Skip to Main Content
Skip Nav Destination
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
This content is only available as PDF.

Bibliography

Adorno
,
Theodor
.
Aesthetic Theory
. Trans.
Hullot-Kentor
Robert
.
Minneapolis
:
University of Minnesota Press
,
1997
.
Adorno
,
Theodor
.
Essays on Music
. Ed.
Leppert
Richard
and trans.
Gillespie
Susan H.
.
Berkeley
:
University of California Press
,
2002
.
Adorno
,
Theodor
.
The Jargon of Authenticity
. Trans.
Tarnowski
Knut
and
Will
Frederic
.
Evanston, IL
:
Northwestern University Press
,
1973
.
Allen
,
Robert C.
Horrible Prettiness: Burlesque and American Culture
.
Chapel Hill
:
University of North Carolina Press
,
1991
.
Andersen
,
Mark
.
All the Power: Revolution without Illusion
.
Chicago
:
Punk Planet Books
,
2004
.
Andersen
,
Mark
, and
Jenkins
Mark
.
Dance of Days: Two Decades of Punk in the Nation’s Capital
.
New York
:
Akashic Books
,
2009
.
Anderson
,
Benedict
.
Imagined Communities
.
London
:
Verso
,
1983
.
Armstrong
,
Philip
.
Reticulations: Jean-Luc Nancy and the Networks of the Political
.
Minneapolis
:
University of Minnesota Press
,
2009
.
Arrow
,
Michelle
. “
‘It Has Become My Personal Anthem’: ‘I Am Woman,’ Popular Culture and 1970s Feminism
.”
Australian Cultural Studies
22
, no.
53
(
July
2007
):
213
31
.
Atkins
,
E. Taylor
.
Blue Nippon: Authenticating Jazz in Japan
.
Durham, NC
:
Duke University Press
,
2001
.
Attali
,
Jacques
.
Noise: The Political Economy of Music
. Trans.
Massumi
Brian
.
Minneapolis
:
University of Minnesota Press
,
1985
.
Auslander
,
Philip
.
Liveness: Performance in a Mediatized Culture
.
New York
:
Routledge
,
2008
.
Azerrad
,
Michael
.
Our Band Could Be Your Life: Scenes from the American Indie Underground 1981–1991
.
Boston
:
Little, Brown and Co
.,
2001
.
Baldwin
,
James
.
Collected Essays
.
New York
:
Library of America
,
1998
.
Bangs
,
Lester
. “
Patti Smith: Horses
.” In
Mainlines, Blood Feasts, and Bad Taste: A Lester Bangs Reader
, ed.
Morthland
John
,
101
3
.
New York
:
Anchor Books
,
2003
.
Bangs
,
Lester
, and
Uhelszki
Jaan
. “
Sulky Angel: The Poetry of Patti Smith
.”
Creem
,
February
1974
,
30
31
.
Becker
,
Scott Marc
. “
Sharps and Flats: Moby Draws a Bold Line Straight from the Mississippi Delta to the South Bronx, Connecting the Dots of Black Music in a Search for the Roots of His Electronic Craft
.”
Salon
,
June
8
,
1999
. .
Belalimat
,
Nadia
. “
The Ishumar Guitar: Emergence, Circulation and Evolution from Diasporic Performances to the World Scene
.” In
Tuareg Society within a Globalized World
, ed.
Kohl
Ines
and
Fischer
Anja
,
155
70
.
London
:
Tauris
,
2010
.
Bendix
,
Regina
.
In Search of Authenticity: The Formation of Folklore Studies
.
Madison
:
University of Wisconsin Press
,
1997
.
Benitez
,
Joaquim M.
, and
Jo
Kondo
. “
Serialism in a Japanese Context: A Conversation with Matsudaira Yoritsune
.”
Contemporary Music Review
17
, no.
4
(
1998
):
87
96
.
Berio
,
Luciano
.
Remembering the Future
.
Cambridge, MA
:
Harvard University Press
,
2006
.
Berio
,
Luciano
, with
Dalmonte
Rossana
and
Varga
Balint Andras
.
Two Interviews
. Ed. and trans.
Osmond-Smith
David
.
New York
:
Marion Boyars
,
1985
.
Berlant
,
Lauren
.
Cruel Optimism
.
Durham, NC
:
Duke University Press
,
2011
.
Berlant
,
Lauren
.
The Female Complaint: The Unfinished Business of Sentimentality in American Culture
.
Durham, NC
:
Duke University Press
,
2008
.
Berman
,
Marshall
.
The Politics of Authenticity: Radical Individualism and the Emergence of Modern Society
.
London
:
Verso
,
2009
.
Bernstein
,
Gail Lee
, ed.
Recreating Japanese Women, 1600–1945
.
Berkeley
:
University of California Press
,
1991
.
Bernstein
,
Leonard
. “
The Negro in Music: Problems He Has to Face in Getting a Start
.”
New York Times
,
November
2
,
1947
. .
Blacking
,
John
.
How Musical Is Man?
Seattle
:
University of Washington Press
,
1973
.
Bloom
,
Harold
.
The Anxiety of Influence: A Theory of Poetry
.
New York
:
Oxford University Press
,
1973
.
Bockris
,
Victor
.
Transformer: The Lou Reed Story
.
New York
:
Da Capo Press
,
1997
.
Bockris
,
Victor
.
Warhol: The Biography
. 2nd ed.
New York
:
Da Capo Press
,
2003
.
Bockris
,
Victor
, and
Bayley
Roberta
.
Patti Smith: An Unauthorized Biography
.
New York
:
Simon and Schuster
,
1999
.
Bockris
,
Victor
, and
Malanga
Gerard
.
Uptight: The Velvet Underground Story
.
New York
:
Omnibus Press
,
1983
.
Bond
,
Julian
and
Wilson
Sondra Kathryn
.
Lift Every Voice and Sing: A Celebration of the Negro National Anthem; 100 Years, 100 Voices
.
New York
:
Random House
,
2000
.
Born
,
Georgina
, and
Hesmondhalgh
David
, eds.
Western Music and Its Others: Difference, Representation, and Appropriation in Music
.
Berkeley
:
University of California Press
,
2000
.
Bourdieu
,
Pierre
.
The Field of Cultural Production: Essays on Art and Literature
. Trans.
Nice
Richard
.
New York
:
Columbia University Press
,
1993
.
Branham
,
Robert J.
‘Of Thee I Sing’: Contesting America
.”
American Quarterly
48
, no.
4
(
1996
):
623
52
.
Brooks
,
Daphne
.
Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910
.
Durham, NC
;
Duke University Press
,
2006
.
Brown
,
Jayna
. “
Buzz and Rumble: Global Pop Music and Utopian Impulse
.”
Social Text
28
, no.
1
(Spring
2010
):
125
46
.
Brown
,
Virginia Pounds
, and
Owens
Laurella
.
Toting the Lead Row: Ruby Pickens Tartt, Alabama Folklorist
.
Tuscaloosa
:
University of Alabama Press
,
1981
.
Burkhardt
,
Albert
, and
Telling
Rudolf
.
Let’s Sing Together: Britische und Amerikanische Lieder
.
Berlin
:
Volk und Wissen Volkseigener Verlag
,
1973
.
Burnet
,
Henry
. “
Minezaki Koto’s Zangetsu: An Analysis of a Traditional Japanese Chamber Music Compositio
.”
Perspectives of New Music
27
, no.
2
(Summer
1989
):
78
117
.
Burt
,
Peter
.
The Music of Toru Takemitsu
.
New York
:
Columbia University Press
,
2006
.
Cage
,
John
.
A Year from Monday: New Lectures and Writings
.
Middletown, CT
:
Wesleyan University Press
,
1969
.
Cage
,
John
.
Silence: Lectures and Writings
.
Middletown, CT
:
Wesleyan University Press
,
1961
.
Cale
,
John
, with
Bockris
Victor
.
What’s Welsh for Zen? The Autobiography of John Cale
.
New York
:
Bloomsbury Press
,
1999
.
Cantwell
,
Robert
.
When We Were Good: The Folk Revival
.
Cambridge, MA
:
Harvard University Press
,
1996
.
Carawan
,
Guy
, and
Carawan
Candie
, eds.
We Shall Overcome! Songs of the Southern Freedom Movement
.
New York
:
Oak Publications
,
1963
.
Carby
,
Hazel
.
Race Men
.
Cambridge, MA
:
Harvard University Press
,
2000
.
Cardew
,
Cornelius
.
Stockhausen Serves Imperialism, and Other Articles
.
London
:
Latimer New Dimensions Limited
,
1974
.
Chacon
,
Daniel
. “
‘Black National Anthem’ Brings City Council President Hate Mail
.”
Rocky Mountain News
,
July
2
,
2008
. .
Chadwick
,
Owen
.
The Reformation
.
New York
:
Penguin Books
,
1972
.
Chapple
,
Steve
, and
Garofalo
Reebee
.
Rock and Roll Is Here to Pay
.
Chicago
:
Nelson Hall
,
1977
.
Clayson
,
Alan
, with
Jungr
Barb
and
Johnson
Rob
.
Woman: The Incredible Life of Yoko Ono
.
New Malden, UK
:
Chrome Dreams
,
2004
.
Clover
,
Joshua
.
1989: Bob Dylan Didn’t Have This to Sing About
.
Berkeley
:
University of California Press
,
2009
.
Coates
,
Norma
. “
(R)evolution Now? Rock and the Political Potential of Gender
.” In
Sexing the Groove: Popular Music and Gender
, ed.
Whitely
Sheila
,
50
64
.
New York
:
Routledge
,
1997
.
Cockrell
,
Dale
.
Demons of Disorder: Early Blackface Minstrels and Their World
.
New York
:
Cambridge University Press
,
1997
.
Cohen
,
Ronald D.
Rainbow Quest: The Folk Music Revival and American Society, 1940–1970
.
Amherst
:
University of Massachusetts Press
,
2002
.
Collins
,
Shirley
.
America over the Water
.
London
:
SAF Publishing
,
2005
.
Corbet
,
John
. “
Experimental Oriental: New Music and Other Others
,” in
Western Music and Its Others: Difference, Representation, and Appropriation in Music
, ed.
Born
Georgina
and
Hesmondhalgh
David
,
163
86
.
Berkeley
:
University of California Press
,
2000
.
Cornwell
,
Lewis
. “
Toru Takemitsu’s November Steps
.”
Journal of New Music Research
31
, no.
3
(
2002
):
211
20
.
Cott
,
Jonathan
.
Stockhausen: Conversations with the Composer
.
New York
:
Simon and Schuster
,
1973
.
Cott
,
Jonathan
. “
Yoko Ono and Her Sixteen-Track Voice
.”
Rolling Stone
,
March
18
,
1971
,
113
25
.
Cowell
,
Henry
. “
The Joys of Noise
.”
The New Republic
,
July
31
,
1929
,
287
88
.
Cowie
,
Jefferson
, and
Boehm
Lauren
. “
Dead Man’s Town: ‘Born in the USA,’ Social History, and Working-Class Identity
.”
American Quarterly
58
, no.
2
(
June
2006
):
353
78
.
Crazy Horse
,
Kandia
, ed.
Rip It Up: The Black Experience in Rock ’n’ Roll
.
New York
:
Palgrave
,
2004
.
Ikuma
Dan
. “
The Influence of Japanese Traditional Music on the Development of Western Music in Japan
.”
Transactions of the Asiatic Society of Japan
3
, no.
8
(
1961
):
201
17
.
Darden
,
Robert
.
People Get Ready! A New History of Black Gospel Music
.
New York
:
Continuum
,
2004
.
De Duve
,
Thierry
.
Kant after Duchamp
.
Cambridge, MA
:
MIT Press
,
1996
.
De Ferranti
,
Hugh
.
Japanese Musical Instruments
.
Oxford
:
Oxford University Press
,
2000
.
Derrida
,
Jacques
.
The Politics of Friendship
. Trans.
Collins
George
.
New York
:
Verso
,
1997
.
DiCrescenzo
,
Brent
.
Review of Play, by Moby
.
Pitchfork
,
December
31
,
1999
. .
Du Bois
,
W. E. B
.
The Souls of Black Folk
.
New York
:
Oxford University Press
,
2007
.
Duckworth
,
William
.
Talking Music: Conversations with John Cage, Philip Glass, Laurie Anderson and Five Generations of American Experimental Composers
.
New York
:
Schirmer Books
,
1995
.
Early
,
Gerald
.
One Nation under a Groove: Motown and American Culture
.
Hopewell, NJ
:
Ecco Press
,
1995
.
Editors of Rolling Stone
.
The Ballad of John and Yoko
.
Garden City, NY
:
Double-day Books
,
1982
.
Eliot
,
Marc
.
Rockonomics: The Money behind the Music
.
New York
:
Franklin Wats
,
1989
.
Ellison
,
Ralph
.
The Collected Essays of Ralph Ellison
.
New York
:
Modern Library
,
1995
.
Eng
,
David
.
Racial Castration: Managing Masculinity in Asian America
.
Durham, NC
:
Duke University Press
,
2001
.
