Book Chapter
Introduction: Fleshing Out the Act
-
Published:July 2014
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
This content is only available as PDF.
bibliography
Abel
, Elizabeth
,Christian
Barbara
,and Moglen
Helene
, eds. Female Subjects in Black and White: Race, Psychoanalysis, Feminism
. Los Angeles
: University of California Press
, 1997
.“
African American Performers on Early Sound Recordings, 1892–1916
.” The Library of Congress Presents: Music, Theater and Dance
. April
12
, 2007
. http://memory.loc.gov/cocoon/ihas/loc.natlib.ihas.200038862/default.html. Accessed May 8, 2007
.Anderson
, Paul Allen
. Deep River: Music and Memory in Harlem Renaissance Thought
. Durham, NC
: Duke University Press
, 2001
.Anzieu
, Didier
. The Skin Ego: A Psychoanalytical Approach to the Self
. New Haven, CT
: Yale University Press
, 1989
.Aravamudan
, Srinivas
. Tropicopolitans: Colonialism and Agency, 1688–1804
. Durham, NC
: Duke University Press
, 1999
.Archer-Straw
Petrine
. Negrophilia: Avant-Garde Paris and Black Culture in the 1920s
. London
: Thames and Hudson
, 2000
.Auslander
, Philip
. Liveness: Performance in a Mediatized Culture
. New York
: Routledge
, 1999
.Baker
, Houston
. Modernism and the Harlem Renaissance
. Chicago
: University of Chicago Press
, 1987
.Baldwin
, James
. “Unnameable Objects, Unspeakable Crimes
.” http://www.blackstate.com/baldwin1.html. Accessed September 13, 2009
.Baldwin
, James
. James Baldwin: Collected Essays
. New York
: Literary Classics of the United States
, 1998
.Baldwin
, James
. Tell Me How Long the Train’s Been Gone
. New York
: Vintage Books
, 1998
.Barker
, Jennifer
. The Tactile Eye: Touch and the Cinematic Experience
. Berkeley
: University of California Press
, 2009
.Benjamin
, Jessica
. Like Subjects, Love Objects: Essays on Recognition and Sexual Difference
. New Haven, CT
: Yale University Press
, 1995
.Benthien
, Claudia
. Skin: On the Cultural Border between Self and World
. New York
: Columbia University Press
, 2004
.Berenson
, Bernard
. Esthétique et Histoire Des Arts Visuels
. Paris
: Éditions Albin Michel
, 1953
.Bogle
, Donald
. Toms, Coons, Mulattoes, Mammies and Bucks: An Interpretive History of Blacks in American Film
. New York
: Continuum
, 2001
.Bordman
, Gerald
. Musical Theatre: A Chronicle
. New York
: Oxford University Press
, 1978
.Boswell
, Maia
. “‘Ladies,’ ‘Gentlemen,’ and ‘Colored’: The Agency of (Lacan’s Black) Letter in the Outhouse
.” Cultural Critique
41
(winter 1999
): 108
–138
.Brathwaite
, Edward Kamau
. “History of the Voice
.” In Roots: Essays in Caribbean Literature
, 259
–304
. Ann Arbor
: University of Michigan Press
, 1993
.Brooks
, Daphne
. Bodies of Dissent: Spectacular Performances of Race and Freedom, 1850–1910
. Durham, NC
: Duke University Press
, 2006
.Brooks
, Tim
. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919
. Champaign
: University of Illinois Press
, 2004
.Brook-Rose
Christine
. “Woman as a Semiotic Object
.” Poetics Today
6
, no. 1/2
. The Female Body in Western Culture: Semiotic Perspectives
(1985
): 9
–20
.Brown
, Antonio
. “Performing ‘Truth’: Black Speech Acts
.” African American Review
36
, no. 2
(2002
).Butler
, Judith
. Excitable Speech: A Politics of the Performative
. New York
: Routledge
, 1997
.Butler
, Judith
. “Passing, Queering: Nella Larsen’s Psychoanalytic Challenge
.” In Female Subjects in Black and White: Race, Psychoanalysis, Feminism
, edited by Abel
Elizabeth
, Christian
Barbara
, and Moglen
Helene
, 266
–284
. Berkeley, CA
: University of California Press
, 1997
.Calo
, Mary Ann
. Distinction and Denial: Race, Nation, and the Critical Construction of the African American Artist, 1929–40
. Ann Arbor
: University of Michigan Press
, 2007
.Carby
, Hazel V.
Cultures in Babylon: Black Britain and African America
. London
: Verso
, 1999
.Carroll
, Anne Elizabeth
. Word, Image, and the New Negro: Representation and Identity in the Harlem Renaissance
. Bloomington
: Indiana University Press
, 2007
.Carter
, Marva Griffin
. Swing Along: The Musical Life of Will Marion Cook
. New York
: Oxford University Press
, 2008
.Cham
, Mbye B.
