Skip to Main Content
Skip Nav Destination
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
This content is only available as PDF.

Bibliography

Bibliography
Adorno
,
Theodor W.
Essays on Music
. Ed.
Leppert
Richard
. Trans.
Gillespie
Susan H.
et al
.
1934
.
Berkeley
:
University of California Press
,
2002
.
Adorno
,
Theodor W.
The Form of the Phonograph Rec ord
.” Trans.
Gillespie
Susan H.
.
Essays on Music
. Ed.
Leppert
Richard
.
1934
.
Berkeley
:
University of California Press
,
2002
.
277
82
.
Adorno
,
Theodor W.
On the Social Situation of Music
.” Trans.
Gillespie
Susan
.
Essays on Music
. Ed.
Leppert
Richard
.
1931
.
Berkeley
:
University of California Press
,
2002
.
391
436
.
Adorno
,
Theodor W.
, and
Benjamin
Walter
.
The Complete Correspondence, 1928–1940
. Trans.
Walker
Nicholas
. Ed.
Lonitz
Henri
.
Cambridge, MA
:
Harvard University Press
,
1999
.
Agawu
,
Kofi
. “
The Challenge of Semiotics
.”
Rethinking Music
. Eds.
Cook
Nicholas
and
Everist
Mark
.
Oxford
:
Oxford University Press
,
1999
.
138
60
.
Althusser
,
Louis
, and
Balibar
Étienne
.
Reading Capital
. Trans.
Brewster
Ben
.
1965
.
London
:
Verso
,
1997
.
Arnheim
,
Rudolf
.
Radio
. Trans.
Ludwig
Margaret
and
Read
Herbert
.
1913
.
London
:
Faber & Faber
,
1936
.
Attali
,
Jacques
.
Noise: The Political Economy of Music
. Trans.
Massumi
Brian
.
Minneapolis
:
University of Minnesota Press
,
1985
.
Bailey
,
Derek
.
Improvisation: Its Nature and Practice in Music
.
New York
:
Da Capo Press
,
1992
.
Baker
,
Houston A.
Blues, Ideology and Afro-American Literature: A Vernacular Theory
.
Chicago
:
University of Chicago Press
,
1984
.
Balliett
,
Whitney
.
American Musicians: 56 Portraits in Jazz
.
New York
:
Oxford University Press
,
1986
.
Baraka
,
Amiri
.
Black Magic: Poetry 1961–1967
.
Indianapolis
:
Bobbs-Merrill
,
1969
.
Baraka
,
Amiri
.
Black Music
.
1967
.
New York
:
Da Capo Press
,
1998
.
Baraka
,
Amiri
.
Blues People: Negro Music in White America
.
1963
.
New York
:
Perennial
,
2002
.
Baraka
,
Amiri
.
Daggers and Javelins: Essays, 1974–1979
.
New York
:
William Morrow
,
1984
.
Baraka
,
Amiri
.
Digging: The Afro-American Soul of American Classical Music
.
Berkeley
:
University of California Press
,
2009
.
Baraka
,
Amiri
.
The Fiction of LeRoi Jones/Amiri Baraka
.
Chicago
:
Lawrence Hill Books
,
2000
.
Baraka
,
Amiri
.
Funk Lore: New Poems (1984–1995)
. Ed.
Vangelisti
Paul
.
Los Angeles
:
Littoral Books
,
1996
.
Baraka
,
Amiri
.
Home: Social Essays
.
New York
:
William Morrow
,
1966
.
Baraka
,
Amiri
.
The LeRoi Jones/Amiri Baraka Reader
. Ed.
Harris
William J.
.
New York
:
Basic Books
,
2009
.
Baraka
,
Amiri
.
Preface
.
Black Boogaloo: Notes on Black Liberation, by Larry Neal
.
San Francisco
:
Journal of Black Poetry Press
,
1969
.
Baraka
,
Amiri
.
S O S: Poems 1961–2013
.
New York
:
Grove Press
,
2014
.
Baraka
,
Amiri
. “
Some Questions about the Sixth Pan-African Congress
.”
Black Scholar
6
, no.
2
(
October
1974
):
42
46
.
Baraka
,
Amiri
, and
Baraka
Amina
.
The Music: Reflections on Jazz and Blues
.
New York
:
Morrow
,
1987
.
Baraka
,
Amiri
, and
Salaam
Kalamu ya
. “
Amiri Baraka Analyzes How He Writes
.”
African American Review
37
, nos.
2/3
(Summer/Autumn
2003
):
211
36
.
Barthes
,
Roland
.
Image, Music, Text
. Trans. and ed.
Heath
Stephen
.
New York
:
Hill and Wang
,
1977
.
Bartlett
,
Andrew
. “
Cecil Taylor, Identity Energy, and the Avant-Garde African American Body
.”
Perspectives of New Music
33
, nos.
1/2
(Winter–Summer
1995
):
274
93
.
Battier
,
Marc
. “
What the GRM Brought: From Musique Concrète to Acousmatic Music
.”
Organized Sound
12
, no.
3
(
December
2007
):
189
202
.
Benjamin
,
Walter
.
The Arcades Project
. Trans.
Eiland
Howard
and
McLaughlin
Kevin
.
Cambridge, MA
:
Belknap Press of
Harvard University Press
,
1999
.
Benjamin
,
Walter
. “
The Medium through Which Works of Art Continue to Influence Later Ages
.” Trans.
Livingstone
Rodney
.
Selected Writings
. Trans.
Jephcott
Edmund
et al
, ed.
Bullock
Marcus
et al
,
4 vols
.
Cambridge, MA
:
Harvard University Press
,
2002
).
1
:
235
.
Benjamin
,
Walter
. “
On Some Motifs in Baudelaire
.” Trans.
Zohn
Harry
.
Walter Benjamin: Selected Writings, Volume 4: 1938–1940
. Eds.
Eiland
Howard
and
Jennings
Michael W.
.
Cambridge, MA
:
Harvard University Press
,
2006
.
Benston
,
Kimberly
. “
Amiri Baraka: An Interview
.”
boundary 2
6
, no.
2
(Winter
1978
):
303
18
.
Bérard
,
Carol
. “
Recorded Noises—Tomorrow’s Instrumentation
.”
Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio
. Eds.
Taylor
Timothy D.
,
Katz
Mark
, and
Grajeda
Tony
.
1929
.
Durham, NC
:
Duke University Press
,
2012
.
110
13
.
Berlant
,
Lauren
.
Cruel Optimism
.
Durham, NC
:
Duke University Press
,
2012
.
Berlant
,
Lauren
.
The Female Complaint: The Unfinished Business of Sentimentality in American Culture
.
Durham, NC
:
Duke University Press
,
2008
.
Berlant
,
Lauren
. “
A Properly Political Concept of Love: Three Approaches in Ten Pages
”,
Cultural Anthropology
26
, no.
4
(
2011
):
683
91
.
Bernstein
,
Charles
, ed.
Close Listening: Poetry and the Performed Word
.
Oxford
:
Oxford University Press
,
1998
.
Best
,
Stephen
.
The Fugitive’s Properties: Law and the Poetics of Possession
.
Chicago
:
University of Chicago Press
,
2004
.
Biondi
,
Martha
.
To Stand and Fight: The Struggle for Civil Rights in Postwar New York City
.
Cambridge, MA
:
Harvard University Press
,
2003
.
Bolden
,
Tony
.
Afro-Blue: Improvisations in African American Poetry and Culture
.
Urbana
:
University of Illinois Press
,
2004
.
Bolden
,
Tony
. “
All the Birds Sing Bass: The Revolutionary Blues of Jayne Cortez
.”
African American Review
,
35
, no.
1
(Spring
2001
):
61
67
.
Bonetti
,
Kay
. “
An Interview with Toni Cade Bambara
.”
Conversations with Toni Cade Bambara
. Ed.
Lewis
Thabiti
.
Jackson
:
University Press of Mississippi
,
2012
.
35
47
.
Boyd
,
Melba Joyce
.
Review of Coagulations: New and Selected Poems by Jayne Cortez
.
Black Scholar
16
, no
4
(
July/August
1985
):
65
66
.
Brady
,
Erika
.
A Spiral Way: How the Phonograph Changed Ethnography
.
Jackson
:
University Press of Mississippi
,
1999
.
Brooks
,
Tim
.
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919
.
Urbana
:
University of Illinois Press
,
2004
.
Brown
,
Marion
. “
Improvisation and the Aural Tradition in Afro-American Music
.”
Black World
23
, no.
1
(
November
1973
):
14
19
.
Butler
,
Judith
.
Gender Trouble: Feminism and the Subversion of Identity
.
London
:
Routledge
,
1990
.
Carby
,
Hazel V.
The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston
.”
New Essays on Their Eyes Were Watching God
.” Ed.
Awkward
Michael
.
New York
:
Cambridge University Press
,
1991
.
Carby
,
Hazel V.
Race Men
.
Cambridge, MA
:
Harvard University Press
,
1998
.
Carles
,
Philippe
, and
Comolli
Jean-Louis
.
Free Jazz/Black Power
. Trans.
Pierrot
Grégory
.
1971
.
Jackson
:
University Press of Mississippi
,
2015
.
Carmichael
,
Thomas
. “
Beneath the Underdog: Charles Mingus, Representation, and Jazz Autobiography
.”
Canadian Review of American Studies
25
, no.
3
(Winter
1995
):
29
41
.
Césaire
,
Aimé
.
Discourse on Colonialism
. Trans.
Pinkham
Joan
.
New York
:
Monthly Review Press
,
2000
.
Chandler
,
Nahum Dimitri
.
X: The Problem of the Negro as a Problem for Thought
.
New York
:
Fordham University Press
,
2014
.
Chasar
,
Mike
.
Everyday Reading: Poetry and Popular Culture in Modern America
.
New York
:
Columbia University Press
,
2012
.
Christian
,
Barbara
. “
There It Is: The Poetry of Jayne Cortez
.”
Callaloo
26
(Winter
1986
):
235
39
.
Coleman
,
Ornette
, and
Derrida
Jacques
. “
The Other’s Language: Jacques Derrida Interviews Ornette Coleman, 23 June 1997
.” Trans.
Murphy
Timothy S.
.
Genre
36
(Summer
2004
):
319
29
.
Corbett
,
John
. “
Ephemera Underscored: Writing around Free Improvisation
.”
Jazz among the Discourses
. Ed.
Gabbard
Krin
.
Durham, NC
:
Duke University Press
,
1995
.
217
40
.
Crawford
,
Margo Natalie
.
Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics
.
Urbana
:
University of Illinois Press
,
2017
.
Crawford
,
Margo Natalie
. “
The Poetics of Chant and Inner/Outer Space
.”
The Cambridge Companion to American Poetry Since 1945
. Ed.
Ashton
Jennifer
.
Cambridge
:
Cambridge University Press
,
2013
.
Crawley
,
Ashon
.
Blackpentecostal Breath: The Aesthetics of Possibility
.
New York
:
Fordham University Press
,
2016
.
Cruse
,
Harold
.
The Crisis of the Negro Intellectual: From Its Origins to the Present
.
New York
:
William Morrow
,
1967
.
Cruz
,
Jon
.
Culture on the Margins: The Black Spiritual and the Rise of American Cultural Interpretation
.
Princeton, NJ
:
Princeton University Press
,
1999
.
Culler
,
Jonathan D.
Text—Its Vicissitudes
.”
The Literary in Theory
.
Stanford, CA
:
Stanford University Press
,
2007
:
99
116
.
Davey
,
Elizabeth
. “
Building a Black Audience in the 1930s: Langston Hughes, Poetry Readings, and the Golden Stair Press
.”
Print Culture in a Diverse America
. Eds.
Danky
James P.
and
Wiegand
Wayne A.
.
Urbana
:
University of Illinois Press
,
1998
.
223
43
.
Davis
,
Angela Y.
Afro Images: Politics, Fashion, and Nostalgia
.”
Critical Inquiry
21
, no.
1
(Autumn
1994
):
37
45
.
Davis
,
Arthur P.
The Harlem of Langston Hughes’s Poetry
.”
Phylon
13
, no.
4
(
4th Qtr.
1952
):
276
83
.
Dawahare
,
Anthony
. “
Langston Hughes’s Radical Poetry and the ‘End of Race’
.”
MELUS
23
, no.
3
(Fall
1998
):
21
41
.
Dawson
,
Michael
.
Blacks in and Out of the Left
.
Cambridge, MA
:
Harvard University Press
,
2013
.
Dawson
,
Michael
.
Black Visions: The Roots of Con temporary African-American Political Ideologies
.
Chicago
:
University of Chicago Press
,
2001
.
De Man
,
Paul
.
Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust
.
New Haven, CT
:
Yale University Press
,
1979
.
Denning
,
Michael
.
The Cultural Front: The Laboring of American Culture in the Twentieth Century
.
London
:
Verso
,
1997
.
Denning
,
Michael
. “
The End of Mass Culture
.”
International Labor and Working-Class History
37
(Spring
1990
):
4
18
.
Denning
,
Michael
.
Noise Uprising: The Audio Politics of a World Musical Revolution
.
London
:
Verso
,
2015
.
Derrida
,
Jacques
. “
Freud and the Scene of Writing
.”
Writing and Difference
. Trans.
Bass
Alan
.
Chicago
:
University of Chicago Press
,
1978
.
196
231
.
Dolar
,
Mladen
.
A Voice and Nothing More
.
Cambridge, MA
:
MIT Press
,
2006
.
Donnell
,
Alison
.
Twentieth-Century Caribbean Literature: Critical Moments in Anglophone Literary History
.
London
:
Routledge
,
2005
.
Douglass
,
Frederick
.
Autobiographies
. Ed.
Gates
Henry Louis
Jr.
New York
:
Library of America
,
1994
.
Drott
,
Eric
.
Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968–1981
.
Berkeley
:
University of California Press
,
2011
.
Du Bois
,
W. E. B.
Writings
. Ed.
Huggins
Nathan
.
New York
:
Library of America
,
1986
.
Ebaum
,
Max
.
Revolution in the Air: Sixties Radicals Turn to Lenin, Mao and Che
.
2002
.
London
:
Verso
,
2018
.
Edwards
,
Brent Hayes
.
Epistrophies: Jazz and the Literary Imagination
.
Cambridge, MA
:
Harvard University Press
,
2017
.
Edwards
,
Brent Hayes
, and
Rasula
Jed
. “
The Ear of the Behearer: A Conversation in Jazz
.”
New Ohio Review
3
(Spring
2008
):
42
64
.
Ellison
,
Ralph
.
The Collected Essays of Ralph Ellison
. Ed.
Callahan
John F.
.
New York
:
Modern Library
,
2003
.
Ellison
,
Ralph
.
Living with Music
. Ed.
O’Meally
Robert G.
.
New York
:
Modern Library Classics
,
2002
.
Ernst
,
David
. “
Record Review: Afternoon of a Georgia Faun, Djinji’s Corner
.”
Black Perspective in Music
2
, no.
1
(Spring
1974
):
95
97
.
Fanon
,
Frantz
.
Black Skin, White Masks
. Trans.
Markmann
Charles Lam
.
New York
:
Grove Press
,
1962
.
