Skip Nav Destination
The Visual Arts of Africa and its Diasporas
Media Primitivism: Technological Art in Africa
Duke University Press
Copyright:
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
ISBN electronic:
978-1-4780-1231-3
Publication date:
2020
Chapter Contents
Book Chapter
Electronic Sound as Trance and Resonance
-
Published:September 2020
This content is only available as PDF.
Bibliography
Abiodun
, Rowland
. Yoruba Art and Language: Seeking the African in African Art
. Cambridge
: Cambridge University Press
, 2014
.Adams
, Monni
. “African Visual Art from an Art Historical Perspective
.” African Studies Review
32
, no. 2
(September
1989
): 55
–103
.Adorno
, Theodor W.
“The Form of the Phonograph Record
.” October
55
(winter1990
): 56
–61
.Agawu
, Kofi
. “Representing African Music
.” Critical Inquiry
18
, no. 2
(winter1992
): 245
–266
.Allais
, Alphonse
. Album Primo-Avrilesque
. Paris
: P. Ollendorff
, 1897
.Allman
, Jean M.
“#HerskovitsMustFall? A Meditation on Whiteness, African Studies, and the Unfinished Business of 1968
.” African Studies Review
62
, no. 3
(September
2019
): 6
–39
.Allman
, Jean M.
. “Presidential Lecture
.” Lecture, Sixty-First Annual Meeting of the African Studies Association
, Atlanta, GA
, November–December 2018
.Appadurai
, Arjun
, ed. The Social Life of Things: Commodities in Cultural Perspective
. Cambridge
: Cambridge University Press
, 1988
.Araeen
, Rasheed
. “Ecoaesthetics: A Manifesto for the Twenty-First Century
.” Third Text
23
, no. 5
(September
2009
): 679
–684
.Araeen
, Rasheed
. “Wangari Maathai: Africa’s Gift to the World
.” Third Text
23
, no. 5
(September
2009
): 675
–678
.Art Africa
. “In Conversation with Jean Katambayi Mukendi
.” Art Africa
13
, no. 3
(April
20
, 2015
). http://artafricamagazine.org/the-innovation-issue-13-3-in-conversation-with-jean-katambayi-mukendi/
.Baloji
, Sammy
, and Boeck
Filip De
. “The Tower: A Concrete Utopia
.” In Africa: Architecture, Culture and Identity
, edited by Holm
Michael Jull
and Kallehauge
Mette Marie
, 84
–88
. Copenhagen
: Louisiana Museum of Modern Art
, 2015
.Bannister
, Matthew
. “‘Loaded’: Indie Guitar Rock, Canonism, White Masculinities
.” Popular Music
25
, no. 1
(January
2006
): 77
–95
.Bardaouil
, Sam
. Surrealism in Egypt: Modernism and the Art and Liberty Group
. London
: I. B. Taurus
, 2017
.Bataille
, Georges
. The Accursed Share: An Essay on General Economy, Volume I: Consumption
. New York
: Zone Books
, 1988
.Batchen
, Geoffrey
. “Electricity Made Visible
.” In New Media, Old Media: A History and Theory Reader
, edited by Chun
Wendy Hui Kyong
and Keenan
Thomas
, 27
–44
. London
: Routledge
, 2006
.Bateson
, Gregory
. Steps to an Ecology of the Mind: Collected Essays in Anthropology, Psychiatry, Evolution, and Epistemology
. London
: Jason Aronson
, 1972
.Bebey
, Francis
. African Music: A People’s Art
. Translated by Bennett
Josephine
. Brooklyn, NY
: Francis Hill Books
, 1975
.Behrend
, Heike
, and Zillinger
Martin
. “Introduction
.” In Trance Mediums and New Media: Spirit Possession in the Age of Technical Reproduction
, edited by Behrend
Heike
, Dreschkem
Anja
, and Zillinger
Marting
. New York
: Fordham University Press
, 2015
. .Benjamin
, Walter
. “Theses on the Philosophy of History
.” In Illuminations
, 253
–265
. New York
: Harcourt, Brace, & World
, 1968
.Berlant
, Lauren
, and Warner
Michael
. “Sex in Public
.” Critical Inquiry
24
(winter1998
): 547
–566
.Berzock
, Kathleen Bickford
. Caravans of Gold, Fragments of Time: Art, Culture, and Exchange across Medieval Saharan Africa
. Princeton, NJ
: Princeton University Press
, 2019
.Beyer
, Rick
, and Sayles
Elizabeth
. The Ghost Army of World War II: How One Top-Secret Unit Deceived the Enemy with Inflatable Tanks, Sound Effects, and Other Audacious Fakery
. Princeton, NJ
: Princeton Architectural Press
, 2015
.Black
, Hannah
. “Fractal Freedoms
.” Afterall: A Journal of Art, Context, & Enquiry
41
, no. 1
(March
2016
): 4
–9
.Blanchot
, Maurice
. “The Gaze of Orpheus
.” “The Gaze of Orpheus” and Other Literary Essays
. Translated by Davis
Lydia
. Edited by Sitney
P. Adams
. Barrytown, NY
: Station Hill
, 1981
.Blier
, Suzanne Preston
. “Truth and Seeing: Magic, Custom, and Fetish in Art History
.” In Africa and the Disciplines: The Contributions of Research in Africa to the Social Sciences and Humanities
, edited by Bates
Robert H.
, Mudimbe
V. Y.
, and O’Barr
Jean
, 139
–166
. Chicago
: University of Chicago Press
, 1993
.Blom
, Ina
. On the Style Site: Art, Sociality, and Media Culture
. Chicago
: University of Chicago Press
, 2007
.Boddy
, Janice
. “Spirits and Selves in Northern Sudan: The Cultural Therapeutics of Possession and Trance
.” American Ethnologist
15
, no. 1
(February
1988
): 4
–27
.Boddy
, Janice
. Wombs and Alien Spirits: Women, Men, and the Zār Cult in Northern Sudan
. Madison
: University of Wisconsin Press
, 1989
.Boder
, David P.