Ericson
,
Raymond
. “
18 Works Sought by Philharmonic
.”
New York Times
,
April
6
,
1967
,
45
.
Ericson
,
Raymond
. “
Ozawa Conducts at Philharmonic
.”
New York Times
,
November
10
,
1967
,
57
.
Everett
,
Walter
.
The Beatles as Musicians: Revolver through the Anthology
.
New York
:
Oxford University Press
,
1999
.
Everett
,
Yayoi
, and
Lau
Frederick
, eds.
Locating East Asia in Western Art Music
.
Middletown, CT
:
Wesleyan University Press
,
2004
.
Eyck
,
F. Gunther
.
The Voice of Nations: European National Anthems and Their Authors
.
Westport, CT
:
Greenwood Press
,
1995
.
Eyerman
,
Ronald
. “
Music in Movement: Cultural Politics and New Social Movements
.”
Qualitative Sociology
25
, no.
3
(Fall
2002
):
443
58
.
Eyerman
,
Ronald
, and
Jamison
Andrew
.
Music and Social Movements: Mobilizing Traditions in the Twentieth Century
.
New York
:
Cambridge University Press
,
1998
.
Eyre
,
Banning
. “
Tinariwen’s Abdallah Ag Alhoussein Talks about Mali
.”
Afropop Worldwide
,
July
3
,
2012
. .
Faust
,
Drew Gilpin
.
The Creation of Confederate Nationalism
.
Baton Rouge
:
Louisiana State University Press
,
1989
.
Fellezs
,
Kevin
.
Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion
.
Durham, NC
:
Duke University Press
,
2011
.
Filene
,
Benjamin
.
Romancing the Folk: Public Memory and American Roots Music
.
Chapel Hill
:
University of North Carolina Press
,
2000
.
Fink
,
Robert
.
Repeating Ourselves: American Minimal Music as Cultural Practice
.
Berkeley
:
University of California Press
,
2005
.
Floyd
,
Samuel
.
The Power of Black Music: Interpreting Its History from Africa to the United States
.
New York
:
Oxford University Press
,
1995
.
Fogle
,
Douglas
, ed.
Andy Warhol/Supernova: Stars, Deaths, and Disasters, 1962–1964
.
Minneapolis, MN
:
Walker Art Center
,
2005
.
Fonorow
,
Wendy
.
Empire of Dirt: The Aesthetics and Rituals of British Indie Music
.
Middletown, CT
:
Wesleyan University Press
,
2006
.
Foster
,
Hal
.
The Return of the Real: The Avant-Garde at the End of the Century
.
Cambridge, MA
:
MIT Press
,
1996
.
Foucault
,
Michel
.
“Society Must Be Defended”: Lectures at the College de France, 1975–76
. Trans.
Macey
David
.
New York
:
Picador Press
,
2003
.
Fox
,
Aaron
. “
‘Alternative’ to What? O Brother, September 11, and the Politics of Country Music
.” In
Country Music Goes to War
, ed.
Wolfe
Charles
and
Akenson
James
,
164
91
.
Lexington
:
University of Kentucky Press
,
2005
.
Fox
,
Aaron
.
Real Country: Music and Language in Working-Class Culture
.
Durham, NC
:
Duke University Press
,
2004
.
Freedland
,
Michael
.
Leonard Bernstein
.
London
:
Harrap
,
1987
.
Freud
,
Sigmund
. “
Mourning and Melancholia
,” in his
General Psychological Theory: Papers on Metapsychology
, ed.
Rieff
Philip
.
New York
:
Collier Books
,
1963
.
Frith
,
Simon
.
Music for Pleasure: Essays in the Sociology of Pop
.
New York
:
Routledge
,
1988
.
Frith
,
Simon
, and
Horne
Howard
.
Art into Pop
.
London
:
Methuen Press
,
1987
.
Frith
,
Simon
,
Straw
Will
, and
Street
John
, eds.
The Cambridge Companion to Rock and Pop
.
New York
:
Cambridge University Press
,
2001
.
Galliano
,
Luciana
.
Yogaku: Japanese Music in the Twentieth Century
.
Lanham, MD
:
Scarecrow Press
,
2002
.
Gendron
,
Bernard
.
Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde
.
Chicago
:
University of Chicago Press
,
2002
.
Gillett
,
Charlie
.
Making Tracks: Atlantic Records and the Growth of a Multi-billion Dollar Industry
.
New York
:
E. P. Dutton
,
1974
.
Gilroy
,
Paul
.
The Black Atlantic: Modernity and Double Consciousness
.
Cambridge, MA
:
Harvard University Press
,
1993
.
Gilroy
,
Paul
.
Darker Than Blue: On the Moral Economies of Black Atlantic Culture
.
Cambridge, MA
:
Belknap Press and Harvard University Press
,
2010
.
Gioia
,
Ted
.
Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music
.
New York
:
W. W. Norton
,
2009
.
Glaude
,
Eddie S.
Jr.
Exodus! Religion, Race, and Nation in Early Nineteenth-Century Black America
.
Chicago
:
University of Chicago Press
,
2000
.
Glover
,
Tony
. “
Review of 7th Heaven by Patti Smith
,”
Creem
,
October
1972
,
52
.
Gooding-Williams
Robert
.
Look, a Negro! Philosophical Essays on Race, Culture and Politics
.
New York
:
Routledge
,
2006
.
Gopinath
,
Sumanth
. “
The Problem of the Political in Steve Reich’s Come Out
.” In
Sound Commitments: Avant-Garde Music and the Sixties
, ed.
Adlington
Robert
,
121
44
.
New York
:
Oxford University Press
,
2009
.
Goto-Jones
,
Christopher S.
Political Philosophy in Japan: Nishida, the Kyoto School, and Co-Prosperity
.
New York
:
Routledge
,
2005
.
Gottlieb
,
Joanne
, and
Wald
Gayle
. “
Smells Like Teen Spirit: Riot Grrrls, Revolution, and Women in Independent Rock
.” In
Microphone Fiends: Youth Music and Youth Culture
, ed.
Ross
Andrew
and
Rose
Tricia
,
250
74
.
New York
:
Routledge
,
1994
.
Gould
,
Jonathan
.
Can’t Buy Me Love: The Beatles, Britain, and America
.
New York
:
Three Rivers Press
,
2007
.
Gracyk
,
Theodore
.
Listening to Popular Music; Or, How I Learned to Stop Worrying and Love Led Zeppelin
.
Ann Arbor
:
University of Michigan Press
,
2007
.
Greenberg
,
Cheryl Lynn
, ed.
A Circle of Trust: Remembering SNCC
.
New Brunswick, NJ
:
Rutgers University Press
,
1998
.
Gross
,
Amy
. “
I’m a Revenge for Bad Skin: Introducing Rock ’n’ Roll’s Lady Raunch, Patti Smith
.”
Mademoiselle
,
September
1975
.
Republished online: http://www.oceanstar.com/patti/intervus/7509made.htm. Accessed August 8, 2013
.
Guralnick
,
Peter
.
Dream Boogie: The Triumph of Sam Cooke
.
New York
:
Back Bay Books
,
2005
.
Guralnick
,
Peter
.
Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom
.
New York
:
Harper and Row
,
1986
.
Gutman
,
Amy
.
Identity in Democracy
.
Princeton, NJ
:
Princeton University Press
,
2003
.
Habermas
Jürgen
.
Between Facts and Norms: Contributions to a Discourse Theory of Law and Democracy
. Trans.
Rehg
William
.
Cambridge, MA
:
MIT Press
,
1996
.
Hamilton
,
Marybeth
.
In Search of the Blues
.
New York
:
Basic Books
,
2008
.
Hanslick
,
Eduard
.
The Beautiful in Music
. Trans.
Cohen
Gustav
.
New York
:
Liberal Arts Press
,
1957
.
Hanslick
,
Eduard
.
On the Musically Beautiful: A Contribution towards the Revision of the Aesthetics of Music
. Trans.
Payzant
Geoffrey
.
New York
:
Hacket
,
1986
.
Hardt
,
Michael
, and
Negri
Antonio
.
Empire
.
Cambridge, MA
:
Harvard University Press
,
2000
.
Harley
,
John
.
William Byrd: Gentleman of the Chapel Royal
.
Brookfield, VT
:
Ashgate Publishing
,
1997
.
Harootunian
,
Harry
.
Overcome by Modernity: History, Culture, and Community in Interwar Japan
.
Princeton, NJ
:
Princeton University Press
,
2000
.
Haskell
,
Barbara
, and
Hanhardt
John G.
.
Yoko Ono: Arias and Objects
.
Salt Lake City, UT
:
Peregrine Smith Books
,
1991
.
Hayward
,
Clarissa Rile
. “
Democracy’s Identity Problem: Is ‘Constitutional Patriotism’ the Answer?
Constellations
14
, no.
2
(
2007
):
182
96
.
Heckman
,
Don
. “
Its Reach Exceeds Its Grasp
.”
New York Times
,
November
21
,
1971
,
1
,
10
.
Heilburt
,
Anthony
.
The Gospel Sound: Good News and Bad Times
.
New York
:
Simon and Schuster
,
1971
.
Henahan
,
Donald
. “
Ozawa Conducts the Philadelphia
.”
New York Times
,
November
13
,
1968
,
37
.
Herd
,
Judith
. “
The Neonationalist Movement: Origins of Contemporary Japanese Music
.”
Perspectives of New Music
27
, no.
2
(
1989
):
119
63
.
Heylin
,
Clinton
, ed.
All Yesterday’s Parties: The Velvet Underground in Print, 1966–1971
.
New York
:
Da Capo Press
,
2005
.
Heylin
,
Clinton
, ed.
From the Velvets to the Voidoids: The Birth of American Punk Rock
.
Chicago
:
A Cappella Books
,
2005
.
Hickey
,
Dave
.
The Invisible Dragon: Essays on Beauty
.
Revised and expanded ed
.
Chicago
:
University of Chicago Press
,
2009
.
Higginbotham
,
Evelyn Brooks
.
Righteous Discontent: The Women’s Movement in the Black Baptist Church, 1880–1920
.
Cambridge, MA
:
Harvard University Press
,
1993
.
Hill
,
Napoleon
.
Think and Grow Rich, Original 1937 Classic Edition
.
NY
:
Soho Books
,
2010
.
Hirsch
,
Afua
. “
Islamic Extremists Face Citizen Uprising in Mali
.”
Guardian (UK)
,
July
17
,
2012
. .
Hirschkind
,
Charles
.
The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics
.
New York
:
Columbia University Press
,
2006
.
Hopkins
,
Jerry
.
Yoko Ono
.
New York
:
Macmillan Books
,
1986
.
Hubbs
,
Nadine
. “
‘I Will Survive’: Musical Mappings of Queer Social Space in a Disco Song
.”
Popular Music
26
, no.
2
(
2007
):
231
44
.
Hubbs
,
Nadine
.
The Queer Composition of America’s Sound: Gay Modernists, American Music, and National Identity
.
Berkeley
:
University of California Press
,
2004
.
Hutchison
,
Coleman
. “
Whistling ‘Dixie’ for the Union (Nation, Anthem, Revision)
.”
American Literary History
19
, no.
3
(Fall
2007
):
603
29
.
Japan Ministry of Education
.
Kokutai no Hongi: Cardinal Principles of the National Entity of Japan
. Ed.
Hall
Robert King
and trans.
Gauntlet
John Owen
.
Cambridge, MA
:
Harvard University Press
,
1949
.
Johnson
,
James Weldon
.
Along This Way
.
New York
:
The Viking Press
,
1968
.
Jones
,
LeRoi
.
Black Music
.
New York
:
Da Capo
,
1998
.
Jones
,
LeRoi
.
Blues People: Negro Music in White America
.
New York
:
Morrow and Co
.,
1963
.
Joseph
,
Branden
.
Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage
.
Cambridge, MA
:
Zone Books
,
2008
.
Julia
,
Ignacio
. “
Feedback: The Legend of the Velvet Underground, the Fully Revised Version, (1986–1996)
.” In
Zak, The Velvet Underground Companion
,
214
.
Kant
,
Immanuel
.
Critique of Judgment
. Trans.
Bernard
J. H.
.
New York
:
Hafner Press
,
1951
.
Keil
,
Charles
, and
Feld
Steven
.
Music Grooves: Essays and Dialogue
.
Tucson, AZ
:
Fenestra
,
2005
.
Kheshti
,
Roshanak
. “
Musical Miscegenation and the Logic of Rock and Roll: Homosocial Desire and Racial Productivity in ‘A Paler Shade of White.’
American Quarterly
60
, no.
4
(
December
2008
):
1037
55
.
Kheshti
,
Roshanak
. “
Touching Listening: The Aural Imaginary in the World Music Culture
.”
American Quarterly
63
, no.
3
(
October
2011
):
711
31
.
Klein
,
Rolf
. “
Aspects of Some Recent Works by Matsudaira Yoritsune
.”
Contemporary Music Review
17
, no.
4
(
1998
):
33
84
.
Koestenbaum
,
Wayne
.
Andy Warhol: A Penguin Life
.
New York
:
Penguin Books
,
2001
.
