working on the Sightlines
,
11
40
.
Amsterdam
:
Amsterdam University Press
,
2004
.
Elsaesser
,
Thomas
, ed.
Harun Farocki: Working on the Sightlines
.
Amsterdam
:
Amsterdam University Press
,
2004
.
Elsaesser
,
Thomas
. “
Holocaust Memory as the Epistemology of Forgetting? Re-wind and Postponement in Respite
.” In
Harun Farocki: Against What? Against Whom?
, edited by
Ehmann
Antje
and
Eshun
Kodwo
,
57
68
.
London
:
Koenig
,
2009
.
Elsaesser
,
Thomas
. “
Political Filmmaking after Brecht: Harun Farocki, for Example
.” In
Harun Farocki: Working on the Sightlines
, edited by
Elsaesser
Thomas
,
133
53
.
Amsterdam
:
Amsterdam University Press
,
2004
.
Entretien: Thomas Hirschhorn and Jacques Rancière
.”
Opuscule
4
, no.
4
(
2010
):
128
35
.
Enwezor
,
Okwui
. “
Documentary/Vérité: Bio-politics, Human Rights, and the Figure of Truth in Contemporary Art
.” In
The Green Room: Reconsidering the Documentary and Contemporary Art
, edited by
Lind
Maria
and
Steyerl
Hito
,
62
102
.
Berlin
:
Sternberg
,
2008
.
Enwezor
,
Okwui
. “
The Unhomely: Phantom Scenes in Global Society
.” In
The Unhomely: Phantom Scenes in Global Society: 2nd International Biennial of Contemporary Art of Seville
, edited by
Enwezor
Okwui
,
12
16
.
Seville
:
BIACS
,
2006
.
Epstein
,
Beth S.
Collective Terms: Race, Culture, and Community in a State-Planned City in France
.
New York
:
Berghahn
,
2011
.
Epstein
,
Beth S.
Promise Postponed: Republican Values, Social Exclusion, and the French Banlieue
.”
International Social Science Journal
67
, nos.
223–224
(
March
2017
):
68
69
.
Ernst
,
Wolfgang
, and
Farocki
Harun
. “
Towards an Archive for Visual Concepts
.” In
Harun Farocki: Working on the Sightlines
, edited by
Elsaesser
Thomas
,
261
86
.
Amsterdam
:
Amsterdam University Press
,
2004
.
Faris
,
Jaimey Hamilton
.
Uncommon Goods: Global Dimensions of the Readymade
.
Bristol, UK
:
Intellect
,
2013
.
Farocki
,
Harun
. “
Controlling Observation
.”
Imprint: Writings
, edited by
Gaensheimer
Susanne
and
Schafhausen
Nicolaus
, translated by
Faasch-Ibrahim
Laurent
,
306
21
.
New York
:
Lukas and Sternberg
,
2001
.
Farocki
,
Harun
. “
Cross Influence/Soft Montage
.” In
Harun Farocki: Against What? Against Whom?
, edited by
Ehmann
Antje
and
Eshun
Kodwo
,
69
74
.
London
:
Koenig
,
2009
.
Farred
,
Grant
. “
Zinedine Zidane: Coup de Boule (Jacques Derrida)
.” In
In Motion, at Rest: The Event of the Athletic Body
,
107
43
.
Minneapolis
:
University of Minnesota Press
,
2014
.
Feldman
,
Hannah
.
From a Nation Torn: Decolonizing Art and Representation in France
.
Durham, NC
:
Duke University Press
,
2014
.
Finkelpearl
,
Tom
.
What We Made: Conversations on Art and Social Cooperation
.
Durham, NC
:
Duke University Press
,
2012
.
Foster
,
Hal
. “
An Archival Impulse
.”
October
110
(Fall
2004
):
3
22
.
Foster
,
Hal
. “
A Grammar of Emergency
.” In
Thomas Hirschhorn: Establishing a Critical Corpus
, edited by
Bizzarri
Thomas
and
Hirschhorn
Thomas
,
162
81
.
Bern
:
JRP-Ringier
,
2011
.
Foster
,
Hal
. “
Vision Quest: The Cinema of Harun Farocki
.”
Artforum
43
, no.
3
(
2004
):
156
61
,
250
.
Foucault
,
Michel
.
Security, Territory, Population: Lectures at the Collège du France
. Edited by
Senellart
Michel
and translated by
Burchell
Graham
.
Basingstoke, UK
:
Palgrave Macmillan
,
2007
.
Foucault
,
Michel
.
“Society Must Be Defended”: Lectures at the Collège de France 1975–1976
. Translated by
Macey
David
.
New York
:
Picador
,
2003
.
Fraser
,
Nancy
. “
Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy
.” In
Habermas and the Public Sphere
, edited by
Calhoun
Craig
,
109
42
.
Cambridge, MA
:
MIT Press
,
1992
.
Fraser
,
Nancy
. “
Transnationalizing the Public Sphere: On the Legitimacy and Efficacy of Public Opinion in a Post-Westphalian World
.” In
Transnationalizing the Public Sphere
, edited by
Nash
Kate
,
8
42
.
Cambridge, UK
:
Polity
,
2014
.
Freeman
,
Elizabeth
.
Time Binds: Queer Temporalities, Queer Histories
.
Durham, NC
:
Duke University Press
,
2010
.
Freud
,
Sigmund
. “
The Uncanny
.” In
The Standard Edition of the Complete Psychological Works of Sigmund Freud
, vol.
17
, edited and translated by
Strachey
James
, with
Freud
Anna
,
Strachey
Alix
, and
Tyson
Alan
,
219
52
.
London
:
Vintage
,
2001
.
Gardner
,
Anthony
.
Politically Unbecoming: Postsocialist Art against Democracy
.
Cambridge, MA
:
MIT Press
,
2015
.
Geertz
,
Clifford
. “
Deep Play: Notes on the Balinese Cockfight
.” In
The Interpretation of Cultures: Selected Essays
,
80
98
.
New York
:
Basic Books
,
1973
.
Geertz
,
Clifford
. “
Thick Description: Toward an Interpretative Theory of Culture
.” In
The Interpretation of Cultures: Selected Essays
,
3
30
.
New York
:
Basic Books
,
1973
.
Gingeras
,
Alison
. “
Cheap Tricks: Thomas Hirschhorn’s Transvaluation Machine
.”
Parkett
57
(
December
1999
):
136
37
.
Gleick
,
James
.
The Information: A History, a Theory, a Flood
.
New York
:
Pantheon
,
2011
.
Goel
,
Sharad
,
Anderson
Ashton
,
Hofman
Jake
, and
Watts
Duncan J.
. “
The Structural Virality of Online Diffusion
.”
Management Science
62
, no.
1
(
2016
):
180
96
.
Gough
,
Maria
. “
Model Exhibition
.”
October
150
(
2014
):
9
26
.
Gunning
,
Tom
. “
Early Cinema as Global Cinema: The Encyclopedic Ambition
.” In
Early Cinema and the “National,”
edited by
Abel
Richard
,
Bertellini
Giorgio
, and
King
Rob
,
11
16
.
New Barnet, UK
:
John Libbey
,
2008
.
Habermas
,
Jürgen
.
The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society
. Translated by
Burger
Thomas
with
Lawrence
Frederick
.
1962
.
Reprint
:
Cambridge, MA
:
MIT Press
,
1991
.
Haeckel
,
Jana J.
An Aesthetic of Absence: Critical Counter-narratives of Journalistic Story-telling in Eva Leitolf’s Photography
.”
Image [&] Narrative
16
, no.
1
(
2015
):
45
56
.
Haidu
,
Rachel
. “
Précarité, Autorité, Autonomie
.” In
Communities of Sense: Rethinking Aesthetics and Politics
, edited by
Hinderliter
Beth
,
Kaizen
William
,
Maimon
Vered
,
Mansoor
Jaleh
, and
McCormick
Seth
,
215
37
.
Durham, NC
:
Duke University Press
,
2009
.
Hall
,
Stuart
.
Familiar Stranger: A Life between Two Islands
.
Durham, NC
:
Duke University Press
,
2017
.
Hansen
,
Miriam
.
Babel and Babylon: Spectatorship in American Silent Film
.
Cambridge, MA
:
Harvard University Press
,
1994
.
Hassan
,
Salah
, and
Dadi
Iftikhar
, eds.
Unpacking Europe: Towards a Critical Reading
.
Rotterdam
:
NAi
,
2001
.
Hawton
,
Keith
,
Harriss
Louise
,
Appleby
Louis
,
Juszczak
Edmund
,
Simkin
Sue
,
McDonnell
Ros
,
Amos
Tim
,
Kiernan
Katy
, and
Parrott
Hilary
. “
Effect of Death of Diana, Princess of Wales on Suicide and Deliberate Self-Harm
.”
British Journal of Psychiatry
177
(
2000
):
463
66
.
