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SELECTED BIBLIOGRAPHY

SELECTED BIBLIOGRAPHY

Note: This bibliography compiles secondary as well as select primary readings relevant to the study of race and nontheatrical film. Topic-specific sources are contained in the notes within each chapter.

Aaron
,
Michele
, ed.
New Queer Cinema: A Critical Reader
.
New Brunswick, NJ
:
Rutgers University Press
,
2004
.
Abu-Lughod
,
Janet L.
Race, Space, and Riots in Chicago, New York, and Los Angeles
.
New York
:
Oxford University Press
,
2007
.
Acham
,
Christine
.
Revolution Televised: Prime Time and the Struggle for Black Power
.
Minneapolis
:
University of Minnesota Press
,
2005
.
Acland
,
Charles R.
, and
Wasson
Haidee
, eds.
Useful Cinema
.
Durham, NC
:
Duke University Press
,
2011
.
Alexander
,
Geoff
.
Academic Films for the Classroom: A History
.
Jefferson, NC
:
McFarland
,
2010
.
Alexander
,
Geoff
.
Films You Saw in School: A Critical Review of 1,153 Educational Films (1958–1985) in 74 Subject Categories
.
Jefferson, NC
:
McFarland
,
2013
.
Anderson
,
Nancy
, and
Dietrich
Michael R.
, eds.
The Educated Eye: Visual Culture and Pedagogy in the Life Sciences
.
Hanover, NH
:
Dartmouth College Press
,
2012
.
Balides
,
Constance
. “
Sociological Film, Reform Publicity, and the Secular Spectator: Social Problems in the Transitional Era
.”
Feminist Media Histories
3
, no.
4
(
2017
):
10
45
.
Bodroghkozy
,
Aniko
.
Equal Time: Television and the Civil Rights Movement
.
Urbana
:
University of Illinois Press
,
2012
.
Bogle
,
Donald
.
Primetime Blues: African Americans on Network Television
.
New York
:
Farrar, Straus and Giroux
,
2015
.
Bogle
,
Donald
.
Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films
.
New York
:
Viking
,
1973
.
Bowser
,
Pearl
,
Gaines
Jane
, and
Musser
Charles
.
Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era
.
Bloomington
:
Indiana University Press
,
2001
.
Braun
,
Marta
,
Keil
Charles
,
King
Rob
,
Moore
Paul
, and
Pelletier
Louis
, eds.
Beyond the Screen: Institutions, Networks and Publics of Early Cinema
.
London
:
John Libbey
,
2012
.
Bunn-Marcuse
,
Kathryn
. “
The Kwakwa ka’wakw on Film
.” In
Walking a Tightrope: Aboriginal People and Their Representations
, edited by
Lischke
Ute
and
McNab
David T.
,
305
33
.
Ontario
:
Wilfrid Laurier University Press
,
2005
.
Caddoo
,
Cara
.
Envisioning Freedom: Cinema and the Building of Modern Black Life
.
Cambridge, MA
:
Harvard University Press
,
2014
.
Cahan
,
Susan E.
Mounting Frustration: The Art Museum in the Age of Black Power
.
Durham, NC
:
Duke University Press
,
2016
.
Campbell
,
Russell
.
Cinema Strikes Back: Radical Filmmaking in the United States 1930–1942
.
Ann Arbor, MI
:
UMI Research Press
,
1982
.
Charbonneau
,
Stephen
.
Projecting Race
:
Postwar America, Civil Rights and Documentary Film. New York: Wallflower
,
2016
.
Cheng
,
Cindy I-Fen
.
Citizens of Asian America: Democracy and Race during the Cold War
.
New York
:
New York University Press
,
2013
.
Chun
,
Wendy Hui Kyong
. “
Introduction: Race and/as Technology; or, How to Do Things to Race
.”
Camera Obscura
24
, no.
1
(
2009
):
7
34
.
Citron
,
Michelle
.
Home Movies and Other Necessary Fictions
.
Minneapolis
:
University of Minnesota Press
,
1998
.
Cutler
,
Janet K.
, and
Klotman
Phyllis R.
.
Struggles for Representation: African American Documentary Film and Video
.
Bloomington
:
Indiana University Press
,
1999
.
De Genova
,
Nicholas
.
Race, Space, and “Illegality” in Mexican Chicago
.
Durham, NC
:
Duke University Press
,
2005
.
Distelberg
,
Brian J.
Visibility Matters: The Pursuit of American Belonging in the Age of Moving Images
.”
PhD diss.
,
Yale University
,
2015
.
Dudziak
,
Mary L.
Cold War Civil Rights: Race and the Image of American Democracy
.
Princeton, NJ
:
Princeton University Press
,
2000
.
Evans
,
Brad
, and
Glass
Aaron
, eds.
Return to the Land of the Head Hunters: Edward S. Curtis, the Kwakwa ka’wakw, and the Making of Modern Cinema