, ed. Ex-iles: Essays on Caribbean Cinema
. Trenton, NJ
: Africa World Press
, 1992
.Cheng
, Anne Anlin
. Second Skin: Josephine Baker and the Modern Surface
. New York
: Oxford University Press
, 2011
.Chude-Sokei
Louis
. The Last “Darky”: Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora
. Durham, NC
: Duke University Press
, 2005
.Cooper
, Wayne F.
, ed. The Dialectic Poetry of Claude McKay
. Freeport, NY
: Books for Libraries Press
, 1972
.Copjec
, Joan
. Read My Desire: Lacan against the Historicists
. Cambridge, MA
: MIT Press
, 1996
.Courtney
, Susan
. Hollywood Fantasies of Miscegenation: Specular Narratives of Gender and Race
. Princeton, NJ
: Princeton University Press
, 2004
.Crenshaw
, Kimberlé
. “Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics
.” In The Black Feminist Reader
, edited by James
Joy
and Sharpley-Whiting
T. Denean
, 208
–238
. Malden, MA
: Blackwell Publishing
, 2001
.Crenshaw
, Kimberlé
. “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color
.” In The Public Nature of Private Violence: The Discovery of Domestic Abuse
, edited by Fineman
Martha Albertson
and Mykitiuk
Roxanne
, 93
–120
. New York
: Routledge
, 1994
.Cripps
, Thomas
. Making Movies Black: The Hollywood Message Movie from World War II to the Civil Rights Era
. New York
: Oxford University Press
, 1993
.Crowther
, Bosley
. “Movie Review—The World, the Flesh and the Devil
.” New York Times Review
, May
21
, 1959
.Curtis
, Susan
. The First Black Actors on the Great White Way
. Columbia
: University of Missouri Press
, 1998
.Curwood
, Anastasia
. Stormy Weather: Middle-Class African American Marriages between the Two World Wars
. Chapel Hill
: University of North Carolina Press
, 2010
.Deleuze
, Gilles
, and Guattari
. Felix
“Year Zero: Faciality
.” In A Thousand Plateaus: Capitalism and Schizophrenia
. Translated by Massumi
Brian
, 167
–191
. Minneapolis
: University of Minnesota Press
, 1987
.DeVere Brody
, Jennifer
. Punctuation: Art, Politics, and Play
. Durham, NC
: Duke University Press
, 2008
.Donkin
, Ellen
. “Mrs. Siddons Looks Back in Anger
.” In Critical Theory and Performance
, edited by Reinelt
Janelle G.
and Roach
Joseph R.
, 317
–333
. Rev. Ed.
Ann Arbor
: University of Michigan Press
, 2007
.Doolittle
, Hilda
. “Red Roses for Bronze
.” In Collected Poems, 1912–1944
. New York
: New Directions
, 1986
.Drake
, St. Clair
, and Cayton
Horace R.
. Black Metropolis: A Study of Negro Life in a Northern City
. Chicago
: University of Chicago Press
, 1993
.Edmondson
, Belinda
. Making Men: Gender, Literary Authority and Women’s Writing in Caribbean Narrative
. Durham, NC
: Duke University Press
, 1999
.Edwards
, Brent
. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism
. Cambridge, MA
: Harvard University Press
, 2003
.Eidsvik
, Charles
. “Machines of the Invisible: Changes in Film Technology in the Age of Video
.” In Film Quarterly: Forty Years—A Selection
, edited by Henderson
Brian
and Martin
Ann
, 340
–349
. Berkeley
: University of California Press
, 1999
.Eze
, Emmanuel
. Achieving Our Humanity: The Idea of the Postracial Future
. New York
: Routledge
, 2001
.Fabre
, Michel
. From Harlem to Paris: Black American Writers in France, 1840–1980
. Champaign
: University of Illinois Press
, 1993
.Fanon
, Frantz
. Black Skin, White Masks
. Trans. Markmann
Charles Lam
. New York
: Grove Weidenfeld Press
, 1967
.Favor
, Martin
. Authentic Blackness: The Folk in the New Negro Renaissance
. Durham, NC
: Duke University Press
, 1999
.Feldstein
, Richard
, Fink
Bruce
, and Jaanus
Maire
, eds. Reading Seminar XI: Lacan’s Four Fundamental Concepts of Psychoanalysis
. Albany
: State University of New York Press
, 1995
.Fleetwood
, Nicole
. Troubling Vision: Performance, Visuality and Blackness
. Chicago
: University of Chicago Press
, 2011
.Foner
, Philip S.
