Book Chapter
Synthetic Realism: Postcinema in the Anthropocene Open Access
-
Published:May 2023
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.
This content is only available as PDF.
References
FILMS, VIDEOS, AND VISUAL MATERIALS
Chandralekha
. 2014
. “Sharira: Chandralekha’s Explorations in Dance
.” YouTube video, uploaded
November
13
, 2014
. https://www.youtube.com/watch?v=vyXh_5dT0zw
.Chandralekha
. 2016
. Sharira: Fire/Desire. Shot earlier in Chennai, with dancers Shaji John and Tishani Doshi; music by the Gundecha Brothers; vocals by Umakan and Ramakant Gundecha; lighting and stage design by Sandanand Menon; camera by Olivier Barot
. YouTube video, uploaded
October
31
, 2016
. .Chettur
, Padmini
. 2017
. “Padmini Chettur on Contemporary Dance
”. Interview by Muthukumaraswamy
M. D.
. YouTube video, uploaded
October
16
, 2017
. .Choy Ka Fai
. 2010
. Eternal Summer Storm
. Celeste Prize, video
, February
3
, 2010
. .Choy Ka Fai
. 2014a
. “Choy Ka Fai Presents SoftMachine
”. Vimeo video
, December
2
, 2014
. .Choy Ka Fai
. 2014b
. Prospectus for a Future Body. TEDxReset
. YouTube video, uploaded
June
1
, 2014
. .Choy Ka Fai
. 2018
. Dance Clinic. ImPulsTanz 2018
. YouTube video, uploaded
June
5
, 2018
. .Franke
, Anselm
. 2014
. “Extraterritoriality, Changing Political Geographies, and Multi-Stable Figures (including Art)
.” YouTube video
, January
24
, 2014
. .Hijikata
Tatsumi
. 1973
. A Summer Storm
. Westside Auditorium, Kyoto University
. YouTube, uploaded September 27, 2013. https://www.youtube.com/watch?v=AEM9SAymJt4
.Ho
Tzu Nyen
. 2012
–present. The Critical Dictionary of South-East Asia
. Various video formats and algorithmics editing system, infinite duration
. and .Ho
Tzu Nyen
. 2014
. The Nameless
. Produced for the Shanghai Biennale, but censored, so premiered in Berlin’s Akademie der Künste in
2015
.Ho
Tzu Nyen
. 2015
. The Name
. Film installation, premiered at the daadgalerie
, Berlin
, February
13
, 2015
.Ho
Tzu Nyen
. 2018b
. “One or Several Tigers: Interview with Ho Tzu Nyen
.” National Gallery Singapore
. YouTube video, uploaded January 23, 2018. https://www.youtube.com/watch?v=0J9JEAMfYHE
.Ho
Tzu Nyen
. 2020b
. Waiting. With Ripon Chowdhury. Digital video (color, sound)
. Edouard Malingue Gallery
, Shanghai and Hong Kong
. .Ho
Tzu Nyen
. 2020c
. Waiting. With Ripon Chowdhury. Digital video (color, sound)
. Edel Assanti, video
, June
11
, 2020
. .Ho
Tzu Nyen
. 2021a
. “Ho Tzu Nyen in Conversation with Kevin Chua, Keynote Decentering Realisms: 1750 to Now
”. The Courtauld Research Forum
, March
10
–12
, 2021
. YouTube video, uploaded March 11, 2021. https://www.youtube.com/watch?v=wwPXsp0wSNE
.Ho
Tzu Nyen
. 2021b
. Voice of Void
. Yamaguchi Centre for Arts and Media (YCAM)
, April
3
–July
4
, 2021
.Ho
Tzu Nyen
. 2022b
. “‘Language’ Artist Interview: Ho Tzu Nyen | Light to Night Festival 2022
.” YouTube video, February 14, 2022. https://www.youtube.com/watch?v=15N4Gz9hcao
.Ho
Tzu Nyen
. 2022d
. “Virtual Conversation with Ho Tzu Nyen
”. Interview by Chao
Jacqueline
, Crow Museum of Asian Art
. YouTube video, streamed live on January 20, 2022. https://www.youtube.com/watch?v=ugNjiFPyrG0
.Hsu
Chia-Wei
. 2012b
. Marshal Tie Jia (Turtle Island). Video installation
. Available from Liang Gallery, Taipei
.Hsu
Chia-Wei
. 2015
. Ruins of the Intelligence Bureau
. Single-channel video. Filmed by Le Fresnoy—Studio national des arts contemporains, France
. Available as single-channel video from Liang Gallery, Taipei
.Hui
, Daniel
. 2019a
. “Daniel Hui Interview: Demons at Berlin Film Festival 2019
”. Interview by Bradbury
Sarah
. YouTube video, uploaded February 24, 2019. https://www.youtube.com/watch?v=bZ1o1au18kQ
.Hui
, Daniel
. 2019b
. “Interview with Daniel Hui on ‘Demons’
”. Interview by Zsombor Bobák at the Forum Section of the Berlin Biennale Teddy Awards
. YouTube video, uploaded February 10, 2019. https://www.youtube.com/watch?v=2pxZi7-urfM
.Joselit
, David
. 2020
. “Heritage and Debt: Art in Globalization
”. Virtual public lecture, Harvard University Graduate School of Design
, April
23
, 2020
. You-Tube video, uploaded April 24, 2020. https://www.youtube.com/watch?v=Z6X1uhQ12QI
.Kim
, Ayoung
. 2017a
. Petra Genetrix vs Petra Genetrix
. Digital print installation at National Herbarium, Royal Botanic Gardens Victoria
, Melbourne, Australia
.Kim
, Ayoung
. 2017b
. Porosity Valley, Portable Holes
. Single-channel video. Video excerpt and photographs of various installations
. .Kim
, Ayoung
. 2017c
. Trailer for Porosity Valley, Portable Holes
. .Kim
, Ayoung
. 2019a
. “Ayoung Kim/2019 Korea Artist Prize
.” Vimeo video, uploaded October 13, 2019. http://koreaartistprize.org/en/project/ayoung-kim/?ckattempt=2
.Kim
, Ayoung
. 2019b
. Petrogenesis, Petra Genetrix. Single-channel video
. Trailer and photographs
. .Kim
, Ayoung
. 2019c
. Porosity Valley 2: Tricksters’ Plot. Two-channel video
. Video excerpts and photographs
. .Kim
, Ayoung
. 2020
. In Search of Petra Genetrix
. Performance/lecture at the IMPAKT Festival in the Netherlands
, October
30
, 2020
. YouTube video, uploaded October 31, 2020. https://www.youtube.com/watch?v=Zib5DeT7q5M
.Kumar
, Kiran
. n.d.
Archipelago Archives: Epistolary Ancestries
. .Kumarasamy
, Aravinth
. 2011
. Nirmanika: The Beauty of Architecture
. Apsaras Arts Dance Company
, Singapore
. (Video excerpt available on YouTube, uploaded February 9, 2011, https://www.youtube.com/watch?v=P_w-mdCpAH0
.)Kumarasamy
, Aravinth
. 2013
. A Glimpse of Angkor: Quest for Immortality
. Apsaras Arts Dance Company
, Singapore
. (Various short video clips available on YouTube: behind-the-scenes explanation the director and music composer, uploaded October 30, 2013, https://www.youtube.com/watch?v=0EbSZmMa-RU
.)Kumarasamy
, Aravinth
. 2015
. Anjasa [“The Path”]: The Wonder of Buddhist Monuments
. Apsaras Art Dance Company
, Singapore
. (Video of 2021 performance: https://www.apsarasarts.com/videos/dance/anjasa-unravel-the-wonders-of-buddhist-monuments/
.)Kumarasamy
, Aravinth
. 2016
. Angkor: The Untold Story
. Apsaras Arts Dance Company
, Singapore
.Kumarasamy
, Aravinth
. 2017
. Agathi: The Plight of the Refugee
. Apsaras Arts Dance Company
, Singapore
. https://www.youtube.com/watch?v=U7eif AF0wPs (accessed March 2019). (Video excerpt of rehearsal and photographs available on Facebook, https://www.facebook.com/Agathi-The-Plight-of-a-Refugee-204959546621502/
.)Kuning
, Zai
. 2003b
. Riau. Digital video, color, sound. Screened in 2005 at the International Film Festival Rotterdam, the Busan International Film Festival, and the 3rd Fukuoka Asian Art Triennial; and in 2016 at the National University of Singapore Museum’s “Looking Within” Exhibition
. Collected by the Singapore Art Museum and the Fukuoka Asian Art Museum
.Kuning
, Zai (advisor)
. 2010
. “Kumpulan Seni Makyong Mantang Arang (Riau Islands, Indonesia) MakYong Performances
.” Night Festival, Singapore Management University (SMU) Campus Green
, July
16
–17
, 2010
. .Kuning
, Zai
. 2011
. “The Garden—Zai Kuning’s Monologue
”. Monologue for the Substation Garden at the opening of Zai Kuning’s exhibition The Garden—I Will Send You to a Better Place
, March
25
, 2011
. YouTube video, uploaded March 26, 2011. https://www.youtube.com/watch?v=-1PqNFrmZc4
.Kuning
, Zai
. 2017b
. “Showcasing South-East Asian History at the Venice Biennale: Zai Kuning, Dapunta Hayang: Transmission of Knowledge
.” Brightcove video
. .Kuning
, Zai
. 2018a
. “See the 17m-Long Skeletal Ship Built by Artist Zai Kuning at the Exhibition Opening of Dapunta Hyang: Transmission of Knowledge at Theatreworks
”. Video by Ashleigh Sim. Straits Times video, Facebook, uploaded
April
12
, 2018
. .Kuning
, Zai
. 2018b
. “Zai Kuning—Dapunta Hyang: Transmission of Knowledge (2018)
”. TheatreWorks
. YouTube video, uploaded May 8, 2018. https://www.youtube.com/watch?v=vZMMIrrCjFI
.Lee Hsien Loong
. 2014
. “On ‘To Singapore, with Love’ and the Fight against Communism
”. Interview by Koh
Tommy
, October
3
, 2014
. YouTube video, uploaded October 3, 2014. https://www.youtube.com/watch?v=UjQvdrBK8h4
.Lim
, Charles Yi Yong
. 2005
–present. Charles Lim’s albums
. Flickr
. .Lim
, Charles Yi Yong
. 2008
. it’s not that i forgot, rather i chose not to mention
. Three-channel video installation
. Manifesta
7
, July
19
–November
2
, 2008
. http://www.manifesta7.it/artists/384. (Video version available on Vimeo, uploaded April 9, 2013, https://vimeo.com/63645252.)
