Skip to Main Content

BIBLIOGRAPHY

BIBLIOGRAPHY
Adajania
,
Nancy
.
Navjot Altaf: The Thirteenth Place
.
Mumbai
:
Guild Art Gallery
,
2016
.
Adey
,
Peter
,
Whitehead
Mark
, and
Williams
Alison J.
, eds.
From Above: War, Violence and Verticality
.
London
:
Hurst
,
2013
.
Adorno
,
Theodor
.
Essays on Music
. Edited by
Leppert
Richard
. Translated by
Gillespie
Susan
.
Berkeley
:
University of California Press
,
2002
.
Adorno
,
Theodor
. “
The Essay as Form
.”
New German Critique
32
(spring/summer
1984
;
originally published 1958
):
151
71
.
Ahmed
,
Sabih
. “
Landing Imaginaries: An Interview with Geeta Kapur
.” In
Sarai Reader 09: Projections
,
248
56
.
Delhi
:
Sarai Programme, CSDS
,
2013
.
Alberro
,
Alexander
, and
Stimpson
Blake
, eds.
Institutional Critique: An Anthology of Artists’ Writings
.
Cambridge, MA
:
MIT Press
,
2011
.
Ananth
,
Deepak
. “
Precarious Poetics
.” In
Vivan Sundaram: Disjunctures
,
12
39
.
Munich
:
Prestel/Haus der Kunst
,
2018
.
Exhibition catalogue
.
Ananth
,
Deepak
. “
Seams
.” In
Gagawaka: Making Strange
,
10
27
.
Mumbai
:
Chemould Prescott Road
,
2012
.
Exhibition catalogue
.
Ananth
,
Deepak
. “
An Unfinished Project
.” In
Amrita Sher-Gil: An Indian Artist Family of the Twentieth Century
,
13
31
.
Munich
:
Schirmer/Mosel
,
2007
.
Exhibition catalogue
.
Anderson
,
Benedict
.
Imagined Communities: Reflections on the Origin and Spread of Nationalism
.
New York
:
Verso
,
1991
.
Appadurai
,
Arjun
.
Fear of Small Numbers: An Essay on the Geography of Anger
.
Durham, NC
:
Duke University Press
,
2006
.
Appadurai
,
Arjun
.
The Future as Cultural Fact: Essays on the Global Condition
.
London
:
Verso
,
2013
.
Arendt
,
Hannah
, ed.
Illuminations
.
New York
:
Schocken
,
1968
.
Bal
,
Mieke
.
In Media Res: Inside Nalini Malani’s Shadow Plays
.
Ostfilern
:
Hatje Cantz
,
2016
.
Bandyopadhyay
,
Soumyen
, and
Jackson
Iain
.
The Collection, the Ruin and the Theatre: Architecture, Sculpture and Landscape in Nek Chand’s Rock Garden, Chandigarh
.
Liverpool
:
Liverpool University Press
,
2008
.
Barrett
,
Ross
, and
Worden
Daniel
, eds.
Oil Culture
.
Minneapolis
:
University of Minnesota Press
,
2014
.
Barthes
,
Roland
.
Image-Music-Text
. Translated by
Heath
Stephen
.
New York
:
Hill and Wang
,
1978
.
Barthes
,
Roland
.
The Pleasure of the Text
. Translated by
Miller
Richard
.
New York
:
Hill and Wang
,
1975
.
Bartholomew
,
Pablo
,
Bartholomew
Rati
, and
Kagal
Carmen
, eds.
Richard Bartholomew, the Art Critic
.
Noida, India
:
BART
,
2012
.
Bauman
,
Zygmunt
.
Wasted Lives: Modernity and Its Outcasts
.
Cambridge
:
Polity
,
2004
.
Bean
,
Susan
, ed.
Midnight to the Boom: Painting in India after Independence
.
Salem, MA
:
Peabody Essex Museum
,
2013
.
Bennett
,
Tony
.
The Birth of the Museum: History, Theory, Politics
.
London
:
Routledge
,
1995
.
Berger
,
Maurice
, ed.
The Crisis of Criticism
.
New York
:
New Press
,
1998
.
Bernhardsson
,
Magnus
.
Reclaiming a Plundered Past: Archaeology and Nation Building in Modern Iraq
.
Austin
:
University of Texas Press
,
2005
.
Bhabha
,
Homi
.
The Location of Culture
.
New York
:
Routledge
,
1994
.
Biswas
,
Moinak
, ed.
Apu and After: Re-visiting Ray’s Cinema
.
London
:
Seagull
,
2005
.
Boal
,
Iain
,
Clark
T. J.
,
Matthews
Joseph
, and
Watts
Michael
.
Afflicted Powers: Capital and Spectacle in a New Age of War
.
London
:
Verso
,
2005
.
Bohrer
,
Frederick
.
Orientalism and Visual Culture: Imagining Mesopotamia in Nineteenth-Century Europe
.
Cambridge
:
Cambridge University Press
,
2003
.
Bourriaud
,
Nicolas
.
Postproduction
.
New York
:
Lukas and Sternberg
,
2007
.
Bourriaud
,
Nicolas
.
The Radicant
.
New York
:
Lukas and Sternberg
,
2009
.
Bourriaud
,
Nicolas
.
Relational Aesthetics
.
Paris
:
Les Presses du Réel
,
1998
.
Braunert
,
Svea
, and
Malone
Meredith
, eds.
To See without Being Seen: Contemporary Art and Drone Warfare
.
St. Louis
:
Mildred Lane Kemper Art Museum
,
2016
.
Brown
,
Rebecca
.
Art for a Modern India, 1947–1980
.
Durham, NC
:
Duke University Press
,
2009
.
Brown
,
Rebecca
.
Displaying Time: The Many Temporalities of the Festival of India
.
Seattle
:
University of Washington Press
,
2017
.
Brown
,
Wendy
.
Un the Demos: Neoliberalism’s Stealth Revolution
.
New York
:
Zone
,
2015
.
Bürger
,
Peter
.
Theory of the Avant-Garde
.
Minneapolis
:
University of Minnesota Press
,
1984
.
Butler
,
Judith
.
Precarious Life: The Powers of Mourning and Violence
.
London
:
Verso
,
2004
.
Chakrabarty
,
Dipesh
.
Provincializing Europe: Postcolonial Thought and Historical Difference
.
Princeton, NJ
:
Princeton University Press
,
2007
.
Chandrasekhar
,
Indira
, and
Seel
Peter
, eds.
body.city: siting contemporary culture in India
.
New Delhi
:
Tulika
,
2003
.
Chatterjee
,
Partha
.
The Nation and Its Fragments: Colonial and Postcolonial Histories
.
Princeton, NJ
:
Princeton University Press
,
1993
.
Chatterjee
,
Partha
.
Nationalist Thought in the Colonial World: A Derivative Discourse
.
Minneapolis
:
University of Minnesota Press
,
1993
.
Chaturvedi
,
Bharati
, ed.
Finding Delhi: Loss and Renewal in the Megacity
.
New Delhi
:
Penguin Viking
,
2010
.
Christov-Bakargiev
,
Carolyn
,
Appadurai
Arjun
, and
Huyssen
Andreas
.
In Search of Varnished Blood: Nalini Malani
.
Ostfieldern
:
Hatje Cantz
,
2012
.
Clark
,
T. J.
Farewell to an Idea: Episodes from a History of Modernism
.
New Haven, CT
:
Yale University Press
,
1999
.
Clark
,
T. J.
Image of the People: Gustave Courbet and the Second French Republic 1848–1851
.
Greenwich, CT
:
New York Graphic Society
,
1973
.
Cohn
,
Bernard
.
Colonialism and Its Forms of Knowledge: The British in India
.
Princeton, NJ
:
Princeton University Press
,
1996
.
Dadi
,
Iftikhar
, ed.
Anwar Jalal Shemza
.