, ed. Paul Robeson Speaks: Writings, Speeches, Interviews, 1918–1974
. New York
: Citadel Press Books
, 1978
.Foucault
, Michel
. “Society Must Be Defended”: Lectures at the College de France, 1975–1976
. Trans. Macey
David
. New York
: Picador
, 2003
.Fraden
, Rena
. Blueprints for a Black Federal Theatre, 1935–1939
. New York
: Cambridge University Press
, 1994
.Friedman
, Susan Stanford
. Analyzing Freud: The Letters of H. D., Bryher and Their Circle
. New York
: New Directions
, 2002
.Freud
, Sigmund
. “Three Contributions to the Theory of Sex
.” In The Basic Writings of Sigmund Freud
, edited and translated by Brill
A. A.
, 519
–597
. New York
: Modern Library
, 1995
.Gates
, Henry Louis
Jr.. Thirteen Ways of Looking at a Black Man
. New York
: Random House
, 1997
.Gates
, Henry Louis
Jr.. “Preface
.” In Black Male: Representations of Masculinity in Contemporary American Art
, edited by Golden
Thelma
, 11
–14
. New York
: Whitney Museum of American Art, Harry N. Abrams, 1994
.Gates
, Henry Louis
Jr.. The Signifying Monkey: A Theory of African-American Literary Criticism
. New York
: Oxford University Press
, 1988
.Gates
, Henry Louis
Jr.. “The Trope of a New Negro and the Reconstruction of the Image of the Black
.” Representations
24
(fall 1988
): 129
–155
.Geuens
, Jean-Pierre
. “Through the Looking Glasses: From the Camera Obscura to Video Assist
.” In Film Quarterly: Forty Years—A Selection
, edited by Henderson
Brian
and Martin
Ann
, 372
–391
. Berkeley
: University of California Press
, 1999
.Gilroy
, Paul
. Against Race: Imagining Political Culture Beyond the Color Line
. Cambridge, MA
: Harvard University Press
, 2000
.Glissant
, Édouard
. Poetics of Relation
. Ann Arbor
: University of Michigan Press
, 1997
.Glissant
, Édouard
. Caribbean Discourse: Selected Essays
. Charlottesville
: University of Virginia Press
, 1989
.Goeser
, Caroline
. Picturing the New Negro: Harlem Renaissance Print Culture and Modern Black Identity
. Manhattan
: University Press of Kansas
, 2006
.Golden
, Thelma
, ed. Black Male: Representations of Masculinity in Contemporary American Art
. New York
: Whitney Museum of American Art, Harry N. Abrams, 1994
.Goudie
, Sean X.
Creole America: The West Indies and the Formation of Literature and Culture in the New Republic
. Philadelphia
: University of Pennsylvania Press
, 2006
.Greimas
, A. J.
“The Interaction of Semiotic Constraints
.” Trans. Rastier
François
. Yale French Studies
41
, Game, Play, Literature
(1968
): 86
–105
.Hall
, Kim
. Things of Darkness: Economies of Race and Gender in Early Modern England
. Ithaca, NY
: Cornell University Press
, 1996
.Hardt
, Michael
, and Negri
. Antono
Empire
. Cambridge, MA
: Harvard University Press
, 2001
.Heller
, Adele
, and Rudnick
Lois
, eds. 1915, the Cultural Moment: The New Politics, the New Woman, the New Psychology, the New Art and the New Theatre in America
. New Brunswick, NJ
: Rutgers University Press
, 1991
.hooks
, bell
. “Feminism as a Persistent Critique of History: What’s Love Got to Do with It?
” In The Fact of Blackness: Frantz Fanon and Visual Representation
, edited by Read
Alan
, 76
–85
. Seattle, WA
: Bay Press
, 1996
.“
Irony
.” Wikipedia, http://en.wikipedia.org/wiki/Irony. Accessed May 14, 2007
.Jablonski
, Nina G.
Skin: A Natural History
. Berkeley
: University of California Press
, 2006
.James
, C. L. R.
The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution
. New York
: Vintage Books
, 1989
.James
, C. L. R.