Lim
, Charles Yi Yong
. 2010
. “all lines flow out: Trailer of video installation by Charles Lim Yi Yong at Old Kallang Airport Singapore Biennale
”. Vimeo video, uploaded
March
19
, 2011
. .Lim
, Charles Yi Yong
. 2011a
. all lines flow out: Flare Test
. Vimeo Pro video
. .Lim
, Charles Yi Yong
. 2011b
. all lines flow out: Shore Trailer
. Vimeo Pro video
. .Lim
, Charles Yi Yong
. 2011c
. “all lines flow out: Trailer of Video Installation by Charles Lim Yi Yong at Old Kallang Airport Singapore Biennale
.” Vimeo Pro video
. .Lim
, Charles Yi Yong
. 2011d
. All the Lines Flow Out
. Singapore Biennale
. March
13
, 2011
. Vimeo Pro video. https://vimeopro.com/sotong/all-the-lines-flow-out/video/20991105
.Lim
, Charles Yi Yong
. 2011e
. All the Lines Flow Out
. Version for Venice premiere (men inspecting the canal)
. Vimeo video, uploaded January 31, 2013. https://vimeo.com/58651330
.Lim
, Charles Yi Yong
. 2011f
. “68th Venice Film Festival—Orizzonti—Start—All the Lines Flow Out
”. Panel discussion with Mattias Gustafsson, 68th Venice Film Festival Press Conference
. YouTube video, uploaded September 8, 2011. https://www.youtube.com/watch?v=Hkn0gAD8nqs
.Lim
, Charles Yi Yong
. 2011g
. Work in Progress Coal Mining: Sea State 2: As Evil Disappears
. Vimeo Pro video, uploaded February 5, 2011. https://vimeopro.com/sotong/all-the-lines-flow-out/video/19591013
.Lim
, Charles Yi Yong
. 2012a
. Night Buoys
. YouTube video, uploaded September 25, 2012. https://www.youtube.com/watch?v=cC4Z3GaDHQE
.Lim
, Charles Yi Yong
. 2015a
. SEA STATE: Singapore Pavilion 2015
. 77 photos. Flickr. https://www.flickr.com/photos/makanmachine/albums/72157660836278361
.Lim
, Charles Yi Yong
. 2016a
. Barnacle Encrusted Buoy
. At NTU CCA
. (Photographs and video in Lim 2016b and Lim 2022
.)Lim
, Charles Yi Yong
. 2016b
. SEA STATE
. Singapore
: Nanyang Technological University. Exhibition catalog
.Lim
, Charles Yi Yong
. 2016c
. SEA STATE 6
. Good-quality video composition
. Vimeo video, April 18, 2016. https://vimeo.com/163270674
.Lim
, Charles Yi Yong
. 2016d
. Stealing the Trapeze
. Limerick City Gallery of Art, Limerick, Ireland. Google Arts and Culture
. .Lim
, Charles Yi Yong
. 2018a
. “Charles Lim Yi Yong, ‘Cannot Take’ (2018)
”. Vimeo video, uploaded January 26, 2019, https://vimeo.com/313511481
.Lim
, Charles Yi Yong
. 2018b
. SEA STATE
. NTU Centre for Contemporary Art Singapore
. November
21
, 2018
).Lim
, Charles Yi Yong
. 2019a
. Cavern
. Version ending with ascent to surface with supplementary clips
. (accessed May 7, 2019).Lim
, Charles Yi Yong
. n.d. Charles Lim Yi Yong’s website
. (accessed July 24, 2022).Mam
, Kalyanee
. 2019
. Lost World. With credits to Charles Lim’s SEA STATE 6, phase 1, and SEA STATE 9 proclamation. Coproduced by Emergence Magazine and Go Project Films
. Atlantic
, March
11
, 2019
. Video
. .Mendonça Filho
, Kleber
, and Dornelles
Juliano
. 2019
. Bacurau
. CinemaScópio Produções, sbs Productions, Globo Filmes, Símio Filmes, Arte France Cinema, Canal Brasil, and Telecine
.Ng
, Jasmine Kin Kia
, and Tong
Kelvin
. 1999
. Eating Air
. BOKU Films/Multi-Story Complex
.Nguyen
Trinh Thi
. 2007
. Love Man, Love Woman
. YouTube video, uploaded June 22, 2013. https://www.youtube.com/watch?v=nk9wSZsHBwA
.Nguyen
Trinh Thi
. 2015
. Letters from Panduranga
. (Trailer on Facebook, uploaded July 10, 2018, https://www.facebook.com/watch/?v=2008226299210363; and on Vimeo, uploaded November 13, 2015, https://vimeo.com/145637868.)Ombak
Hitam
. 2013
. “Ombak Hitam: The Dark Wave
”. Rehearsal
, March
12
, 2013
. Vimeo video, uploaded March 14, 2013. https://vimeo.com/61816100
.Park Chan-kyong
. 2008
. Sindoan. Six-channel video. Atelier Hermes, Maison Hermes Dosan Park
, June
21
–August
17
, 2008
. Asia Art Archive
, Hong Kong
. .Park Chan-kyong
. 2010
. Anyang
, Paradise City
. Park Chan-kyong
. 2013
. Manshin: Ten Thousand Spirits
. (Trailer and New York Asia Society question-and-answer session on YouTube, uploaded February 9, 2014, https://www.youtube.com/watch?v=KtoDwwzLdag.)Park Chan-kyong
. 2016
. Citizen’s Forest
. Three-channel video (b&w), ambisonic 3D sound, presented like a traditional “shan-su” (landscape)” scroll painting; with color photographs
. South Korea
. (Photographs available from Kukje Gallery, https://m.kukjegallery.com/exhibition/202.)Park Chan-kyong
. 2017a
. Kyoto School
. South Korea
.Park Chan-kyong
. 2017b
. Way to the Seung-ga Temple
. Sequel to Citizen’s Forest. Multichannel slide projection of color photographs in loop and installation
. Kukje Gallery
, South Korea
, May
25
–July
2
, 2017
.Park Chan-kyong
. 2019
. Belated Bosal
. Podesta
, Edith
. 2017
. “Indices of Vanishment (2017)
”. Vimeo video, uploaded March 20, 2017. https://vimeo.com/rawmoves/indicesofvanishment
.Prakash
, Mithali
. 2018
. Mara
. International premiere, the Esplanade, Singapore
, March
25
, 2018
.Prakash
, Mithali
. n.d. Facebook clips of her performances
. (accessed September 18, 2022).Renais
, Alain
, Marker
Chris
, and Cloquiet
Ghislain
. 1953
. Statues Also Die
. Préscence Africaine and Tadié Cinéma
.Sa’at
, Alfian
. 2017a
. “The Making of Mama White Snake!
