Skip to Main Content
Skip Nav Destination
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, available at https://creativecommons.org/licenses/by-nc-nd/4.0/.
This content is only available as PDF.

References

FILMS, VIDEOS, AND VISUAL MATERIALS
Anderson
,
Paul Thomas
.
2007
.
There Will Be Blood
.
Ghoulardi Film
.
Chandralekha
.
2014
. “
Sharira: Chandralekha’s Explorations in Dance
.”
YouTube video, uploaded
November
13
,
2014
. .
Chandralekha
.
2016
.
Sharira: Fire/Desire. Shot earlier in Chennai, with dancers Shaji John and Tishani Doshi; music by the Gundecha Brothers; vocals by Umakan and Ramakant Gundecha; lighting and stage design by Sandanand Menon; camera by Olivier Barot
.
YouTube video, uploaded
October
31
,
2016
. .
Chettur
,
Padmini
.
2017
. “
Padmini Chettur on Contemporary Dance
”. Interview by
Muthukumaraswamy
M. D.
.
YouTube video, uploaded
October
16
,
2017
. .
Choy Ka Fai
.
2010
.
Eternal Summer Storm
.
Celeste Prize, video
,
February
3
,
2010
. .
Choy Ka Fai
.
2014a
. “
Choy Ka Fai Presents SoftMachine
”.
Vimeo video
,
December
2
,
2014
. .
Choy Ka Fai
.
2014b
.
Prospectus for a Future Body. TEDxReset
.
YouTube video, uploaded
June
1
,
2014
. .
Choy Ka Fai
.
2018
.
Dance Clinic. ImPulsTanz 2018
.
YouTube video, uploaded
June
5
,
2018
. .
Clavell
,
James
.
1967
.
To Sir with Love
.
Columbia Pictures
.
Franke
,
Anselm
.
2014
. “
Extraterritoriality, Changing Political Geographies, and Multi-Stable Figures (including Art)
.”
YouTube video
,
January
24
,
2014
. .
Hijikata
Tatsumi
.
1973
.
A Summer Storm
.
Westside Auditorium, Kyoto University
.
YouTube, uploaded September 27, 2013. https://www.youtube.com/watch?v=AEM9SAymJt4
.
Ho
Tzu Nyen
.
2012
–present.
The Critical Dictionary of South-East Asia
.
Various video formats and algorithmics editing system, infinite duration
. and .
Ho
Tzu Nyen
.
2014
.
The Nameless
.
Produced for the Shanghai Biennale, but censored, so premiered in Berlin’s Akademie der Künste in
2015
.
Ho
Tzu Nyen
.
2015
.
The Name
.
Film installation, premiered at the daadgalerie
,
Berlin
,
February
13
,
2015
.
Ho
Tzu Nyen
.
2017
.
One or Several Tigers
.
Multimedia installation
.
Ho
Tzu Nyen
.
2018a
.
The Kyoto School
.
Gwangju Biennale
,
November
9
11
,
2018
.
Ho
Tzu Nyen
.
2018b
. “
One or Several Tigers: Interview with Ho Tzu Nyen
.”
National Gallery Singapore
.
YouTube video, uploaded January 23, 2018. https://www.youtube.com/watch?v=0J9JEAMfYHE
.
Ho
Tzu Nyen
.
2020b
.
Waiting. With Ripon Chowdhury. Digital video (color, sound)
.
Edouard Malingue Gallery
,
Shanghai and Hong Kong
. .
Ho
Tzu Nyen
.
2020c
.
Waiting. With Ripon Chowdhury. Digital video (color, sound)
.
Edel Assanti, video
,
June
11
,
2020
. .
Ho
Tzu Nyen
.
2021a
. “
Ho Tzu Nyen in Conversation with Kevin Chua, Keynote Decentering Realisms: 1750 to Now
”.
The Courtauld Research Forum
,
March
10
12
,
2021
.
YouTube video, uploaded March 11, 2021. https://www.youtube.com/watch?v=wwPXsp0wSNE
.
Ho
Tzu Nyen
.
2021b
.
Voice of Void
.
Yamaguchi Centre for Arts and Media (YCAM)
,
April
3
July
4
,
2021
.
Ho
Tzu Nyen
.
2022b
. “
‘Language’ Artist Interview: Ho Tzu Nyen | Light to Night Festival 2022
.”
YouTube video, February 14, 2022. https://www.youtube.com/watch?v=15N4Gz9hcao
.
Ho
Tzu Nyen
.
2022d
. “
Virtual Conversation with Ho Tzu Nyen
”. Interview by
Chao
Jacqueline
,
Crow Museum of Asian Art
.
YouTube video, streamed live on January 20, 2022. https://www.youtube.com/watch?v=ugNjiFPyrG0
.
Hsu
Chia-Wei
.
2012a
.
Huai Mo Village
.
Art installation
.
Hsu
Chia-Wei
.
2012b
.
Marshal Tie Jia (Turtle Island). Video installation
.
Available from Liang Gallery, Taipei
.
Hsu
Chia-Wei
.
2015
.
Ruins of the Intelligence Bureau
.
Single-channel video. Filmed by Le Fresnoy—Studio national des arts contemporains, France
.
Available as single-channel video from Liang Gallery, Taipei
.
Hui
,
Ann
.
1984
.
Love in a Fallen City
.
Shaw Brothers Studio
.
Hui
,
Daniel
.
2011
.
Eclipses
.
Thirteen Little Pictures
.
Hui
,
Daniel
.
2014
.
Snakeskin
.
Thirteen Little Pictures
.
Hui
,
Daniel
.
2018a
.
Demons
.
Thirteen Little Pictures and Jackfruit International
.
Hui
,
Daniel
.
2019a
. “
Daniel Hui Interview: Demons at Berlin Film Festival 2019
”. Interview by
Bradbury
Sarah
.
YouTube video, uploaded February 24, 2019. https://www.youtube.com/watch?v=bZ1o1au18kQ
.
Hui
,
Daniel
.
2019b
. “
Interview with Daniel Hui on ‘Demons’
”.
Interview by Zsombor Bobák at the Forum Section of the Berlin Biennale Teddy Awards
.
YouTube video, uploaded February 10, 2019. https://www.youtube.com/watch?v=2pxZi7-urfM
.
Joselit
,
David
.
2020
. “
Heritage and Debt: Art in Globalization
”.
Virtual public lecture, Harvard University Graduate School of Design
,
April
23
,
2020
.
You-Tube video, uploaded April 24, 2020. https://www.youtube.com/watch?v=Z6X1uhQ12QI
.
Kim
,
Ayoung
.
2017a
.
Petra Genetrix vs Petra Genetrix
.
Digital print installation at National Herbarium, Royal Botanic Gardens Victoria
,
Melbourne, Australia
.
Kim
,
Ayoung
.
2017b
.
Porosity Valley, Portable Holes
.
Single-channel video. Video excerpt and photographs of various installations
. .
Kim
,
Ayoung
.
2017c
.
Trailer for Porosity Valley, Portable Holes
. .
Kim
,
Ayoung
.
2019a
. “
Ayoung Kim/2019 Korea Artist Prize
.” .
Kim
,
Ayoung
.
2019b
.
Petrogenesis, Petra Genetrix. Single-channel video
.
Trailer and photographs
. .
Kim
,
Ayoung
.
2019c
.
Porosity Valley 2: Tricksters’ Plot. Two-channel video
.
Video excerpts and photographs
. .
Kim
,
Ayoung
.
2020
.
In Search of Petra Genetrix
.
Performance/lecture at the IMPAKT Festival in the Netherlands
,
October
30
,
2020
.
YouTube video, uploaded October 31, 2020. https://www.youtube.com/watch?v=Zib5DeT7q5M
.
Kumar
,
Kiran
.
n.d.
Archipelago Archives: Epistolary Ancestries
. .
Kumarasamy
,
Aravinth
.
2011
.
Nirmanika: The Beauty of Architecture
.
Apsaras Arts Dance Company
,
Singapore
.
(Video excerpt available on YouTube, uploaded February 9, 2011, https://www.youtube.com/watch?v=P_w-mdCpAH0
.)
Kumarasamy
,
Aravinth
.
2013
.
A Glimpse of Angkor: Quest for Immortality
.
Apsaras Arts Dance Company
,
Singapore
.
(Various short video clips available on YouTube: behind-the-scenes explanation the director and music composer, uploaded October 30, 2013, https://www.youtube.com/watch?v=0EbSZmMa-RU
.)
Kumarasamy
,
Aravinth
.
2015
.
Anjasa [“The Path”]: The Wonder of Buddhist Monuments
.
Apsaras Art Dance Company
,
Singapore
. .)
Kumarasamy
,
Aravinth
.
2016
.
Angkor: The Untold Story
.
Apsaras Arts Dance Company
,
Singapore
.
Kumarasamy
,
Aravinth
.
2017
.
Agathi: The Plight of the Refugee
.
Apsaras Arts Dance Company
,
Singapore
.
https://www.youtube.com/watch?v=U7eif AF0wPs (accessed March 2019). (Video excerpt of rehearsal and photographs available on Facebook, https://www.facebook.com/Agathi-The-Plight-of-a-Refugee-204959546621502/
.)
Kuning
,
Zai
.
1993
.
Ozer001
.
Film short
.
Kuning
,
Zai
.
1996
.
Bluemonkish
.
Film short
.
Kuning
,
Zai
.
2000
.
String in the Ocean
.
Film short
.
Kuning
,
Zai
.
2003a
.
Even Dogs Have Choices
.
Film short
.
Kuning
,
Zai
.
2003b
.
Riau. Digital video, color, sound. Screened in 2005 at the International Film Festival Rotterdam, the Busan International Film Festival, and the 3rd Fukuoka Asian Art Triennial; and in 2016 at the National University of Singapore Museum’s “Looking Within” Exhibition
.
Collected by the Singapore Art Museum and the Fukuoka Asian Art Museum
.
Kuning
,
Zai
.
2005
.
Birdy
.
Film short
.
Kuning
,
Zai (advisor)
.
2010
. “
Kumpulan Seni Makyong Mantang Arang (Riau Islands, Indonesia) MakYong Performances
.”
Night Festival, Singapore Management University (SMU) Campus Green
,
July
16
17
,
2010
. .
Kuning
,
Zai
.
2011
. “
The Garden—Zai Kuning’s Monologue
”.
Monologue for the Substation Garden at the opening of Zai Kuning’s exhibition The Garden—I Will Send You to a Better Place
,
March
25
,
2011
.
YouTube video, uploaded March 26, 2011. https://www.youtube.com/watch?v=-1PqNFrmZc4
.
Kuning
,
Zai
.
2017b
. “
Showcasing South-East Asian History at the Venice Biennale: Zai Kuning, Dapunta Hayang: Transmission of Knowledge
.”
Brightcove video
. .
Kuning
,
Zai
.
2018a
. “
See the 17m-Long Skeletal Ship Built by Artist Zai Kuning at the Exhibition Opening of Dapunta Hyang: Transmission of Knowledge at Theatreworks
”.
Video by Ashleigh Sim. Straits Times video, Facebook, uploaded
April
12
,
2018
. .
Kuning
,
Zai
.
2018b
. “
Zai Kuning—Dapunta Hyang: Transmission of Knowledge (2018)
”.
TheatreWorks
.
YouTube video, uploaded May 8, 2018. https://www.youtube.com/watch?v=vZMMIrrCjFI
.
Lee
,
Ang
.
2007
.
Lust/Caution
.
River Road Entertainment
.
Lee Hsien Loong
.
2014
. “
On ‘To Singapore, with Love’ and the Fight against Communism
”. Interview by
Koh
Tommy
,
October
3
,
2014
.
YouTube video, uploaded October 3, 2014. https://www.youtube.com/watch?v=UjQvdrBK8h4
.
Lim
,
Charles Yi Yong
.
2005
–present.
Charles Lim’s albums
.
Flickr
. .
Lim
,
Charles Yi Yong
.
2008
.
it’s not that i forgot, rather i chose not to mention
.
Three-channel video installation
.
Manifesta
7
,
July
19
November
2
,
2008
.
http://www.manifesta7.it/artists/384. (Video version available on Vimeo, uploaded April 9, 2013, https://vimeo.com/63645252.)
Lim
,
Charles Yi Yong
.
2010
. “
all lines flow out: Trailer of video installation by Charles Lim Yi Yong at Old Kallang Airport Singapore Biennale
”.
Vimeo video, uploaded
March
19
,
2011
. .
Lim
,
Charles Yi Yong
.
2011a
.
all lines flow out: Flare Test
.
Vimeo Pro video
. .
Lim
,
Charles Yi Yong
.
2011b
.
all lines flow out: Shore Trailer
.
Vimeo Pro video
. .
Lim
,
Charles Yi Yong
.
2011c
. “
all lines flow out: Trailer of Video Installation by Charles Lim Yi Yong at Old Kallang Airport Singapore Biennale
.”
Vimeo Pro video
. .
Lim
,
Charles Yi Yong
.
2011d
.
All the Lines Flow Out
.
Singapore Biennale
.
March
13
,
2011
. .
Lim
,
Charles Yi Yong
.
2011e
.
All the Lines Flow Out
.
Version for Venice premiere (men inspecting the canal)
.
Vimeo video, uploaded January 31, 2013. https://vimeo.com/58651330
.
Lim
,
Charles Yi Yong
.
2011f
. “
68th Venice Film Festival—Orizzonti—Start—All the Lines Flow Out
”.
Panel discussion with Mattias Gustafsson, 68th Venice Film Festival Press Conference
.
YouTube video, uploaded September 8, 2011. https://www.youtube.com/watch?v=Hkn0gAD8nqs
.
Lim
,
Charles Yi Yong
.
2011g
.
Work in Progress Coal Mining: Sea State 2: As Evil Disappears
.
Vimeo Pro video, uploaded February 5, 2011. https://vimeopro.com/sotong/all-the-lines-flow-out/video/19591013
.
Lim
,
Charles Yi Yong
.
2012a
.
Night Buoys
.
YouTube video, uploaded September 25, 2012. https://www.youtube.com/watch?v=cC4Z3GaDHQE
.
Lim
,
Charles Yi Yong
.
2012b
.
SEA STATE 5: drift (rope sketch)
.
Lim
,
Charles Yi Yong
.
2012c
.
SEA STATE 5: drift (stay still now to move)
.
Lim
,
Charles Yi Yong
.
2013
.
In Search of Raffles Lighthouse
.
Video
.
Lim
,
Charles Yi Yong
.
2015a
.
SEA STATE: Singapore Pavilion 2015
. .
Lim
,
Charles Yi Yong
.
2016a
.
Barnacle Encrusted Buoy
.
At NTU CCA
. (
Photographs and video in Lim 2016b and Lim 2022
.)
Lim
,
Charles Yi Yong
.
2016b
.
SEA STATE
.
Singapore
:
Nanyang Technological University. Exhibition catalog
.
Lim
,
Charles Yi Yong
.
2016c
.
SEA STATE 6
.
Good-quality video composition
.
Vimeo video, April 18, 2016. https://vimeo.com/163270674
.
Lim
,
Charles Yi Yong
.
2018a
. “
Charles Lim Yi Yong, ‘Cannot Take’ (2018)
”.
Vimeo video, uploaded January 26, 2019, https://vimeo.com/313511481
.
Lim
,
Charles Yi Yong
.
2018b
.
SEA STATE
.
NTU Centre for Contemporary Art Singapore
.
November
21
,
2018
).
Lim
,
Charles Yi Yong
.
2019a
.
Cavern
.
Version ending with ascent to surface with supplementary clips
. (accessed May 7, 2019).
Lim
,
Charles Yi Yong
.
2019b
.
Drag, Drop, Pour
.
Video
.
Lim
,
Charles Yi Yong
. n.d.
Charles Lim Yi Yong’s website
. (accessed July 24, 2022).
Mam
,
Kalyanee
.
2019
.
Lost World. With credits to Charles Lim’s SEA STATE 6, phase 1, and SEA STATE 9 proclamation. Coproduced by Emergence Magazine and Go Project Films
.
Atlantic
,
March
11
,
2019
.
Video
. .
Marker
,
Chris
.
1957
.
Letter from Siberia
.
Argos Films and Procinex
.
Mendonça Filho
,
Kleber
, and
Dornelles
Juliano
.
2019
.
Bacurau
.
CinemaScópio Produções, sbs Productions, Globo Filmes, Símio Filmes, Arte France Cinema, Canal Brasil, and Telecine
.
Minghella
,
Anthony
dir
,
1999
.
The Talented Mr. Ripley
.
Mirage Enterprises
.
Ng
,
Jasmine Kin Kia
, and
Tong
Kelvin
.
1999
.
Eating Air
.
BOKU Films/Multi-Story Complex
.
Nguyen
Trinh Thi
.
2007
.
Love Man, Love Woman
.
YouTube video, uploaded June 22, 2013. https://www.youtube.com/watch?v=nk9wSZsHBwA
.
Nguyen
Trinh Thi
.
2015
.
Letters from Panduranga
. (Trailer on Facebook, uploaded July 10, 2018, https://www.facebook.com/watch/?v=2008226299210363; and on Vimeo, uploaded November 13, 2015, https://vimeo.com/145637868.)
Ombak
Hitam
.
2013
. “
Ombak Hitam: The Dark Wave
”.
Rehearsal
,
March
12
,
2013
.
Vimeo video, uploaded March 14, 2013. https://vimeo.com/61816100
.
Park Chan-kyong
.
2008
.
Sindoan. Six-channel video. Atelier Hermes, Maison Hermes Dosan Park
,
June
21
August
17
,
2008
.
Asia Art Archive
,
Hong Kong
. .
Park Chan-kyong
.
2010
.
Anyang
,
Paradise City
.
Park Chan-kyong
.
2013
.
Manshin: Ten Thousand Spirits
. (Trailer and New York Asia Society question-and-answer session on YouTube, uploaded February 9, 2014, https://www.youtube.com/watch?v=KtoDwwzLdag.)
Park Chan-kyong
.
2016
.
Citizen’s Forest
.
Three-channel video (b&w), ambisonic 3D sound, presented like a traditional “shan-su” (landscape)” scroll painting; with color photographs
.
South Korea
. (Photographs available from Kukje Gallery, https://m.kukjegallery.com/exhibition/202.)
Park Chan-kyong
.
2017a
.
Kyoto School
.
South Korea
.
Park Chan-kyong
.
2017b
.
Way to the Seung-ga Temple
.
Sequel to Citizen’s Forest. Multichannel slide projection of color photographs in loop and installation
.
Kukje Gallery
,
South Korea
,
May
25
July
2
,
2017
.
Park Chan-kyong
.
2019
.
Belated Bosal
.
Podesta
,
Edith
.
2017
. “
Indices of Vanishment (2017)
”.
Vimeo video, uploaded March 20, 2017. https://vimeo.com/rawmoves/indicesofvanishment
.
Prakash
,
Mithali
.
2018
.
Mara
.
International premiere, the Esplanade, Singapore
,
March
25
,
2018
.
Prakash
,
Mithali
. n.d.
Facebook clips of her performances
. (accessed September 18, 2022).
Renais
,
Alain
,
Marker
Chris
, and
Cloquiet
Ghislain
.
1953
.
Statues Also Die
.
Préscence Africaine and Tadié Cinéma
.
Sa’at
,
Alfian
.
2017a
. “
The Making of Mama White Snake!
YouTube video, November 14, 2017. https://www.youtube.com/watch?v=QJYOx4X66GA
.
Sa’at
,
Alfian
.
2017b
. “
Madame White Snake 2016
”.
Highlights from the 2016 production
.
Drama Stage
,
Singapore
,
December
8
,
2017
.
YouTube video, July 24, 2017. https://www.youtube.com/watch?v=zvACXrWGWcY
.
Sarabhai
,
Mallika
.
2009
. “
Dance to Change the World
”.
TEDIndia
2009
. .
See
,
Martyn
.
2012
.
Zahari’s 17 Years
.
YouTube video, uploaded May 21, 2012. https://www.youtube.com/watch?v=jtYrBagI0zg
.
Shaw Brothers
.
1949
.
The Hunter
.
Smart
,
Sally
.