Kostelanetz
,
Richard
.
Conversing with Cage
. 2nd ed.
New York
:
Routledge
,
2003
.
Kramer
,
Lawrence
.
Interpreting Music
.
Berkeley
:
University of California Press
,
2011
.
Kramer
,
Lawrence
. “
Subjectivity Rampant! Music, Hermeneutics, and History
.” In
The Cultural Study of Music: A Critical Introduction
, ed.
Clayton
Martin
,
Herbert
Trevor
, and
Middleton
Richard
.
New York
:
Routledge
,
2003
.
Kristeva
,
Julia
. “
The System and the Speaking Subject
.” In
The Kristeva Reader
, ed.
Moi
Toril
,
24
33
.
New York
:
Columbia University Press
,
1986
.
Kun
,
Josh
.
Audiotopia: Music, Race, and America
.
Berkeley
:
University of California Press
,
2005
.
Kurtz
,
Michael
.
Stockhausen: A Biography
. Trans. by
Toop
Richard
.
London
:
Faber and Faber
,
1992
.
Laclau
,
Ernesto
, and
Mouffe
Chantal
.
Hegemony and Socialist Strategy: Towards a Radical Democratic Politics
.
New York
:
Verso Books
,
1985
.
Latham
,
Alison
, ed.
The Oxford Companion to Music
.
Oxford
:
Oxford University Press
,
2002
.
Lavezzoli
,
Peter
.
The Dawn of Indian Music in the West, Bhairavi
.
New York
:
Continuum Press
,
2006
.
Lecocq
,
Baz
. “
Unemployed Intellectuals in the Sahara: The Teshumara Nationalist Movement and the Revolutions in Tuareg Society
.”
Supplement, International Review of Social History
49
, no.
S12
(
2004
):
S87
S109
.
Leonard
,
Marion
.
Gender in the Music Industry: Rock, Discourse and Girl Power
.
Aldershot, UK
:
Ashgate Publishing
,
2007
.
Lester
,
Julius
.
Search for the New Land: History as Subjective Experience
.
New York
:
Dial Press
,
1969
.
Levitz
,
Tamara
. “
Yoko Ono and the Unfinished Music of ‘John and Yoko’: Imagining Gender and Racial Equality in the late 1960s
.” In
Impossible to Hold: Women and Culture in the 1960s
, ed.
Bloch
Avital
and
Umansky
Lauri
,
217
39
.
New York
:
New York University Press
,
2005
.
Lewis
,
George
.
A Power Stronger Than Itself: The AACM and American Experimental Music
.
Chicago
:
University of Chicago Press
,
2008
.
Lipsitz
,
George
.
Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place
.
London
:
Verso
,
1994
.
Lockspeiser
,
Edward
.
Debussy: His Life and Mind
. Vol.
2
,
1902
1918
New York
:
Cambridge University Press
,
1978
.
Loesberg
,
Jonathan
.
A Return to Aesthetics: Autonomy, Indifference, and Postmodernism
.
Stanford, CA
:
Stanford University Press
,
2005
.
Lomax
,
Alan
.
Folksong Style and Culture
.
Washington, DC
:
American Association for the Advancement of Science
,
1968
.
Lomax
,
Alan
.
The Rainbow Sign: A Southern Documentary
.
New York
:
Duell, Sloan and Pearce
,
1959
.
Lomax
,
John
.
Adventures of a Ballad Hunter
.
New York
:
Macmillan
,
1947
.
Lott
,
Eric
.
Love and Theft: Blackface Minstrelsy and the American Working Class
.
New York
:
Oxford University Press
,
1995
.
Love
,
Nancy S.
Musical Democracy
.
Albany, NY
:
SUNY Press
,
2006
.
“luxnigra.” “Moby, Black Appropriation and White Electronics.”
The Last Angel of History (blog)
,
May
6
,
2007
. .
Ma
,
Sheng-Mei
.
The Deathly Embrace: Orientalism and Asian American Identity
.
Minneapolis
:
University of Minnesota Press
,
2000
.
MacDonald
,
Ian
.
Revolution in the Head: The Beatles’ Records and the Sixties
. 3rd ed.
Chicago
:
Chicago Review Press
,
2007
.
Maconie
,
Robin
.
Other Planets: The Music of Karlheinz Stockhausen
.
Oxford
:
Scarecrow Press
,
2005
.
Maffeo
,
Lois
. “
Crashing Through
.”
Beat Happening, Crashing Through. K Records, CD
.
Originally released in 2002
.
Mahajan
,
Anupam
.
Ragas in Indian Classical Music
.
New Delhi
:
Gian Publishing House
,
1989
.
Mahon
,
Maureen
.
Right to Rock: The Black Rock Coalition and the Cultural Politics of Race
.
Durham, NC
:
Duke University Press
,
2004
.
Mailer
,
Norman
.
Advertisements for Myself
.
New York
:
Putnam Books
,
1959
.
Malm
,
William
. “
Music in the Kabuki Theater
.” In
Studies in Kabuki: Its Acting, Music and Historical Context
, ed.
Brandon
James
,
Malm
William P.
, and
Shively
Donald H.
.
East-West Center
:
University of Hawai‘i
,
1978
.
Mani
,
Lata
, and
Frankenberg
Ruth
. “
The Challenge of Orientalism
,”
Economy and Society
14
(
1985
):
174
92
.
Marcus
,
Greil
. “
Horses: Patti Smith Exposes Herself
.”
Village Voice
,
November
24
,
1975
.
Marcus
,
Greil
.
Mystery Train: Images of America in Rock ’n’ Roll Music
.
New York
:
E. P. Dutton
,
1975
.
Marcus
,
Greil
, ed.
Psychotic Reactions and Carburetor Dung
.
New York
:
Vintage Books
,
1988
.
Marcus
,
Sara
.
Girls to the Front: The True Story of the Riot Grrrl Revolution
.
New York
:
Harper Perennial
,
2010
.
Marsh
,
Dave
. “
Her Horses Got Wings, They Can Fly: Factory Girl, Coal Stove Visionary, Scion of Rimbaud and the Ronnettes; Patti Smith Now Challenges the Assembly Line of Rock & Roll
.”
Rolling Stone
,
January
1
,
1976
,
39
42
,
64
.
Maskell
,
Shayna
. “
Performing Punk: Bad Brains and the Construction of Identity
.”
Journal of Popular Music Studies
21
, no.
4
(
2009
):
411
26
.
Maultsby
,
Portia
. “
Africanisms in African-American Music
.” In
Africanisms in American Culture
, ed.
Holloway
Joseph
,
185
210
.
Bloomington
:
Indiana University Press
,
1990
.
McDonnell
,
Evelyn
, and
Powers
Ann
, eds.
Rock She Wrote: Women Write about Rock, Pop, and Rap
.
New York
:
Cooper Square Press
,
1999
.
Mead
,
Andrew
.
Review of Composition with Pitch-Classes, by Robert Morris
.
Perspectives of New Music
29
, no.
1
(
1991
):
264
310
.
Meintjes
,
Louise
.
Sound of Africa! Making Music Zulu in a South African Studio
.
Durham, NC
:
Duke University Press
,
2003
.
Meltzer
,
Marisa
.
Girl Power: Nineties Revolution in Music
.
New York
:
Faber and Faber
,
2010
.
Michelson
,
Annette
, ed.
Andy Warhol
.
Cambridge, MA
:
MIT Press
,
2001
.
Miles
,
Barry
.
In the Sixties
.
London
:
Jonathan Cape
,
2002
.
Miller
,
Karl Hagstrom
.
Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow
.
Durham, NC
:
Duke University Press
,
2010
.
Miller
,
Mara
. “
Art and the Construction of Self and Subject in Japan
.” In
Self as Image in Asian Theory and Practice
, ed.
Ames
Roger
,
Kasulis
Thomas
, and
Dissanayake
Wimal
,
421
59
.
Albany
:
SUNY Press
,
1998
.
Mills
,
Kay
.
This Little Light of Mine: The Life of Fannie Lou Hamer
.
Lexington
:
University Press of Kentucky
,
2007
.
Milstein
,
Philip
,
Kostek
M. C.
, and
Messer
Katherine
, “
The Maureen Tucker Interview (1980–90)
.” In
Zak, The Velvet Underground Companion
,
154
.
Molesworth
,
Helen
, ed.
Work Ethic
.
University Park
:
Pennsylvania State University Press
,
2003
.
Monem
,
Nadine
, ed.
Riot Grrrl: Revolution Girl Style Now!
London
:
Blackdog Publishing
,
2007
.
Morely
,
Paul
. “
Patti Smith: A Woman’s Place
.”
New Musical Express
,
April
1
,
1978
. .
Morris
,
Robert E.
Composition with Pitch-Classes: A Theory of Compositional Design
.
New Haven, CT
:
Yale University Press
,
1987
.
Moten
,
Fred
.
In the Break: The Aesthetics of the Black Radical Tradition
.
Minneapolis
:
University of Minnesota Press
,
2003
.
Mouffe
,
Chantal
, ed.
The Challenge of Carl Schmitt
.
London
:
Verso
,
1999
.
Mouffe
,
Chantal
, ed.
The Return of the Political
.
London
:
Verso
,
1993
.
Munroe
,
Alexandra
. “
A Box of Smile: Tokyo Fluxus, Conceptual Art and the School of Metaphysics
.” In
Scream against the Sky: Japanese Art after 1945
, ed.
Munroe
Alexandra
,
215
25
.
New York
:
Harry Abrams
,
1994
.
Munroe
,
Alexandra
, and
Hendricks
Jon
, eds.
Yes Yoko Ono
.
New York
:
Japan Society and Harry Abrams, Inc.
,
2000
.
Murray
,
Albert
.
Stomping the Blues
.
New York
:
Da Capo
,
1989
.
Murray
,
Charles Shaar
. “
Patti Smith: Radio Ethiopia
.”
New Musical Express
,
October
23
,
1976
.
Murray
,
Charles Shaar
. “
Weird Scenes inside Gasoline Alley
.” In
The Penguin Book of Rock & Roll Writing
, ed.
Heylin
Clinton
,
228
33
.
London
:
Penguin Books
,
1993
.
Nancy
,
Jean-Luc
.
Being Singular Plural
. Trans
Richardson
Robert D.
and
O’Brien
Anne E.
.
Stanford, CA
:
Stanford University Press
,
2000
.
Nancy
,
Jean-Luc
.
The Inoperative Community
. Trans.
Connor
Peter
.
Minneapolis
:
University of Minnesota Press
,
1991
.
Nancy
,
Jean-Luc
.
Listening
. Trans.
Mandell
Charlotte
.
New York
:
Fordham University Press
,
2007
.
Neal
,
Mark Anthony
.
What the Music Said: Black Popular Music and Black Popular Culture
.
New York
:
Routledge
,
1999
.
Nettl
,
Paul
.
National Anthems
. 2nd ed. Trans.
Gode
Alexander
.
New York
:
Frederick Ungar Publishing
,
1967
.
Neuman
,
Daniel
.
The Life of Music in North India: The Organization of an Artistic Tradition
.
Detroit, MI
:
Wayne State University Press
,
1980
.
Nguyen
,
Mimi
. “
It’s Not a White World: Looking for Race in Punk
.”
Punk Planet
(
November/December
1998
).
Kitaro
Nishida
.
An Inquiry into the Good
. Trans.
Abe
Masao
and
Ives
Christopher
.
New Haven, CT
:
Yale University Press
,
1990
.
Norman
,
Philip
.
John Lennon: The Life
.
New York
:
Harper Collins ebooks
,
2011
.
Nuss
,
Steven
. “
Hearing Japanese, Hearing Takemitsu
.”
Contemporary Music Review
21
, no.
4
(
2002
):
35
71
.
Ono
,
Yoko
.
Grapefruit: A Book of Instructions and Drawings
.
New York
:
Simon and Schuster
,
2000
.
Osmond-Smith
Davis
.
Playing on Words: A Guide to Luciano Berio’s Sinfonia
.
London
:
Royal Music Association
,
1985
.
Owen
,
Frank
. “
Blues for Jesus: Review of Play
.”
Village Voice
,
June
8
,
1999
.
Paytress
,
Mark
.
Break It Up: Patti Smith’s Horses and the Remaking of Rock ’n’ Roll
.
London
:
Portrait Books
,
2006
.
Peters
,
Gunter
.
Holy Seriousness in the Play: Essays on the Music of Karlheinz Stockhausen
.
Kurten, Germany
:
Stockhausen- Verlag
,
2003
.
Peterson
,
Brian
.
Burning Fight: The Nineties Hardcore Revolution in Ethics, Politics, Spirit and Sound
.
Huntington Beach, CA
:
Revelation Records
,
2009
.
Peterson
,
Richard
.
Creating Country Music: Fabricating Authenticity
.
Chicago
:
University of Chicago Press
,
1999
.
Piekut
,
Benjamin
.
Experimentalism Otherwise: The New York Avant-Garde and Its Limits
.
Berkeley
:
University of California Press
,
2011
.
Poriss
,
Hilary
.