I Did Not Interview the Dead
. Chicago
: University of Illinois Press
, 1949
.Boetzkes
, Amanda
. “Waste and the Sublime Landscape
.” RACAR: revue d’art canadienne/Canadian Art Review
35
, no. 1
(2010
): 22
–31
.Bopape
, Dineo Seshe
. “Sa koša ke lerole
.” dineo seshe bopape
(blog), August
2017
. .Borland
, Ralph
. “Song of Solomon
, p. 123
.” , n.d. Accessed February 21, 2020. .Bradley
, Fari
. “Halim El Dabh: An Alternative Genealogy of Musique Concréte
.” Ibraaz
9
, no. 5
(November
2015
). .Bräuninger
, Jürgen
. “Introduction: UNYAZI
.” Leonardo Electronic Almanac
15
, no. 1–2
(2007
). .Breitz
, Candice
. “The First Johannesburg Biennale: Work in Progress
.” Third Text
9
, no. 31
(1995
): 89
–94
.Brenez
, Nicole
. “Edouard de Laurot: Engagement as Prolepsis
.” Third Text
25
, no. 1
(January
2011
): 55
–65
.Brown
, William
. “Non-Cinema: Digital, Ethics, Multitude
.” Film-Philosophy
20
(2016
): 104
–130
.Bryan-Wilson
, Julia
, Cornell
Lauren
, and Kholeif
Omar
. Trevor Paglen
. London
: Phaidon
, 2018
.Burns
, James
. “Watching Africans Watch Films: Theories of Spectatorship in British Colonial Africa
.” Historical Journal of Film, Radio, and Television
20
, no. 2
(2000
): 197
–211
.Buskin
, Richard
. “Classic Tracks: Paul Simon ‘You Can Call Me Al’
.” Sound on Sound
. Accessed February 16, 2020. .Byrne
, David
. “Crossing Music’s Borders in Search of Identity: ‘I Hate World Music’
.” New York Times
, October
3
, 1999
, Music
.Callinicos
, Luli
. A People’s History of South Africa, Volume One: Gold and Workers, 1886–1924
. Johannesburg
: Ravan
, 1980
.Carrier
, David
. Rosalind Krauss and American Philosophical Art Criticism: From Formalism to beyond Postmodernism
. London
: Praeger
, 2002
.Carroll
, Khadija von Zinnengburg
, and Gusejnova
Dina
. “Malevich’s Black Square under X-Ray: A Dialogue on Race, Revolution, and Art History
.” Third Text
, n.d.
Accessed September 9, 2019. .Castelo-Branco
, Salwa El-Shawan
. “Radio and Musical Life in Egypt
.” Revista de Musicologia
16
, no. 3
(1993
): 1229
–1239
.Chakrabarty
, Dipesh
. “The Climate of History: Four Theses
.” Critical Inquiry
35
, no. 2
(winter2009
): 197
–222
.Chirindo
, Kundai
. “Bantu Sociolinguistics in Wangari Maathai’s Peacebuilding Rhetoric
.” Women’s Studies in Communication
39
, no. 4
(2016
): 442
–459
.Christie
, Renfrew
. Electricity, Industry, and Class in South Africa
. London
: Macmillan
, 1984
.Chun
, Wendy Hui Kyong
. “On Software, or the Per sis tence of Visual Knowledge
.” Grey Room
18
(winter2004
): 26
–51
.Chun
, Wendy Hui Kyong
. “On ‘Sourcery’, or Code as Fetish
.” Configurations
16
, no. 3
(fall2008
): 299
–324
.Clark
, Mark
, and Nielsen
Henry
. “Crossed Wires and Missing Connections: Valdemar Poulsen, the American Telegraphone Company, and the Failure to Commercialize Magnetic Recording
.” Business History Review
69
, no. 1
(spring1995
): 1
–41
.Clark
, T. J.
Farewell to an Idea: Episodes from a History of Modernism
. New Haven, CT
: Yale University Press
, 1999
.Cleveland
, Todd
. Stones of Contention: A History of Africa’s Diamonds
. Cleveland
: University of Ohio Press
, 2014
.Clifford
, James
. “On Ethnographic Allegory
.” In Writing Culture
, edited by Clifford
James
and Marcus
George E.
, 98
–121
. Berkeley
: University of California Press
, 1986
.Clifford
, James
. “On Ethnographic Surrealism
.” Comparative Studies in Society and History
23
, no. 4
(October
1981
): 539
–564
.Coetzee
, J. M.
“Samuel Beckett’s ‘Lessness’: An Exercise in Decomposition
.” Computers and the Humanities
7
, no. 4
(March
1973
): 195
–198
.Collier
, Delinda
. “Western Frontiers of African Art by Moyo Okediji
.” African Studies Review
57
, no. 3
(December
2014
): 242
–244
.Comaroff
, Jean
, and Comaroff
John
. Theory from the South: or, How Euro-America Is Evolving Toward Africa
. London
: Paradigm
, 2012
.Congo Conflict Minerals Act of 2009, S. 891, 111th Congress
(2009
). .Cowcher
, Kate
. “Soviet Supersystems and American Frontiers: African Art Histories amidst the Cold War
.” Art Bulletin
101
, no. 3
(2019
): 146
–166
.Crary
, Jonathan
. Suspensions of Perception: Attention, Spectacle, and Modern Culture
. Cambridge, MA
: MIT Press
, 2001
.Critical Art Ensemble
. “Free Range Grain 2003–04: CAE, Beatriz da Costa, and Shyhshiun Shyu
”, n.d.
Accessed February 15, 2020. .Cubitt
, Sean
, Palmer
Daniel
, and Tkacz
Nathaniel
, eds. Digital Light
. London
: Open Humanities
, 2015
.Cubitt
, Sean
, and Thomas
Paul
, eds. Relive: Media Art Histories
. Cambridge, MA
: MIT Press
, 2013
.Dahlstrom
, W. Grant
. “I Did Not Interview the Dead: Book Review
.” Journal of Applied Psychology
36
, no. 4
(August
1952
): 282
–283
.Daney
, Serge
. “Cissé très bien, qu’on se le dise
.” Libération, May 9–10
(1987
): 24
–25
.Davis
, Erik
. “‘Roots and Wires’ Remix: Polyrhythmic Tricks and the Black Electronic
.” In Sound Unbound: Sampling Digital Music and Culture
, edited by DJ Spooky That Subliminal Kid
, 53
–72
. Cambridge, MA
: MIT Press
, 2008
.De Boeck
, Filip
. “Dreams, Magic, and Mirrors: More Histories of Extraversion and Speculation in Central Africa
.” In Speculation, Now: Essays and Artwork
, edited by Rao
Vyjayanthi Venutrurapalli
, Krishnamurthy
Prem
, and Kuoni
Carin
, 40
–51
. Durham, NC
: Duke University Press
, 2015
.Deleuze
, Giles
, and Guattari
Felix
. Anti-Oedipus: Capitalism and Schizo phre nia
. Minneapolis
: University of Minnesota Press
, 1983
.De Heusch
, Luc
. A Thousand Plateaus: Capitalism and Schizo phre nia
. Minneapolis
: University of Minnesota Press
, 1987
.Demos
, T. J.
, and Gelder
Hilde Van
, eds. In and Out of Brussels: Figuring Postcolonial Africa and Europe in the Films of Herman Asselberghs, Sven Augustijnen, Renzo Martens, and Els Opsomer
. Leuven, Belgium
: Leuven University Press
, 2012
.Derrida
, Jacques
. Given Time: I. Counterfeit Money
. Translated by Kamuf
Peggy
. Chicago
: University of Chicago Press
, 1994
.Diawara
, Manthia
. African Cinema: Politics and Culture
. Bloomington
: Indiana University Press
, 1992
.Diawara
, Manthia
. “Popular Culture and Oral Traditions in African Film
.” Film Quarterly
41
, no. 3
(1988
): 6
–14
.Diawara
, Manthia
. “Souleymane Cissé’s Light on Africa
.” Black Film Review
4
, no. 4
(1988
): 12
–16
.Dickenson
, Kay
. “Introduction: ‘Arab’ + ‘Avant-Garde’
.” In The Arab Avant-Garde: Music, Politics, Modernity
, edited by Burkhalter
Thomas
, Dickenson
Kay
, and Harbert
Benjamin J.