2016
.
The Pedagogical Puppet
.
Melbourne
.
Smart
,
Sally
. n.d. a. “
Projects
”.
Sally Smart’s website
. .
Smart
,
Sally
. n.d. b.
Prototypes and Multiples
. .
Soo
,
Jason
.
2015
.
1987: Untracing the Conspiracy
.
Tan
Pin
.
2005
.
Singapore GaGa
.
Tan
Pin
.
2007
.
Invisible City
.
Tan
Pin
.
2013
.
To Singapore, with Love
.
YouTube video, uploaded May 29, 2020. https://www.youtube.com/watch?v=wqLklRUDIKM
.
Tan
Pin
.
2017
.
In Time to Come
.
Tan
,
Royston
.
2003
.
15: The Movie
.
Zhao Wei Films
.
Tarpaga
,
Olivier
.
(2017) 2020
.
Declassified Memory Fragment
.
Livestreamed and watched on JoyceStream, July 2–31, 2020
.
Link no longer live, but video exists
.
Truffaut
,
François
.
1960
.
Shoot the Piano Player
.
Les Films de la Pléiade
.
Weerasethakul
,
Apichatpong
.
2006
. “
MOCAtv Presents Techno Mystic—The Anthem
”.
Commissioned by Frieze Projects/LUX
.
YouTube video, uploaded November 9, 2012. https://www.youtube.com/watch?v=hKA4iLL89hI
.
Weerasethakul
,
Apichatpong
.
2010
.
Uncle Boonmee Who Can Recall His Past Lives
.
Weerasethakul
,
Apichatpong
.
2015
.
Cemetery of Splendor
.
Weerasethakul
,
Apichatpong
.
2016
.
Fireworks/Archives
.
Film/installation. Light Work’s Urban Video Project, Everson Museum
,
Syracuse, NY
,
September
15
October
27
,
2016
. .
Wiharso
,
Entang
.
2015b
.
Never Say No
.
STPI
.
Vimeo, uploaded July 6, 2015. https://vimeo.com/132697523
.
Wiharso
,
Entang
.
2015c
.
Art History: Indonesia Diaspora
.
Singapore
:
STPI
. .
Wiharso
,
Entang
.
2020
. “
Let’s Chat with Entang Wiharso
”.
STPI interview with Rita Targui
.
Facebook
,
September
16
,
2020
. .
OTHER SOURCES
Abdullah bin Mohammad
.
1971
. “
Ghazal in Arabic Literature and Malay Music
”.
Malaysia in History
14
, no.
1
:
24
31
.
Accad
,
Evelyne
, ed.
1992
.
Sexuality and War: Literary Masks of the Middle East
.
New York
:
New York University Press
.
Acker
,
Kathy
.
1996
.
Pussy, King of the Pirates
.
New York
:
Grove
.
Acri
,
Andrea
.
2017
. “
Tantrism ‘Seen from the East’
”. In
Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by
Acri
Andrea
,
Blench
Roger
, and
Landmann
Alexandra
,
71
144
.
Singapore
:
Institute for South East Asian Studies
.
Ade
,
Wernmei Yong
, and
Ching
Lim Lee
, eds.
2016
.
Contemporary Arts as Political Practice in Singapore
.
New York
:
Palgrave Macmillan
.
Adelaar
,
Alexander
.
2017
. “
Who Were the First Malagasy, and What Did They Speak?
” In
Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by
Acri
Andrea
,
Blench
Roger
, and
Landmann
Alexandra
,
441
69
.
Singapore
:
Institute for South East Asian Studies
.
Akademie Pengajian Melayu
. n.d.
Mah Meri Mask Collection
.
Kuala Lumpur
:
Universiti Pengajian Malayu
.
Almeida
,
Ronaldo de
.
2020
. “
Bolsonaro, the Evangelicals and the Brazilian Crisis
”.
Hot Spots, Fieldsights, Society for Cultural Anthropology
,
January
28
. .
Andelman
,
David A.
1977
. “
In Java, Political Substance in Shadow-Plays
”.
New York Times
,
March
4
.
Apffel-Marglin
,
Frédérique
.
1985
.
Wives of the God-King: The Rituals of the Devadasis of Puri
.
New Delhi
:
Oxford University Press
.
Armin
,
Janine
.
2011
. “
Through a Filmmaker’s Lens: A View of Korea
”.
New York Times
,
June
13
.
Baik
,
Crystal Mun-hye
.
2019
.
Reencounters: On the Korean War and Diasporic Memory Critique
.
Philadelphia
:
Temple University Press
.
Baratham
,
Gopal
.
(1974) 2015
. “
Island
”. In
Collected Short Stories
.
Singapore
:
Marshall Cavendish
.
Barber
,
Stephen
.
2010
.
Hijikata: Revolt of the Body
.
Tokyo
:
Solar
.
Barber
,
Stephen
.
2019
.
Film’s Ghosts: Tatsumi Hijikata’s Butoh and the Transmutation of 1960s Japan
.
Zurich
:
Diaphanes
.
Barthes
,
Roland
.
1980
.
Camera Lucida: Reflections on Photography
. Translated by
Howard
Richard
.
New York
:
Hill and Wang
.
Bauer
,
Ute Meta
, ed.
2022
.
Climates, Habitats, Environments
.
Cambridge, MA
:
MIT Press
.
Bell
,
John
, ed.
2001
.
Puppets, Masks, and Performing Objects
.
Cambridge, MA
:
MIT Press
.
Bellina
,
Berenice
.
2017
. “
Was There a Late Prehistoric Integrated Southeast Asian Maritime Space?
” In
Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by
Acri
Andrea
,
Blench
Roger
, and
Landmann
Alexandra
,
239
72
.
Singapore
:
Institute for South East Asian Studies
.
Benjamin
,
Walter
.
(1928) 1978
. “
Fire Alarm” (section of “One Way Street”)
”. In
Reflections: Essays, Aphorisms, Autobiographical Writings
, translated by
Jephcott
Edmund
,
84
.
New York
:
Schocken
.
Benjamin
,
Walter
.
(1940) 1968
. “
Theses on the Philosophy of History
”. Translated by
Zohn
Henry
. In
Illuminations
, edited by
Arendt
Hannah
,
253
64
.
New York
:
Schocken
.
Bharucha
,
Rustom
.
1990
.
Theater and the World: Performance and the Politics of Culture
.
New Delhi
:
Manohar
.
Bharucha
,
Rustom
.
1995
.
Chandralekha: Woman, Dance, Resistance
.
New Delhi
:
Harper Collins, India
.
Binder
,
Pat
, and
Haupt
Gerhard
.
2002
. “
Interview with Tien Wei Woon at documenta 11
”.
Kassel
,
June
7
. .
Boochani
,
Behrouz
.
2018
.
No Friend but the Mountains
. Translated by
Tofighian
Omid
.
London
:
Picador
.
Borschberg
,
Peter
.
2015
. “
Singapura in Early Modern Cartography: A Sea of Challenges
”. In
Visualising Space: Maps of Singapore and the Region; Collections from the National Library and National Archives of Singapore
,
6
33
.
Singapore
:
National Library Board
. .
Borschberg
,
Peter
.
2018
. “
Three Questions about Maritime Singapore, 16th and 17th Centuries
”.
Ler Historia
, no.
72
,
31
54
.
Buder
,
Emily
.
2019
. “
When Your Land Is Stolen from beneath Your Feet
”.
Atlantic
,
March
11
. .
Burnham
,
Harold
.
2016
.
The Shipwright and the Schooner
.
Lanham, MD
:
Rowman and Littlefield
.
Buyandelger
,
Manduhai
.
2013
.
Tragic Spirits: Shamanism, Memory, and Gender in Contemporary Mongolia
.
Chicago
:
University of Chicago Press
.
Cabral de Oliveira
,
Joanna
, and
Marini
Marisol
.
2020
. “
Why Is Bolsonaro Afraid of Anthropology?
Hot Spots, Fieldsights, Society for Cultural Anthropology
,
January
28
. .
Carrithers
,
Michael Barnes
.
1986
.
The Forest Monks of Sri Lanka
.
London
:
Oxford University Press
.
Cavignac
,
Julie A.
2020
. “
Threatened Rights and Resistance: For a Politically Engaged Anthropology
”.
Hot Spots, Fieldsights, Society for Cultural Anthropology
,
January
28
. .
Caygill
,
Howard
.
2017
.
In Light of the Accident
.
London
:
Bloomsbury Academic
.
Cesarino
,
Letícia
.
2020
. “
What the Brazilian 2008 Elections Tell Us about Posttruth in the Neoliberal-Digital Era
”.
Hot Spots, Fieldsights, Society for Cultural Anthropology
,
January
28
. .
Chae
,
Tiffany Yeon
.
2017
. “
Park Chan-kyong, Kukje Gallery, Seoul, South Korea
”.
Frieze, no. 190
(
July
3
). .
Chan
,
Clare Suet Ching
.
2015
. “
Standardizing and Exoticizing the Main Jo’oh: The Tourist Gaze and Identity Politics in the Music and Dance of the Indigenous Mah Meri of Malaysia
”.
Asian Music
46
, no.
2
:
89
126
.
Chang
,
Eileen
.
1943
.
Love in a Fallen City
.
New York
:
New York Review of Books
.
Chang
,
Eileen
.
1979
.
Lust/Caution
.
New York
:
New York Review of Books
.
Chaudhuri
,
Sutapa
.
2010
. “
Signifying the Self: Intersections of Class, Caste and Gender in Rabindranath Tagore’s Dance Drama Chandalika (1938)
”.
Rupkatha Journal on Interdisciplinary Studies in Humanities
2
, no.
4
:
549
56
.
Chavannes
,
Edouard
.
1894
.
Mémoire composé a l’époque de la Grande Dynastie T’ang sur les religieux éminents qui allèrent chercher la loi dans les pays D’Occident par I-Tsing [Memoir written in the Grand Tang Dynasty by I-Tsing on the religious men who went in search of the law in western lands]
.
Paris
:
Ernest Leroux
.
Cheng
,
Nien Yuan
.
2017
. “
Film Review: ‘1987: Untracing the Conspiracy’ by Jason Soo and Ex-political Detainees
”.
New Mandala
,
February
14
. .
Cheong
,
Yip Seng
.
2013
.
OB Markers: My Straits Times Story
.
Singapore
:
Straits Times Press
.
Cherian
,
Anita E.
, ed.
2016
.
TiltPauseShift: Dance Ecologies in India
.
New Delhi
:
Tulika Books and Gati Dance Forum
.
Chettur
,
Padmini
.
2016
. “
Autobiographical Account.” As interviewed by M. D. Muthukumaraswamy
”. In
TiltPauseShift: Dance Ecologies in India
, edited by
Cherian
Anita
.
New Delhi
:
Tulika Books and Gati Dance Forum
.
Chettur
,
Padmini
.
2020
. “
Striking a Balance: Padmini Chettur Talks about Her Latest Show Philosophical Enactment 1
”. Interview by
Pillai
Karan
.
New Indian Express Indulge
,
March
13
. .
China Daily
.
2017
. “
Twenty-Four Solar Terms: Six Things You May Not Know about Wakening Insects
”. .
Chng Suan Tze
,
Low Yit Leng
, and
Lung
Teo Soh
.
2017
.
1987: Singapore’s Marxist Conspiracy 30 Years On
.
Singapore
:
Ethos
.
Chou
,
Cynthia Gek-Hua
.
1994
. “
Money, Magic and Fear: Identity and Exchange amongst the Orang Suku Laut (Sea Nomads) and Other Groups of Riau and Batam, Indonesia
”.
PhD diss.
,
Cambridge University
.
Chou
,
Cynthia Gek-Hua
.
2010
.
The Orang Suku Laut of Riau, Indonesia: The Inalienable Gift of Territory
.
London
:
Routledge
.
Chua Beng Huat
.
1995
.
Communitarian Ideology and Democracy in Singapore
.
London
:
Routledge
.
Chua Beng Huat
.
2017
.
Liberalism Disavowed: Communitarianism and State Capitalism in Singapore
.
Singapore
:
National University of Singapore Press
.
Cocca
,
Christine
.
2014
.
Introduction to Trilogy: Geo-Portraits, by Entang Wiharso
, edited by
Cocca
Christine
.
North Scituate, RI/Yogyakarta
:
Black Goat Studios. Exhibition catalog
.
Cochrane
,
Joe
.
2017
. “
Tensions in Indonesian Capital Run High as Election Nears
”.
New York Times
,
April
17
. .
Coedès
,
George
.
1968
.
The Indianized States of Southeast Asia
. Edited by
Vella
Walter F.
. Translated by
Cowing
Susan Brown
.
Honolulu
:
University of Hawaii Press
.
Comaroff
,
Joshua
.
2009
. “
Vulgarity and Enchantment: Religious Movements and the Space of the State
”.
PhD diss.
,
University of California, Los Angeles
.
Comaroff
,
Joshua
.
2014
. “
Built on Sand: Singapore and the New State of Risk
”. In
“Wet Matter”, special issue, Harvard Design Magazine
, no.
39
. .
Cooke
,
Miriam
.
1988
.
War’s Other Voices: Women Writers on the Lebanese Civil War
.
Durham, NC
:
Duke University Press
.
Coppola
,
Francis Ford
.
2017
.
Live Cinema and Its Techniques
.
New York
:
Liveright/Norton
.
Crosbie-Jones
,
Max
.
2019
. “
4 Leading Female Art Curators in Thailand
”.
Prestige
,
April
3
. .
Crowe
,
Peter
.
2016
.
Spirit Carvings of the Mah Mehru of Malaysia: The Collection of Peter and Rohani Crowe
.
Subbang Jaya, Malaysia
:
Center for Orang Asli Concerns
.
Daniels
,
Valentine
.
1996
.
Charred Lullabies: Chapters in an Anthropology of Violence
.
Princeton, NJ
:
Princeton University Press
.
Das
,
Veena
.
2000
. “
The Act of Witnessing: Violence, Poisonous Knowledge, and Subjectivity
”. In
Violence and Subjectivity
, edited by
Das
Veena
,
Kleinman
Arthur
, and
Ramphele
Mamphela
,
205
25
.
Berkeley
:
University of California Press
.
Das
,
Veena
.
2014
.
Affliction: Health, Disease, Poverty
.
New York
:
Fordham University Press
.
Dewey
,
John
.
1927
.
The Public and Its Problems
.
New York
:
Henry Holt
.
Doggett
,
Margaret
.
1957
.
Characters of Light
.
Singapore
:
Donald Moore
.
Doughty
,
Louise
.
2016
.
Black Water
.
New York
:
Farrar, Straus and Giroux
.
Dove
,
Michael
.
2011
.
The Banana Tree at the Gate: A History of Marginal Peoples and Global Markets in Borneo
.
New Haven, CT
:
Yale University Press
.
Dwyer
,
Leslie
, and
Santikarma
Degung
.
2021
.
A World in Fragments: Aftermaths of Violence in Bali, Indonesia
.
Philadelphia
:
University of Pennsylvania Press
.
Emerson
,
Katherine
.
2013a
.
The Grand Offering of Kings
.
Jakarta
:
Lontar Foundation
.
Emerson
,
Katherine
.
2013b
.
Rama’s Crown
.
Jakarta
:
Lontar Foundation
.
Emont
,
Jon
.
2015
. “
The Propaganda Precursor to the Act of Killing
”.
New Yorker
,
October
24
. .
Evers
,
Hans-Dieter
.
2016
. “
Nusantara: History of a Concept
”.
Journal of the Malaysian Branch of the Asiatic Society
89
(pt. 1), no.
310
:
3
14
.
Fausto
,
Carlos
.
2020
.
Art Effects: Image, Agency, and Ritual in Amazonia
.
Lincoln
:
University of Nebraska Press
.
Favret-Saada
,
Jeanne
.
(1977) 1980
.
Deadly Words: Witchcraft in the Bocage
. Translated by
Cullen
Catherine
.
Cambridge
:
Cambridge University Press
.
Favret-Saada
,
Jeanne
.
2012
. “
Being Affected
”. Translated by
Hengen
Mylene
and
Carey
Matthew
.
HAU: Journal of Ethnographic Theory
2
, no.
1
:
435
45
. .
Fischer
,
Michael M. J.
1980
.
Iran: From Religious Dispute to Revolution
.
Cambridge, MA
:
Harvard University Press
.
Fischer
,
Michael M. J.
1989
. “
Iranian Revolutionary Posters
”.
Middle East Research and Information Project (MERIP)
.
Fischer
,
Michael M. J.
1995
. “
Eye(I)ing the Sciences and Their Signifiers (Language, Tropes, Autobiographies: InterViewing for a Cultural Studies of Science and Technology
”. In
Technoscientific Imaginaries: Conversations, Profiles, and Memoirs
, edited by
Marcus
George E.
,
43
84
.
Late Editions 2
.
Chicago
:
University of Chicago Press
.
Fischer
,
Michael M. J.
1997
. “
Filming Poland: The Ethnographic (Documentary, Narrative) Films of Maria Zmarz-Koczanowicz
”. In
Cultural Producers in Perilous States: Editing Events, Documenting Change
, edited by
Marcus
George E.
,
91
150
.
Late Editions 4
.
Chicago
:
University of Chicago Press
.
Fischer
,
Michael M. J.
2000
. “
‘With a Hammer, a Gouge, and a Woodblock’: The Work of Art and Medicine in the Age of Social Retraumatization: The Texas Woodcut Art of Dr. Eric Avery
”. In
Para-Sites: A Casebook against Cynical Reason
, edited by
Marcus
George E.
,
15
102
.
Late Editions 7
.
Chicago
:
University of Chicago Press
.
Fischer
,
Michael M. J.
2003
.
Emergent Forms of Life and the Anthropological Voice
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2004
.
Mute Dreams, Blind Owls, and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2009a
.
Anthropological Futures
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2009b
. “
Iran and the Boomeranging Cartoon Wars: Can Public Spheres at Risk Ally with Public Spheres Yet to Be Achieved?
Public Culture
5
, no.
1
:
27
62
.
Fischer
,
Michael M. J.
2010
. “
Dr. Judah Folkman’s Decalogue and Network Analysis
”. In
A Reader in Medical Anthropology: Theoretical Trajectories, Emergent Realities
, edited by
Good
Byron J.
,
Fischer
Michael M. J.
,
Willen
Sarah S.
, and
Good
Mary-Jo DelVecchio
,
339
44
.
Chichester, UK
:
Wiley-Blackwell
.
Fischer
,
Michael M. J.
2013a
. “
Biopolis: Asian Science in the Global Circuitry
”.
Science, Technology and Society
18
, no.
3
:
379
404
.
Fischer
,
Michael M. J.
2013b
. “
Galactic Polities, Radical Egalitarianism, and the Practice of Anthropology: Tambiah on Logical Paradoxes, Social Contradictions, and Cultural Oscillations
”. In
Radical Egalitarianism: Local Realities, Global Relations
, edited by
Aulino
Felicity
and
Goheen
Miriam
,
233
58
.
New York
:
Fordham University Press
.
Fischer
,
Michael M. J.
2013c
. “
The Peopling of Technologies
”. In
When People Come First: Critical Studies in Global Health
, edited by
Biehl
João
and
Petryna
Adriana
,
347
73
.
Princeton, NJ
:
Princeton University Press
.
Fischer
,
Michael M. J.
2014
. “
Philosophia and Anthropologia: Reading alongside Benjamin in Yazd, Derrida in Qum, Arendt in Tehran
”. In
The Ground Between: Anthropologists Engage Philosophy
, edited by
Das
Veena
,
Kleinman
Arthur
,
Jackson
Michael
, and
Singh
Brighu
,
188
217
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2015
. “
Ethnography for Aging Societies: Dignity, Cultural Genres, and Singapore’s Imagined Futures
”.
American Ethnologist
42
, no.
2
:
207
29
.
Fischer
,
Michael M. J.
2017
. “
Urban Mahabharata: Health Care, Ordinary, Traditional, and Contemporary Ethics
”.
Medicine Anthropology Theory
4
, no.
3
:
98
129
. .
Fischer
,
Michael M. J.