At the Rendezvous of Victory: Selected Writings
. London
: Allison and Busby
, 1984
.Jay
, Martin
. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought
. Berkeley
: University of California Press
, 1994
.Jenkins
, Candace
. Private Lives, Proper Relations: Regulating Black Intimacy
. Minneapolis
: University of Minnesota Press
, 2007
.Jules-Rosette
Bennetta
. Black Paris: The African Writers’ Landscape
. Champaign
: University of Illinois Press
, 2000
.Kaersenhout
, Patricia
. Invisible Men
. Den Haag, The Netherlands
: Eindeloos Publishers
, 2009
.Katilius-Boydstun
Marvin
. “The Semiotics of A. J. Greimas: An Introduction
.” Lituanus: Lithuanian Quarterly Journal of Arts and Science
36
, no. 3
(fall 1990
). http://www.lituanus.org/1990_3/90_3_02.htm. Accessed November 27, 2013
.Keeling
, Kara
. The Witch’s Flight: The Cinematic, the Black Femme, and the Image of Common Sense
. Durham, NC
: Duke University Press
, 2007
.Lacan
, Jacques
. Écrits: The First Complete Edition
. Trans. Fink
Bruce
. New York
: W. W. Norton
, 2007
.Lacan
, Jacques
. On Feminine Sexuality, the Limits of Love and Knowledge
. Eds. Miller
Jacques-Alain
and Fink
Bruce
. New York
: W. W. Norton
, 1999
.Lacan
, Jacques
. The Four Fundamental Concepts of Psychoanalysis
. Edited by Miller
Jacques-Alain
. Translated by Sheridan
Alan
. New York
: W. W. Norton
, 1998
.Lacan
, Jacques
. The Seminar of Jacques Lacan: The Ethics of Psychoanalysis
. Edited by Miller
Jacques-Alain
. Translated by Porter
Dennis
. New York
: W. W. Norton
, 1997
.Lacan
, Jacques
. “Position of the Unconscious
.” In Reading Seminar XI: Lacan’s Four Fundamental Concepts of Psychoanalysis
, edited by Feldstein
Richard
, Fink
Bruce
, and Jaanus
Maire
, 259
–282
. Albany
: State University of New York Press
, 1995
.Larsen
, Nella
. The Complete Fiction of Nella Larsen: Passing, Quicksand, and the Stories
. New York
: Anchor Books
, 2001
.Law
, Jennifer
. “Knowledge Is Made for Printing: Joscelyn Gardner’s Creole Portraits Series
.” In Joscelyn Gardner: Bleeding and Breeding
, 9
–17
. Exhibition catalogue
. Ontario, Canada
: Station Gallery
, 2012
.Levering Lewis
, David
, and Willis
Deborah
, eds. A Small Nation of People: W. E. B. Du Bois and African American Portraits of Progress
. New York
: HarperCollins
, 2003
.Lorde
, Audre
. “Coal
.” In The Collected Poems of Audre Lorde
. New York
: W. W. Norton
, 2000
.Marks
, Laura U.
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
. Durham, NC
: Duke University Press
, 2000
.Marley
, Rita
, and Jones
. Hettie
No Woman No Cry: My Life with Bob Marley
. New York
: Hyperion
, 2004
.Massumi
, Brian
. Parables for the Virtual: Movement, Affect, Sensation
. Durham, NC
: Duke University Press
, 2002
.McCabe
, Susan
. Cinematic Modernism: Modernist Poetry and Film
. New York
: Cambridge University Press
, 2009
.McGill
, Lisa
. Constructing Black Selves: Caribbean American Narratives and the Second Generation
. New York
: NYU Press
, 2005
.Mercer
, Kobena
. Welcome to the Jungle: New Positions in Black Cultural Studies
. New York
: Routledge
, 1994
.Merleau-Ponty
Maurice
. The Visible and the Invisible
. Ed. Lefort
Claude
. Trans. Lingis
Alphonso
. Evanston, IL
: Northwestern University Press
, 1968
.Miller
, Monica L.
Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity
. Durham, NC
: Duke University Press
, 2009
.Mitchell
, Michelle
. Righteous Propagation: African Americans and the Politics of Racial Destiny after Reconstruction
. Chapel Hill
: University of North Carolina Press
, 2004
.Mitchell
, Stephen A.
, and Black
Margaret J.
. Freud and Beyond: A History of Modern Psychoanalytic Thought
. New York
: Basic Books
, 1995
.Moten
, Fred
. In the Break: The Aesthetics of the Black Radical Tradition
. Minneapolis
: University of Minnesota Press
, 2003
. Mullen
, Bill V.
, and Smethurst
James
, eds. Left of the Color Line: Race, Radicalism, and Twentieth-Century Literature of the United States
. Chapel Hill
: University of North Carolina Press
, 2006
.Nadell
, Martha Jane
. Enter the New Negroes: Images of Race in American Culture
. Cambridge, MA
: Harvard University Press
, 2004
.Neptune
, Harvey
. Caliban and the Yankees: Trinidad and the United States Occupation
. Chapel Hill
: University of North Carolina Press
, 2007
.Parascandola
, Louis J.