Changing the Score: Arias, Prima Donnas, and the Authority of Performance
.
New York
:
Oxford University Press
,
2009
.
Porterfield
,
Nolan
.
Last Cavalier: The Life and Times of John A. Lomax, 1867–1948
.
Urbana
:
University of Illinois Press
,
1996
.
Potter
,
Keith
.
Four Musical Minimalists
.
Cambridge, UK
:
Cambridge University Press
,
2000
.
Powers
,
Ann
. “
Pop Review: Fighting Fire with Fire; Moby’s Agenda
.”
New York Times
,
July
31
,
1999
.
Accessed October 10, 2008
.
Pratt
,
Alan R.
, ed.
The Critical Response to Warhol
.
Westport, CT
:
Greenwood Press
,
1997
.
Pritchett
,
James
.
The Music of John Cage
.
New York
:
Cambridge University Press
,
1996
.
Puca
,
Antonella
. “
Steve Reich and Hebrew Cantillation
.”
The Musical Quarterly
81
, no.
4
(Winter
1997
):
537
55
.
Radano
,
Ronald
.
Lying up a Nation: Race and Black Music
.
Chicago
:
University of Chicago Press
,
2003
.
Radano
,
Ronald
, and
Bohlman
Philip V.
.
Music and the Racial Imagination
.
Chicago
:
University of Chicago Press
,
2000
.
Raha
,
Maria
.
Cinderella’s Big Score: Women of the Punk and Indie Underground
.
Emeryville, CA
:
Seal Press
,
2005
.
Railton
,
Diane
. “
The Gendered Carnival of Pop
.”
Popular Music
20
, no.
3
(
2001
):
321
31
.
Ramsey
,
Guthrie
Jr.
Race Music: Black Cultures from Bebop to Hip-Hop
.
Berkeley
:
University of California Press
,
2003
.
Rancière
,
Jacques
.
Dissensus: On Politics and Aesthetics
. Ed. and trans.
Corcoran
Steven
.
New York
:
Continuum
,
2010
.
Rancière
,
Jacques
.
The Politics of Aesthetics: The Distribution of the Sensible
. Trans.
Rockhill
Gabriel
.
New York
:
Continuum
,
2004
.
Rasmussen
,
Susan
. “
Moving beyond Protest in Tuareg Ichumar Performance
.”
Ethnohistory
53
, no.
4
(Fall
2006
):
633
55
.
Reagon
,
Bernice Johnson
. “
African American Music as Resistance: The Civil Rights Movement
.” In
African American Music: An Introduction
, ed.
Burnim
Melonee V.
and
Maultsby
Portia K.
,
598
623
.
New York
:
Routledge
,
2006
.
Reagon
,
Bernice Johnson
.
If You Don’t Go, Don’t Hinder Me: The African American Sacred Song Tradition
.
Lincoln
:
University of Nebraska Press
,
2001
.
Reed
,
Lou
. “
A View from the Bandstand
.”
Aspen
no.
3
. .
Reich
,
Steve
.
Writings on Music, 1965–2000
. Ed.
Hillier
Paul
.
New York
:
Oxford University Press
,
2002
.
Reynolds
,
Simon
, and
Press
Joy
.
The Sex Revolts: Gender, Rebellion, and Rock ’n’ Roll
.
Cambridge, MA
:
Harvard University Press
,
1995
.
Riesman
,
David
. “
Listening to Popular Music
.”
American Quarterly
2
, no.
4
(Winter
1950
):
359
71
.
Robb
,
Graham
.
Rimbaud
.
New York
:
W. W. Norton and Co.
,
2000
.
Robertson
,
Nan
. “
Glitering Audience Attends Kennedy Center’s Opening
.”
New York Times
,
September
9
,
1971
,
1
,
51
.
Robinson
,
Lisa
. “
Human Dignity Is Where It’s At
,”
Creem
,
March
1974
,
78
.
Said
,
Edward
.
Orientalism
.
New York
:
Pantheon Books
,
1978
.
Sanneh
,
Kelefa
. “
The Rap against Rockism
.”
New York Times
,
October
31
,
2004
. .
Sato
,
Barbara
.
The New Japanese Woman: Modernity, Media, and Women in Interwar Japan
.
Durham, NC
:
Duke University Press
,
2003
.
Scarborough
,
Dorothy
.
In Search of the Blues
.
New York
:
Basic Books
,
2008
.
Schilt
,
Kristen
. “
‘Riot Grrrl Is …’: Contestation over Meaning in a Music Scene
.” In
Music Scenes: Local, Translocal and Virtual
, ed.
Bennet
Andrew
and
Peterson
Richard
,
115
30
.
Nashville, TN
:
Vanderbilt University Press
,
2004
.
Schmitt
,
Carl
.
The Concept of the Political
, trans.
Schwab
George
.
Chicago
:
Chicago University Press
,
1996
.
Schmitt
,
Carl
.
Political Theology
. Trans.
Schwab
George
.
Chicago
:
University of Chicago Press
,
2005
.
Schonberg
,
Harold
. “
Bernstein’s New Work Reflects His Background on Broad-way
.”
New York Times
,
September
9
,
1971
.
Secrest
,
Meryle
.
Leonard Bernstein: A Life
.
New York
:
Alfred A. Knopf
,
1994
.
Seeger
,
Pete
.
The Incompleat Folksinger
. Ed.
Schwartz
Jo Metcalf
.
New York
:
Simon and Schuster
,
1972
.
Seeger
,
Pete
, and
Reiser
Bob
.
Everybody Says Freedom
.
New York
:
W. W. Norton and Co.
,
1989
.
Seiler
,
Cotton
. “
Have You Ever Been to the Pleasure Inn? The Transformation of Indie Rock in Louisville, Kentucky
.”
Journal of Popular Music Studies
13
(
2001
):
189
205
.
Shank
,
Barry
. “
Productive Orientalisms: Imagining Noise and Silence across the Pacific, 1957–1967
.” In
Postnational Musical Identities: Cultural Production, Distribution and Consumption in a Globalized Scenario
, ed.
Madrid
Alejandro
and
Corona
Ignacio
.
Lexington, MA
:
Lexington Books
,
2007
.
Shank
,
Barry
. “
‘That Wild Mercury Sound’: Bob Dylan and the Illusion of American Culture
.”
boundary 2
29
, no.
1
(Spring,
2002
):
97
124
.
Shaw
,
Philip
.
Horses
.
New York
:
Continuum
,
2008
.
Shelby
,
Tommie
.
We Who Are Dark: Philosophical Foundations of Black Solidarity
.
Cambridge, MA
:
Harvard University Press
,
2005
.
Shelton
,
Robert
. “
Civil Rights Songs
.”
New York Times
,
August
20
,
1962
,
1
,
14
.
Ryosuke
Shiina
. “
Contradictions of Modernism: Reading Matsudaira Yoritsune’s Articles
.”
Contemporary Music Review
17
, no.
4
(
1998
):
17
30
.
Simonett
,
Helena
.
Banda: Mexican Musical Life across Borders
.
Middletown, CT
:
Wesleyan University Press
,
2001
.
Smaldone
,
Edward
. “
Japanese and Western Confluences in Large-Scale Pitch Organization of Toru Takemitsu’s November Steps and Autumn
.”
Perspectives of New Music
27
, no.
2
(Summer
1989
):
216
31
.
Smith
,
Patti
.
Early Work: 1970–1979
.
New York
:
W. W. Norton and Co.
,
1994
.
Smith
,
Patti
.
Just Kids
.
New York
:
HarperCollins
,
2010
.
Smith
,
Patti
.
Seventh Heaven
.
New York
:
Telegraph Books
,
1972
.
Stockhausen
,
Karlheinz
.
From the Seven Days/Aus den Sieben Tagen
.
Universal Edition 14790, nr.26
,
1968
.
Stockhausen
,
Karlheinz
, and
Barkin
Elaine
. “
The Concept of Unity in Electronic Music
.”
Perspectives in New Music
1
, no.
1
(Autumn
1962
):
39
48
.
Stone
,
James H.
Mid-Nineteenth-Century American Beliefs in the Social Values of Music
.”
The Musical Quarterly
43
, no.
1
(
1957
):
38
49
.
Strauss
,
Joseph N.
‘The Anxiety of Influence’ in Twentieth-Century Music
.”
Journal of Musicology
9
, no.
4
(
1991
):
430
47
.
Sumner
,
Melody
,
Burch
Kathleen
, and
Sumner
Michael
, eds.
The Guests Go in to Supper
.
Santa Fe, NM
:
Burning Books
,
1986
.
Szwed
,
John
.
Alan Lomax: The Man Who Recorded the World
.
New York
:
Penguin
,
2011
.
Toru
Takemitsu
.
Confronting Silence: Collected Writings
.
Berkeley, CA
:
Fallen Leaf Press
,
1995
.
Toru
Takemitsu
. “
Contemporary Music in Japan
.”
Perspectives of New Music
27
, no.
2
(Summer
1989
):
198
204
.
Toru
Takemitsu
. “
November Steps
.”
New York
:
C. F. Peters Corporation
,
1967
.
Tangari
,
Joe
. “
Aman Iman: Water Is Life
.”
Pitchfork
,
April
4
,
2007
. .
Tangari
,
Joe
. “
Imidiwan: Companions
.”
Pitchfork
,
October
13
,
2009
. .
Tate
,
Greg
.
Flyboy in the Buttermilk: Essays on Contemporary America
.
New York
:
Simon and Schuster
,
1992
.
Toll
,
Robert
.
Blacking Up: The Minstrel Show in Nineteenth Century America
.
New York
:
Oxford University Press
,
1974
.
Toynbee
,
Jason
.
Bob Marley: Herald of a Postcolonial World
.
New York
:
Polity Press
,
2007
.
Tsitsos
,
William
. “
Rules of Rebellion: Slamdancing, Moshing and the American Alternative Scene
.” In
The Popular Music Studies Reader
, ed.
Bennet
Andy
,
Shank
Barry
, and
Toynbee
Jason
,
121
27
.
New York
:
Routledge
,
2006
.
Wade
,
Bonnie
.
Music in Japan: Experiencing Music, Expressing Culture
.
New York
:
Oxford University Press
,
2005
.
Wald
,
Gayle
.
Shout, Sister, Shout! The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe
.
Boston
:
Beacon Press
,
2007
.
Ward
,
Brian
.
Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations
.
Berkeley
:
University of California Press
,
1998
.
Tetsuro
Watsuji
.
Watsuji Tetsuro’s Rinrigaku
. Trans.
Seisaku
Yamamoto
and
Carter
Robert E.
.
Albany, NY
:
SUNY Press
,
1996
.
Werner
,
Craig
.
A Change Is Gonna Come: Music, Race and the Soul of America
.
Ann Arbor
:
University of Michigan Press
,
2006
.
White
,
Bob
. “
The Promise of World Music: Strategies for Non-essentialist Listening
.” In
Music and Globalization: Critical Encounters
, ed.
White
Bob
,
189
217
.
Bloomington
:
Indiana University Press
,
2012
.
Whitesell
,
Lloyd
. “
White Noise: Race and Erasure in the Cultural Avant-Garde
.”
American Music
19
, no.
2
(Summer
2001
):
168
89
.
Wilentz
,
Sean
.
The Rise of American Democracy: Jefferson to Lincoln
.
New York
:
W. W. Norton and Co.
,
2005
.
Witts
,
Richard
.
The Velvet Underground
.
Bloomington
:
Indiana University Press
,
2007
.
Wolfe
,
Tom
. “
These Radical Chic Evenings
.” In
Wolfe
Tom
,
The Purple Decades: A Reader
,
181
97
.
New York
:
Berkley Books
,
1983
.
Wong
,
Deborah
.
Speak It Louder: Asian Americans Making Music
.
New York
:
Routledge
,
2004
.
Wylie
,
Andrew
.
Yellow Flowers
.
New York
:
Dot Books
,
1972
.
Yano
,
Christine
.
Tears of Longing: Nostalgia and the Nation in Japanese Popular Song
.
Cambridge, MA
:
Harvard University Press
,
2002
.
Yoshimoto
,
Midori
.
Into Performance: Japanese Women Artists in New York
.
Piscataway, NJ
:
Rutgers University Press
,
2005
.
Young
,
La Monte
, and
Low
Jackson Mac
.
An Anthology of Chance Operations
.
Bronx, NY
:
Young and Mac Low
,
1963
.
Young
,
La Monte
, and
Zazeela
Marian
.
Selected Writings
.
Munich
:
Heiner Friedrich
,
1969
.
Joji
Yuasa
. “
Music as a Reflection of a Composer’s Cosmology
.”
Perspectives of New Music
27
, no.
2
(Summer
1989
):
176
97
.
Zak
,
Albin
III
, ed.
The Velvet Underground Companion
.
New York
:
Schirmer Books
,
1996
.
Zoumenou
,
David
. “
West Africa: The Sahel—Is There a Solution to the Tuareg Insurgency?
Institute for Security Studies
. .

Figures & Tables

Contents

Advertisement

References

Bibliography

Adorno
,
Theodor
.
Aesthetic Theory
. Trans.