2018a
. “
Anthropological Modes of Concern
”. In
Anthropology in the Meantime: Experimental Ethnography, Theory, and Method for the Twenty-First Century
,
276
97
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2018b
. “
A Tale of Two Genome Institutes: Qualitative Networks, Charismatic Voices, and R&D Strategies—Juxtaposing GIS Biopolis [Singapore] and BGI [Shenzhen]
”.
Science, Technology, Society
23
, no.
2
:
271
88
.
Fischer
,
Michael M. J.
2018c
. “
Third Spaces and Ethnography in the Anthropocene
”. In
Anthropology in the Meantime: Experimental Ethnography, Theory, and Method for the Twenty-First Century
,
298
344
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2021
. “
Bacurau Flies at Dusk: Film, Viral Cultural Politics, COVID-19, Hauntings, and Futures
”.
Anuário Antropológico
46
, no.
1
:
166
89
.
Fischer
,
Michael M. J.
2023
. “
Oiled Hinges: Sounds and Silences in Documentary Films of Social Change
”. In
At the Pivot between East and West: Ethnographic, Filmic, and Literary Arts (ch. 1).
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
, and
Abedi
Mehdi
.
1990a
. “
Bombay Talkies, the Word and the World: Salman Rushdie’s Satanic Verses
”.
Cultural Anthropology
5
, no.
2
:
107
59
.
Fischer
,
Michael M. J.
, and
Abedi
Mehdi
.
1990b
.
Debating Muslims: Cultural Dialogues in Postmodernity and Tradition
.
New Directions in Anthropological Writing
.
Madison
:
University of Wisconsin Press
.
Franke
,
Anselm
.
2017
. “
Weretigers, Frog Marshals, and Other Modern Mediums
”.
ArtReview Asia
, Spring. .
Frazier
,
Donald
.
2016
. “
On Java, a Creative Explosion in an Ancient City
”.
New York Times
,
February
11
. .
Gadamer
,
Hans-Georg
.
(1960) 1975
.
Truth and Method
.
New York
:
Continuum
.
Garfinkel
,
Harold
.
1967
.
Studies in Ethnomethodology
.
Englewood Cliffs, NJ
:
Prentice-Hall
.
Geertz
,
Clifford
.
1966
.
Person, Time, and Conduct in Bali: An Essay in Cultural Analysis
.
Cultural Report Series 14
.
New Haven, CT
:
Southeast Asian Studies, Yale University
.
Geertz
,
Clifford
.
1972
. “
Deep Play: Notes on the Balinese Cockfight
”.
Daedalus
101
, no.
1
:
1
37
.
Geertz
,
Clifford
.
1973
.
The Interpretation of Cultures
.
New York
:
Basic Books
.
Geertz
,
Clifford
.
(1976) 1983
. “
Art as a Cultural System
”. In
Local Knowledge: Further Essays in Interpretive Anthropology
,
94
120
.
New York
:
Basic Books
.
Geertz
,
Clifford
.
1980
.
Negara: The Theatre State in Nineteenth-Century Bali
.
Princeton, NJ
:
Princeton University Press
.
Geertz
,
Clifford
.
1995
.
After the Fact: Two Countries, Four Decades, One Anthropologist
.
Cambridge, MA
:
Harvard University Press
.
Ginsberg
,
Alexandra Daisy
,
Calvert
Jane
,
Schyfter
Pablo
,
Elfick
Alistair
, and
Endy
Drew
, eds.
2017
.
Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature
.
Cambridge, MA
:
MIT Press
.
Ginsburg
,
Henry D.
1972
. “
The Manora Dance-Drama: An Introduction
”.
Journal of the Siam Society
60
, no.
2
:
169
81
.
Gipouloux
,
François
.
2011
.
The Asian Mediterranean: Port Cities and Trading Networks in China, Japan and South Asia, 13th–21st Century
.
Translated by Jonathan Hall and Dianna Martin. Cheltenham, UK
:
Edward Elgar
.
Goffman
,
Erving
.
1956
.
The Presentation of Self in Everyday Life
.
New York
:
Doubleday
.
Goh
,
Daren
.
2019
.
The hdb Murders
.
Singapore
:
Math Paper Press
.
Good
,
Mary-Jo DelVecchio
.
2015
. “
Acehnese Women’s Narratives of Traumatic Experience, Resilience and Recovery
”. In
Genocide and Mass Violence: Memory, Symptom, and Recovery
, edited by
Hinton
Alex
and
Hinton
Devon
,
280
300
.
Durham, NC
:
Duke University Press
.
Good
,
Mary-Jo DelVecchio
, and
Good
Byron J.
.
2008
. “
Indonesia Sakit: Indonesian Disorders and the Subjective Experience and Interpretive Politics of Contemporary Indonesian Artists
”. In
Postcolonial Disorders
, edited by
Good
Mary-Jo DelVecchio
,
Hyde
Sandra T.
,
Pinto
Sarah
, and
Good
Byron J.
,
62
108
.
Berkeley
:
University of California Press
.
Good
,
Mary-Jo DelVecchio
,
Willen
Sarah S.
,
Hannah
Seth Donal
,
Vickery
Ken
, and
Park
Lawrence
, eds.
2011
.
Shattering Culture: American Medicine Responds to Cultural Diversity
.
New York
:
Russell Sage Foundation
.
Gramsci
,
Antonio
.
(1947) 2011
.
Prison Notebooks
.
New York
:
Columbia University Press
.
Guattari
,
Félix
.
1989
.
The Three Ecologies
.
New York
:
Continuum
.
Guattari
,
Félix
.
(1992) 1995
.
Chaosmosis: An Ethico-Aesthetic Paradigm
.
Bloomington
:
Indiana University Press
.
Haines
,
Chelsea
.
2016
. “
Interview with Sumesh Sharma and Zasha Colah of Clark House Initiative, Bombay
”.
International Studio and Curatorial Program
,
March
8
. .
Halloy
,
Arnaud
.
2012
. “
Gods in the Flesh: Learning Emotions in the Xangô Possession Cult (Brazil)
”.
Ethnos
77
, no.
2
:
177
202
.
Hannah
,
Seth Donal
.
2011
. “
Clinical Care in Environments of Hyperdiversity
”. In
Shattering Culture: American Medicine Responds to Cultural Diversity
, edited by
Good
Mary-Jo DelVecchio
,
Willen
Sarah S.
,
Hannah
Seth Donal
,
Vickery
Ken
, and
Park
Lawrence
,
35
69
.
New York
:
Russell Sage Foundation
.
Hester
,
Zoe
.
2018
. “
Storytelling through Movement: An Analysis of the Connections between Dance and Literature
”.
Honors thesis
,
East Tennessee State University
.
Hinton
,
William
.
1966
.
Fanshen: A Documentary of Revolution in a Chinese Village
.
Berkeley
:
University of California Press
.
Hirsh
,
Marianne
.
2008
. “
The Generation of Postmemory
”.
Poetics Today
29
, no.
1
:
103
28
.
Ho
Tzu Nyen
.
2020a
.
Critical Dictionary of South-East Asia (CDOSEA) leaflet, 2019–20 residency at the Nanteh Technical University Center for Contemporary Art
.
Ho
Tzu Nyen
.
2022a
. “
Ho Tzu Nyen’s One or Several Tigers (2017)
.”
March
7
. .
Ho
Tzu Nyen
.
2022c
. “
Rethinking War, History, and Anime with Ho Tzu Nyen’s Language
”.
Plural
,
April
12
. .
Hoffmann
,
Frank
.
1997
. “
Images of Dissent: Transformations in Korean Minjung Art
”.
Harvard Asia Pacific Review
1
, no.
2
:
44
49
.
Hsu
Chia-Wei
.
2017
. “
I Have Been Working with This God Already for Many Years
”. Interview by
Kanai
Miki
.
100 Years of Now Journal
,
May
31
. .
Hsu
Chia-Wei
and
Chu
Daphne
.
2018
. “
Hsu Chia-Wei Talks about His Work in the Biennale of Sydney
”.
Artforum
,
May
22
. .
Hsu
Chia-Wei
and
Maerkle
Andrew
.
2018
. “
Not Only Black and White
”.
ART iT
,
December
19
. .
Hughes-Freeland
,
Felicia
.
2012
.
Embodied Communities: Dance Traditions and Change in Java
.
New York
:
Berghahn
.
Hui
,
Daniel
.
2018b
. “
‘So This Is My Big Fear. That I Can Be Both Victim and Perpetrator’
”. Interview by
Korbecka
Maja
.
Eastern Kicks
,
February
27
. .
Hun
Ping
. n.d. “
Malay Film Productions (Shaw Brothers)
”.
Category on The Hunter: Location Scouting in Singapore’s Filmic History
. .
Imran ibn Tajudeen
.
2017
. “
Sastric and Australonesian Comparative Perspectives: Parallel Frameworks on Indic, Architectural and Cultural Translations among Western Malayo-Polynesian Societies
”. In
Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by
Acri
Andrea
,
Blench
Roger
, and
Landmann
Alexandra
,
470
514
.
Singapore
:
Institute for South East Asian Studies
.
Jennong
,
Agung Hujatnika
.
2015
. “
Did I Just Say Yes
”. In
Never Say No, by Entang Wiharso
.
Singapore
:
Singapore Tyler Print Institute
.
Exhibition catalog
.
Karp
,
Ivan
,
Kratz
Corinne A.
,
Szwaja
Lynn
, and
Ybarra-Frausto
Tomas
, eds.
2006
.
Museum Frictions: Public Cultures/Global Transformations
.
Durham, NC
:
Duke University Press
.
Karp
,
Ivan
,
Kreamer
Christine Mullen
, and
Lavine
Steven D.
, eds.
1992
.
Museums and Communities: The Politics of Public Culture
.
Washington, DC
:
Smithsonian Institution Press
.
Karp
,
Ivan
, and
Lavine
Steven D.
, eds.
1991
.
Exhibiting Cultures: The Poetics and Politics of Museum Display
.
Washington, DC
:
Smithsonian Institution Press
.
Kershaw
,
Roger
.
1982
. “
A Little Drama of Ethnicity: Some Sociological Aspects of the Kelantan Menora
”.
Southeast Asian Journal of Social Science
10
, no.
1
:
69
85
.
Khamis
,
Hamidah
.
1976
. “
The Ghazal in Malay Music
”.
Asean Review
1
, no.
19
:
26
.
Kim
,
Ayoung
.
2018
. “
Kim Ayoung Interview—A History of Migration Written as Speculative Fiction
”.
The Artro, Platform for Contemporary Korean Art
,
November
22
. .
Kim
,
Eun-Shil
.
2018
. “
The Politics of the Jeju 4.3 Holeomeong Bodies: ‘Speaking’ and Emotion as Embodied Language
”.
Korean Anthropology Review
2
, no.
1
:
1
41
.
Kim
,
Seong Nae
.
2019
. “
Placing the Dead in the Postmemory of the Cheju Massacre in Korea
”.
Journal of Religion
99
, no.
1
:
80
97
.
King
,
Albert Henry
.
1964
.
Oral history interview. Interview by Betty Hoag, June 10
.
Smithsonian Archives of American Art
.
Audio excerpt and transcript
. .
Klinger
,
Julie Michell
.
2017
.
Rare Earth Frontiers: From Terrestrial Subsoils to Lunar Landscapes
.
Ithaca, NY
:
Cornell University Press
.
Koh
,
Tommy
.
2019
. “
Speech on Fourth Generation Leadership
”.
Mothership
,
Oc-tober
2
. .
Kong Rithdee
.
2010
. “
Of Monkey Ghosts and Men
”.
Bangkok Post
,
May
28
. .
Kua
,
Ee Heok
.
2007
.
Listening to Letter from America
.
Singapore
:
Armour
.
Kuning
,
Zai
.
2013a
.
Interview with Bala Starr. Wall poster at exhibition Looking Within: What Makes an Exhibition?
,
National University of Singapore Museum
,
opened October 25, 2016. (A shorter version appeared in Port of Call, no. 3 [2014], a journal of LaSalle College of the Arts.)
Kuning
,
Zai
.
2013b
. “
Pure Sounds in the Dark
”. Interview by
Ting
Lisabel
.
Straits Times
,
March
19
.
Kuning
,
Zai
.
2017a
.
Dapunta Hyang: Transmission of Knowledge
.
Singapore
:
Singapore Arts Council
.
Exhibition catalog
.
Kuning
,
Zai
.
2017c
. “
Transmission of Knowledge: They Get Up from Their Knees and Walk
”. In
Dapunta Hyang: Transmission of Knowledge
,
29
46
.
Singapore
:
Singapore Arts Council
.
Exhibition catalog
.
Kuning
,
Zai
.
2017d
. “
Zai Kuning Interviewed by Nabilah Said
”. (accessed June 15, 2019).
Kuning
,
Zai
.
2017e
. “
Zai Kuning on the Singapore Pavilion Project at Venice Biennale 2017—Interview
”.
Interview by Brittney. Art Radar
,
March
29
. .
Kuo
,
Huei-Ying
.
2014
. “
Historiography of the East-West Exchanges in the South Seas: A Sketch of Chinese and Japanese Scholarship in the Early Twentieth Century
”.
Unpublished manuscript (Word file)
.
Kwa Chong Guan
.
2018
.
Pre-colonial Singapore
.
Singapore Chronicles. Singapore
:
Institute of Policy Studies and Straits Times Press
.
Kwon
,
Heonik
.
2020
.
After the Korean War: An Intimate History
.
New York
:
Cambridge University Press
.
Latour
,
Bruno
.
1993
.
We Have Never Been Modern
.
Cambridge, MA
:
Harvard University Press
.
Lee
Wen
.
2006
. “
Performance Art in Context: A Singaporean Perspective
”.
Master’s thesis
,
LaSalle-SIA College of the Arts
.
Lee
Xin Ying
and
Chee
Veronica
.
2013
. “
Zai Kuning
”.
Singapore Infopedia, National Library Board
,
June
25
. .
Leirner
,
Piero C.
2020
. “
Hybrid Warfare in Brazil: The Highest Stage of Military Insurgency
”.
HAU: Journal of Ethnographic Theory
10
, no.
1
:
41
49
. .
Lévi-Strauss
,
Claude
.
(1949) 1963
. “
The Sorcerer and His Magic
”. In
Structural Anthropology
, translated by
Jacobson
Claire
and
Schroepf
Brooke Grundfest
,
167
85
.
New York
:
Basic Books
.
Lévi-Strauss
,
Claude
.
1964–71
.
Mythologiques
. Vols.
1–4
.
Paris
:
Plon
.
Lévi-Strauss
,
Claude
.
(1964) 1969
.
The Raw and the Cooked
. Translated by
John
and
Weightman
Doreen
.
New York
:
Harper and Row
.
Lévi-Strauss
,
Claude
.
(1966) 1973
.
From Honey to Ashes
. Translated by
John
and
Weightman
Doreen
.
London
:
Jonathan Cape
.
Lévi-Strauss
,
Claude
.
(1968) 1978
.
The Origin of Table Manners
. Translated by
John
and
Weightman
Doreen
.
London
:
Jonathan Cape
.
Lévi-Strauss
,
Claude
.
(1971) 1981
.
The Naked Man
. Translated by
John
and
Weightman
Doreen
.
London
:
Jonathan Cape
.
Liew Kai Khiun and Stephen Teo
,
eds
.
2016
.
Singapore Cinema: New Perspectives
.
New York
:
Routledge
.
Liew
,
Sony
.
2015
.
The Art of Charlie Chan Hock Chye
.
Singapore
:
Epigram
.
Lim
,
Bliss Cua
.
2009
.
Translating Time
.
Durham, NC
:
Duke University Press
.
Lim
,
Charles Yi Yong
.
2015b
.
Sea State
.
Singapore
:
Singapore Arts Council. Catalog for Venice Biennale
.
Lim
,
Charles
, and
Tan
.
Kok Yam
2019
. “
OMG Classified: Head of the Smart Nation Office Kok Yam Tan Speaks with Artist-Filmmaker Charles Lim Yi Yong on Smart Citizenship
”.
So-Far
,
January
26
. .
Lim
,
Charles
, and
Mustafa
.
Shabbir Hussain
2015
. “
Sand and Sea: Charles Lim and Shabbir Hussain Mustafa on the Singapore Pavilion in Venice—Interview by Brittney
”.
Art Radar Journal
,
May
29
. .
Lim
,
Edna
.
2018
.
Celluloid Singapore: Cinema, Performance and the National
.
Edinburgh
:
Edinburgh University Press
.
Lim
,
Jerome
.
2012
. “
A Last Reminder of an Old-Fashioned Corner of Singapore
”.
The Long and Winding Road (blog)
,
November
27
. .
Loh
,
Joleen
.
2019
. “
Singapore Pavilion at the 56th Venice Biennale—Charles Lim: Sea State
”.
ArtAsiaPacific
, (accessed January 28, 2019).
Loh
,
Kah Seng
,
Liao
Edgar
,
Lim
Cheng Tju
, and
Seng
Guo-Quan
.
2012
.
The University Socialist Club and the Contest for Malaya: Tangled Strands of Modernity
.
Amsterdam
:
International Institute for Asian Studies, Amsterdam University Press
.
Löwy
,
Michael
.
2005
.
Fire Alarm: Reading Walter Benjamin’s “On the Concept of History”
.
London
:
Verso
.
Maramao
,
Giacomo
.
2008
. “
Messianism without Delay: On the Post-religious Political ‘Theology’ of Walter Benjamin
”.
Constellations
15
, no.
3
:
397
405
.
Mashadi
,
Ahmad
.
2017
. “
Before Riau: A Conversation with Zai Kuning
”.
Dapunta Hyang: Transmission of Knowledge website
. .
Massot
,
Gilles
.
2003
.
Bintan: Phoenix of the Malay Archipelago
.
Bintan
:
Gunung
.
Maughan
,
Tim
.
2015
. “
The Dystopian Lake Filled by the World’s Tech Lust
”. With photographs by
Young
Liam
and
Davies
Kate
.
BBC Future
,
April
2
. .
Mcintyre
,
Ian
.
2007
. “
Kelantan Refuses to Lift Mak Yong Ban
”.
Star
,
March
1
. .
Meduri
,
Avanthi
.
2001
. “
Bharatha Natyam—What Are You?
” In
Moving History/Dancing Cultures: A Dance History Reader
, edited by
Dils
Ann
and
Cooper Albright
Ann
,
103
13
.
Middletown, CT
:
Wesleyan University Press
.
Messmer
,
Susanne
.
2005
. “
Die Regeln der Freiheit, aus einem Gespräch der Autorin mit dem Künstler
”. .
Miksic
,
John
.
2017
. “
Three Mountains in Malay History
”. In
Dapunta Hyang: Transmission of Knowledge
, edited by
Shiyun
Lin
,
101
22
.
Singapore
:
National Arts Council
,
2017
.
Miles
,
Melissa
.
2006
. “
Sally Smart: The Exquisite Pirate
”.
Eyeline
60
:
38
39
.
Miles
,
Melissa
.
2007
. “
Sally Smart: The Exquisite Pirate
”.
Catalog essay for Sally Smart: The Exquisite Pirate
,
Kaliman Gallery
,
Sydney, NSW
,
November
2
27
.
Also published in Sally Smart: The Exquisite Pirate, ov Gallery, Shanghai, July 25–September 2, 2009. https://research.monash.edu/en/publications/sally-smart-the-exquisite-pirate-2
.
Milton
,
Chris
.
2010
. “
The Sand Smugglers
”.
Foreign Policy
,
August
4
. .
Milton
,
John
.
(1667) 1674
.
Paradise Lost
. 2nd ed.
London
:
Samuel Simmons
.
Mishima
,
Yukio
.
(1951) 1968
.
Kinjiki
. Translated by
Marks
Alfred H.
.
New York
:
Alfred A. Knopf
.
Mohammad Nor
,
Mohammad Anis
.
1990
. “
The Zapin Melayu Dance of Johor: From Village to a National Performance Tradition
”.
PhD diss.
,
University of Michigan
.
Mohammad Nor
,
Mohammad Anis
.
1993
.
Zapin: Folk Dance of the Malay World
.
Singapore
:
Oxford University Press
.