London
:
Ridinghouse
,
2015
.
Dadi
,
Iftikhar
.
Modernism and the Art of Muslim South Asia
.
Chapel Hill
:
University of North Carolina Press
,
2010
.
Dadi
,
Iftikhar
, and
Nasar
Hammad
, eds.
Lines of Control: Partition as Productive Space
.
London
:
Green Cardamom
,
2012
.
Dadi
,
Iftikhar
, and
Hassan
Salah
, eds.
Unpacking Europe: Towards a Critical Reading
.
Rotterdam
:
Museum Boijmans Van Beuningen and NAi Publishers
,
2001
.
Exhibition catalogue
.
Dalmia
,
Yasodhara
.
Amrita Sher-Gil: A Life
.
New Delhi
:
Penguin Viking
,
2006
.
Dalmia
,
Yasodhara
.
The Making of Modern Indian Art: The Progressives
.
New Delhi
:
Oxford University Press
,
2001
.
Dalmia
,
Yasodhara
, and
Hashmi
Salima
, eds.
Memory, Metaphor, Mutations: Contemporary Art of India and Pakistan
.
London
:
Asia House/Green Cardamom
,
2006
.
das Gupta
,
Rana
.
Capital: The Eruption of Delhi
.
New Delhi
:
Penguin
,
2014
.
Davis
,
Mike
.
Planet of Slums
.
New York
:
Verso
,
2007
.
de Duve
,
Thierry
, ed.
The Definitively Unfinished Marcel Duchamp
.
Cambridge, MA
:
MIT Press
,
1991
.
Deleuze
,
Gilles
, and
Guattari
Félix
.
A Thousand Plateaus: Capitalism and Schizophrenia
.
Minneapolis
:
University of Minnesota Press
,
1987
.
Demos
,
T. J.
The Migrant Image: The Art and Politics of Documentary during Global Crisis
.
Durham, NC
:
Duke University Press
,
2013
.
Demos
,
T. J.
The Return to the Postcolony: Spectres of Colonialism in Contemporary Art
.
Berlin
:
Sternberg
,
2013
.
Dercon
,
Chris
, and
Raza
Nada
, eds.
Bhupen Khakhar: You Can’t Please All
.
London
:
Tate, 2016. Exhibition catalogue.
Derrida
,
Jacques
.
Dissemination
. Translated by
Johnson
Barbara
.
Chicago
:
University of Chicago Press
,
1983
.
Derrida
,
Jacques
.
Rogues: Two Essays on Reason
. Translated by
Anne-Brault
Pascale
and
Naas
Michael
.
Stanford, CA
:
Stanford University Press
,
2005
.
Derrida
,
Jacques
.
The Truth in Painting
. Translated by
Bennington
Geoff
and
McLeod
Ian
.
Chicago
:
University of Chicago Press
,
1987
.
Derrida
,
Jacques
.
Writing and Difference
. Translated by
Bass
Alan
.
Chicago
:
University of Chicago Press
,
1987
.
Deutsche
,
Rosalyn
.
Hiroshima after Iraq: Three Studies in Art and War
.
New York
:
Columbia University Press
,
2010
.
Douglas
,
Mary
.
Purity and Danger: An Analysis of Concepts of Pollution and Taboo
.
London
:
Routledge
,
2002
.
First published 1966
.
Downey
,
Anthony
, ed.
Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East
.
London
:
I.B. Taurus
,
2015
.
D’Souza
,
Robert
, and
Manghani
Sunil
, eds.
India’s Biennale Effect: A Politics of Contemporary Art
.
London
:
Routledge
,
2017
.
Duncan
,
Carol
.
Civilizing Rituals: Inside Public Art Museums
.
London
:
Routledge
,
1995
.
Dutta
,
Arindam
.
The Bureaucracy of Beauty: Design in the Age of Its Global Reproducibility
.
New York
:
Routledge
,
2007
.
Eagleton
,
Terry
, ed.
Raymond Williams: A Critical Reader
.
Cambridge
:
Polity
,
1991
.
Eisenman
,
Stephen
.
The Abu Ghraib Effect
.
London
:
Reaktion
,
2007
.
Elkins
,
James
, and
Newman
Michael
, eds.
The State of Art Criticism
.
New York
:
Routledge
,
2008
.
Enwezor
,
Okwui
.
Archive Fever: Uses of the Document in Contemporary Art
.
New York
:
Steidl/International Center of Photography
,
2008
.
Enwezor
,
Okwui
, ed.
The Short Century: Independence and Liberation Movements in Africa, 1945–1994
.
Munich
:
Prestel
,
2001
.
Enwezor
,
Okwui
, and
Okeke-Agulu
Chika
, eds.
Contemporary African Art since 1980
.
Bologna
:
Damiani
,
2009
.
Enwezor
,
Okwui
,
Siegel
Katy
, and
Wilmes
Ulrich
, eds.
Postwar: Art Between the Pacific and the Atlantic, 1945–1965
.
Munich
:
Prestel/Haus der Kunst
,
2017
.
Fanon
,
Frantz
.
The Wretched of the Earth
.
New York
:
Grove
,
1963
.
Fibicher
,
Bernard
, and
Gopinath
Suman
, eds.
Horn Please: Narratives in Contemporary Indian Art
.
Berlin
:
Hatje Cantz
,
2007
.
Filipovic
,
Elena
,
van Hal
Marieka
, and
Øvstebø
Solveig
, eds.
The Biennial Reader
.
Berlin
:
Hatje Cantz
,
2010
.
Foster
,
Hal
.
The Art-Architecture Complex
.
New York
:
Verso
,
2011
.
Foster
,
Hal
.
Bad New Days: Art, Criticism, Emergency
.
New York
:
Verso
,
2015
.
Foster
,
Hal
.
Design and Crime (and Other Diatribes)
.
New York
:
Verso
,
2002
.
Foster
,
Hal
.
The Return of the Real: The Avant-Garde at the End of the Century
.
Cambridge, MA
:
MIT Press
,
1996
.
Foster
,
Hal
, ed.
Discussions in Contemporary Culture
.
Seattle
:
Bay Press/Dia Art Foundation
,
1987
.
Foucault
,
Michel
.
The Politics of Truth
. Edited by
Lotringer
Sylvère
and
Hochroth
Lysa
.
New York
:
Semiotext(e)
,
1997
.
Garimella
,
Annapurna
, ed.
Mulk Raj Anand: Shaping the Indian Modern
.
Mumbai
:
Marg
,
2005
.
Ghertner
,
Asher
.
Rule by Aesthetics: World-Class City Making in Delhi
.
New York
:
Oxford University Press
,
2015
.
Ginwala
,
Natasha
. “
Geeta Kapur: On the Curatorial in India (Parts 1 and 2)
.”
Afterall On-line
,
July and October
2011
. .
Green
,
Charles
, and
Gardner
Anthony
.
Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art
.
London
:
Wiley-Blackwell
,
2016
.
Gregory
,
Derek
.
The Colonial Present: Afghanistan, Palestine, Iraq
.
Oxford
:
Blackwell
,
2004
.
Guha
,
Ranajit
.
Dominance without Hegemony: History and Power in Colonial India
.
Cambridge, MA
:
Harvard University Press
,
1998
.
Guha
,
Ranajit
, ed.
A Subaltern Studies Reader, 1986–1995
.
Minneapolis
:
University of Minnesota Press
,
1997
.
Guha-Thakurta
,
Tapati
.
The Making of a New Indian Art: Artists, Aesthetics, and Nationalism in Bengal, 1850–1920
.
Cambridge
:
Cambridge University Press
,
1992
.
Guha-Thakurta
,
Tapati
.
Monuments, Objects, Histories: Institutions of Art in Colonial and Postcolonial India
.
New York
:
Columbia University Press
,
2003
.
Hall
,
Stuart
.