Fanon
,
Frantz
.
Wretched of the Earth
. Trans.
Farrington
Constance
.
1961
.
New York
:
Grove Press
,
1963
.
Farred
,
Grant
.
What’s My Name?: Black Vernacular Intellectuals
.
Minneapolis
:
University of Minnesota Press
,
2003
.
Feinstein
,
Sasha
. “
Returning to Go Some Place Else: Jayne Cortez
.”
Ask Me Now: Conversations on Jazz and Literature
. Ed.
Feinstein
Sasha
.
Bloomington
:
Indiana University Press
,
2007
.
Fields
,
Barbara
, and
Fields
Karen
.
Racecraft: The Soul of Inequality in American Life
.
London
:
Verso Books
,
2012
.
Floyd
,
Samuel
.
The Power of Black Music: Interpreting Its History from Africa to the United States
.
Oxford
:
Oxford University Press
,
1996
.
Frazier
,
Robeson Taj P.
The Congress of African People: Baraka, Brother Mao, and the Year of ’74
.”
Souls
8
, no.
3
(
2006
):
142
59
.
Freeman
,
Phil
. “
Matana Roberts
.”
Wire-London
328
(
June
2011
):
20
.
Fuller
,
Hoyt
, ed. “
Writers Symposium
.”
Negro Digest
17
no.
3
(
January
1968
):
10
45
.
Funkhouser
,
Chris
. “
Being Matter Ignited …: An Interview with Cecil Taylor
.”
Hambone
12
(Spring
1992
):
17
39
. . Accessed May 28, 2019.
Gendron
,
Bernard
. “
After the October Revolution: The Jazz Avant-Garde in New York, 1964–65
.”
Sound Commitments: Avant-Garde Music and the Sixties
. Ed.
Addington
Robert
.
Oxford
:
Oxford University Press
,
2009
.
211
53
.
Genette
,
Gerard
.
Paratexts: Thresholds of Interpretation
. Trans.
Lewin
Jane E.
.
Cambridge
:
Cambridge University Press
,
1997
.
Gennari
,
John
. “
Baraka’s Bohemian Blues
.”
African American Review
37
, nos.
2/3
(Summer–Autumn
2003
):
253
60
.
Giddins
,
Gary
. “
The Avant-Gardist Who Came in from the Cold
.”
Riding on a Blue Note: Jazz and American Pop
.
1981
.
New York
:
Da Capo
,
2000
.
Gilroy
,
Paul
. “
After the Love Has Gone”: Bio-Politics and Ethno-Poetics in the Black Public Sphere
.”
Third Text
8
, nos.
28/29
(
1994
):
25
46
.
Gilroy
,
Paul
.
The Black Atlantic: Modernity and Double Consciousness
.
London
:
Verso
,
1993
.
Glick
,
Jeremy Matthew
. “
‘All I Do Is Think about You’: Some Notes on Pragmatist Longing in Recent Literary Study of Amiri Baraka
.”
boundary 2
37
, no.
2
(Summer
2010
):
107
32
.
Goldsmith
,
Peter D.
Making People’s Music: Moe Asch and Folkways Records
.
Washington, DC
:
Smithsonian Institution Press
,
1998
.
Gore
,
Dayo F.
Radicalism at the Crossroads: African American Women Activists in the Cold War
.
New York
:
New York University Press
,
2011
.
Gosse
,
Van
. “
A Movement of Movements: The Definition and Periodization of the New Left
.”
A Companion to Post-1945 America
. Eds.
Agnew
Jean-Christophe
and
Rosenzweig
Roy
.
London
:
Wiley-Blackwell
,
2002
.
277
302
.
Graham
,
Maryemma
. “
The Practice of a Social Art
.”
Langston Hughes: Critical Perspectives Past and Pre sent
. Eds.
Gates
Henry Louis
Jr.
and
Appiah
Kwame Anthony
.
New York
:
Amistad
,
1993
.
213
35
.
Gramsci
,
Antonio
.
Selections from the Prison Notebooks
. Eds. and trans.
Hoare
Quintin
and
Smith
Geoffrey Nowell
.
New York
:
International
,
1985
.
Green
,
Adam
.
Selling the Race: Culture, Community, and Black Chicago, 1940–1955
.
Chicago
:
University of Chicago Press
,
2007
.
Griffin
,
Farah Jasmine
. “
When Malindy Sings: A Meditation on Black Women’s Vocality
.”
Uptown Conversation: The New Jazz Studies
. Eds.
O’Meally
Robert G.
,
Edwards
Brent Hayes
, and
Griffin
Farah Jasmine
.
New York
:
Columbia University Press
,
2004
.
102
25
.
Grundy
,
David
. “
‘… And Not Goodbye’: Cecil Taylor (Part 2—Taylor as Poet)
.”
Stream of Expression (blog)
,
April
29
,
2018
. . Accessed November 25, 2019.
Guillory
,
John
. “
Genesis of the Media Concept
.”
Critical Inquiry
36
, no.
2
(Winter
2010
):
321
62
.
Hall
,
Jacqueline Dowd
. “
The Long Civil Rights Movement and the Political Uses of the Past
.”
Journal of American History
91
, no.
4
(
March
2005
):
1233
63
.
Hall
,
James C.
The African American Musician as Intellectual
.”
Harold Cruse’s the Crisis of the Negro Intellectual Reconsidered
. Ed.
Watts
Jerry
.
London
:
Routledge
,
2004
.
109
19
.
Hall
,
Stuart
. “
Gramsci’s Relevance for the Study of Race and Ethnicity
.”
Journal of Communication Inquiry
10
, no.
2
(
1986
):
5
27
.
Hall
,
Stuart
. “
Notes on Deconstructing ‘the Popular’
.”
Cultural Theory and Popular Culture: A Reader
. Ed.
Storey
John
.
Upper Saddle River, NJ
:
Pearson/Prentice Hall
,
1998
.
442
53
.
Hall
,
Stuart
. “
Race, Articulation, and Societies Structured in Dominance
.”
Black British Cultural Studies: A Reader
. Eds.
Baker
Houston
Jr.
,
Diawara
Manthia
, and
Lindeborg
Ruth H.
.
Chicago
:
University of Chicago Press
,
1996
.
16
60
.
Hall
,
Stuart
. “
What Is This ‘Black’ in Black Popular Culture?
Black Popular Culture
. Ed.
Dent
Gina
.
Seattle
:
Bay Press
,
1992
.
21
33
.
Hall
,
Stuart
. “
When Was ‘the Post-colonial’? Thinking at the Limit
.”
The Post-colonial Question: Common Skies, Divided Horizons
. Eds.
Chambers
Iain
and
Curti
Lidia
.
London
:
Routledge
,
1995
.
242
60
.
Hansen
,
Miriam Bratu
. “
The Mass Production of the Senses: Classical Cinema as Vernacular Modernism
.”
Modernism/Modernity
6
, no.
2
(
1999
):
59
77
.
Hardt
,
Michael
. “
Production and Distribution of the Common: A Few Questions for the Artist
.”
open! Platform for Art, Culture & the Public Domain
.
February
6
,
2006
. . Accessed May 9, 2018.
Harney
,
Stefano
, and
Desideri
Valentina
. “
A Conspiracy Without a Plot
.”
The Curatorial: A Philosophy of Curating
. Ed.
Martinon
Jean-Paul
.
London
:
Bloomsbury Press
,
2013
.
125
36
.
Harper
,
Phillip Brian
.
Abstractionist Aesthetics: Artistic Form and Social Critique in African American Culture
.
New York
:
New York University Press
,
2015
.
Harper
,
Phillip Brian
. “
Nationalism and Social Division in Black Arts Poetry of the 1960s
.”
Critical Inquiry
19
, no.
2
(Winter
1993
):
234
55
.
Harris
,
William J.
How You Sound??: Amiri Baraka Writes Free Jazz
.”
Uptown Conversation: The New Jazz Studies
. Ed.
O’Meally
Robert G.
,
Edwards
Brent Hayes
, and
Griffin
Farah Jasmine
.
New York
:
Columbia University Press
,
2004
.
Harris
,
William J.
The Poetry and Poetics of Amiri Baraka: The Jazz Aesthetic
.
Columbia
:
University of Missouri Press
,
1985
.
Hartman
,
Saidiya V.
Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America
.
Oxford
:
Oxford University Press
,
1997
.
Henderson
,
Stephen E.
The Question of Form and Judgment in Contemporary Black American Poetry: 1962–1977
.”
A Dark and Sudden Beauty: Two Essays in Black American Poetry
. Ed.
Baker
Houston A.
Jr.
Philadelphia
:
University of Pennsylvania Press
,
1977
:
9
36
.
Hentoff
,
Nat
. “
Langston Hughes: He Found Poetry in the Blues
.”
Mayfair
(
August
1958
):
27
.
Hirsch
,
Jerrold
. “
Modernity, Nostalgia and Southern Folklore Studies: The Case of John Lomax
.”
Journal of American Folklore
105
, no.
416
(Spring
1992
):
183
207
.
Hoffman
,
Tyler
.
American Poetry in Performance: From Walt Whitman to Hip Hop
.
Ann Arbor
:
University of Michigan Press
,
2011
.
Holmes
,
Thom
.
Electronic and Experimental Music: Technology, Music, and Culture
.
London
:
Routledge
,
2015
.
Hughes
,
Langston
. “
Consider Me
.”
American Scholar
,
21
, no.
1
(Winter
1951–52
):
100
.
Hughes
,
Langston
. “
The Influence of Negro Music on American Entertainment
.”
April
25
,
1952
. Reprinted in
The Collected Works of Langston Hughes. Vol. 9, Essays on Art, Race, Politics, and World Affairs
. Ed.
De Santi
Christopher C.
.
Columbia
:
University of Missouri Press
,
2002
.
208
.
Hughes
,
Langston
. “
Jazz as Communication
.”
The Collected Works of Langston Hughes. Vol. 9, Hughes: Essays on Art, Race, Politics, and World Affairs
. Ed.
De Santi
Christopher C.
.
Columbia
:
University of Missouri Press
,
2002
.
370
.
Hughes
,
Langston
. “
The Negro Artist and the Racial Mountain
.”
The Nation
122
(
June
23
,
1926
):
692
94
.
Reprinted in
The Collected Works of Langston Hughes. Vol. 9, Essays on Art, Race, Politics, and World Affairs
. Ed.
De Santi
Christopher C.
.
Columbia
:
University of Missouri Press
,
2002
.
32
.
Hughes
,
Langston
. “
Note on Commercial Theater
.”
The Collected Poems of Langston Hughes
. Eds.
Rampersad
Arnold
and
Roessel
David
.
New York
:
Alfred Knopf
,
2004
:
215
.
Hughes
,
Langston
. “
Poetry, Jazz and Nightclubs
.”
Chicago Defender
,
May
17
,
1958
,
10
.
Hughes
,
Langston
. “
Ten Ways to Use Poetry in Teaching
.”
The Collected Works of Langston Hughes. Vol. 9, Essays on Art, Race, Politics, and World Affairs
. Ed.
De Santi
Christopher C.
.
Columbia
:
University of Missouri Press
,
2002
.
319
.
Hurston
,
Zora Neal
. “
Spirituals and Neo-Spirituals
.”
Folklore, Memoirs, and Other Writings
. Ed.
Wall
Cheryl A.
,
1934
.
New York
:
Library of America
,
1995
.
869
74
.
Ihde
,
Don
.
Listening and Voice: Phenomenologies of Sound
. 2nd ed.
Albany
:
State University of New York Press
,
2007
.
Iton
,
Richard
.
In Search of the Black Fantastic: Politics and Popular Culture in the Post–Civil Rights Era
.
Oxford
:
Oxford University Press
,
2008
.
Iton
,
Richard
. “
Still Life
.”
Small Axe
40
(
March
2013
):
22
39
.
Iyer
,
Vijay
. “
Improvisation, Temporality, and Embodied Experience
.”
Journal of Consciousness Studies
11
, nos.
3–4
(
2004
):
159
73
.
Jackson
,
Travis A.
‘Always New and Centuries Old’: Jazz, Poetry, and Tradition as Creative Adaptation
.”
Uptown Conversation: The New Jazz Studies
. Eds.
O’Meally
Robert G.
,
Edwards
Brent Hayes
, and
Griffin
Farah Jasmine
.
New York
:
Columbia University Press
,
2004
.
357
73
.
James
,
Joy
. “
Concerning Violence: Frantz Fanon’s Rebel Intellectual in Search of a Black Cyborg
.”
South Atlantic Quarterly
112
, no.
1
(Winter
2013
):
57
70
.
Jameson
,
Fredric
. “
Periodizing the 60s
.”
Social Text
9/10
(Spring–Summer
1984
):
178
209
.
Jameson
,
Fredric
. “
Reification and Utopia in Mass Culture
.”
Signatures of the Visible
.
New York
:
Routledge
,
1990
.
9
34
.
Johnson
,
Cedric
.
Revolutionaries to Race Leaders: Black Power and the Making of African American Politics
.
Minneapolis
:
University of Minneapolis Press
,
2007
.
Jones
,
Meta DuEwa
.
The Muse Is Music: Jazz Poetry from the Harlem Renaissance to Spoken Word
.
Urbana
:
University of Illinois Press
,
2011
.
Jordan
,
June
. “
Review of Celebrations and Solitudes, by Jayne Cortez and Richard Davis
.”
Black World
26
, no.
5
(
March
1975
):
53
,
63
.
Jost
,
Ekkerhard
.
Free Jazz
.
New York
:
Da Capo Press
,
1994
.
Kane
,
Brian
.
Sound Unseen: Acousmatic Sound in Theory and Practice
.
Oxford
:
Oxford University Press
,
2014
.
Karenga
,
Ron
. “
Ron Karenga and Black Cultural Nationalism: A Response
.”
Negro Digest
17
, no.
3
(
January
1968
):
5
9
.
Kelley
,
Robin D. G.
Dig They Freedom: Meditations on History and the Black Avant-Garde
.”
Lenox Avenue: A Journal of Interarts Inquiry
3
(
1997
):
13
27
.
Kelley
,
Robin D. G.
Race Rebels: Culture, Politics, and the Black Working Class
.
New York
:
Free Press
,
1994
.
Kim
,
Daniel Wong-gu
. “
‘In the Tradition’: Amiri Baraka, Black Liberation, and Avant-Garde Praxis in the U.S
.”
African American Review
37
, nos.
2/3
(Summer–Autumn
2003
):
345
63
.
Kingan
,
Renee
. “
Taking It Out!: Jayne Cortez’s Collaborations with the Firespitters
.”
Black Music, Black Poetry: Blues and Jazz’s Impact on African American Versification
. Ed.
Thompson
Gordon E.
.
Farnham, UK
:
Ashgate
,
2014
.
149
62
.
Kofsky
,
Frank
.
John Coltrane and the Jazz Revolution of the 1960s
.
1971
.
New York
:
Pathfinder Press
,
1998
.
Kramer
,
Lawrence
. “
Beyond Words and Music: An Essay on Songfulness
.”
Word and Music Studies: Defining the Field: Proceedings of the First International Conference on Word and Music Studies at Graz, 1997
. Eds.