Helleman
,
Gerben
, and
Wassenberg
Frank
. “
The Renewal of What Was Tomorrow’s Idealistic City: Amsterdam’s Bijlmermeer High-Rise
.”
Cities
12
, no.
1
(
2004
):
3
17
.
Hirschhorn
,
Thomas
.
Bataille Maschine
.
Berlin
:
Merve
,
2002
.
Hirschhorn
,
Thomas
. “
Eternal Flame
,” translated by
Herman
Jeanine
.
Artforum
45
, no.
7
(
2007
):
268
.
Hirschhorn
,
Thomas
, ed.
Thomas Hirschhorn
.
London
:
Phaidon
,
2004
.
Hobart
,
Hi‘ilei Julia Kawehipuaakahaopulani
, and
Kneese
Tamara
. “
Radical Care: Survival Strategies for Uncertain Times
.”
Social Text
38
, no.
1
(
2020
):
1
16
.
Jackson
,
Shannon
.
Social Works: Performing Art, Supporting Publics
.
New York
:
Routledge
,
2011
.
Jestrovic
,
Silvija
. “
Performing Like an Asylum Seeker: Paradoxes of Hyperauthenticity
.”
Research in Drama Education
13
, no.
2
(
2008
):
159
70
.
Jiwani
,
Yasmin
. “
Sports as Civilizing Mission: Zinedine Zidane and the Infamous Head-Butt
.”
Topia: Canadian Journal of Cultural Studies
19
(
2008
):
11
33
.
Keenan
,
Thomas
. “
Publicity and Indifference: Media, Surveillance and ‘Humanitarian Intervention’
.” In
Killer Images: Documentary Film, Memory and the Performance of Violence
, edited by
Brink
Joram Ten
and
Oppenheimer
Joshua
,
15
40
.
London
:
Wallflower
,
2012
.
Keenan
,
Thomas
, and
Weizman
Eyal
.
Mengele’s Skull: The Advent of a Forensic Aesthetics
.
Frankfurt
:
Portikus
;
Berlin
:
Sternberg
,
2012
.
Kent
,
John
.
America, the un and Decolonisation: Cold War Conflict in the Congo
.
Oxon, UK
:
Routledge
,
2010
.
Kester
,
Grant
.
Conversation Pieces: Community and Communication in Modern Art
.
Berkeley
:
University of California Press
,
2013
.
Kester
,
Grant
.
The One and the Many: Contemporary Collaborative Art in a Global Context
.
Durham, NC
:
Duke University Press
,
2011
.
Kiaer
,
Christina
.
Imagine No Possessions: The Socialist Objects of Russian Constructivism
.
Cambridge, MA
:
MIT Press
,
2005
.
Kilcline
,
Cathal
. “
‘They Are French, We Are Marseillais’: Imagining Community in French Football
.” In
Friends and Foes Volume II: Friendship and Conflict from Social and Political Perspectives
, edited by
Watson
Graeme
,
Renzi
Barbara Gabriella
,
Viggiani
Elisabetta
, and
Collins
Máiréad
,
65
76
.
Newcastle upon Tyne, UK
:
Cambridge Scholars
,
2009
.
Kober
,
Ulrich
. “
Introduction: European Challenges, Call for European Responses
.” In
Strategies for Combating Right-Wing Extremism in Europe
, edited by
Stiftung
Bertelsmann
,
9
12
.
Gütersloh, Germany
:
Bertelsmann Stiftung
,
2009
.
Kramer
,
Sven
. “
Reiterative Reading: Harun Farocki’s Approach to the Footage from Westerbork Transit Camp
.”
New German Critique
41
, no.
3
(
123
,
2014
):
35
55
.
Kwon
,
Miwon
.
One Place after Another: Site-Specific Art and Locational Identity
.
Cambridge, MA
:
MIT Press
,
2002
.
Kwon
,
Miwon
. “
Public Art as Publicity
.”
Transversal Texts
, no.
1
(
2002
). .
Laclau
,
Ernesto
.
On Populist Reason
.
2005
. Reprint,
London
:
Verso
,
2018
.
Laclau
,
Ernesto
, and
Mouffe
Chantal
.
Hegemony and Socialist Strategy: Towards a Radical Democratic Politics
.
1985
. Reprint,
London
:
Verso
,
2014
.
Lacy
,
Suzanne
.
Mapping the Terrain: New Genre Public Art
.
Seattle
:
Bay Press
,
1995
.
Lapeyronnie
,
Didier
. “
Primitive Rebellion in the French Banlieues: On the Fall 2005 Riots
.” In
Frenchness and the African Diaspora: Identity and Uprising in Contemporary France
, edited by
Tshimanga
Charles
,
Gondola
Didier
, and
Bloom
Peter J.
, translated by
Todd
Jane Marie
,
22
46
.
Bloomington
:
Indiana University Press
,
2009
.
Larsen
,
Lars Bang
,
Ricupero
Cristina
, and
Schafhausen
Nicolaus
, eds.
The Populism Catalogue
.
New York
:
Lukas and Sternberg
,
2005
.
Lee
,
Pamela M.
The World as Figure/Ground and Its Disturbance
.” In
Thomas Hirschhorn: Utopia, Utopia = One World, One War, One Army, One Dress
, edited by
Baume
Nicholas
and
Rugoff
Ralph
,
7
12
.
Boston
:
Institute of Contemporary Arts
,
2005
.
Lindeperg
,
Sylvie
. “
Suspended Lives, Revenant Images. On Harun Farocki’s Film Respite
.” In
Harun Farocki: Against What? Against Whom?
, edited by
Ehmann
Antje
and
Eshun
Kodwo
,
28
37
.
London
:
Koenig
,
2009
.
Lütticken
,
Sven
. “
Taped Together: On ‘The Bijlmer Spinoza’ by Thomas Hirschhorn
.”
Texte zur Kunst
75
(
2009
):
151
54
.
Lynton
,
Norbert
.
Tatlin’s Tower: Monument to Revolution
.
New Haven, CT
:
Yale University Press
,
2009
.
Martin
,
Courtney J.
Rasheed Araeen, Live Art, and Radical Politics in Britain
.”
Getty Research Journal
2
(
2010
):
107
24
.
McDonough
,
Tom
.
“The Beautiful Language of My Century”: Reinventing the Language of Contestation in Postwar France, 1945–1968
.
Cambridge, MA
:
MIT Press
,
2007
.
McDonough
,
Tom
, ed.
Guy Debord and the Situationist International: Texts and Documents
.
Cambridge, MA
:
MIT Press
,
2002
.
McDonough
,
Tom
. “
Harun Farocki at Greene Naftali
.”
Art in America
96
, no.
5
(
2008
):
186
.
Mercer
,
Kobena
.
Travel and See: Black Diaspora Practices since the 1980s
.
Durham, NC
:
Duke University Press
,
2016
.
Messu
,
Michel
. “
L’exclusion: Une catégorisation sans objet
.”
Genèses
27
(
1997
):
147
61
.
Mirzoeff
,
Nicholas
.
The Appearance of Black Lives Matter
. ,
2017
. .
Mirzoeff
,
Nicholas
. “
Artificial Vision, White Space and Racial Surveillance Capitalism
.”
AI and Society
36
(
2020
):
n.p.
Mirzoeff
,
Nicholas
. “
Empty the Museum, Decolonize the Curriculum, Open Theory
.”
Nordic Journal of Aesthetics
25
, no.
53
(
2017
):
6
22
.
Mirzoeff
,
Nicholas
. “
The Right to Look
.”
Critical Inquiry
37
, no.
3
(
2011
):
473
96
.
Mitchell
,
W. J. T.
, ed.
Art and the Public Sphere
.
Chicago
:
University of Chicago Press
,
1990
.
Mitchell
,
W. J. T.
What Do Pictures Want? The Lives and Loves of Images
.
Chicago
:
University of Chicago Press
,
2010
.
Moran
,
Matthew
. “
Terrorism and the Banlieues: The Charlie Hebdo Attacks in Context
.”
Modern and Contemporary France
25
, no.
3
(
2017
):
315
32
.
Mufti
,
Aamir R.
Enlightenment in the Colony: The Jewish Question and the Crisis of Postcolonial Culture
.
Princeton, NJ
:
Princeton University Press
,
2007
.
Nash
,
Kate
, ed.
Transnationalizing the Public Sphere
.
Cambridge, UK
:
Polity
,
2014
.
Negt
,
Alexander
, and
Kluge
Oskar
.
Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere
. Translated by
Labanyi
Peter
,
Daniel
Jamie Owen
, and
Oksiloff
Assenka
.
1972
. Reprint,
Minneapolis
:
University of Minnesota Press
,
1993
.
Nisbet
,
James
. “
Material Propositions on the Individual/Collective: The Work of Vladimir Tatlin
.”
Modernism/Modernity
17
, no.
1
(
2010
):
109
34
.
Nixon
,
Rob
.