, ed. “Winds Can Wake Up the Dead”: An Eric Walrond Reader
. Detroit, MI
: Wayne State University Press
, 1998
.Peterson
, V. Spike
. “Sexing Political Identities/Nationalism as Heterosexism
.” International Feminist Journal of Politics
1
, no. 1
(June
1999
): 34
–65
.Philip
, Marlene Nourbese
. A Genealogy of Resistance: Essays
. Toronto, Ontario
: Mercury Press
, 1999
.Quintilian’s Institutes of Oratory
, book 8, chapter 6. http://rhetoric.eserver.org/quintilian/8/chapter6.html. Accessed July 3, 2012
.Read
, Alan
, ed. The Fact of Blackness: Frantz Fanon and Visual Representation
. Seattle, WA
: Bay Press
, 1996
.Reinelt
, Janelle G.
, and Roach
Joseph R.
, eds. Critical Theory and Performance
. Ann Arbor
: University of Michigan Press
, 2007
.Riis
, Thomas L.
, ed. “In Dahomey in Text and Performance
.” In The Music and Scripts of In Dahomey
, xiii
–xlvi
. Madison, WI
: A-R Editions
, 1996
.Riis
, Thomas L.
“The Script
.” In The Music and Scripts of In Dahomey
, xlvii
–lxxii
. Madison, WI
: A-R Editions
, 1996
.Roach
, Joseph
. Cities of the Dead: Circum-Atlantic Performance
. New York
: Columbia University Press
, 1996
.Robeson
, Paul
Jr.. The Undiscovered Paul Robeson: An Artist’s Journey, 1898–1939
. New York
: John Wiley and Sons
, 2001
.Rohlehr
, Gordon
. “Sparrow as Poet
.” In David Frost Introduces Trinidad and Tobago
, edited by Anthony
Michael
and Carr
Andrew
, 73
–83
. London
: Andre Deutsch
, 1975
.Ross
, Marlon B.
Manning the Race: Reforming Black Men in the Jim Crow Area
. New York
: NYU Press
, 2004
.Runstedtler
, Theresa
. Jack Johnson, Rebel Sojourner: Boxing in the Shadow of the Global Color Line
. Berkeley
: University of California Press
, 2012
.Salecl
, Renata
, and Žižek
Slavoj
, eds. Gaze and Voice as Love Objects
. Durham, NC
: Duke University Press
, 1996
.Sartre
, Jean-Paul
. “Black Orpheus
.” Massachusetts Review
6
, no. 1
(autumn 1964
–winter 1965
): 13
–52
.Segal
, Naomi
. Consensuality: Didier Anzieu, Gender and the Sense of Touch
. Amsterdam
: Rodopi B. V.
, 2009
.Seth
, Vanita
. Europe’s Indians: Producing Racial Difference, 1500–1900
. Durham, NC
: Duke University Press
, 2010
.Sexton
, Jared
. Amalgamation Schemes: Antiblackness and the Critique of Multiracialism
. Minneapolis
: University of Minnesota Press
, 2008
.Sharpley-Whiting
, T. Denean
. Black Venus: Sexualized Savages, Primal Fears, and Primitive Narratives
. Durham, NC
: Duke University Press
, 1999
.Sherrard-Johnson
Cherene
. Portraits of the New Negro: Visual and Literary Culture in the Harlem Renaissance
. New Brunswick, NJ
: Rutgers University Press
, 2007
.Shiel
, M. P.
The Purple Cloud
. London
: Chatto and Windus
, 1901
. .Silverman
, Kaja
. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema
. Bloomington
: Indiana University Press
, 1988
.Smethurst
, James
. The African American Roots of Modernism: From Reconstruction to the Harlem Renaissance
. Chapel Hill
: University of North Carolina Press
, 2011
.Smith
, Anna Marie
. “Rastafari as Resistance and the Ambiguities of Essentialism in the ‘New Social Movements.’
” In The Making of Political Identities
, edited by Laclau
Ernesto
, 171
–204
. London
: Verso
, 1994
.Smith
, Shawn Michelle
. Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture
. Durham, NC
: Duke University Press
, 2004
.Snyder
, Susan
. “The Genres of Shakespeare’s Plays
.” In The Cambridge Companion to Shakespeare
, edited by Grazia
Margreta de
and Wells
Stanley
, 83
–98
. Cambridge, UK
: Cambridge University Press
, 2001
.Spillers
, Hortense J.
“‘All the Things You Could Be by Now, If Sigmund Freud’s Wife Was Your Mother’: Psychoanalysis and Race
.” In Female Subjects in Black and White: Race, Psychoanalysis, Feminism
, edited by Abel
Elizabeth
, Christian
Barbara
, and Moglen
Helene
, 135
–158
. Berkeley
: University of California Press
, 1997
.Spillers
, Hortense J.