, 1
–36
. Middletown, CT
: Wesleyan University Press
, 2013
.Dieterlen
, Germaine
, and Cissé
Youssouf
. Les fondements de la société d’initiation du Komo
. Berlin
: Walter de Gruyter
, 1972
.Doris
, David
. Vigilant Things: On Thieves, Yoruba Anti-Aesthetics, and the Strange Fate of Ordinary Objects in Nigeria
. Seattle
: University of Washington Press
, 2011
.Downey
, Walker
. “In the Free Field: Doug Wheeler’s PSAD Synthetic Desert III and Anechoic Histories
.” Art Journal Open
, August
30
, 2018
. .Drewal
, Henry John
. “Object and Intellect: Interpretations of Meaning in African Art
.” Art Journal
47
, no. 2
(summer1988
): 70
–74
.Duve
, Thierry
. “The Monochrome and the Blank Canvas
.” In Reconstructing Modernism: Art in New York, Paris and Montreal, 1945–1964
, edited by Guilbaut
S.
, 244
–310
. Cambridge, MA
: MIT Press
, 1990
.Edelman
, Lee
. No Future: Queer Futurity and the Death Drive
. Durham, NC
: Duke University Press
, 2004
.Edwards
, Paul N.
, and Hecht
Gabrielle
. “History and the Technopolitics of Identity: The Case of Apartheid South Africa
.” Journal of Southern African Studies
36
, no. 3
(September
2010
): 619
–639
.Eglash
, Ron
. African Fractals: Modern Computing and Indigenous Design
. New Brunswick, NJ
: Rutgers University Press
, 2005
.Eisenstein
, Sergei
. “The Cinematographic Princi ple and the Ideogram
.” In Film Form: Essays in Film Theory
, edited by Leyda
Jay
, 28
–44
. New York
: Harcourt Brace Jovanovich
, 1969
.Elcott
, Noam
. Artificial Darkness: An Obscure History of Modern Art and Media
. Chicago
: University of Chicago Press
, 2016
.El-Dabh
, Halim
. “The State of the Arts in Egypt Today
.” Middle East Journal
35
, no. 1
(winter1981
): 15
–24
.Engelbrecht
, B. J.
Sound Art in Johannesburg: A Critical Review, 2005–2009
. Johannes-burg
: University of the Witwatersrand
, 2010
. .Engler
, Mira
. Designing America’s Waste Landscapes
. Baltimore
: Johns Hopkins University Press
, 2004
.English
, Darby
. How to See a Work of Art in Total Darkness
. Cambridge, MA
: MIT Press
, 2007
.Eno
, Brian
. “Gossip Is Philosophy
.” Wired
, May
1995
. .Enwezor
, Okwui
. “Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation
.” Third Text
11
, no. 40
(autumn1997
): 21
–40
.Enwezor
, Okwui
, Stuck
Museum Villa
, and Achebe
Chinua
. The Short Century: Independence and Liberation Movements in Africa, 1945–1994
. Munich
: Prestel
, 2001
.Enwezor
, Okwui
, and Okeke-Agulu
Chika
. Con temporary African Art since 1980
. Bologna
: Damiani
, 2009
.Erlmann
, Veit
. “‘A Feeling of Prejudice’: Orpheus McAdoo and the Virginia Jubilee Singers in South Africa 1890–1898
.” Journal of Southern African Studies
14
, no. 3
(April
1988
): 331
–350
.Erlmann
, Veit
. “Migration and Per for mance: Zulu Mi grant Workers’ Isicathamiya Performance in South Africa, 1890–1950
.” Ethnomusicology
34
, no. 2
(spring–summer1990
): 199
–220
.Erlmann
, Veit
. Nightsong: Per for mance, Power, and Practice in South Africa
. Chicago
: University of Chicago Press
, 1996
.Ernst
, Wolfgang
. Digital Memory and the Archive
. Minneapolis
: University of Minnesota Press
, 2013
.Fabian
, Johannes
. History from Below: The Vocabulary of Elisabethville by André Yav; Text, Translations and Interpretive Essay
. Amsterdam
: John Benjamins
, 1990
.Fabian
, Johannes
. Language and Colonial Power: The Appropriation of Swahili in the Former Belgian Congo, 1880–1938
. Berkeley
: University of California Press
, 1986
.Fabian
, Johannes
. “Léon Verbeek, ed. Les arts plastiques de l’Afrique contemporaine. 60 ans d’histoire à Lubumbashi, R-D Congo. Paris: L’Harmattan, 2008. Mémoires lieux de savoir; Archive congolaise
.” African Studies Review
52
, no. 2
(2009
): 225
–227
.Fabian
, Johannes
. Remembering the Pre sent: Painting and Popular History in Zaire
. Los Angeles
: University of California Press
, 1996
.Fair
, Laura
. “Dressing Up: Clothing, Class, and Gender in Post-Abolition Zanzibar
.” Journal of African History
39
, no. 1
(1998
): 63
–94
.Fairfax
, Daniel
. “Birth (of the Image) of a Nation: Jean-Luc Godard in Mozambique
.” Film and Media Studies
3
(2010
): 55
–67
.Fakhouri
, Hani
. “The Zar Cult in an Egyptian Village
.” Anthropological Quarterly
41
, no. 2
(April
1968
): 49
–56
.Fanon
, Frantz
. “This Is the Voice of Algeria
.” In A Dying Colonialism
, 69
–97
. New York
: Grove
, 1994
.Ferguson
, James
. Global Shadows: Africa in the Neoliberal World Order
. Durham, NC
: Duke University Press
, 2006
.Filatova
, Irina
. “Anti-Colonialism in Soviet African Studies (1920s–1960)
.” In The Study of Africa, Volume 2: Global and Transnational Engagements
, edited by Zeleza
Paul Tiyambe
, 203
–234
. Dakar
: Council for the Development of Social Science Research in Africa
, 2007
.Fisher
, Alexander
. “Music, Magic, and the Myth: The Dynamics of Visual and Aural Discourse in Souleymane Cissé’s Yeelen
.” Cinej Cinema Journal
2
, no. 1
(2012
): 3
–18
.Flusser
, Vilém
. The Shape of Things: A Philosophy of Design
. London
: Reaktion Books
, 1999
.Foster
, Hal
, Krauss
Rosalind
, Bois
Yve-Alain
, and Buchloh
Benjamin
. Art Since 1900: Modernism, Antimodernism, Postmodernism
. London
: Thames and Hudson
, 2005
.Foucault
, Michel
. “Maurice Blanchot: The Thought from Outside
.” In Foucault/Blanchot: Maurice Blanchot; The Thought from Outside and Michel Foucault as I Imagine Him
. Translated by Mehlman
Jeffrey
and Massumi
Brian
. New York
: Zone Books
, 1987
.French
, Daniel
. When They Hid the Fire: A History of Electricity and Invisible Energy in America
. Pittsburgh
: University of Pittsburgh Press
, 2017
.Fromont
, Cécile
. The Art of Conversion: Christian Visual Culture in the Kingdom of Kongo
. Chapel Hill
: University of North Carolina Press
, 2014
.Fuchs
, Christian
. “Martin Heidegger’s Anti-Semitism: Philosophy of Technology and the Media in the Light of the Black Notebooks; Implications for the Reception of Heidegger in Media and Communication Studies
.” tripleC
13
, no. 1
(2015
): 55
–78
.Fuller
, Matthew
. Media Ecologies: Materialist Energies in Art and Technoculture
. Cambridge, MA
: MIT Press
, 2005
.Gabala
, Rachel
. “Abderrahmane Sissako: On the Politics of African Auteurs
.” In The Global Auteur: The Politics of Authorship in 21st Century Cinema
, edited by Jeong
Seunghoon
and Szaniawski
Jeremi
, 43
–60
. London
: Bloomsbury
, 2016
.Galloway
, Alexander R.