Cultural Studies, 1983: A Theoretical History
. Edited by
Slack
Jennifer Daryl
and
Grossberg
Lawrence
.
Durham, NC
:
Duke University Press
,
2016
.
Hall
,
Stuart
.
Familiar Stranger: A Life between Two Islands
. Edited by
Schwartz
Bill
.
Durham, NC
:
Duke University Press
,
2017
.
Hall
,
Stuart
.
Selected Political Writings: The Great Moving Right Show and Other Essays
. Edited by
Davison
Sally
,
Featherstone
David
,
Rustin
Michael
, and
Schwarz
Bill
.
Durham, NC
:
Duke University Press
,
2017
.
Hawkins
,
Gay
, and
Muecke
Stephen
, eds.
Culture and Waste: The Creation and Destruction of Value
.
New York
:
Rowman and Littlefield
,
2003
.
Hell
,
Julia
, and
Schönle
Andreas
, eds.
Ruins of Modernity
.
Durham, NC
:
Duke University Press
,
2010
.
Hertz
,
Betti-Sue
, ed.
The Matter Within: New Contemporary Art of India
.
San Francisco
:
Yerba Buena Center for the Arts
,
2011
.
Exhibition catalogue
.
Higgins
,
John
, ed.
The Raymond Williams Reader
.
London
:
Wiley-Blackwell
,
2001
.
Hoskote
,
Ranjit
. “
Biennials of Resistance: Reflections on the Seventh Gwangju Biennale
.” In
The Biennial Reader
, edited by
Filipovic
Elena
,
van Hal
Marieka
, and
Øvstebø
Solveig
,
306
21
.
Berlin
:
Hatje Cantz
,
2010
.
Hoskote
,
Ranjit
. “
The Disordered Origins of Things: The Art Collection as Pre-canonical Space
.” In
Abby Grey and Indian Modernism: Selections from the NYU Art Collection
,
41
51
.
New York
:
Grey Art Gallery, NYU
,
2015
.
Exhibition catalogue
.
Hung
,
Wu
.
A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture
.
London
:
Reaktion
,
2011
.
Hung
,
Wu
.
Vivan Sundaram: Re-take of Amrita
.
New York
:
Sepia International/Alkazi Collection
,
2006
.
Hung
,
Wu
.
Waste Not: Zhao Xiangyuan and Song Dong
.
Tokyo
:
Tokyo Gallery + BTAP, 2009. Exhibition catalogue.
Huyssen
,
Andreas
.
After the Great Divide: Modernism, Mass Culture, Postmodernism
.
Bloomington
:
Indiana University Press
,
1986
.
Huyssen
,
Andreas
.
Present Pasts: Urban Palimpsests and the Politics of Memory
.
Stanford, CA
:
Stanford University Press
,
2003
.
Huyssen
,
Andreas
.
Twilight Memories: Marking Time in a Culture of Amnesia
.
New York
:
Routledge
,
1995
.
Huyssen
,
Andreas
, ed.
Other Cities, Other Worlds: Urban Imaginaries in a Globalizing Age
.
Durham, NC
:
Duke University Press
,
2008
.
Jackson
,
Shannon
.
Social Works: Performing Art, Supporting Publics
.
New York
:
Routledge
,
2010
.
Jameson
,
Frederic
.
Afterword to Aesthetics and Politics: Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertolt Brecht, Georg Lukács
.
London
:
Verso
,
2007
.
Jameson
,
Frederic
.
Brecht and Method
.
London
:
Verso
,
2011
.
Jameson
,
Frederic
.
Valences of the Dialectic
.
London
:
Verso
,
2009
.
Jhaveri
,
Shanay
, ed.
Chandigarh Is in India
.
Mumbai
:
Shoestring Publishers
,
2016
.
Jhaveri
,
Shanay
, ed.
Western Artists and India: Creative Inspirations in Art and Design
.
Mumbai
:
Shoestring Publishers
,
2013
.
Jumabhoy
,
Zehra
, and
Tan
Boon Hui
, eds.
The Progressive Revolution: Modern Art for a New India
.
New York
:
Prestel
,
2018
.
Kaplan
,
Caren
.
Aerial Aftermaths: Wartime from Above
.
Durham, NC
:
Duke University Press
,
2017
.
Kapur
,
Geeta
. “
Again a Difficult Task Begins
.” In
Nasreen Mohamedi: Waiting Is a Part of Intense Living
,
161
206
.
Madrid
:
Museo Reina Sofia
,
2015
.
Exhibition catalogue
.
Kapur
,
Geeta
.
Chemould Prescott Road: 50 Years of Contemporary Art; Five Exhibitions Curated by Geeta Kapur
.
Mumbai
:
Chemould Prescott Road
,
2018
.
Exhibition catalogue
.
Kapur
,
Geeta
.
Contemporary Indian Art: An Exhibition of the Festival of India, 1982
.
London
:
Royal Academy of Arts
,
1982
.
Kapur
,
Geeta
.
Contemporary Indian Artists
.
New Delhi
:
Vikas
,
1978
.
Kapur
,
Geeta
. “
A Cultural Conjuncture in India: Art into Documentary
.” In
Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity
, edited by
Smith
Terry
,
Enwezor
Okwui
, and
Condee
Nancy
,
30
59
.
Durham, NC
:
Duke University Press
,
2008
.
Kapur
,
Geeta
. “
Curating across Agonistic Worlds
.” In
InFLUX: Contemporary Art in Asia
, edited by
Mukherji
Parul Dave
,
Ahuja
Naman P.
, and
Singh
Kavita
,
159
82
.
New Delhi
:
Sage
,
2014
.
Kapur
,
Geeta
. “
Delhi
.” In
Art Cities of the Future: 21st Century Avant-Gardes
, edited by
Byrd
Antawan I.
et al
,
89
112
.
London
:
Phaidon
,
2013
.
Kapur
,
Geeta
. “
The Evolution of Content in Amrita Sher-Gil’s Paintings
.”
Marg
25
, no.
2
(
March
1972
):
39
53
.
Kapur
,
Geeta
. “
Familial Narratives and Their Accidental Denouement
.” In
Where Three Dreams Cross: 150 Years of Photography from India, Pakistan, and Bangladesh
,
44
61
.
London
:
Whitechapel Gallery
,
2010
.
Exhibition catalogue
.
Kapur
,
Geeta
. In
Quest of Identity: Art and Indigenism in Post-colonial Culture with Special Reference to Contemporary Indian Painting
.
Baroda
:
Vrishchik
,
1973
.
Kapur
,
Geeta
. “
Modernist Myths and the Exile of Maqbool Fida Husain
.” In
Barefoot across the Nation: Maqbool Fida Husain and the Idea of India
, edited by
Ramaswamy
Sumathi
,
21
53
.
London
:
Routledge
,
2011
.
Kapur
,
Geeta
. “
Mortality Morbidity Masquerade
.” In
Bhupen Khakhar: You Can’t Please All
, edited by
Dercon
Chris
and
Raza
Nada
,
158
65
.
London
:
Tate
,
2016
.
Exhibition catalogue
.
Kapur
,
Geeta
. “
Partisan Modernity
.” In
Mulk Raj Anand: Shaping the Indian Modern
, edited by
Garimella
Annapurna
,
28
41
.
Mumbai
:
Marg
,
2005
.
Kapur
,
Geeta
. “
Partisan Views about the Human Figure (1981)
.” In
Horn Please: Narratives in Contemporary Indian Art
, edited by
Bern
Kuntsmuseum
,
33
40
.
Berlin
:
Hatje Cantz
,
2007
.
Kapur
,
Geeta
. “
Proposition Avant-Garde: A View from the South
.”
Art Journal
77
, no.
1
(spring
2018
):
87
89
.
Kapur
,
Geeta
. “
Secular Artist, Citizen Artist
.” In
Art and Social Change: A Critical Reader
, edited by
Bradley
Will
and
Esche
Charles
,
422
39
.