Slow Violence and the Environmentalism of the Poor
.
Cambridge, MA
:
Harvard University Press
,
2011
.
Pantenburg
,
Volker
. “
‘Now That’s Brecht at Last!’ Harun Farocki’s Observational Films
.” In
Documentary across Disciplines
, edited by
Balsom
Erika
and
Peleg
Hila
,
142
62
.
Berlin
:
Haus der Kulturen der Welt
,
2016
.
Pantenburg
,
Volker
. “
Working Images: Harun Farocki and the Operational Image
.” In
Image Operations: Visual Media and Political Conflict
, edited by
Eder
Jens
and
Klonk
Charlotte
,
49
62
.
Manchester
:
Manchester University Press
,
2017
.
Paugam
,
Serge
, ed.
L’exclusion: L’état des savoirs
.
Paris
:
Edition de la Découverte
,
1996
.
Pavsek
,
Christopher
. “
Harun Farocki’s Images of the World
.”
Rouge
12
(
2008
):
n.p.
Phu
,
Thy
.
Warring Visions: Photography and Vietnam
.
Durham, NC
:
Duke University Press
,
2022
.
Poet
,
Paul
.
Ausländer Raus! Schlingensief’s Container
.
Austria
:
Bonusfilm
,
2002
.
Distributed with English subtitles by Monitorpop Entertainment
.
Probst
,
Ursula Maria
. “
Harun Farocki Deep Play: Spiel mit tiefer Bedeutung. Ein Gespräch von Ursula Maria Probst
.”
Kunstforum
187
(
2007
):
464
67
.
Pusca
,
Anna
. “
The ‘Roma Problem’ in the EU: Nomadism, (In)Visible Architectures and Violence
.”
Borderlands E–journal
9
, no.
2
(
2010
).
Ramm
,
Christoph
. “
The ‘Sick Man’ beyond Europe: The Orientalization of Turkey and Turkish Immigrants in European Union Accession Discourses in Germany
.” In
Racism, Postcolonialism, Europe
, edited by
Huggan
Graham
and
Law
Ian
,
102
16
.
Liverpool
:
Liverpool University Press
,
2009
.
Rancière
,
Jacques
.
The Emancipated Spectator
. Translated by
Elliott
Gregory
.
London
:
Verso
,
2009
.
Rancière
,
Jacques
. “
The Head Butts and the Image Strikes
.” In
Adel Abdessemed: Works 1988–2015
, edited by
Tazzi
Pier Luigi
, translated by
Battista
Emiliano
,
104
13
.
London
:
Koenig
,
2016
.
Rancière
,
Jacques
.
The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation
. Translated by
Ross
Kristin
.
Stanford, CA
:
Stanford University Press
,
1991
.
Raunig
,
Gerald
.
Art and Revolution: Transversal Activism in the Long Twentieth Century
. Translated by
Derieg
Aileen
.
Los Angeles
:
Semiotext(e)
,
2017
.
Raunig
,
Gerald
, and
Ray
Gene
, eds.
Art and Contemporary Critical Practice: Reinventing Institutional Critique
.
London
:
MayFlyBooks
,
2009
.
Ring
,
Annie
. “
System Error: Complicity with Surveillance in Contemporary Workplace Documentaries
.”
Seminar: A Journal of Germanic Studies
52
, no.
4
(
2016
):
465
89
.
Risse
,
Thomas
, ed.
European Public Spheres: Politics Is Back
.
Cambridge, UK
:
Cambridge University Press
,
2015
.
Robbins
,
Bruce
. “
The Public as Phantom
.” In
The Phantom Public Sphere
, edited by
Robbins
Bruce
,
vii
xxvi
.
Minneapolis
:
University of Minnesota Press
,
1993
.
Rondeau
,
James
. “
Jumbo Spoons and Big Cake at the Art Institute of Chicago
.” In
Thomas Hirschhorn: Jumbo Spoons and Big Cake, the Art Institute of Chicago; World Airport, the Renaissance Society at the University of Chicago
, edited by
Rondeau
James
and
Ghez
Susanne
,
8
15
.
Chicago
:
Lowitz + Sons
,
2000
.
Ross
,
Andrew
.
Nice Work If You Can Get It: Life and Labor in Precarious Times
.
New York
:
New York University Press
,
2009
.
Rothberg
,
Michael
.
Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization
.
Stanford, CA
:
Stanford University Press
,
2009
.
Rounthwaite
,
Adair
.
Asking the Audience: Participatory Art in 1980s New York
.
Minneapolis
:
University of Minnesota Press
,
2017
.
Rowe
,
David
. “
Stages of the Global: Media, Sport, Racialization and the Last Temptation of Zinedine Zidane
.”
International Review for the Sociology of Sport
45
, no.
3
(
2010
):
355
71
.
Said
,
Edward
.
Reflections on Exile and Other Essays
.
Cambridge, MA
:
Harvard University Press
,
2000
.
Saint-Amour
,
Paul
.
Tense Future: Modernism, Total War, Encyclopedic Form
.
Oxford
:
Oxford University Press
,
2015
.
Schmidt
,
Theron
. “
Christoph Schlingensief and the Bad Spectacle
.”
Performance Research
16
, no.
4
(
2011
):
27
33
.
Schulz-Forberg
,
Hagen
. “
Cosmopolitanism or Ethnic Homogeneity? Roma Identity, European Integration and the European Public Sphere
.” In
Mapping the European Public Sphere
, edited by
Bee
Cristiano
and
Bozzini
Emanuela
,
177
93
.
Surrey, UK
:
Ashgate
,
2010
.
Scott
,
Joan Wallach
.
The Politics of the Veil
.
Princeton, NJ
:
Princeton University Press
,
2007
.
Seltzer
,
Mark
. “
Wound Culture: Trauma in the Pathological Public Sphere
.”
October
80
(
1997
):
3
26
.
Silverman
,
Kaja
.
The Threshold of the Visible World
.
New York
:
Routledge
,
1996
.
Singh
,
Julietta
.
Unthinking Mastery: Dehumanism and Decolonial Entanglements
.
Durham, NC
:
Duke University Press
,
2017
.
Smith
,
Terry
.
The Architecture of Aftermath
.
Chicago
:
University of Chicago Press
,
2006
.
Spivak
,
Gayatri Chakravorty
.
Death of a Discipline
.
New York
:
Columbia University Press
,
2003
.
Steyn
,
Juliet
, and
Stamselberg
Nadja
, eds.
Breaching Borders: Art, Migrants and the Metaphor of Waste
.
London
:
I. B. Tauris
,
2014
.
Stimson
,
Blake
. “
What Was Institutional Critique?
” In
Institutional Critique: An Anthology of Artists’ Writings
, edited by
Alberro
Alex
and
Stimson
Blake
,
20
43
.
Cambridge, MA
:
MIT Press
,
2009
.
Stoler
,
Ann Laura
.
Duress: Imperial Durabilities in Our Times
.
Durham, NC
:
Duke University Press
,
2016
.
TallBear
,
Kim
. “
Caretaking Relations, Not American Dreaming
.”
Kalfou
6
, no.
1
(
2019
):
24
39
.
Tchumkam
,
Hervé
.
State Power, Stigmatization, and Youth Resistance Culture in the French Banlieue: Uncanny Citizenship
.
Lanham, MD
:
Lexington
,
2015
.
Trehan
,
Nidhi
, and
Kóczé
Angéla
. “
Racism, (Neo-)Colonialism and Social Justice: The Struggle for the Soul of the Romani Movement in Post-socialist Europe
.” In
Racism, Postcolonialism, Europe
, edited by
Huggan
Graham
and
Law
Ian
,
50
73
.
Liverpool
:
Liverpool University Press
,
2009
.
Trembley
,
Nicolas
, dir.
Swiss-Swiss Democracy Experience
.
Paris
:
Nordic Institut for Contemporary Art and bureau des vidéos
,
2005
.
Van Gelder
,
Hilda
. “
Reclaiming Information, Rebuilding Stories: Reinventing Fundamental Rights
.” In
Visibility Machines: Harun Farocki and Trevor Paglen
, edited by
van Tomme
Niels
,
55
70
.
Baltimore
:
Center for Art, Design and Visual Culture, University of Mary land
,
2014
.
Veličković
,
Vedrana
.
Eastern Europeans in Contemporary Literature and Culture: Imagining New Europe
.
London
:
Palgrave Macmillan
,
2019
.
Verwoert
,
Jan
. “
Production Pattern Associations: On the Work of Harun Farocki
.”
Afterall
11
(
2005
):
65
78
.
Warner
,
Michael
.
Publics and Counterpublics
.
New York
:
Zone
,
2005
.
Weiss
,
Kirsten
. “
Recycling the Image of the Public Sphere in Art
.”
Thresholds
23
(
2001
):
58
63
.
Weizman
,
Eyal
.
Forensic Architecture: Violence on the Threshold of Detectability
.