” YouTube video, November 14, 2017. https://www.youtube.com/watch?v=QJYOx4X66GA
.Sa’at
, Alfian
. 2017b
. “Madame White Snake 2016
”. Highlights from the 2016 production
. Drama Stage
, Singapore
, December
8
, 2017
. YouTube video, July 24, 2017. https://www.youtube.com/watch?v=zvACXrWGWcY
.Sarabhai
, Mallika
. 2009
. “Dance to Change the World
”. TEDIndia
2009
. .See
, Martyn
. 2012
. Zahari’s 17 Years
. YouTube video, uploaded May 21, 2012. https://www.youtube.com/watch?v=jtYrBagI0zg
.Shaw Brothers
. 1949
. The Hunter
. Smart
, Sally
. n.d. a. “Projects
”. Sally Smart’s website
. .Smart
, Sally
. n.d. b. Prototypes and Multiples
. .Tan
Pin
. 2013
. To Singapore, with Love
. YouTube video, uploaded May 29, 2020. https://www.youtube.com/watch?v=wqLklRUDIKM
.Tarpaga
, Olivier
. (2017) 2020
. Declassified Memory Fragment
. Livestreamed and watched on JoyceStream, July 2–31, 2020
. Link no longer live, but video exists
.Weerasethakul
, Apichatpong
. 2006
. “MOCAtv Presents Techno Mystic—The Anthem
”. Commissioned by Frieze Projects/LUX
. YouTube video, uploaded November 9, 2012. https://www.youtube.com/watch?v=hKA4iLL89hI
.Weerasethakul
, Apichatpong
. 2016
. Fireworks/Archives
. Film/installation. Light Work’s Urban Video Project, Everson Museum
, Syracuse, NY
, September
15
–October
27
, 2016
. .Wiharso
, Entang
. 2015b
. Never Say No
. STPI
. Vimeo, uploaded July 6, 2015. https://vimeo.com/132697523
.Wiharso
, Entang
. 2015c
. Art History: Indonesia Diaspora
. Singapore
: STPI
. .Wiharso
, Entang
. 2020
. “Let’s Chat with Entang Wiharso
”. STPI interview with Rita Targui
. Facebook
, September
16
, 2020
. .OTHER SOURCES
Abdullah bin Mohammad
. 1971
. “Ghazal in Arabic Literature and Malay Music
”. Malaysia in History
14
, no. 1
: 24
–31
.Accad
, Evelyne
, ed. 1992
. Sexuality and War: Literary Masks of the Middle East
. New York
: New York University Press
.Acri
, Andrea
. 2017
. “Tantrism ‘Seen from the East’
”. In Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by Acri
Andrea
, Blench
Roger
, and Landmann
Alexandra
, 71
–144
. Singapore
: Institute for South East Asian Studies
.Ade
, Wernmei Yong
, and Ching
Lim Lee
, eds. 2016
. Contemporary Arts as Political Practice in Singapore
. New York
: Palgrave Macmillan
.Adelaar
, Alexander
. 2017
. “Who Were the First Malagasy, and What Did They Speak?
” In Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by Acri
Andrea
, Blench
Roger
, and Landmann
Alexandra
, 441
–69
. Singapore
: Institute for South East Asian Studies
.Akademie Pengajian Melayu
. n.d. Mah Meri Mask Collection
. Kuala Lumpur
: Universiti Pengajian Malayu
.Almeida
, Ronaldo de
. 2020
. “Bolsonaro, the Evangelicals and the Brazilian Crisis
”. Hot Spots, Fieldsights, Society for Cultural Anthropology
, January
28
. .Andelman
, David A.
1977
. “In Java, Political Substance in Shadow-Plays
”. New York Times
, March
4
.Apffel-Marglin
, Frédérique
. 1985
. Wives of the God-King: The Rituals of the Devadasis of Puri
. New Delhi
: Oxford University Press
.Armin
, Janine
. 2011
. “Through a Filmmaker’s Lens: A View of Korea
”. New York Times
, June
13
.Baik
, Crystal Mun-hye
. 2019
. Reencounters: On the Korean War and Diasporic Memory Critique
. Philadelphia
: Temple University Press
.Baratham
, Gopal
. (1974) 2015
. “Island
”. In Collected Short Stories
. Singapore
: Marshall Cavendish
. Barber
, Stephen
. 2019
. Film’s Ghosts: Tatsumi Hijikata’s Butoh and the Transmutation of 1960s Japan
. Zurich
: Diaphanes
.Barthes
, Roland
. 1980
. Camera Lucida: Reflections on Photography
. Translated by Howard
Richard
. New York
: Hill and Wang
.Bauer
, Ute Meta
, ed. 2022
. Climates, Habitats, Environments
. Cambridge, MA
: MIT Press
.Bell
, John
, ed. 2001
. Puppets, Masks, and Performing Objects
. Cambridge, MA
: MIT Press
.Bellina
, Berenice
. 2017
. “Was There a Late Prehistoric Integrated Southeast Asian Maritime Space?
” In Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by Acri
Andrea
, Blench
Roger
, and Landmann
Alexandra
, 239
–72
. Singapore
: Institute for South East Asian Studies
.Benjamin
, Walter
. (1928) 1978
. “Fire Alarm” (section of “One Way Street”)
”. In Reflections: Essays, Aphorisms, Autobiographical Writings
, translated by Jephcott
Edmund
, 84
. New York
: Schocken
. Benjamin
, Walter
. (1940) 1968
. “Theses on the Philosophy of History
”. Translated by Zohn
Henry
. In Illuminations
, edited by Arendt
Hannah
, 253
–64
. New York
: Schocken
.Bharucha
, Rustom
. 1990
. Theater and the World: Performance and the Politics of Culture
. New Delhi
: Manohar
.Bharucha
, Rustom
. 1995
. Chandralekha: Woman, Dance, Resistance
. New Delhi
: Harper Collins, India
.Binder
, Pat
, and Haupt
Gerhard
. 2002
. “Interview with Tien Wei Woon at documenta 11
”. Kassel
, June
7
. .Boochani
, Behrouz
. 2018
. No Friend but the Mountains
. Translated by Tofighian
Omid
. London
: Picador
.Borschberg
, Peter
. 2015
. “Singapura in Early Modern Cartography: A Sea of Challenges
”. In Visualising Space: Maps of Singapore and the Region; Collections from the National Library and National Archives of Singapore
, 6
–33
. Singapore
: National Library Board
. .Borschberg
, Peter
. 2018
. “Three Questions about Maritime Singapore, 16th and 17th Centuries
”. Ler Historia
, no. 72
, 31
–54
.Buder
, Emily
. 2019
. “When Your Land Is Stolen from beneath Your Feet
”. Atlantic
, March
11
. .Burnham
, Harold
. 2016
. The Shipwright and the Schooner
. Lanham, MD
: Rowman and Littlefield
.Buyandelger
, Manduhai
. 2013
. Tragic Spirits: Shamanism, Memory, and Gender in Contemporary Mongolia
. Chicago
: University of Chicago Press
.Cabral de Oliveira
, Joanna
, and Marini
Marisol
. 2020
. “Why Is Bolsonaro Afraid of Anthropology?
” Hot Spots, Fieldsights, Society for Cultural Anthropology
, January
28
. .Carrithers
, Michael Barnes
. 1986
. The Forest Monks of Sri Lanka
. London
: Oxford University Press
.Cavignac
, Julie A.
2020
. “Threatened Rights and Resistance: For a Politically Engaged Anthropology
”. Hot Spots, Fieldsights, Society for Cultural Anthropology
, January
28
. .Cesarino
, Letícia
. 2020
. “What the Brazilian 2008 Elections Tell Us about Posttruth in the Neoliberal-Digital Era
”. Hot Spots, Fieldsights, Society for Cultural Anthropology
, January
28
. .Chae
, Tiffany Yeon
. 2017
. “Park Chan-kyong, Kukje Gallery, Seoul, South Korea
”. Frieze, no. 190
(July
3
). .Chan
, Clare Suet Ching
. 2015
. “Standardizing and Exoticizing the Main Jo’oh: The Tourist Gaze and Identity Politics in the Music and Dance of the Indigenous Mah Meri of Malaysia
”. Asian Music
46
, no. 2
: 89
–126
.Chaudhuri
, Sutapa
. 2010
. “Signifying the Self: Intersections of Class, Caste and Gender in Rabindranath Tagore’s Dance Drama Chandalika (1938)
”. Rupkatha Journal on Interdisciplinary Studies in Humanities
2
, no. 4
: 549
–56
.Chavannes
, Edouard
. 1894
. Mémoire composé a l’époque de la Grande Dynastie T’ang sur les religieux éminents qui allèrent chercher la loi dans les pays D’Occident par I-Tsing [Memoir written in the Grand Tang Dynasty by I-Tsing on the religious men who went in search of the law in western lands]
. Paris
: Ernest Leroux
.Cheng
, Nien Yuan
. 2017
. “Film Review: ‘1987: Untracing the Conspiracy’ by Jason Soo and Ex-political Detainees
”. New Mandala
, February
14
. .Cheong
, Yip Seng
. 2013
. OB Markers: My Straits Times Story
. Singapore
: Straits Times Press
.Cherian
, Anita E.