Mrazek
,
Jan
.
2019
.
Wayang and Its Doubles: Javanese Puppet Theater, Television, and the Internet
.
Singapore
:
National University of Singapore Press
.
Mrazek
,
Rudolph
.
2020
.
The Complete Lives of Camp People
.
Durham, NC
:
Duke University Press
.
Nair
,
C. V. Devan
.
1982
.
Not by Wages Alone
.
Singapore
:
Singapore National Trades Union Congress
.
Nair
,
Malini
.
2017
. “
The Idea of Abhinaya—In Conversation with Leela Samson
”.
Hindu
,
August
19
. .
Nair
,
Malini
.
2018
. “
Can Bharatanatyam Tell Painful Stories of Rape and Migration? A Dance Company Provides an Answer
”.
Scroll.in
,
January
4
. .
National Arts Council of Singapore
.
2017
. “
Annex C: A Timeline—The Genesis of Dapunta Hyang: Transmission of Knowledge
.” (accessed September 17, 2022).
National Library Board
.
2008
. “
First Underground Ammo Store Ready
”.
New Paper
,
March
8
. .
National Library Board
.
2017
. “
The Guitar Man: Alex Abisheganaden
”.
Biblioasia
13
, no.
1
. .
Navaratnarajah
,
Romesh
.
2016
. “
Forest City Project Sparks Ecology Fears
”.
PropertyGuru
,
August
1
. .
Negri
,
Antonio
.
2011
.
Art and Multitude: Nine Letters on Art, Followed by Metamorphoses: Art and Immaterial Labor
. Translated by
Emery
Ed
.
Malden, MA
:
Polity
.
Neiburg
,
Frederico
, and
Thomaz
Omar Ribeiro
.
2020
. “
Ethnographic Views of Brazil’s (New) Authoritarian Turn
”.
HAU: Journal of Ethnographic Theory
10
, no.
1
:
1
11
.
Neurath
,
Marie
, and
Kinross
Robin
.
2009
.
The Transformer: Principles of Making Isotype Charts
.
London
:
Hyphen Press
.
Neurath
,
Otto
.
2010
.
From Hieroglyphics to Isotype: A Visual Autobiography
.
London
:
Hyphen Press
.
Newitt
,
Annalee
.
2020
. “
What Social Distancing Looked like in 1666
”.
New York Times
,
March
29
.
Norasid
,
Nuraliah
.
2017a
.
“Constructing Tuyunri” in The Gatekeeper: An Interview with Nuraliah Norasid”
.
Interview by Kevin Martens Zhi Qiang Wong. Unravel
, no.
10
. .
Norasid
,
Nuraliah
.
2017b
.
The Gatekeeper
.
Singapore
:
Epigram
.
Nowak
,
Barbara S.
2000
. “
Dancing the Main Jo’oh: Hma’ Btsisi Celebrate Their Humanity and Religious Identity in a Malaysian World
”.
Australian Journal of Anthropology
11
, no.
3
:
333
44
.
Omar
,
Ariffin
.
1993
.
Bangsa Melayu: Malay Concepts of Democracy and Community, 1945–1950
.
London
:
Oxford University Press
.
Ong
,
Isabel
.
2014
. “
Behind the Camera: With Jasmine Ng, Filmmaker and Mentor
”.
Honeycombers
,
February
24
.
Open Development Cambodia
.
2011
. “
Sand for Singapore’s Growth Comes at Environmental Cost to Poorer Neighbors
”.
August
22
. .
Paine
,
Thomas
.
1776
.
Common Sense
.
Philadelphia
:
R. Bell
.
Parlina
,
Ina
,
Nurul Fitri
,
Ramadhani
, and
Sundaryani
Fedina S.
.
2016
. “
Terrorist Attacks Blamed on is Recruit Bahrun Naim
”.
Jakarta Post
,
January
15
. .
Peacock
,
James L.
1968
.
Rites of Modernization: Symbolic and Social Aspects of Indonesian Proletarian Drama
.
Chicago
:
University of Chicago Press
.
Perniola
,
Mario
.
1995
.
Enigmas: The Egyptian Moment in Society and Art
. Translated by
Woodall
Christopher
.
London
:
Verso
.
Petryna
,
Adriana
.
2020
.
Horizoning: The Human Futures of Runaway Nature
.
Princeton, NJ
:
Princeton University Press
.
Pierce
,
Charles Sanders
.
1905
. “
Issues of Pragmaticism
”. In
The Writings of Charles S. Pierce: A Chronological Edition
, edited by
Moore
E.
.
Bloomington
:
Indiana University Press
.
Putri
,
Kartini Ayuningtyas
.
2012
. “
Restructuring and Regulating the Indonesian Art Market Infrastructure to Accommodate Force of Globalization Mediating between Contradictions
”.
Master’s thesis
,
Sotheby’s Institute of Art
,
New York
.
Raffles
,
Hugh
.
2010
.
Insectopedia
.
New York
:
Pantheon
.
Rancière
,
Jacques
.
2004
.
The Politics of Aesthetics: The Distribution of the Sensible
.
London
:
Continuum
.
Ratos
,
Datung Anthony
.
2006
.
Orang Asli and Their Wood Art
.
Kuala Lumpur
:
Marshall Cavandish
.
Rushdie
,
Salman
.
1988
.
Satanic Verses
.
London
:
Viking
.
Sabapathy
,
T. K.
2017
. “
Dapunta Hyang: Thoughts on Its Antecedents
”. In
Dapunta Hyang: Transmission of Knowledge
,
191
207
.
Singapore
:
Singapore Arts Council. Exhibition catalog
.
Sahlins
,
Marshall
.
2004
.
Apologies to Thucydides: Understanding History as Culture and Vice Versa
.
Chicago
:
University of Chicago Press
.
Sanal
,
Aslihan
.
2011
.
New Organs within Us: Transplants and the Moral Economy
.
Durham, NC
:
Duke University Press
.
Saparudin
,
Kartini
, comp., and
Samad
Norayati Abdul
, ed.
2010
.
The Hadrami Arabs in Southeast Asia with Special Reference to Singapore: An Annotated Bibliography
.
Singapore
:
National Library Board
.
Sarabhai
,
Mallika
.
2014
. “
Mallika Sarabhai: Arts for Activism
”. Interview by
Biswas
Swarnendu
.
Women’s Web
,
January
6
. .
Sarshar
,
Houman
.
2002
.
Esther’s Children
.
New York
:
Jewish Publication Society
.
Schneider
,
Julia Gwendolyn
.
2007
. “
A Vision for Tomorrow: Singapore 2007—Media Art, Alternative Art Spaces and the Survival of ‘The Artists’ Village’
”.
Springerin
, no.
2
. .
Schwab
,
Gabriele
.
2012
.
Imaginary Ethnographies: Literature, Culture, and Subjectivity
.
New York
:
Columbia University Press
.
Schwarcz
,
Lilia M.
2017
. “
I Was Cannibalized by an Artist
”. In
Unfinished: The Anthropology of Becoming
, edited by
Biehl
João
and
Locke
Peter
,
173
96
.
Durham, NC
:
Duke University Press
.
Scott
,
Jill
, ed.
2006
.
Artists-in-Labs: Processes of Inquiry
.
Vienna
:
Springer
.
Sekula
,
Alan
.
1995
.
The Fish Story
.
Rotterdam
:
Witte de With Center for Contemporary Art
.
Setiawati
,
Indah
.
2016a
. “
Conversation: Endless Acts in Human History
”.
Jakarta Post
,
January
22
. .
Setiawati
,
Indah
.
2016b
. “
Entang Wiharso: Visualizing Concept and Contemplation
”.
Jakarta Post
,
February
10
. .
Severi
,
Carlo
.
2015
.
The Chimera Principle: An Anthropology of Memory and Imagination
.
Chicago
:
HAU Books
.
Severi
,
Carlo
.
2018
.
Capturing Imagination: A Proposal for an Anthropology of Thought
.
Chicago
:
HAU Books
.
Shi Nai An
. (14th century)
1980
.
Outlaws of the Marsh (The Water Margin)
. Translated by
Shapiro
Sidney
.
4
vols.
Bloomington
:
Indiana University Press
;
Beijing
:
Foreign Languages Press
.
Siegel
,
James T.
1997
.
Fetish, Recognition, Revolution
.
Princeton, NJ
:
Princeton University Press
.
Siegel
,
James T.
1998
.
A New Criminal Type in Jakarta: Counter-Revolution Today
.
Durham, NC
:
Duke University Press
.
Siegel
,
James T.
2005
.
Naming the Witch
.
Stanford, CA
:
Stanford University Press
.
Skeat
,
Walter William
.
1900
.
Malay Magic: Being an Introduction to the Folklore and Popular Religion of the Malay Peninsula
.
London
:
Macmillan
.
Smart
,
Sally
.
2009a
.
The Exquisite Pirate
.
Shanghai
:
OV Gallery. Catalog
.
Smart
,
Sally
.
2009b
.
The Exquisite Pirate—South China Sea: Poster and Artist’s Statement. ov Gallery, July 25–September 2
. .
Smart
,
Sally
.
2010
.
Feminage (Shadows, Symptoms)
.
Langwarrin/Melbourne
:
McClelland Gallery
.
Steffen
,
Will
.
2019
. “
The Anthropocene: Risks of the Human Epoch
”.
Paper presented at the International Symposium on Anthropocene Studies: Narrating Disasters in the Anthropocene—Knowledges, Memories, and Imaginaries
,
Korean National Folk Museum, Seoul
,
December 10–11
.
Steffen
,
Will
,
Grinevald
Jacques
,
Crutzen
Paul
, and
McNeill
John
.
2011
. “
The Anthropocene: Conceptual and Historical Perspectives
”.
Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences
369
, no.
1938
:
842
67
.
Steyerl
,
Hito
.
2016
.
Jenseits der Repräsentation/Beyond Representation: Essays, 1999–2009
.
Berlin
:
Neuer Berliner Kunstverein
.
Strassberg
,
Richard E.
2002
.
A Chinese Bestiary: Guideways through Mountains and Seas
.
Berkeley
:
University of California Press
.
Subramanian
,
Samanth
, and
Yin
Sim Chi
.
2017
. “
How Singapore Is Creating More Land for Itself
”.
New York Times Magazine
,
April
20
. .
Supangkat
,
Jim
,
Damjanti
Irma
, and
Kent
Elly
.
2014
.
The World and I: Heri Dono’s Art Odyssey
.
Jakarta
:
Mondekorino Seni Internasional and New Museum
.
Tagore
,
Rabindranath
.
1945
.
Chandalika (“The Untouchable Girl”). In The Complete Works of Rabindranath Tagore (Rabindra Racanavali)
25
:
159
84
.
Calcutta
:
Visva Bharati University Press
.
Tambiah
,
Stanley J.
1977
. “
The Galactic Polity: The Structure of Traditional Kingdoms in Southeast Asia
”.
Annals of the New York Academy of Sciences
293
, no.
1
:
69
97
.
Tambiah
,
Stanley J.
1986
.
Sri Lanka: Ethnic Fratricide and the Dismantling of Democracy
.
Chicago
:
University of Chicago Press
.
Tambiah
,
Stanley J.
1992
.
Buddhism Betrayed? Religion, Politics and Violence in Sri Lanka
.
Chicago
:
University of Chicago Press
.
Tan
Boon Hi
and
Yun
Michelle
.
2017
.
After Darkness: Southeast Asian Art in the Wake of History
.
New York
:
Asia Society
.
Tan
,
Corrie
.
2014
. “
Theatre Review: Ho Tzu Nyen’s Ten Thousand Tigers Shows Off Its Stripes
.
Straits Times
,
April
18
. .
Tan
Sooi-Beng
.
1988
. “
The Thai ‘Menora’ in Malaysia: Adapting to the Penang Chinese Community
”.
Asian Folklore Studies
47
, no.
1
:
19
34
.
Tarpaga
,
Olivier
.
2017
. “
Declassified Memory Fragment: A Victorious Outpour of the Soul amidst Tension in Burkina Faso
”. Interview by
Whelan
Elizabeth
.
Dance Journal
,
October
16
. .
Tausk
,
Viktor
.
(1919) 1933
. “
On the Origin of the ‘Influencing Machine’ in Schizophrenia
”. Translated by
Feigenbaum
Dorian
.
Psychoanalytic Quarterly
2
:
519
56
.
Taussig
,
Michael T.
1999
.
Defacement: Public Secrecy and the Labor of the Negative
.
Stanford, CA
:
Stanford University Press
.
Tay
,
Jean
.
2018
. “
Senang
”. In
Sisters and Senang (The Island Plays)
.
Singapore
:
Epigram Books
.
Teo
Soh Lung
.
2008
.
Beyond the Blue Gate: Recollections of a Political Prisoner
.
Singapore
:
Ethos
.
Teo
Soh Lung
.
2012
.
Escape from the Lion’s Paw: Reflections of Singapore Political Exiles
.
Singapore
:
Function 8
.
Teo
You Yenn
.
2018
.
This Is What Inequality Looks Like
.
Singapore
:
Ethos
.
Tiang
,
Jeremy
.
2018
.
State of Emergency: A Novel
.
Singapore
:
Epigram
.
Uchoa
,
Pablo
, and
BBC’s Visual Journalism Teams
.
2019
. “
Indian Ocean Dipole: What Is It and Why Is It Linked to Floods and Bushfires?
BBC News
,
December
7
. .
Uhde
,
Jan
, and
Uhde
Yvonne Ng
.
2009
.
Latent Images: Film in Singapore
.
2nd ed. Singapore
:
NUS Press
.
United States Geospatial Intelligence Agency
.
2013
.
Pub. 174 Sailing Directions (Enroute) Strait of Malacca and Sumatra
. 12th ed.
Washington, DC
:
USGIA
.
Vangeline
.
2021
.
Butoh: Cradling Empty Space
.
New York
:
Butoh Institute
.
Vasil
,
Raj
.
1984
.
Governing Singapore: Democracy and National Development
.
London
:
Allen and Unwin
.
Wang
,
Cathy Yue
.
2020
. “
Chinese Folklore for Modern Times: Three Feminist Revisions of The Legend of the White Snake
”.
Asian Studies Review
44
, no.
20
:
183
200
.
Wang
,
David Der-wei
.
2004
.
The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China
.
Berkeley
:
University of California Press
.
Wang
,
David Der-wei
.
2020
.
Why Fiction Matters in Contemporary China
.
Waltham, MA
:
Brandeis University Press
.
Watson
,
Jimi Kim
.
2021
.
Cold War Reckonings: Authoritarianism and the Genres of Decolonization
.
New York
:
Fordham University Press
.
Weber
,
Max
.
(1904) 1930
.
The Protestant Ethic and the Spirit of Capitalism
.
Translated by Talcott Parsons. New York
:
Scribner
.
Wee
,
C. J. W.-L.
2007
.
The Asian Modern: Culture, Capitalist Development, Singapore
.
Singapore
:
NUS Press
.
Wee
,
C. J. W.-L.
2020
. “
Introduction: Art, Culture, Capitalist Development and Kuo Pao Kun
”.
InterAsia Cultural Studies
21
, no.
2
:
183
88
.
Werner
,
Roland
.
1977
.
Mah Meri of Malaysia: Art and Culture
.
Kuala Lumpur
:
University of Malaya Press
.
Whelan
,
Elizabeth
.
2017
. “
Declassified Memory Fragment: A Victorious Outpour of the Soul amidst Tension in Burkina Faso
”.
Dance Journal
,
October
16
. .
Wiharso
,
Entang
.
2010
. “
Love Me or Die
.”
Jakarta
:
Galeri Canna
.
Exhibition catalog
.
Wiharso
,
Entang
.
2013
.
Crush Me: Double Sided
.
Jakarta
:
Galeri Canna
.
Exhibition catalog
.
Wiharso
,
Entang
.
2014
.
Trilogy: Geo-Portraits
. Edited by
Cocca
Christine
.
North Scituate, RI/Yogyakarta
:
Black Goat Studios
.
Exhibition catalog
.
Wiharso
,
Entang
.
2014–15
.
Reclaim Paradise
.
North Scituate, RI/Yogyakarta
:
Black Goat Studios
.
Exhibition catalog
.
Wiharso
,
Entang
.
2015a
.
Never Say No
.
Singapore
:
Singapore Tyler Print Institute
.
Exhibition catalog
.
Wiharso
,
Entang
.
2017
. “
Entang Wiharso on Art in the Donald Trump Era
”. Interview by
Tay
Kim
.
Artling
,
April
25
. .
Wiharso
,
Entang
.
2022a
. “
Close to Home: Entang Wiharso
”.
STPI: Creative Workshop and Gallery
. .
Wiharso
,
Entang
.
2022b
.
Double Horizon. With essays by Leonor Veiga and interview by Matthew Clay-Robison
.
Yogyakarta
:
Srisasanti Gallery
.
Wiharso
,
Entang
.
2022c
.
When the Sky Is Falling. With essays by Mary-Jo DelVecchio Good, Byron Good, and Michael M. J. Fischer
.
Cambridge, MA
:
Harvard Asia Center. Exhibition catalog
.
Wiharso
,
Entang
, and
Smart
Sally
.
2016a
.
Conversation: Endless Acts in Human History
.
Jakarta
:
Galeri Canna.
.
Wiharso
,
Entang
, and
Smart
Sally
.
2016b
. “
Entang Wiharso and Sally Smart in Conversation with Natalie King
”.
Ocula Magazine
,
January
20
. .
Williams
,
Mark
, and
Zalasiewicz
Jan
.
2019
. “
A Profoundly Human-Modified Biosphere and Its Implications for Well-Being
”.
Paper presented at the International Symposium on Anthropocene Studies: Narrating Disasters in the Anthropocene—Knowledges, Memories, and Imaginaries
,
Korean National Folk Museum, Seoul
,
December 10–11
.
Wong
,
Kevin Martens Zhi Qiang
.
2017
.
Altered Straits
.
Singapore
:
Epigram
.
Yap
,
June
.
2016
.
Retrospective: A Historiographical Aesthetic in Contemporary Singapore and Malaysia
.
Petaling Jaya, Malaysia
:
Strategic Information and Research Development Center (sirDc)
.
Yeh
,
Steven H. K.
1975
.
Public Housing in Singapore: A Multi-disciplinary Study
.
Singapore
:
Singapore University Press
.
You
Mi
.
2018
. “
Intermediating Immanence: On Ho Tzu Nyen’s Ten Thousand Tigers
”. In
Intermedial Performance and Politics in the Public Sphere
, edited by
Arafa
K.
.
Avant-Gardes in Performance
.
London
:
Palgrave Macmillan
.
Young
,
Michael
.
1954
.
The Rise of the Meritocracy
.
London
:
Penguin
.
Yousof
,
Ghulam Sarwar
.
1982
. “
Nora Chatri in Kedah: A Preliminary Report
”.
Journal of the Malaysian Branch of the Royal Asiatic Society
55
, no.
1
(
242
):
53
61
.
Zaccheus
,
Melody
.
2016
. “
Mystery behind Origins of Century-Old Mount Emily Villa Solved
”.
Straits Times
,
March
21
. .
Zahari
,
Said
.
2001
.
Dark Clouds at Dawn: A Political Memoir
.
Kuala Lumpur
:
INSAN
.
Translation of Meniti Lautan Gelora: Sebuah Memoir Politik
.
Zahari
,
Said
.
2007
.
The Long Nightmare: My 17 Years as a Political Prisoner
.
Kuala Lumpur
:
Utusan
.
Translation of Dalam Ribuan Mimpi Gelisah: Memoir
.
Zalasiewicz
,
Jan
,
Waters
Colin N.
,
Williams
Mark
,
Barnosky
Anthony D.
,
Cearreta
Alejandro
,
Crutzen
Paul
,
Ellis
Erle
et al
,
2015
. “
When Did the Anthropocene Begin? A Mid-Twentieth Century Boundary Level Is Stratigraphically Optimal
”.
Quaternary International
383
:
196
203
.

Figures & Tables

Contents

Advertisement

References

References

FILMS, VIDEOS, AND VISUAL MATERIALS
Anderson
,
Paul Thomas
.