New York
:
Zone
,
2017
.
Weizman
,
Eyal
, ed.
Forensis: The Architecture of Public Truth
.
Berlin
:
Stern-berg
,
2014
.
Welch
,
Edward
, and
Perivolaris
John
. “
The Place of the Republic: Space, Territory and Identity around and after Charlie Hebdo
.”
French Cultural Studies
27
, no.
3
(
2016
):
279
92
.
Widrich
,
Mechtild
.
Performative Monuments: The Rematerialisation of Public Art
.
Manchester
:
Manchester University Press
,
2014
.
Woodruff
,
Lily
.
Disordering the Establishment: Participatory Art and Institutional Critique in France, 1958–1981
.
Durham, NC
:
Duke University Press
,
2020
.
Young
,
Benjamin
. “
On Media and Democratic Politics: Videograms of a Revolution
.” In
Harun Farocki: Working on the Sightlines
, edited by
Elsaesser
Thomas
,
245
60
.
Amsterdam
:
Amsterdam University Press
,
2004
.

Figures & Tables

Contents

Advertisement

References

Bibliography

Aikens
,
Nick
, and
Robles
Elizabeth
, eds.
The Place Is Here: The Work of Black Artists in 1980s Britain
.
Berlin
:
Sternberg
,
2019
.
Akšamija
,
Azra
. “
Dare to Wear—a Mosque! Immigrant Protest as Cross-Cultural Pedagogy
.” In
Immigrant Protests: Politics, Aesthetics, and Everyday Dissent
, edited by
Marciniak
Katarzyna
and
Tyler
Imogen
,
25
44
.
Albany
:
State University of New York Press
,
2014
.
Alberro
,
Alexander
. “
Institutions, Critique, and Institutional Critique
.” In
Institutional Critique: An Anthology of Artists’ Writings
, edited by
Alberro
Alexander
and
Stimson
Blake
,
2
19
.
Cambridge, MA
:
MIT Press
,
2009
.
Alter
,
Nora
. “
Dead Silence
.” In
Harun Farocki: Against What? Against Whom?
, edited by
Ehmann
Antje
and
Eshun
Kodwo
,
171
78
.
London
:
Koenig
,
2009
.
Alter
,
Nora
. “
The Po liti cal Im/perceptible in the Essay Film: Farocki’s ‘Images of the World and the Inscription of War’
.”
New German Critique
68
(
1996
):
165
92
.
Anderson
,
Benedict
.
Imagined Communities: Reflections on the Origin and Spread of Nationalism
.
London
:
Verso
,
2006
.
Appadurai
,
Arjun
.
Fear of Small Numbers: An Essay on the Geography of Anger
.
Durham, NC
:
Duke University Press
,
2006
.
Arditi
,
Benjamin
. “
Pop u lism Is Hegemony Is Politics? On Ernesto Laclau’s On Populist Reason
.”
Constellations
17
, no.
3
(
2010
):
488
97
.
Arendt
,
Hannah
.
The Human Condition
. 2nd ed.
Chicago
:
University of Chicago Press
,
1998
.
Arendt
,
Hannah
.
The Origins of Totalitarianism
.
New York
:
Harcourt
,
Brace
,
1951
.
Azoulay
,
Ariella
.
The Civil Contract of Photography
.
New York
:
Zone
,
2008
.
Azoulay
,
Ariella
.
Civil Imagination: A Political Ontology of Photography
. Translated by
Bethlehem
Louise
.
London
:
Verso
,
2012
.
Baker
,
Houston A.
, Jr.
Critical Memory and the Black Public Sphere
.”
Public Culture
7
, no.
1
(
1994
):
3
33
.
Balibar
,
Étienne
.
We, the People of Europe? Reflections on Transnational Citizenship
.
Princeton, NJ
:
Princeton University Press
,
2004
.
Bauman
,
Zygmunt
.
Strangers at Our Door
.
Cambridge, UK
:
Polity
,
2016
.
Bee
,
Cristiano
, and
Bozzini
Emanuela
, eds.
Mapping the European Public Sphere: Institutions, Media and Civil Society
.
Surrey, UK
:
Ashgate
,
2010
.
Beltrán
,
Cristina
, and
Ferguson
Kennan
, eds. “
Perspectives on Populism
.” Special issue,
Theory and Event
23
, no.
3
(
2020
).
Benhabib
,
Seyla
. “
Models of Public Space: Hannah Arendt, the Liberal Tradition, and Jürgen Habermas
.” In
Habermas and the Public Sphere
, edited by
Calhoun
Craig
,
73
98
.
Cambridge, MA
:
MIT Press
,
1992
.
Bentham
,
Jeremy
.
The Theory of Legislation
.
Translated from the French of Étienne Dumont by Richard Hildreth
.
New York
:
Harcourt
,
Brace
,
1931
.
Berlant
,
Lauren
.
The Queen of America Goes to Washington City: Essays on Sex and Citizenship
.
Durham, NC
:
Duke University Press
,
1997
.
Berlant
,
Lauren
, and
Warner
Michael
. “
Sex in Public
.”
Critical Inquiry
24
(
1998
):
547
66
.
Bernier
,
Celeste-Marie
.
Stick to the Skin: African American and Black British Art, 1965–2015
.
Berkeley
:
University of California Press
,
2018
.
Bhabha
,
Homi
. “
Democracy De-realized
.” In
Democracy Unrealized: Documenta 11, Platform 1
, edited by
Enwezor
Okwui
,
Bauer
Ute Meta
,
Ghez
Susanne
,
Basualdo
Carlos
,
Nash
Mark
, and
Zaya
Octavio
,
347
64
.
Berlin
:
Hatje Cantz
,
2002
.
Bhabha
,
Homi
.
The Location of Culture
.
London
:
Routledge
,
1994
.
Bishop
,
Claire
. “
‘And That Is What Happened There’: Six Participants of The Bijlmer Spinoza-Festival
.” In
Thomas Hirschhorn: Establishing a Critical Corpus
, edited by
Bizzarri
Thomas
and
Hirschhorn
Thomas
,
6
97
.
Bern
:
JRP-Ringier
,
2011
.
Bishop
,
Claire
. “
Antagonism and Relational Aesthetics
.”
October
110
(
2004
):
51
79
.
Bishop
,
Claire
.
Artificial Hells: Participatory Art and the Politics of Spectator-ship
.
London
:
Verso
,
2012
.
Bizzarri
,
Thomas
, and
Hirschhorn
Thomas
, eds.
Thomas Hirschhorn: Establishing a Critical Corpus
.
Bern
:
jrp-Ringier
,
2011
.
Blair
,
Alasdair
.
The European Union since 1945
.
Harlow, UK
:
Pearson Education
,
2010
.
Blumenthal-Barby
,
Martin
. “
‘Cinematography of Devices’: Harun Farocki’s Eye/Machine Trilogy
.”
German Studies Review
38
, no.
2
(
2015
):
329
51
.
Blumenthal-Barby
,
Martin
. “
Counter-Music: Harun Farocki’s Theory of a New Image Type
.”
October
151
(
2015
):
128
50
.
Blümlinger
,
Christa
. “
Harun Farocki: Critical Strategies
.” In
Harun Farocki: Working on the Sightlines
, edited by
Elsaesser
Thomas
,
315
22
.
Amsterdam
:
Amsterdam University Press
,
2004
.
Bois
,
Yve-Alain
,
Feher
Michel
,
Foster
Hal
, and
Weizman
Eyal
. “
On Forensic Architecture: A Conversation with Eyal Weizman
.”
October
156
(
2016
):
116
40
.
Bourriaud
,
Nicolas
. “
Precarious Constructions: An Answer to Jacques Rancière on Art and Politics
.” In
Open: A Precarious Existence: Vulnerability in the Public Domain
.
Rotterdam
:
NAi
,
2009
.
Bourriaud
,
Nicolas
.
Relational Aesthetics
. Translated by
Pleasance
Simon
and
Woods
Fronza
with
Copeland
Mathieu
.
Dijon
:
Les Presses du réel
,
2002
.
Braun
,
Ariane Kristina
.
Thomas Hirschhorns Bataille Monument: Ein ephemeres Denkmal auf der Documenta 11
.
Saarbrücken, Germany
:
VDM Verlag Dr. Müller
,
2010
.
Brecht
,
Bertolt
. “
Alienation Effects in Chinese Acting
.” In
Brecht on Theatre: The Development of an Aesthetic
, edited and translated by
Willett
John
,
91
99
.
New York
:
Hill and Wang
,
1964
.
Brecht
,
Bertolt
. “
On Gestic Music
.” In
Brecht on Theatre: The Development of an Aesthetic
. Edited and translated by
Willet
John
,
104
6
.
New York
:
Hill and Wang
,
1964
.
Breckenridge
,
Carol A.
,
Pollock
Sheldon
,
Bhabha
Homi K.