London
:
Tate/Afterall
,
2007
.
Kapur
,
Geeta
. “
sub-Terrain: artists dig the contemporary
.” In
body.city: siting contemporary culture in India
, edited by
Chandrasekhar
Indira
and
Seel
Peter
,
47
83
.
New Delhi
:
Tulika
,
2003
.
Kapur
,
Geeta
. “
The Uncommon Universe of Bhupen Khakhar
.” In
Pop Art and Vernacular Cultures
, edited by
Mercer
Kobena
,
110
35
.
London
:
Iniva
,
2007
.
Kapur
,
Geeta
.
When Was Modernism: Essays on Contemporary Cultural Practice in India
.
New Delhi
:
Tulika
,
2000
.
Kapur
,
Geeta
, and
Rajadhyaksha
Ashish
. “
Bombay/Mumbai 1992–2001
.” In
Century City: Art and Culture in the Modern Metropolis
, edited by
Blazwick
Iwona
,
16
41
.
London
:
Tate
,
2001
.
Exhibition catalogue
.
Kee
,
Joan
.
Contemporary Korean Art: Tansaekhwa and the Urgency of Method
.
Minneapolis
:
University of Minnesota Press
,
2013
.
Khilnani
,
Sunil
.
The Idea of India
.
New York
:
Farrar, Straus and Giroux
,
1997
.
Khullar
,
Sonal
.
Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930–1990
.
Berkeley
:
University of California Press
,
2015
.
Krauss
,
Rosalind
.
The Originality of the Avant-Garde and Other Modernist Myths
.
Cambridge, MA
:
MIT Press
,
1985
.
Kumar
,
R. Siva
Enchantment and Engagement: Murals of K.G. Subramanyan
.
Kolkata
:
Seagull
,
2015
.
Kumar
,
R. Siva
K. G. Subramanyan: A Retrospective
.
National Gallery of Modern Art
,
New Delhi
,
2003
.
Exhibition catalogue
.
Kwon
,
Miwon
.
One Place after Another: Site-Specific Art and Locational Identity
.
Cambridge, MA
:
MIT Press
,
2002
.
LeMenager
,
Stephanie
.
Living Oil: Petroleum Culture in the American Century
.
New York
:
Oxford University Press
,
2014
.
Maharaj
,
Sarat
, ed.
Farewell to Post-Colonialism: Querying the Guangzhou Triennial, 2008
.
Dublin
:
Visual Arts Ireland
,
2009
.
Mann
,
Paul
.
The Theory-Death of the Avant-Garde
.
Bloomington
:
Indiana University Press
,
1991
.
Mathur
,
Saloni
.
India by Design: Colonial History and Cultural Display
.
Berkeley
:
University of California Press
,
2007
. (
Published in India by Orient Blackswan, 2011
.)
Mathur
,
Saloni
. “
Partition and the Visual Arts: Reflections on Method
.”
Third Text, special issue on Partition
,
31
, nos.
2–3
(fall
2017
):
205
12
.
Mathur
,
Saloni
. “
A Retake of Sher-Gil’s ‘Self-Portrait as Tahitian’
.”
Critical Inquiry
37
, no.
2
(
2011
):
515
44
.
Mathur
,
Saloni
, ed.
The Migrant’s Time: Rethinking Art History and Diaspora
.
Williamstown, MA
:
Clark Art Institute/Yale University Press
,
2011
.
Mathur
,
Saloni
, and
Singh
Kavita
, eds.
No Touching, No Spitting, No Praying: The Museum in South Asia
.
New Delhi
:
Routledge
,
2015
.
Mathur
,
Saloni
, and
Kwon
Miwon
, eds.
Making Strange: Gagawaka + Postmortem by Vivan Sundaram
.
Los Angeles
:
Fowler Museum at UCLA
,
2015
.
Exhibition catalogue
.
McClellan
,
Andrew
.
Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris
.
Berkeley
:
University of California Press
,
1994
.
Mercer
,
Kobena
, ed.
Cosmopolitan Modernisms
.
London and Cambridge, MA
:
inIVA/MIT Press
,
2005
.
Mercer
,
Kobena
, ed.
Pop Art and Vernacular Cultures
.
London and Cambridge, MA
:
inIVA/MIT Press
,
2007
.
Meskimmon
,
Marsha
.
Contemporary Art and the Cosmopolitan Imagination
.
New York
:
Routledge
,
2011
.
Mirzoeff
,
Nicholas
.
Watching Babylon: The War in Iraq and Global Visual Culture
.
New York
:
Routledge
,
2005
.
Mirzoeff
,
Nicholas
, ed.
The Visual Culture Reader
.
London
:
Routledge
,
1998
.
Mitchell
,
Timothy
.
Carbon Democracy: Political Power in the Age of Oil
.
London
:
Verso
,
2011
.
Mitchell
,
W. J. T.
Cloning Terror: The War of Images, 9/11 to the Present
.
Chicago
:
University of Chicago Press
,
2011
.
Mitchell
,
W. J. T.
, ed.
Landscape and Power
.
Chicago
:
University of Chicago Press
,
2002
.
Mitter
,
Partha
.
Art and Nationalism in Colonial India 1850–1922: Occidental Orientations
.
Cambridge, UK
:
Cambridge University Press
,
1994
.
Mitter
,
Partha
. “
Decentering Modernism: Art History and Avant-Garde Art from the Periphery
.”
Art Bulletin
90
, no.
4
(
2008
):
531
48
.
Mitter
,
Partha
.
Indian Art
.
Oxford
:
Oxford University Press
,
2002
.
Mitter
,
Partha
.
The Triumph of Modernism: India’s Artists and the Avant-Garde 1922–1947
.
London
:
Reaktion
,
2007
.
Morris
,
Rosalind
, ed.
Can the Subaltern Speak? Reflections on the History of an Idea
.
New York
:
Columbia University Press
,
2010
.
Moss
,
Jessica
, and
Rahman
Ram
, eds.
The Sahmat Collective: Art and Activism in India since 1989
.
Chicago
:
Smart Museum/University of Chicago Press
,
2013
.
Exhibition catalogue
.
Nancy
,
Jean-Luc
. “
Elliptical Sense
.”
Research in Phenomenology
18
(
1988
):
175
90
.
Niranjana
,
Tejaswini
.
Siting Translation: History, Poststructuralism, and the Postcolonial Context
.
Berkeley
:
University of California Press
,
1992
.
Niranjana
,
Tejaswini
,
Sudhir
P.
, and
Dhareshwar
Vivek
, eds.
Interrogating Modernity: Culture and Colonialism in India
.
Calcutta
:
Seagull Books
,
1993
.
Nixon
,
Rob
.
Slow Violence and the Environmentalism of the Poor
.
Cambridge, MA
:
Harvard University Press
,
2011
.
Okeke-Agulu
,
Chika
.
Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria
.
Durham, NC
:
Duke University Press
,
2015
.
Overton
,
Tom
, ed.
Portraits: John Berger on Artists
.
London
:
Verso
,
2015
.
Owens
,
Craig
.
Beyond Recognition: Representation, Power, and Culture
.
Berkeley
:
University of California Press
,
1992
.
Painter
,
Karen
, and
Crow
Thomas
.
Late Thoughts: Reflections on Artists and Composers at Work
.
Los Angeles
:
Getty Research Institute
,
2006
.
Parameswaran
,
Ameet
, and
Dev
Rahul
. “
To Be Partisan, Unsettled, and Alert: Conversation with Geeta Kapur
.”
Art Margins On-line
,
March
11
,
2015
. .
Pinney
,
Christopher
.
Camera Indica: The Social Life of Indian Photographs
.
Chicago
:
University of Chicago Press
,
1998
.
Pinney
,
Christopher
.
The Coming of Photography in India
.