“Mama’s Baby, Papa’s Maybe: An American Grammar Book
.” Diacritics
17
, no. 2
(summer 1987
): 64
–81
.Stein
, Judith
. The World of Marcus Garvey: Race and Class in Modern Society
. Baton Rouge
: Louisiana State University Press
, 1986
.Stephens
, Michelle A.
“The Comic Side of Gender Trouble and Bert Williams’ Signature Act.” “Diaspora” special issue
Feminist Review
90
(2008
): 128
–146
.Stephens
, Michelle A.
“‘I’m the Everybody Who’s Nobody’: Genealogies of the New World Slave in Paul Robeson’s Performances of the 1930s
.” In Hemispheric American Studies
, edited by Levander
Caroline F.
and Levine
Robert S.
, 166
–186
. New Brunswick, NJ
: Rutgers University Press
, 2007
.Stephens
, Michelle A.
“The First Negro Matinee Idol: Harry Belafonte and American Culture in the 1950s
.” In Left of the Color Line: Race, Radicalism, and Twentieth-Century Literature of the United States
, edited by. Mullen
Bill V.
and Smethurst
James
, 223
–238
. Chapel Hill
: University of North Carolina Press
, 2006
.Stephens
, Michelle A.
“Babylon’s ‘Natural Mystic’: The North American Music Industry, the Legend of Bob Marley, and the Incorporation of Transnationalism
.” Cultural Studies
12
, no. 2
(April
1998
): 139
–167
.Stovall
, Tyler
. French Civilization and Its Discontents: Nationalism, Colonialism, Race (after the Empire)
. New York
: Lexington Books
, 2003
.Stovall
, Tyler
. Paris Noir: African Americans in the City of Light
. New York
: Mariner Books
, 1998
.Summers
, Martin
. Manliness and Its Discontents: The Black Middle Class and the Transformation of Masculinity, 1900–1930
. Chapel Hill
: University of North Carolina Press
, 2004
.Swindall
, Lindsey
. The Politics of Paul Robeson’s Othello
. Jackson
: University Press of Mississippi
, 2011
.Taussig
, Michael
. What Color Is the Sacred?
Chicago
: University of Chicago Press
, 2009
.Taylor
, Diana
. The Archive and the Repertoire: Performing Cultural Memory in the Americas
. Durham, NC
: Duke University Press
, 2003
.Thomas
, Deborah
. Modern Blackness: Nationalism, Globalization, and the Politics of Culture in Jamaica
. Durham, NC
: Duke University Press
, 2004
.Turner
, Beth
. “Paul Robeson: The Consummate Actor/Activist
.” Black Masks
13
, no. 2
(October/November
1998
): 5
–6
, 18
–19
.Veal
, Michael
. Dub: Soundscapes and Shattered Songs in Jamaican Reggae Music
. Middle-town, CT
: Wesleyan University Press
, 2007
.Walker
, Christian
. “The Miscegenated Gaze.” No More Heroes: Unveiling Masculinity (San Francisco, CA, SF Camerawork)
. Exhibition catalogue
. Camerawork Quarterly
18
, nos. 3
and 4
(summer/fall 1991
).Walker
, George
. “The Real ‘Coon’ on the American Stage
.” CD booklet in Bert Williams: The Early Years, 1901–1909
. Archeophone
, 2004
.Wallace
, Maurice
. Constructing the Black Masculine: Identity and Ideality in African American Men’s Literature and Culture, 1775–1995
. Durham, NC
: Duke University Press
, 2002
.Walton
, Jean
. Fair Sex, Savage Dreams: Race, Psychoanalysis, Sexual Difference
. Durham, NC
: Duke University Press
, 2001
.Wartenberg
, Thomas E.
Unlikely Couples: Movie Romance as Social Criticism
. Boulder, CO
: Westview Press
, 1999
.Watkins
, Mel
. Stepin Fetchit: The Life and Times of Lincoln Perry
. New York
: Random House
, 2006
.Watkins
, Mel
. African American Humor: The Best Black Comedy from Slavery to Today
. Chicago
: Lawrence Hill Books
, 2002
.Weheliye
, Alexander G.
Phonographies: Grooves in Sonic Afro-Modernity
. Durham, NC
: Duke University Press
, 2005
.Weinbaum
, Alys Eve
. “Ways of Not Seeing: (En)gendered Optics in Benjamin, Baudelaire, and Freud
.” In Loss: The Politics of Mourning
, edited by Eng
David
and Kazanjian
David
, 396
–425
. Berkeley
: University of California Press
, 2003
.West
, Cornel
. Restoring Hope: Conversations on the Future of Black America
, edited by Sealey
Kelvin Shawn
, 3
–34
. Boston
: Beacon Press
, 1997
.Willett
, John
, ed. Brecht on Theatre: The Development of an Aesthetic
. New York
: Hill and Wang
, 1964
.Williams
, Bert
. “The Comic Side of Trouble
.” CD booklet in Bert Williams: The Middle Years, 1910–1918
. Archeophone
, 2002
–2005
.Wood
, Peter H.