.
Seattle
:
University of Washington Press
,
2014
.
Everett
,
Anna
.
Returning the Gaze: A Genealogy of Black Film Criticism, 1909–1949
.
Durham, NC
:
Duke University Press
,
2001
.
Farmer
,
Herbert E.
USC Cinema in Perspective
.”
Journal of the University Film Producers Association
11
, no.
2
(winter
1959
):
9
12
.
Feng
,
Peter X.
Identities in Motion: Asian American Film and Video
.
Durham, NC
:
Duke University Press
,
2002
.
Feng
,
Peter X
, ed.
Screening Asian Americans
.
New Brunswick, NJ
:
Rutgers University Press
,
2002
.
Field
,
Allyson Nadia
.
Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity
.
Durham, NC
:
Duke University Press
,
2015
.
Field
,
Allyson Nadia
,
Horak
Jan-Christopher
, and
Stewart
Jacqueline
, eds.
L.A. Rebellion: Creating a New Black Cinema
.
Berkeley
:
University of California Press
,
2015
.
Fregoso
,
Rosa Linda
.
The Bronze Screen: Chicana and Chicano Film Culture
.
Minneapolis
:
University of Minnesota Press
,
1993
.
Friedman
,
Lester D.
, ed.
Unspeakable Images: Ethnicity and the American Cinema
.
Urbana
:
University of Illinois Press
,
1991
.
Gay
,
Geneva
. “
Beyond Brown: Promoting Equality through Multicultural Education
.”
Journal of Curriculum and Supervision
19
, no.
3
(spring
2004
):
193
216
.
Gaycken
,
Oliver
.
Devices of Curiosity: Early Cinema and Popular Science
.
New York
:
Oxford University Press
,
2015
.
Gever
,
Martha
,
Parmar
Pratibha
, and
Greyson
John
, eds.
Queer Looks: Perspectives on Lesbian and Gay Film and Video
.
New York
:
Routledge
,
1993
.
Gillespie
,
Michael Boyce
.
Film Blackness: American Cinema and the Idea of Black Film
.
Durham, NC
:
Duke University Press
,
2016
.
Gordon
,
Marsha
, and
Field
Allyson Nadia
. “
The Other Side of the Tracks: Nontheatrical Film History, Pre-Rebellion Watts, and Felicia
.”
Cinema Journal
55
, no.
2
(winter
2016
):
1
24
.
Griffis
,
Noelle
. “
‘This Film Is a Rebellion!’ Filmmaker, Actor, Black Journal Producer, and Political Activist William Greaves (1924–2014)
.”
Black Camera
6
, no.
2
(spring
2015
):
7
16
.
Griffiths
,
Alison
.
Wondrous Difference: Cinema, Anthropology, and Turn-of-the-Century Visual Culture
.
New York
:
Columbia University Press
,
2002
.
Guerrero
,
Edward
.
Framing Blackness: The African American Image in Film
.
Philadelphia
:
Temple University Press
,
1993
.
Hall
,
Donald E.
, and
Jagose
Annamarie
, eds.
The Routledge Queer Studies Reader
.
New York
:
Routledge
,
2013
.
Hallam
,
Julia
. “
Film, Space and Place: Researching a City in Film
.”
New Review of Film and Television Studies
8
, no.
3
(
2010
):
277
96
.
Halleck
,
DeeDee
. “
Making Movies with Kids on the Lower East Side
.” In
Captured: A Film/Video History of the Lower East Side
, edited by
Patterson
Clayton
,
1
4
.
New York
:
Seven Stories
,
2005
.
Hamamoto
,
Darrell Y.
, and
Liu
Sandra
, eds.
Countervisions: Asian American Film Criticism
.
Philadelphia
:
Temple University Press
,
2000
.
Hariharan
,
Veena
. “
At Home in the Empire: Reading Colonial Home Movies—the Hyde Collection (1928–1937)
.”
BioScope: South Asian Screen Studies
5
, no.
1
(
2014
):
49
61
.
Heitner
,
Devorah
.
Black Power TV
.
Durham, NC
:
Duke University Press
,
2013
.
Holm
,
Bill
, and
Quimby
George
.
In the Land of the War Canoes: A Pioneer Cinematographer in the Pacific Northwest
.
Seattle
:
University of Washington Press
,
1980
.
Horne
,
Gerald
.
Fire This Time: The Watts Uprising and the 1960s
.
New York
:
Da Capo
,
1995
.
Ishizuka
,
Karen L.
Lost and Found: Reclaiming the Japanese American Incarceration
.
Urbana
:
University of Illinois Press
,
2006
.
Ishizuka
,
Karen L.
, and
Zimmermann
Patricia
, eds.
Mining the Home Movie: Excavations in Histories and Memories
.
Berkeley
:
University of California Press
,
2007
.
Jacknis
,
Ira
. “
Visualizing Kwakwa ka’wakw Tradition: The Films of William Heick, 1951–63
.”
BC Studies
, nos.
125/126
(spring/summer
2000
):
99
146
.
Jaikumar
,
Priya
.