London
:
British Library
,
2008
.
Pinney
,
Christopher
.
Photos of the Gods: The Printed Image and Political Struggle in India
.
London
:
Reaktion
,
2004
.
Poddar
,
Sandhini
.
V.S. Gaitonde: Painting as Process, Painting as Life
.
New York
:
Prestel
,
2014
.
Pollock
,
Griselda
.
Differencing the Canon: Feminist Desire and the Writing of Art’s Histories
.
London
:
Routledge
,
1999
.
Pollock
,
Griselda
, ed.
Generations and Geographies in the Visual Arts: Feminist Readings
.
London
:
Routledge
,
1996
.
Pollock
,
Griselda
, and
Orton
Fred
.
Avant-Gardes and Partisans Reviewed
.
Manchester
:
Manchester University Press
,
1997
.
Prakash
,
Gyan
.
Another Reason: Science and the Imagination of Modern India
.
Princeton, NJ
:
Princeton University Press
,
1999
.
Prakash
,
Gyan
.
Mumbai Fables: A History of an Enchanted City
.
Princeton, NJ
:
Princeton University Press
,
2011
.
Prakash
,
Gyan
, and
Kruse
Kevin
, eds.
The Spaces of the Modern City
.
Princeton, NJ
:
Princeton University Press
,
2008
.
Prakash
,
Vikramaditya
.
Chandigarh’s LeCorbusier
.
Seattle
:
University of Washington Press
,
2002
.
Prendergast
,
Christopher
, ed.
Cultural Materialism: On Raymond Williams
.
Minneapolis
:
University of Minnesota Press
,
1995
.
Rabinow
,
Paul
, ed.
The Foucault Reader
.
New York
:
Vintage Books
(
1984
),
2010
.
Rajadhyaksha
,
Ashish
.
Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency
.
Bloomington
:
Indiana University Press
,
2009
.
Rajadhyaksha
,
Ashish
. “
Living the Tradition
.”
Journal of Arts and Ideas
16
(
January–March
1988
):
73
86
.
Rajadhyaksha
,
Ashish
. “
There Is Violence in the Air
.” In
Vivan Sundaram: Disjunctures
,
168
179
.
Munich
:
Prestel/Haus der Kunst
,
2018
.
Exhibition catalogue
.
Rajadhyaksha
,
Ashish
, with
Willemen
Paul
.
Encyclopedia of Indian Cinema
.
London
:
British Film Institute
,
1995
.
Ramaswamy
,
Sumathi
, ed.
Barefoot Across the Nation: Maqbool Fida Husain and the Idea of India
.
London
:
Routledge
,
2011
.
Rogoff
,
Irit
.
Terra Infirma: Geography’s Visual Culture
.
Abingdon, VA
:
Routledge
,
2000
.
Rogoff
,
Irit
. “
What Is a Theorist?
” In
The State of Art Criticism
, edited by
Elkins
James
and
Newman
Michael
,
97
109
.
New York
:
Routledge
,
2008
.
Rosengarten
,
Ruth
.
Vivan Sundaram Is Not a Photographer: The Photographic Works of Vivan Sundaram
.
New Delhi
:
Tulika
,
2019
.
Roy
,
Ananya
, and
Ong
Aihwa
, eds.
Worlding Cities: Asian Experiments and the Art of Being Global
.
London
:
Blackwell
,
2011
.
Roy
,
Ananya
, and
AlSayyad
Nezar
, eds.
Urban Informality: Transnational Perspectives from the Middle East, Latin America, and South Asia
.
New York
:
Lexington
,
2004
.
Roy
,
Tania
. “
Non-Renewable Resources: The Poetics and Politics of Vivan Sundaram’s Trash
.”
Theory, Culture and Society
30
, nos.
7/8
(
2013
):
265
76
.
Roy
,
Tania
. “
Wreck, Restoration, and the Work of Carrying On: History on Vivan Sundaram’s Boat-Works
.”
Cultural Politics
5
, no.
3
(
2009
):
359
84
.
Rubinstein
,
Raphael
, ed.
Critical Mess: Art Critics on the State of Their Practice
.
Lenox, MA
:
Hard Press Editions
,
2006
.
Rushdie
,
Salman
.
The Moor’s Last Sigh
.
New York
:
Vintage
,
1995
.
Said
,
Edward
.
Beginnings: Intention and Method
.
New York
:
Columbia University Press
,
1985
.
Said
,
Edward
.
On Late Style: Music and Literature Against the Grain
.
New York
:
Vintage
,
2006
.
Said
,
Edward
.
Orientalism
.
New York
:
Vintage
,
1979
.
Said
,
Edward
.
The World, the Text, and the Critic
.
London
:
Vintage
,
1991
.
Sambrani
,
Chaitanya
.
Tracking Trash: Vivan Sundaram and the Turbulent Core of Modernity
.
Mumbai
:
Chemould Prescott Road
,
2008
.
Exhibition catalogue
.
Sambrani
,
Chaitanya
, ed.
At Home in the World: The Art and Life of Gulammohammed Sheikh
.
New Delhi
:
Tulika Books
,
2019
.
Sambrani
,
Chaitanya
, ed.
Edge of Desire: Recent Art in India
.
London
:
Phillip Wilson
,
2005
.
Exhibition catalogue
.
Sangari
,
Kumkum
, ed.
Trace Retrace: Paintings, Nilima Sheikh
.
New Delhi
:
Tulika Books
,
2013
.
Scanlan
,
John
.
On Garbage
.
London
:
Reaktion
,
2005
.
Scott
,
David
.
Conscripts of Modernity: The Tragedy of Colonial Enlightenment
.
Durham, NC
:
Duke University Press
,
2004
.
Scott
,
David
.
Omens of Adversity: Tragedy, Time, Memory, Justice
.
Durham, NC
:
Duke University Press
,
2014
.
Scott
,
David
.
Refashioning Futures: Criticism after Postcoloniality
.
Princeton, NJ
:
Princeton University Press
,
1999
.
Scott
,
David
. “
Stuart Hall at Eighty
.”
Small Axe
16
, no.
2
(
July
2012
):
vii
x
.
Scott
,
David
.
Stuart Hall’s Voice: Intimations of an Ethics of Receptive Generosity
.
Durham, NC
:
Duke University Press
,
2017
.
Scott
,
David
. “
The Temporality of Generations: Dialogue, Tradition, Criticism
.”
New Literary History
45
, no.
2
(spring
2014
):
157
81
.
Scott
,
James
.
Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed
.
New Haven, CT
:
Yale University Press
,
1999
.
Sekula
,
Allan
.
Fish Story
.
Rotterdam
:
Richter Verlag
,
1995
.
Sheikh
,
Gulammohammed
.
“Buddy” (translated from Gujarati)
. In
Touched by Bhupen
.
Mumbai
:
Galerie Mirchandani + Steinruecke
,
2013
.
Exhibition catalogue
.
Sheikh
,
Gulammohammed
, ed.
Contemporary Art in Baroda
.
New Delhi
:
Tulika
,
1997
.
Sherman
,
Daniel
, and
Rogoff
Irit
, eds.
Museum Cultures: Histories, Discourses, Spectacles
.
Minneapolis
:
University of Minnesota Press
,
1994
.
Sinha
,
Ajay
. “
Contemporary Indian Art: A Question of Method
.”
Art Journal
58
, no.
3
(
1999
):
31
39
.
Sinha
,
Ajay
. “
Modernism in India: A Short History of a Blush
.”
Art Bulletin
90
, no.
4
(
December
2008
):
561
68
.
Sinha
,
Gayatri
, ed.
Art and Visual Culture in India, 1857–2007
.
Mumbai
:
Marg
,
2009
.
Sinha
,
Gayatri
, ed.
Expressions and Evocations: Contemporary Women Artists of India
.
Mumbai
:
Marg
,
1996
.
Sinha
,
Gayatri
, ed.