“Anti-Computer
.” Alexander R. Galloway
(blog), March
19
, 2018
. .Gandhi
, Leela
. Affective Communities: Anticolonial Thought, Fin-de-Siècle Radicalism, and the Politics of Friendship
. Durham, NC
: Duke University Press
, 2006
.Geers
, Kendell
, Kentridge
William
, and Enwezor
Okwui
. “On the Aesthetic and Political Language of Art: A Conversation between Kendell Geers and William Kentridge Moderated by Okwui Enwezor
.” In Kendell Geers: 1988–2012
, edited by Kellner
Clive
, 94
–107
. Munich
: Prestel
, 2012
.Gitelman
, Lisa
. “Reading Music, Reading Rec ords, Reading Race: Musical Copyright and the U.S. Copyright Act of 1909
.” Musical Quarterly
, 81
, no. 2
(summer1997
): 265
–290
.Glissant
, Édouard
. “For Opacity
.” In Poetics of Relation
. Translated by Wing
Betsy
. Ann Arbor
: University of Michigan Press
, 1997
.Gluck
, Bob
. “‘… Like a Sculptor, Taking Chunks of Sound and Chiselling Them into Something Beautiful’: Interview with Egyptian Composer Halim El Dabh
.” eContact!
15
, no. 2
(2012
). .Glueck
, Grace
. “Jewish Museum’s ‘Software’ Is Confusing
.” New York Times
, September
26
, 1970
.Gorsevski
, Ellen W.
“Wangari Maathai’s Emplaced Rhe toric: Greening Global Peace-building
.” Environmental Communication: A Journal of Nature and Culture
6
, no. 3
(2012
): 1
–18
.Gouwenius
, Peder
. Power to the People! South Africa in Struggle: A Pictorial History
. London
: Zed Press
, 1981
.Grahamstown Foundation
. “Our Venues
”, n.d.
Accessed February 15, 2020. .Grau
, Oliver
. “Historicizing Art and Technology: Forging a Method and Firing a Canon
.” In Media Art Histories
, edited by Grau
Oliver
, 43
–70
. Cambridge, MA
: MIT Press
, 2007
.Green
, Toby
. A Fistful of Shells: West Africa from the Rise of the Slave Trade to the Age of Revolution
. London
: Penguin/Random House
, 2019
.Greenberg
, Clement
. “Modernist Painting
.” In The Collected Essays and Criticism, vol. 4, Modernism with a Vengeance, 1957–69
, edited by O’Brian
John
, 85
–93
. Chicago
: University of Chicago Press
, 1986
.Greenberg
, Stephen
. “Market Liberalization and Continental Expansion: The Repositioning of Eskom in Post-Apartheid South Africa
.” In Electric Capitalism: Recolonising Africa on the Power Grid
, edited by McDonald
David A.
, 73
–108
. London
: Earthscan
, 2009
.Griaule
, Marcel
, and Dieterlen
Germaine
. The Pale Fox
. N.p.
: Afrikan World Book Distributor
, 1986
.Grossman
, Wendy
. Man Ray, African Art, and the Modernist Lens
. Minneapolis
: University of Minnesota Press
, 2010
.Guillén
, Nicolas
. “Mau-Mau
.” Translated by Couffon
Claude
. Présence Africaine
, n.s., 1/2
(April–July
1955
): 109
–110
.Guillory
, John
. “Genesis of the Media Concept
.” Critical Inquiry
36
, no. 2
(winter2010
): 321
–362
.Gye
, Lisa
. “Media Arts, Space and Politics: Ahmed Basiony and the Transmission of Resonance
.” Global Media Journal: Australian Edition
(2012
). .Halen
, Pierre
. “Les douze travaux du Congophile: Gaston-Denys Périer et la promotion de l’africanisme en Belgique
.” Textyles
, 17–18
(2000
): 139
–150
.Hamm
, Charles
. “‘The Constant Companion of Man’: Separate Development, Radio Bantu and Music
.” Popular Music
10
, no. 2
(May
1991
): 147
–173
.Haraway
, Donna
. “Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin
.” Environmental Humanities
6
, no. 1
(2015
): 159
–165
.Harries
, Lyndon
. “The Nationalization of Swahili in Kenya
.” Language in Society
5
, no. 2
(1976
): 153
–164
.Harris
, Cheryl I.
“Whiteness as Property
.” Harvard Law Review
106
, no. 8
(June
1993
): 1707
–1791
.Harrow
, Kenneth W.
Trash: African Cinema from Below
. Bloomington
: Indiana University Press
, 2013
.Hayles
, Katherine
. “Trauma and Code
.” Critical Inquiry
33
, no. 1
(autumn2006
): 136
–157
.Hecht
, Gabrielle
. Being Nuclear: Africans and the Global Uranium Trade
. Cambridge, MA
: MIT Press
, 2012
.Hecht
, Gabrielle
, and Edwards
Paul N.
. “History and the Technopolitics of Identity: The Case of Apartheid South Africa
.” Journal of Southern African Studies
36
, no. 3
(September
2010
): 619
–639
.Heidegger
, Martin
. “Question Concerning Technology
.” In Readings in the Philosophy of Technology
, edited by Kaplan
David M.
, 9
–24
. New York
: Rowman and Littlefield
, 2009
.Herbert
, Eugenia
. Red Gold of Africa: Copper in Precolonial History and Culture
. Madison
: University of Wisconsin Press
, 1984
.Herbst
, Theo
. “Music Technology at Stellenbosch University
.” Leonardo Electronic Almanac
15
, no. 1–2
(2007
): 1
–8
.Heywood
, Linda
. Njinga of Angola: Africa’s Warrior Queen
. Cambridge, MA
: Harvard University Press
, 2017
.Hobson
, Janell
. “Digital Whiteness, Primitive Blackness: Racializing the ‘Digital Divide’ in Film and New Media
.” Feminist Media Studies
8
, no. 1
(2008
): 111
–126
.Holmes
, Thom
. Electronic and Experimental Music: Technology, Music, and Culture
. London
: Routledge
, 2002
.Howard
, Jeremy
, Bužinska
Irēna
, and Strother
Z. S.
. Vladimir Markov and Rus sian Primitivism: A Charter for the Avant-Garde
. London
: Routlege
, 2015
.Human Rights Watch
. “Kenya: Abusive Evictions in Mau Forest
.” Human Rights Watch News
, September
20
, 2019
. .Hutchison
, Frank L.