Cinema at the End of Empire: A Politics of Transition in Britain and India
.
Durham, NC
:
Duke University Press
,
2006
.
Jiménez
,
Lillian
. “
From the Margin to the Center: Puerto Rican Cinema in New York
.”
Centro de Estudios Puertorriqueños Bulletin
2
, no.
8
(spring
1990
):
28
43
.
Johnson
,
Martin
.
Main Street Movies: The History of Local Films in the United States
.
Bloomington
:
Indiana University Press
,
2018
.
Kilpatrick
,
Jacquelyn
.
Celluloid Indians: Native Americans and Film
.
Lincoln
:
University of Nebraska Press
,
1999
.
Knee
,
Adam
, and
Musser
Charles
. “
William Greaves, Documentary Film-Making, and the African-American Experience
.”
Film Quarterly
45
, no.
3
(spring
1992
):
13
25
.
Koenig
,
Gloria
.
Charles and Ray Eames, 1907–1978, 1912–1988: Pioneers of Mid-century Modernism
.
Los Angeles
:
Taschen
,
2005
.
Kunkel
,
Sonke
.
Empire of Pictures: Global Media and the 1960s Remaking of American Foreign Policy
.
Oxford
:
Berghahn
,
2016
.
Larson
,
Rodger
.
A Guide for Film Teachers to Filmmaking by Teenagers
.
New York
:
Cultural Affairs Foundation
,
1968
.
Larson
,
Rodger
,
Hofer
Lynne
, and
Barrios
Jaime
.
Young Animators and Their Discoveries
.
New York
:
Praeger
,
1974
.
Larson
,
Rodger
, and
Meade
Ellen
.
Young Filmmakers
.
New York
:
E. P. Dutton
,
1969
.
Lee
,
Erika
.
The Making of Asian America: A History
.
New York
:
Simon and Schuster
,
2015
.
Lee
,
Robert
.
Orientals: Asian Americans in Popular Culture
.
Philadelphia
:
Temple University Press
,
1999
.
Leong
,
Russell
, ed.
Moving the Image: In de pen dent Asian Pacific American Media Arts
.
Los Angeles
:
UCLA Asian American Studies Center
,
1991
.
Lott
,
Tommy Lee
. “
Documenting Society Issues: Black Journal, 1968–1970
.” In
Struggles for Representation: African American Documentary Film and Video
, edited by
Klotman
Phyllis R.
and
Cutler
Janet K.
,
71
98
.
Bloomington
:
Indiana University Press
,
1999
.
Lowe
,
Lisa
.
Immigrant Acts
.
Durham, NC
:
Duke University Press
,
1996
.
MacDonald
,
Scott
.
American Ethnographic Film and Personal Documentary: The Cambridge Turn
.
Berkeley
:
University of California Press
,
2013
.
Marchetti
,
Gina
.
Romance and the “Yellow Peril”: Race, Sex, and Discursive Strategies in Hollywood Fiction
.
Berkeley
:
University of California Press
,
1993
.
Margulies
,
Ivone
, ed.
Rites of Realism: Essays on Corporeal Cinema
.
Durham, NC
:
Duke University Press
,
2003
.
Massood
,
Paula J.
Black City Cinema: African American Urban Experiences in Film
.
Philadelphia
:
Temple University Press
,
2003
.
Mercer
,
John
.
The Informational Film
.
Champaign, IL
:
Stipes
,
1981
.
Mimura
,
Glen
.
Ghostlife of Third Cinema
.
Minneapolis
:
University of Minnesota Press
,
2009
.
Mogilevich
,
Mariana
. “
Arts as Public Policy
.” In
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, edited by
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,
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.
Baltimore, MD
:
Johns Hopkins University Press
,
2014
.
Monticone
,
Paul
. “
‘Useful Cinema,’ of What Use? Assessing the Role of Motion Pictures in the Largest Public Relations Campaign of the 1920s
.”
Cinema Journal
54
, no.
4
(summer
2015
):
74
99
.
Moon
,
Spencer
.
Reel Black Talk: A Sourcebook of 50 American Filmmakers
.
London
:
Greenwood
,
1997
.
Moran
,
James
.
There’s No Place Like Home Video
.
Minneapolis
:
University of Minnesota Press
,
2002
.
Morris
,
Rosalind
.
New Worlds from Fragments: Film, Ethnography, and the Representation of Northwest Coast Cultures
.
Boulder, CO
:
Westview
,
1994
.
Musser
,
Charles
. “
Carl Marzani and Union Films: Making Left-Wing Documentaries during the Cold War, 1946–53
.”
The Moving Image
9
, no.
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(spring
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):
104
60
.
Nichols
,
Bill
.
Representing Reality: Issues and Concepts in Documentary
.
Bloomington
:
Indiana University Press
,
1991
.
Noble
,
Gil
.
Black Is the Color of My TV Tube