, and
Chakrabarty
Dipesh
, eds.
Cosmopolitanism
.
Durham, NC
:
Duke University Press
,
2002
.
Bruce
,
Caitlin Frances
.
Painting Publics: Transnational Legal Graffiti Scenes as Spaces for Encounter
.
Philadelphia
:
Temple University Press
,
2019
.
Buchloh
,
Benjamin H. D.
Detritus and Decrepitude: The Sculpture of Thomas Hirschhorn
.”
Oxford Art Journal
24
, no.
2
(
2001
):
41
56
.
Buchloh
,
Benjamin H. D.
An Interview with Thomas Hirschhorn
.”
October
113
(
2005
):
77
100
.
Buchloh
,
Benjamin H. D.
Thomas Hirschhorn: Lay Out Sculpture and Display Diagrams
.” In
Thomas Hirschhorn
, edited by
Hirschhorn
Thomas
,
41
93
.
London
:
Phaidon
,
2004
.
Butler
,
Judith
.
The Force of Nonviolence: An Ethico-political Bind
.
London
:
Verso
,
2020
.
Butler
,
Judith
.
Notes toward a Performative Theory of Assembly
.
Cambridge, MA
:
Harvard University Press
,
2015
.
Butler
,
Judith
.
Precarious Life: The Powers of Mourning and Violence
.
London
:
Verso
,
2004
.
Calhoun
,
Craig
. “
Introduction: Habermas and the Public Sphere
.” In
Habermas and the Public Sphere
, edited by
Calhoun
Craig
,
1
48
.
Cambridge, MA
:
MIT Press
,
1992
.
Caloz-Tschopp
,
Marie-Claire
. “
On the Detention of Aliens: The Impact on Democratic Rights
.” Translated by
Hossack
Lindsay
.
Journal of Refugee Studies
10
, no.
2
(
1997
):
165
80
.
Canovan
,
Margaret
.
Introduction to The Human Condition
, 2nd ed., by
Arendt
Hannah
,
vii
xx
.
Chicago
:
University of Chicago Press
,
1998
.
Care Collective
.
The Care Manifesto: The Politics of Interdependence
.
London
:
Verso
,
2020
.
Chakrabarty
,
Dipesh
.
Provincializing Europe
.
Princeton, NJ
:
Princeton University Press
,
2000
.
Chambers
,
Eddie
.
Black Artists in British Art: A History since the 1950s
.
New York
:
I. B. Tauris
,
2014
.
Cheah
,
Pheng
, and
Robbins
Bruce
, eds.
Cosmopolitics: Thinking and Feeling beyond the Nation
.
Minneapolis
:
University of Minnesota Press
,
1998
.
Cohen
,
Brianne
. “
Burning Cars, Caricatures, and Glub: Negotiating Photofilmic Images in a New Europe
.”
Third Text
28
, no.
2
(
2014
):
190
202
.
Cohen
,
Brianne
. “
Burning Cars, Eternal Flame: Counterpublicity in Thomas Hirschhorn’s Artworks
.”
Image [&] Narrative
16
, no.
1
(
2015
):
19
31
.
Cohen
,
Brianne
. “
From Silence to Babel: Farocki’s Image Infoscape
.” In
Digital Anachronisms, Celluloid Spectres: Essays on the New Silent Cinema
, edited by
Groo
Katherine
and
Flaig
Paul
,
220
42
.
London
:
Routledge/afi
,
2014
.
Cohen
,
Brianne
. “
Interview with Henry VIII’s Wives
.”
Contemporaneity: Historical Presence in Visual Culture
2
(
May
2012
):
88
94
.
Cohen
,
Brianne
. “
Thomas Hirschhorn’s Utopia, Utopia = One World, One War, One Army, One Dress: Imagining Alternative Forms of Political Affiliation
.” In
Crossing the Boundaries XVI: Trading Spaces
, edited by
Kennedy
Jennifer
,
20
27
.
Binghamton, NY
:
Binghamton University
,
2008
.
Cohen
,
Brianne
. “
The Vanishing Vanishing-Point: Violence Prevention through Civil Imagination
.”
Journal for European Studies
47
, no.
4
(
2017
):
1
17
.
Cohen
,
Kris
.
Never Alone, Except for Now: Art, Networks, Populations
.
Durham, NC
:
Duke University Press
,
2017
.
Dauncey
,
Hugh
, and
Morrey
Douglas
. “
Quiet Contradictions of Celebrity: Zinedine Zidane, Image, Sound, Silence and Fury
.”
International Journal of Cultural Studies
11
, no.
3
(
2008
):
301
20
.
de Beus
,
Jos
. “
The European Public Sphere: Conceptual Issues, Political Tensions, Moral Concerns, and Empirical Questions
.” In
The Making of the European Public Sphere: Media Discourse and Political Contention
, edited by
Koopmans
Ruud
and
Statham
Paul
,
13
33
.
Cambridge, UK
:
Cambridge University Press
,
2010
.
Dedman
,
Martin J.
The Origins and Development of the European Union 1945–2008: A History of European Integration
. 2nd ed.
London
:
Routledge
,
2010
.
Deleuze
,
Gilles
.
Difference and Repetition
. Translated by
Patton
Paul
.
1968
.
Reprint
,
New York
:
Columbia University Press
,
1994
.
Deleuze
,
Gilles
. “
Postscript on the Societies of Control
.”
October
59
(
1992
):
3
7
.
Demos
,
T. J.
The 2nd International Biennial of Contemporary Art of Seville
.”
Artforum
,
March
2007
. .
Denham
,
Bryan
, and
Desormeaux
Melissa
. “
Headlining the Head-Butt: Zinedine Zidane/Marco Materazzi Portrayals in Prominent English, Irish and Scottish Newspapers
.”
Media, Culture and Society
30
, no.
3
(
2008
):
375
92
.
Deutsche
,
Rosalyn
.
Evictions: Art and Spatial Politics
.
Cambridge, MA
:
MIT Press
,
1996
.
Dezeuze
,
Anna
.
Thomas Hirschhorn: Deleuze Monument
.
Cambridge, MA
:
MIT Press
,
2014
.
Didi-Huberman
,
Georges
.
Images in Spite of All: Four Photographs from Auschwitz
. Translated by
Lillis
Shane B.
.
Chicago
:
University of Chicago Press
,
2008
.
Didi-Huberman
,
Georges
.
The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg’s History of Art
. Translated by
Mendelsohn
Harvey
.
University Park
:
Pennsylvania State University Press
,
2017
.
Dinan
,
Desmond
.
Europe Recast: A History of the European Union
, 2nd ed.
Boulder, CO
:
Lynne Rienner
,
2014
.
Domínguez
,
César
.
Introduction to Cosmopolitanism and the Postnational: Literature and the New Europe
, edited by
Domínguez
César
and
D’haen
Theo
,
1
9
.
Leiden
:
Brill Rodopi
,
2015
.
Doyle
,
Jennifer
.
Hold It against Me: Difficulty and Emotion in Contemporary Art
.
Durham, NC
:
Duke University Press
,
2013
.
D’Souza
,
Aruna
, and
McDonough
Tom
, eds.
The Invisible Flâneuse? Gender, Public Space, and Visual Culture in Nineteenth-Century Paris
.
Manchester
:
Manchester University Press
,
2006
.
Editorial: Spinoza and Precarity in Contemporary Art
.”
Art and Research
3
, no.
1
(
2009–10
):
1
7
.
Ehmann
,
Antje
, and
Farocki
Harun
, eds.
Cinema Like Never Before
.
Vienna
:
Generali Foundation
,
2006
.
Elsaesser
,
Thomas
. “
Harun Farocki: Filmmaker, Artist, Media Theorist
.” In
Harun Farocki: Working on the Sightlines
,
11
40
.
Amsterdam
:
Amsterdam University Press
,
2004
.
Elsaesser
,
Thomas
, ed.
Harun Farocki: Working on the Sightlines
.
Amsterdam
:
Amsterdam University Press
,
2004
.
Elsaesser
,
Thomas
. “
Holocaust Memory as the Epistemology of Forgetting? Re-wind and Postponement in Respite
.” In
Harun Farocki: Against What? Against Whom?
, edited by
Ehmann
Antje
and
Eshun
Kodwo
,
57
68
.
London
:
Koenig
,
2009
.
Elsaesser
,
Thomas
. “
Political Filmmaking after Brecht: Harun Farocki, for Example
.” In
Harun Farocki: Working on the Sightlines
, edited by
Elsaesser
Thomas
,
133
53
.
Amsterdam
:
Amsterdam University Press
,
2004
.
Entretien: Thomas Hirschhorn and Jacques Rancière
.”
Opuscule
4
, no.
4
(
2010
):
128
35
.
Enwezor
,
Okwui
. “
Documentary/Vérité: Bio-politics, Human Rights, and the Figure of Truth in Contemporary Art
.” In
The Green Room: Reconsidering the Documentary and Contemporary Art
, edited by
Lind
Maria
and
Steyerl
Hito
,
62
102
.