Bernhart
Walter
,
Scher
Steven Paul
, and
Wolf
Werner
.
Amsterdam
:
Rodopi
,
1999
.
Kristeva
,
Julia
.
Desire in Language: A Semiotic Approach to Literature and Art
. Trans.
Gora
Thomas
and
Jardine
Alice A.
. Ed.
Rudiez
Leon S.
.
New York
:
Columbia University Press
,
1982
.
Kristeva
,
Julia
.
Revolution in Poetic Language
. Trans.
Waller
Margaret
.
New York
:
Columbia University Press
,
1985
.
Kun
,
Josh
.
Audiotopia: Music, Race, and America
.
Berkeley
:
University of California Press
,
2005
.
Kutzinski
,
Vera M.
The Worlds of Langston Hughes: Modernism and Translation in the Americas
.
Ithaca, NY
:
Cornell University Press
,
2012
.
Labelle
,
Brandon
. “
Raw Orality
.”
Voice: Vocal Aesthetics in Digital Arts and Media
. Eds.
Neumark
Norie
,
Gibson
Ross
, and
Leeuwen
Theo van
.
Cambridge, MA
:
MIT Press
,
2010
.
147
72
.
Leonard
,
Keith
.
Fettered Genius: The African American Bardic Poet from Slavery to Civil Rights
.
Charlottesville
:
University of Virginia Press
,
2006
.
Lewis
,
David
. “
Interview: Jeanne Lee and David Eyges
.”
Cadence
4
, no.
23
(
April
1997
):
5
13
.
Lewis
,
David Levering
.
W. E. B. Du Bois: Biography of a Race, 1868–1919
.
New York
:
Henry Holt
,
1993
.
Lewis
,
George
.
A Power Stronger Than Itself: The AACM and American Experimental Music
.
Chicago
:
University of Chicago Press
,
2008
.
Loftin
,
Elouise
.
Jumbish
.
New York
:
Emerson Hall
,
1972
.
Looker
,
Benjamin
.
“Point from Which Creation Begins”: The Black Artists’ Group of St. Louis
.
Chicago
:
University of Chicago Press
,
2004
.
Lorde
,
Audre
. “
Age, Race, Class, and Sex: Women Redefining Difference
.”
Sister Outsider: Essays and Speeches
.
Freedom, CA
:
Crossing Press
,
1984
.
114
23
.
Lorde
,
Audre
. “
Uses of the Erotic: The Erotic as Power
.”
Sister Outsider: Essays and Speeches
.
Freedom, CA
:
Crossing Press
,
1984
.
53
59
.
Lordi
,
Emily J.
Black Resonance: Iconic Women Singers and African American Literature
.
New Brunswick, NJ
:
Rutgers University Press
,
2013
.
Lowney
,
John
.
History, Memory, and the Literary Left: Modern American Poetry, 1935–1968
.
Iowa City
:
University of Iowa Press
,
2006
.
Lynch
,
Kevin
. “
Cecil Taylor and the Poetics of Living
.”
Down Beat
53
, no.
11
(
November
1986
):
22
24
,
67
.
Mackey
,
Nathaniel
.
Atet A.D
.
San Francisco
:
City Lights
,
2001
.
Mackey
,
Nathaniel
.
Bass Cathedral
.
New York
:
New Directions
,
2008
.
Mackey
,
Nathaniel
.
Blue Fasa
.
New York
:
New Directions
,
2015
.
Mackey
,
Nathaniel
. “
Expanding the Repertoire
.”
Tripwire
5
(Fall
2001
):
7
10
.
Mackey
,
Nathaniel
.
Late Arcade
.
San Francisco
:
City Lights
,
2017
.
Mackey
,
Nathaniel
.
Paracritical Hinge: Essays, Talks, Notes, Interviews
.
Madison
:
University of Wisconsin Press
,
2005
.
Mackey
,
Nathaniel
.
Splay Anthem
.
San Francisco
:
City Lights
,
2006
.
Marx
,
Karl
.
Capital
, Vol.
1
. Trans.
Fowkes
Ben
.
London
:
Penguin
,
1976
.
Mathes
,
Carter
.
Imagine the Sound: Experimental African American Literature after Civil Rights
.
Minneapolis
:
University of Minnesota Press
,
2015
.
McCaffery
,
Steven
. “
Voice in Extremis
.”
Close Listening: Poetry and the Performed Word
. Ed.
Bernstein
Charles
.
Oxford
:
Oxford University Press
,
1998
.
162
77
.
McKittrick
,
Katherine
. “
Mathematics Black Life
.”
Black Scholar
44
, no.
2
(Summer
2014
):
16
28
.
Melhem
,
D. H.
Heroism in the New Black Poetry: Introductions and Interviews
.
Lexington
:
University Press of Kentucky
,
1990
.
Melhem
,
D. H.
MELUS Profile and Interview: Jayne Cortez
.”
MELUS
21
, no.
1
(Spring
1996
):
71
79
.
Millard
,
Andre
.
America on Record: A History of Recorded Sound
.
Cambridge
:
Cambridge University Press
,
2003
.
Miller
,
Karl Hagstrom
.
Segregating Sounds: Inventing Folk and Pop Music in the Age of Jim Crow
.
Durham, NC
:
Duke University Press
,
2010
.
Mingus
,
Charles
. “
An Open Letter to the Avant-Garde
.”
Charles Mingus: More Than a Fake Book
.
1973
.
New York
:
Jazz Workshop
,
1991
.
Mingus
,
Charles
. “
An Open Letter to Miles Davis
.”
Down Beat
,
November
30
,
1955
,
12
13
.
Mingus
,
Charles
. “
What Is a Jazz Composer?
Charles Mingus: More Than a Fake Book
.
1971
.
New York
:
Jazz Workshop
,
1991
.
Monson
,
Ingrid
. “
Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology
.”
Critical Inquiry
20
, no.
2
(Winter
1994
):
283
313
.
Moten
,
Fred
. “
Blackness and Nothingness (Mysticism in the Flesh)
.”
South Atlantic Quarterly
112
, no.
4
(
2013
):
737
80
.
Moten
,
Fred
.
In the Break: The Aesthetics of the Black Radical Tradition
.
Minneapolis
:
University of Minnesota Press
,
2005
.
Moten
,
Fred
. “
The New International of Rhythmic Feeling(s)
.”
Sonic Interventions
. Eds.
Mieszkowski
Sylvia
,
Smith
Joy
, and
de Valck
Marijke
.
Amsterdam
:
Editions Rodopi
,
2007
.
31
56
.
Moten
,
Fred
.
A Poetics of the Undercommons
.
Butte, MT
:
Sputnik & Fizzle
,
2016
.
Moten
,
Fred
, and
Harney
Stefano
.
The Undercommons: Fugitive Planning and Black Study
.
New York
:
Minor Compositions
,
2013
.
Mouffe
,
Chantal
.
On the Political
.
London
:
Routledge
,
2005
.
Murphy
,
Jeanette Robinson
. “
The Survival of African Music in America
.”
Popular Science Monthly
55
(
September
1899
):
660
72
.
Murray
,
Albert
.
Stomping the Blues
.
New York
:
Da Capo
,
1976
.
Nash
,
Jennifer C.
The Black Body in Ecstasy: Reading Race, Reading Pornography
.
Durham, NC
:
Duke University Press
,
2014
.
Neal
,
Larry
. “
The Black Arts Movement
.”
Drama Review: tdr
12
, no.
4
(Summer
1968
):
28
39
.
Neal
,
Larry
. “
The Black Contribution to American Letters: Part II, The Writer as Activist 1960 and After
.”
The Black American Reference Book
. Ed.
Smythe
Mabel M.
.
Englewood Cliffs, NJ
:
Prentice Hall
,
1976
.
767
90
.
Neal
,
Larry
. “
Black Revolution in Music: A Talk with Drummer Milford Graves
.”
Liberator
(
September
1965
):
14
15
.
Neal
,
Larry
. “
And Shine Swam On
.”
Black Fire: An Anthology of Afro-American Writing
. Eds.
Baraka
Amiri
and
Neal
Larry
.
1968
.
Baltimore
:
Black Classic Press
,
2007
.
638
56
.
Neal
,
Lawrence P.
The Black Musician in White America
.”
Negro Digest
16
, no.
5
(
March
1967
):
53
57
.
Neal
,
Lawrence P.
A Conversation with Archie Shepp
.”
Liberator
5
, no.
11
(
November
1965
):
24
25
.
Ngai
,
Sianne
.
Ugly Feelings
.
Cambridge, MA
:
Harvard University Press
,
2005
.
Nielsen
,
Aldon Lynn
.
Black Chant: The Languages of Black Postmodernity
.
Cambridge
:
Cambridge University Press
,
1997
.
Nielsen
,
Aldon Lynn
. “
Capillary Currents: Jayne Cortez
.”
We Who Love to Be Astonished: Experimental Women’s Writing and Performance Poetics
. Eds.
Hinton
Laura
and
Hogue
Cynthia
.
Tuscaloosa
:
University of Alabama Press
,
2002
.
227
35
.
Nielsen
,
Aldon Lynn
. “
Now Is the Time: Voicing Against the Grain of Orality
.”
People Get Ready: The Future of Jazz Is Now!
Eds.
Heble
Ajay
and
Wallace
Rob
.
Durham, NC
:
Duke University Press
,
2013
.
31
43
.
Novak
,
Julia
.
Live Poetry: An Integrated Approach to Poetry in Performance
.
Amsterdam
:
Rodopi
,
2011
.
Okiji
,
Fumi
.
Jazz as Critique: Adorno and Black Expression Reconsidered
.
Stanford, CA
:
Stanford University Press
,
2018
.
Ongiri
,
Amy Abugo
.
Spectacular Blackness: The Cultural Politics of the Black Power Movement and the Search for a Black Aesthetic
.
Charlottesville
:
University of Virginia Press
,
2010
.
Parks
,
Suzan-Lori
.
The America Play and Other Plays
.
New York
:
Theater Company Group
,
1994
.
Parry
,
Sarah
. “
The LP Era: Voice-Practice/Voice Document
.”
ESC
33
, no.
4
(
December
2007
):
169
80
.
Patterson
,
Anita
. “
Jazz, Realism, and the Modernist Lyric: The Poetry of Langston Hughes
.”
MLQ: Modern Language Quarterly
61
, no.
4
(
December
2000
):
651
82
.
Porter
,
Eric
. “
Jeanne Lee’s Voice
.”
People Get Ready: The Future of Jazz Is Now!
Eds.
Heble
Ajay
and
Wallace
Rob
.
Durham, NC
:
Duke University Press
,
2013
.
88
110
.
Porter
,
Eric
.
What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists
.
Berkeley
:
University of California Press
,
2002
.
Priestley
,
Brian
.
Mingus: A Critical Biography
.
New York
:
Da Capo Press
,
1982
.
Radano
,
Ron
.
New Musical Figurations: Anthony Braxton’s Cultural Critique
.
Chicago
:
University of Chicago Press
,
1993
.
Rambsy
,
Howard
II
.
The Black Arts Enterprise and the Production of African American Poetry
.
Ann Arbor
:
University of Michigan Press
,
2013
.
Rampersad
,
Arnold
.
The Life of Langston Hughes, Vol. II: 1941–1967 I Dream a World
.
Oxford
:
Oxford University Press
,
2002
.
Rancière
,
Jacques
.
Disagreement: Politics and Philosophy
. Trans.
Rose
Julie
.
Minneapolis
:
University of Minnesota Press
,
1999
.
Rancière
,
Jacques
.
The Politics of Aesthetics: The Distribution of the Sensible
. Trans.
Rockhill
Gabriel
.
London
:
Continuum
,
2004
.
Rando
,
David
.
Hope and Wish Image in Music Technology
.
Basingstoke, UK
:
Palgrave Macmillan
,
2017
.
Rasula
,
Jed
. “
The Media of Memory: The Seductive Menace of Records in Jazz History
.”
Jazz Among the Discourses
. Ed.
Gabbard
Krin
.
Durham, NC
:
Duke University Press
,
1995
:
134
62
.
Reed
,
Adolph
. “
Black Particularity Reconsidered
.”
Telos
39
(
March
1979
):
71
93
.
Reed
,
Adolph
. “
Unraveling the Relation of Race and Class in American Politics
.”
Political Power and Social Theory
15
, no.
264
(
2002
):
265
74
.
Reed
,
Adolph
. “
What Are the Drums Saying, Booker?: The Current Crisis of the Black Intellectual
.”
Village Voice
,
April
11
,
1995
,
31
36
.
Reprinted in
Class Notes: Posing As Politics and Other Thoughts on the American Scene
.
New York
:
New Press
,
2001
.
Reed
,
Anthony
.
Freedom Time: The Poetics and Politics of Black Experimental Writing
.
Baltimore
:
Johns Hopkins University Press
,
2014
.
Riggins
,
Roger
. “
Jeanne Lee
.”
Coda
1
(
February
1979
):
4
5
.
Roberts
,
Matana
. “
Artistic Statement
.”. Accessed June 8, 2019.
Roberts
,
Matana
. “
below the Radar 15
.”
Wire
. .
Accessed June 8, 2019
.
Roberts
,
Matana
. “
Keeping on…
Critical Studies in Improvisation/Études critiques en improvisation
6
, no.
2
(
2010
):
1
.
Roberts
,
Matana
, and
Moran
Jason
. “
Coin Coin Recollections
.”
Loop
1
(
2016
):
46
60
.
Robinson
,
Cedric
.
Black Marxism: The Making of the Black Radical Tradition
.
1983
.
Chapel Hill
:
University of North Carolina Press
,
2000
.
Rubin
,
Joan Shelley
.
Songs of Ourselves: The Uses of Poetry in America
.
Cambridge, MA
:
Harvard University Press
,
2010
.
Rusch
,
Robert D.
Jazztalk: The Cadence Interviews
.
New York
:
Lyle Stuart
,
1984
.
Sanchez
,
Sonia
. “
A Letter to Dr. Martin Luther King, Jr
.”
Homegirls and Handgrenades
.
New York
:
Thunder’s Mouth Press
,
1984
.
69
.
Santoro
,
Gene
.
Myself When I Am Real: The Life and Music of Charles Mingus
.
Oxford
:
Oxford University Press
,
2000
.
Saul
,
Scott
.
Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties
.
Cambridge, MA
:
Harvard University Press
,
2003
.
Schultz
,
Kathy Lou
.
The Afro-Modernist Epic and Literary History: Tolson, Hughes, Baraka
.
New York
:
Palgrave Macmillan
,
2012
.
Schwarz
,
David
.
Listening Subjects: Music, Psychoanalysis, Culture
.
Durham, NC
:
Duke University Press
,
1997
.
Scott
,
David
.
Conscripts of Modernity: The Tragedy of Colonial Enlightenment
.
Durham, NC
:
Duke University Press
,
2004
.
Scott
,
David
. “
The Temporality of Generations: Dialogue, Tradition, Criticism
.”
New Literary History
45
, no.
2
(Spring
2014
):
157
81
.
Sedgwick
,
Eve Kosofsky
.
Between Men: English Literature and Male Homosocial Desire
.
New York
:
Columbia University Press
,
1993
.
