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The introduction presents the theoretical insights that organize the book and prepares the reader for how ethnographic writing is used to perform these theoretical insights. The book’s methodology is informed by the object of analysis, pneuma, which is the central protagonist of the book. Aware that this decision runs the risk of excluding an outside space of critique, the introduction also argues for the benefits of engaging in this experiment. A critical reception of pneuma follows in light of recent scholarly interest in the problem of mediation in studies on religion and media in general and Christianity in particular.

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Figures & Tables

Contents

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