Berlin
:
Sternberg
,
2008
.
Enwezor
,
Okwui
. “
The Unhomely: Phantom Scenes in Global Society
.” In
The Unhomely: Phantom Scenes in Global Society: 2nd International Biennial of Contemporary Art of Seville
, edited by
Enwezor
Okwui
,
12
16
.
Seville
:
BIACS
,
2006
.
Epstein
,
Beth S.
Collective Terms: Race, Culture, and Community in a State-Planned City in France
.
New York
:
Berghahn
,
2011
.
Epstein
,
Beth S.
Promise Postponed: Republican Values, Social Exclusion, and the French Banlieue
.”
International Social Science Journal
67
, nos.
223–224
(
March
2017
):
68
69
.
Ernst
,
Wolfgang
, and
Farocki
Harun
. “
Towards an Archive for Visual Concepts
.” In
Harun Farocki: Working on the Sightlines
, edited by
Elsaesser
Thomas
,
261
86
.
Amsterdam
:
Amsterdam University Press
,
2004
.
Faris
,
Jaimey Hamilton
.
Uncommon Goods: Global Dimensions of the Readymade
.
Bristol, UK
:
Intellect
,
2013
.
Farocki
,
Harun
. “
Controlling Observation
.”
Imprint: Writings
, edited by
Gaensheimer
Susanne
and
Schafhausen
Nicolaus
, translated by
Faasch-Ibrahim
Laurent
,
306
21
.
New York
:
Lukas and Sternberg
,
2001
.
Farocki
,
Harun
. “
Cross Influence/Soft Montage
.” In
Harun Farocki: Against What? Against Whom?
, edited by
Ehmann
Antje
and
Eshun
Kodwo
,
69
74
.
London
:
Koenig
,
2009
.
Farred
,
Grant
. “
Zinedine Zidane: Coup de Boule (Jacques Derrida)
.” In
In Motion, at Rest: The Event of the Athletic Body
,
107
43
.
Minneapolis
:
University of Minnesota Press
,
2014
.
Feldman
,
Hannah
.
From a Nation Torn: Decolonizing Art and Representation in France
.
Durham, NC
:
Duke University Press
,
2014
.
Finkelpearl
,
Tom
.
What We Made: Conversations on Art and Social Cooperation
.
Durham, NC
:
Duke University Press
,
2012
.
Foster
,
Hal
. “
An Archival Impulse
.”
October
110
(Fall
2004
):
3
22
.
Foster
,
Hal
. “
A Grammar of Emergency
.” In
Thomas Hirschhorn: Establishing a Critical Corpus
, edited by
Bizzarri
Thomas
and
Hirschhorn
Thomas
,
162
81
.
Bern
:
JRP-Ringier
,
2011
.
Foster
,
Hal
. “
Vision Quest: The Cinema of Harun Farocki
.”
Artforum
43
, no.
3
(
2004
):
156
61
,
250
.
Foucault
,
Michel
.
Security, Territory, Population: Lectures at the Collège du France
. Edited by
Senellart
Michel
and translated by
Burchell
Graham
.
Basingstoke, UK
:
Palgrave Macmillan
,
2007
.
Foucault
,
Michel
.
“Society Must Be Defended”: Lectures at the Collège de France 1975–1976
. Translated by
Macey
David
.
New York
:
Picador
,
2003
.
Fraser
,
Nancy
. “
Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy
.” In
Habermas and the Public Sphere
, edited by
Calhoun
Craig
,
109
42
.
Cambridge, MA
:
MIT Press
,
1992
.
Fraser
,
Nancy
. “
Transnationalizing the Public Sphere: On the Legitimacy and Efficacy of Public Opinion in a Post-Westphalian World
.” In
Transnationalizing the Public Sphere
, edited by
Nash
Kate
,
8
42
.
Cambridge, UK
:
Polity
,
2014
.
Freeman
,
Elizabeth
.
Time Binds: Queer Temporalities, Queer Histories
.
Durham, NC
:
Duke University Press
,
2010
.
Freud
,
Sigmund
. “
The Uncanny
.” In
The Standard Edition of the Complete Psychological Works of Sigmund Freud
, vol.
17
, edited and translated by
Strachey
James
, with
Freud
Anna
,
Strachey
Alix
, and
Tyson
Alan
,
219
52
.
London
:
Vintage
,
2001
.
Gardner
,
Anthony
.
Politically Unbecoming: Postsocialist Art against Democracy
.
Cambridge, MA
:
MIT Press
,
2015
.
Geertz
,
Clifford
. “
Deep Play: Notes on the Balinese Cockfight
.” In
The Interpretation of Cultures: Selected Essays
,
80
98
.
New York
:
Basic Books
,
1973
.
Geertz
,
Clifford
. “
Thick Description: Toward an Interpretative Theory of Culture
.” In
The Interpretation of Cultures: Selected Essays
,
3
30
.
New York
:
Basic Books
,
1973
.
Gingeras
,
Alison
. “
Cheap Tricks: Thomas Hirschhorn’s Transvaluation Machine
.”
Parkett
57
(
December
1999
):
136
37
.
Gleick
,
James
.
The Information: A History, a Theory, a Flood
.
New York
:
Pantheon
,
2011
.
Goel
,
Sharad
,
Anderson
Ashton
,
Hofman
Jake
, and
Watts
Duncan J.
. “
The Structural Virality of Online Diffusion
.”
Management Science
62
, no.
1
(
2016
):
180
96
.
Gough
,
Maria
. “
Model Exhibition
.”
October
150
(
2014
):
9
26
.
Gunning
,
Tom
. “
Early Cinema as Global Cinema: The Encyclopedic Ambition
.” In
Early Cinema and the “National,”
edited by
Abel
Richard
,
Bertellini
Giorgio
, and
King
Rob
,
11
16
.
New Barnet, UK
:
John Libbey
,
2008
.
Habermas
,
Jürgen
.
The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society
. Translated by
Burger
Thomas
with
Lawrence
Frederick
.
1962
.
Reprint
:
Cambridge, MA
:
MIT Press
,
1991
.
Haeckel
,
Jana J.
An Aesthetic of Absence: Critical Counter-narratives of Journalistic Story-telling in Eva Leitolf’s Photography
.”
Image [&] Narrative
16
, no.
1
(
2015
):
45
56
.
Haidu
,
Rachel
. “
Précarité, Autorité, Autonomie
.” In
Communities of Sense: Rethinking Aesthetics and Politics
, edited by
Hinderliter
Beth
,
Kaizen
William
,
Maimon
Vered
,
Mansoor
Jaleh
, and
McCormick
Seth
,
215
37
.
Durham, NC
:
Duke University Press
,
2009
.
Hall
,
Stuart
.
Familiar Stranger: A Life between Two Islands
.
Durham, NC
:
Duke University Press
,
2017
.
Hansen
,
Miriam
.
Babel and Babylon: Spectatorship in American Silent Film
.
Cambridge, MA
:
Harvard University Press
,
1994
.
Hassan
,
Salah
, and
Dadi
Iftikhar
, eds.
Unpacking Europe: Towards a Critical Reading
.
Rotterdam
:
NAi
,
2001
.
Hawton
,
Keith
,
Harriss
Louise
,
Appleby
Louis
,
Juszczak
Edmund
,
Simkin
Sue
,
McDonnell
Ros
,
Amos
Tim
,
Kiernan
Katy
, and
Parrott
Hilary
. “
Effect of Death of Diana, Princess of Wales on Suicide and Deliberate Self-Harm
.”
British Journal of Psychiatry
177
(
2000
):
463
66
.
Helleman
,
Gerben
, and
Wassenberg
Frank
. “
The Renewal of What Was Tomorrow’s Idealistic City: Amsterdam’s Bijlmermeer High-Rise
.”
Cities
12
, no.
1
(
2004
):
3
17
.
Hirschhorn
,
Thomas
.
Bataille Maschine
.
Berlin
:
Merve
,
2002
.
Hirschhorn
,
Thomas
. “
Eternal Flame
,” translated by
Herman
Jeanine
.
Artforum
45
, no.
7
(
2007
):
268
.
Hirschhorn
,
Thomas
, ed.
Thomas Hirschhorn
.
London
:
Phaidon
,
2004
.
Hobart
,
Hi‘ilei Julia Kawehipuaakahaopulani
, and
Kneese
Tamara
. “
Radical Care: Survival Strategies for Uncertain Times
.”
Social Text
38
, no.
1
(
2020
):
1
16
.
Jackson
,
Shannon
.
Social Works: Performing Art, Supporting Publics
.
New York
:
Routledge
,
2011
.
Jestrovic
,
Silvija
. “
Performing Like an Asylum Seeker: Paradoxes of Hyperauthenticity
.”
Research in Drama Education
13
, no.