“General Files, Correspondence, 1940–1948
”, November
26
, 1946
, University of Minnesota Libraries, Kautz Family YMCA Archives
.Jaji
, Tsitsi
. “Pirate’s Choice: Hacking into (Post-) Pan-African Futures
.” In Africa in Stereo: Modernism, Music, and Pan-African Solidarity
, edited by Jaji
Tsitsi
, 193
–238
. London
: Oxford University Press
, 2013
.Jespers
, Phillipe
. “Mask and Utterance: The Analy sis of an ‘Auditory’ Mask in the Initiatory Society of the Komo, Minyanka, Mali
.” In Objects: Signs of Africa
, edited by Heusch
Luc de
, 37
–56
. Tervuren, Belgium
: Musée royal de l’Afrique centrale
, 1995
.Jewsiewicki
, Bogumil
. The Beautiful Time: Photography by Sammy Baloji
. Washing-ton, DC
: Museum for African Art
, 2010
.Jones
, Adam
, ed. German Sources for West African History
. Wiesbaden, Germany
: Steiner
, 1983
.Jones
, Caroline
. The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience
. Chicago
: University of Chicago Press
, 2016
.Jonker
, Julian David
. “In Defense of Directed Duties
.” PhD diss.
, University of California
, Berkley
, 2017
. ProQuest (Jonker_berkeley_0028E_16853). Merritt ID: ark:/13030/m56×45vb. https://escholarship.org/uc/item/1bk97412
.Jonker
, Julian David
. “My Life in the Bush of Ghosts (Fear of Ghosts)
.” Public lecture
, Unyazi Festival, Cape Town, South Africa
, March 15, 2008
.Jonker
, Julian David
. “‘Song of Solomon’ and Potential Liability
.” , October
6
, 2006
. .Kahn
, Douglas
. Earth Sound, Earth Signal
. Los Angeles
: University of California Press
, 2013
.Kahn
, Douglas
. “John Cage: Silence and Silencing
.” Music Quarterly
81
, no. 4
(winter1997
): 556
–598
.Kahn
, Douglas
. Noise, Water, Meat: A History of Sound in the Arts
. Cambridge, MA
: MIT Press
, 1999
.Kahnweiler
, Daniel-Henry
. “L’Art Nègre et le Cubisme
.” Présence Africaine
3
, no. 1
(1948
): 367
–377
.Kane
, Brian
. Sound Unseen: Acousmatic Sound in Theory and Practice
. Oxford
: Oxford University Press
, 2014
.Kasfir
, Sidney Littlefield
. “One Tribe, One Style? Paradigms in the Historiography of African Art
.” History in Africa
11
, no. 1
(1984
): 163
–193
.Keilbach
, Judith
. “Microphone, Videotape, Database: Reflections on a Media History of the Historical Witness
.” In Preserving Survivors Memories: Digital Testimony Collections about Nazi Persecution; History, Education and Media
, edited by Apostolopoulos
Nicolas
, Barricelli
Michele
, and Koch
Gertrud
, 204
–226
. Self-published, BoD—Books on Demand
, April
13
, 2017
.Kentridge
, William
. “Dear Diary: Suburban Allegories and Other Infections
.” In William Kentridge
, edited by Christov-Bakargiev
Carolyn
, 75
. Brussels
: Palais des Beaux-Arts
, 1998
.Kholeif
, Omar
. “The Case for Egyptian Media Art: Ahmed Basiony; Media Artist or Martyr?
” Afterimage: The Journal of Media Arts and Cultural Criticism
39
, no. 5
(2012
): 74
–79
.Kim-Cohen
, Seth
. In the Blink of an Ear: Toward a Noncochlear Sonic Art
. New York
: Continuum
, 2009
.Kittler
, Friedrich
. “Gramophone, Film, Typewriter
.” Translated by Mücke
Dorothea von
and Similon
Philippe L.
. October
41
, no. 1
(summer1987
): 101
–118
.Knowledge@Wharton
. “What Can Jay-Z and Beyoncé Teach Us about Corporate Accountability
.” January
23
, 2018
. .Kotz
, Liz
. Words to Be Looked At: Language in 1960s Art
. Cambridge, MA
: MIT Press
, 2010
.Koury
, Michael
. “A Look at Lightning: The Life and Compositions of Halim El-Dabh
.” In The Arab Avant-Garde: Music, Politics, Modernity
, edited by Burkhalter
Thomas
, Dickenson
Kay
, and Harbert
Benjamin J.
, 165
–182
. Middletown, CT
: Wesleyan University Press
, 2013
.Kubler
, George A.
“What Can Historians Do for Architects?
” Perpecta
9/10
(1965
): 299
–302
.Landeau-Welinski
, Jonathan
. “Le passé de l’Afrique à la radio: Mémoire d’un continent (RFI): pour une histoire de la coopération radiophonique franco-africaine à travers une émission de 1964 à nos jours
.” Master’s thesis
, Université Paris 1 Panthéon-Sorbonne
, 2013
.Larkin
, Brian
. “The Politics and Poetics of Infrastructure
.” Annual Review of Anthropology
42
, no. 1
(August
2013
): 327
–343
.Larkin
, Brian
. Signal and Noise: Media Infrastructure and Urban Culture in Nigeria
. Durham, NC
: Duke University Press
, 2008
.Latour
, Bruno
. “On Technical Mediation— Philosophy, Sociology, Genealogy
.” Common Knowledge
3
, no. 2
(1994
): 29
–64
.Latour
, Bruno
. “What Is Iconoclash? Or Is There a World beyond the Image Wars?