Hullot-Kentor
Robert
.
Minneapolis
:
University of Minnesota Press
,
1997
.
Adorno
,
Theodor
.
Essays on Music
. Ed.
Leppert
Richard
and trans.
Gillespie
Susan H.
.
Berkeley
:
University of California Press
,
2002
.
Adorno
,
Theodor
.
The Jargon of Authenticity
. Trans.
Tarnowski
Knut
and
Will
Frederic
.
Evanston, IL
:
Northwestern University Press
,
1973
.
Allen
,
Robert C.
Horrible Prettiness: Burlesque and American Culture
.
Chapel Hill
:
University of North Carolina Press
,
1991
.
Andersen
,
Mark
.
All the Power: Revolution without Illusion
.
Chicago
:
Punk Planet Books
,
2004
.
Andersen
,
Mark
, and
Jenkins
Mark
.
Dance of Days: Two Decades of Punk in the Nation’s Capital
.
New York
:
Akashic Books
,
2009
.
Anderson
,
Benedict
.
Imagined Communities
.
London
:
Verso
,
1983
.
Armstrong
,
Philip
.
Reticulations: Jean-Luc Nancy and the Networks of the Political
.
Minneapolis
:
University of Minnesota Press
,
2009
.
Arrow
,
Michelle
. “
‘It Has Become My Personal Anthem’: ‘I Am Woman,’ Popular Culture and 1970s Feminism
.”
Australian Cultural Studies
22
, no.
53
(
July
2007
):
213
31
.
Atkins
,
E. Taylor
.
Blue Nippon: Authenticating Jazz in Japan
.
Durham, NC
:
Duke University Press
,
2001
.
Attali
,
Jacques
.
Noise: The Political Economy of Music
. Trans.
Massumi
Brian
.
Minneapolis
:
University of Minnesota Press
,
1985
.
Auslander
,
Philip
.
Liveness: Performance in a Mediatized Culture
.
New York
:
Routledge
,
2008
.
Azerrad
,
Michael
.
Our Band Could Be Your Life: Scenes from the American Indie Underground 1981–1991
.
Boston
:
Little, Brown and Co
.,
2001
.
Baldwin
,
James
.
Collected Essays
.
New York
:
Library of America
,
1998
.
Bangs
,
Lester
. “
Patti Smith: Horses
.” In
Mainlines, Blood Feasts, and Bad Taste: A Lester Bangs Reader
, ed.
Morthland
John
,
101
3
.
New York
:
Anchor Books
,
2003
.
Bangs
,
Lester
, and
Uhelszki
Jaan
. “
Sulky Angel: The Poetry of Patti Smith
.”
Creem
,
February
1974
,
30
31
.
Becker
,
Scott Marc
. “
Sharps and Flats: Moby Draws a Bold Line Straight from the Mississippi Delta to the South Bronx, Connecting the Dots of Black Music in a Search for the Roots of His Electronic Craft
.”
Salon
,
June
8
,
1999
. .
Belalimat
,
Nadia
. “
The Ishumar Guitar: Emergence, Circulation and Evolution from Diasporic Performances to the World Scene
.” In
Tuareg Society within a Globalized World
, ed.
Kohl
Ines
and
Fischer
Anja
,
155
70
.
London
:
Tauris
,
2010
.
Bendix
,
Regina
.
In Search of Authenticity: The Formation of Folklore Studies
.
Madison
:
University of Wisconsin Press
,
1997
.
Benitez
,
Joaquim M.
, and
Jo
Kondo
. “
Serialism in a Japanese Context: A Conversation with Matsudaira Yoritsune
.”
Contemporary Music Review
17
, no.
4
(
1998
):
87
96
.
Berio
,
Luciano
.
Remembering the Future
.
Cambridge, MA
:
Harvard University Press
,
2006
.
Berio
,
Luciano
, with
Dalmonte
Rossana
and
Varga
Balint Andras
.
Two Interviews
. Ed. and trans.
Osmond-Smith
David
.
New York
:
Marion Boyars
,
1985
.
Berlant
,
Lauren
.
Cruel Optimism
.
Durham, NC
:
Duke University Press
,
2011
.
Berlant
,
Lauren
.
The Female Complaint: The Unfinished Business of Sentimentality in American Culture
.
Durham, NC
:
Duke University Press
,
2008
.
Berman
,
Marshall
.
The Politics of Authenticity: Radical Individualism and the Emergence of Modern Society
.
London
:
Verso
,
2009
.
Bernstein
,
Gail Lee
, ed.
Recreating Japanese Women, 1600–1945
.
Berkeley
:
University of California Press
,
1991
.
Bernstein
,
Leonard
. “
The Negro in Music: Problems He Has to Face in Getting a Start
.”
New York Times
,
November
2
,
1947
. .
Blacking
,
John
.
How Musical Is Man?
Seattle
:
University of Washington Press
,
1973
.
Bloom
,
Harold
.
The Anxiety of Influence: A Theory of Poetry
.
New York
:
Oxford University Press
,
1973
.
Bockris
,
Victor
.
Transformer: The Lou Reed Story
.
New York
:
Da Capo Press
,
1997
.
Bockris
,
Victor
.
Warhol: The Biography
. 2nd ed.
New York
:
Da Capo Press
,
2003
.
Bockris
,
Victor
, and
Bayley
Roberta
.
Patti Smith: An Unauthorized Biography
.
New York
:
Simon and Schuster
,
1999
.
Bockris
,
Victor
, and
Malanga
Gerard
.
Uptight: The Velvet Underground Story
.
New York
:
Omnibus Press
,
1983
.
Bond
,
Julian
and
Wilson
Sondra Kathryn
.
Lift Every Voice and Sing: A Celebration of the Negro National Anthem; 100 Years, 100 Voices
.
New York
:
Random House
,
2000
.
Born
,
Georgina
, and
Hesmondhalgh
David
, eds.
Western Music and Its Others: Difference, Representation, and Appropriation in Music
.
Berkeley
:
University of California Press
,
2000
.
Bourdieu
,
Pierre
.
The Field of Cultural Production: Essays on Art and Literature
. Trans.
Nice
Richard
.
New York
:
Columbia University Press
,
1993
.
Branham
,
Robert J.
‘Of Thee I Sing’: Contesting America
.”
American Quarterly
48
, no.
4
(
1996
):
623
52
.
Brooks
,
Daphne
.
Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910
.
Durham, NC
;
Duke University Press
,
2006
.
Brown
,
Jayna
. “
Buzz and Rumble: Global Pop Music and Utopian Impulse
.”
Social Text
28
, no.
1
(Spring
2010
):
125
46
.
Brown
,
Virginia Pounds
, and
Owens
Laurella
.
Toting the Lead Row: Ruby Pickens Tartt, Alabama Folklorist
.
Tuscaloosa
:
University of Alabama Press
,
1981
.
Burkhardt
,
Albert
, and
Telling
Rudolf
.
Let’s Sing Together: Britische und Amerikanische Lieder
.
Berlin
:
Volk und Wissen Volkseigener Verlag
,
1973
.
Burnet
,
Henry
. “
Minezaki Koto’s Zangetsu: An Analysis of a Traditional Japanese Chamber Music Compositio
.”
Perspectives of New Music
27
, no.
2
(Summer
1989
):
78
117
.
Burt
,
Peter
.
The Music of Toru Takemitsu
.
New York
:
Columbia University Press
,
2006
.
Cage
,
John
.
A Year from Monday: New Lectures and Writings
.
Middletown, CT
:
Wesleyan University Press
,
1969
.
Cage
,
John
.
Silence: Lectures and Writings
.
Middletown, CT
:
Wesleyan University Press
,
1961
.
Cale
,
John
, with
Bockris
Victor
.
What’s Welsh for Zen? The Autobiography of John Cale
.
New York
:
Bloomsbury Press
,
1999
.
Cantwell
,
Robert
.
When We Were Good: The Folk Revival
.
Cambridge, MA
:
Harvard University Press
,
1996
.
Carawan
,
Guy
, and
Carawan
Candie
, eds.
We Shall Overcome! Songs of the Southern Freedom Movement
.
New York
:
Oak Publications
,
1963
.
Carby
,
Hazel
.
Race Men
.
Cambridge, MA
:
Harvard University Press
,
2000
.
Cardew
,
Cornelius
.
Stockhausen Serves Imperialism, and Other Articles
.
London
:
Latimer New Dimensions Limited
,
1974
.
Chacon
,
Daniel
. “
‘Black National Anthem’ Brings City Council President Hate Mail
.”
Rocky Mountain News
,
July
2
,
2008
. .
Chadwick
,
Owen
.
The Reformation
.
New York
:
Penguin Books
,
1972
.
Chapple
,
Steve
, and
Garofalo
Reebee
.
Rock and Roll Is Here to Pay
.
Chicago
:
Nelson Hall
,
1977
.
Clayson
,
Alan
, with
Jungr
Barb
and
Johnson
Rob
.
Woman: The Incredible Life of Yoko Ono
.
New Malden, UK
:
Chrome Dreams
,
2004
.
Clover
,
Joshua
.
1989: Bob Dylan Didn’t Have This to Sing About
.
Berkeley
:
University of California Press
,
2009
.
Coates
,
Norma
. “
(R)evolution Now? Rock and the Political Potential of Gender
.” In
Sexing the Groove: Popular Music and Gender
, ed.
Whitely
Sheila
,
50
64
.
New York
:
Routledge
,
1997
.
Cockrell
,
Dale
.
Demons of Disorder: Early Blackface Minstrels and Their World
.
New York
:
Cambridge University Press
,
1997
.
Cohen
,
Ronald D.
Rainbow Quest: The Folk Music Revival and American Society, 1940–1970
.
Amherst
:
University of Massachusetts Press
,
2002
.
Collins
,
Shirley
.
America over the Water
.
London
:
SAF Publishing
,
2005
.
Corbet
,
John
. “
Experimental Oriental: New Music and Other Others
,” in
Western Music and Its Others: Difference, Representation, and Appropriation in Music
, ed.
Born
Georgina
and
Hesmondhalgh
David
,
163
86
.
Berkeley
:
University of California Press
,
2000
.
Cornwell
,
Lewis
. “
Toru Takemitsu’s November Steps
.”
Journal of New Music Research
31
, no.
3
(
2002
):
211
20
.
Cott
,
Jonathan
.
Stockhausen: Conversations with the Composer
.
New York
:
Simon and Schuster
,
1973
.
Cott
,
Jonathan
. “
Yoko Ono and Her Sixteen-Track Voice
.”
Rolling Stone
,
March
18
,
1971
,
113
25
.
Cowell
,
Henry
. “
The Joys of Noise
.”
The New Republic
,
July
31
,
1929
,
287
88
.
Cowie
,
Jefferson
, and
Boehm
Lauren
. “
Dead Man’s Town: ‘Born in the USA,’ Social History, and Working-Class Identity
.”
American Quarterly
58
, no.
2
(
June
2006
):
353
78
.
Crazy Horse
,
Kandia
, ed.
Rip It Up: The Black Experience in Rock ’n’ Roll
.
New York
:
Palgrave
,
2004
.
Ikuma
Dan
. “
The Influence of Japanese Traditional Music on the Development of Western Music in Japan
.”
Transactions of the Asiatic Society of Japan
3
, no.
8
(
1961
):
201
17
.
Darden
,
Robert
.
People Get Ready! A New History of Black Gospel Music
.
New York
:
Continuum
,
2004
.
De Duve
,
Thierry
.
Kant after Duchamp
.
Cambridge, MA
:
MIT Press
,
1996
.
De Ferranti
,
Hugh
.
Japanese Musical Instruments
.
Oxford
:
Oxford University Press
,
2000
.
Derrida
,
Jacques
.
The Politics of Friendship
. Trans.
Collins
George
.
New York
:
Verso
,
1997
.
DiCrescenzo
,
Brent
.
Review of Play, by Moby
.
Pitchfork
,
December
31
,
1999
. .
Du Bois
,
W. E. B
.
The Souls of Black Folk
.
New York
:
Oxford University Press
,
2007
.
Duckworth
,
William
.
Talking Music: Conversations with John Cage, Philip Glass, Laurie Anderson and Five Generations of American Experimental Composers
.
New York
:
Schirmer Books
,
1995
.
Early
,
Gerald
.
One Nation under a Groove: Motown and American Culture
.
Hopewell, NJ
:
Ecco Press
,
1995
.
Editors of Rolling Stone
.
The Ballad of John and Yoko
.
Garden City, NY
:
Double-day Books
,
1982
.
Eliot
,
Marc
.
Rockonomics: The Money behind the Music
.
New York
:
Franklin Wats
,
1989
.
Ellison
,
Ralph
.
The Collected Essays of Ralph Ellison
.
New York
:
Modern Library
,
1995
.
Eng
,
David
.
Racial Castration: Managing Masculinity in Asian America
.
Durham, NC
:
Duke University Press
,
2001
.
Ericson
,
Raymond
. “
18 Works Sought by Philharmonic
.”
New York Times
,
April
6
,
1967
,
45
.