Shepp
,
Archie
. “
An Artist Speaks Bluntly
.”
Down Beat
(
December
1965
):
11
.
Simanga
,
Michael
.
Amiri Baraka and the Congress of African People: History and Memory
.
New York
:
Palgrave
,
2015
.
Small
,
Christopher
.
Music of the Common Tongue: Survival and Celebration in Afro-American Music
.
London
:
John Calder Publishers
,
1987
.
Small
,
Christopher
.
Musicking: The Meanings of Performing and Listening
.
Middletown, CT
:
Wesleyan University Press
,
1998
.
Smethurst
,
James
.
The Black Arts Movement: Literary Nationalism in the 1960s and 1970s
.
Chapel Hill
:
University of North Carolina Press
,
2006
.
Smethurst
,
James
. “
‘ Don’t Say Goodbye to the Porkpie Hat’: Langston Hughes, the Left, and the Black Arts Movement
.”
Callaloo
24
, no.
4
(Fall
2002
):
1224
37
.
Smethurst
,
James
.
The New Red Negro: The Literary Left and African American Poetry, 1930–1946
.
Oxford
:
Oxford University Press
,
1999
.
Smith
,
Jacob
.
Spoken Word: Postwar American Phonograph Cultures
.
Berkeley
:
University of California Press
,
2011
.
Sollors
,
Werner
.
Amiri Baraka/LeRoi Jones: The Quest for a “Populist Modernism
.”
New York
:
Columbia University Press
,
1979
.
Somaini
,
Antonio
. “
Walter Benjamin’s Media Theory: The Medium and the Apparat
.”
Grey Room
62
(Winter
2016
):
6
41
.
Somers-Willett
,
Susan B. A.
The Cultural Politics of Slam Poetry
.
Ann Arbor
:
University of Michigan Press
,
2009
.
Spellman
,
A. B.
Four Lives in the Bebop Business
.
1966
.
New York
:
Limelight Editions
,
1994
.
Spicer
,
Daniel
. “
Chains of the Heart
.”
Wire
356
(
October
2013
):
34
41
.
Spillers, Hortense
,
J.
Black, White, and in Color: Essays on American Literature and Culture
.
Chicago
:
University of Chicago Press
,
2003
.
Spivak
,
Gayatri Chakravorty
.
A Critique of Postcolonial Reason: Toward a History of the Vanishing Pre sent
.
Cambridge, MA
:
Harvard University Press
,
1999
.
Spivak
,
Gayatri Chakravorty
. “
Scattered Speculations on the Question of Value
.”
In Other Worlds: Essays in Cultural Politics
.
New York
:
Routledge
,
1988
.
154
75
.
Spivak
,
Gayatri Chakravorty
. “
Scattered Speculations on the Subaltern and the Popular
.”
Postcolonial Studies
8
, no.
4
(
2005
):
475
86
.
Sterne
,
Jonathan
.
The Audible Past: Cultural Origins of Sound Reproduction
.
Durham, NC
:
Duke University Press
,
2003
.
Stewart
,
Susan
.
On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection
.
Durham, NC
:
Duke University Press
,
1993
.
Stoever
,
Jennifer
.
The Sonic Color Line: Race and the Cultural Politics of Listening
.
New York
:
New York University Press
,
2016
.
Such
,
David
.
Avant-Garde Jazz Musicians: Performing Out There
.
Iowa City
:
University of Iowa Press
,
1993
.
Suisman
,
David
.
Selling Sounds: The Commercial Revolution in American Music
.
Cambridge, MA
:
Harvard University Press
,
2009
.
Sukenick
,
Ronald
.
Down and In: Life in the Underground
.
New York
:
William Morrow
,
1987
.
Szwed
,
John
.
Space Is the Place: The Lives and Times of Sun Ra
.
New York
:
Pantheon Books
,
1997
.
Taylor
,
Cecil
. “
With Cecil Taylor
.”
April
2012
. . Accessed November 25, 2019.
Thomas
,
Lorenzo
. “
Ascension: Music and the Black Arts Movement
.”
Jazz Among the Discourses
. Ed.
Gabbard
Krin
.
Durham, NC
:
Duke University Press
,
1995
.
256
74
.
Toomer
,
Jean
.
The Wayward and the Seeking: A Collection of Writings by Jean Toomer
. Ed.
Turner
Darwin M.
.
Washington, DC
:
Howard University Press
,
1980
.
Tracy
,
Steven C.
Langston Hughes and the Blues
.
Urbana
:
University of Illinois Press
,
1988
.
Trouillot
,
Michel-Rolph
. “
The Otherwise Modern: Caribbean Lessons from the Savage Slot
.”
Critically Modern: Alternatives, Alterities, Anthropologies
. Ed.
Knauft
Bruce M.
.
Bloomington
:
Indiana University Press
,
2002
.
220
37
.
Tucker
,
Sherrie
. “
Bordering on Community: Improvising Women Improvising Women-in-Jazz
.”
The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
. Eds.
Fischlin
Daniel
and
Heble
Ajay
.
Middletown, CT
:
Wesleyan University Press
,
2004
.
244
67
.
Tucker
,
Sherrie
. “
Deconstructing the Jazz Tradition
.”
Jazz/Not Jazz: The Music and Its Bound aries
. Eds.
Ake
David
,
Garrett
Charles Hiroshi
, and
Goldmark
Daniel
.
Berkeley
:
University of California Press
,
2012
.
Tynan
,
John
. “
Take Five
.”
Down Beat
,
November
23
,
1961
,
40
.
Washington
,
Mary Helen
.
The Other Black List: The African American Literary and Cultural Left of the 1950s
.
New York
:
Columbia University Press
,
2014
.
Watts
,
Jerry Gafio
.
Amiri Baraka: The Politics and Art of a Black Intellectual
.
New York
:
New York University Press
,
2001
.
Weheliye
,
Alexander
.
Phonographies: The Grooves of Sonic Afro-Modernity
.
Durham, NC
:
Duke University Press
,
2005
.
Weiss
,
Jason
.
Always in Trouble: An Oral History of ESP-Disk, the Most Outrageous Record Label in America
.
Middletown, CT
:
Wesleyan University Press
,
2012
.
Westendorf
,
Lynette
. “
Cecil Taylor: Indent—‘Second Layer’
.”
Perspectives of New Music
33
, nos.
1/2
(Winter–Summer
1995
):
294
326
.
Wheeler
,
Lesley
.
Voicing American Poetry: Sound and Performance from the 1920s to the Pre sent
.
Ithaca, NY
:
Cornell University Press
,
2008
.
White
,
Simone
.
Dear Angel of Death
.
Brooklyn, NY
:
Ugly Duckling Presse
,
2019
.
Williams
,
Alan
. “
Is Sound Recording like a Language?
Yale French Studies
60
(
1980
):
51
66
.
Williams
,
Raymond
.
Politics and Letters: Interviews with New Left Review
.
London
:
Verso
,
2015
.
Williams
,
Sherley Anne
.
Give Birth to Brightness: A Thematic Study in Neo-Black Literature
.
New York
:
Dial Press
,
1972
.
Wilmer
,
Valerie
.
As Serious as Your Life: John Coltrane and Beyond
.
New York
:
Da Capo Press
,
1977
.
Woodard
,
Komozi
.
A Nation Within a Nation: Amiri Baraka (LeRoi Jones) and Black Power Politics
.
Chapel Hill
:
University of North Carolina Press
,
1999
.
Woodson
,
Carter G.
Jim Crow’s Last Stand by Langston Hughes
.”
Journal of Negro History
28
, no.
4
(
October
1943
):
493
94
.
Wynter
,
Sylvia
. “
Ethno or Socio Poetics
.”
Alcheringa: Ethnopoetics
. Eds.
Benamou
Michael
and
Rothenberg
Jerome
.
Boston
:
Boston University Press
,
1976
.
78
94
.
Wynter
,
Sylvia
. “
Rethinking ‘Aesthetics’: Notes T oward a Deciphering Practice
.”
Ex-Iles: Essays on Caribbean Cinema
. Ed.
Cham
Mbaye M.
.
Trenton, NJ
:
Africa World Press
,
1992
.
237
79
.
Wynter
,
Sylvia
. “
Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation—An Argument
.”
CR: The New Centennial Review
3
, no.
3
(Fall
2003
):
257
337
.
Young
,
Cynthia
.
Soul Power: Culture, Radicalism, and the Making of a U.S. Third World Left
.
Durham, NC
:
Duke University Press
,
2006
.
Young
,
Robert
. “
Red Poetics and the Practice of ‘Disalienation’
.”
Montage of a Dream: The Art and Life of Langston Hughes
. Eds.
Tidwell
John Edgar
and
Ragar
Cheryl
.
Columbia
:
University of Missouri Press
,
2007
.
135
46
.
RECORDINGS AND LINER NOTES
Art Ensemble of Chicago
.
We Are on the Edge
.
Pi Recordings
,
2019
.
CD
.
Baraka
,
Amiri
.
Liner notes
.
John Coltrane, Live from Birdland
.
Impulse!
,
1964
.
LP
.
Baraka
,
Amiri
. “
You Think This Is About You?
Liner notes
.
Ayler
Albert
.
Holy Ghost: Rare and Unissued Recordings (1962–1970)
.
Revenant
,
2004
.
CD
.
Baraka
,
Amiri
, with
Murray
David
and
McCall
Steve
.
New Music—New Poetry
.
India Navigation
,
1982
.
LP
.
Blythe
,
Arthur
.
In the Tradition
.
Columbia
,
1979
.
LP
.
Brown
,
Marion
.
After noon of a Georgia Faun
.
ECM
,
1970
.
LP
.
Cherry
,
Don
.
Complete Communion
.
Blue Note
,
1966
.
LP
.
Coleman
,
Steve
.
Sonic Language of Myth: Believing, Learning, Knowing
.
RCA Victor
,
1999
.
CD
.
Cortez
,
Jayne
.
Maintain Control
.
Bola Press
,
1986
.
LP
.
Cortez
,
Jayne
.
There It Is
.
Bola Press
,
1986
.
LP
.
Cyrille
,
Andrew
,
Lyons
Jimmy
, and
Lee
Jeanne
.
Nuba
.
Black Saint
,
1979
.
LP
.
Cyrille
,
Andrew
.
Celebration
.
IPS Records
,
1975
.
LP
.
Harper
,
Billy
.
Blueprints of Jazz
, Vol.
2
.
Talking House Records
,
2008
.
CD
.
Hemphill
,
Julius
.
Coon Bid’ness
.
Arista Freedom
,
1975
.
LP
.
Hentoff
,
Nat
.
Liner notes
.
Archie Shepp
,
Fire Music
.
Impulse!
,
1965
.
LP
.
Hentoff
,
Nat
.
Liner notes
.
Taylor
Cecil
,
Cecil Taylor: In Transition
.
Blue Note
,
1975
.
LP
.
Hughes
,
Langston
.
Weary Blues
.
1958
.
Verve
,
1990
.
CD
.
Jost
,
Ekkerhard
. “
Instant Composing as Body Language
.”
Liner notes. Cecil Taylor
,
The Complete Cecil Taylor in Berlin ’88
.
FMP
,
2015
.
CD
.
Lee
,
Jeanne
.
Conspiracy
.
Earthforms Records
,
1975
.
LP
.
Mingus
,
Charles
.
A Modern Jazz Symposium of Music and Poetry with Charlie Mingus
.
Bethlehem
,
1957
.
LP
.
Mingus
,
Charles
.
Ah Um
.
Columbia
,
1959
.
LP
.
Mingus
,
Charles
.
Blues and Roots
.
Atlantic
,
1960
.
LP
.
Mingus
,
Charles
.
Charles Mingus Pre sents Charles Mingus
.
Candid
,
1961
.
LP
.
Mingus
,
Charles
.
Pithecanthropus Erectus
.
Atlantic
,
1956
.
LP
.
Mingus
,
Charles
.
The Charles Mingus Quintet Plus Max Roach
.
Debut
,
1955
.
LP
.
Mingus
,
Charles
.
Town Hall Concert
,
1964
, Vol.
1
.
Jazz Workshop
,
1964
.
LP
.
Moran
,
Jason
.
Bandwagon
.
Blue Note
,
2003
.
CD
.
Murray
,
David
.
Fo Deuk Revue
.
Justin Time
,
1997
.
CD
.
New York Art Quartet
.
New York Art Quartet
.
ESP-Disk
,
1964
.
LP
.
New York Art Quartet
.
Reunion
.
Diw Records
,
2000
.
CD
.
Parker
,
William
.
I Plan to Stay a Believer: The Inside Songs of Curtis Mayfield
.
AUM Fidelity
,
2010
.
CD
.
Ragin
,
Hugh
.
An Afternoon in Harlem
.
Justin Time
,
1999
.
CD
.
Richards
,
Spencer
.
Liner notes. Cecil Taylor
,
Live in Vienna
.
Leo
,
1988
.
CD
.
Roberts
,
Matana
.
Coin Coin Chapter One: Gens de couleur libres
.
Constellation Records
,
2011
.
CD
.
Roberts
,
Matana
.
Coin Coin Chapter Two: Mississippi Moonchile
.
Constellation Records
,
2013
.
CD
.
Roberts
,
Matana
.
Coin Coin Chapter Three: River Run Thee
.
Constellation Records
,
2015
.
CD
.
Sanders
,
Pharoah
.
Journey to the One
.
Theresa
,
1980
.
LP
.
Shepp
,
Archie
.
The Cry of My People
.
Impulse!
,
1972
.
LP
.
Shepp
,
Archie
.
Live at the Pan-African Festival
.
BYG Actuel
,
1969
.
LP
.
Shepp
,
Archie
.
The Magic of Ju-Ju
.
Impulse!
,
1967
.
LP
.
Shepp
,
Archie
.
Poem for Malcolm
.
BYG Actuel
,
1969
.
Shepp
,
Archie
.
Rufus
.
Fontana
,
1963
.
LP
.
Taylor
,
Cecil
. “
Sound of Subculture Becoming Major Breath/Naked Fire Gesture
.”
Liner notes. Cecil Taylor
,
Unit Structures
.
Blue Note
,
1966
.
LP
.
Taylor
,
Cecil
.
Double Holy House
.
FMP
,
1993
.
CD
.
Taylor
,
Cecil
.
Liner notes. Cecil Taylor
,
Air Above Mountains (Buildings Within)
.
Enja Records
,
1976
.
LP
.
Taylor
,
Cecil
.
Liner notes
.
Cecil Taylor, Garden
, vol.
1
.
Hat ART
,
1990
.
CD
.
The Roots featuring Amiri Baraka
. “
Something in the Way of Things (In Town)
.”
Phrenology
.
MCA
,
2002
.
CD
.
Thompson
,
Malachi
.
Freebob Now!
Delmark
,
1998
.
CD
.
Weston
,
Randy
.
Uhuru Afrika
.
Roulette
,
1961
.
LP
.
Young
,
Ben
.
Liner notes
.
Charles Mingus, Tijuana Moods
.
1957
.
Bluebird
,
2001
.
CD
.

Figures & Tables

Contents

Advertisement

References

Bibliography

Bibliography
Adorno
,
Theodor W.