” In Iconoclash: Beyond the Image Wars in Science, Religion, and Art
, edited by Latour
Bruno
and Weibel
Peter
, 16
–38
. Cambridge, MA
: MIT Press
, 2002
.Latour
, Bruno
, and Stark
Monique Girard
. “Factures/Fractures: From the Concept of Network to the Concept of Attachment
.” RES: Anthropology and Aesthetics
, no. 36
(autumn1999
): 20
–31
.Lelièvre
, Samuel
. La lumière de Souleymane Cissé: cinéma et culture
. Paris
: L’Harmattan
, 2013
.Lenssen
, Anneka
, Rogers
Sarah
, and Shabout
Nada
, eds. Modern Art in the Arab World: Primary Documents
. New York
: Museum of Modern Art
, 2018
.Lessing
, Gotthold Ephraim
. Laocoon: An Essay on the Limits of Painting and Poetry, with Remarks Illustrative of Various Points in the History of Ancient Art
. Translated by Frothingham
Ellen
. Boston
: Little, Brown
, 1910
.Liang
, Lawrence
. “Beyond Representation: The Figure of the Pirate
.” In Access to Knowledge in the Age of Intellectual Property
, edited by Krikorian
Gaelle
and Kapczynski
Amy
, 353
–376
. New York
: Zone Books
, 2010
.Liebman
, Jon
. “Baikithi Kumalo: Exclusive Interview with FBPO’s Jon Liebman
.” For Bass Players Only
, December
10
, 2012
. .Lim
, Kien Ket
. “Of Mimicry and White Man: A Psychoanalysis of Jean Rouch’s Les Maitres Fous
.” Cultural Critique
51
, no. 1
(spring2002
): 40
–73
.Lima
, Álvaro Luís
. “Screw the Nation! Queer Nationalism and Representations of Power in Con temporary South African Art
.” African Arts
45
, no. 4
(winter2012
): 46
–57
.Maathai
, Wangari
. The Green Belt Movement: Sharing the Approach and the Experience
. New York
: Lantern Books
, 2004
.Maathai
, Wangari
. “The Link between Patenting of Life Forms, Genetic Engineering and Food Insecurity
.” Review of African Political Economy
25
, no. 77
(September
1998
): 526
–528
.MacGaffey
, Wyatt
. “African Objects and the Idea of Fetish
.” RES: Anthropology and Aesthetics
25
, no. 1
(spring1994
): 123
–131
.MacGaffey
, Wyatt
. “Fetishism Revisited: Kongo ‘Nkisi’ in Sociological Perspective
.” Africa: Journal of the International African Institute
47
, no. 2
(1977
): 172
–184
.MacGaffey
, Wyatt
. “Magic, or as We Usually Say, Art: A Framework for Comparing European and African Art
.” In The Scramble for Art in Central Africa
, edited by Schildkrout
Enid
and Keim
Curtis A.
, 217
–235
. Cambridge
: Cambridge University Press
, 1998
.MacGaffey
, Wyatt
. Religion and Society in Central Africa: The BaKongo of Lower Zaire
. Chicago
: University of Chicago Press
, 1986
.Machiri
, Robert
, and Biwa
Memory
. “Playback
.” Listening to a Listening at Pungwe: A Conversation Between Memory Biwa and Robert Machiri
(blog). Accessed September 28, 2019. .Mackey
, Allison
. “Guilty Speculations: The Affective Climate of Global Anthropocene Fictions
.” Science Fiction Studies
45
, no. 3
(November
2018
): 530
–544
.MacRae
, Suzanne H.
“Yeelen: A Political Fable of the ‘Komo’ Blacksmith/Sorcerers
.” Research in African Literatures
26
, no. 3
(autumn1995
): 57
–66
.Malan
, Rian
. The Lion Sleeps To night and Other Stories of Africa
. New York
: Grove
, 2012
. Ebook
.Mantz
, Jeffrey W.
“From Digital Divides to Creative Destruction: Epistemological Encounters in the Regulation of the ‘Blood Mineral’ Trade in the Congo
.” Anthropological Quarterly
91
, no. 2
(spring2018
): 525
–549
.Mapaya
, Madimabe Geoff
. “African Musicology: Towards Defining and Setting Parameters of the Study of the Indigenous African Music
.” Anthropologist
18
, no. 2
(2014
): 619
–627
.Marks
, Laura U.
Enfoldment and Infinity: An Islamic Genealogy of New Media Art
. Cambridge, MA
: MIT Press
, 2010
.Marks
, Laura U.
Hanan al-Cinema: Affections for the Moving Image
. Cambridge, MA
: MIT Press
, 2015
.Marks
, Laura U.
“Monad, Database, Remix: Manners of Unfolding in the Last Angel of History
.” Black Camera
6
, no. 2
(spring2015
): 112
–134
.Martin
, William G.
, and West
Michael O.
, eds. Out of One, Many Africas: Reconstructing the Study and Meaning of Africa
. Urbana
: University of Illinois Press
, 1999
.Matory
, J. Lorand
. The Fetish Revisited: Marx, Freud, and the Gods that Black People Make
. Durham, NC
: Duke University Press
, 2018
.Mbembe
, Achille
, and Nuttall
Sarah
, eds. Johannesburg: The Elusive Metropolis
. Durham, NC
: Duke University Press
, 2008
.McCutchon
, Tommy
. “Unlimited Americana: A Conversation with Halim El-Dabh
.” Music and Literature
, June
1
, 2017
. .McLuhan
, Marshall
. The Gutenberg Galaxy: The Making of Typographic Man
. Toronto
: University of Toronto Press
, 1962
.McLuhan
, Marshall
. Understanding Media: The Extensions of Man
. New York
: McGraw-Hill
, 1964
.McNaughton
, Patrick
. The Mande Blacksmiths: Knowledge, Power, and Art in West Africa
. Indianapolis
: University of Indiana Press
, 1988
.Meintjes
, Louise
. “Paul Simon’s Graceland, South Africa, and the Mediation of Musical Meaning
.” Ethnomusicology
34
, no. 1
(winter1990
): 37
–73
.Meyburgh
, Catherine
, and Pakleppa
Richard
, dir. Dying for Gold
. Johannesburg, South Africa
: Breathe Films
, 2018
. DVD
.Miller
, Joseph C.
“Slaving and Colonialism
.” Journal of Colonialism and Colonial History
5
, no. 3
(2004
): 1
–62
.Miller
, Paul D.
, and Iyer
Vijay
. “Improvising Digital Culture: A Conversation
.” Critical Studies in Improvisation/Études critiques en improvisation
5
, no. 1
(2009
). .Mitchell
, Timothy
. Rule of Experts: Egypt, Technopolitics, Modernity
. Berkeley
: University of California Press
, 2002
.Mitchell
, W. J. T.
What Do Pictures Want? The Lives and Loves of Images
. Chicago
: University of Chicago Press
, 2005
.Monaville
, Pedro
. “Decolonizing the University: Postal Politics, the Student Movement, and Global 1968 in the Congo
.” PhD diss.
, University of Michigan
, 2013
.Monaville
, Pedro
. “How Third World Students Liberated the West
.” Chimurenga (Who No Know Go Know)
, April
5
, 2016
. .Moorman
, Marissa
. Powerful Frequencies: Radio, State Power, and the Cold War in Angola, 1931–2002
. Athens
: Ohio University Press
, 2019
.Morris
, Rosalind C.
, and Leonard
Daniel H.
. The Returns of Fetishism: Charles de Brosses and the Afterlives of an Idea
. Chicago
: University of Chicago Press
, 2017
.Morton
, David
. Sound Recording: The Life Story of a Technology
. Baltimore
: Johns Hopkins University Press
, 2006
.Mosia
, Lebona
, Riddle
Charles
, and Zaffiro
Jim
. “From Revolutionary to Regime Radio: Three De cades of Nationalist Broadcasting in Southern Africa
.” African Media Review
8
, no. 1
(1994
): 1
–24
.Moten
, Fred
. The Universal Machine: Consent to Not Be a Single Being
. Durham, NC
: Duke University Press
, 2018
.Moyo
, Dumisani
, Ligaga
Dina
, and Gunner
Liz
. Radio in Africa
. Johannesburg
: Wits University Press
, 2012
.Mudimbe
, V. Y.
“African Philosophy as an Ideological Practice: The Case of French-Speaking Africa
.” African Studies Review
26
, no. 3/4
(September–December
1983
): 133
–154
.Mukendi
, J. K.