Ericson
,
Raymond
. “
Ozawa Conducts at Philharmonic
.”
New York Times
,
November
10
,
1967
,
57
.
Everett
,
Walter
.
The Beatles as Musicians: Revolver through the Anthology
.
New York
:
Oxford University Press
,
1999
.
Everett
,
Yayoi
, and
Lau
Frederick
, eds.
Locating East Asia in Western Art Music
.
Middletown, CT
:
Wesleyan University Press
,
2004
.
Eyck
,
F. Gunther
.
The Voice of Nations: European National Anthems and Their Authors
.
Westport, CT
:
Greenwood Press
,
1995
.
Eyerman
,
Ronald
. “
Music in Movement: Cultural Politics and New Social Movements
.”
Qualitative Sociology
25
, no.
3
(Fall
2002
):
443
58
.
Eyerman
,
Ronald
, and
Jamison
Andrew
.
Music and Social Movements: Mobilizing Traditions in the Twentieth Century
.
New York
:
Cambridge University Press
,
1998
.
Eyre
,
Banning
. “
Tinariwen’s Abdallah Ag Alhoussein Talks about Mali
.”
Afropop Worldwide
,
July
3
,
2012
. .
Faust
,
Drew Gilpin
.
The Creation of Confederate Nationalism
.
Baton Rouge
:
Louisiana State University Press
,
1989
.
Fellezs
,
Kevin
.
Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion
.
Durham, NC
:
Duke University Press
,
2011
.
Filene
,
Benjamin
.
Romancing the Folk: Public Memory and American Roots Music
.
Chapel Hill
:
University of North Carolina Press
,
2000
.
Fink
,
Robert
.
Repeating Ourselves: American Minimal Music as Cultural Practice
.
Berkeley
:
University of California Press
,
2005
.
Floyd
,
Samuel
.
The Power of Black Music: Interpreting Its History from Africa to the United States
.
New York
:
Oxford University Press
,
1995
.
Fogle
,
Douglas
, ed.
Andy Warhol/Supernova: Stars, Deaths, and Disasters, 1962–1964
.
Minneapolis, MN
:
Walker Art Center
,
2005
.
Fonorow
,
Wendy
.
Empire of Dirt: The Aesthetics and Rituals of British Indie Music
.
Middletown, CT
:
Wesleyan University Press
,
2006
.
Foster
,
Hal
.
The Return of the Real: The Avant-Garde at the End of the Century
.
Cambridge, MA
:
MIT Press
,
1996
.
Foucault
,
Michel
.
“Society Must Be Defended”: Lectures at the College de France, 1975–76
. Trans.
Macey
David
.
New York
:
Picador Press
,
2003
.
Fox
,
Aaron
. “
‘Alternative’ to What? O Brother, September 11, and the Politics of Country Music
.” In
Country Music Goes to War
, ed.
Wolfe
Charles
and
Akenson
James
,
164
91
.
Lexington
:
University of Kentucky Press
,
2005
.
Fox
,
Aaron
.
Real Country: Music and Language in Working-Class Culture
.
Durham, NC
:
Duke University Press
,
2004
.
Freedland
,
Michael
.
Leonard Bernstein
.
London
:
Harrap
,
1987
.
Freud
,
Sigmund
. “
Mourning and Melancholia
,” in his
General Psychological Theory: Papers on Metapsychology
, ed.
Rieff
Philip
.
New York
:
Collier Books
,
1963
.
Frith
,
Simon
.
Music for Pleasure: Essays in the Sociology of Pop
.
New York
:
Routledge
,
1988
.
Frith
,
Simon
, and
Horne
Howard
.
Art into Pop
.
London
:
Methuen Press
,
1987
.
Frith
,
Simon
,
Straw
Will
, and
Street
John
, eds.
The Cambridge Companion to Rock and Pop
.
New York
:
Cambridge University Press
,
2001
.
Galliano
,
Luciana
.
Yogaku: Japanese Music in the Twentieth Century
.
Lanham, MD
:
Scarecrow Press
,
2002
.
Gendron
,
Bernard
.
Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde
.
Chicago
:
University of Chicago Press
,
2002
.
Gillett
,
Charlie
.
Making Tracks: Atlantic Records and the Growth of a Multi-billion Dollar Industry
.
New York
:
E. P. Dutton
,
1974
.
Gilroy
,
Paul
.
The Black Atlantic: Modernity and Double Consciousness
.
Cambridge, MA
:
Harvard University Press
,
1993
.
Gilroy
,
Paul
.
Darker Than Blue: On the Moral Economies of Black Atlantic Culture
.
Cambridge, MA
:
Belknap Press and Harvard University Press
,
2010
.
Gioia
,
Ted
.
Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music
.
New York
:
W. W. Norton
,
2009
.
Glaude
,
Eddie S.
Jr.
Exodus! Religion, Race, and Nation in Early Nineteenth-Century Black America
.
Chicago
:
University of Chicago Press
,
2000
.
Glover
,
Tony
. “
Review of 7th Heaven by Patti Smith
,”
Creem
,
October
1972
,
52
.
Gooding-Williams
Robert
.
Look, a Negro! Philosophical Essays on Race, Culture and Politics
.
New York
:
Routledge
,
2006
.
Gopinath
,
Sumanth
. “
The Problem of the Political in Steve Reich’s Come Out
.” In
Sound Commitments: Avant-Garde Music and the Sixties
, ed.
Adlington
Robert
,
121
44
.
New York
:
Oxford University Press
,
2009
.
Goto-Jones
,
Christopher S.
Political Philosophy in Japan: Nishida, the Kyoto School, and Co-Prosperity
.
New York
:
Routledge
,
2005
.
Gottlieb
,
Joanne
, and
Wald
Gayle
. “
Smells Like Teen Spirit: Riot Grrrls, Revolution, and Women in Independent Rock
.” In
Microphone Fiends: Youth Music and Youth Culture
, ed.
Ross
Andrew
and
Rose
Tricia
,
250
74
.
New York
:
Routledge
,
1994
.
Gould
,
Jonathan
.
Can’t Buy Me Love: The Beatles, Britain, and America
.
New York
:
Three Rivers Press
,
2007
.
Gracyk
,
Theodore
.
Listening to Popular Music; Or, How I Learned to Stop Worrying and Love Led Zeppelin
.
Ann Arbor
:
University of Michigan Press
,
2007
.
Greenberg
,
Cheryl Lynn
, ed.
A Circle of Trust: Remembering SNCC
.
New Brunswick, NJ
:
Rutgers University Press
,
1998
.
Gross
,
Amy
. “
I’m a Revenge for Bad Skin: Introducing Rock ’n’ Roll’s Lady Raunch, Patti Smith
.”
Mademoiselle
,
September
1975
.
Republished online: http://www.oceanstar.com/patti/intervus/7509made.htm. Accessed August 8, 2013
.
Guralnick
,
Peter
.
Dream Boogie: The Triumph of Sam Cooke
.
New York
:
Back Bay Books
,
2005
.
Guralnick
,
Peter
.
Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom
.
New York
:
Harper and Row
,
1986
.
Gutman
,
Amy
.
Identity in Democracy
.
Princeton, NJ
:
Princeton University Press
,
2003
.
Habermas
Jürgen
.
Between Facts and Norms: Contributions to a Discourse Theory of Law and Democracy
. Trans.
Rehg
William
.
Cambridge, MA
:
MIT Press
,
1996
.
Hamilton
,
Marybeth
.
In Search of the Blues
.
New York
:
Basic Books
,
2008
.
Hanslick
,
Eduard
.
The Beautiful in Music
. Trans.
Cohen
Gustav
.
New York
:
Liberal Arts Press
,
1957
.
Hanslick
,
Eduard
.
On the Musically Beautiful: A Contribution towards the Revision of the Aesthetics of Music
. Trans.
Payzant
Geoffrey
.
New York
:
Hacket
,
1986
.
Hardt
,
Michael
, and
Negri
Antonio
.
Empire
.
Cambridge, MA
:
Harvard University Press
,
2000
.
Harley
,
John
.
William Byrd: Gentleman of the Chapel Royal
.
Brookfield, VT
:
Ashgate Publishing
,
1997
.
Harootunian
,
Harry
.
Overcome by Modernity: History, Culture, and Community in Interwar Japan
.
Princeton, NJ
:
Princeton University Press
,
2000
.
Haskell
,
Barbara
, and
Hanhardt
John G.
.
Yoko Ono: Arias and Objects
.
Salt Lake City, UT
:
Peregrine Smith Books
,
1991
.
Hayward
,
Clarissa Rile
. “
Democracy’s Identity Problem: Is ‘Constitutional Patriotism’ the Answer?
Constellations
14
, no.
2
(
2007
):
182
96
.
Heckman
,
Don
. “
Its Reach Exceeds Its Grasp
.”
New York Times
,
November
21
,
1971
,
1
,
10
.
Heilburt
,
Anthony
.
The Gospel Sound: Good News and Bad Times
.
New York
:
Simon and Schuster
,
1971
.
Henahan
,
Donald
. “
Ozawa Conducts the Philadelphia
.”
New York Times
,
November
13
,
1968
,
37
.
Herd
,
Judith
. “
The Neonationalist Movement: Origins of Contemporary Japanese Music
.”
Perspectives of New Music
27
, no.
2
(
1989
):
119
63
.
Heylin
,
Clinton
, ed.
All Yesterday’s Parties: The Velvet Underground in Print, 1966–1971
.
New York
:
Da Capo Press
,
2005
.
Heylin
,
Clinton
, ed.
From the Velvets to the Voidoids: The Birth of American Punk Rock
.
Chicago
:
A Cappella Books
,
2005
.
Hickey
,
Dave
.
The Invisible Dragon: Essays on Beauty
.
Revised and expanded ed
.
Chicago
:
University of Chicago Press
,
2009
.
Higginbotham
,
Evelyn Brooks
.
Righteous Discontent: The Women’s Movement in the Black Baptist Church, 1880–1920
.
Cambridge, MA
:
Harvard University Press
,
1993
.
Hill
,
Napoleon
.
Think and Grow Rich, Original 1937 Classic Edition
.
NY
:
Soho Books
,
2010
.
Hirsch
,
Afua
. “
Islamic Extremists Face Citizen Uprising in Mali
.”
Guardian (UK)
,
July
17
,
2012
. .
Hirschkind
,
Charles
.
The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics
.
New York
:
Columbia University Press
,
2006
.
Hopkins
,
Jerry
.
Yoko Ono
.
New York
:
Macmillan Books
,
1986
.
Hubbs
,
Nadine
. “
‘I Will Survive’: Musical Mappings of Queer Social Space in a Disco Song
.”
Popular Music
26
, no.
2
(
2007
):
231
44
.
Hubbs
,
Nadine
.
The Queer Composition of America’s Sound: Gay Modernists, American Music, and National Identity
.
Berkeley
:
University of California Press
,
2004
.
Hutchison
,
Coleman
. “
Whistling ‘Dixie’ for the Union (Nation, Anthem, Revision)
.”
American Literary History
19
, no.
3
(Fall
2007
):
603
29
.
Japan Ministry of Education
.
Kokutai no Hongi: Cardinal Principles of the National Entity of Japan
. Ed.
Hall
Robert King
and trans.
Gauntlet
John Owen
.
Cambridge, MA
:
Harvard University Press
,
1949
.
Johnson
,
James Weldon
.
Along This Way
.
New York
:
The Viking Press
,
1968
.
Jones
,
LeRoi
.
Black Music
.
New York
:
Da Capo
,
1998
.
Jones
,
LeRoi
.
Blues People: Negro Music in White America
.
New York
:
Morrow and Co
.,
1963
.
Joseph
,
Branden
.
Beyond the Dream Syndicate: Tony Conrad and the Arts after Cage
.
Cambridge, MA
:
Zone Books
,
2008
.
Julia
,
Ignacio
. “
Feedback: The Legend of the Velvet Underground, the Fully Revised Version, (1986–1996)
.” In
Zak, The Velvet Underground Companion
,
214
.
Kant
,
Immanuel
.
Critique of Judgment
. Trans.
Bernard
J. H.
.
New York
:
Hafner Press
,
1951
.
Keil
,
Charles
, and
Feld
Steven
.
Music Grooves: Essays and Dialogue
.
Tucson, AZ
:
Fenestra
,
2005
.
Kheshti
,
Roshanak
. “
Musical Miscegenation and the Logic of Rock and Roll: Homosocial Desire and Racial Productivity in ‘A Paler Shade of White.’
American Quarterly
60
, no.
4
(
December
2008
):
1037
55
.
Kheshti
,
Roshanak
. “
Touching Listening: The Aural Imaginary in the World Music Culture
.”
American Quarterly
63
, no.
3
(
October
2011
):
711
31
.
Klein
,
Rolf
. “
Aspects of Some Recent Works by Matsudaira Yoritsune
.”
Contemporary Music Review
17
, no.
4
(
1998
):
33
84
.
Koestenbaum
,
Wayne
.
Andy Warhol: A Penguin Life
.
New York
:
Penguin Books
,
2001
.
Kostelanetz
,
Richard
.
Conversing with Cage
. 2nd ed.