, ed. 2016
. TiltPauseShift: Dance Ecologies in India
. New Delhi
: Tulika Books and Gati Dance Forum
.Chettur
, Padmini
. 2016
. “Autobiographical Account.” As interviewed by M. D. Muthukumaraswamy
”. In TiltPauseShift: Dance Ecologies in India
, edited by Cherian
Anita
. New Delhi
: Tulika Books and Gati Dance Forum
. Chettur
, Padmini
. 2020
. “Striking a Balance: Padmini Chettur Talks about Her Latest Show Philosophical Enactment 1
”. Interview by Pillai
Karan
. New Indian Express Indulge
, March
13
. .China Daily
. 2017
. “Twenty-Four Solar Terms: Six Things You May Not Know about Wakening Insects
”. .Chng Suan Tze
, Low Yit Leng
, and Lung
Teo Soh
. 2017
. 1987: Singapore’s Marxist Conspiracy 30 Years On
. Singapore
: Ethos
.Chou
, Cynthia Gek-Hua
. 1994
. “Money, Magic and Fear: Identity and Exchange amongst the Orang Suku Laut (Sea Nomads) and Other Groups of Riau and Batam, Indonesia
”. PhD diss.
, Cambridge University
.Chou
, Cynthia Gek-Hua
. 2010
. The Orang Suku Laut of Riau, Indonesia: The Inalienable Gift of Territory
. London
: Routledge
.Chua Beng Huat
. 1995
. Communitarian Ideology and Democracy in Singapore
. London
: Routledge
.Chua Beng Huat
. 2017
. Liberalism Disavowed: Communitarianism and State Capitalism in Singapore
. Singapore
: National University of Singapore Press
.Cocca
, Christine
. 2014
. Introduction to Trilogy: Geo-Portraits, by Entang Wiharso
, edited by Cocca
Christine
. North Scituate, RI/Yogyakarta
: Black Goat Studios. Exhibition catalog
.Cochrane
, Joe
. 2017
. “Tensions in Indonesian Capital Run High as Election Nears
”. New York Times
, April
17
. .Coedès
, George
. 1968
. The Indianized States of Southeast Asia
. Edited by Vella
Walter F.
. Translated by Cowing
Susan Brown
. Honolulu
: University of Hawaii Press
.Comaroff
, Joshua
. 2009
. “Vulgarity and Enchantment: Religious Movements and the Space of the State
”. PhD diss.
, University of California, Los Angeles
.Comaroff
, Joshua
. 2014
. “Built on Sand: Singapore and the New State of Risk
”. In “Wet Matter”, special issue, Harvard Design Magazine
, no. 39
. .Cooke
, Miriam
. 1988
. War’s Other Voices: Women Writers on the Lebanese Civil War
. Durham, NC
: Duke University Press
.Coppola
, Francis Ford
. 2017
. Live Cinema and Its Techniques
. New York
: Liveright/Norton
.Crosbie-Jones
, Max
. 2019
. “4 Leading Female Art Curators in Thailand
”. Prestige
, April
3
. .Crowe
, Peter
. 2016
. Spirit Carvings of the Mah Mehru of Malaysia: The Collection of Peter and Rohani Crowe
. Subbang Jaya, Malaysia
: Center for Orang Asli Concerns
.Daniels
, Valentine
. 1996
. Charred Lullabies: Chapters in an Anthropology of Violence
. Princeton, NJ
: Princeton University Press
.Das
, Veena
. 2000
. “The Act of Witnessing: Violence, Poisonous Knowledge, and Subjectivity
”. In Violence and Subjectivity
, edited by Das
Veena
, Kleinman
Arthur
, and Ramphele
Mamphela
, 205
–25
. Berkeley
: University of California Press
.Das
, Veena
. 2014
. Affliction: Health, Disease, Poverty
. New York
: Fordham University Press
.Dove
, Michael
. 2011
. The Banana Tree at the Gate: A History of Marginal Peoples and Global Markets in Borneo
. New Haven, CT
: Yale University Press
. Dwyer
, Leslie
, and Santikarma
Degung
. 2021
. A World in Fragments: Aftermaths of Violence in Bali, Indonesia
. Philadelphia
: University of Pennsylvania Press
.Emont
, Jon
. 2015
. “The Propaganda Precursor to the Act of Killing
”. New Yorker
, October
24
. .Evers
, Hans-Dieter
. 2016
. “Nusantara: History of a Concept
”. Journal of the Malaysian Branch of the Asiatic Society
89
(pt. 1), no. 310
: 3
–14
.Fausto
, Carlos
. 2020
. Art Effects: Image, Agency, and Ritual in Amazonia
. Lincoln
: University of Nebraska Press
.Favret-Saada
, Jeanne
. (1977) 1980
. Deadly Words: Witchcraft in the Bocage
. Translated by Cullen
Catherine
. Cambridge
: Cambridge University Press
.Favret-Saada
, Jeanne
. 2012
. “Being Affected
”. Translated by Hengen
Mylene
and Carey
Matthew
. HAU: Journal of Ethnographic Theory
2
, no. 1
: 435
–45
. .Fischer
, Michael M. J.
1980
. Iran: From Religious Dispute to Revolution
. Cambridge, MA
: Harvard University Press
.Fischer
, Michael M. J.
1989
. “Iranian Revolutionary Posters
”. Middle East Research and Information Project (MERIP)
.Fischer
, Michael M. J.
1995
. “Eye(I)ing the Sciences and Their Signifiers (Language, Tropes, Autobiographies: InterViewing for a Cultural Studies of Science and Technology
”. In Technoscientific Imaginaries: Conversations, Profiles, and Memoirs
, edited by Marcus
George E.
, 43
–84
. Late Editions 2
. Chicago
: University of Chicago Press
.Fischer
, Michael M. J.
1997
. “Filming Poland: The Ethnographic (Documentary, Narrative) Films of Maria Zmarz-Koczanowicz
”. In Cultural Producers in Perilous States: Editing Events, Documenting Change
, edited by Marcus
George E.
, 91
–150
. Late Editions 4
. Chicago
: University of Chicago Press
.Fischer
, Michael M. J.
2000
. “ ‘With a Hammer, a Gouge, and a Woodblock’: The Work of Art and Medicine in the Age of Social Retraumatization: The Texas Woodcut Art of Dr. Eric Avery
”. In Para-Sites: A Casebook against Cynical Reason
, edited by Marcus
George E.
, 15
–102
. Late Editions 7
. Chicago
: University of Chicago Press
.Fischer
, Michael M. J.
2003
. Emergent Forms of Life and the Anthropological Voice
. Durham, NC
: Duke University Press
.Fischer
, Michael M. J.
2004
. Mute Dreams, Blind Owls, and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry
. Durham, NC
: Duke University Press
.Fischer
, Michael M. J.
2009a
. Anthropological Futures
. Durham, NC
: Duke University Press
.Fischer
, Michael M. J.
2009b
. “Iran and the Boomeranging Cartoon Wars: Can Public Spheres at Risk Ally with Public Spheres Yet to Be Achieved?
” Public Culture
5
, no. 1
: 27
–62
.Fischer
, Michael M. J.
2010
. “Dr. Judah Folkman’s Decalogue and Network Analysis
”. In A Reader in Medical Anthropology: Theoretical Trajectories, Emergent Realities
, edited by Good
Byron J.
, Fischer
Michael M. J.
, Willen
Sarah S.
, and Good
Mary-Jo DelVecchio
, 339
–44
. Chichester, UK
: Wiley-Blackwell
.Fischer
, Michael M. J.
2013a
. “Biopolis: Asian Science in the Global Circuitry
”. Science, Technology and Society
18
, no. 3
: 379
–404
.Fischer
, Michael M. J.
2013b
. “Galactic Polities, Radical Egalitarianism, and the Practice of Anthropology: Tambiah on Logical Paradoxes, Social Contradictions, and Cultural Oscillations
”. In Radical Egalitarianism: Local Realities, Global Relations
, edited by Aulino
Felicity
and Goheen
Miriam
, 233
–58
. New York
: Fordham University Press
.Fischer
, Michael M. J.
2013c
. “The Peopling of Technologies
”. In When People Come First: Critical Studies in Global Health
, edited by Biehl
João
and Petryna
Adriana
, 347
–73
. Princeton, NJ
: Princeton University Press
.Fischer
, Michael M. J.
2014
. “Philosophia and Anthropologia: Reading alongside Benjamin in Yazd, Derrida in Qum, Arendt in Tehran
”. In The Ground Between: Anthropologists Engage Philosophy
, edited by Das
Veena
, Kleinman
Arthur
, Jackson
Michael
, and Singh
Brighu
, 188
–217
. Durham, NC
: Duke University Press
.Fischer
, Michael M. J.
2015
. “Ethnography for Aging Societies: Dignity, Cultural Genres, and Singapore’s Imagined Futures
”. American Ethnologist
42
, no. 2
: 207
–29
.Fischer
, Michael M. J.
2017
. “Urban Mahabharata: Health Care, Ordinary, Traditional, and Contemporary Ethics
”. Medicine Anthropology Theory
4
, no. 3
: 98
–129
. .Fischer
, Michael M. J.