“Artist Statement
.” Signals from the South
(blog), n.d.
Accessed January 2012. .Murray
, Brett
. Interviewed by Sue Williamson
, . Accessed September 28, 2019. .Musée d’Art Moderne de la Ville de Paris
. Electra: Electricity and Electronics in the Art of the 20th Century
. Paris
: Musée d’Art Moderne de la Ville de Paris
, 1983
.Nelson
, Steven
. “Karmen Geï: Sex, the State, and Censorship in Dakar
.” African Arts
44
, no. 1
(spring2011
): 74
–81
.Neustetter
, Marcus
. “Analogue and Digital Anecdotes and Artworks from South Africa
.” Third Text
23
, no. 3
(May
2009
): 323
–334
.Nickson
, Chris
. The NPR Curious Listener’s Guide to World Music
. New York
: Grand Central
, 2004
.Oguibe
, Olu
. “Beyond Death and Nothingness
.” African Arts
31
, no. 1
(winter1998
): 48
–96
.Oguibe
, Olu
, and Enwezor
Okwui
. Reading the Con temporary: African Art from Theory to Marketplace
. Cambridge, MA
: MIT Press
, 1999
.Okafor
, Emeka
. “Jean Katambayi Mukendi—Artistic Scientist
.” Timbukto Chronicles
(blog), September
15
, 2011
. .Okediji
, Moyo
. Western Frontiers of African Art
. Rochester, NY
: University of Rochester Press
, 2011
.Olayiwola
, Abiodun
. “From Celluloid to Video: The Tragedy of the Nigerian Film Industry
.” Journal of Film and Video
59
, no. 3
(fall2007
): 58
–61
.Ong
, Walter
. Orality and Literacy: The Technologizing of the World
. London
: Rout-ledge
, 2002
.Orestes
, Naomi
, and Conway
Erik M.
. The Collapse of Western Civilization: A View from the Future
. New York
: Columbia University Press
, 2014
.O’Toole
, Sean
. “2017: The Year in Review; Every Work of Art Is a Speculative Technology
.” Con temporary And (C&)
, December
20
, 2017
. .O’Toole
, Sean
. “Black Landscape: An Argument in Three Parts
.” Art South Africa
9
, no. 1
(September
2010
): 321
–340
.Owens
, Craig
. “The Allegorical Impulse: Toward a Theory of Postmodernism
.” October
12
, no. 1
(spring1980
): 67
–86
.Papaioannou
, P. Julie
. “From Orality to Visuality: The Question of Aesthetics in African Cinema
.” Journal of African Cinemas
1
, no. 2
(2009
): 141
–157
.Pentecost
, Claire
. “soil-erg
.” Claire Pentecost
(blog). Accessed March 10, 2019. .Périer
, Gaston-Denys
. Les Arts populaires du Congo belge
. Brussels
: Office de Publicité, Collection Nationale
, 1948
.Peters
, John Durham
. The Marvelous Clouds: Toward a Philosophy of Elemental Media
. Chicago
: University of Chicago Press
, 2015
.Petit
, Pierre
, and Mutambwa
Georges Mulumbwa
. “‘La Crise’: Lexicon and Ethos of the Second Economy in Lubumbashi
.” Africa
75
, no. 4
(November
2005
): 467
–487
.Pietz
, William
. “The Phonograph in Africa: International Phonocentrism from Stanley to Sarnoff
.” In Post-Structuralism and the Question of History
, edited by Attridge
Derek
, Bennington
Geoff
, and Young
Robert
, 263
–283
. New York
: Cambridge University Press
, 1989
.Pietz
, William
. “The Problem of the Fetish, I
.” res: Anthropology and Aesthetics
9
, no. 1
(spring1985
): 5
–17
.Pietz
, William
. “The Problem of the Fetish, II: The Origin of the Fetish
.” RES: Anthropology and Aesthetics
13
, no. 1
(spring1987
): 23
–45
.Pixelache
. “Signals from the South
.” Pixelache (website)
. Accessed February 20, 2020. .Racy
, Ali Jihad
. “Arabian Music and the Effects of Commercial Recording
.” World of Music
20
, no. 1
(1978
): 47
–58
.Racy
, Ali Jihad
. Making Music in the Arab World: The Culture and Artistry of Tarab
. Los Angeles
: University of California Press
, 2004
.Racy
, Ali Jihad
. “Record Industry and Egyptian Traditional Music
.” Ethnomusicology
20
, no. 1
(January
1976
): 23
–48
.Rakshit
, Sujay
. “Terminator Technology: Science and Politics
.” Current Science
75
, no. 8
(25
October
1998
): 747
–749
.Rancière
, Jacques
. The Emancipated Spectator
. Translated by Elliott
Gregory
. London
: Verso
, 2009
.Rancière
, Jacques
. The Politics of Aesthetics: The Distribution of the Sensible
. London
: Continuum
, 2004
.Rangan
, Pooja
. Immediations: The Humanitarian Impulse in Documentary
. Durham, NC
: Duke University Press
, 2017
.Rarey
, Matthew Francis
. “Assemblage, Occlusion, and the Art of Survival in the Black Atlantic
.” African Arts
51
, no. 4
(winter2018
): 20
–33
.Rodney
, Walter
. How Eu rope Underdeveloped Africa
. Nairobi
: East African Educational
, 1972
.Rouch
, Jean
. “The Camera and Man
.” In Anthropology—Reality—Cinema: The Films of Jean Rouch
, edited by Eaton
Mike
, 54
–63
. London
: British Film Institute
, 1979
.Rouget
, Gilbert
. Music and Trance: A Theory of the Relations between Music and Possession
. Chicago
: University of Chicago Press
, 1985
.Rubin
, William
, ed. Primitivism in 20th Century Art: Affinity of the Tribal and the Modern
. Volume 1
. New York
: Museum of Modern Art
, 1984
.Sarr
, Felwine
. Afrotopia
. Paris
: Éditions Philippe Rey
, 2016
.Schaeffer
, Pierre
. In Search of a Concrete Music
. Translated by Dack
John
and North
Christine
. Berkeley
: University of California Press
, 2012
.Seachrist
, Denise
. The Musical World of Halim El-Dabh
. Kent, OH
: Kent State University Press
, 2003
.Seggerman
, Alex Dika
. Modernism on the Nile: Art in Egypt between the Islamic and the Contemporary
. Chapel Hill
: University of North Carolina Press
, 2019
.Senghor
, Leopold Sédar
. “Standards Critiques de L’art Africain
.” African Arts
1
, no. 1
(autumn1967
): 6
–52
.Shalem
, Avinoam
. “Exceeding Realism: Utopian Modern Art on the Nile and Abdel Hadi Al-Gazzar’s Surrealistic Drawings
.” South Atlantic Quarterly
109
, no. 3
(summer2010
): 577
–594
.Silverman
, Raymond A.