2007
.
There Will Be Blood
.
Ghoulardi Film
.
Chandralekha
.
2014
. “
Sharira: Chandralekha’s Explorations in Dance
.”
YouTube video, uploaded
November
13
,
2014
. .
Chandralekha
.
2016
.
Sharira: Fire/Desire. Shot earlier in Chennai, with dancers Shaji John and Tishani Doshi; music by the Gundecha Brothers; vocals by Umakan and Ramakant Gundecha; lighting and stage design by Sandanand Menon; camera by Olivier Barot
.
YouTube video, uploaded
October
31
,
2016
. .
Chettur
,
Padmini
.
2017
. “
Padmini Chettur on Contemporary Dance
”. Interview by
Muthukumaraswamy
M. D.
.
YouTube video, uploaded
October
16
,
2017
. .
Choy Ka Fai
.
2010
.
Eternal Summer Storm
.
Celeste Prize, video
,
February
3
,
2010
. .
Choy Ka Fai
.
2014a
. “
Choy Ka Fai Presents SoftMachine
”.
Vimeo video
,
December
2
,
2014
. .
Choy Ka Fai
.
2014b
.
Prospectus for a Future Body. TEDxReset
.
YouTube video, uploaded
June
1
,
2014
. .
Choy Ka Fai
.
2018
.
Dance Clinic. ImPulsTanz 2018
.
YouTube video, uploaded
June
5
,
2018
. .
Clavell
,
James
.
1967
.
To Sir with Love
.
Columbia Pictures
.
Franke
,
Anselm
.
2014
. “
Extraterritoriality, Changing Political Geographies, and Multi-Stable Figures (including Art)
.”
YouTube video
,
January
24
,
2014
. .
Hijikata
Tatsumi
.
1973
.
A Summer Storm
.
Westside Auditorium, Kyoto University
.
YouTube, uploaded September 27, 2013. https://www.youtube.com/watch?v=AEM9SAymJt4
.
Ho
Tzu Nyen
.
2012
–present.
The Critical Dictionary of South-East Asia
.
Various video formats and algorithmics editing system, infinite duration
. and .
Ho
Tzu Nyen
.
2014
.
The Nameless
.
Produced for the Shanghai Biennale, but censored, so premiered in Berlin’s Akademie der Künste in
2015
.
Ho
Tzu Nyen
.
2015
.
The Name
.
Film installation, premiered at the daadgalerie
,
Berlin
,
February
13
,
2015
.
Ho
Tzu Nyen
.
2017
.
One or Several Tigers
.
Multimedia installation
.
Ho
Tzu Nyen
.
2018a
.
The Kyoto School
.
Gwangju Biennale
,
November
9
11
,
2018
.
Ho
Tzu Nyen
.
2018b
. “
One or Several Tigers: Interview with Ho Tzu Nyen
.”
National Gallery Singapore
.
YouTube video, uploaded January 23, 2018. https://www.youtube.com/watch?v=0J9JEAMfYHE
.
Ho
Tzu Nyen
.
2020b
.
Waiting. With Ripon Chowdhury. Digital video (color, sound)
.
Edouard Malingue Gallery
,
Shanghai and Hong Kong
. .
Ho
Tzu Nyen
.
2020c
.
Waiting. With Ripon Chowdhury. Digital video (color, sound)
.
Edel Assanti, video
,
June
11
,
2020
. .
Ho
Tzu Nyen
.
2021a
. “
Ho Tzu Nyen in Conversation with Kevin Chua, Keynote Decentering Realisms: 1750 to Now
”.
The Courtauld Research Forum
,
March
10
12
,
2021
.
YouTube video, uploaded March 11, 2021. https://www.youtube.com/watch?v=wwPXsp0wSNE
.
Ho
Tzu Nyen
.
2021b
.
Voice of Void
.
Yamaguchi Centre for Arts and Media (YCAM)
,
April
3
July
4
,
2021
.
Ho
Tzu Nyen
.
2022b
. “
‘Language’ Artist Interview: Ho Tzu Nyen | Light to Night Festival 2022
.”
YouTube video, February 14, 2022. https://www.youtube.com/watch?v=15N4Gz9hcao
.
Ho
Tzu Nyen
.
2022d
. “
Virtual Conversation with Ho Tzu Nyen
”. Interview by
Chao
Jacqueline
,
Crow Museum of Asian Art
.
YouTube video, streamed live on January 20, 2022. https://www.youtube.com/watch?v=ugNjiFPyrG0
.
Hsu
Chia-Wei
.
2012a
.
Huai Mo Village
.
Art installation
.
Hsu
Chia-Wei
.
2012b
.
Marshal Tie Jia (Turtle Island). Video installation
.
Available from Liang Gallery, Taipei
.
Hsu
Chia-Wei
.
2015
.
Ruins of the Intelligence Bureau
.
Single-channel video. Filmed by Le Fresnoy—Studio national des arts contemporains, France
.
Available as single-channel video from Liang Gallery, Taipei
.
Hui
,
Ann
.
1984
.
Love in a Fallen City
.
Shaw Brothers Studio
.
Hui
,
Daniel
.
2011
.
Eclipses
.
Thirteen Little Pictures
.
Hui
,
Daniel
.
2014
.
Snakeskin
.
Thirteen Little Pictures
.
Hui
,
Daniel
.
2018a
.
Demons
.
Thirteen Little Pictures and Jackfruit International
.
Hui
,
Daniel
.
2019a
. “
Daniel Hui Interview: Demons at Berlin Film Festival 2019
”. Interview by
Bradbury
Sarah
.
YouTube video, uploaded February 24, 2019. https://www.youtube.com/watch?v=bZ1o1au18kQ
.
Hui
,
Daniel
.
2019b
. “
Interview with Daniel Hui on ‘Demons’
”.
Interview by Zsombor Bobák at the Forum Section of the Berlin Biennale Teddy Awards
.
YouTube video, uploaded February 10, 2019. https://www.youtube.com/watch?v=2pxZi7-urfM
.
Joselit
,
David
.
2020
. “
Heritage and Debt: Art in Globalization
”.
Virtual public lecture, Harvard University Graduate School of Design
,
April
23
,
2020
.
You-Tube video, uploaded April 24, 2020. https://www.youtube.com/watch?v=Z6X1uhQ12QI
.
Kim
,
Ayoung
.
2017a
.
Petra Genetrix vs Petra Genetrix
.
Digital print installation at National Herbarium, Royal Botanic Gardens Victoria
,
Melbourne, Australia
.
Kim
,
Ayoung
.
2017b
.
Porosity Valley, Portable Holes
.
Single-channel video. Video excerpt and photographs of various installations
. .
Kim
,
Ayoung
.
2017c
.
Trailer for Porosity Valley, Portable Holes
. .
Kim
,
Ayoung
.
2019a
. “
Ayoung Kim/2019 Korea Artist Prize
.” .
Kim
,
Ayoung
.
2019b
.
Petrogenesis, Petra Genetrix. Single-channel video
.
Trailer and photographs
. .
Kim
,
Ayoung
.
2019c
.
Porosity Valley 2: Tricksters’ Plot. Two-channel video
.
Video excerpts and photographs
. .
Kim
,
Ayoung
.
2020
.
In Search of Petra Genetrix
.
Performance/lecture at the IMPAKT Festival in the Netherlands
,
October
30
,
2020
.
YouTube video, uploaded October 31, 2020. https://www.youtube.com/watch?v=Zib5DeT7q5M
.
Kumar
,
Kiran
.
n.d.
Archipelago Archives: Epistolary Ancestries
. .
Kumarasamy
,
Aravinth
.
2011
.
Nirmanika: The Beauty of Architecture
.
Apsaras Arts Dance Company
,
Singapore
.
(Video excerpt available on YouTube, uploaded February 9, 2011, https://www.youtube.com/watch?v=P_w-mdCpAH0
.)
Kumarasamy
,
Aravinth
.
2013
.
A Glimpse of Angkor: Quest for Immortality
.
Apsaras Arts Dance Company
,
Singapore
.
(Various short video clips available on YouTube: behind-the-scenes explanation the director and music composer, uploaded October 30, 2013, https://www.youtube.com/watch?v=0EbSZmMa-RU
.)
Kumarasamy
,
Aravinth
.
2015
.
Anjasa [“The Path”]: The Wonder of Buddhist Monuments
.
Apsaras Art Dance Company
,
Singapore
. .)
Kumarasamy
,
Aravinth
.
2016
.
Angkor: The Untold Story
.
Apsaras Arts Dance Company
,
Singapore
.
Kumarasamy
,
Aravinth
.
2017
.
Agathi: The Plight of the Refugee
.
Apsaras Arts Dance Company
,
Singapore
.
https://www.youtube.com/watch?v=U7eif AF0wPs (accessed March 2019). (Video excerpt of rehearsal and photographs available on Facebook, https://www.facebook.com/Agathi-The-Plight-of-a-Refugee-204959546621502/
.)
Kuning
,
Zai
.
1993
.
Ozer001
.
Film short
.
Kuning
,
Zai
.
1996
.
Bluemonkish
.
Film short
.
Kuning
,
Zai
.
2000
.
String in the Ocean
.
Film short
.
Kuning
,
Zai
.
2003a
.
Even Dogs Have Choices
.
Film short
.
Kuning
,
Zai
.
2003b
.
Riau. Digital video, color, sound. Screened in 2005 at the International Film Festival Rotterdam, the Busan International Film Festival, and the 3rd Fukuoka Asian Art Triennial; and in 2016 at the National University of Singapore Museum’s “Looking Within” Exhibition
.
Collected by the Singapore Art Museum and the Fukuoka Asian Art Museum
.
Kuning
,
Zai
.
2005
.
Birdy
.
Film short
.
Kuning
,
Zai (advisor)
.
2010
. “
Kumpulan Seni Makyong Mantang Arang (Riau Islands, Indonesia) MakYong Performances
.”
Night Festival, Singapore Management University (SMU) Campus Green
,
July
16
17
,
2010
. .
Kuning
,
Zai
.
2011
. “
The Garden—Zai Kuning’s Monologue
”.
Monologue for the Substation Garden at the opening of Zai Kuning’s exhibition The Garden—I Will Send You to a Better Place
,
March
25
,
2011
.
YouTube video, uploaded March 26, 2011. https://www.youtube.com/watch?v=-1PqNFrmZc4
.
Kuning
,
Zai
.
2017b
. “
Showcasing South-East Asian History at the Venice Biennale: Zai Kuning, Dapunta Hayang: Transmission of Knowledge
.”
Brightcove video
. .
Kuning
,
Zai
.
2018a
. “
See the 17m-Long Skeletal Ship Built by Artist Zai Kuning at the Exhibition Opening of Dapunta Hyang: Transmission of Knowledge at Theatreworks
”.
Video by Ashleigh Sim. Straits Times video, Facebook, uploaded
April
12
,
2018
. .
Kuning
,
Zai
.
2018b
. “
Zai Kuning—Dapunta Hyang: Transmission of Knowledge (2018)
”.
TheatreWorks
.
YouTube video, uploaded May 8, 2018. https://www.youtube.com/watch?v=vZMMIrrCjFI
.
Lee
,
Ang
.
2007
.
Lust/Caution
.
River Road Entertainment
.
Lee Hsien Loong
.
2014
. “
On ‘To Singapore, with Love’ and the Fight against Communism
”. Interview by
Koh
Tommy
,
October
3
,
2014
.
YouTube video, uploaded October 3, 2014. https://www.youtube.com/watch?v=UjQvdrBK8h4
.
Lim
,
Charles Yi Yong
.
2005
–present.
Charles Lim’s albums
.
Flickr
. .
Lim
,
Charles Yi Yong
.
2008
.
it’s not that i forgot, rather i chose not to mention
.
Three-channel video installation
.
Manifesta
7
,
July
19
November
2
,
2008
.
http://www.manifesta7.it/artists/384. (Video version available on Vimeo, uploaded April 9, 2013, https://vimeo.com/63645252.)
Lim
,
Charles Yi Yong
.
2010
. “
all lines flow out: Trailer of video installation by Charles Lim Yi Yong at Old Kallang Airport Singapore Biennale
”.
Vimeo video, uploaded
March
19
,
2011
. .
Lim
,
Charles Yi Yong
.
2011a
.
all lines flow out: Flare Test
.
Vimeo Pro video
. .
Lim
,
Charles Yi Yong
.
2011b
.
all lines flow out: Shore Trailer
.
Vimeo Pro video
. .
Lim
,
Charles Yi Yong
.
2011c
. “
all lines flow out: Trailer of Video Installation by Charles Lim Yi Yong at Old Kallang Airport Singapore Biennale
.”
Vimeo Pro video
. .
Lim
,
Charles Yi Yong
.
2011d
.
All the Lines Flow Out
.
Singapore Biennale
.
March
13
,
2011
. .
Lim
,
Charles Yi Yong
.
2011e
.
All the Lines Flow Out
.
Version for Venice premiere (men inspecting the canal)
.
Vimeo video, uploaded January 31, 2013. https://vimeo.com/58651330
.
Lim
,
Charles Yi Yong
.
2011f
. “
68th Venice Film Festival—Orizzonti—Start—All the Lines Flow Out
”.
Panel discussion with Mattias Gustafsson, 68th Venice Film Festival Press Conference
.
YouTube video, uploaded September 8, 2011. https://www.youtube.com/watch?v=Hkn0gAD8nqs
.
Lim
,
Charles Yi Yong
.
2011g
.
Work in Progress Coal Mining: Sea State 2: As Evil Disappears
.
Vimeo Pro video, uploaded February 5, 2011. https://vimeopro.com/sotong/all-the-lines-flow-out/video/19591013
.
Lim
,
Charles Yi Yong
.
2012a
.
Night Buoys
.
YouTube video, uploaded September 25, 2012. https://www.youtube.com/watch?v=cC4Z3GaDHQE
.
Lim
,
Charles Yi Yong
.
2012b
.
SEA STATE 5: drift (rope sketch)
.
Lim
,
Charles Yi Yong
.
2012c
.
SEA STATE 5: drift (stay still now to move)
.
Lim
,
Charles Yi Yong
.
2013
.
In Search of Raffles Lighthouse
.
Video
.
Lim
,
Charles Yi Yong
.
2015a
.
SEA STATE: Singapore Pavilion 2015
. .
Lim
,
Charles Yi Yong
.
2016a
.
Barnacle Encrusted Buoy
.
At NTU CCA
. (
Photographs and video in Lim 2016b and Lim 2022
.)
Lim
,
Charles Yi Yong
.
2016b
.
SEA STATE
.
Singapore
:
Nanyang Technological University. Exhibition catalog
.
Lim
,
Charles Yi Yong
.
2016c
.
SEA STATE 6
.
Good-quality video composition
.
Vimeo video, April 18, 2016. https://vimeo.com/163270674
.
Lim
,
Charles Yi Yong
.
2018a
. “
Charles Lim Yi Yong, ‘Cannot Take’ (2018)
”.
Vimeo video, uploaded January 26, 2019, https://vimeo.com/313511481
.
Lim
,
Charles Yi Yong
.
2018b
.
SEA STATE
.
NTU Centre for Contemporary Art Singapore
.
November
21
,
2018
).
Lim
,
Charles Yi Yong
.
2019a
.
Cavern
.
Version ending with ascent to surface with supplementary clips
. (accessed May 7, 2019).
Lim
,
Charles Yi Yong
.
2019b
.
Drag, Drop, Pour
.
Video
.
Lim
,
Charles Yi Yong
. n.d.
Charles Lim Yi Yong’s website
. (accessed July 24, 2022).
Mam
,
Kalyanee
.
2019
.
Lost World. With credits to Charles Lim’s SEA STATE 6, phase 1, and SEA STATE 9 proclamation. Coproduced by Emergence Magazine and Go Project Films
.
Atlantic
,
March
11
,
2019
.
Video
. .
Marker
,
Chris
.
1957
.
Letter from Siberia
.
Argos Films and Procinex
.
Mendonça Filho
,
Kleber
, and
Dornelles
Juliano
.
2019
.
Bacurau
.
CinemaScópio Produções, sbs Productions, Globo Filmes, Símio Filmes, Arte France Cinema, Canal Brasil, and Telecine
.
Minghella
,
Anthony
dir
,
1999
.
The Talented Mr. Ripley
.
Mirage Enterprises
.
Ng
,
Jasmine Kin Kia
, and
Tong
Kelvin
.
1999
.
Eating Air
.
BOKU Films/Multi-Story Complex
.
Nguyen
Trinh Thi
.
2007
.
Love Man, Love Woman
.
YouTube video, uploaded June 22, 2013. https://www.youtube.com/watch?v=nk9wSZsHBwA
.
Nguyen
Trinh Thi
.
2015
.
Letters from Panduranga
. (Trailer on Facebook, uploaded July 10, 2018, https://www.facebook.com/watch/?v=2008226299210363; and on Vimeo, uploaded November 13, 2015, https://vimeo.com/145637868.)
Ombak
Hitam
.
2013
. “
Ombak Hitam: The Dark Wave
”.
Rehearsal
,
March
12
,
2013
.
Vimeo video, uploaded March 14, 2013. https://vimeo.com/61816100
.
Park Chan-kyong
.
2008
.
Sindoan. Six-channel video. Atelier Hermes, Maison Hermes Dosan Park
,
June
21
August
17
,
2008
.
Asia Art Archive
,
Hong Kong
. .
Park Chan-kyong
.
2010
.
Anyang
,
Paradise City
.
Park Chan-kyong
.
2013
.
Manshin: Ten Thousand Spirits
. (Trailer and New York Asia Society question-and-answer session on YouTube, uploaded February 9, 2014, https://www.youtube.com/watch?v=KtoDwwzLdag.)
Park Chan-kyong
.
2016
.
Citizen’s Forest
.
Three-channel video (b&w), ambisonic 3D sound, presented like a traditional “shan-su” (landscape)” scroll painting; with color photographs
.
South Korea
. (Photographs available from Kukje Gallery, https://m.kukjegallery.com/exhibition/202.)
Park Chan-kyong
.
2017a
.
Kyoto School
.
South Korea
.
Park Chan-kyong
.
2017b
.
Way to the Seung-ga Temple
.
Sequel to Citizen’s Forest. Multichannel slide projection of color photographs in loop and installation
.
Kukje Gallery
,
South Korea
,
May
25
July
2
,
2017
.
Park Chan-kyong
.
2019
.
Belated Bosal
.
Podesta
,
Edith
.
2017
. “
Indices of Vanishment (2017)
”.
Vimeo video, uploaded March 20, 2017. https://vimeo.com/rawmoves/indicesofvanishment
.
Prakash
,
Mithali
.
2018
.
Mara
.
International premiere, the Esplanade, Singapore
,
March
25
,
2018
.
Prakash
,
Mithali
. n.d.
Facebook clips of her performances
. (accessed September 18, 2022).
Renais
,
Alain
,
Marker
Chris
, and
Cloquiet
Ghislain
.
1953
.
Statues Also Die
.
Préscence Africaine and Tadié Cinéma
.
Sa’at
,
Alfian
.
2017a
. “
The Making of Mama White Snake!
YouTube video, November 14, 2017. https://www.youtube.com/watch?v=QJYOx4X66GA
.
Sa’at
,
Alfian
.
2017b
. “
Madame White Snake 2016
”.
Highlights from the 2016 production
.
Drama Stage
,
Singapore
,
December
8
,
2017
.
YouTube video, July 24, 2017. https://www.youtube.com/watch?v=zvACXrWGWcY
.
Sarabhai
,
Mallika
.
2009
. “
Dance to Change the World
”.
TEDIndia
2009
. .
See
,
Martyn
.
2012
.
Zahari’s 17 Years
.
YouTube video, uploaded May 21, 2012. https://www.youtube.com/watch?v=jtYrBagI0zg
.
Shaw Brothers
.
1949
.
The Hunter
.
Smart
,
Sally
.
2016
.
The Pedagogical Puppet
.
Melbourne
.
Smart
,
Sally
. n.d. a. “
Projects
”.
Sally Smart’s website
. .
Smart
,
Sally
. n.d. b.
Prototypes and Multiples
. .
Soo
,
Jason
.