2018a
. “Anthropological Modes of Concern
”. In Anthropology in the Meantime: Experimental Ethnography, Theory, and Method for the Twenty-First Century
, 276
–97
. Durham, NC
: Duke University Press
.Fischer
, Michael M. J.
2018b
. “A Tale of Two Genome Institutes: Qualitative Networks, Charismatic Voices, and R&D Strategies—Juxtaposing GIS Biopolis [Singapore] and BGI [Shenzhen]
”. Science, Technology, Society
23
, no. 2
: 271
–88
.Fischer
, Michael M. J.
2018c
. “Third Spaces and Ethnography in the Anthropocene
”. In Anthropology in the Meantime: Experimental Ethnography, Theory, and Method for the Twenty-First Century
, 298
–344
. Durham, NC
: Duke University Press
.Fischer
, Michael M. J.
2021
. “Bacurau Flies at Dusk: Film, Viral Cultural Politics, COVID-19, Hauntings, and Futures
”. Anuário Antropológico
46
, no. 1
: 166
–89
. Fischer
, Michael M. J.
2023
. “Oiled Hinges: Sounds and Silences in Documentary Films of Social Change
”. In At the Pivot between East and West: Ethnographic, Filmic, and Literary Arts (ch. 1).
Durham, NC
: Duke University Press
.Fischer
, Michael M. J.
, and Abedi
Mehdi
. 1990a
. “Bombay Talkies, the Word and the World: Salman Rushdie’s Satanic Verses
”. Cultural Anthropology
5
, no. 2
: 107
–59
.Fischer
, Michael M. J.
, and Abedi
Mehdi
. 1990b
. Debating Muslims: Cultural Dialogues in Postmodernity and Tradition
. New Directions in Anthropological Writing
. Madison
: University of Wisconsin Press
.Franke
, Anselm
. 2017
. “Weretigers, Frog Marshals, and Other Modern Mediums
”. ArtReview Asia
, Spring. .Frazier
, Donald
. 2016
. “On Java, a Creative Explosion in an Ancient City
”. New York Times
, February
11
. .Garfinkel
, Harold
. 1967
. Studies in Ethnomethodology
. Englewood Cliffs, NJ
: Prentice-Hall
.Geertz
, Clifford
. 1966
. Person, Time, and Conduct in Bali: An Essay in Cultural Analysis
. Cultural Report Series 14
. New Haven, CT
: Southeast Asian Studies, Yale University
.Geertz
, Clifford
. 1972
. “Deep Play: Notes on the Balinese Cockfight
”. Daedalus
101
, no. 1
: 1
–37
.Geertz
, Clifford
. (1976) 1983
. “Art as a Cultural System
”. In Local Knowledge: Further Essays in Interpretive Anthropology
, 94
–120
. New York
: Basic Books
.Geertz
, Clifford
. 1980
. Negara: The Theatre State in Nineteenth-Century Bali
. Princeton, NJ
: Princeton University Press
.Geertz
, Clifford
. 1995
. After the Fact: Two Countries, Four Decades, One Anthropologist
. Cambridge, MA
: Harvard University Press
.Ginsberg
, Alexandra Daisy
, Calvert
Jane
, Schyfter
Pablo
, Elfick
Alistair
, and Endy
Drew
, eds. 2017
. Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature
. Cambridge, MA
: MIT Press
.Ginsburg
, Henry D.
1972
. “The Manora Dance-Drama: An Introduction
”. Journal of the Siam Society
60
, no. 2
: 169
–81
.Gipouloux
, François
. 2011
. The Asian Mediterranean: Port Cities and Trading Networks in China, Japan and South Asia, 13th–21st Century
. Translated by Jonathan Hall and Dianna Martin. Cheltenham, UK
: Edward Elgar
.Goffman
, Erving
. 1956
. The Presentation of Self in Everyday Life
. New York
: Doubleday
.Good
, Mary-Jo DelVecchio
. 2015
. “Acehnese Women’s Narratives of Traumatic Experience, Resilience and Recovery
”. In Genocide and Mass Violence: Memory, Symptom, and Recovery
, edited by Hinton
Alex
and Hinton
Devon
, 280
–300
. Durham, NC
: Duke University Press
.Good
, Mary-Jo DelVecchio
, and Good
Byron J.
. 2008
. “Indonesia Sakit: Indonesian Disorders and the Subjective Experience and Interpretive Politics of Contemporary Indonesian Artists
”. In Postcolonial Disorders
, edited by Good
Mary-Jo DelVecchio
, Hyde
Sandra T.
, Pinto
Sarah
, and Good
Byron J.
, 62
–108
. Berkeley
: University of California Press
.Good
, Mary-Jo DelVecchio
, Willen
Sarah S.
, Hannah
Seth Donal
, Vickery
Ken
, and Park
Lawrence
, eds. 2011
. Shattering Culture: American Medicine Responds to Cultural Diversity
. New York
: Russell Sage Foundation
.Guattari
, Félix
. (1992) 1995
. Chaosmosis: An Ethico-Aesthetic Paradigm
. Bloomington
: Indiana University Press
.Haines
, Chelsea
. 2016
. “Interview with Sumesh Sharma and Zasha Colah of Clark House Initiative, Bombay
”. International Studio and Curatorial Program
, March
8
. .Halloy
, Arnaud
. 2012
. “Gods in the Flesh: Learning Emotions in the Xangô Possession Cult (Brazil)
”. Ethnos
77
, no. 2
: 177
–202
.Hannah
, Seth Donal
. 2011
. “Clinical Care in Environments of Hyperdiversity
”. In Shattering Culture: American Medicine Responds to Cultural Diversity
, edited by Good
Mary-Jo DelVecchio
, Willen
Sarah S.
, Hannah
Seth Donal
, Vickery
Ken
, and Park
Lawrence
, 35
–69
. New York
: Russell Sage Foundation
.Hester
, Zoe
. 2018
. “Storytelling through Movement: An Analysis of the Connections between Dance and Literature
”. Honors thesis
, East Tennessee State University
.Hinton
, William
. 1966
. Fanshen: A Documentary of Revolution in a Chinese Village
. Berkeley
: University of California Press
.Hirsh
, Marianne
. 2008
. “The Generation of Postmemory
”. Poetics Today
29
, no. 1
: 103
–28
.Ho
Tzu Nyen
. 2020a
. Critical Dictionary of South-East Asia (CDOSEA) leaflet, 2019–20 residency at the Nanteh Technical University Center for Contemporary Art
.Ho
Tzu Nyen
. 2022a
. “Ho Tzu Nyen’s One or Several Tigers (2017)
.” March
7
. .Ho
Tzu Nyen
. 2022c
. “Rethinking War, History, and Anime with Ho Tzu Nyen’s Language
”. Plural
, April
12
. .Hoffmann
, Frank
. 1997
. “Images of Dissent: Transformations in Korean Minjung Art
”. Harvard Asia Pacific Review
1
, no. 2
: 44
–49
.Hsu
Chia-Wei
. 2017
. “I Have Been Working with This God Already for Many Years
”. Interview by Kanai
Miki
. 100 Years of Now Journal
, May
31
. .Hsu
Chia-Wei
and Chu
Daphne
. 2018
. “Hsu Chia-Wei Talks about His Work in the Biennale of Sydney
”. Artforum
, May
22
. .Hsu
Chia-Wei
and Maerkle
Andrew
. 2018
. “Not Only Black and White
”. ART iT
, December
19
. . Hughes-Freeland
, Felicia
. 2012
. Embodied Communities: Dance Traditions and Change in Java
. New York
: Berghahn
.Hui
, Daniel
. 2018b
. “‘So This Is My Big Fear. That I Can Be Both Victim and Perpetrator’
”. Interview by Korbecka
Maja
. Eastern Kicks
, February
27
. .Hun
Ping
. n.d. “Malay Film Productions (Shaw Brothers)
”. Category on The Hunter: Location Scouting in Singapore’s Filmic History
. .Imran ibn Tajudeen
. 2017
. “Sastric and Australonesian Comparative Perspectives: Parallel Frameworks on Indic, Architectural and Cultural Translations among Western Malayo-Polynesian Societies
”. In Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by Acri
Andrea
, Blench
Roger
, and Landmann
Alexandra
, 470
–514
. Singapore
: Institute for South East Asian Studies
.Jennong
, Agung Hujatnika
. 2015
. “Did I Just Say Yes
”. In Never Say No, by Entang Wiharso
. Singapore
: Singapore Tyler Print Institute
. Exhibition catalog
. Karp
, Ivan
, Kratz
Corinne A.
, Szwaja
Lynn
, and Ybarra-Frausto
Tomas
, eds. 2006
. Museum Frictions: Public Cultures/Global Transformations
. Durham, NC
: Duke University Press
.Karp
, Ivan
, Kreamer
Christine Mullen
, and Lavine
Steven D.