, and Davis
Whitney
. “Reviewed Work(s): Object and Intellect Interpretations of Meaning in African Art by Henry John Drewal
.” African Arts
22
, no. 4
(August
1989
): 16
–85
.Siskin
, Clifford
, and Warner
William
, eds. This Is Enlightenment
. Chicago
: University of Chicago Press
, 2010
.Somaini
, Antonio
. “Walter Benjamin’s Media Theory: The Medium and the Apparat
.” Grey Room
62
, no. 1
(winter2016
): 6
–41
.Soppelsa
, Robert
. “Western Art-Historical Methodology and African Art: Panofsky’s Paradigm and Ivoirian Mma
.” Art Journal
47
, no. 2
(summer1988
): 147
–153
.Spillers
, Hortense J.
“Mama’s Baby, Papa’s Maybe: An American Grammar Book
.” Diacritics
17
, no. 2
(summer1987
): 64
–81
.Sterne
, Jonathan
. mp3: The Meaning of a Format
. Durham, NC
: Duke University Press
, 2012
.Steyerl
, Hito
. Wretched of the Screen
. Berlin
: Sternberg
, 2009
.Strother
, Zoe
. “Looking for Africa in Carl Einstein’s Negerplastik
.” African Arts
46
, no. 4
(winter2013
): 8
–21
.Suzuki
, Sarah
. Bodys Isek Kingelez
. New York
: Museum of Modern Art
, 2018
.Taussig
, Michael
. Mimesis and Alterity: A Particular History of the Senses
. London
: Routledge
, 1993
.Théberge
, Paul
. “The Network Studio: Historical and Technological Paths to a New Ideal in Music Making
.” Social Studies of Science
34
, no. 5
(2004
): 759
–781
.Thompson
, Krista
. Shine: The Visual Economy of Light in African Diasporic Aesthetic Practice
. Durham, NC
: Duke University Press
, 2015
.Thornton
, John
. Africa and Africans in the Making of the Atlantic World
. Cambridge
: Cambridge University Press
, 1992
.Thornton
, John
. “Cannibals, Witches, and Slave Traders in the Atlantic World
.” William and Mary Quarterly
60
, no. 2
(2003
): 273
–294
.Tomaselli
, Keyan
, Shepperson
Arnold
, and Eke
Maureen
. “Towards a Theory of Orality in African Cinema
.” In African Cinema: Postcolonial and Feminist Readings
, edited by Harrow
Kenneth W.
, 45
–71
. Asmara, Eritrea
: Africa World
, 1999
.Tulu Kia Mpansu Buakasa
, Gerard
. L’Impensé du discours: “Kindoki” et “nkisi” en pays Kongo du Zaïre
. Kinshasa, Congo
: Presses Universaires du Zaïre, Unaza-Cedaf
, 1973
.Twomey
, Christina
. “Severed Hands: Authenticating Atrocity in the Congo, 1904–1913
.” In Picturing Atrocity, Photography in Crisis
, edited by Batchen
Geoffrey
, 39
–41
. London
: Reaktion
, 2012
.Udell
, Chester James
III. “Toward Intelligent Musical Instruments: New Wireless Modula Gestural Control Interfaces
.” PhD diss.
, University of Florida
, 2012
.Ukadike
, Nwachukwu Frank
. Black African Cinema
. Berkeley
: University of California Press
, 1994
.Vail
, Leroy
. The Creation of Tribalism in Southern Africa
. Los Angeles
: University of California Press
, 1989
.van Beek
, Walter E. A.
“Dogon Restudied: A Field Evaluation of the Work of Marcel Griaule
.” Current Anthropology
32
, no. 2
(April
1991
): 139
–167
.van Onselen
, Charles
. The Seed Is Mine: The Life of Kas Maine, a South African Sharecropper 1894–1985
. New York
: Hill and Wang
, 1996
.Verbeek
, Léon
, ed. Les arts plastiques de l’Afrique contemporaine: 60 ans d’histoire à Lubumbashi, R-D Congo
. Paris
: L’Harmattan
, 2008
.Verster
, François
, dir. A Lion’s Trail
. Johannesburg, South Africa
: Lion’s Trail
, 2002
. DVD
.Vieyra
, Paulin Soumanou
. “Le Cinéma et la Révolution Africaine
.” Présence Africaine
34/35
(October 1960–January
1961
): 92
–103
.Wahba
, Magdi
. “African Arts: Take the Highroad Away from Western Art
.” Reality: A Journal of Liberal and Radical Opinion
8
, no. 2
(May
1976
): 7
–10
.Wald
, Elijah
. Dylan Goes Electric! Newport, Seeger, Dylan, and the Night that Split the Sixties
. New York
: Dey Street Books
, 2015
.Warnes
, Andrew
. “Black, White and Blue: The Racial Antagonism of the Smiths’ Record Sleeves
.” Popular Music
27
, no. 1
(January
2008
): 135
–149
.Webb
, James
. “The Black Passage
.” James Webb (blog)
. Tumblr
, May
1
, 2006
. .Weheliye
, Alexander
. Phonographies: Grooves in Sonic Afro-Modernity
. Durham, NC
: Duke University Press
, 2005
.Weiss
, Rachel
. To and from Utopia in the New Cuban Art
. Minneapolis
: University of Minnesota Press
, 2010
.Westermann
, Andrea
. “A Technofossil of the Anthropocene: Sliding up and down Temporal Scales with Plastic (draft)
.” January
2018
. .White
, Luise
. Speaking with Vampires: Rumor and History in Colonial Africa
. Berkeley
: University of California Press
, 2000
.Wilson
, John
. “Film Illiteracy in Africa
.” Canadian Communications
1
, no. 4
(1961
): 7
–14
.Wise
, Christopher
. “Nyama and Heka: African Concepts of the Word
.” Comparative Literature Studies
43
, no. 1/2
(2006
): 19
–38
.Wolfe
, Cary
. “The Digital, the Analog, and the Spectral: Echographies from My Life in the Bush of Ghosts
.” Angelaki
13
, no. 1
(2008
): 85
–93
.Woll
, Josephine
. “The Russian Connection: Soviet Cinema and the Cinema of Francophone Africa
.” In Focus on African Films
, edited by Pfaff
Françoise
, 223
–240
. Bloomington
: Indiana University Press
, 2004
.Yengo
, Patrice
. “Le Monde à l’envers: Enfance et kindoki ou les ruses de la raison sorcière dans le bassin du Congo
.” Cahiers d’Études Africaines
189–190
(2008
): 297
–323
.Young
, Allison K.
“‘We Never Did Return’: Migration, Materiality, and Time in Penny Siopis’ Post-Apartheid Art
.” Contemporaneity
4
, no. 1
(2015
): 45
–70
.Young
, Crawford
, and Turner
Thomas Edwin
. The Rise and Decline of the Zairian State
. Madison
: University of Wisconsin Press
, 2013
.Yusuf
, Mansir
. “Ethical Issues in the Use of the Terminator Seed Technology
.” African Journal of Biotechnology
9
, no. 52
(December
2010
): 8901
–8904
.Zeidler
, Sebastian
. Form As Revolt: Carl Einstein and the Ground of Modern Art
. Ithaca, NY
: Cornell University Press
, 2015
.Zielinski
, Siegfried
. Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means
. Cambridge, MA
: MIT Press
, 2006
.Advertisement