2015
.
1987: Untracing the Conspiracy
.
Tan
Pin
.
2005
.
Singapore GaGa
.
Tan
Pin
.
2007
.
Invisible City
.
Tan
Pin
.
2013
.
To Singapore, with Love
.
YouTube video, uploaded May 29, 2020. https://www.youtube.com/watch?v=wqLklRUDIKM
.
Tan
Pin
.
2017
.
In Time to Come
.
Tan
,
Royston
.
2003
.
15: The Movie
.
Zhao Wei Films
.
Tarpaga
,
Olivier
.
(2017) 2020
.
Declassified Memory Fragment
.
Livestreamed and watched on JoyceStream, July 2–31, 2020
.
Link no longer live, but video exists
.
Truffaut
,
François
.
1960
.
Shoot the Piano Player
.
Les Films de la Pléiade
.
Weerasethakul
,
Apichatpong
.
2006
. “
MOCAtv Presents Techno Mystic—The Anthem
”.
Commissioned by Frieze Projects/LUX
.
YouTube video, uploaded November 9, 2012. https://www.youtube.com/watch?v=hKA4iLL89hI
.
Weerasethakul
,
Apichatpong
.
2010
.
Uncle Boonmee Who Can Recall His Past Lives
.
Weerasethakul
,
Apichatpong
.
2015
.
Cemetery of Splendor
.
Weerasethakul
,
Apichatpong
.
2016
.
Fireworks/Archives
.
Film/installation. Light Work’s Urban Video Project, Everson Museum
,
Syracuse, NY
,
September
15
October
27
,
2016
. .
Wiharso
,
Entang
.
2015b
.
Never Say No
.
STPI
.
Vimeo, uploaded July 6, 2015. https://vimeo.com/132697523
.
Wiharso
,
Entang
.
2015c
.
Art History: Indonesia Diaspora
.
Singapore
:
STPI
. .
Wiharso
,
Entang
.
2020
. “
Let’s Chat with Entang Wiharso
”.
STPI interview with Rita Targui
.
Facebook
,
September
16
,
2020
. .
OTHER SOURCES
Abdullah bin Mohammad
.
1971
. “
Ghazal in Arabic Literature and Malay Music
”.
Malaysia in History
14
, no.
1
:
24
31
.
Accad
,
Evelyne
, ed.
1992
.
Sexuality and War: Literary Masks of the Middle East
.
New York
:
New York University Press
.
Acker
,
Kathy
.
1996
.
Pussy, King of the Pirates
.
New York
:
Grove
.
Acri
,
Andrea
.
2017
. “
Tantrism ‘Seen from the East’
”. In
Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by
Acri
Andrea
,
Blench
Roger
, and
Landmann
Alexandra
,
71
144
.
Singapore
:
Institute for South East Asian Studies
.
Ade
,
Wernmei Yong
, and
Ching
Lim Lee
, eds.
2016
.
Contemporary Arts as Political Practice in Singapore
.
New York
:
Palgrave Macmillan
.
Adelaar
,
Alexander
.
2017
. “
Who Were the First Malagasy, and What Did They Speak?
” In
Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by
Acri
Andrea
,
Blench
Roger
, and
Landmann
Alexandra
,
441
69
.
Singapore
:
Institute for South East Asian Studies
.
Akademie Pengajian Melayu
. n.d.
Mah Meri Mask Collection
.
Kuala Lumpur
:
Universiti Pengajian Malayu
.
Almeida
,
Ronaldo de
.
2020
. “
Bolsonaro, the Evangelicals and the Brazilian Crisis
”.
Hot Spots, Fieldsights, Society for Cultural Anthropology
,
January
28
. .
Andelman
,
David A.
1977
. “
In Java, Political Substance in Shadow-Plays
”.
New York Times
,
March
4
.
Apffel-Marglin
,
Frédérique
.
1985
.
Wives of the God-King: The Rituals of the Devadasis of Puri
.
New Delhi
:
Oxford University Press
.
Armin
,
Janine
.
2011
. “
Through a Filmmaker’s Lens: A View of Korea
”.
New York Times
,
June
13
.
Baik
,
Crystal Mun-hye
.
2019
.
Reencounters: On the Korean War and Diasporic Memory Critique
.
Philadelphia
:
Temple University Press
.
Baratham
,
Gopal
.
(1974) 2015
. “
Island
”. In
Collected Short Stories
.
Singapore
:
Marshall Cavendish
.
Barber
,
Stephen
.
2010
.
Hijikata: Revolt of the Body
.
Tokyo
:
Solar
.
Barber
,
Stephen
.
2019
.
Film’s Ghosts: Tatsumi Hijikata’s Butoh and the Transmutation of 1960s Japan
.
Zurich
:
Diaphanes
.
Barthes
,
Roland
.
1980
.
Camera Lucida: Reflections on Photography
. Translated by
Howard
Richard
.
New York
:
Hill and Wang
.
Bauer
,
Ute Meta
, ed.
2022
.
Climates, Habitats, Environments
.
Cambridge, MA
:
MIT Press
.
Bell
,
John
, ed.
2001
.
Puppets, Masks, and Performing Objects
.
Cambridge, MA
:
MIT Press
.
Bellina
,
Berenice
.
2017
. “
Was There a Late Prehistoric Integrated Southeast Asian Maritime Space?
” In
Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by
Acri
Andrea
,
Blench
Roger
, and
Landmann
Alexandra
,
239
72
.
Singapore
:
Institute for South East Asian Studies
.
Benjamin
,
Walter
.
(1928) 1978
. “
Fire Alarm” (section of “One Way Street”)
”. In
Reflections: Essays, Aphorisms, Autobiographical Writings
, translated by
Jephcott
Edmund
,
84
.
New York
:
Schocken
.
Benjamin
,
Walter
.
(1940) 1968
. “
Theses on the Philosophy of History
”. Translated by
Zohn
Henry
. In
Illuminations
, edited by
Arendt
Hannah
,
253
64
.
New York
:
Schocken
.
Bharucha
,
Rustom
.
1990
.
Theater and the World: Performance and the Politics of Culture
.
New Delhi
:
Manohar
.
Bharucha
,
Rustom
.
1995
.
Chandralekha: Woman, Dance, Resistance
.
New Delhi
:
Harper Collins, India
.
Binder
,
Pat
, and
Haupt
Gerhard
.
2002
. “
Interview with Tien Wei Woon at documenta 11
”.
Kassel
,
June
7
. .
Boochani
,
Behrouz
.
2018
.
No Friend but the Mountains
. Translated by
Tofighian
Omid
.
London
:
Picador
.
Borschberg
,
Peter
.
2015
. “
Singapura in Early Modern Cartography: A Sea of Challenges
”. In
Visualising Space: Maps of Singapore and the Region; Collections from the National Library and National Archives of Singapore
,
6
33
.
Singapore
:
National Library Board
. .
Borschberg
,
Peter
.
2018
. “
Three Questions about Maritime Singapore, 16th and 17th Centuries
”.
Ler Historia
, no.
72
,
31
54
.
Buder
,
Emily
.
2019
. “
When Your Land Is Stolen from beneath Your Feet
”.
Atlantic
,
March
11
. .
Burnham
,
Harold
.
2016
.
The Shipwright and the Schooner
.
Lanham, MD
:
Rowman and Littlefield
.
Buyandelger
,
Manduhai
.
2013
.
Tragic Spirits: Shamanism, Memory, and Gender in Contemporary Mongolia
.
Chicago
:
University of Chicago Press
.
Cabral de Oliveira
,
Joanna
, and
Marini
Marisol
.
2020
. “
Why Is Bolsonaro Afraid of Anthropology?
Hot Spots, Fieldsights, Society for Cultural Anthropology
,
January
28
. .
Carrithers
,
Michael Barnes
.
1986
.
The Forest Monks of Sri Lanka
.
London
:
Oxford University Press
.
Cavignac
,
Julie A.
2020
. “
Threatened Rights and Resistance: For a Politically Engaged Anthropology
”.
Hot Spots, Fieldsights, Society for Cultural Anthropology
,
January
28
. .
Caygill
,
Howard
.
2017
.
In Light of the Accident
.
London
:
Bloomsbury Academic
.
Cesarino
,
Letícia
.
2020
. “
What the Brazilian 2008 Elections Tell Us about Posttruth in the Neoliberal-Digital Era
”.
Hot Spots, Fieldsights, Society for Cultural Anthropology
,
January
28
. .
Chae
,
Tiffany Yeon
.
2017
. “
Park Chan-kyong, Kukje Gallery, Seoul, South Korea
”.
Frieze, no. 190
(
July
3
). .
Chan
,
Clare Suet Ching
.
2015
. “
Standardizing and Exoticizing the Main Jo’oh: The Tourist Gaze and Identity Politics in the Music and Dance of the Indigenous Mah Meri of Malaysia
”.
Asian Music
46
, no.
2
:
89
126
.
Chang
,
Eileen
.
1943
.
Love in a Fallen City
.
New York
:
New York Review of Books
.
Chang
,
Eileen
.
1979
.
Lust/Caution
.
New York
:
New York Review of Books
.
Chaudhuri
,
Sutapa
.
2010
. “
Signifying the Self: Intersections of Class, Caste and Gender in Rabindranath Tagore’s Dance Drama Chandalika (1938)
”.
Rupkatha Journal on Interdisciplinary Studies in Humanities
2
, no.
4
:
549
56
.
Chavannes
,
Edouard
.
1894
.
Mémoire composé a l’époque de la Grande Dynastie T’ang sur les religieux éminents qui allèrent chercher la loi dans les pays D’Occident par I-Tsing [Memoir written in the Grand Tang Dynasty by I-Tsing on the religious men who went in search of the law in western lands]
.
Paris
:
Ernest Leroux
.
Cheng
,
Nien Yuan
.
2017
. “
Film Review: ‘1987: Untracing the Conspiracy’ by Jason Soo and Ex-political Detainees
”.
New Mandala
,
February
14
. .
Cheong
,
Yip Seng
.
2013
.
OB Markers: My Straits Times Story
.
Singapore
:
Straits Times Press
.
Cherian
,
Anita E.
, ed.
2016
.
TiltPauseShift: Dance Ecologies in India
.
New Delhi
:
Tulika Books and Gati Dance Forum
.
Chettur
,
Padmini
.
2016
. “
Autobiographical Account.” As interviewed by M. D. Muthukumaraswamy
”. In
TiltPauseShift: Dance Ecologies in India
, edited by
Cherian
Anita
.
New Delhi
:
Tulika Books and Gati Dance Forum
.
Chettur
,
Padmini
.
2020
. “
Striking a Balance: Padmini Chettur Talks about Her Latest Show Philosophical Enactment 1
”. Interview by
Pillai
Karan
.
New Indian Express Indulge
,
March
13
. .
China Daily
.
2017
. “
Twenty-Four Solar Terms: Six Things You May Not Know about Wakening Insects
”. .
Chng Suan Tze
,
Low Yit Leng
, and
Lung
Teo Soh
.
2017
.
1987: Singapore’s Marxist Conspiracy 30 Years On
.
Singapore
:
Ethos
.
Chou
,
Cynthia Gek-Hua
.
1994
. “
Money, Magic and Fear: Identity and Exchange amongst the Orang Suku Laut (Sea Nomads) and Other Groups of Riau and Batam, Indonesia
”.
PhD diss.
,
Cambridge University
.
Chou
,
Cynthia Gek-Hua
.
2010
.
The Orang Suku Laut of Riau, Indonesia: The Inalienable Gift of Territory
.
London
:
Routledge
.
Chua Beng Huat
.
1995
.
Communitarian Ideology and Democracy in Singapore
.
London
:
Routledge
.
Chua Beng Huat
.
2017
.
Liberalism Disavowed: Communitarianism and State Capitalism in Singapore
.
Singapore
:
National University of Singapore Press
.
Cocca
,
Christine
.
2014
.
Introduction to Trilogy: Geo-Portraits, by Entang Wiharso
, edited by
Cocca
Christine
.
North Scituate, RI/Yogyakarta
:
Black Goat Studios. Exhibition catalog
.
Cochrane
,
Joe
.
2017
. “
Tensions in Indonesian Capital Run High as Election Nears
”.
New York Times
,
April
17
. .
Coedès
,
George
.
1968
.
The Indianized States of Southeast Asia
. Edited by
Vella
Walter F.
. Translated by
Cowing
Susan Brown
.
Honolulu
:
University of Hawaii Press
.
Comaroff
,
Joshua
.
2009
. “
Vulgarity and Enchantment: Religious Movements and the Space of the State
”.
PhD diss.
,
University of California, Los Angeles
.
Comaroff
,
Joshua
.
2014
. “
Built on Sand: Singapore and the New State of Risk
”. In
“Wet Matter”, special issue, Harvard Design Magazine
, no.
39
. .
Cooke
,
Miriam
.
1988
.
War’s Other Voices: Women Writers on the Lebanese Civil War
.
Durham, NC
:
Duke University Press
.
Coppola
,
Francis Ford
.
2017
.
Live Cinema and Its Techniques
.
New York
:
Liveright/Norton
.
Crosbie-Jones
,
Max
.
2019
. “
4 Leading Female Art Curators in Thailand
”.
Prestige
,
April
3
. .
Crowe
,
Peter
.
2016
.
Spirit Carvings of the Mah Mehru of Malaysia: The Collection of Peter and Rohani Crowe
.
Subbang Jaya, Malaysia
:
Center for Orang Asli Concerns
.
Daniels
,
Valentine
.
1996
.
Charred Lullabies: Chapters in an Anthropology of Violence
.
Princeton, NJ
:
Princeton University Press
.
Das
,
Veena
.
2000
. “
The Act of Witnessing: Violence, Poisonous Knowledge, and Subjectivity
”. In
Violence and Subjectivity
, edited by
Das
Veena
,
Kleinman
Arthur
, and
Ramphele
Mamphela
,
205
25
.
Berkeley
:
University of California Press
.
Das
,
Veena
.
2014
.
Affliction: Health, Disease, Poverty
.
New York
:
Fordham University Press
.
Dewey
,
John
.
1927
.
The Public and Its Problems
.
New York
:
Henry Holt
.
Doggett
,
Margaret
.
1957
.
Characters of Light
.
Singapore
:
Donald Moore
.
Doughty
,
Louise
.
2016
.
Black Water
.
New York
:
Farrar, Straus and Giroux
.
Dove
,
Michael
.
2011
.
The Banana Tree at the Gate: A History of Marginal Peoples and Global Markets in Borneo
.
New Haven, CT
:
Yale University Press
.
Dwyer
,
Leslie
, and
Santikarma
Degung
.
2021
.
A World in Fragments: Aftermaths of Violence in Bali, Indonesia
.
Philadelphia
:
University of Pennsylvania Press
.
Emerson
,
Katherine
.
2013a
.
The Grand Offering of Kings
.
Jakarta
:
Lontar Foundation
.
Emerson
,
Katherine
.
2013b
.
Rama’s Crown
.
Jakarta
:
Lontar Foundation
.
Emont
,
Jon
.
2015
. “
The Propaganda Precursor to the Act of Killing
”.
New Yorker
,
October
24
. .
Evers
,
Hans-Dieter
.
2016
. “
Nusantara: History of a Concept
”.
Journal of the Malaysian Branch of the Asiatic Society
89
(pt. 1), no.
310
:
3
14
.
Fausto
,
Carlos
.
2020
.
Art Effects: Image, Agency, and Ritual in Amazonia
.
Lincoln
:
University of Nebraska Press
.
Favret-Saada
,
Jeanne
.
(1977) 1980
.
Deadly Words: Witchcraft in the Bocage
. Translated by
Cullen
Catherine
.
Cambridge
:
Cambridge University Press
.
Favret-Saada
,
Jeanne
.
2012
. “
Being Affected
”. Translated by
Hengen
Mylene
and
Carey
Matthew
.
HAU: Journal of Ethnographic Theory
2
, no.
1
:
435
45
. .
Fischer
,
Michael M. J.
1980
.
Iran: From Religious Dispute to Revolution
.
Cambridge, MA
:
Harvard University Press
.
Fischer
,
Michael M. J.
1989
. “
Iranian Revolutionary Posters
”.
Middle East Research and Information Project (MERIP)
.
Fischer
,
Michael M. J.
1995
. “
Eye(I)ing the Sciences and Their Signifiers (Language, Tropes, Autobiographies: InterViewing for a Cultural Studies of Science and Technology
”. In
Technoscientific Imaginaries: Conversations, Profiles, and Memoirs
, edited by
Marcus
George E.
,
43
84
.
Late Editions 2
.
Chicago
:
University of Chicago Press
.
Fischer
,
Michael M. J.
1997
. “
Filming Poland: The Ethnographic (Documentary, Narrative) Films of Maria Zmarz-Koczanowicz
”. In
Cultural Producers in Perilous States: Editing Events, Documenting Change
, edited by
Marcus
George E.
,
91
150
.
Late Editions 4
.
Chicago
:
University of Chicago Press
.
Fischer
,
Michael M. J.
2000
. “
‘With a Hammer, a Gouge, and a Woodblock’: The Work of Art and Medicine in the Age of Social Retraumatization: The Texas Woodcut Art of Dr. Eric Avery
”. In
Para-Sites: A Casebook against Cynical Reason
, edited by
Marcus
George E.
,
15
102
.
Late Editions 7
.
Chicago
:
University of Chicago Press
.
Fischer
,
Michael M. J.
2003
.
Emergent Forms of Life and the Anthropological Voice
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2004
.
Mute Dreams, Blind Owls, and Dispersed Knowledges: Persian Poesis in the Transnational Circuitry
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2009a
.
Anthropological Futures
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2009b
. “
Iran and the Boomeranging Cartoon Wars: Can Public Spheres at Risk Ally with Public Spheres Yet to Be Achieved?
Public Culture
5
, no.
1
:
27
62
.
Fischer
,
Michael M. J.
2010
. “
Dr. Judah Folkman’s Decalogue and Network Analysis
”. In
A Reader in Medical Anthropology: Theoretical Trajectories, Emergent Realities
, edited by
Good
Byron J.
,
Fischer
Michael M. J.
,
Willen
Sarah S.
, and
Good
Mary-Jo DelVecchio
,
339
44
.
Chichester, UK
:
Wiley-Blackwell
.
Fischer
,
Michael M. J.
2013a
. “
Biopolis: Asian Science in the Global Circuitry
”.
Science, Technology and Society
18
, no.
3
:
379
404
.
Fischer
,
Michael M. J.
2013b
. “
Galactic Polities, Radical Egalitarianism, and the Practice of Anthropology: Tambiah on Logical Paradoxes, Social Contradictions, and Cultural Oscillations
”. In
Radical Egalitarianism: Local Realities, Global Relations
, edited by
Aulino
Felicity
and
Goheen
Miriam
,
233
58
.
New York
:
Fordham University Press
.
Fischer
,
Michael M. J.
2013c
. “
The Peopling of Technologies
”. In
When People Come First: Critical Studies in Global Health
, edited by
Biehl
João
and
Petryna
Adriana
,
347
73
.
Princeton, NJ
:
Princeton University Press
.
Fischer
,
Michael M. J.
2014
. “
Philosophia and Anthropologia: Reading alongside Benjamin in Yazd, Derrida in Qum, Arendt in Tehran
”. In
The Ground Between: Anthropologists Engage Philosophy
, edited by
Das
Veena
,
Kleinman
Arthur
,
Jackson
Michael
, and
Singh
Brighu
,
188
217
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2015
. “
Ethnography for Aging Societies: Dignity, Cultural Genres, and Singapore’s Imagined Futures
”.
American Ethnologist
42
, no.
2
:
207
29
.
Fischer
,
Michael M. J.
2017
. “
Urban Mahabharata: Health Care, Ordinary, Traditional, and Contemporary Ethics
”.
Medicine Anthropology Theory
4
, no.
3
:
98
129
. .
Fischer
,
Michael M. J.
2018a
. “
Anthropological Modes of Concern
”. In
Anthropology in the Meantime: Experimental Ethnography, Theory, and Method for the Twenty-First Century
,
276
97
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2018b
. “
A Tale of Two Genome Institutes: Qualitative Networks, Charismatic Voices, and R&D Strategies—Juxtaposing GIS Biopolis [Singapore] and BGI [Shenzhen]
”.