Indian Art: An Overview
.
New Delhi
:
Rupa
,
2003
.
Smith
,
Terry
,
Enwezor
Okwui
, and
Condee
Nancy
, eds.
Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity
.
Durham, NC
:
Duke University Press
,
2008
.
Sontag
,
Susan
.
Against Interpretation and Other Essays
.
New York
:
Picador
,
1996
.
First published 1966
.
Sontag
,
Susan
.
Regarding the Pain of Others
.
New York
:
Picador
,
2003
.
Sood
,
Pooja
, ed.
The Khoj Book of Contemporary Indian Art, 1997–2007
.
Noida, India
:
Collins
,
2010
.
Spivak
,
Gayatri Chakravorty
.
A Critique of Postcolonial Reason
.
Cambridge, MA
:
Harvard University Press
,
1999
.
Stoler
,
Ann Laura
.
Duress: Imperial Durabilities in Our Times
.
Durham, NC
:
Duke University Press
,
2016
.
Subramanyan
,
K.G.
The Creative Circuit
.
Calcutta
:
Seagull
,
1992
.
Subramanyan
,
K.G.
The Living Tradition: Perspectives on Modern Indian Art
.
Calcutta
:
Seagull
,
1987
.
Subramanyan
,
K.G.
The Magic of Making: Essays on Art and Culture
.
Calcutta
:
Seagull
,
2007
.
Suderburg
,
Erika
, ed.
Space, Site, Intervention: Situating Installation Art
.
Minneapolis
:
University of Minnesota Press
,
2000
.
Sundaram
,
Ravi
.
Pirate Modernity: Delhi’s Media Urbanism
.
London
:
Routledge
,
2010
.
Sundaram
,
Vivan
.
Gagawaka: Making Strange
.
Mumbai
:
Chemould Prescott Road
,
2012
.
Exhibition catalogue
.
Sundaram
,
Vivan
.
History Project
.
New Delhi
:
Tulika
,
2017
.
Sundaram
,
Vivan
. “
Recycling Photographs
.” In
Photography Theory
, edited by
Elkins
James
,
333
39
.
London
:
Routledge
,
2007
.
Sundaram
,
Vivan
.
Re-take of Amrita: Digital Photomontages
.
New Delhi
:
Tulika
,
2001
.
Sundaram
,
Vivan
.
Umrao Singh Sher-Gil: His Misery and His Manuscript
.
New Delhi
:
Photoink
,
2008
.
Sundaram
,
Vivan
, ed.
Amrita Sher-Gil: A Self-Portrait in Letters and Writings
.
2 vols. New Delhi
:
Tulika
,
2009
.
Szeman
,
Imre
, and
Boyer
Dominic
, eds.
Energy Humanities: An Anthology
.
Baltimore
:
Johns Hopkins University Press
,
2017
.
Tarlo
,
Emma
.
Unsettling Memories: Narratives of the Emergency in Delhi
.
Berkeley
:
University of California
,
2003
.
Terracciano
,
Emilia
.
Art and Emergency: Modernism in Twentieth-Century India
.
London
:
I.B. Taurus
,
2017
.
Tiampo
,
Ming
.
Gutai: Decentering Modernism
.
Chicago
:
University of Chicago Press
,
2011
.
Tuli
,
Neville
.
Indian Contemporary Painting
.
New York
:
Harry N. Abrams
,
1998
.
Vaughan
,
Philippa
, ed.
The Victoria Memorial Hall, Calcutta: Conceptions, Collections, Conservation
.
Mumbai
:
Marg
,
1997
.
Vergine
,
Lea
, ed.
Trash: From Junk to Art
.
Milan
:
Electa
,
1997
.
Vergo
,
Peter
, ed.
The New Museology
.
London
:
Reaktion
,
1989
.
Virilio
,
Paul
.
Desert Screen: War at the Speed of Light
.
London
:
Bloomsbury Academic
,
2005
.
Wagner
,
Anne
.
A House Divided: American Art since 1955
.
Berkeley
:
University of California Press
,
2012
.
Weiss
,
Rachel
. “
Some Thoughts after Kapur and Mathur
.”
Art Journal
77
, no.
1
(spring
2018
):
95
101
.
Weiss
,
Rachel
, ed.
Making Art Global (Part 1): The Third Havana Biennale 1989
.
London
:
Afterall
,
2012
.
Welchman
,
John
, ed.
Institutional Critique and After
.
Zurich
:
JRP Ringier
,
2006
.
Whiles
,
Virginia
.
Art and Polemic in Pakistan: Cultural Politics and Tradition in Contemporary Miniature Painting
.
London
:
I.B. Taurus
,
2010
.
Whiteley
,
Gillian
.
Junk: Art and the Politics of Trash
.
London
:
I.B. Tauris
,
2011
.
Willett
,
John
, ed.
Brecht on Theatre: The Development of an Aesthetic
.
London
:
Methuen
,
1964
.
Williams
,
Paul
.
Memorial Museums: The Global Rush to Commemorate Atrocities
.
New York
:
Berg
,
2007
.
Williams
,
Raymond
.
Keywords
.
Oxford
:
Oxford University Press
,
2015
.
First published 1976
.
Williams
,
Raymond
.
The Politics of Modernism: Against the New Conformists
.
London
:
Verso
,
1990
.
Williams
,
Raymond
.
Problems in Materialism and Culture
.
London
:
Verso
,
1980
.
Young
,
James
.
At Memory’s Edge: After-Images of the Holocaust in Contemporary Art and Architecture
.
New Haven, CT
:
Yale University Press
,
2000
.
Zitzewitz
,
Karin
.
The Art of Secularism: The Cultural Politics of Modernist Art in Contemporary India
.
London
:
Hurst
,
2014
.

Figures & Tables

Contents

Advertisement

References

BIBLIOGRAPHY

BIBLIOGRAPHY
Adajania
,
Nancy
.
Navjot Altaf: The Thirteenth Place
.
Mumbai
:
Guild Art Gallery
,
2016
.
Adey
,
Peter
,
Whitehead
Mark
, and
Williams
Alison J.
, eds.
From Above: War, Violence and Verticality
.
London
:
Hurst
,
2013
.
Adorno
,
Theodor
.
Essays on Music
. Edited by
Leppert
Richard
. Translated by
Gillespie
Susan
.
Berkeley
:
University of California Press
,
2002
.
Adorno
,
Theodor
. “
The Essay as Form
.”
New German Critique
32
(spring/summer
1984
;
originally published 1958
):
151
71
.
Ahmed
,
Sabih
. “
Landing Imaginaries: An Interview with Geeta Kapur
.” In
Sarai Reader 09: Projections
,
248
56
.
Delhi
:
Sarai Programme, CSDS
,
2013
.
Alberro
,
Alexander
, and
Stimpson
Blake
, eds.
Institutional Critique: An Anthology of Artists’ Writings
.
Cambridge, MA
:
MIT Press
,
2011
.
Ananth
,
Deepak
. “
Precarious Poetics
.” In
Vivan Sundaram: Disjunctures
,
12
39
.
Munich
:
Prestel/Haus der Kunst
,
2018
.
Exhibition catalogue
.
Ananth
,
Deepak
. “
Seams
.” In
Gagawaka: Making Strange
,
10
27
.
Mumbai
:
Chemould Prescott Road
,
2012
.
Exhibition catalogue
.
Ananth
,
Deepak
. “
An Unfinished Project
.” In
Amrita Sher-Gil: An Indian Artist Family of the Twentieth Century
,
13
31
.
Munich
:
Schirmer/Mosel
,
2007
.
Exhibition catalogue
.
Anderson
,
Benedict
.
Imagined Communities: Reflections on the Origin and Spread of Nationalism
.
New York
:
Verso
,
1991
.
Appadurai
,
Arjun
.