, eds. 1992
. Museums and Communities: The Politics of Public Culture
. Washington, DC
: Smithsonian Institution Press
.Karp
, Ivan
, and Lavine
Steven D.
, eds. 1991
. Exhibiting Cultures: The Poetics and Politics of Museum Display
. Washington, DC
: Smithsonian Institution Press
.Kershaw
, Roger
. 1982
. “A Little Drama of Ethnicity: Some Sociological Aspects of the Kelantan Menora
”. Southeast Asian Journal of Social Science
10
, no. 1
: 69
–85
.Kim
, Ayoung
. 2018
. “Kim Ayoung Interview—A History of Migration Written as Speculative Fiction
”. The Artro, Platform for Contemporary Korean Art
, November
22
. .Kim
, Eun-Shil
. 2018
. “The Politics of the Jeju 4.3 Holeomeong Bodies: ‘Speaking’ and Emotion as Embodied Language
”. Korean Anthropology Review
2
, no. 1
: 1
–41
.Kim
, Seong Nae
. 2019
. “Placing the Dead in the Postmemory of the Cheju Massacre in Korea
”. Journal of Religion
99
, no. 1
: 80
–97
.King
, Albert Henry
. 1964
. Oral history interview. Interview by Betty Hoag, June 10
. Smithsonian Archives of American Art
. Audio excerpt and transcript
. .Klinger
, Julie Michell
. 2017
. Rare Earth Frontiers: From Terrestrial Subsoils to Lunar Landscapes
. Ithaca, NY
: Cornell University Press
.Koh
, Tommy
. 2019
. “Speech on Fourth Generation Leadership
”. Mothership
, Oc-tober
2
. .Kong Rithdee
. 2010
. “Of Monkey Ghosts and Men
”. Bangkok Post
, May
28
. .Kuning
, Zai
. 2013a
. Interview with Bala Starr. Wall poster at exhibition Looking Within: What Makes an Exhibition?
, National University of Singapore Museum
, opened October 25, 2016. (A shorter version appeared in Port of Call, no. 3 [2014], a journal of LaSalle College of the Arts.)
Kuning
, Zai
. 2013b
. “Pure Sounds in the Dark
”. Interview by Ting
Lisabel
. Straits Times
, March
19
.Kuning
, Zai
. 2017a
. Dapunta Hyang: Transmission of Knowledge
. Singapore
: Singapore Arts Council
. Exhibition catalog
.Kuning
, Zai
. 2017c
. “Transmission of Knowledge: They Get Up from Their Knees and Walk
”. In Dapunta Hyang: Transmission of Knowledge
, 29
–46
. Singapore
: Singapore Arts Council
. Exhibition catalog
.Kuning
, Zai
. 2017d
. “Zai Kuning Interviewed by Nabilah Said
”. (accessed June 15, 2019).Kuning
, Zai
. 2017e
. “Zai Kuning on the Singapore Pavilion Project at Venice Biennale 2017—Interview
”. Interview by Brittney. Art Radar
, March
29
. .Kuning
, Zai
. 2022
. Curriculum vita
. Ota Fine Arts
. .Kuo
, Huei-Ying
. 2014
. “Historiography of the East-West Exchanges in the South Seas: A Sketch of Chinese and Japanese Scholarship in the Early Twentieth Century
”. Unpublished manuscript (Word file)
.Kwa Chong Guan
. 2018
. Pre-colonial Singapore
. Singapore Chronicles. Singapore
: Institute of Policy Studies and Straits Times Press
. Kwon
, Heonik
. 2020
. After the Korean War: An Intimate History
. New York
: Cambridge University Press
.Latour
, Bruno
. 1993
. We Have Never Been Modern
. Cambridge, MA
: Harvard University Press
.Lee
Wen
. 2006
. “Performance Art in Context: A Singaporean Perspective
”. Master’s thesis
, LaSalle-SIA College of the Arts
.Lee
Xin Ying
and Chee
Veronica
. 2013
. “Zai Kuning
”. Singapore Infopedia, National Library Board
, June
25
. .Leirner
, Piero C.
2020
. “Hybrid Warfare in Brazil: The Highest Stage of Military Insurgency
”. HAU: Journal of Ethnographic Theory
10
, no. 1
: 41
–49
. .Lévi-Strauss
, Claude
. (1949) 1963
. “The Sorcerer and His Magic
”. In Structural Anthropology
, translated by Jacobson
Claire
and Schroepf
Brooke Grundfest
, 167
–85
. New York
: Basic Books
.Lévi-Strauss
, Claude
. (1964) 1969
. The Raw and the Cooked
. Translated by John
and Weightman
Doreen
. New York
: Harper and Row
.Lévi-Strauss
, Claude
. (1966) 1973
. From Honey to Ashes
. Translated by John
and Weightman
Doreen
. London
: Jonathan Cape
.Lévi-Strauss
, Claude
. (1968) 1978
. The Origin of Table Manners
. Translated by John
and Weightman
Doreen
. London
: Jonathan Cape
.Lévi-Strauss
, Claude
. (1971) 1981
. The Naked Man
. Translated by John
and Weightman
Doreen
. London
: Jonathan Cape
.Liew Kai Khiun and Stephen Teo
, eds
. 2016
. Singapore Cinema: New Perspectives
. New York
: Routledge
.Lim
, Charles Yi Yong
. 2015b
. Sea State
. Singapore
: Singapore Arts Council. Catalog for Venice Biennale
.Lim
, Charles
, and Tan
. Kok Yam
2019
. “OMG Classified: Head of the Smart Nation Office Kok Yam Tan Speaks with Artist-Filmmaker Charles Lim Yi Yong on Smart Citizenship
”. So-Far
, January
26
. .Lim
, Charles
, and Mustafa
. Shabbir Hussain
2015
. “Sand and Sea: Charles Lim and Shabbir Hussain Mustafa on the Singapore Pavilion in Venice—Interview by Brittney
”. Art Radar Journal
, May
29
. .Lim
, Edna
. 2018
. Celluloid Singapore: Cinema, Performance and the National
. Edinburgh
: Edinburgh University Press
.Lim
, Jerome
. 2012
. “A Last Reminder of an Old-Fashioned Corner of Singapore
”. The Long and Winding Road (blog)
, November
27
. .Loh
, Joleen
. 2019
. “Singapore Pavilion at the 56th Venice Biennale—Charles Lim: Sea State
”. ArtAsiaPacific
, (accessed January 28, 2019).Loh
, Kah Seng
, Liao
Edgar
, Lim
Cheng Tju
, and Seng
Guo-Quan
. 2012
. The University Socialist Club and the Contest for Malaya: Tangled Strands of Modernity
. Amsterdam
: International Institute for Asian Studies, Amsterdam University Press
.Löwy
, Michael
. 2005
. Fire Alarm: Reading Walter Benjamin’s “On the Concept of History”
. London
: Verso
.Maramao
, Giacomo
. 2008
. “Messianism without Delay: On the Post-religious Political ‘Theology’ of Walter Benjamin
”. Constellations
15
, no. 3
: 397
–405
.Mashadi
, Ahmad
. 2017
. “Before Riau: A Conversation with Zai Kuning
”. Dapunta Hyang: Transmission of Knowledge website
. .Maughan
, Tim
. 2015
. “The Dystopian Lake Filled by the World’s Tech Lust
”. With photographs by Young
Liam
and Davies
Kate
. BBC Future
, April
2
. .Mcintyre
, Ian
. 2007
. “Kelantan Refuses to Lift Mak Yong Ban
”. Star
, March
1
. .Meduri
, Avanthi
. 2001
. “Bharatha Natyam—What Are You?
” In Moving History/Dancing Cultures: A Dance History Reader
, edited by Dils
Ann
and Cooper Albright
Ann
, 103
–13
. Middletown, CT
: Wesleyan University Press
.Messmer
, Susanne
. 2005
. “Die Regeln der Freiheit, aus einem Gespräch der Autorin mit dem Künstler
”. .Miksic
, John
. 2017
. “Three Mountains in Malay History
”. In Dapunta Hyang: Transmission of Knowledge
, edited by Shiyun
Lin
, 101
–22
. Singapore
: National Arts Council
, 2017
.Miles
, Melissa
. 2007
. “Sally Smart: The Exquisite Pirate
”. Catalog essay for Sally Smart: The Exquisite Pirate
, Kaliman Gallery
, Sydney, NSW
, November
2
–27
. Also published in Sally Smart: The Exquisite Pirate, ov Gallery, Shanghai, July 25–September 2, 2009. https://research.monash.edu/en/publications/sally-smart-the-exquisite-pirate-2
.Milton
, Chris
. 2010
. “The Sand Smugglers
”. Foreign Policy
, August
4
. .Mishima
, Yukio
. (1951) 1968
. Kinjiki
. Translated by Marks
Alfred H.
. New York
: Alfred A. Knopf
.Mohammad Nor
, Mohammad Anis
. 1990
. “The Zapin Melayu Dance of Johor: From Village to a National Performance Tradition
”. PhD diss.