New York
:
Routledge
,
2003
.
Kramer
,
Lawrence
.
Interpreting Music
.
Berkeley
:
University of California Press
,
2011
.
Kramer
,
Lawrence
. “
Subjectivity Rampant! Music, Hermeneutics, and History
.” In
The Cultural Study of Music: A Critical Introduction
, ed.
Clayton
Martin
,
Herbert
Trevor
, and
Middleton
Richard
.
New York
:
Routledge
,
2003
.
Kristeva
,
Julia
. “
The System and the Speaking Subject
.” In
The Kristeva Reader
, ed.
Moi
Toril
,
24
33
.
New York
:
Columbia University Press
,
1986
.
Kun
,
Josh
.
Audiotopia: Music, Race, and America
.
Berkeley
:
University of California Press
,
2005
.
Kurtz
,
Michael
.
Stockhausen: A Biography
. Trans. by
Toop
Richard
.
London
:
Faber and Faber
,
1992
.
Laclau
,
Ernesto
, and
Mouffe
Chantal
.
Hegemony and Socialist Strategy: Towards a Radical Democratic Politics
.
New York
:
Verso Books
,
1985
.
Latham
,
Alison
, ed.
The Oxford Companion to Music
.
Oxford
:
Oxford University Press
,
2002
.
Lavezzoli
,
Peter
.
The Dawn of Indian Music in the West, Bhairavi
.
New York
:
Continuum Press
,
2006
.
Lecocq
,
Baz
. “
Unemployed Intellectuals in the Sahara: The Teshumara Nationalist Movement and the Revolutions in Tuareg Society
.”
Supplement, International Review of Social History
49
, no.
S12
(
2004
):
S87
S109
.
Leonard
,
Marion
.
Gender in the Music Industry: Rock, Discourse and Girl Power
.
Aldershot, UK
:
Ashgate Publishing
,
2007
.
Lester
,
Julius
.
Search for the New Land: History as Subjective Experience
.
New York
:
Dial Press
,
1969
.
Levitz
,
Tamara
. “
Yoko Ono and the Unfinished Music of ‘John and Yoko’: Imagining Gender and Racial Equality in the late 1960s
.” In
Impossible to Hold: Women and Culture in the 1960s
, ed.
Bloch
Avital
and
Umansky
Lauri
,
217
39
.
New York
:
New York University Press
,
2005
.
Lewis
,
George
.
A Power Stronger Than Itself: The AACM and American Experimental Music
.
Chicago
:
University of Chicago Press
,
2008
.
Lipsitz
,
George
.
Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place
.
London
:
Verso
,
1994
.
Lockspeiser
,
Edward
.
Debussy: His Life and Mind
. Vol.
2
,
1902
1918
New York
:
Cambridge University Press
,
1978
.
Loesberg
,
Jonathan
.
A Return to Aesthetics: Autonomy, Indifference, and Postmodernism
.
Stanford, CA
:
Stanford University Press
,
2005
.
Lomax
,
Alan
.
Folksong Style and Culture
.
Washington, DC
:
American Association for the Advancement of Science
,
1968
.
Lomax
,
Alan
.
The Rainbow Sign: A Southern Documentary
.
New York
:
Duell, Sloan and Pearce
,
1959
.
Lomax
,
John
.
Adventures of a Ballad Hunter
.
New York
:
Macmillan
,
1947
.
Lott
,
Eric
.
Love and Theft: Blackface Minstrelsy and the American Working Class
.
New York
:
Oxford University Press
,
1995
.
Love
,
Nancy S.
Musical Democracy
.
Albany, NY
:
SUNY Press
,
2006
.
“luxnigra.” “Moby, Black Appropriation and White Electronics.”
The Last Angel of History (blog)
,
May
6
,
2007
. .
Ma
,
Sheng-Mei
.
The Deathly Embrace: Orientalism and Asian American Identity
.
Minneapolis
:
University of Minnesota Press
,
2000
.
MacDonald
,
Ian
.
Revolution in the Head: The Beatles’ Records and the Sixties
. 3rd ed.
Chicago
:
Chicago Review Press
,
2007
.
Maconie
,
Robin
.
Other Planets: The Music of Karlheinz Stockhausen
.
Oxford
:
Scarecrow Press
,
2005
.
Maffeo
,
Lois
. “
Crashing Through
.”
Beat Happening, Crashing Through. K Records, CD
.
Originally released in 2002
.
Mahajan
,
Anupam
.
Ragas in Indian Classical Music
.
New Delhi
:
Gian Publishing House
,
1989
.
Mahon
,
Maureen
.
Right to Rock: The Black Rock Coalition and the Cultural Politics of Race
.
Durham, NC
:
Duke University Press
,
2004
.
Mailer
,
Norman
.
Advertisements for Myself
.
New York
:
Putnam Books
,
1959
.
Malm
,
William
. “
Music in the Kabuki Theater
.” In
Studies in Kabuki: Its Acting, Music and Historical Context
, ed.
Brandon
James
,
Malm
William P.
, and
Shively
Donald H.
.
East-West Center
:
University of Hawai‘i
,
1978
.
Mani
,
Lata
, and
Frankenberg
Ruth
. “
The Challenge of Orientalism
,”
Economy and Society
14
(
1985
):
174
92
.
Marcus
,
Greil
. “
Horses: Patti Smith Exposes Herself
.”
Village Voice
,
November
24
,
1975
.
Marcus
,
Greil
.
Mystery Train: Images of America in Rock ’n’ Roll Music
.
New York
:
E. P. Dutton
,
1975
.
Marcus
,
Greil
, ed.
Psychotic Reactions and Carburetor Dung
.
New York
:
Vintage Books
,
1988
.
Marcus
,
Sara
.
Girls to the Front: The True Story of the Riot Grrrl Revolution
.
New York
:
Harper Perennial
,
2010
.
Marsh
,
Dave
. “
Her Horses Got Wings, They Can Fly: Factory Girl, Coal Stove Visionary, Scion of Rimbaud and the Ronnettes; Patti Smith Now Challenges the Assembly Line of Rock & Roll
.”
Rolling Stone
,
January
1
,
1976
,
39
42
,
64
.
Maskell
,
Shayna
. “
Performing Punk: Bad Brains and the Construction of Identity
.”
Journal of Popular Music Studies
21
, no.
4
(
2009
):
411
26
.
Maultsby
,
Portia
. “
Africanisms in African-American Music
.” In
Africanisms in American Culture
, ed.
Holloway
Joseph
,
185
210
.
Bloomington
:
Indiana University Press
,
1990
.
McDonnell
,
Evelyn
, and
Powers
Ann
, eds.
Rock She Wrote: Women Write about Rock, Pop, and Rap
.
New York
:
Cooper Square Press
,
1999
.
Mead
,
Andrew
.
Review of Composition with Pitch-Classes, by Robert Morris
.
Perspectives of New Music
29
, no.
1
(
1991
):
264
310
.
Meintjes
,
Louise
.
Sound of Africa! Making Music Zulu in a South African Studio
.
Durham, NC
:
Duke University Press
,
2003
.
Meltzer
,
Marisa
.
Girl Power: Nineties Revolution in Music
.
New York
:
Faber and Faber
,
2010
.
Michelson
,
Annette
, ed.
Andy Warhol
.
Cambridge, MA
:
MIT Press
,
2001
.
Miles
,
Barry
.
In the Sixties
.
London
:
Jonathan Cape
,
2002
.
Miller
,
Karl Hagstrom
.
Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow
.
Durham, NC
:
Duke University Press
,
2010
.
Miller
,
Mara
. “
Art and the Construction of Self and Subject in Japan
.” In
Self as Image in Asian Theory and Practice
, ed.
Ames
Roger
,
Kasulis
Thomas
, and
Dissanayake
Wimal
,
421
59
.
Albany
:
SUNY Press
,
1998
.
Mills
,
Kay
.
This Little Light of Mine: The Life of Fannie Lou Hamer
.
Lexington
:
University Press of Kentucky
,
2007
.
Milstein
,
Philip
,
Kostek
M. C.
, and
Messer
Katherine
, “
The Maureen Tucker Interview (1980–90)
.” In
Zak, The Velvet Underground Companion
,
154
.
Molesworth
,
Helen
, ed.
Work Ethic
.
University Park
:
Pennsylvania State University Press
,
2003
.
Monem
,
Nadine
, ed.
Riot Grrrl: Revolution Girl Style Now!
London
:
Blackdog Publishing
,
2007
.
Morely
,
Paul
. “
Patti Smith: A Woman’s Place
.”
New Musical Express
,
April
1
,
1978
. .
Morris
,
Robert E.
Composition with Pitch-Classes: A Theory of Compositional Design
.
New Haven, CT
:
Yale University Press
,
1987
.
Moten
,
Fred
.
In the Break: The Aesthetics of the Black Radical Tradition
.
Minneapolis
:
University of Minnesota Press
,
2003
.
Mouffe
,
Chantal
, ed.
The Challenge of Carl Schmitt
.
London
:
Verso
,
1999
.
Mouffe
,
Chantal
, ed.
The Return of the Political
.
London
:
Verso
,
1993
.
Munroe
,
Alexandra
. “
A Box of Smile: Tokyo Fluxus, Conceptual Art and the School of Metaphysics
.” In
Scream against the Sky: Japanese Art after 1945
, ed.
Munroe
Alexandra
,
215
25
.
New York
:
Harry Abrams
,
1994
.
Munroe
,
Alexandra
, and
Hendricks
Jon
, eds.
Yes Yoko Ono
.
New York
:
Japan Society and Harry Abrams, Inc.
,
2000
.
Murray
,
Albert
.
Stomping the Blues
.
New York
:
Da Capo
,
1989
.
Murray
,
Charles Shaar
. “
Patti Smith: Radio Ethiopia
.”
New Musical Express
,
October
23
,
1976
.
Murray
,
Charles Shaar
. “
Weird Scenes inside Gasoline Alley
.” In
The Penguin Book of Rock & Roll Writing
, ed.
Heylin
Clinton
,
228
33
.
London
:
Penguin Books
,
1993
.
Nancy
,
Jean-Luc
.
Being Singular Plural
. Trans
Richardson
Robert D.
and
O’Brien
Anne E.
.
Stanford, CA
:
Stanford University Press
,
2000
.
Nancy
,
Jean-Luc
.
The Inoperative Community
. Trans.
Connor
Peter
.
Minneapolis
:
University of Minnesota Press
,
1991
.
Nancy
,
Jean-Luc
.
Listening
. Trans.
Mandell
Charlotte
.
New York
:
Fordham University Press
,
2007
.
Neal
,
Mark Anthony
.
What the Music Said: Black Popular Music and Black Popular Culture
.
New York
:
Routledge
,
1999
.
Nettl
,
Paul
.
National Anthems
. 2nd ed. Trans.
Gode
Alexander
.
New York
:
Frederick Ungar Publishing
,
1967
.
Neuman
,
Daniel
.
The Life of Music in North India: The Organization of an Artistic Tradition
.
Detroit, MI
:
Wayne State University Press
,
1980
.
Nguyen
,
Mimi
. “
It’s Not a White World: Looking for Race in Punk
.”
Punk Planet
(
November/December
1998
).
Kitaro
Nishida
.
An Inquiry into the Good
. Trans.
Abe
Masao
and
Ives
Christopher
.
New Haven, CT
:
Yale University Press
,
1990
.
Norman
,
Philip
.
John Lennon: The Life
.
New York
:
Harper Collins ebooks
,
2011
.
Nuss
,
Steven
. “
Hearing Japanese, Hearing Takemitsu
.”
Contemporary Music Review
21
, no.
4
(
2002
):
35
71
.
Ono
,
Yoko
.
Grapefruit: A Book of Instructions and Drawings
.
New York
:
Simon and Schuster
,
2000
.
Osmond-Smith
Davis
.
Playing on Words: A Guide to Luciano Berio’s Sinfonia
.
London
:
Royal Music Association
,
1985
.
Owen
,
Frank
. “
Blues for Jesus: Review of Play
.”
Village Voice
,
June
8
,
1999
.
Paytress
,
Mark
.
Break It Up: Patti Smith’s Horses and the Remaking of Rock ’n’ Roll
.
London
:
Portrait Books
,
2006
.
Peters
,
Gunter
.
Holy Seriousness in the Play: Essays on the Music of Karlheinz Stockhausen
.
Kurten, Germany
:
Stockhausen- Verlag
,
2003
.
Peterson
,
Brian
.
Burning Fight: The Nineties Hardcore Revolution in Ethics, Politics, Spirit and Sound
.
Huntington Beach, CA
:
Revelation Records
,
2009
.
Peterson
,
Richard
.
Creating Country Music: Fabricating Authenticity
.
Chicago
:
University of Chicago Press
,
1999
.
Piekut
,
Benjamin
.
Experimentalism Otherwise: The New York Avant-Garde and Its Limits
.
Berkeley
:
University of California Press
,
2011
.
Poriss
,
Hilary
.
Changing the Score: Arias, Prima Donnas, and the Authority of Performance
.
New York
:
Oxford University Press
,
2009
.