Weathering the Storm: Inside Winslow Homer’s Gulf Stream
. Mercer University Lamar Memorial Lectures
. Athens
: University of Georgia Press
, 2004
.Wright
, Michelle
. Becoming Black: Creating Identity in the African Diaspora
. Durham, NC
: Duke University Press
, 2004
.Wright
, Richard
. The Color Curtain: A Report on the Bandung Conference
. Jackson
: University Press of Mississippi
, 1994
.Wynter
, Sylvia
. “Beyond Miranda’s Meanings: Un/silencing the ‘Demonic Ground’ of Caliban’s ‘Woman.’
” In Out of the Kumbla: Caribbean Women and Literature
, edited by Davies
Carole Boyce
and Fido
Elaine Savory
, 355
–371
. Trenton, NJ
: Africa World Press
, 1990
.Yoshino
, Kenji
. Covering: The Hidden Assault on Our Civil Rights
. New York
: Random House
, 2007
.Young
, Harvey
. Embodying Black Experience: Stillness, Critical Memory and the Black Body
. Ann Arbor
: University of Michigan Press
, 2010
.Young
, Lola
. “Missing Persons: Fantasizing Black Women” in Black Skin, White Masks
.” In The Fact of Blackness: Frantz Fanon and Visual Representation
, edited by Read
Alan
, 86
–101
. Seattle, WA
: Bay Press
, 1996
.Young
, Robert J.C.
Colonial Desire: Hybridity in Theory, Culture and Race
. New York
: Routledge
, 1995
.Zamora
, Lois Parkinson
. Writing the Apocalypse
. New York
: Cambridge University Press
, 1993
.Slavoj
Žižek,
. For They Know Not What They Do: Enjoyment as a Political Factor
. London
: Verso
, 2008
.Slavoj
Žižek,
. “‘I Hear You with My Eyes’; or, The Invisible Master
.” In Gaze and Voice as Love Objects
, edited by Salecl
Renata
and Žižek
Slavoj
, 90
–126
. Durham, NC
: Duke University Press
, 1996
.Slavoj
Žižek
,.“The Lamella of David Lynch
.” In Reading Seminar XI: Lacan’s Four Fundamental Concepts of Psychoanalysis
, edited by Feldstein
Richard
, Fink
Bruce
, and Jaanus
Maire
, 205
–220
. Albany
: State University of New York Press
, 1995
.Slavoj
Žižek,
. Enjoy Your Symptom! Jacques Lacan in Hollywood and Out
. New York
: Routledge
, 1992
.
This content is only available as PDF.
discography
Dr. Alimantado and the Agrovators
. “Natty Dread Conquer the Barber
.” In if Deejay Was Your Trade: The Dreads at King Tubby’s, 1974–1977
. Alimantado
Perf. Dr.
Lee
Bunny
, 1975
. CD. Blood and Fire
, 1995
.Alimantado
Dr.
and Lee
. Bunny
“I Killed the Barber (“Natty Dread Kill the Barber”)
.Alimantado
Perf. Dr.
. Greensleeves
, 1976
.Cole
, Alan
, and Barrett
. Carlton “Carly”
“War
.” Lyrics. Rastaman Vibration
. Marley
Bob
Perfs.
and the Wailers
. Tuff Gong/Island Records
, 1976
.Cook
, Will Marion
, and Mack
. Cecil
“Brown-Skin Baby Mine
.” Lyrics. In The Music and Scripts of In Dahomey
, edited by Riis
Thomas L.
, 19
–21
. Madison, WI
: A-R Editions
, 1996
.Dunbar
, Paul Lawrence
, Cook
Will Marion
, and Accoe
. Will
“Society
.” Lyrics. In The Music and Scripts of In Dahomey
,edited by Riis
Thomas L.
, 142
–154
. Madison, WI
: A-R Editions
, 1996
.Johnson
, James W.
, Cole
Bob
, and Johnson
. Rosamond
“My Castle on the Nile.” Lyrics
. Williams
Bert
Perf.
. In The Music and Scripts of In Dahomey
, edited by Riis
Thomas L.