, University of Michigan
.Mohammad Nor
, Mohammad Anis
. 1993
. Zapin: Folk Dance of the Malay World
. Singapore
: Oxford University Press
.Mrazek
, Jan
. 2019
. Wayang and Its Doubles: Javanese Puppet Theater, Television, and the Internet
. Singapore
: National University of Singapore Press
. Mrazek
, Rudolph
. 2020
. The Complete Lives of Camp People
. Durham, NC
: Duke University Press
.Nair
, C. V. Devan
. 1982
. Not by Wages Alone
. Singapore
: Singapore National Trades Union Congress
.Nair
, Malini
. 2017
. “The Idea of Abhinaya—In Conversation with Leela Samson
”. Hindu
, August
19
. .Nair
, Malini
. 2018
. “Can Bharatanatyam Tell Painful Stories of Rape and Migration? A Dance Company Provides an Answer
”. Scroll.in
, January
4
. .National Arts Council of Singapore
. 2017
. “Annex C: A Timeline—The Genesis of Dapunta Hyang: Transmission of Knowledge
.” (accessed September 17, 2022).National Library Board
. 2008
. “First Underground Ammo Store Ready
”. New Paper
, March
8
. .National Library Board
. 2017
. “The Guitar Man: Alex Abisheganaden
”. Biblioasia
13
, no. 1
. .Navaratnarajah
, Romesh
. 2016
. “Forest City Project Sparks Ecology Fears
”. PropertyGuru
, August
1
. .Negri
, Antonio
. 2011
. Art and Multitude: Nine Letters on Art, Followed by Metamorphoses: Art and Immaterial Labor
. Translated by Emery
Ed
. Malden, MA
: Polity
.Neiburg
, Frederico
, and Thomaz
Omar Ribeiro
. 2020
. “Ethnographic Views of Brazil’s (New) Authoritarian Turn
”. HAU: Journal of Ethnographic Theory
10
, no. 1
: 1
–11
.Neurath
, Marie
, and Kinross
Robin
. 2009
. The Transformer: Principles of Making Isotype Charts
. London
: Hyphen Press
.Neurath
, Otto
. 2010
. From Hieroglyphics to Isotype: A Visual Autobiography
. London
: Hyphen Press
.Newitt
, Annalee
. 2020
. “What Social Distancing Looked like in 1666
”. New York Times
, March
29
.Norasid
, Nuraliah
. 2017a
. “Constructing Tuyunri” in The Gatekeeper: An Interview with Nuraliah Norasid”
. Interview by Kevin Martens Zhi Qiang Wong. Unravel
, no. 10
. .Nowak
, Barbara S.
2000
. “Dancing the Main Jo’oh: Hma’ Btsisi Celebrate Their Humanity and Religious Identity in a Malaysian World
”. Australian Journal of Anthropology
11
, no. 3
: 333
–44
.Omar
, Ariffin
. 1993
. Bangsa Melayu: Malay Concepts of Democracy and Community, 1945–1950
. London
: Oxford University Press
.Ong
, Isabel
. 2014
. “Behind the Camera: With Jasmine Ng, Filmmaker and Mentor
”. Honeycombers
, February
24
.Open Development Cambodia
. 2011
. “Sand for Singapore’s Growth Comes at Environmental Cost to Poorer Neighbors
”. August
22
. .Parlina
, Ina
, Nurul Fitri
, Ramadhani
, and Sundaryani
Fedina S.
. 2016
. “Terrorist Attacks Blamed on is Recruit Bahrun Naim
”. Jakarta Post
, January
15
. .Peacock
, James L.
1968
. Rites of Modernization: Symbolic and Social Aspects of Indonesian Proletarian Drama
. Chicago
: University of Chicago Press
.Perniola
, Mario
. 1995
. Enigmas: The Egyptian Moment in Society and Art
. Translated by Woodall
Christopher
. London
: Verso
. Petryna
, Adriana
. 2020
. Horizoning: The Human Futures of Runaway Nature
. Princeton, NJ
: Princeton University Press
.Pierce
, Charles Sanders
. 1905
. “Issues of Pragmaticism
”. In The Writings of Charles S. Pierce: A Chronological Edition
, edited by Moore
E.
. Bloomington
: Indiana University Press
.Putri
, Kartini Ayuningtyas
. 2012
. “Restructuring and Regulating the Indonesian Art Market Infrastructure to Accommodate Force of Globalization Mediating between Contradictions
”. Master’s thesis
, Sotheby’s Institute of Art
, New York
.Rancière
, Jacques
. 2004
. The Politics of Aesthetics: The Distribution of the Sensible
. London
: Continuum
.Ratos
, Datung Anthony
. 2006
. Orang Asli and Their Wood Art
. Kuala Lumpur
: Marshall Cavandish
.Sabapathy
, T. K.
2017
. “Dapunta Hyang: Thoughts on Its Antecedents
”. In Dapunta Hyang: Transmission of Knowledge
, 191
–207
. Singapore
: Singapore Arts Council. Exhibition catalog
.Sahlins
, Marshall
. 2004
. Apologies to Thucydides: Understanding History as Culture and Vice Versa
. Chicago
: University of Chicago Press
.Sanal
, Aslihan
. 2011
. New Organs within Us: Transplants and the Moral Economy
. Durham, NC
: Duke University Press
.Saparudin
, Kartini
, comp., and Samad
Norayati Abdul
, ed. 2010
. The Hadrami Arabs in Southeast Asia with Special Reference to Singapore: An Annotated Bibliography
. Singapore
: National Library Board
.Sarabhai
, Mallika
. 2014
. “Mallika Sarabhai: Arts for Activism
”. Interview by Biswas
Swarnendu
. Women’s Web
, January
6
. .Schneider
, Julia Gwendolyn
. 2007
. “A Vision for Tomorrow: Singapore 2007—Media Art, Alternative Art Spaces and the Survival of ‘The Artists’ Village’
”. Springerin
, no. 2
. .Schwab
, Gabriele
. 2012
. Imaginary Ethnographies: Literature, Culture, and Subjectivity
. New York
: Columbia University Press
.Schwarcz
, Lilia M.
2017
. “I Was Cannibalized by an Artist
”. In Unfinished: The Anthropology of Becoming
, edited by Biehl
João
and Locke
Peter
, 173
–96
. Durham, NC
: Duke University Press
.Scott
, Jill
, ed. 2006
. Artists-in-Labs: Processes of Inquiry
. Vienna
: Springer
.Sekula
, Alan
. 1995
. The Fish Story
. Rotterdam
: Witte de With Center for Contemporary Art
.Setiawati
, Indah
. 2016a
. “Conversation: Endless Acts in Human History
”. Jakarta Post
, January
22
. .Setiawati
, Indah
. 2016b
. “Entang Wiharso: Visualizing Concept and Contemplation
”. Jakarta Post
, February
10
. .Severi
, Carlo
. 2015
. The Chimera Principle: An Anthropology of Memory and Imagination
. Chicago
: HAU Books
.Severi
, Carlo
. 2018
. Capturing Imagination: A Proposal for an Anthropology of Thought
. Chicago
: HAU Books
.Shi Nai An
. (14th century) 1980
. Outlaws of the Marsh (The Water Margin)
. Translated by Shapiro
Sidney
. 4
vols. Bloomington
: Indiana University Press
; Beijing
: Foreign Languages Press
.Siegel
, James T.
1997
. Fetish, Recognition, Revolution
. Princeton, NJ
: Princeton University Press
.Siegel
, James T.
1998
. A New Criminal Type in Jakarta: Counter-Revolution Today
. Durham, NC
: Duke University Press
.Siegel
, James T.
2005
. Naming the Witch
. Stanford, CA
: Stanford University Press
.Skeat
, Walter William
. 1900
. Malay Magic: Being an Introduction to the Folklore and Popular Religion of the Malay Peninsula
. London
: Macmillan
.Smart
, Sally
. 2009b
. The Exquisite Pirate—South China Sea: Poster and Artist’s Statement. ov Gallery, July 25–September 2
. .Smart
, Sally
. 2010
. Feminage (Shadows, Symptoms)
. Langwarrin/Melbourne
: McClelland Gallery
.Steffen
, Will
. 2019
. “The Anthropocene: Risks of the Human Epoch
”. Paper presented at the International Symposium on Anthropocene Studies: Narrating Disasters in the Anthropocene—Knowledges, Memories, and Imaginaries
, Korean National Folk Museum, Seoul
, December 10–11
.Steffen
, Will
, Grinevald
Jacques
, Crutzen
Paul
, and McNeill
John
. 2011
. “The Anthropocene: Conceptual and Historical Perspectives
”. Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences
369
, no. 1938
: 842
–67
.Steyerl
, Hito
. 2016
. Jenseits der Repräsentation/Beyond Representation: Essays, 1999–2009
. Berlin
: Neuer Berliner Kunstverein
.Strassberg
, Richard E.