Porterfield
,
Nolan
.
Last Cavalier: The Life and Times of John A. Lomax, 1867–1948
.
Urbana
:
University of Illinois Press
,
1996
.
Potter
,
Keith
.
Four Musical Minimalists
.
Cambridge, UK
:
Cambridge University Press
,
2000
.
Powers
,
Ann
. “
Pop Review: Fighting Fire with Fire; Moby’s Agenda
.”
New York Times
,
July
31
,
1999
.
Accessed October 10, 2008
.
Pratt
,
Alan R.
, ed.
The Critical Response to Warhol
.
Westport, CT
:
Greenwood Press
,
1997
.
Pritchett
,
James
.
The Music of John Cage
.
New York
:
Cambridge University Press
,
1996
.
Puca
,
Antonella
. “
Steve Reich and Hebrew Cantillation
.”
The Musical Quarterly
81
, no.
4
(Winter
1997
):
537
55
.
Radano
,
Ronald
.
Lying up a Nation: Race and Black Music
.
Chicago
:
University of Chicago Press
,
2003
.
Radano
,
Ronald
, and
Bohlman
Philip V.
.
Music and the Racial Imagination
.
Chicago
:
University of Chicago Press
,
2000
.
Raha
,
Maria
.
Cinderella’s Big Score: Women of the Punk and Indie Underground
.
Emeryville, CA
:
Seal Press
,
2005
.
Railton
,
Diane
. “
The Gendered Carnival of Pop
.”
Popular Music
20
, no.
3
(
2001
):
321
31
.
Ramsey
,
Guthrie
Jr.
Race Music: Black Cultures from Bebop to Hip-Hop
.
Berkeley
:
University of California Press
,
2003
.
Rancière
,
Jacques
.
Dissensus: On Politics and Aesthetics
. Ed. and trans.
Corcoran
Steven
.
New York
:
Continuum
,
2010
.
Rancière
,
Jacques
.
The Politics of Aesthetics: The Distribution of the Sensible
. Trans.
Rockhill
Gabriel
.
New York
:
Continuum
,
2004
.
Rasmussen
,
Susan
. “
Moving beyond Protest in Tuareg Ichumar Performance
.”
Ethnohistory
53
, no.
4
(Fall
2006
):
633
55
.
Reagon
,
Bernice Johnson
. “
African American Music as Resistance: The Civil Rights Movement
.” In
African American Music: An Introduction
, ed.
Burnim
Melonee V.
and
Maultsby
Portia K.
,
598
623
.
New York
:
Routledge
,
2006
.
Reagon
,
Bernice Johnson
.
If You Don’t Go, Don’t Hinder Me: The African American Sacred Song Tradition
.
Lincoln
:
University of Nebraska Press
,
2001
.
Reed
,
Lou
. “
A View from the Bandstand
.”
Aspen
no.
3
. .
Reich
,
Steve
.
Writings on Music, 1965–2000
. Ed.
Hillier
Paul
.
New York
:
Oxford University Press
,
2002
.
Reynolds
,
Simon
, and
Press
Joy
.
The Sex Revolts: Gender, Rebellion, and Rock ’n’ Roll
.
Cambridge, MA
:
Harvard University Press
,
1995
.
Riesman
,
David
. “
Listening to Popular Music
.”
American Quarterly
2
, no.
4
(Winter
1950
):
359
71
.
Robb
,
Graham
.
Rimbaud
.
New York
:
W. W. Norton and Co.
,
2000
.
Robertson
,
Nan
. “
Glitering Audience Attends Kennedy Center’s Opening
.”
New York Times
,
September
9
,
1971
,
1
,
51
.
Robinson
,
Lisa
. “
Human Dignity Is Where It’s At
,”
Creem
,
March
1974
,
78
.
Said
,
Edward
.
Orientalism
.
New York
:
Pantheon Books
,
1978
.
Sanneh
,
Kelefa
. “
The Rap against Rockism
.”
New York Times
,
October
31
,
2004
. .
Sato
,
Barbara
.
The New Japanese Woman: Modernity, Media, and Women in Interwar Japan
.
Durham, NC
:
Duke University Press
,
2003
.
Scarborough
,
Dorothy
.
In Search of the Blues
.
New York
:
Basic Books
,
2008
.
Schilt
,
Kristen
. “
‘Riot Grrrl Is …’: Contestation over Meaning in a Music Scene
.” In
Music Scenes: Local, Translocal and Virtual
, ed.
Bennet
Andrew
and
Peterson
Richard
,
115
30
.
Nashville, TN
:
Vanderbilt University Press
,
2004
.
Schmitt
,
Carl
.
The Concept of the Political
, trans.
Schwab
George
.
Chicago
:
Chicago University Press
,
1996
.
Schmitt
,
Carl
.
Political Theology
. Trans.
Schwab
George
.
Chicago
:
University of Chicago Press
,
2005
.
Schonberg
,
Harold
. “
Bernstein’s New Work Reflects His Background on Broad-way
.”
New York Times
,
September
9
,
1971
.
Secrest
,
Meryle
.
Leonard Bernstein: A Life
.
New York
:
Alfred A. Knopf
,
1994
.
Seeger
,
Pete
.
The Incompleat Folksinger
. Ed.
Schwartz
Jo Metcalf
.
New York
:
Simon and Schuster
,
1972
.
Seeger
,
Pete
, and
Reiser
Bob
.
Everybody Says Freedom
.
New York
:
W. W. Norton and Co.
,
1989
.
Seiler
,
Cotton
. “
Have You Ever Been to the Pleasure Inn? The Transformation of Indie Rock in Louisville, Kentucky
.”
Journal of Popular Music Studies
13
(
2001
):
189
205
.
Shank
,
Barry
. “
Productive Orientalisms: Imagining Noise and Silence across the Pacific, 1957–1967
.” In
Postnational Musical Identities: Cultural Production, Distribution and Consumption in a Globalized Scenario
, ed.
Madrid
Alejandro
and
Corona
Ignacio
.
Lexington, MA
:
Lexington Books
,
2007
.
Shank
,
Barry
. “
‘That Wild Mercury Sound’: Bob Dylan and the Illusion of American Culture
.”
boundary 2
29
, no.
1
(Spring,
2002
):
97
124
.
Shaw
,
Philip
.
Horses
.
New York
:
Continuum
,
2008
.
Shelby
,
Tommie
.
We Who Are Dark: Philosophical Foundations of Black Solidarity
.
Cambridge, MA
:
Harvard University Press
,
2005
.
Shelton
,
Robert
. “
Civil Rights Songs
.”
New York Times
,
August
20
,
1962
,
1
,
14
.
Ryosuke
Shiina
. “
Contradictions of Modernism: Reading Matsudaira Yoritsune’s Articles
.”
Contemporary Music Review
17
, no.
4
(
1998
):
17
30
.
Simonett
,
Helena
.
Banda: Mexican Musical Life across Borders
.
Middletown, CT
:
Wesleyan University Press
,
2001
.
Smaldone
,
Edward
. “
Japanese and Western Confluences in Large-Scale Pitch Organization of Toru Takemitsu’s November Steps and Autumn
.”
Perspectives of New Music
27
, no.
2
(Summer
1989
):
216
31
.
Smith
,
Patti
.
Early Work: 1970–1979
.
New York
:
W. W. Norton and Co.
,
1994
.
Smith
,
Patti
.
Just Kids
.
New York
:
HarperCollins
,
2010
.
Smith
,
Patti
.
Seventh Heaven
.
New York
:
Telegraph Books
,
1972
.
Stockhausen
,
Karlheinz
.
From the Seven Days/Aus den Sieben Tagen
.
Universal Edition 14790, nr.26
,
1968
.
Stockhausen
,
Karlheinz
, and
Barkin
Elaine
. “
The Concept of Unity in Electronic Music
.”
Perspectives in New Music
1
, no.
1
(Autumn
1962
):
39
48
.
Stone
,
James H.
Mid-Nineteenth-Century American Beliefs in the Social Values of Music
.”
The Musical Quarterly
43
, no.
1
(
1957
):
38
49
.
Strauss
,
Joseph N.
‘The Anxiety of Influence’ in Twentieth-Century Music
.”
Journal of Musicology
9
, no.
4
(
1991
):
430
47
.
Sumner
,
Melody
,
Burch
Kathleen
, and
Sumner
Michael
, eds.
The Guests Go in to Supper
.
Santa Fe, NM
:
Burning Books
,
1986
.
Szwed
,
John
.
Alan Lomax: The Man Who Recorded the World
.
New York
:
Penguin
,
2011
.
Toru
Takemitsu
.
Confronting Silence: Collected Writings
.
Berkeley, CA
:
Fallen Leaf Press
,
1995
.
Toru
Takemitsu
. “
Contemporary Music in Japan
.”
Perspectives of New Music
27
, no.
2
(Summer
1989
):
198
204
.
Toru
Takemitsu
. “
November Steps
.”
New York
:
C. F. Peters Corporation
,
1967
.
Tangari
,
Joe
. “
Aman Iman: Water Is Life
.”
Pitchfork
,
April
4
,
2007
. .
Tangari
,
Joe
. “
Imidiwan: Companions
.”
Pitchfork
,
October
13
,
2009
. .
Tate
,
Greg
.
Flyboy in the Buttermilk: Essays on Contemporary America
.
New York
:
Simon and Schuster
,
1992
.
Toll
,
Robert
.
Blacking Up: The Minstrel Show in Nineteenth Century America
.
New York
:
Oxford University Press
,
1974
.
Toynbee
,
Jason
.
Bob Marley: Herald of a Postcolonial World
.
New York
:
Polity Press
,
2007
.
Tsitsos
,
William
. “
Rules of Rebellion: Slamdancing, Moshing and the American Alternative Scene
.” In
The Popular Music Studies Reader
, ed.
Bennet
Andy
,
Shank
Barry
, and
Toynbee
Jason
,
121
27
.
New York
:
Routledge
,
2006
.
Wade
,
Bonnie
.
Music in Japan: Experiencing Music, Expressing Culture
.
New York
:
Oxford University Press
,
2005
.
Wald
,
Gayle
.
Shout, Sister, Shout! The Untold Story of Rock-and-Roll Trailblazer Sister Rosetta Tharpe
.
Boston
:
Beacon Press
,
2007
.
Ward
,
Brian
.
Just My Soul Responding: Rhythm and Blues, Black Consciousness, and Race Relations
.
Berkeley
:
University of California Press
,
1998
.
Tetsuro
Watsuji
.
Watsuji Tetsuro’s Rinrigaku
. Trans.
Seisaku
Yamamoto
and
Carter
Robert E.
.
Albany, NY
:
SUNY Press
,
1996
.
Werner
,
Craig
.
A Change Is Gonna Come: Music, Race and the Soul of America
.
Ann Arbor
:
University of Michigan Press
,
2006
.
White
,
Bob
. “
The Promise of World Music: Strategies for Non-essentialist Listening
.” In
Music and Globalization: Critical Encounters
, ed.
White
Bob
,
189
217
.
Bloomington
:
Indiana University Press
,
2012
.
Whitesell
,
Lloyd
. “
White Noise: Race and Erasure in the Cultural Avant-Garde
.”
American Music
19
, no.
2
(Summer
2001
):
168
89
.
Wilentz
,
Sean
.
The Rise of American Democracy: Jefferson to Lincoln
.
New York
:
W. W. Norton and Co.
,
2005
.
Witts
,
Richard
.
The Velvet Underground
.
Bloomington
:
Indiana University Press
,
2007
.
Wolfe
,
Tom
. “
These Radical Chic Evenings
.” In
Wolfe
Tom
,
The Purple Decades: A Reader
,
181
97
.
New York
:
Berkley Books
,
1983
.
Wong
,
Deborah
.
Speak It Louder: Asian Americans Making Music
.
New York
:
Routledge
,
2004
.
Wylie
,
Andrew
.
Yellow Flowers
.
New York
:
Dot Books
,
1972
.
Yano
,
Christine
.
Tears of Longing: Nostalgia and the Nation in Japanese Popular Song
.
Cambridge, MA
:
Harvard University Press
,
2002
.
Yoshimoto
,
Midori
.
Into Performance: Japanese Women Artists in New York
.
Piscataway, NJ
:
Rutgers University Press
,
2005
.
Young
,
La Monte
, and
Low
Jackson Mac
.
An Anthology of Chance Operations
.
Bronx, NY
:
Young and Mac Low
,
1963
.
Young
,
La Monte
, and
Zazeela
Marian
.
Selected Writings
.
Munich
:
Heiner Friedrich
,
1969
.
Joji
Yuasa
. “
Music as a Reflection of a Composer’s Cosmology
.”
Perspectives of New Music
27
, no.
2
(Summer
1989
):
176
97
.
Zak
,
Albin
III
, ed.
The Velvet Underground Companion
.
New York
:
Schirmer Books
,
1996
.
Zoumenou
,
David
. “
West Africa: The Sahel—Is There a Solution to the Tuareg Insurgency?
Institute for Security Studies
. .
Close Modal

or Create an Account

Close Modal
Close Modal