.
Seacaucus, NJ
:
Lyle Stuart
,
1981
.
Noordegraaf
,
Julia
, and
Pouw
Elvira
. “
Extended Family Films: Home Movies in the State-Sponsored Archive
.”
The Moving Image
9
, no.
1
(spring
2009
):
83
103
.
Noriega
,
Chon
.
Shot in America: Television, the State, and the Rise of Chicano Cinema
.
Minneapolis
:
University of Minnesota Press
,
2000
.
Odin
,
Roger
. “
Reflections on the Family Home Movie as Document: A Semio-pragmatic Approach
.” In
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, edited by
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Karen L.
and
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,
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71
.
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:
University of California Press
,
2008
.
Oishi
,
Eve
. “
Screen Memories: Fakeness in Asian American Media Practice
.” In
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edited by
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and
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,
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:
University of Minnesota Press
,
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.
Okada
,
Jun
.
Making Asian American Film and Video: History, Institutions, Movements
.
New Brunswick, NJ
:
Rutgers University Press
,
2015
.
Ongiri
,
Amy A.
Spectacular Blackness: The Cultural Politics of the Black Power Movement and the Search for a Black Aesthetic
.
Charlottesville
:
University of Virginia Press
,
2010
.
Ontiveros
,
Randy
. “
No Golden Age: Television News and the Chicano Civil Rights Movement
.”
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, no.
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(
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923
.
Orgeron
,
Devin
,
Orgeron
Marsha
, and
Streible
Dan
, eds.
Learning with the Lights Off: Educational Film in the United States
.
New York
:
Oxford University Press
,
2012
.
Ostherr
,
Kirsten
.
Cinematic Prophylaxis: Globalization and Contagion in the Discourse of World Health
.
Durham, NC
:
Duke University Press
,
2005
.
Ostherr
,
Kirsten
.
Medical Visions: Producing the Patient through Film, Television, and Imaging Technologies
.
New York
:
Oxford University Press
,
2013
.
Park
,
Jane Chi Hyun
.
Yellow Future: Oriental Style in Hollywood Cinema
.
Minneapolis
:
University of Minnesota Press
,
2010
.
Perlman
,
Allison
. Public Interests: Media Advocacy and Struggles over U.S.
Television
.
New Brunswick, NJ
:
Rutgers University Press
,
2016
.
Peterson
,
Jennifer
.
Education in the School of Dreams: Travelogues and Early Nonfiction Film
.
Durham, NC
:
Duke University Press
,
2013
.
Peterson
,
Sidney
.
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New York University Press
,
1980
.
Polan
,
Dana
.
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.
Berkeley
:
University of California Press
,
2007
.
Prelinger
,
Rick
.
The Field Guide to Sponsored Films
.
San Francisco
:
National Film Preservation Foundation
,
2006
.
Rascaroli
,
Laura
,
Monahan
Barry
, and
Young
Gwenda
, eds.
Amateur Filmmaking
:
The Home Movie, the Archive, the Web. New York: Bloomsbury Academic
,
2014
.
Reed
,
Touré F.
Not Alms but Opportunity: The Urban League and the Politics of Racial Uplift, 1910–1950
.
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:
University of North Carolina Press
,
2008
.
Reid
,
Mark A.
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.
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:
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,
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.
Rhines
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Jesse Algeron
.
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.
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:
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,
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.
Rhodes
,
Jane
. “