Essays on Music
. Ed.
Leppert
Richard
. Trans.
Gillespie
Susan H.
et al
.
1934
.
Berkeley
:
University of California Press
,
2002
.
Adorno
,
Theodor W.
The Form of the Phonograph Rec ord
.” Trans.
Gillespie
Susan H.
.
Essays on Music
. Ed.
Leppert
Richard
.
1934
.
Berkeley
:
University of California Press
,
2002
.
277
82
.
Adorno
,
Theodor W.
On the Social Situation of Music
.” Trans.
Gillespie
Susan
.
Essays on Music
. Ed.
Leppert
Richard
.
1931
.
Berkeley
:
University of California Press
,
2002
.
391
436
.
Adorno
,
Theodor W.
, and
Benjamin
Walter
.
The Complete Correspondence, 1928–1940
. Trans.
Walker
Nicholas
. Ed.
Lonitz
Henri
.
Cambridge, MA
:
Harvard University Press
,
1999
.
Agawu
,
Kofi
. “
The Challenge of Semiotics
.”
Rethinking Music
. Eds.
Cook
Nicholas
and
Everist
Mark
.
Oxford
:
Oxford University Press
,
1999
.
138
60
.
Althusser
,
Louis
, and
Balibar
Étienne
.
Reading Capital
. Trans.
Brewster
Ben
.
1965
.
London
:
Verso
,
1997
.
Arnheim
,
Rudolf
.
Radio
. Trans.
Ludwig
Margaret
and
Read
Herbert
.
1913
.
London
:
Faber & Faber
,
1936
.
Attali
,
Jacques
.
Noise: The Political Economy of Music
. Trans.
Massumi
Brian
.
Minneapolis
:
University of Minnesota Press
,
1985
.
Bailey
,
Derek
.
Improvisation: Its Nature and Practice in Music
.
New York
:
Da Capo Press
,
1992
.
Baker
,
Houston A.
Blues, Ideology and Afro-American Literature: A Vernacular Theory
.
Chicago
:
University of Chicago Press
,
1984
.
Balliett
,
Whitney
.
American Musicians: 56 Portraits in Jazz
.
New York
:
Oxford University Press
,
1986
.
Baraka
,
Amiri
.
Black Magic: Poetry 1961–1967
.
Indianapolis
:
Bobbs-Merrill
,
1969
.
Baraka
,
Amiri
.
Black Music
.
1967
.
New York
:
Da Capo Press
,
1998
.
Baraka
,
Amiri
.
Blues People: Negro Music in White America
.
1963
.
New York
:
Perennial
,
2002
.
Baraka
,
Amiri
.
Daggers and Javelins: Essays, 1974–1979
.
New York
:
William Morrow
,
1984
.
Baraka
,
Amiri
.
Digging: The Afro-American Soul of American Classical Music
.
Berkeley
:
University of California Press
,
2009
.
Baraka
,
Amiri
.
The Fiction of LeRoi Jones/Amiri Baraka
.
Chicago
:
Lawrence Hill Books
,
2000
.
Baraka
,
Amiri
.
Funk Lore: New Poems (1984–1995)
. Ed.
Vangelisti
Paul
.
Los Angeles
:
Littoral Books
,
1996
.
Baraka
,
Amiri
.
Home: Social Essays
.
New York
:
William Morrow
,
1966
.
Baraka
,
Amiri
.
The LeRoi Jones/Amiri Baraka Reader
. Ed.
Harris
William J.
.
New York
:
Basic Books
,
2009
.
Baraka
,
Amiri
.
Preface
.
Black Boogaloo: Notes on Black Liberation, by Larry Neal
.
San Francisco
:
Journal of Black Poetry Press
,
1969
.
Baraka
,
Amiri
.
S O S: Poems 1961–2013
.
New York
:
Grove Press
,
2014
.
Baraka
,
Amiri
. “
Some Questions about the Sixth Pan-African Congress
.”
Black Scholar
6
, no.
2
(
October
1974
):
42
46
.
Baraka
,
Amiri
, and
Baraka
Amina
.
The Music: Reflections on Jazz and Blues
.
New York
:
Morrow
,
1987
.
Baraka
,
Amiri
, and
Salaam
Kalamu ya
. “
Amiri Baraka Analyzes How He Writes
.”
African American Review
37
, nos.
2/3
(Summer/Autumn
2003
):
211
36
.
Barthes
,
Roland
.
Image, Music, Text
. Trans. and ed.
Heath
Stephen
.
New York
:
Hill and Wang
,
1977
.
Bartlett
,
Andrew
. “
Cecil Taylor, Identity Energy, and the Avant-Garde African American Body
.”
Perspectives of New Music
33
, nos.
1/2
(Winter–Summer
1995
):
274
93
.
Battier
,
Marc
. “
What the GRM Brought: From Musique Concrète to Acousmatic Music
.”
Organized Sound
12
, no.
3
(
December
2007
):
189
202
.
Benjamin
,
Walter
.
The Arcades Project
. Trans.
Eiland
Howard
and
McLaughlin
Kevin
.
Cambridge, MA
:
Belknap Press of
Harvard University Press
,
1999
.
Benjamin
,
Walter
. “
The Medium through Which Works of Art Continue to Influence Later Ages
.” Trans.
Livingstone
Rodney
.
Selected Writings
. Trans.
Jephcott
Edmund
et al
, ed.
Bullock
Marcus
et al
,
4 vols
.
Cambridge, MA
:
Harvard University Press
,
2002
).
1
:
235
.
Benjamin
,
Walter
. “
On Some Motifs in Baudelaire
.” Trans.
Zohn
Harry
.
Walter Benjamin: Selected Writings, Volume 4: 1938–1940
. Eds.
Eiland
Howard
and
Jennings
Michael W.
.
Cambridge, MA
:
Harvard University Press
,
2006
.
Benston
,
Kimberly
. “
Amiri Baraka: An Interview
.”
boundary 2
6
, no.
2
(Winter
1978
):
303
18
.
Bérard
,
Carol
. “
Recorded Noises—Tomorrow’s Instrumentation
.”
Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio
. Eds.
Taylor
Timothy D.
,
Katz
Mark
, and
Grajeda
Tony
.
1929
.
Durham, NC
:
Duke University Press
,
2012
.
110
13
.
Berlant
,
Lauren
.
Cruel Optimism
.
Durham, NC
:
Duke University Press
,
2012
.
Berlant
,
Lauren
.
The Female Complaint: The Unfinished Business of Sentimentality in American Culture
.
Durham, NC
:
Duke University Press
,
2008
.
Berlant
,
Lauren
. “
A Properly Political Concept of Love: Three Approaches in Ten Pages
”,
Cultural Anthropology
26
, no.
4
(
2011
):
683
91
.
Bernstein
,
Charles
, ed.
Close Listening: Poetry and the Performed Word
.
Oxford
:
Oxford University Press
,
1998
.
Best
,
Stephen
.
The Fugitive’s Properties: Law and the Poetics of Possession
.
Chicago
:
University of Chicago Press
,
2004
.
Biondi
,
Martha
.
To Stand and Fight: The Struggle for Civil Rights in Postwar New York City
.
Cambridge, MA
:
Harvard University Press
,
2003
.
Bolden
,
Tony
.
Afro-Blue: Improvisations in African American Poetry and Culture
.
Urbana
:
University of Illinois Press
,
2004
.
Bolden
,
Tony
. “
All the Birds Sing Bass: The Revolutionary Blues of Jayne Cortez
.”
African American Review
,
35
, no.
1
(Spring
2001
):
61
67
.
Bonetti
,
Kay
. “
An Interview with Toni Cade Bambara
.”
Conversations with Toni Cade Bambara
. Ed.
Lewis
Thabiti
.
Jackson
:
University Press of Mississippi
,
2012
.
35
47
.
Boyd
,
Melba Joyce
.
Review of Coagulations: New and Selected Poems by Jayne Cortez
.
Black Scholar
16
, no
4
(
July/August
1985
):
65
66
.
Brady
,
Erika
.
A Spiral Way: How the Phonograph Changed Ethnography
.
Jackson
:
University Press of Mississippi
,
1999
.
Brooks
,
Tim
.
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919
.
Urbana
:
University of Illinois Press
,
2004
.
Brown
,
Marion
. “
Improvisation and the Aural Tradition in Afro-American Music
.”
Black World
23
, no.
1
(
November
1973
):
14
19
.
Butler
,
Judith
.
Gender Trouble: Feminism and the Subversion of Identity
.
London
:
Routledge
,
1990
.
Carby
,
Hazel V.
The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston
.”
New Essays on Their Eyes Were Watching God
.” Ed.
Awkward
Michael
.
New York
:
Cambridge University Press
,
1991
.
Carby
,
Hazel V.
Race Men
.
Cambridge, MA
:
Harvard University Press
,
1998
.
Carles
,
Philippe
, and
Comolli
Jean-Louis
.
Free Jazz/Black Power
. Trans.
Pierrot
Grégory
.
1971
.
Jackson
:
University Press of Mississippi
,
2015
.
Carmichael
,
Thomas
. “
Beneath the Underdog: Charles Mingus, Representation, and Jazz Autobiography
.”
Canadian Review of American Studies
25
, no.
3
(Winter
1995
):
29
41
.
Césaire
,
Aimé
.
Discourse on Colonialism
. Trans.
Pinkham
Joan
.
New York
:
Monthly Review Press
,
2000
.
Chandler
,
Nahum Dimitri
.
X: The Problem of the Negro as a Problem for Thought
.
New York
:
Fordham University Press
,
2014
.
Chasar
,
Mike
.
Everyday Reading: Poetry and Popular Culture in Modern America
.
New York
:
Columbia University Press
,
2012
.
Christian
,
Barbara
. “
There It Is: The Poetry of Jayne Cortez
.”
Callaloo
26
(Winter
1986
):
235
39
.
Coleman
,
Ornette
, and
Derrida
Jacques
. “
The Other’s Language: Jacques Derrida Interviews Ornette Coleman, 23 June 1997
.” Trans.
Murphy
Timothy S.
.
Genre
36
(Summer
2004
):
319
29
.
Corbett
,
John
. “
Ephemera Underscored: Writing around Free Improvisation
.”
Jazz among the Discourses
. Ed.
Gabbard
Krin
.
Durham, NC
:
Duke University Press
,
1995
.
217
40
.
Crawford
,
Margo Natalie
.
Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics
.
Urbana
:
University of Illinois Press
,
2017
.
Crawford
,
Margo Natalie
. “
The Poetics of Chant and Inner/Outer Space
.”
The Cambridge Companion to American Poetry Since 1945
. Ed.
Ashton
Jennifer
.
Cambridge
:
Cambridge University Press
,
2013
.
Crawley
,
Ashon
.
Blackpentecostal Breath: The Aesthetics of Possibility
.
New York
:
Fordham University Press
,
2016
.
Cruse
,
Harold
.
The Crisis of the Negro Intellectual: From Its Origins to the Present
.
New York
:
William Morrow
,
1967
.
Cruz
,
Jon
.
Culture on the Margins: The Black Spiritual and the Rise of American Cultural Interpretation
.
Princeton, NJ
:
Princeton University Press
,
1999
.
Culler
,
Jonathan D.
Text—Its Vicissitudes
.”
The Literary in Theory
.
Stanford, CA
:
Stanford University Press
,
2007
:
99
116
.
Davey
,
Elizabeth
. “
Building a Black Audience in the 1930s: Langston Hughes, Poetry Readings, and the Golden Stair Press
.”
Print Culture in a Diverse America
. Eds.
Danky
James P.
and
Wiegand
Wayne A.
.
Urbana
:
University of Illinois Press
,
1998
.
223
43
.
Davis
,
Angela Y.
Afro Images: Politics, Fashion, and Nostalgia
.”
Critical Inquiry
21
, no.
1
(Autumn
1994
):
37
45
.
Davis
,
Arthur P.
The Harlem of Langston Hughes’s Poetry
.”
Phylon
13
, no.
4
(
4th Qtr.
1952
):
276
83
.
Dawahare
,
Anthony
. “
Langston Hughes’s Radical Poetry and the ‘End of Race’
.”
MELUS
23
, no.
3
(Fall
1998
):
21
41
.
Dawson
,
Michael
.
Blacks in and Out of the Left
.
Cambridge, MA
:
Harvard University Press
,
2013
.
Dawson
,
Michael
.
Black Visions: The Roots of Con temporary African-American Political Ideologies
.
Chicago
:
University of Chicago Press
,
2001
.
De Man
,
Paul
.
Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust
.
New Haven, CT
:
Yale University Press
,
1979
.
Denning
,
Michael
.
The Cultural Front: The Laboring of American Culture in the Twentieth Century
.
London
:
Verso
,
1997
.
Denning
,
Michael
. “
The End of Mass Culture
.”
International Labor and Working-Class History
37
(Spring
1990
):
4
18
.
Denning
,
Michael
.
Noise Uprising: The Audio Politics of a World Musical Revolution
.
London
:
Verso
,
2015
.
Derrida
,
Jacques
. “
Freud and the Scene of Writing
.”
Writing and Difference
. Trans.
Bass
Alan
.
Chicago
:
University of Chicago Press
,
1978
.
196
231
.
Dolar
,
Mladen
.
A Voice and Nothing More
.
Cambridge, MA
:
MIT Press
,
2006
.
Donnell
,
Alison
.
Twentieth-Century Caribbean Literature: Critical Moments in Anglophone Literary History
.
London
:
Routledge
,
2005
.
Douglass
,
Frederick
.
Autobiographies
. Ed.
Gates
Henry Louis
Jr.
New York
:
Library of America
,
1994
.
Drott
,
Eric
.
Music and the Elusive Revolution: Cultural Politics and Political Culture in France, 1968–1981
.
Berkeley
:
University of California Press
,
2011
.
Du Bois
,
W. E. B.
Writings
. Ed.
Huggins
Nathan
.
New York
:
Library of America
,
1986
.
Ebaum
,
Max
.
Revolution in the Air: Sixties Radicals Turn to Lenin, Mao and Che
.
2002
.
London
:
Verso
,
2018
.
Edwards
,
Brent Hayes
.
Epistrophies: Jazz and the Literary Imagination
.
Cambridge, MA
:
Harvard University Press
,
2017
.
Edwards
,
Brent Hayes
, and
Rasula
Jed
. “
The Ear of the Behearer: A Conversation in Jazz
.”
New Ohio Review
3
(Spring
2008
):
42
64
.
Ellison
,
Ralph
.
The Collected Essays of Ralph Ellison
. Ed.
Callahan
John F.
.
New York
:
Modern Library
,
2003
.
Ellison
,
Ralph
.
Living with Music
. Ed.
O’Meally
Robert G.
.
New York
:
Modern Library Classics
,
2002
.
Ernst
,
David
. “
Record Review: Afternoon of a Georgia Faun, Djinji’s Corner
.”
Black Perspective in Music
2
, no.
1
(Spring
1974
):
95
97
.
Fanon
,
Frantz
.
Black Skin, White Masks
. Trans.
Markmann
Charles Lam
.
New York
:
Grove Press
,
1962
.
Fanon
,
Frantz
.