2
(
2008
):
159
70
.
Jiwani
,
Yasmin
. “
Sports as Civilizing Mission: Zinedine Zidane and the Infamous Head-Butt
.”
Topia: Canadian Journal of Cultural Studies
19
(
2008
):
11
33
.
Keenan
,
Thomas
. “
Publicity and Indifference: Media, Surveillance and ‘Humanitarian Intervention’
.” In
Killer Images: Documentary Film, Memory and the Performance of Violence
, edited by
Brink
Joram Ten
and
Oppenheimer
Joshua
,
15
40
.
London
:
Wallflower
,
2012
.
Keenan
,
Thomas
, and
Weizman
Eyal
.
Mengele’s Skull: The Advent of a Forensic Aesthetics
.
Frankfurt
:
Portikus
;
Berlin
:
Sternberg
,
2012
.
Kent
,
John
.
America, the un and Decolonisation: Cold War Conflict in the Congo
.
Oxon, UK
:
Routledge
,
2010
.
Kester
,
Grant
.
Conversation Pieces: Community and Communication in Modern Art
.
Berkeley
:
University of California Press
,
2013
.
Kester
,
Grant
.
The One and the Many: Contemporary Collaborative Art in a Global Context
.
Durham, NC
:
Duke University Press
,
2011
.
Kiaer
,
Christina
.
Imagine No Possessions: The Socialist Objects of Russian Constructivism
.
Cambridge, MA
:
MIT Press
,
2005
.
Kilcline
,
Cathal
. “
‘They Are French, We Are Marseillais’: Imagining Community in French Football
.” In
Friends and Foes Volume II: Friendship and Conflict from Social and Political Perspectives
, edited by
Watson
Graeme
,
Renzi
Barbara Gabriella
,
Viggiani
Elisabetta
, and
Collins
Máiréad
,
65
76
.
Newcastle upon Tyne, UK
:
Cambridge Scholars
,
2009
.
Kober
,
Ulrich
. “
Introduction: European Challenges, Call for European Responses
.” In
Strategies for Combating Right-Wing Extremism in Europe
, edited by
Stiftung
Bertelsmann
,
9
12
.
Gütersloh, Germany
:
Bertelsmann Stiftung
,
2009
.
Kramer
,
Sven
. “
Reiterative Reading: Harun Farocki’s Approach to the Footage from Westerbork Transit Camp
.”
New German Critique
41
, no.
3
(
123
,
2014
):
35
55
.
Kwon
,
Miwon
.
One Place after Another: Site-Specific Art and Locational Identity
.
Cambridge, MA
:
MIT Press
,
2002
.
Kwon
,
Miwon
. “
Public Art as Publicity
.”
Transversal Texts
, no.
1
(
2002
). .
Laclau
,
Ernesto
.
On Populist Reason
.
2005
. Reprint,
London
:
Verso
,
2018
.
Laclau
,
Ernesto
, and
Mouffe
Chantal
.
Hegemony and Socialist Strategy: Towards a Radical Democratic Politics
.
1985
. Reprint,
London
:
Verso
,
2014
.
Lacy
,
Suzanne
.
Mapping the Terrain: New Genre Public Art
.
Seattle
:
Bay Press
,
1995
.
Lapeyronnie
,
Didier
. “
Primitive Rebellion in the French Banlieues: On the Fall 2005 Riots
.” In
Frenchness and the African Diaspora: Identity and Uprising in Contemporary France
, edited by
Tshimanga
Charles
,
Gondola
Didier
, and
Bloom
Peter J.
, translated by
Todd
Jane Marie
,
22
46
.
Bloomington
:
Indiana University Press
,
2009
.
Larsen
,
Lars Bang
,
Ricupero
Cristina
, and
Schafhausen
Nicolaus
, eds.
The Populism Catalogue
.
New York
:
Lukas and Sternberg
,
2005
.
Lee
,
Pamela M.
The World as Figure/Ground and Its Disturbance
.” In
Thomas Hirschhorn: Utopia, Utopia = One World, One War, One Army, One Dress
, edited by
Baume
Nicholas
and
Rugoff
Ralph
,
7
12
.
Boston
:
Institute of Contemporary Arts
,
2005
.
Lindeperg
,
Sylvie
. “
Suspended Lives, Revenant Images. On Harun Farocki’s Film Respite
.” In
Harun Farocki: Against What? Against Whom?
, edited by
Ehmann
Antje
and
Eshun
Kodwo
,
28
37
.
London
:
Koenig
,
2009
.
Lütticken
,
Sven
. “
Taped Together: On ‘The Bijlmer Spinoza’ by Thomas Hirschhorn
.”
Texte zur Kunst
75
(
2009
):
151
54
.
Lynton
,
Norbert
.
Tatlin’s Tower: Monument to Revolution
.
New Haven, CT
:
Yale University Press
,
2009
.
Martin
,
Courtney J.
Rasheed Araeen, Live Art, and Radical Politics in Britain
.”
Getty Research Journal
2
(
2010
):
107
24
.
McDonough
,
Tom
.
“The Beautiful Language of My Century”: Reinventing the Language of Contestation in Postwar France, 1945–1968
.
Cambridge, MA
:
MIT Press
,
2007
.
McDonough
,
Tom
, ed.
Guy Debord and the Situationist International: Texts and Documents
.
Cambridge, MA
:
MIT Press
,
2002
.
McDonough
,
Tom
. “
Harun Farocki at Greene Naftali
.”
Art in America
96
, no.
5
(
2008
):
186
.
Mercer
,
Kobena
.
Travel and See: Black Diaspora Practices since the 1980s
.
Durham, NC
:
Duke University Press
,
2016
.
Messu
,
Michel
. “
L’exclusion: Une catégorisation sans objet
.”
Genèses
27
(
1997
):
147
61
.
Mirzoeff
,
Nicholas
.
The Appearance of Black Lives Matter
. ,
2017
. .
Mirzoeff
,
Nicholas
. “
Artificial Vision, White Space and Racial Surveillance Capitalism
.”
AI and Society
36
(
2020
):
n.p.
Mirzoeff
,
Nicholas
. “
Empty the Museum, Decolonize the Curriculum, Open Theory
.”
Nordic Journal of Aesthetics
25
, no.
53
(
2017
):
6
22
.
Mirzoeff
,
Nicholas
. “
The Right to Look
.”
Critical Inquiry
37
, no.
3
(
2011
):
473
96
.
Mitchell
,
W. J. T.
, ed.
Art and the Public Sphere
.
Chicago
:
University of Chicago Press
,
1990
.
Mitchell
,
W. J. T.
What Do Pictures Want? The Lives and Loves of Images
.
Chicago
:
University of Chicago Press
,
2010
.
Moran
,
Matthew
. “
Terrorism and the Banlieues: The Charlie Hebdo Attacks in Context
.”
Modern and Contemporary France
25
, no.
3
(
2017
):
315
32
.
Mufti
,
Aamir R.
Enlightenment in the Colony: The Jewish Question and the Crisis of Postcolonial Culture
.
Princeton, NJ
:
Princeton University Press
,
2007
.
Nash
,
Kate
, ed.
Transnationalizing the Public Sphere
.
Cambridge, UK
:
Polity
,
2014
.
Negt
,
Alexander
, and
Kluge
Oskar
.
Public Sphere and Experience: Toward an Analysis of the Bourgeois and Proletarian Public Sphere
. Translated by
Labanyi
Peter
,
Daniel
Jamie Owen
, and
Oksiloff
Assenka
.
1972
. Reprint,
Minneapolis
:
University of Minnesota Press
,
1993
.
Nisbet
,
James
. “
Material Propositions on the Individual/Collective: The Work of Vladimir Tatlin
.”
Modernism/Modernity
17
, no.
1
(
2010
):
109
34
.
Nixon
,
Rob
.
Slow Violence and the Environmentalism of the Poor
.
Cambridge, MA
:
Harvard University Press
,
2011
.
Pantenburg
,
Volker
. “
‘Now That’s Brecht at Last!’ Harun Farocki’s Observational Films
.” In
Documentary across Disciplines
, edited by
Balsom
Erika
and
Peleg
Hila
,
142
62
.
Berlin
:
Haus der Kulturen der Welt
,
2016
.
Pantenburg
,
Volker
. “
Working Images: Harun Farocki and the Operational Image
.” In
Image Operations: Visual Media and Political Conflict
, edited by
Eder
Jens
and
Klonk
Charlotte
,
49
62
.
Manchester
:
Manchester University Press
,
2017
.
Paugam
,
Serge
, ed.
L’exclusion: L’état des savoirs
.
Paris
:
Edition de la Découverte
,
1996
.
Pavsek
,
Christopher
. “
Harun Farocki’s Images of the World
.”
Rouge
12
(
2008
):
n.p.
Phu
,
Thy
.
Warring Visions: Photography and Vietnam
.