2002
. A Chinese Bestiary: Guideways through Mountains and Seas
. Berkeley
: University of California Press
.Subramanian
, Samanth
, and Yin
Sim Chi
. 2017
. “How Singapore Is Creating More Land for Itself
”. New York Times Magazine
, April
20
. .Supangkat
, Jim
, Damjanti
Irma
, and Kent
Elly
. 2014
. The World and I: Heri Dono’s Art Odyssey
. Jakarta
: Mondekorino Seni Internasional and New Museum
.Tagore
, Rabindranath
. 1945
. Chandalika (“The Untouchable Girl”). In The Complete Works of Rabindranath Tagore (Rabindra Racanavali)
25
:159
–84
. Calcutta
: Visva Bharati University Press
.Tambiah
, Stanley J.
1977
. “The Galactic Polity: The Structure of Traditional Kingdoms in Southeast Asia
”. Annals of the New York Academy of Sciences
293
, no. 1
: 69
–97
.Tambiah
, Stanley J.
1986
. Sri Lanka: Ethnic Fratricide and the Dismantling of Democracy
. Chicago
: University of Chicago Press
.Tambiah
, Stanley J.
1992
. Buddhism Betrayed? Religion, Politics and Violence in Sri Lanka
. Chicago
: University of Chicago Press
.Tan
Boon Hi
and Yun
Michelle
. 2017
. After Darkness: Southeast Asian Art in the Wake of History
. New York
: Asia Society
.Tan
, Corrie
. 2014
. “Theatre Review: Ho Tzu Nyen’s Ten Thousand Tigers Shows Off Its Stripes
. Straits Times
, April
18
. .Tan
Sooi-Beng
. 1988
. “The Thai ‘Menora’ in Malaysia: Adapting to the Penang Chinese Community
”. Asian Folklore Studies
47
, no. 1
: 19
–34
.Tarpaga
, Olivier
. 2017
. “Declassified Memory Fragment: A Victorious Outpour of the Soul amidst Tension in Burkina Faso
”. Interview by Whelan
Elizabeth
. Dance Journal
, October
16
. .Tausk
, Viktor
. (1919) 1933
. “On the Origin of the ‘Influencing Machine’ in Schizophrenia
”. Translated by Feigenbaum
Dorian
. Psychoanalytic Quarterly
2
:519
–56
.Taussig
, Michael T.
1999
. Defacement: Public Secrecy and the Labor of the Negative
. Stanford, CA
: Stanford University Press
.Tay
, Jean
. 2018
. “Senang
”. In Sisters and Senang (The Island Plays)
. Singapore
: Epigram Books
. Teo
Soh Lung
. 2008
. Beyond the Blue Gate: Recollections of a Political Prisoner
. Singapore
: Ethos
.Teo
Soh Lung
. 2012
. Escape from the Lion’s Paw: Reflections of Singapore Political Exiles
. Singapore
: Function 8
.Uchoa
, Pablo
, and BBC’s Visual Journalism Teams
. 2019
. “Indian Ocean Dipole: What Is It and Why Is It Linked to Floods and Bushfires?
” BBC News
, December
7
. .Uhde
, Jan
, and Uhde
Yvonne Ng
. 2009
. Latent Images: Film in Singapore
. 2nd ed. Singapore
: NUS Press
.United States Geospatial Intelligence Agency
. 2013
. Pub. 174 Sailing Directions (Enroute) Strait of Malacca and Sumatra
. 12th ed.Washington, DC
: USGIA
.Vangeline
. 2021
. Butoh: Cradling Empty Space
. New York
: Butoh Institute
.Vasil
, Raj
. 1984
. Governing Singapore: Democracy and National Development
. London
: Allen and Unwin
.Wang
, Cathy Yue
. 2020
. “Chinese Folklore for Modern Times: Three Feminist Revisions of The Legend of the White Snake
”. Asian Studies Review
44
, no. 20
: 183
–200
.Wang
, David Der-wei
. 2004
. The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China
. Berkeley
: University of California Press
. Wang
, David Der-wei
. 2020
. Why Fiction Matters in Contemporary China
. Waltham, MA
: Brandeis University Press
.Watson
, Jimi Kim
. 2021
. Cold War Reckonings: Authoritarianism and the Genres of Decolonization
. New York
: Fordham University Press
.Weber
, Max
. (1904) 1930
. The Protestant Ethic and the Spirit of Capitalism
. Translated by Talcott Parsons. New York
: Scribner
.Wee
, C. J. W.-L.
2007
. The Asian Modern: Culture, Capitalist Development, Singapore
. Singapore
: NUS Press
.Wee
, C. J. W.-L.
2020
. “Introduction: Art, Culture, Capitalist Development and Kuo Pao Kun
”. InterAsia Cultural Studies
21
, no. 2
: 183
–88
.Werner
, Roland
. 1977
. Mah Meri of Malaysia: Art and Culture
. Kuala Lumpur
: University of Malaya Press
.Whelan
, Elizabeth
. 2017
. “Declassified Memory Fragment: A Victorious Outpour of the Soul amidst Tension in Burkina Faso
”. Dance Journal
, October
16
. .Wiharso
, Entang
. 2013
. Crush Me: Double Sided
. Jakarta
: Galeri Canna
. Exhibition catalog
.Wiharso
, Entang
. 2014
. Trilogy: Geo-Portraits
. Edited by Cocca
Christine
. North Scituate, RI/Yogyakarta
: Black Goat Studios
. Exhibition catalog
.Wiharso
, Entang
. 2014–15
. Reclaim Paradise
. North Scituate, RI/Yogyakarta
: Black Goat Studios
. Exhibition catalog
.Wiharso
, Entang
. 2015a
. Never Say No
. Singapore
: Singapore Tyler Print Institute
. Exhibition catalog
.Wiharso
, Entang
. 2017
. “Entang Wiharso on Art in the Donald Trump Era
”. Interview by Tay
Kim
. Artling
, April
25
. .Wiharso
, Entang
. 2022a
. “Close to Home: Entang Wiharso
”. STPI: Creative Workshop and Gallery
. .Wiharso
, Entang
. 2022b
. Double Horizon. With essays by Leonor Veiga and interview by Matthew Clay-Robison
. Yogyakarta
: Srisasanti Gallery
.Wiharso
, Entang
. 2022c
. When the Sky Is Falling. With essays by Mary-Jo DelVecchio Good, Byron Good, and Michael M. J. Fischer
. Cambridge, MA
: Harvard Asia Center. Exhibition catalog
.Wiharso
, Entang
, and Smart
Sally
. 2016a
. Conversation: Endless Acts in Human History
. Jakarta
: Galeri Canna.
.Wiharso
, Entang
, and Smart
Sally
. 2016b
. “Entang Wiharso and Sally Smart in Conversation with Natalie King
”. Ocula Magazine
, January
20
. .Williams
, Mark
, and Zalasiewicz
Jan
. 2019
. “A Profoundly Human-Modified Biosphere and Its Implications for Well-Being
”. Paper presented at the International Symposium on Anthropocene Studies: Narrating Disasters in the Anthropocene—Knowledges, Memories, and Imaginaries
, Korean National Folk Museum, Seoul
, December 10–11
.Yap
, June
. 2016
. Retrospective: A Historiographical Aesthetic in Contemporary Singapore and Malaysia
. Petaling Jaya, Malaysia
: Strategic Information and Research Development Center (sirDc)
.Yeh
, Steven H. K.
1975
. Public Housing in Singapore: A Multi-disciplinary Study
. Singapore
: Singapore University Press
.You
Mi
. 2018
. “Intermediating Immanence: On Ho Tzu Nyen’s Ten Thousand Tigers
”. In Intermedial Performance and Politics in the Public Sphere
, edited by Arafa
K.
. Avant-Gardes in Performance
. London
: Palgrave Macmillan
.Yousof
, Ghulam Sarwar
. 1982
. “Nora Chatri in Kedah: A Preliminary Report
”. Journal of the Malaysian Branch of the Royal Asiatic Society
55
, no. 1
(242
): 53
–61
.Zaccheus
, Melody
. 2016
. “Mystery behind Origins of Century-Old Mount Emily Villa Solved
”. Straits Times
, March
21
. .Zahari
, Said
. 2001
. Dark Clouds at Dawn: A Political Memoir
. Kuala Lumpur
: INSAN
. Translation of Meniti Lautan Gelora: Sebuah Memoir Politik
. Zahari
, Said
. 2007
. The Long Nightmare: My 17 Years as a Political Prisoner
. Kuala Lumpur
: Utusan
. Translation of Dalam Ribuan Mimpi Gelisah: Memoir
. Zalasiewicz
, Jan
, Waters
Colin N.
, Williams
Mark
, Barnosky
Anthony D.
, Cearreta
Alejandro
, Crutzen
Paul
, Ellis
Erle
et al, 2015
. “When Did the Anthropocene Begin? A Mid-Twentieth Century Boundary Level Is Stratigraphically Optimal
”. Quaternary International
383
:196
–203
.