, 94
–95
. Madison, WI
: A-R Editions
, 1996
.King
Tubby
and Holt
. John
“I Trim the Barber
.” In King Tubby’s Special
, 1973
–1976
. Edwards
Jackie
Perfs.
and Tubby
King
and The Agrovators. Attack, 1973
. CD. Trojan
1995
.Tubby
. King
“Bury the Barber
.” In if Deejay Was Your Trade: The Dreads at King Tubby’s, 1974–1977
. Stitch
Jah
Perf.
. Jackpot
, 1977
. CD. Blood and Fire
, 1995
.King Tubby
, King Jammy
, Harry
, and Dirty
the Aggrovators
.“The Poor Barber
.” In At The Controls
. Tubby
King
Perf.
. Lee
Bunny
, 1975/1976
. CD. Ackee Dist.
, 2012
.Marley
, Bob
. “Exodus
.” Lyrics. Legend: The Best of Bob Marley and the Wailers
. Perfs. Marley
Bob
and the Wailers. Tuff Gong/Island Records
, 1984
.Marley
, Bob
. “No Woman No Cry
.” Lyrics. Legend: The Best of Bob Marley and the Wailers
. Perfs. Marley
Bob
and the Wailers. Tuff Gong/Island Records
, 1984
.Rogers
, Alex
, and Johns
. Al
“Broadway in the Jungle” or “On Broadway in Dahomey Bye and Bye.”
Lyrics
. Williams
Bert
Perf.
. In The Music and Scripts of In Dahomey
, edited by Riis
Thomas L.
, 111
–114
. Madison, WI
: A-R Editions
, 1996
.Williams
, Bert
. “Nobody
.” The Early Years, 1901–1909
. Williams
Bert
Perf.
. CD. Archeo-phone
, 2014
.
This content is only available as PDF.
filmography
Borderline
. Macpherson
Kenneth
Dir.
. Pool Films
. Robeson
Paul
Perfs.
, Robeson
Eslanda Goode
, Doolittie
Hilda
, Arthur
Gavin
. Originally released in 1930. DVD
. New York
: Criterion Collection
, 2007
.Bright Road
. Screenplay by Lavery
Emmet
. Mayer
Gerald
Dir.
. Robeson
Paul
Perfs.
, Dandridge
Dorothy
. Originally released in 1953. DVD
. Beverly Hills, CA
: Metro-Goldwyn-Mayer,
2012
.Carmen Jones
. Screenplay by Kleiner
Harry
. Preminger
Otto
Dir.
. Perfs. Dandridge
Dorothy
, Belafonte
Harry
, Bailey
Pearl
. Originally released in 1954. DVD
. Century City, CA
: Twentieth Century Fox,
2002
.Comedians. In That’s Black Entertainment
. Dirs. Greaves
William
and Jones
G. William
. Originally released in 1990. DVD
. Sherman Oaks, CA
: S’more Entertainment
, 2007
.Harder They Come, The
. Henzell
Perry
Dir.
. Cliff
Jimmy
Perf.
. Originally released in 1972.
Atlanta, GA
: New World Pictures
, 2010
.I Am Legend
. Lawrence
Francis
Dir.
. Perfs. Smith
Will
, Braga
Alice
. Originally released in 2007. DVD
. Burbank, CA
: Warner Bros.,
2008
.Island in the Sun
. Screenplay by Hayes
Alfred
. Rossen
Robert
Dir.
. Perfs. Belafonte
Harry
, Dandridge
Dorothy
, Mason
James
, Fontaine
Joan
, Collins
Joan
. Originally released in 1957. VHS
. Century City, CA
: Twentieth Century Fox
, 1998
.Last Man on Earth, The
. Dirs. Ragona
Ubalda
and Salkow
Sidney
. Price
Vincent
Perf.
. Originally released in 1964. DVD
. Beverly Hills, CA
: Metro-Goldwyn-Mayer (MGM)
, 2005
.Omega Man, The
. Sagal
Boris
Dir.
. Heston
Charlton
Perf.
. Originally released in 1971. DVD.
Burbank, CA
: Warner Bros
., 2007
.Paul Robeson: Tribute to an Artist
. Turell
Saul J.
Dir.
. Janus Films
. Poitier
Sidney
Perf.
. Originally released in 1979. DVD.
New York
: Criterion Collection
, 2007
.Song of Freedom
. Screenplay by Schrader
Paul
. Wills
J. Edgar
Dir.
. Perfs. Robeson
Paul
, Welch
Elisabeth
. Originally released in 1936. DVD
. New York
: Kino Video
, 2000
.World, the Flesh, and the Devil, The
. MacDougall
Ranald
Dir.
. Perfs. Belafonte
Harry
, Stevens
Inger
, Ferrer
Mel
. Originally released in 1959. DVD
. Beverly Hills, CA
: Metro-Goldwyn-Mayer (MGM)
, 2011
.