Wretched of the Earth
. Trans.
Farrington
Constance
.
1961
.
New York
:
Grove Press
,
1963
.
Farred
,
Grant
.
What’s My Name?: Black Vernacular Intellectuals
.
Minneapolis
:
University of Minnesota Press
,
2003
.
Feinstein
,
Sasha
. “
Returning to Go Some Place Else: Jayne Cortez
.”
Ask Me Now: Conversations on Jazz and Literature
. Ed.
Feinstein
Sasha
.
Bloomington
:
Indiana University Press
,
2007
.
Fields
,
Barbara
, and
Fields
Karen
.
Racecraft: The Soul of Inequality in American Life
.
London
:
Verso Books
,
2012
.
Floyd
,
Samuel
.
The Power of Black Music: Interpreting Its History from Africa to the United States
.
Oxford
:
Oxford University Press
,
1996
.
Frazier
,
Robeson Taj P.
The Congress of African People: Baraka, Brother Mao, and the Year of ’74
.”
Souls
8
, no.
3
(
2006
):
142
59
.
Freeman
,
Phil
. “
Matana Roberts
.”
Wire-London
328
(
June
2011
):
20
.
Fuller
,
Hoyt
, ed. “
Writers Symposium
.”
Negro Digest
17
no.
3
(
January
1968
):
10
45
.
Funkhouser
,
Chris
. “
Being Matter Ignited …: An Interview with Cecil Taylor
.”
Hambone
12
(Spring
1992
):
17
39
. . Accessed May 28, 2019.
Gendron
,
Bernard
. “
After the October Revolution: The Jazz Avant-Garde in New York, 1964–65
.”
Sound Commitments: Avant-Garde Music and the Sixties
. Ed.
Addington
Robert
.
Oxford
:
Oxford University Press
,
2009
.
211
53
.
Genette
,
Gerard
.
Paratexts: Thresholds of Interpretation
. Trans.
Lewin
Jane E.
.
Cambridge
:
Cambridge University Press
,
1997
.
Gennari
,
John
. “
Baraka’s Bohemian Blues
.”
African American Review
37
, nos.
2/3
(Summer–Autumn
2003
):
253
60
.
Giddins
,
Gary
. “
The Avant-Gardist Who Came in from the Cold
.”
Riding on a Blue Note: Jazz and American Pop
.
1981
.
New York
:
Da Capo
,
2000
.
Gilroy
,
Paul
. “
After the Love Has Gone”: Bio-Politics and Ethno-Poetics in the Black Public Sphere
.”
Third Text
8
, nos.
28/29
(
1994
):
25
46
.
Gilroy
,
Paul
.
The Black Atlantic: Modernity and Double Consciousness
.
London
:
Verso
,
1993
.
Glick
,
Jeremy Matthew
. “
‘All I Do Is Think about You’: Some Notes on Pragmatist Longing in Recent Literary Study of Amiri Baraka
.”
boundary 2
37
, no.
2
(Summer
2010
):
107
32
.
Goldsmith
,
Peter D.
Making People’s Music: Moe Asch and Folkways Records
.
Washington, DC
:
Smithsonian Institution Press
,
1998
.
Gore
,
Dayo F.
Radicalism at the Crossroads: African American Women Activists in the Cold War
.
New York
:
New York University Press
,
2011
.
Gosse
,
Van
. “
A Movement of Movements: The Definition and Periodization of the New Left
.”
A Companion to Post-1945 America
. Eds.
Agnew
Jean-Christophe
and
Rosenzweig
Roy
.
London
:
Wiley-Blackwell
,
2002
.
277
302
.
Graham
,
Maryemma
. “
The Practice of a Social Art
.”
Langston Hughes: Critical Perspectives Past and Pre sent
. Eds.
Gates
Henry Louis
Jr.
and
Appiah
Kwame Anthony
.
New York
:
Amistad
,
1993
.
213
35
.
Gramsci
,
Antonio
.
Selections from the Prison Notebooks
. Eds. and trans.
Hoare
Quintin
and
Smith
Geoffrey Nowell
.
New York
:
International
,
1985
.
Green
,
Adam
.
Selling the Race: Culture, Community, and Black Chicago, 1940–1955
.
Chicago
:
University of Chicago Press
,
2007
.
Griffin
,
Farah Jasmine
. “
When Malindy Sings: A Meditation on Black Women’s Vocality
.”
Uptown Conversation: The New Jazz Studies
. Eds.
O’Meally
Robert G.
,
Edwards
Brent Hayes
, and
Griffin
Farah Jasmine
.
New York
:
Columbia University Press
,
2004
.
102
25
.
Grundy
,
David
. “
‘… And Not Goodbye’: Cecil Taylor (Part 2—Taylor as Poet)
.”
Stream of Expression (blog)
,
April
29
,
2018
. . Accessed November 25, 2019.
Guillory
,
John
. “
Genesis of the Media Concept
.”
Critical Inquiry
36
, no.
2
(Winter
2010
):
321
62
.
Hall
,
Jacqueline Dowd
. “
The Long Civil Rights Movement and the Political Uses of the Past
.”
Journal of American History
91
, no.
4
(
March
2005
):
1233
63
.
Hall
,
James C.
The African American Musician as Intellectual
.”
Harold Cruse’s the Crisis of the Negro Intellectual Reconsidered
. Ed.
Watts
Jerry
.
London
:
Routledge
,
2004
.
109
19
.
Hall
,
Stuart
. “
Gramsci’s Relevance for the Study of Race and Ethnicity
.”
Journal of Communication Inquiry
10
, no.
2
(
1986
):
5
27
.
Hall
,
Stuart
. “
Notes on Deconstructing ‘the Popular’
.”
Cultural Theory and Popular Culture: A Reader
. Ed.
Storey
John
.
Upper Saddle River, NJ
:
Pearson/Prentice Hall
,
1998
.
442
53
.
Hall
,
Stuart
. “
Race, Articulation, and Societies Structured in Dominance
.”
Black British Cultural Studies: A Reader
. Eds.
Baker
Houston
Jr.
,
Diawara
Manthia
, and
Lindeborg
Ruth H.
.
Chicago
:
University of Chicago Press
,
1996
.
16
60
.
Hall
,
Stuart
. “
What Is This ‘Black’ in Black Popular Culture?
Black Popular Culture
. Ed.
Dent
Gina
.
Seattle
:
Bay Press
,
1992
.
21
33
.
Hall
,
Stuart
. “
When Was ‘the Post-colonial’? Thinking at the Limit
.”
The Post-colonial Question: Common Skies, Divided Horizons
. Eds.
Chambers
Iain
and
Curti
Lidia
.
London
:
Routledge
,
1995
.
242
60
.
Hansen
,
Miriam Bratu
. “
The Mass Production of the Senses: Classical Cinema as Vernacular Modernism
.”
Modernism/Modernity
6
, no.
2
(
1999
):
59
77
.
Hardt
,
Michael
. “
Production and Distribution of the Common: A Few Questions for the Artist
.”
open! Platform for Art, Culture & the Public Domain
.
February
6
,
2006
. . Accessed May 9, 2018.
Harney
,
Stefano
, and
Desideri
Valentina
. “
A Conspiracy Without a Plot
.”
The Curatorial: A Philosophy of Curating
. Ed.
Martinon
Jean-Paul
.
London
:
Bloomsbury Press
,
2013
.
125
36
.
Harper
,
Phillip Brian
.
Abstractionist Aesthetics: Artistic Form and Social Critique in African American Culture
.
New York
:
New York University Press
,
2015
.
Harper
,
Phillip Brian
. “
Nationalism and Social Division in Black Arts Poetry of the 1960s
.”
Critical Inquiry
19
, no.
2
(Winter
1993
):
234
55
.
Harris
,
William J.
How You Sound??: Amiri Baraka Writes Free Jazz
.”
Uptown Conversation: The New Jazz Studies
. Ed.
O’Meally
Robert G.
,
Edwards
Brent Hayes
, and
Griffin
Farah Jasmine
.
New York
:
Columbia University Press
,
2004
.
Harris
,
William J.
The Poetry and Poetics of Amiri Baraka: The Jazz Aesthetic
.
Columbia
:
University of Missouri Press
,
1985
.
Hartman
,
Saidiya V.
Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America
.
Oxford
:
Oxford University Press
,
1997
.
Henderson
,
Stephen E.
The Question of Form and Judgment in Contemporary Black American Poetry: 1962–1977
.”
A Dark and Sudden Beauty: Two Essays in Black American Poetry
. Ed.
Baker
Houston A.
Jr.
Philadelphia
:
University of Pennsylvania Press
,
1977
:
9
36
.
Hentoff
,
Nat
. “
Langston Hughes: He Found Poetry in the Blues
.”
Mayfair
(
August
1958
):
27
.
Hirsch
,
Jerrold
. “
Modernity, Nostalgia and Southern Folklore Studies: The Case of John Lomax
.”
Journal of American Folklore
105
, no.
416
(Spring
1992
):
183
207
.
Hoffman
,
Tyler
.
American Poetry in Performance: From Walt Whitman to Hip Hop
.
Ann Arbor
:
University of Michigan Press
,
2011
.
Holmes
,
Thom
.
Electronic and Experimental Music: Technology, Music, and Culture
.
London
:
Routledge
,
2015
.
Hughes
,
Langston
. “
Consider Me
.”
American Scholar
,
21
, no.
1
(Winter
1951–52
):
100
.
Hughes
,
Langston
. “
The Influence of Negro Music on American Entertainment
.”
April
25
,
1952
. Reprinted in
The Collected Works of Langston Hughes. Vol. 9, Essays on Art, Race, Politics, and World Affairs
. Ed.
De Santi
Christopher C.
.
Columbia
:
University of Missouri Press
,
2002
.
208
.
Hughes
,
Langston
. “
Jazz as Communication
.”
The Collected Works of Langston Hughes. Vol. 9, Hughes: Essays on Art, Race, Politics, and World Affairs
. Ed.
De Santi
Christopher C.
.
Columbia
:
University of Missouri Press
,
2002
.
370
.
Hughes
,
Langston
. “
The Negro Artist and the Racial Mountain
.”
The Nation
122
(
June
23
,
1926
):
692
94
.
Reprinted in
The Collected Works of Langston Hughes. Vol. 9, Essays on Art, Race, Politics, and World Affairs
. Ed.
De Santi
Christopher C.
.
Columbia
:
University of Missouri Press
,
2002
.
32
.
Hughes
,
Langston
. “
Note on Commercial Theater
.”
The Collected Poems of Langston Hughes
. Eds.
Rampersad
Arnold
and
Roessel
David
.
New York
:
Alfred Knopf
,
2004
:
215
.
Hughes
,
Langston
. “
Poetry, Jazz and Nightclubs
.”
Chicago Defender
,
May
17
,
1958
,
10
.
Hughes
,
Langston
. “
Ten Ways to Use Poetry in Teaching
.”
The Collected Works of Langston Hughes. Vol. 9, Essays on Art, Race, Politics, and World Affairs
. Ed.
De Santi
Christopher C.
.
Columbia
:
University of Missouri Press
,
2002
.
319
.
Hurston
,
Zora Neal
. “
Spirituals and Neo-Spirituals
.”
Folklore, Memoirs, and Other Writings
. Ed.
Wall
Cheryl A.
,
1934
.
New York
:
Library of America
,
1995
.
869
74
.
Ihde
,
Don
.
Listening and Voice: Phenomenologies of Sound
. 2nd ed.
Albany
:
State University of New York Press
,
2007
.
Iton
,
Richard
.
In Search of the Black Fantastic: Politics and Popular Culture in the Post–Civil Rights Era
.
Oxford
:
Oxford University Press
,
2008
.
Iton
,
Richard
. “
Still Life
.”
Small Axe
40
(
March
2013
):
22
39
.
Iyer
,
Vijay
. “
Improvisation, Temporality, and Embodied Experience
.”
Journal of Consciousness Studies
11
, nos.
3–4
(
2004
):
159
73
.
Jackson
,
Travis A.
‘Always New and Centuries Old’: Jazz, Poetry, and Tradition as Creative Adaptation
.”
Uptown Conversation: The New Jazz Studies
. Eds.
O’Meally
Robert G.
,
Edwards
Brent Hayes
, and
Griffin
Farah Jasmine
.
New York
:
Columbia University Press
,
2004
.
357
73
.
James
,
Joy
. “
Concerning Violence: Frantz Fanon’s Rebel Intellectual in Search of a Black Cyborg
.”
South Atlantic Quarterly
112
, no.
1
(Winter
2013
):
57
70
.
Jameson
,
Fredric
. “
Periodizing the 60s
.”
Social Text
9/10
(Spring–Summer
1984
):
178
209
.
Jameson
,
Fredric
. “
Reification and Utopia in Mass Culture
.”
Signatures of the Visible
.
New York
:
Routledge
,
1990
.
9
34
.
Johnson
,
Cedric
.
Revolutionaries to Race Leaders: Black Power and the Making of African American Politics
.
Minneapolis
:
University of Minneapolis Press
,
2007
.
Jones
,
Meta DuEwa
.
The Muse Is Music: Jazz Poetry from the Harlem Renaissance to Spoken Word
.
Urbana
:
University of Illinois Press
,
2011
.
Jordan
,
June
. “
Review of Celebrations and Solitudes, by Jayne Cortez and Richard Davis
.”
Black World
26
, no.
5
(
March
1975
):
53
,
63
.
Jost
,
Ekkerhard
.
Free Jazz
.
New York
:
Da Capo Press
,
1994
.
Kane
,
Brian
.
Sound Unseen: Acousmatic Sound in Theory and Practice
.
Oxford
:
Oxford University Press
,
2014
.
Karenga
,
Ron
. “
Ron Karenga and Black Cultural Nationalism: A Response
.”
Negro Digest
17
, no.
3
(
January
1968
):
5
9
.
Kelley
,
Robin D. G.
Dig They Freedom: Meditations on History and the Black Avant-Garde
.”
Lenox Avenue: A Journal of Interarts Inquiry
3
(
1997
):
13
27
.
Kelley
,
Robin D. G.
Race Rebels: Culture, Politics, and the Black Working Class
.
New York
:
Free Press
,
1994
.
Kim
,
Daniel Wong-gu
. “
‘In the Tradition’: Amiri Baraka, Black Liberation, and Avant-Garde Praxis in the U.S
.”
African American Review
37
, nos.
2/3
(Summer–Autumn
2003
):
345
63
.
Kingan
,
Renee
. “
Taking It Out!: Jayne Cortez’s Collaborations with the Firespitters
.”
Black Music, Black Poetry: Blues and Jazz’s Impact on African American Versification
. Ed.
Thompson
Gordon E.
.
Farnham, UK
:
Ashgate
,
2014
.
149
62
.
Kofsky
,
Frank
.
John Coltrane and the Jazz Revolution of the 1960s
.
1971
.
New York
:
Pathfinder Press
,
1998
.
Kramer
,
Lawrence
. “
Beyond Words and Music: An Essay on Songfulness
.”
Word and Music Studies: Defining the Field: Proceedings of the First International Conference on Word and Music Studies at Graz, 1997
. Eds.