Fear of Small Numbers: An Essay on the Geography of Anger
.
Durham, NC
:
Duke University Press
,
2006
.
Appadurai
,
Arjun
.
The Future as Cultural Fact: Essays on the Global Condition
.
London
:
Verso
,
2013
.
Arendt
,
Hannah
, ed.
Illuminations
.
New York
:
Schocken
,
1968
.
Bal
,
Mieke
.
In Media Res: Inside Nalini Malani’s Shadow Plays
.
Ostfilern
:
Hatje Cantz
,
2016
.
Bandyopadhyay
,
Soumyen
, and
Jackson
Iain
.
The Collection, the Ruin and the Theatre: Architecture, Sculpture and Landscape in Nek Chand’s Rock Garden, Chandigarh
.
Liverpool
:
Liverpool University Press
,
2008
.
Barrett
,
Ross
, and
Worden
Daniel
, eds.
Oil Culture
.
Minneapolis
:
University of Minnesota Press
,
2014
.
Barthes
,
Roland
.
Image-Music-Text
. Translated by
Heath
Stephen
.
New York
:
Hill and Wang
,
1978
.
Barthes
,
Roland
.
The Pleasure of the Text
. Translated by
Miller
Richard
.
New York
:
Hill and Wang
,
1975
.
Bartholomew
,
Pablo
,
Bartholomew
Rati
, and
Kagal
Carmen
, eds.
Richard Bartholomew, the Art Critic
.
Noida, India
:
BART
,
2012
.
Bauman
,
Zygmunt
.
Wasted Lives: Modernity and Its Outcasts
.
Cambridge
:
Polity
,
2004
.
Bean
,
Susan
, ed.
Midnight to the Boom: Painting in India after Independence
.
Salem, MA
:
Peabody Essex Museum
,
2013
.
Bennett
,
Tony
.
The Birth of the Museum: History, Theory, Politics
.
London
:
Routledge
,
1995
.
Berger
,
Maurice
, ed.
The Crisis of Criticism
.
New York
:
New Press
,
1998
.
Bernhardsson
,
Magnus
.
Reclaiming a Plundered Past: Archaeology and Nation Building in Modern Iraq
.
Austin
:
University of Texas Press
,
2005
.
Bhabha
,
Homi
.
The Location of Culture
.
New York
:
Routledge
,
1994
.
Biswas
,
Moinak
, ed.
Apu and After: Re-visiting Ray’s Cinema
.
London
:
Seagull
,
2005
.
Boal
,
Iain
,
Clark
T. J.
,
Matthews
Joseph
, and
Watts
Michael
.
Afflicted Powers: Capital and Spectacle in a New Age of War
.
London
:
Verso
,
2005
.
Bohrer
,
Frederick
.
Orientalism and Visual Culture: Imagining Mesopotamia in Nineteenth-Century Europe
.
Cambridge
:
Cambridge University Press
,
2003
.
Bourriaud
,
Nicolas
.
Postproduction
.
New York
:
Lukas and Sternberg
,
2007
.
Bourriaud
,
Nicolas
.
The Radicant
.
New York
:
Lukas and Sternberg
,
2009
.
Bourriaud
,
Nicolas
.
Relational Aesthetics
.
Paris
:
Les Presses du Réel
,
1998
.
Braunert
,
Svea
, and
Malone
Meredith
, eds.
To See without Being Seen: Contemporary Art and Drone Warfare
.
St. Louis
:
Mildred Lane Kemper Art Museum
,
2016
.
Brown
,
Rebecca
.
Art for a Modern India, 1947–1980
.
Durham, NC
:
Duke University Press
,
2009
.
Brown
,
Rebecca
.
Displaying Time: The Many Temporalities of the Festival of India
.
Seattle
:
University of Washington Press
,
2017
.
Brown
,
Wendy
.
Un the Demos: Neoliberalism’s Stealth Revolution
.
New York
:
Zone
,
2015
.
Bürger
,
Peter
.
Theory of the Avant-Garde
.
Minneapolis
:
University of Minnesota Press
,
1984
.
Butler
,
Judith
.
Precarious Life: The Powers of Mourning and Violence
.
London
:
Verso
,
2004
.
Chakrabarty
,
Dipesh
.
Provincializing Europe: Postcolonial Thought and Historical Difference
.
Princeton, NJ
:
Princeton University Press
,
2007
.
Chandrasekhar
,
Indira
, and
Seel
Peter
, eds.
body.city: siting contemporary culture in India
.
New Delhi
:
Tulika
,
2003
.
Chatterjee
,
Partha
.
The Nation and Its Fragments: Colonial and Postcolonial Histories
.
Princeton, NJ
:
Princeton University Press
,
1993
.
Chatterjee
,
Partha
.
Nationalist Thought in the Colonial World: A Derivative Discourse
.
Minneapolis
:
University of Minnesota Press
,
1993
.
Chaturvedi
,
Bharati
, ed.
Finding Delhi: Loss and Renewal in the Megacity
.
New Delhi
:
Penguin Viking
,
2010
.
Christov-Bakargiev
,
Carolyn
,
Appadurai
Arjun
, and
Huyssen
Andreas
.
In Search of Varnished Blood: Nalini Malani
.
Ostfieldern
:
Hatje Cantz
,
2012
.
Clark
,
T. J.
Farewell to an Idea: Episodes from a History of Modernism
.
New Haven, CT
:
Yale University Press
,
1999
.
Clark
,
T. J.
Image of the People: Gustave Courbet and the Second French Republic 1848–1851
.
Greenwich, CT
:
New York Graphic Society
,
1973
.
Cohn
,
Bernard
.
Colonialism and Its Forms of Knowledge: The British in India
.
Princeton, NJ
:
Princeton University Press
,
1996
.
Dadi
,
Iftikhar
, ed.
Anwar Jalal Shemza
.
London
:
Ridinghouse
,
2015
.
Dadi
,
Iftikhar
.
Modernism and the Art of Muslim South Asia
.
Chapel Hill
:
University of North Carolina Press
,
2010
.
Dadi
,
Iftikhar
, and
Nasar
Hammad
, eds.
Lines of Control: Partition as Productive Space
.
London
:
Green Cardamom
,
2012
.
Dadi
,
Iftikhar
, and
Hassan
Salah
, eds.
Unpacking Europe: Towards a Critical Reading
.
Rotterdam
:
Museum Boijmans Van Beuningen and NAi Publishers
,
2001
.
Exhibition catalogue
.
Dalmia
,
Yasodhara
.
Amrita Sher-Gil: A Life
.
New Delhi
:
Penguin Viking
,
2006
.
Dalmia
,
Yasodhara
.
The Making of Modern Indian Art: The Progressives
.
New Delhi
:
Oxford University Press
,
2001
.
Dalmia
,
Yasodhara
, and
Hashmi
Salima
, eds.
Memory, Metaphor, Mutations: Contemporary Art of India and Pakistan
.
London
:
Asia House/Green Cardamom
,
2006
.
das Gupta
,
Rana
.
Capital: The Eruption of Delhi
.
New Delhi
:
Penguin
,
2014
.
Davis
,
Mike
.
Planet of Slums
.
New York
:
Verso
,
2007
.
de Duve
,
Thierry
, ed.
The Definitively Unfinished Marcel Duchamp
.
Cambridge, MA
:
MIT Press
,
1991
.
Deleuze
,
Gilles
, and
Guattari
Félix
.
A Thousand Plateaus: Capitalism and Schizophrenia
.
Minneapolis
:
University of Minnesota Press
,
1987
.
Demos
,
T. J.
The Migrant Image: The Art and Politics of Documentary during Global Crisis
.
Durham, NC
:
Duke University Press
,
2013
.
Demos
,
T. J.
The Return to the Postcolony: Spectres of Colonialism in Contemporary Art
.
Berlin
:
Sternberg
,
2013
.
