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Figures & Tables

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References

Bibliography

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,
Joe
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.
New York
:
Columbia University Press
,
2001
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Barthes
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.
Camera Lucida
. Translated by
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Richard
.
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New York
:
Hill and Wang
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.
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Roland
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That Old Thing, Art …
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Pop Art: A Critical History
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MIT Press
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2002
.
Cruz-Malave
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Arnaldo
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2007
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2003
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.
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.
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2010
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,
Coco
. “
The Other History of Intercultural Performance
.”
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38
, no.
1
(Spring
1994
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67
.
Galassi
,
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.
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New York
:
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,
2000
.
Ganis
,
William V.
Andy Warhol’s Serial Photography
.
Cambridge, MA
:
MIT Press
,
2004
.
Geldzahler
,
Henry
.
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,
n.p.
New York
:
Harmony Books
,
1984
.
Genet
,
Jean
.
Fragments of the Artwork
. Translated by
Mandell
Charlotte
.
Stanford, CA
:
Stanford University Press
,
2003
.
Giorno
,
John
.
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.
New York
:
High Risk Books
,
1994
.
González
,
Jennifer A.
Subject to Display: Reframing Race in Contemporary Installation Art
.
Cambridge, MA
:
MIT Press
,
2008
.
Goude
,
Jean-Paul
.
Jungle Fever
. Edited by
Hayes
Harold
.
New York
:
Xavier Moreau
,
1981
.
Grayson
,
Kathy
. “
Bowery Flash
.” In
Rosson Crow: Bowery Boys
,
27
.
New York
:
Deitch Projects
,
2010
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Grayson
,
Kathy
.
Rosson Crow: Bowery Boys
.
New York
:
Deitch Projects
,
2010
.
Gruen
,
John
.
Keith Haring: The Authorized Biography
.
New York
:
Fireside
,
1991
.
Gruen
,
Julia
. “
Haring All Over
.”
The Keith Haring Foundation website
,
November
1999
. .
Gysin
,
Brion
. “
The Sculpted Line
.” In
Back in No Time: The Brion Gysin Reader
, edited by
Weiss
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,
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,
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.
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2010
.
Haring
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Keith
.
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,
n.p.
New York
:
Harmony Books
,
1984
.
Havadtoy
,
Sam
.
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.
New York
:
Gallery 56
,
1990
.
Hilferty
,
Robert
, dir.
Stop the Church
.
San Francisco
:
Frameline
,
1991
.
Jones
,
Grace
. “
I’m Not Perfect (But I’m Perfect for You)
.” Directed by
Jones
Grace
.
Music video, 3:52
,
1986
. .
Jones
,
Grace
, with
Morley
Paul
.
I’ll Never Write My Memoirs
.
New York
:
Simon and Schuster
,
2015
.
Keith Haring: Retrospective
.
Whitney Museum of American Art
,
New York
,
June
18
September
21
,
1997
.
Kerr
,
Ted
. “
A History of Erasing Black Artists and Bodies from the aids Conversation
.”
Hyperallergic
,
December
31
,
2015
. .
Kershaw
,
Miriam
. “
Postcolonialism and Androgyny: The Performance Art of Grace Jones
.”
Art Journal
56
, no.
4
(Winter
1997
):
19
25
.
Lawrence
,
Tim
.
Life and Death on the New York Dance Floor, 1980–1983
.
Durham, NC
:
Duke University Press
,
2016
.
Lawrence
,
Tim
.
Love Saves the Day: A History of American Dance Music Culture, 1970–1979
.
Durham, NC
:
Duke University Press
,
2003
.
Marcus
,
George E.
The Uses of Complicity in the Changing Mise-en-Scène of Anthropological Fieldwork
.”
Representations
59
(Summer
1997
):
85
108
.
McMillan
,
Uri
. “
Introduction: Skin, Surface, Sensorium
.”
Women and Performance
28
, no.
1
(
February
2018
):
1
15
.
Mercer
,
Kobena
.
Welcome to the Jungle: New Positions in Black Cultural Studies
.
New York
:
Routledge
,
1994
.
Miller
,
D. A.
Bringing Out Roland Barthes
.
Berkeley
:
University of California Press
,
1992
.
Moten
,
Fred
.
In the Break: The Aesthetics of the Black Radical Tradition
.
Minneapolis
:
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