Science, Technology, Society
23
, no.
2
:
271
88
.
Fischer
,
Michael M. J.
2018c
. “
Third Spaces and Ethnography in the Anthropocene
”. In
Anthropology in the Meantime: Experimental Ethnography, Theory, and Method for the Twenty-First Century
,
298
344
.
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
2021
. “
Bacurau Flies at Dusk: Film, Viral Cultural Politics, COVID-19, Hauntings, and Futures
”.
Anuário Antropológico
46
, no.
1
:
166
89
.
Fischer
,
Michael M. J.
2023
. “
Oiled Hinges: Sounds and Silences in Documentary Films of Social Change
”. In
At the Pivot between East and West: Ethnographic, Filmic, and Literary Arts (ch. 1).
Durham, NC
:
Duke University Press
.
Fischer
,
Michael M. J.
, and
Abedi
Mehdi
.
1990a
. “
Bombay Talkies, the Word and the World: Salman Rushdie’s Satanic Verses
”.
Cultural Anthropology
5
, no.
2
:
107
59
.
Fischer
,
Michael M. J.
, and
Abedi
Mehdi
.
1990b
.
Debating Muslims: Cultural Dialogues in Postmodernity and Tradition
.
New Directions in Anthropological Writing
.
Madison
:
University of Wisconsin Press
.
Franke
,
Anselm
.
2017
. “
Weretigers, Frog Marshals, and Other Modern Mediums
”.
ArtReview Asia
, Spring. .
Frazier
,
Donald
.
2016
. “
On Java, a Creative Explosion in an Ancient City
”.
New York Times
,
February
11
. .
Gadamer
,
Hans-Georg
.
(1960) 1975
.
Truth and Method
.
New York
:
Continuum
.
Garfinkel
,
Harold
.
1967
.
Studies in Ethnomethodology
.
Englewood Cliffs, NJ
:
Prentice-Hall
.
Geertz
,
Clifford
.
1966
.
Person, Time, and Conduct in Bali: An Essay in Cultural Analysis
.
Cultural Report Series 14
.
New Haven, CT
:
Southeast Asian Studies, Yale University
.
Geertz
,
Clifford
.
1972
. “
Deep Play: Notes on the Balinese Cockfight
”.
Daedalus
101
, no.
1
:
1
37
.
Geertz
,
Clifford
.
1973
.
The Interpretation of Cultures
.
New York
:
Basic Books
.
Geertz
,
Clifford
.
(1976) 1983
. “
Art as a Cultural System
”. In
Local Knowledge: Further Essays in Interpretive Anthropology
,
94
120
.
New York
:
Basic Books
.
Geertz
,
Clifford
.
1980
.
Negara: The Theatre State in Nineteenth-Century Bali
.
Princeton, NJ
:
Princeton University Press
.
Geertz
,
Clifford
.
1995
.
After the Fact: Two Countries, Four Decades, One Anthropologist
.
Cambridge, MA
:
Harvard University Press
.
Ginsberg
,
Alexandra Daisy
,
Calvert
Jane
,
Schyfter
Pablo
,
Elfick
Alistair
, and
Endy
Drew
, eds.
2017
.
Synthetic Aesthetics: Investigating Synthetic Biology’s Designs on Nature
.
Cambridge, MA
:
MIT Press
.
Ginsburg
,
Henry D.
1972
. “
The Manora Dance-Drama: An Introduction
”.
Journal of the Siam Society
60
, no.
2
:
169
81
.
Gipouloux
,
François
.
2011
.
The Asian Mediterranean: Port Cities and Trading Networks in China, Japan and South Asia, 13th–21st Century
.
Translated by Jonathan Hall and Dianna Martin. Cheltenham, UK
:
Edward Elgar
.
Goffman
,
Erving
.
1956
.
The Presentation of Self in Everyday Life
.
New York
:
Doubleday
.
Goh
,
Daren
.
2019
.
The hdb Murders
.
Singapore
:
Math Paper Press
.
Good
,
Mary-Jo DelVecchio
.
2015
. “
Acehnese Women’s Narratives of Traumatic Experience, Resilience and Recovery
”. In
Genocide and Mass Violence: Memory, Symptom, and Recovery
, edited by
Hinton
Alex
and
Hinton
Devon
,
280
300
.
Durham, NC
:
Duke University Press
.
Good
,
Mary-Jo DelVecchio
, and
Good
Byron J.
.
2008
. “
Indonesia Sakit: Indonesian Disorders and the Subjective Experience and Interpretive Politics of Contemporary Indonesian Artists
”. In
Postcolonial Disorders
, edited by
Good
Mary-Jo DelVecchio
,
Hyde
Sandra T.
,
Pinto
Sarah
, and
Good
Byron J.
,
62
108
.
Berkeley
:
University of California Press
.
Good
,
Mary-Jo DelVecchio
,
Willen
Sarah S.
,
Hannah
Seth Donal
,
Vickery
Ken
, and
Park
Lawrence
, eds.
2011
.
Shattering Culture: American Medicine Responds to Cultural Diversity
.
New York
:
Russell Sage Foundation
.
Gramsci
,
Antonio
.
(1947) 2011
.
Prison Notebooks
.
New York
:
Columbia University Press
.
Guattari
,
Félix
.
1989
.
The Three Ecologies
.
New York
:
Continuum
.
Guattari
,
Félix
.
(1992) 1995
.
Chaosmosis: An Ethico-Aesthetic Paradigm
.
Bloomington
:
Indiana University Press
.
Haines
,
Chelsea
.
2016
. “
Interview with Sumesh Sharma and Zasha Colah of Clark House Initiative, Bombay
”.
International Studio and Curatorial Program
,
March
8
. .
Halloy
,
Arnaud
.
2012
. “
Gods in the Flesh: Learning Emotions in the Xangô Possession Cult (Brazil)
”.
Ethnos
77
, no.
2
:
177
202
.
Hannah
,
Seth Donal
.
2011
. “
Clinical Care in Environments of Hyperdiversity
”. In
Shattering Culture: American Medicine Responds to Cultural Diversity
, edited by
Good
Mary-Jo DelVecchio
,
Willen
Sarah S.
,
Hannah
Seth Donal
,
Vickery
Ken
, and
Park
Lawrence
,
35
69
.
New York
:
Russell Sage Foundation
.
Hester
,
Zoe
.
2018
. “
Storytelling through Movement: An Analysis of the Connections between Dance and Literature
”.
Honors thesis
,
East Tennessee State University
.
Hinton
,
William
.
1966
.
Fanshen: A Documentary of Revolution in a Chinese Village
.
Berkeley
:
University of California Press
.
Hirsh
,
Marianne
.
2008
. “
The Generation of Postmemory
”.
Poetics Today
29
, no.
1
:
103
28
.
Ho
Tzu Nyen
.
2020a
.
Critical Dictionary of South-East Asia (CDOSEA) leaflet, 2019–20 residency at the Nanteh Technical University Center for Contemporary Art
.
Ho
Tzu Nyen
.
2022a
. “
Ho Tzu Nyen’s One or Several Tigers (2017)
.”
March
7
. .
Ho
Tzu Nyen
.
2022c
. “
Rethinking War, History, and Anime with Ho Tzu Nyen’s Language
”.
Plural
,
April
12
. .
Hoffmann
,
Frank
.
1997
. “
Images of Dissent: Transformations in Korean Minjung Art
”.
Harvard Asia Pacific Review
1
, no.
2
:
44
49
.
Hsu
Chia-Wei
.
2017
. “
I Have Been Working with This God Already for Many Years
”. Interview by
Kanai
Miki
.
100 Years of Now Journal
,
May
31
. .
Hsu
Chia-Wei
and
Chu
Daphne
.
2018
. “
Hsu Chia-Wei Talks about His Work in the Biennale of Sydney
”.
Artforum
,
May
22
. .
Hsu
Chia-Wei
and
Maerkle
Andrew
.
2018
. “
Not Only Black and White
”.
ART iT
,
December
19
. .
Hughes-Freeland
,
Felicia
.
2012
.
Embodied Communities: Dance Traditions and Change in Java
.
New York
:
Berghahn
.
Hui
,
Daniel
.
2018b
. “
‘So This Is My Big Fear. That I Can Be Both Victim and Perpetrator’
”. Interview by
Korbecka
Maja
.
Eastern Kicks
,
February
27
. .
Hun
Ping
. n.d. “
Malay Film Productions (Shaw Brothers)
”.
Category on The Hunter: Location Scouting in Singapore’s Filmic History
. .
Imran ibn Tajudeen
.
2017
. “
Sastric and Australonesian Comparative Perspectives: Parallel Frameworks on Indic, Architectural and Cultural Translations among Western Malayo-Polynesian Societies
”. In
Spirits and Ships: Cultural Transfers in Early Monsoon Asia
, edited by
Acri
Andrea
,
Blench
Roger
, and
Landmann
Alexandra
,
470
514
.
Singapore
:
Institute for South East Asian Studies
.
Jennong
,
Agung Hujatnika
.
2015
. “
Did I Just Say Yes
”. In
Never Say No, by Entang Wiharso
.
Singapore
:
Singapore Tyler Print Institute
.
Exhibition catalog
.
Karp
,
Ivan
,
Kratz
Corinne A.
,
Szwaja
Lynn
, and
Ybarra-Frausto
Tomas
, eds.
2006
.
Museum Frictions: Public Cultures/Global Transformations
.
Durham, NC
:
Duke University Press
.
Karp
,
Ivan
,
Kreamer
Christine Mullen
, and
Lavine
Steven D.
, eds.
1992
.
Museums and Communities: The Politics of Public Culture
.
Washington, DC
:
Smithsonian Institution Press
.
Karp
,
Ivan
, and
Lavine
Steven D.
, eds.
1991
.
Exhibiting Cultures: The Poetics and Politics of Museum Display
.
Washington, DC
:
Smithsonian Institution Press
.
Kershaw
,
Roger
.
1982
. “
A Little Drama of Ethnicity: Some Sociological Aspects of the Kelantan Menora
”.
Southeast Asian Journal of Social Science
10
, no.
1
:
69
85
.
Khamis
,
Hamidah
.
1976
. “
The Ghazal in Malay Music
”.
Asean Review
1
, no.
19
:
26
.
Kim
,
Ayoung
.
2018
. “
Kim Ayoung Interview—A History of Migration Written as Speculative Fiction
”.
The Artro, Platform for Contemporary Korean Art
,
November
22
. .
Kim
,
Eun-Shil
.
2018
. “
The Politics of the Jeju 4.3 Holeomeong Bodies: ‘Speaking’ and Emotion as Embodied Language
”.
Korean Anthropology Review
2
, no.
1
:
1
41
.
Kim
,
Seong Nae
.
2019
. “
Placing the Dead in the Postmemory of the Cheju Massacre in Korea
”.
Journal of Religion
99
, no.
1
:
80
97
.
King
,
Albert Henry
.
1964
.
Oral history interview. Interview by Betty Hoag, June 10
.
Smithsonian Archives of American Art
.
Audio excerpt and transcript
. .
Klinger
,
Julie Michell
.
2017
.
Rare Earth Frontiers: From Terrestrial Subsoils to Lunar Landscapes
.
Ithaca, NY
:
Cornell University Press
.
Koh
,
Tommy
.
2019
. “
Speech on Fourth Generation Leadership
”.
Mothership
,
Oc-tober
2
. .
Kong Rithdee
.
2010
. “
Of Monkey Ghosts and Men
”.
Bangkok Post
,
May
28
. .
Kua
,
Ee Heok
.
2007
.
Listening to Letter from America
.
Singapore
:
Armour
.
Kuning
,
Zai
.
2013a
.
Interview with Bala Starr. Wall poster at exhibition Looking Within: What Makes an Exhibition?
,
National University of Singapore Museum
,
opened October 25, 2016. (A shorter version appeared in Port of Call, no. 3 [2014], a journal of LaSalle College of the Arts.)
Kuning
,
Zai
.
2013b
. “
Pure Sounds in the Dark
”. Interview by
Ting
Lisabel
.
Straits Times
,
March
19
.
Kuning
,
Zai
.
2017a
.
Dapunta Hyang: Transmission of Knowledge
.
Singapore
:
Singapore Arts Council
.
Exhibition catalog
.
Kuning
,
Zai
.
2017c
. “
Transmission of Knowledge: They Get Up from Their Knees and Walk
”. In
Dapunta Hyang: Transmission of Knowledge
,
29
46
.
Singapore
:
Singapore Arts Council
.
Exhibition catalog
.
Kuning
,
Zai
.
2017d
. “
Zai Kuning Interviewed by Nabilah Said
”. (accessed June 15, 2019).
Kuning
,
Zai
.
2017e
. “
Zai Kuning on the Singapore Pavilion Project at Venice Biennale 2017—Interview
”.
Interview by Brittney. Art Radar
,
March
29
. .
Kuo
,
Huei-Ying
.
2014
. “
Historiography of the East-West Exchanges in the South Seas: A Sketch of Chinese and Japanese Scholarship in the Early Twentieth Century
”.
Unpublished manuscript (Word file)
.
Kwa Chong Guan
.
2018
.
Pre-colonial Singapore
.
Singapore Chronicles. Singapore
:
Institute of Policy Studies and Straits Times Press
.
Kwon
,
Heonik
.
2020
.
After the Korean War: An Intimate History
.
New York
:
Cambridge University Press
.
Latour
,
Bruno
.
1993
.
We Have Never Been Modern
.
Cambridge, MA
:
Harvard University Press
.
Lee
Wen
.
2006
. “
Performance Art in Context: A Singaporean Perspective
”.
Master’s thesis
,
LaSalle-SIA College of the Arts
.
Lee
Xin Ying
and
Chee
Veronica
.
2013
. “
Zai Kuning
”.
Singapore Infopedia, National Library Board
,
June
25
. .
Leirner
,
Piero C.
2020
. “
Hybrid Warfare in Brazil: The Highest Stage of Military Insurgency
”.
HAU: Journal of Ethnographic Theory
10
, no.
1
:
41
49
. .
Lévi-Strauss
,
Claude
.
(1949) 1963
. “
The Sorcerer and His Magic
”. In
Structural Anthropology
, translated by
Jacobson
Claire
and
Schroepf
Brooke Grundfest
,
167
85
.
New York
:
Basic Books
.
Lévi-Strauss
,
Claude
.
1964–71
.
Mythologiques
. Vols.
1–4
.
Paris
:
Plon
.
Lévi-Strauss
,
Claude
.
(1964) 1969
.
The Raw and the Cooked
. Translated by
John
and
Weightman
Doreen
.
New York
:
Harper and Row
.
Lévi-Strauss
,
Claude
.
(1966) 1973
.
From Honey to Ashes
. Translated by
John
and
Weightman
Doreen
.
London
:
Jonathan Cape
.
Lévi-Strauss
,
Claude
.
(1968) 1978
.
The Origin of Table Manners
. Translated by
John
and
Weightman
Doreen
.
London
:
Jonathan Cape
.
Lévi-Strauss
,
Claude
.
(1971) 1981
.
The Naked Man
. Translated by
John
and
Weightman
Doreen
.
London
:
Jonathan Cape
.
Liew Kai Khiun and Stephen Teo
,
eds
.
2016
.
Singapore Cinema: New Perspectives
.
New York
:
Routledge
.
Liew
,
Sony
.
2015
.
The Art of Charlie Chan Hock Chye
.
Singapore
:
Epigram
.
Lim
,
Bliss Cua
.
2009
.
Translating Time
.
Durham, NC
:
Duke University Press
.
Lim
,
Charles Yi Yong
.
2015b
.
Sea State
.
Singapore
:
Singapore Arts Council. Catalog for Venice Biennale
.
Lim
,
Charles
, and
Tan
.
Kok Yam
2019
. “
OMG Classified: Head of the Smart Nation Office Kok Yam Tan Speaks with Artist-Filmmaker Charles Lim Yi Yong on Smart Citizenship
”.
So-Far
,
January
26
. .
Lim
,
Charles
, and
Mustafa
.
Shabbir Hussain
2015
. “
Sand and Sea: Charles Lim and Shabbir Hussain Mustafa on the Singapore Pavilion in Venice—Interview by Brittney
”.
Art Radar Journal
,
May
29
. .
Lim
,
Edna
.
2018
.
Celluloid Singapore: Cinema, Performance and the National
.
Edinburgh
:
Edinburgh University Press
.
Lim
,
Jerome
.
2012
. “
A Last Reminder of an Old-Fashioned Corner of Singapore
”.
The Long and Winding Road (blog)
,
November
27
. .
Loh
,
Joleen
.
2019
. “
Singapore Pavilion at the 56th Venice Biennale—Charles Lim: Sea State
”.
ArtAsiaPacific
, (accessed January 28, 2019).
Loh
,
Kah Seng
,
Liao
Edgar
,
Lim
Cheng Tju
, and
Seng
Guo-Quan
.
2012
.
The University Socialist Club and the Contest for Malaya: Tangled Strands of Modernity
.
Amsterdam
:
International Institute for Asian Studies, Amsterdam University Press
.
Löwy
,
Michael
.
2005
.
Fire Alarm: Reading Walter Benjamin’s “On the Concept of History”
.
London
:
Verso
.
Maramao
,
Giacomo
.
2008
. “
Messianism without Delay: On the Post-religious Political ‘Theology’ of Walter Benjamin
”.
Constellations
15
, no.
3
:
397
405
.
Mashadi
,
Ahmad
.
2017
. “
Before Riau: A Conversation with Zai Kuning
”.
Dapunta Hyang: Transmission of Knowledge website
. .
Massot
,
Gilles
.
2003
.
Bintan: Phoenix of the Malay Archipelago
.
Bintan
:
Gunung
.
Maughan
,
Tim
.
2015
. “
The Dystopian Lake Filled by the World’s Tech Lust
”. With photographs by
Young
Liam
and
Davies
Kate
.
BBC Future
,
April
2
. .
Mcintyre
,
Ian
.
2007
. “
Kelantan Refuses to Lift Mak Yong Ban
”.
Star
,
March
1
. .
Meduri
,
Avanthi
.
2001
. “
Bharatha Natyam—What Are You?
” In
Moving History/Dancing Cultures: A Dance History Reader
, edited by
Dils
Ann
and
Cooper Albright
Ann
,
103
13
.
Middletown, CT
:
Wesleyan University Press
.
Messmer
,
Susanne
.
2005
. “
Die Regeln der Freiheit, aus einem Gespräch der Autorin mit dem Künstler
”. .
Miksic
,
John
.
2017
. “
Three Mountains in Malay History
”. In
Dapunta Hyang: Transmission of Knowledge
, edited by
Shiyun
Lin
,
101
22
.
Singapore
:
National Arts Council
,
2017
.
Miles
,
Melissa
.
2006
. “
Sally Smart: The Exquisite Pirate
”.
Eyeline
60
:
38
39
.
Miles
,
Melissa
.
2007
. “
Sally Smart: The Exquisite Pirate
”.
Catalog essay for Sally Smart: The Exquisite Pirate
,
Kaliman Gallery
,
Sydney, NSW
,
November
2
27
.
Also published in Sally Smart: The Exquisite Pirate, ov Gallery, Shanghai, July 25–September 2, 2009. https://research.monash.edu/en/publications/sally-smart-the-exquisite-pirate-2
.
Milton
,
Chris
.
2010
. “
The Sand Smugglers
”.
Foreign Policy
,
August
4
. .
Milton
,
John
.
(1667) 1674
.
Paradise Lost
. 2nd ed.
London
:
Samuel Simmons
.
Mishima
,
Yukio
.
(1951) 1968
.
Kinjiki
. Translated by
Marks
Alfred H.
.
New York
:
Alfred A. Knopf
.
Mohammad Nor
,
Mohammad Anis
.
1990
. “
The Zapin Melayu Dance of Johor: From Village to a National Performance Tradition
”.
PhD diss.
,
University of Michigan
.
Mohammad Nor
,
Mohammad Anis
.
1993
.
Zapin: Folk Dance of the Malay World
.