Durham, NC
:
Duke University Press
,
2022
.
Poet
,
Paul
.
Ausländer Raus! Schlingensief’s Container
.
Austria
:
Bonusfilm
,
2002
.
Distributed with English subtitles by Monitorpop Entertainment
.
Probst
,
Ursula Maria
. “
Harun Farocki Deep Play: Spiel mit tiefer Bedeutung. Ein Gespräch von Ursula Maria Probst
.”
Kunstforum
187
(
2007
):
464
67
.
Pusca
,
Anna
. “
The ‘Roma Problem’ in the EU: Nomadism, (In)Visible Architectures and Violence
.”
Borderlands E–journal
9
, no.
2
(
2010
).
Ramm
,
Christoph
. “
The ‘Sick Man’ beyond Europe: The Orientalization of Turkey and Turkish Immigrants in European Union Accession Discourses in Germany
.” In
Racism, Postcolonialism, Europe
, edited by
Huggan
Graham
and
Law
Ian
,
102
16
.
Liverpool
:
Liverpool University Press
,
2009
.
Rancière
,
Jacques
.
The Emancipated Spectator
. Translated by
Elliott
Gregory
.
London
:
Verso
,
2009
.
Rancière
,
Jacques
. “
The Head Butts and the Image Strikes
.” In
Adel Abdessemed: Works 1988–2015
, edited by
Tazzi
Pier Luigi
, translated by
Battista
Emiliano
,
104
13
.
London
:
Koenig
,
2016
.
Rancière
,
Jacques
.
The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation
. Translated by
Ross
Kristin
.
Stanford, CA
:
Stanford University Press
,
1991
.
Raunig
,
Gerald
.
Art and Revolution: Transversal Activism in the Long Twentieth Century
. Translated by
Derieg
Aileen
.
Los Angeles
:
Semiotext(e)
,
2017
.
Raunig
,
Gerald
, and
Ray
Gene
, eds.
Art and Contemporary Critical Practice: Reinventing Institutional Critique
.
London
:
MayFlyBooks
,
2009
.
Ring
,
Annie
. “
System Error: Complicity with Surveillance in Contemporary Workplace Documentaries
.”
Seminar: A Journal of Germanic Studies
52
, no.
4
(
2016
):
465
89
.
Risse
,
Thomas
, ed.
European Public Spheres: Politics Is Back
.
Cambridge, UK
:
Cambridge University Press
,
2015
.
Robbins
,
Bruce
. “
The Public as Phantom
.” In
The Phantom Public Sphere
, edited by
Robbins
Bruce
,
vii
xxvi
.
Minneapolis
:
University of Minnesota Press
,
1993
.
Rondeau
,
James
. “
Jumbo Spoons and Big Cake at the Art Institute of Chicago
.” In
Thomas Hirschhorn: Jumbo Spoons and Big Cake, the Art Institute of Chicago; World Airport, the Renaissance Society at the University of Chicago
, edited by
Rondeau
James
and
Ghez
Susanne
,
8
15
.
Chicago
:
Lowitz + Sons
,
2000
.
Ross
,
Andrew
.
Nice Work If You Can Get It: Life and Labor in Precarious Times
.
New York
:
New York University Press
,
2009
.
Rothberg
,
Michael
.
Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization
.
Stanford, CA
:
Stanford University Press
,
2009
.
Rounthwaite
,
Adair
.
Asking the Audience: Participatory Art in 1980s New York
.
Minneapolis
:
University of Minnesota Press
,
2017
.
Rowe
,
David
. “
Stages of the Global: Media, Sport, Racialization and the Last Temptation of Zinedine Zidane
.”
International Review for the Sociology of Sport
45
, no.
3
(
2010
):
355
71
.
Said
,
Edward
.
Reflections on Exile and Other Essays
.
Cambridge, MA
:
Harvard University Press
,
2000
.
Saint-Amour
,
Paul
.
Tense Future: Modernism, Total War, Encyclopedic Form
.
Oxford
:
Oxford University Press
,
2015
.
Schmidt
,
Theron
. “
Christoph Schlingensief and the Bad Spectacle
.”
Performance Research
16
, no.
4
(
2011
):
27
33
.
Schulz-Forberg
,
Hagen
. “
Cosmopolitanism or Ethnic Homogeneity? Roma Identity, European Integration and the European Public Sphere
.” In
Mapping the European Public Sphere
, edited by
Bee
Cristiano
and
Bozzini
Emanuela
,
177
93
.
Surrey, UK
:
Ashgate
,
2010
.
Scott
,
Joan Wallach
.
The Politics of the Veil
.
Princeton, NJ
:
Princeton University Press
,
2007
.
Seltzer
,
Mark
. “
Wound Culture: Trauma in the Pathological Public Sphere
.”
October
80
(
1997
):
3
26
.
Silverman
,
Kaja
.
The Threshold of the Visible World
.
New York
:
Routledge
,
1996
.
Singh
,
Julietta
.
Unthinking Mastery: Dehumanism and Decolonial Entanglements
.
Durham, NC
:
Duke University Press
,
2017
.
Smith
,
Terry
.
The Architecture of Aftermath
.
Chicago
:
University of Chicago Press
,
2006
.
Spivak
,
Gayatri Chakravorty
.
Death of a Discipline
.
New York
:
Columbia University Press
,
2003
.
Steyn
,
Juliet
, and
Stamselberg
Nadja
, eds.
Breaching Borders: Art, Migrants and the Metaphor of Waste
.
London
:
I. B. Tauris
,
2014
.
Stimson
,
Blake
. “
What Was Institutional Critique?
” In
Institutional Critique: An Anthology of Artists’ Writings
, edited by
Alberro
Alex
and
Stimson
Blake
,
20
43
.
Cambridge, MA
:
MIT Press
,
2009
.
Stoler
,
Ann Laura
.
Duress: Imperial Durabilities in Our Times
.
Durham, NC
:
Duke University Press
,
2016
.
TallBear
,
Kim
. “
Caretaking Relations, Not American Dreaming
.”
Kalfou
6
, no.
1
(
2019
):
24
39
.
Tchumkam
,
Hervé
.
State Power, Stigmatization, and Youth Resistance Culture in the French Banlieue: Uncanny Citizenship
.
Lanham, MD
:
Lexington
,
2015
.
Trehan
,
Nidhi
, and
Kóczé
Angéla
. “
Racism, (Neo-)Colonialism and Social Justice: The Struggle for the Soul of the Romani Movement in Post-socialist Europe
.” In
Racism, Postcolonialism, Europe
, edited by
Huggan
Graham
and
Law
Ian
,
50
73
.
Liverpool
:
Liverpool University Press
,
2009
.
Trembley
,
Nicolas
, dir.
Swiss-Swiss Democracy Experience
.
Paris
:
Nordic Institut for Contemporary Art and bureau des vidéos
,
2005
.
Van Gelder
,
Hilda
. “
Reclaiming Information, Rebuilding Stories: Reinventing Fundamental Rights
.” In
Visibility Machines: Harun Farocki and Trevor Paglen
, edited by
van Tomme
Niels
,
55
70
.
Baltimore
:
Center for Art, Design and Visual Culture, University of Mary land
,
2014
.
Veličković
,
Vedrana
.
Eastern Europeans in Contemporary Literature and Culture: Imagining New Europe
.
London
:
Palgrave Macmillan
,
2019
.
Verwoert
,
Jan
. “
Production Pattern Associations: On the Work of Harun Farocki
.”
Afterall
11
(
2005
):
65
78
.
Warner
,
Michael
.
Publics and Counterpublics
.
New York
:
Zone
,
2005
.
Weiss
,
Kirsten
. “
Recycling the Image of the Public Sphere in Art
.”
Thresholds
23
(
2001
):
58
63
.
Weizman
,
Eyal
.
Forensic Architecture: Violence on the Threshold of Detectability
.
New York
:
Zone
,
2017
.
Weizman
,
Eyal
, ed.
Forensis: The Architecture of Public Truth
.
Berlin
:
Stern-berg
,
2014
.
Welch
,
Edward
, and
Perivolaris
John
. “
The Place of the Republic: Space, Territory and Identity around and after Charlie Hebdo
.”
French Cultural Studies
27
, no.
3
(
2016
):
279
92
.
Widrich
,
Mechtild
.
Performative Monuments: The Rematerialisation of Public Art
.
Manchester
:
Manchester University Press
,
2014
.
Woodruff
,
Lily
.
Disordering the Establishment: Participatory Art and Institutional Critique in France, 1958–1981
.
Durham, NC
:
Duke University Press
,
2020
.
Young
,
Benjamin
. “
On Media and Democratic Politics: Videograms of a Revolution
.” In
Harun Farocki: Working on the Sightlines
, edited by
Elsaesser
Thomas
,
245
60
.
Amsterdam
:
Amsterdam University Press
,
2004
.

or Create an Account

Close Modal
Close Modal