Bernhart
Walter
,
Scher
Steven Paul
, and
Wolf
Werner
.
Amsterdam
:
Rodopi
,
1999
.
Kristeva
,
Julia
.
Desire in Language: A Semiotic Approach to Literature and Art
. Trans.
Gora
Thomas
and
Jardine
Alice A.
. Ed.
Rudiez
Leon S.
.
New York
:
Columbia University Press
,
1982
.
Kristeva
,
Julia
.
Revolution in Poetic Language
. Trans.
Waller
Margaret
.
New York
:
Columbia University Press
,
1985
.
Kun
,
Josh
.
Audiotopia: Music, Race, and America
.
Berkeley
:
University of California Press
,
2005
.
Kutzinski
,
Vera M.
The Worlds of Langston Hughes: Modernism and Translation in the Americas
.
Ithaca, NY
:
Cornell University Press
,
2012
.
Labelle
,
Brandon
. “
Raw Orality
.”
Voice: Vocal Aesthetics in Digital Arts and Media
. Eds.
Neumark
Norie
,
Gibson
Ross
, and
Leeuwen
Theo van
.
Cambridge, MA
:
MIT Press
,
2010
.
147
72
.
Leonard
,
Keith
.
Fettered Genius: The African American Bardic Poet from Slavery to Civil Rights
.
Charlottesville
:
University of Virginia Press
,
2006
.
Lewis
,
David
. “
Interview: Jeanne Lee and David Eyges
.”
Cadence
4
, no.
23
(
April
1997
):
5
13
.
Lewis
,
David Levering
.
W. E. B. Du Bois: Biography of a Race, 1868–1919
.
New York
:
Henry Holt
,
1993
.
Lewis
,
George
.
A Power Stronger Than Itself: The AACM and American Experimental Music
.
Chicago
:
University of Chicago Press
,
2008
.
Loftin
,
Elouise
.
Jumbish
.
New York
:
Emerson Hall
,
1972
.
Looker
,
Benjamin
.
“Point from Which Creation Begins”: The Black Artists’ Group of St. Louis
.
Chicago
:
University of Chicago Press
,
2004
.
Lorde
,
Audre
. “
Age, Race, Class, and Sex: Women Redefining Difference
.”
Sister Outsider: Essays and Speeches
.
Freedom, CA
:
Crossing Press
,
1984
.
114
23
.
Lorde
,
Audre
. “
Uses of the Erotic: The Erotic as Power
.”
Sister Outsider: Essays and Speeches
.
Freedom, CA
:
Crossing Press
,
1984
.
53
59
.
Lordi
,
Emily J.
Black Resonance: Iconic Women Singers and African American Literature
.
New Brunswick, NJ
:
Rutgers University Press
,
2013
.
Lowney
,
John
.
History, Memory, and the Literary Left: Modern American Poetry, 1935–1968
.
Iowa City
:
University of Iowa Press
,
2006
.
Lynch
,
Kevin
. “
Cecil Taylor and the Poetics of Living
.”
Down Beat
53
, no.
11
(
November
1986
):
22
24
,
67
.
Mackey
,
Nathaniel
.
Atet A.D
.
San Francisco
:
City Lights
,
2001
.
Mackey
,
Nathaniel
.
Bass Cathedral
.
New York
:
New Directions
,
2008
.
Mackey
,
Nathaniel
.
Blue Fasa
.
New York
:
New Directions
,
2015
.
Mackey
,
Nathaniel
. “
Expanding the Repertoire
.”
Tripwire
5
(Fall
2001
):
7
10
.
Mackey
,
Nathaniel
.
Late Arcade
.
San Francisco
:
City Lights
,
2017
.
Mackey
,
Nathaniel
.
Paracritical Hinge: Essays, Talks, Notes, Interviews
.
Madison
:
University of Wisconsin Press
,
2005
.
Mackey
,
Nathaniel
.
Splay Anthem
.
San Francisco
:
City Lights
,
2006
.
Marx
,
Karl
.
Capital
, Vol.
1
. Trans.
Fowkes
Ben
.
London
:
Penguin
,
1976
.
Mathes
,
Carter
.
Imagine the Sound: Experimental African American Literature after Civil Rights
.
Minneapolis
:
University of Minnesota Press
,
2015
.
McCaffery
,
Steven
. “
Voice in Extremis
.”
Close Listening: Poetry and the Performed Word
. Ed.
Bernstein
Charles
.
Oxford
:
Oxford University Press
,
1998
.
162
77
.
McKittrick
,
Katherine
. “
Mathematics Black Life
.”
Black Scholar
44
, no.
2
(Summer
2014
):
16
28
.
Melhem
,
D. H.
Heroism in the New Black Poetry: Introductions and Interviews
.
Lexington
:
University Press of Kentucky
,
1990
.
Melhem
,
D. H.
MELUS Profile and Interview: Jayne Cortez
.”
MELUS
21
, no.
1
(Spring
1996
):
71
79
.
Millard
,
Andre
.
America on Record: A History of Recorded Sound
.
Cambridge
:
Cambridge University Press
,
2003
.
Miller
,
Karl Hagstrom
.
Segregating Sounds: Inventing Folk and Pop Music in the Age of Jim Crow
.
Durham, NC
:
Duke University Press
,
2010
.
Mingus
,
Charles
. “
An Open Letter to the Avant-Garde
.”
Charles Mingus: More Than a Fake Book
.
1973
.
New York
:
Jazz Workshop
,
1991
.
Mingus
,
Charles
. “
An Open Letter to Miles Davis
.”
Down Beat
,
November
30
,
1955
,
12
13
.
Mingus
,
Charles
. “
What Is a Jazz Composer?
Charles Mingus: More Than a Fake Book
.
1971
.
New York
:
Jazz Workshop
,
1991
.
Monson
,
Ingrid
. “
Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology
.”
Critical Inquiry
20
, no.
2
(Winter
1994
):
283
313
.
Moten
,
Fred
. “
Blackness and Nothingness (Mysticism in the Flesh)
.”
South Atlantic Quarterly
112
, no.
4
(
2013
):
737
80
.
Moten
,
Fred
.
In the Break: The Aesthetics of the Black Radical Tradition
.
Minneapolis
:
University of Minnesota Press
,
2005
.
Moten
,
Fred
. “
The New International of Rhythmic Feeling(s)
.”
Sonic Interventions
. Eds.
Mieszkowski
Sylvia
,
Smith
Joy
, and
de Valck
Marijke
.
Amsterdam
:
Editions Rodopi
,
2007
.
31
56
.
Moten
,
Fred
.
A Poetics of the Undercommons
.
Butte, MT
:
Sputnik & Fizzle
,
2016
.
Moten
,
Fred
, and
Harney
Stefano
.
The Undercommons: Fugitive Planning and Black Study
.
New York
:
Minor Compositions
,
2013
.
Mouffe
,
Chantal
.
On the Political
.
London
:
Routledge
,
2005
.
Murphy
,
Jeanette Robinson
. “
The Survival of African Music in America
.”
Popular Science Monthly
55
(
September
1899
):
660
72
.
Murray
,
Albert
.
Stomping the Blues
.
New York
:
Da Capo
,
1976
.
Nash
,
Jennifer C.
The Black Body in Ecstasy: Reading Race, Reading Pornography
.
Durham, NC
:
Duke University Press
,
2014
.
Neal
,
Larry
. “
The Black Arts Movement
.”
Drama Review: tdr
12
, no.
4
(Summer
1968
):
28
39
.
Neal
,
Larry
. “
The Black Contribution to American Letters: Part II, The Writer as Activist 1960 and After
.”
The Black American Reference Book
. Ed.
Smythe
Mabel M.
.
Englewood Cliffs, NJ
:
Prentice Hall
,
1976
.
767
90
.
Neal
,
Larry
. “
Black Revolution in Music: A Talk with Drummer Milford Graves
.”
Liberator
(
September
1965
):
14
15
.
Neal
,
Larry
. “
And Shine Swam On
.”
Black Fire: An Anthology of Afro-American Writing
. Eds.
Baraka
Amiri
and
Neal
Larry
.
1968
.
Baltimore
:
Black Classic Press
,
2007
.
638
56
.
Neal
,
Lawrence P.
The Black Musician in White America
.”
Negro Digest
16
, no.
5
(
March
1967
):
53
57
.
Neal
,
Lawrence P.
A Conversation with Archie Shepp
.”
Liberator
5
, no.
11
(
November
1965
):
24
25
.
Ngai
,
Sianne
.
Ugly Feelings
.
Cambridge, MA
:
Harvard University Press
,
2005
.
Nielsen
,
Aldon Lynn
.
Black Chant: The Languages of Black Postmodernity
.
Cambridge
:
Cambridge University Press
,
1997
.
Nielsen
,
Aldon Lynn
. “
Capillary Currents: Jayne Cortez
.”
We Who Love to Be Astonished: Experimental Women’s Writing and Performance Poetics
. Eds.
Hinton
Laura
and
Hogue
Cynthia
.
Tuscaloosa
:
University of Alabama Press
,
2002
.
227
35
.
Nielsen
,
Aldon Lynn
. “
Now Is the Time: Voicing Against the Grain of Orality
.”
People Get Ready: The Future of Jazz Is Now!
Eds.
Heble
Ajay
and
Wallace
Rob
.
Durham, NC
:
Duke University Press
,
2013
.
31
43
.
Novak
,
Julia
.
Live Poetry: An Integrated Approach to Poetry in Performance
.
Amsterdam
:
Rodopi
,
2011
.
Okiji
,
Fumi
.
Jazz as Critique: Adorno and Black Expression Reconsidered
.
Stanford, CA
:
Stanford University Press
,
2018
.
Ongiri
,
Amy Abugo
.
Spectacular Blackness: The Cultural Politics of the Black Power Movement and the Search for a Black Aesthetic
.
Charlottesville
:
University of Virginia Press
,
2010
.
Parks
,
Suzan-Lori
.
The America Play and Other Plays
.
New York
:
Theater Company Group
,
1994
.
Parry
,
Sarah
. “
The LP Era: Voice-Practice/Voice Document
.”
ESC
33
, no.
4
(
December
2007
):
169
80
.
Patterson
,
Anita
. “
Jazz, Realism, and the Modernist Lyric: The Poetry of Langston Hughes
.”
MLQ: Modern Language Quarterly
61
, no.
4
(
December
2000
):
651
82
.
Porter
,
Eric
. “
Jeanne Lee’s Voice
.”
People Get Ready: The Future of Jazz Is Now!
Eds.
Heble
Ajay
and
Wallace
Rob
.
Durham, NC
:
Duke University Press
,
2013
.
88
110
.
Porter
,
Eric
.
What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists
.
Berkeley
:
University of California Press
,
2002
.
Priestley
,
Brian
.
Mingus: A Critical Biography
.
New York
:
Da Capo Press
,
1982
.
Radano
,
Ron
.
New Musical Figurations: Anthony Braxton’s Cultural Critique
.
Chicago
:
University of Chicago Press
,
1993
.
Rambsy
,
Howard
II
.
The Black Arts Enterprise and the Production of African American Poetry
.
Ann Arbor
:
University of Michigan Press
,
2013
.
Rampersad
,
Arnold
.
The Life of Langston Hughes, Vol. II: 1941–1967 I Dream a World
.
Oxford
:
Oxford University Press
,
2002
.
Rancière
,
Jacques
.
Disagreement: Politics and Philosophy
. Trans.
Rose
Julie
.
Minneapolis
:
University of Minnesota Press
,
1999
.
Rancière
,
Jacques
.
The Politics of Aesthetics: The Distribution of the Sensible
. Trans.
Rockhill
Gabriel
.
London
:
Continuum
,
2004
.
Rando
,
David
.
Hope and Wish Image in Music Technology
.
Basingstoke, UK
:
Palgrave Macmillan
,
2017
.
Rasula
,
Jed
. “
The Media of Memory: The Seductive Menace of Records in Jazz History
.”
Jazz Among the Discourses
. Ed.
Gabbard
Krin
.
Durham, NC
:
Duke University Press
,
1995
:
134
62
.
Reed
,
Adolph
. “
Black Particularity Reconsidered
.”
Telos
39
(
March
1979
):
71
93
.
Reed
,
Adolph
. “
Unraveling the Relation of Race and Class in American Politics
.”
Political Power and Social Theory
15
, no.
264
(
2002
):
265
74
.
Reed
,
Adolph
. “
What Are the Drums Saying, Booker?: The Current Crisis of the Black Intellectual
.”
Village Voice
,
April
11
,
1995
,
31
36
.
Reprinted in
Class Notes: Posing As Politics and Other Thoughts on the American Scene
.
New York
:
New Press
,
2001
.
Reed
,
Anthony
.
Freedom Time: The Poetics and Politics of Black Experimental Writing
.
Baltimore
:
Johns Hopkins University Press
,
2014
.
Riggins
,
Roger
. “
Jeanne Lee
.”
Coda
1
(
February
1979
):
4
5
.
Roberts
,
Matana
. “
Artistic Statement
.”. Accessed June 8, 2019.
Roberts
,
Matana
. “
below the Radar 15
.”
Wire
. .
Accessed June 8, 2019
.
Roberts
,
Matana
. “
Keeping on…
Critical Studies in Improvisation/Études critiques en improvisation
6
, no.
2
(
2010
):
1
.
Roberts
,
Matana
, and
Moran
Jason
. “
Coin Coin Recollections
.”
Loop
1
(
2016
):
46
60
.
Robinson
,
Cedric
.
Black Marxism: The Making of the Black Radical Tradition
.
1983
.
Chapel Hill
:
University of North Carolina Press
,
2000
.
Rubin
,
Joan Shelley
.
Songs of Ourselves: The Uses of Poetry in America
.
Cambridge, MA
:
Harvard University Press
,
2010
.
Rusch
,
Robert D.
Jazztalk: The Cadence Interviews
.
New York
:
Lyle Stuart
,
1984
.
Sanchez
,
Sonia
. “
A Letter to Dr. Martin Luther King, Jr
.”
Homegirls and Handgrenades
.
New York
:
Thunder’s Mouth Press
,
1984
.
69
.
Santoro
,
Gene
.
Myself When I Am Real: The Life and Music of Charles Mingus
.
Oxford
:
Oxford University Press
,
2000
.
Saul
,
Scott
.
Freedom Is, Freedom Ain’t: Jazz and the Making of the Sixties
.
Cambridge, MA
:
Harvard University Press
,
2003
.
Schultz
,
Kathy Lou
.
The Afro-Modernist Epic and Literary History: Tolson, Hughes, Baraka
.
New York
:
Palgrave Macmillan
,
2012
.
Schwarz
,
David
.
Listening Subjects: Music, Psychoanalysis, Culture
.
Durham, NC
:
Duke University Press
,
1997
.
Scott
,
David
.
Conscripts of Modernity: The Tragedy of Colonial Enlightenment
.
Durham, NC
:
Duke University Press
,
2004
.
Scott
,
David
. “
The Temporality of Generations: Dialogue, Tradition, Criticism
.”
New Literary History
45
, no.
2
(Spring
2014
):
157
81
.
Sedgwick
,
Eve Kosofsky
.
Between Men: English Literature and Male Homosocial Desire
.