Singapore
:
Oxford University Press
.
Mrazek
,
Jan
.
2019
.
Wayang and Its Doubles: Javanese Puppet Theater, Television, and the Internet
.
Singapore
:
National University of Singapore Press
.
Mrazek
,
Rudolph
.
2020
.
The Complete Lives of Camp People
.
Durham, NC
:
Duke University Press
.
Nair
,
C. V. Devan
.
1982
.
Not by Wages Alone
.
Singapore
:
Singapore National Trades Union Congress
.
Nair
,
Malini
.
2017
. “
The Idea of Abhinaya—In Conversation with Leela Samson
”.
Hindu
,
August
19
. .
Nair
,
Malini
.
2018
. “
Can Bharatanatyam Tell Painful Stories of Rape and Migration? A Dance Company Provides an Answer
”.
Scroll.in
,
January
4
. .
National Arts Council of Singapore
.
2017
. “
Annex C: A Timeline—The Genesis of Dapunta Hyang: Transmission of Knowledge
.” (accessed September 17, 2022).
National Library Board
.
2008
. “
First Underground Ammo Store Ready
”.
New Paper
,
March
8
. .
National Library Board
.
2017
. “
The Guitar Man: Alex Abisheganaden
”.
Biblioasia
13
, no.
1
. .
Navaratnarajah
,
Romesh
.
2016
. “
Forest City Project Sparks Ecology Fears
”.
PropertyGuru
,
August
1
. .
Negri
,
Antonio
.
2011
.
Art and Multitude: Nine Letters on Art, Followed by Metamorphoses: Art and Immaterial Labor
. Translated by
Emery
Ed
.
Malden, MA
:
Polity
.
Neiburg
,
Frederico
, and
Thomaz
Omar Ribeiro
.
2020
. “
Ethnographic Views of Brazil’s (New) Authoritarian Turn
”.
HAU: Journal of Ethnographic Theory
10
, no.
1
:
1
11
.
Neurath
,
Marie
, and
Kinross
Robin
.
2009
.
The Transformer: Principles of Making Isotype Charts
.
London
:
Hyphen Press
.
Neurath
,
Otto
.
2010
.
From Hieroglyphics to Isotype: A Visual Autobiography
.
London
:
Hyphen Press
.
Newitt
,
Annalee
.
2020
. “
What Social Distancing Looked like in 1666
”.
New York Times
,
March
29
.
Norasid
,
Nuraliah
.
2017a
.
“Constructing Tuyunri” in The Gatekeeper: An Interview with Nuraliah Norasid”
.
Interview by Kevin Martens Zhi Qiang Wong. Unravel
, no.
10
. .
Norasid
,
Nuraliah
.
2017b
.
The Gatekeeper
.
Singapore
:
Epigram
.
Nowak
,
Barbara S.
2000
. “
Dancing the Main Jo’oh: Hma’ Btsisi Celebrate Their Humanity and Religious Identity in a Malaysian World
”.
Australian Journal of Anthropology
11
, no.
3
:
333
44
.
Omar
,
Ariffin
.
1993
.
Bangsa Melayu: Malay Concepts of Democracy and Community, 1945–1950
.
London
:
Oxford University Press
.
Ong
,
Isabel
.
2014
. “
Behind the Camera: With Jasmine Ng, Filmmaker and Mentor
”.
Honeycombers
,
February
24
.
Open Development Cambodia
.
2011
. “
Sand for Singapore’s Growth Comes at Environmental Cost to Poorer Neighbors
”.
August
22
. .
Paine
,
Thomas
.
1776
.
Common Sense
.
Philadelphia
:
R. Bell
.
Parlina
,
Ina
,
Nurul Fitri
,
Ramadhani
, and
Sundaryani
Fedina S.
.
2016
. “
Terrorist Attacks Blamed on is Recruit Bahrun Naim
”.
Jakarta Post
,
January
15
. .
Peacock
,
James L.
1968
.
Rites of Modernization: Symbolic and Social Aspects of Indonesian Proletarian Drama
.
Chicago
:
University of Chicago Press
.
Perniola
,
Mario
.
1995
.
Enigmas: The Egyptian Moment in Society and Art
. Translated by
Woodall
Christopher
.
London
:
Verso
.
Petryna
,
Adriana
.
2020
.
Horizoning: The Human Futures of Runaway Nature
.
Princeton, NJ
:
Princeton University Press
.
Pierce
,
Charles Sanders
.
1905
. “
Issues of Pragmaticism
”. In
The Writings of Charles S. Pierce: A Chronological Edition
, edited by
Moore
E.
.
Bloomington
:
Indiana University Press
.
Putri
,
Kartini Ayuningtyas
.
2012
. “
Restructuring and Regulating the Indonesian Art Market Infrastructure to Accommodate Force of Globalization Mediating between Contradictions
”.
Master’s thesis
,
Sotheby’s Institute of Art
,
New York
.
Raffles
,
Hugh
.
2010
.
Insectopedia
.
New York
:
Pantheon
.
Rancière
,
Jacques
.
2004
.
The Politics of Aesthetics: The Distribution of the Sensible
.
London
:
Continuum
.
Ratos
,
Datung Anthony
.
2006
.
Orang Asli and Their Wood Art
.
Kuala Lumpur
:
Marshall Cavandish
.
Rushdie
,
Salman
.
1988
.
Satanic Verses
.
London
:
Viking
.
Sabapathy
,
T. K.
2017
. “
Dapunta Hyang: Thoughts on Its Antecedents
”. In
Dapunta Hyang: Transmission of Knowledge
,
191
207
.
Singapore
:
Singapore Arts Council. Exhibition catalog
.
Sahlins
,
Marshall
.
2004
.
Apologies to Thucydides: Understanding History as Culture and Vice Versa
.
Chicago
:
University of Chicago Press
.
Sanal
,
Aslihan
.
2011
.
New Organs within Us: Transplants and the Moral Economy
.
Durham, NC
:
Duke University Press
.
Saparudin
,
Kartini
, comp., and
Samad
Norayati Abdul
, ed.
2010
.
The Hadrami Arabs in Southeast Asia with Special Reference to Singapore: An Annotated Bibliography
.
Singapore
:
National Library Board
.
Sarabhai
,
Mallika
.
2014
. “
Mallika Sarabhai: Arts for Activism
”. Interview by
Biswas
Swarnendu
.
Women’s Web
,
January
6
. .
Sarshar
,
Houman
.
2002
.
Esther’s Children
.
New York
:
Jewish Publication Society
.
Schneider
,
Julia Gwendolyn
.
2007
. “
A Vision for Tomorrow: Singapore 2007—Media Art, Alternative Art Spaces and the Survival of ‘The Artists’ Village’
”.
Springerin
, no.
2
. .
Schwab
,
Gabriele
.
2012
.
Imaginary Ethnographies: Literature, Culture, and Subjectivity
.
New York
:
Columbia University Press
.
Schwarcz
,
Lilia M.
2017
. “
I Was Cannibalized by an Artist
”. In
Unfinished: The Anthropology of Becoming
, edited by
Biehl
João
and
Locke
Peter
,
173
96
.
Durham, NC
:
Duke University Press
.
Scott
,
Jill
, ed.
2006
.
Artists-in-Labs: Processes of Inquiry
.
Vienna
:
Springer
.
Sekula
,
Alan
.
1995
.
The Fish Story
.
Rotterdam
:
Witte de With Center for Contemporary Art
.
Setiawati
,
Indah
.
2016a
. “
Conversation: Endless Acts in Human History
”.
Jakarta Post
,
January
22
. .
Setiawati
,
Indah
.
2016b
. “
Entang Wiharso: Visualizing Concept and Contemplation
”.
Jakarta Post
,
February
10
. .
Severi
,
Carlo
.
2015
.
The Chimera Principle: An Anthropology of Memory and Imagination
.
Chicago
:
HAU Books
.
Severi
,
Carlo
.
2018
.
Capturing Imagination: A Proposal for an Anthropology of Thought
.
Chicago
:
HAU Books
.
Shi Nai An
. (14th century)
1980
.
Outlaws of the Marsh (The Water Margin)
. Translated by
Shapiro
Sidney
.
4
vols.
Bloomington
:
Indiana University Press
;
Beijing
:
Foreign Languages Press
.
Siegel
,
James T.
1997
.
Fetish, Recognition, Revolution
.
Princeton, NJ
:
Princeton University Press
.
Siegel
,
James T.
1998
.
A New Criminal Type in Jakarta: Counter-Revolution Today
.
Durham, NC
:
Duke University Press
.
Siegel
,
James T.
2005
.
Naming the Witch
.
Stanford, CA
:
Stanford University Press
.
Skeat
,
Walter William
.
1900
.
Malay Magic: Being an Introduction to the Folklore and Popular Religion of the Malay Peninsula
.
London
:
Macmillan
.
Smart
,
Sally
.
2009a
.
The Exquisite Pirate
.
Shanghai
:
OV Gallery. Catalog
.
Smart
,
Sally
.
2009b
.
The Exquisite Pirate—South China Sea: Poster and Artist’s Statement. ov Gallery, July 25–September 2
. .
Smart
,
Sally
.
2010
.
Feminage (Shadows, Symptoms)
.
Langwarrin/Melbourne
:
McClelland Gallery
.
Steffen
,
Will
.
2019
. “
The Anthropocene: Risks of the Human Epoch
”.
Paper presented at the International Symposium on Anthropocene Studies: Narrating Disasters in the Anthropocene—Knowledges, Memories, and Imaginaries
,
Korean National Folk Museum, Seoul
,
December 10–11
.
Steffen
,
Will
,
Grinevald
Jacques
,
Crutzen
Paul
, and
McNeill
John
.
2011
. “
The Anthropocene: Conceptual and Historical Perspectives
”.
Philosophical Transactions of the Royal Society A: Mathematical, Physical and Engineering Sciences
369
, no.
1938
:
842
67
.
Steyerl
,
Hito
.
2016
.
Jenseits der Repräsentation/Beyond Representation: Essays, 1999–2009
.
Berlin
:
Neuer Berliner Kunstverein
.
Strassberg
,
Richard E.
2002
.
A Chinese Bestiary: Guideways through Mountains and Seas
.
Berkeley
:
University of California Press
.
Subramanian
,
Samanth
, and
Yin
Sim Chi
.
2017
. “
How Singapore Is Creating More Land for Itself
”.
New York Times Magazine
,
April
20
. .
Supangkat
,
Jim
,
Damjanti
Irma
, and
Kent
Elly
.
2014
.
The World and I: Heri Dono’s Art Odyssey
.
Jakarta
:
Mondekorino Seni Internasional and New Museum
.
Tagore
,
Rabindranath
.
1945
.
Chandalika (“The Untouchable Girl”). In The Complete Works of Rabindranath Tagore (Rabindra Racanavali)
25
:
159
84
.
Calcutta
:
Visva Bharati University Press
.
Tambiah
,
Stanley J.
1977
. “
The Galactic Polity: The Structure of Traditional Kingdoms in Southeast Asia
”.
Annals of the New York Academy of Sciences
293
, no.
1
:
69
97
.
Tambiah
,
Stanley J.
1986
.
Sri Lanka: Ethnic Fratricide and the Dismantling of Democracy
.
Chicago
:
University of Chicago Press
.
Tambiah
,
Stanley J.
1992
.
Buddhism Betrayed? Religion, Politics and Violence in Sri Lanka
.
Chicago
:
University of Chicago Press
.
Tan
Boon Hi
and
Yun
Michelle
.
2017
.
After Darkness: Southeast Asian Art in the Wake of History
.
New York
:
Asia Society
.
Tan
,
Corrie
.
2014
. “
Theatre Review: Ho Tzu Nyen’s Ten Thousand Tigers Shows Off Its Stripes
.
Straits Times
,
April
18
. .
Tan
Sooi-Beng
.
1988
. “
The Thai ‘Menora’ in Malaysia: Adapting to the Penang Chinese Community
”.
Asian Folklore Studies
47
, no.
1
:
19
34
.
Tarpaga
,
Olivier
.
2017
. “
Declassified Memory Fragment: A Victorious Outpour of the Soul amidst Tension in Burkina Faso
”. Interview by
Whelan
Elizabeth
.
Dance Journal
,
October
16
. .
Tausk
,
Viktor
.
(1919) 1933
. “
On the Origin of the ‘Influencing Machine’ in Schizophrenia
”. Translated by
Feigenbaum
Dorian
.
Psychoanalytic Quarterly
2
:
519
56
.
Taussig
,
Michael T.
1999
.
Defacement: Public Secrecy and the Labor of the Negative
.
Stanford, CA
:
Stanford University Press
.
Tay
,
Jean
.
2018
. “
Senang
”. In
Sisters and Senang (The Island Plays)
.
Singapore
:
Epigram Books
.
Teo
Soh Lung
.
2008
.
Beyond the Blue Gate: Recollections of a Political Prisoner
.
Singapore
:
Ethos
.
Teo
Soh Lung
.
2012
.
Escape from the Lion’s Paw: Reflections of Singapore Political Exiles
.
Singapore
:
Function 8
.
Teo
You Yenn
.
2018
.
This Is What Inequality Looks Like
.
Singapore
:
Ethos
.
Tiang
,
Jeremy
.
2018
.
State of Emergency: A Novel
.
Singapore
:
Epigram
.
Uchoa
,
Pablo
, and
BBC’s Visual Journalism Teams
.
2019
. “
Indian Ocean Dipole: What Is It and Why Is It Linked to Floods and Bushfires?
BBC News
,
December
7
. .
Uhde
,
Jan
, and
Uhde
Yvonne Ng
.
2009
.
Latent Images: Film in Singapore
.
2nd ed. Singapore
:
NUS Press
.
United States Geospatial Intelligence Agency
.
2013
.
Pub. 174 Sailing Directions (Enroute) Strait of Malacca and Sumatra
. 12th ed.
Washington, DC
:
USGIA
.
Vangeline
.
2021
.
Butoh: Cradling Empty Space
.
New York
:
Butoh Institute
.
Vasil
,
Raj
.
1984
.
Governing Singapore: Democracy and National Development
.
London
:
Allen and Unwin
.
Wang
,
Cathy Yue
.
2020
. “
Chinese Folklore for Modern Times: Three Feminist Revisions of The Legend of the White Snake
”.
Asian Studies Review
44
, no.
20
:
183
200
.
Wang
,
David Der-wei
.
2004
.
The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China
.
Berkeley
:
University of California Press
.
Wang
,
David Der-wei
.
2020
.
Why Fiction Matters in Contemporary China
.
Waltham, MA
:
Brandeis University Press
.
Watson
,
Jimi Kim
.
2021
.
Cold War Reckonings: Authoritarianism and the Genres of Decolonization
.
New York
:
Fordham University Press
.
Weber
,
Max
.
(1904) 1930
.
The Protestant Ethic and the Spirit of Capitalism
.
Translated by Talcott Parsons. New York
:
Scribner
.
Wee
,
C. J. W.-L.
2007
.
The Asian Modern: Culture, Capitalist Development, Singapore
.
Singapore
:
NUS Press
.
Wee
,
C. J. W.-L.
2020
. “
Introduction: Art, Culture, Capitalist Development and Kuo Pao Kun
”.
InterAsia Cultural Studies
21
, no.
2
:
183
88
.
Werner
,
Roland
.
1977
.
Mah Meri of Malaysia: Art and Culture
.
Kuala Lumpur
:
University of Malaya Press
.
Whelan
,
Elizabeth
.
2017
. “
Declassified Memory Fragment: A Victorious Outpour of the Soul amidst Tension in Burkina Faso
”.
Dance Journal
,
October
16
. .
Wiharso
,
Entang
.
2010
. “
Love Me or Die
.”
Jakarta
:
Galeri Canna
.
Exhibition catalog
.
Wiharso
,
Entang
.
2013
.
Crush Me: Double Sided
.
Jakarta
:
Galeri Canna
.
Exhibition catalog
.
Wiharso
,
Entang
.
2014
.
Trilogy: Geo-Portraits
. Edited by
Cocca
Christine
.
North Scituate, RI/Yogyakarta
:
Black Goat Studios
.
Exhibition catalog
.
Wiharso
,
Entang
.
2014–15
.
Reclaim Paradise
.
North Scituate, RI/Yogyakarta
:
Black Goat Studios
.
Exhibition catalog
.
Wiharso
,
Entang
.
2015a
.
Never Say No
.
Singapore
:
Singapore Tyler Print Institute
.
Exhibition catalog
.
Wiharso
,
Entang
.
2017
. “
Entang Wiharso on Art in the Donald Trump Era
”. Interview by
Tay
Kim
.
Artling
,
April
25
. .
Wiharso
,
Entang
.
2022a
. “
Close to Home: Entang Wiharso
”.
STPI: Creative Workshop and Gallery
. .
Wiharso
,
Entang
.
2022b
.
Double Horizon. With essays by Leonor Veiga and interview by Matthew Clay-Robison
.
Yogyakarta
:
Srisasanti Gallery
.
Wiharso
,
Entang
.
2022c
.
When the Sky Is Falling. With essays by Mary-Jo DelVecchio Good, Byron Good, and Michael M. J. Fischer
.
Cambridge, MA
:
Harvard Asia Center. Exhibition catalog
.
Wiharso
,
Entang
, and
Smart
Sally
.
2016a
.
Conversation: Endless Acts in Human History
.
Jakarta
:
Galeri Canna.
.
Wiharso
,
Entang
, and
Smart
Sally
.
2016b
. “
Entang Wiharso and Sally Smart in Conversation with Natalie King
”.
Ocula Magazine
,
January
20
. .
Williams
,
Mark
, and
Zalasiewicz
Jan
.
2019
. “
A Profoundly Human-Modified Biosphere and Its Implications for Well-Being
”.
Paper presented at the International Symposium on Anthropocene Studies: Narrating Disasters in the Anthropocene—Knowledges, Memories, and Imaginaries
,
Korean National Folk Museum, Seoul
,
December 10–11
.
Wong
,
Kevin Martens Zhi Qiang
.
2017
.
Altered Straits
.
Singapore
:
Epigram
.
Yap
,
June
.
2016
.
Retrospective: A Historiographical Aesthetic in Contemporary Singapore and Malaysia
.
Petaling Jaya, Malaysia
:
Strategic Information and Research Development Center (sirDc)
.
Yeh
,
Steven H. K.
1975
.
Public Housing in Singapore: A Multi-disciplinary Study
.
Singapore
:
Singapore University Press
.
You
Mi
.
2018
. “
Intermediating Immanence: On Ho Tzu Nyen’s Ten Thousand Tigers
”. In
Intermedial Performance and Politics in the Public Sphere
, edited by
Arafa
K.
.
Avant-Gardes in Performance
.
London
:
Palgrave Macmillan
.
Young
,
Michael
.
1954
.
The Rise of the Meritocracy
.
London
:
Penguin
.
Yousof
,
Ghulam Sarwar
.
1982
. “
Nora Chatri in Kedah: A Preliminary Report
”.
Journal of the Malaysian Branch of the Royal Asiatic Society
55
, no.
1
(
242
):
53
61
.
Zaccheus
,
Melody
.
2016
. “
Mystery behind Origins of Century-Old Mount Emily Villa Solved
”.
Straits Times
,
March
21
. .
Zahari
,
Said
.
2001
.
Dark Clouds at Dawn: A Political Memoir
.
Kuala Lumpur
:
INSAN
.
Translation of Meniti Lautan Gelora: Sebuah Memoir Politik
.
Zahari
,
Said
.
2007
.
The Long Nightmare: My 17 Years as a Political Prisoner
.
Kuala Lumpur
:
Utusan
.
Translation of Dalam Ribuan Mimpi Gelisah: Memoir
.
Zalasiewicz
,
Jan
,
Waters
Colin N.
,
Williams
Mark
,
Barnosky
Anthony D.
,
Cearreta
Alejandro
,
Crutzen
Paul
,
Ellis
Erle
et al
,
2015
. “
When Did the Anthropocene Begin? A Mid-Twentieth Century Boundary Level Is Stratigraphically Optimal
”.
Quaternary International
383
:
196
203
.

or Create an Account

Close Modal
Close Modal