The ‘Electronic Stimulus for a Black Revolution’: Black Journal and the 1960s Public Television
.”
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Rony
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.
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.
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:
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,
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.
Russell
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.
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.
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,
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.
San Filippo
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. “
What a Long, Strange Trip It’s Been: William Greaves’ Symbiopsychotaxiplasm: Take One
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.
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.
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,
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.
Shimizu
,
Celine Parreñas
.
The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene
.
Durham, NC
:
Duke University Press
,
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.
Singer
,
Beverly R.
Wiping the War Paint Off the Lens: Native American Film and Video
.
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:
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,
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.
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.
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.
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.
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. “
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.”
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.
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.
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:
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,
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.
Streible
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Saving, Studying, and Screening: A History of the Orphan Film Symposium
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Summerfield
,
Ellen
.
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.
Yarmouth, ME
:
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,
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.
Tepperman
,
Charles
.
Amateur Cinema: The Rise of North American Moviemaking, 1923–1960
.
Berkeley
:
University of California Press
,
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.
Tilton
,
Lauren C.
In Local Hands: Participatory Media in the 1960s
.”
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,
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,
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.
Torres
,
Sasha
.
Black, White, and in Color: Television and Black Civil Rights
.
Princeton, NJ
:
Princeton University Press
,
2003
.
U.S. Department of Health, Education, and Welfare
.
Selected Films on Child Life
.
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:
Author, 1959; rev. ed. 1962, 1969
.
Veeder
,
Gerry K.
The Red Cross Bureau of Pictures, 1917–1921: World War I, the Russian Revolution and the Sultan of Turkey’s Harem
.”
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Vonderau
,
Patrick
, and
Hediger
Vinzenz
, eds.
Films That Work: Industrial Film and the Productivity of Media
.
Amsterdam
:
Amsterdam University Press
,
2009
.
Wagner
,
Paul A.
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.

Figures & Tables

Contents

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References

SELECTED BIBLIOGRAPHY

SELECTED BIBLIOGRAPHY

Note: This bibliography compiles secondary as well as select primary readings relevant to the study of race and nontheatrical film. Topic-specific sources are contained in the notes within each chapter.

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