New York
:
Columbia University Press
,
1993
.
Shepp
,
Archie
. “
An Artist Speaks Bluntly
.”
Down Beat
(
December
1965
):
11
.
Simanga
,
Michael
.
Amiri Baraka and the Congress of African People: History and Memory
.
New York
:
Palgrave
,
2015
.
Small
,
Christopher
.
Music of the Common Tongue: Survival and Celebration in Afro-American Music
.
London
:
John Calder Publishers
,
1987
.
Small
,
Christopher
.
Musicking: The Meanings of Performing and Listening
.
Middletown, CT
:
Wesleyan University Press
,
1998
.
Smethurst
,
James
.
The Black Arts Movement: Literary Nationalism in the 1960s and 1970s
.
Chapel Hill
:
University of North Carolina Press
,
2006
.
Smethurst
,
James
. “
‘ Don’t Say Goodbye to the Porkpie Hat’: Langston Hughes, the Left, and the Black Arts Movement
.”
Callaloo
24
, no.
4
(Fall
2002
):
1224
37
.
Smethurst
,
James
.
The New Red Negro: The Literary Left and African American Poetry, 1930–1946
.
Oxford
:
Oxford University Press
,
1999
.
Smith
,
Jacob
.
Spoken Word: Postwar American Phonograph Cultures
.
Berkeley
:
University of California Press
,
2011
.
Sollors
,
Werner
.
Amiri Baraka/LeRoi Jones: The Quest for a “Populist Modernism
.”
New York
:
Columbia University Press
,
1979
.
Somaini
,
Antonio
. “
Walter Benjamin’s Media Theory: The Medium and the Apparat
.”
Grey Room
62
(Winter
2016
):
6
41
.
Somers-Willett
,
Susan B. A.
The Cultural Politics of Slam Poetry
.
Ann Arbor
:
University of Michigan Press
,
2009
.
Spellman
,
A. B.
Four Lives in the Bebop Business
.
1966
.
New York
:
Limelight Editions
,
1994
.
Spicer
,
Daniel
. “
Chains of the Heart
.”
Wire
356
(
October
2013
):
34
41
.
Spillers, Hortense
,
J.
Black, White, and in Color: Essays on American Literature and Culture
.
Chicago
:
University of Chicago Press
,
2003
.
Spivak
,
Gayatri Chakravorty
.
A Critique of Postcolonial Reason: Toward a History of the Vanishing Pre sent
.
Cambridge, MA
:
Harvard University Press
,
1999
.
Spivak
,
Gayatri Chakravorty
. “
Scattered Speculations on the Question of Value
.”
In Other Worlds: Essays in Cultural Politics
.
New York
:
Routledge
,
1988
.
154
75
.
Spivak
,
Gayatri Chakravorty
. “
Scattered Speculations on the Subaltern and the Popular
.”
Postcolonial Studies
8
, no.
4
(
2005
):
475
86
.
Sterne
,
Jonathan
.
The Audible Past: Cultural Origins of Sound Reproduction
.
Durham, NC
:
Duke University Press
,
2003
.
Stewart
,
Susan
.
On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection
.
Durham, NC
:
Duke University Press
,
1993
.
Stoever
,
Jennifer
.
The Sonic Color Line: Race and the Cultural Politics of Listening
.
New York
:
New York University Press
,
2016
.
Such
,
David
.
Avant-Garde Jazz Musicians: Performing Out There
.
Iowa City
:
University of Iowa Press
,
1993
.
Suisman
,
David
.
Selling Sounds: The Commercial Revolution in American Music
.
Cambridge, MA
:
Harvard University Press
,
2009
.
Sukenick
,
Ronald
.
Down and In: Life in the Underground
.
New York
:
William Morrow
,
1987
.
Szwed
,
John
.
Space Is the Place: The Lives and Times of Sun Ra
.
New York
:
Pantheon Books
,
1997
.
Taylor
,
Cecil
. “
With Cecil Taylor
.”
April
2012
. . Accessed November 25, 2019.
Thomas
,
Lorenzo
. “
Ascension: Music and the Black Arts Movement
.”
Jazz Among the Discourses
. Ed.
Gabbard
Krin
.
Durham, NC
:
Duke University Press
,
1995
.
256
74
.
Toomer
,
Jean
.
The Wayward and the Seeking: A Collection of Writings by Jean Toomer
. Ed.
Turner
Darwin M.
.
Washington, DC
:
Howard University Press
,
1980
.
Tracy
,
Steven C.
Langston Hughes and the Blues
.
Urbana
:
University of Illinois Press
,
1988
.
Trouillot
,
Michel-Rolph
. “
The Otherwise Modern: Caribbean Lessons from the Savage Slot
.”
Critically Modern: Alternatives, Alterities, Anthropologies
. Ed.
Knauft
Bruce M.
.
Bloomington
:
Indiana University Press
,
2002
.
220
37
.
Tucker
,
Sherrie
. “
Bordering on Community: Improvising Women Improvising Women-in-Jazz
.”
The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
. Eds.
Fischlin
Daniel
and
Heble
Ajay
.
Middletown, CT
:
Wesleyan University Press
,
2004
.
244
67
.
Tucker
,
Sherrie
. “
Deconstructing the Jazz Tradition
.”
Jazz/Not Jazz: The Music and Its Bound aries
. Eds.
Ake
David
,
Garrett
Charles Hiroshi
, and
Goldmark
Daniel
.
Berkeley
:
University of California Press
,
2012
.
Tynan
,
John
. “
Take Five
.”
Down Beat
,
November
23
,
1961
,
40
.
Washington
,
Mary Helen
.
The Other Black List: The African American Literary and Cultural Left of the 1950s
.
New York
:
Columbia University Press
,
2014
.
Watts
,
Jerry Gafio
.
Amiri Baraka: The Politics and Art of a Black Intellectual
.
New York
:
New York University Press
,
2001
.
Weheliye
,
Alexander
.
Phonographies: The Grooves of Sonic Afro-Modernity
.
Durham, NC
:
Duke University Press
,
2005
.
Weiss
,
Jason
.
Always in Trouble: An Oral History of ESP-Disk, the Most Outrageous Record Label in America
.
Middletown, CT
:
Wesleyan University Press
,
2012
.
Westendorf
,
Lynette
. “
Cecil Taylor: Indent—‘Second Layer’
.”
Perspectives of New Music
33
, nos.
1/2
(Winter–Summer
1995
):
294
326
.
Wheeler
,
Lesley
.
Voicing American Poetry: Sound and Performance from the 1920s to the Pre sent
.
Ithaca, NY
:
Cornell University Press
,
2008
.
White
,
Simone
.
Dear Angel of Death
.
Brooklyn, NY
:
Ugly Duckling Presse
,
2019
.
Williams
,
Alan
. “
Is Sound Recording like a Language?
Yale French Studies
60
(
1980
):
51
66
.
Williams
,
Raymond
.
Politics and Letters: Interviews with New Left Review
.
London
:
Verso
,
2015
.
Williams
,
Sherley Anne
.
Give Birth to Brightness: A Thematic Study in Neo-Black Literature
.
New York
:
Dial Press
,
1972
.
Wilmer
,
Valerie
.
As Serious as Your Life: John Coltrane and Beyond
.
New York
:
Da Capo Press
,
1977
.
Woodard
,
Komozi
.
A Nation Within a Nation: Amiri Baraka (LeRoi Jones) and Black Power Politics
.
Chapel Hill
:
University of North Carolina Press
,
1999
.
Woodson
,
Carter G.
Jim Crow’s Last Stand by Langston Hughes
.”
Journal of Negro History
28
, no.
4
(
October
1943
):
493
94
.
Wynter
,
Sylvia
. “
Ethno or Socio Poetics
.”
Alcheringa: Ethnopoetics
. Eds.
Benamou
Michael
and
Rothenberg
Jerome
.
Boston
:
Boston University Press
,
1976
.
78
94
.
Wynter
,
Sylvia
. “
Rethinking ‘Aesthetics’: Notes T oward a Deciphering Practice
.”
Ex-Iles: Essays on Caribbean Cinema
. Ed.
Cham
Mbaye M.
.
Trenton, NJ
:
Africa World Press
,
1992
.
237
79
.
Wynter
,
Sylvia
. “
Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation—An Argument
.”
CR: The New Centennial Review
3
, no.
3
(Fall
2003
):
257
337
.
Young
,
Cynthia
.
Soul Power: Culture, Radicalism, and the Making of a U.S. Third World Left
.
Durham, NC
:
Duke University Press
,
2006
.
Young
,
Robert
. “
Red Poetics and the Practice of ‘Disalienation’
.”
Montage of a Dream: The Art and Life of Langston Hughes
. Eds.
Tidwell
John Edgar
and
Ragar
Cheryl
.
Columbia
:
University of Missouri Press
,
2007
.
135
46
.
RECORDINGS AND LINER NOTES
Art Ensemble of Chicago
.
We Are on the Edge
.
Pi Recordings
,
2019
.
CD
.
Baraka
,
Amiri
.
Liner notes
.
John Coltrane, Live from Birdland
.
Impulse!
,
1964
.
LP
.
Baraka
,
Amiri
. “
You Think This Is About You?
Liner notes
.
Ayler
Albert
.
Holy Ghost: Rare and Unissued Recordings (1962–1970)
.
Revenant
,
2004
.
CD
.
Baraka
,
Amiri
, with
Murray
David
and
McCall
Steve
.
New Music—New Poetry
.
India Navigation
,
1982
.
LP
.
Blythe
,
Arthur
.
In the Tradition
.
Columbia
,
1979
.
LP
.
Brown
,
Marion
.
After noon of a Georgia Faun
.
ECM
,
1970
.
LP
.
Cherry
,
Don
.
Complete Communion
.
Blue Note
,
1966
.
LP
.
Coleman
,
Steve
.
Sonic Language of Myth: Believing, Learning, Knowing
.
RCA Victor
,
1999
.
CD
.
Cortez
,
Jayne
.
Maintain Control
.
Bola Press
,
1986
.
LP
.
Cortez
,
Jayne
.
There It Is
.
Bola Press
,
1986
.
LP
.
Cyrille
,
Andrew
,
Lyons
Jimmy
, and
Lee
Jeanne
.
Nuba
.
Black Saint
,
1979
.
LP
.
Cyrille
,
Andrew
.
Celebration
.
IPS Records
,
1975
.
LP
.
Harper
,
Billy
.
Blueprints of Jazz
, Vol.
2
.
Talking House Records
,
2008
.
CD
.
Hemphill
,
Julius
.
Coon Bid’ness
.
Arista Freedom
,
1975
.
LP
.
Hentoff
,
Nat
.
Liner notes
.
Archie Shepp
,
Fire Music
.
Impulse!
,
1965
.
LP
.
Hentoff
,
Nat
.
Liner notes
.
Taylor
Cecil
,
Cecil Taylor: In Transition
.
Blue Note
,
1975
.
LP
.
Hughes
,
Langston
.
Weary Blues
.
1958
.
Verve
,
1990
.
CD
.
Jost
,
Ekkerhard
. “
Instant Composing as Body Language
.”
Liner notes. Cecil Taylor
,
The Complete Cecil Taylor in Berlin ’88
.
FMP
,
2015
.
CD
.
Lee
,
Jeanne
.
Conspiracy
.
Earthforms Records
,
1975
.
LP
.
Mingus
,
Charles
.
A Modern Jazz Symposium of Music and Poetry with Charlie Mingus
.
Bethlehem
,
1957
.
LP
.
Mingus
,
Charles
.
Ah Um
.
Columbia
,
1959
.
LP
.
Mingus
,
Charles
.
Blues and Roots
.
Atlantic
,
1960
.
LP
.
Mingus
,
Charles
.
Charles Mingus Pre sents Charles Mingus
.
Candid
,
1961
.
LP
.
Mingus
,
Charles
.
Pithecanthropus Erectus
.
Atlantic
,
1956
.
LP
.
Mingus
,
Charles
.
The Charles Mingus Quintet Plus Max Roach
.
Debut
,
1955
.
LP
.
Mingus
,
Charles
.
Town Hall Concert
,
1964
, Vol.
1
.
Jazz Workshop
,
1964
.
LP
.
Moran
,
Jason
.
Bandwagon
.
Blue Note
,
2003
.
CD
.
Murray
,
David
.
Fo Deuk Revue
.
Justin Time
,
1997
.
CD
.
New York Art Quartet
.
New York Art Quartet
.
ESP-Disk
,
1964
.
LP
.
New York Art Quartet
.
Reunion
.
Diw Records
,
2000
.
CD
.
Parker
,
William
.
I Plan to Stay a Believer: The Inside Songs of Curtis Mayfield
.
AUM Fidelity
,
2010
.
CD
.
Ragin
,
Hugh
.
An Afternoon in Harlem
.
Justin Time
,
1999
.
CD
.
Richards
,
Spencer
.
Liner notes. Cecil Taylor
,
Live in Vienna
.
Leo
,
1988
.
CD
.
Roberts
,
Matana
.
Coin Coin Chapter One: Gens de couleur libres
.
Constellation Records
,
2011
.
CD
.
Roberts
,
Matana
.
Coin Coin Chapter Two: Mississippi Moonchile
.
Constellation Records
,
2013
.
CD
.
Roberts
,
Matana
.
Coin Coin Chapter Three: River Run Thee
.
Constellation Records
,
2015
.
CD
.
Sanders
,
Pharoah
.
Journey to the One
.
Theresa
,
1980
.
LP
.
Shepp
,
Archie
.
The Cry of My People
.
Impulse!
,
1972
.
LP
.
Shepp
,
Archie
.
Live at the Pan-African Festival
.
BYG Actuel
,
1969
.
LP
.
Shepp
,
Archie
.
The Magic of Ju-Ju
.
Impulse!
,
1967
.
LP
.
Shepp
,
Archie
.
Poem for Malcolm
.
BYG Actuel
,
1969
.
Shepp
,
Archie
.
Rufus
.
Fontana
,
1963
.
LP
.
Taylor
,
Cecil
. “
Sound of Subculture Becoming Major Breath/Naked Fire Gesture
.”
Liner notes. Cecil Taylor
,
Unit Structures
.
Blue Note
,
1966
.
LP
.
Taylor
,
Cecil
.
Double Holy House
.
FMP
,
1993
.
CD
.
Taylor
,
Cecil
.
Liner notes. Cecil Taylor
,
Air Above Mountains (Buildings Within)
.
Enja Records
,
1976
.
LP
.
Taylor
,
Cecil
.
Liner notes
.
Cecil Taylor, Garden
, vol.
1
.
Hat ART
,
1990
.
CD
.
The Roots featuring Amiri Baraka
. “
Something in the Way of Things (In Town)
.”
Phrenology
.
MCA
,
2002
.
CD
.
Thompson
,
Malachi
.
Freebob Now!
Delmark
,
1998
.
CD
.
Weston
,
Randy
.
Uhuru Afrika
.
Roulette
,
1961
.
LP
.
Young
,
Ben
.
Liner notes
.
Charles Mingus, Tijuana Moods
.
1957
.
Bluebird
,
2001
.
CD
.
Close Modal

or Create an Account

Close Modal
Close Modal