Dercon
,
Chris
, and
Raza
Nada
, eds.
Bhupen Khakhar: You Can’t Please All
.
London
:
Tate, 2016. Exhibition catalogue.
Derrida
,
Jacques
.
Dissemination
. Translated by
Johnson
Barbara
.
Chicago
:
University of Chicago Press
,
1983
.
Derrida
,
Jacques
.
Rogues: Two Essays on Reason
. Translated by
Anne-Brault
Pascale
and
Naas
Michael
.
Stanford, CA
:
Stanford University Press
,
2005
.
Derrida
,
Jacques
.
The Truth in Painting
. Translated by
Bennington
Geoff
and
McLeod
Ian
.
Chicago
:
University of Chicago Press
,
1987
.
Derrida
,
Jacques
.
Writing and Difference
. Translated by
Bass
Alan
.
Chicago
:
University of Chicago Press
,
1987
.
Deutsche
,
Rosalyn
.
Hiroshima after Iraq: Three Studies in Art and War
.
New York
:
Columbia University Press
,
2010
.
Douglas
,
Mary
.
Purity and Danger: An Analysis of Concepts of Pollution and Taboo
.
London
:
Routledge
,
2002
.
First published 1966
.
Downey
,
Anthony
, ed.
Dissonant Archives: Contemporary Visual Culture and Contested Narratives in the Middle East
.
London
:
I.B. Taurus
,
2015
.
D’Souza
,
Robert
, and
Manghani
Sunil
, eds.
India’s Biennale Effect: A Politics of Contemporary Art
.
London
:
Routledge
,
2017
.
Duncan
,
Carol
.
Civilizing Rituals: Inside Public Art Museums
.
London
:
Routledge
,
1995
.
Dutta
,
Arindam
.
The Bureaucracy of Beauty: Design in the Age of Its Global Reproducibility
.
New York
:
Routledge
,
2007
.
Eagleton
,
Terry
, ed.
Raymond Williams: A Critical Reader
.
Cambridge
:
Polity
,
1991
.
Eisenman
,
Stephen
.
The Abu Ghraib Effect
.
London
:
Reaktion
,
2007
.
Elkins
,
James
, and
Newman
Michael
, eds.
The State of Art Criticism
.
New York
:
Routledge
,
2008
.
Enwezor
,
Okwui
.
Archive Fever: Uses of the Document in Contemporary Art
.
New York
:
Steidl/International Center of Photography
,
2008
.
Enwezor
,
Okwui
, ed.
The Short Century: Independence and Liberation Movements in Africa, 1945–1994
.
Munich
:
Prestel
,
2001
.
Enwezor
,
Okwui
, and
Okeke-Agulu
Chika
, eds.
Contemporary African Art since 1980
.
Bologna
:
Damiani
,
2009
.
Enwezor
,
Okwui
,
Siegel
Katy
, and
Wilmes
Ulrich
, eds.
Postwar: Art Between the Pacific and the Atlantic, 1945–1965
.
Munich
:
Prestel/Haus der Kunst
,
2017
.
Fanon
,
Frantz
.
The Wretched of the Earth
.
New York
:
Grove
,
1963
.
Fibicher
,
Bernard
, and
Gopinath
Suman
, eds.
Horn Please: Narratives in Contemporary Indian Art
.
Berlin
:
Hatje Cantz
,
2007
.
Filipovic
,
Elena
,
van Hal
Marieka
, and
Øvstebø
Solveig
, eds.
The Biennial Reader
.
Berlin
:
Hatje Cantz
,
2010
.
Foster
,
Hal
.
The Art-Architecture Complex
.
New York
:
Verso
,
2011
.
Foster
,
Hal
.
Bad New Days: Art, Criticism, Emergency
.
New York
:
Verso
,
2015
.
Foster
,
Hal
.
Design and Crime (and Other Diatribes)
.
New York
:
Verso
,
2002
.
Foster
,
Hal
.
The Return of the Real: The Avant-Garde at the End of the Century
.
Cambridge, MA
:
MIT Press
,
1996
.
Foster
,
Hal
, ed.
Discussions in Contemporary Culture
.
Seattle
:
Bay Press/Dia Art Foundation
,
1987
.
Foucault
,
Michel
.
The Politics of Truth
. Edited by
Lotringer
Sylvère
and
Hochroth
Lysa
.
New York
:
Semiotext(e)
,
1997
.
Garimella
,
Annapurna
, ed.
Mulk Raj Anand: Shaping the Indian Modern
.
Mumbai
:
Marg
,
2005
.
Ghertner
,
Asher
.
Rule by Aesthetics: World-Class City Making in Delhi
.
New York
:
Oxford University Press
,
2015
.
Ginwala
,
Natasha
. “
Geeta Kapur: On the Curatorial in India (Parts 1 and 2)
.”
Afterall On-line
,
July and October
2011
. .
Green
,
Charles
, and
Gardner
Anthony
.
Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art
.
London
:
Wiley-Blackwell
,
2016
.
Gregory
,
Derek
.
The Colonial Present: Afghanistan, Palestine, Iraq
.
Oxford
:
Blackwell
,
2004
.
Guha
,
Ranajit
.
Dominance without Hegemony: History and Power in Colonial India
.
Cambridge, MA
:
Harvard University Press
,
1998
.
Guha
,
Ranajit
, ed.
A Subaltern Studies Reader, 1986–1995
.
Minneapolis
:
University of Minnesota Press
,
1997
.
Guha-Thakurta
,
Tapati
.
The Making of a New Indian Art: Artists, Aesthetics, and Nationalism in Bengal, 1850–1920
.
Cambridge
:
Cambridge University Press
,
1992
.
Guha-Thakurta
,
Tapati
.
Monuments, Objects, Histories: Institutions of Art in Colonial and Postcolonial India
.
New York
:
Columbia University Press
,
2003
.
Hall
,
Stuart
.
Cultural Studies, 1983: A Theoretical History
. Edited by
Slack
Jennifer Daryl
and
Grossberg
Lawrence
.
Durham, NC
:
Duke University Press
,
2016
.
Hall
,
Stuart
.
Familiar Stranger: A Life between Two Islands
. Edited by
Schwartz
Bill
.
Durham, NC
:
Duke University Press
,
2017
.
Hall
,
Stuart
.
Selected Political Writings: The Great Moving Right Show and Other Essays
. Edited by
Davison
Sally
,
Featherstone
David
,
Rustin
Michael
, and
Schwarz
Bill
.
Durham, NC
:
Duke University Press
,
2017
.
Hawkins
,
Gay
, and
Muecke
Stephen
, eds.
Culture and Waste: The Creation and Destruction of Value
.
New York
:
Rowman and Littlefield
,
2003
.
Hell
,
Julia
, and
Schönle
Andreas
, eds.
Ruins of Modernity
.
Durham, NC
:
Duke University Press
,
2010
.
Hertz
,
Betti-Sue
, ed.
The Matter Within: New Contemporary Art of India
.
San Francisco
:
Yerba Buena Center for the Arts
,
2011
.
Exhibition catalogue
.
Higgins
,
John
, ed.
The Raymond Williams Reader
.
London
:
Wiley-Blackwell
,
2001
.
Hoskote
,
Ranjit
. “
Biennials of Resistance: Reflections on the Seventh Gwangju Biennale
.” In
The Biennial Reader
, edited by
Filipovic
Elena
,
van Hal
Marieka
, and
Øvstebø
Solveig
,
306
21
.
Berlin
:
Hatje Cantz
,
2010
.
Hoskote
,
Ranjit
. “
The Disordered Origins of Things: The Art Collection as Pre-canonical Space
.” In
Abby Grey and Indian Modernism: Selections from the NYU Art Collection
,
41
51
.
New York
:
Grey Art Gallery, NYU
,
2015
.
Exhibition catalogue
.
Hung
,
Wu
.
A Story of Ruins: Presence and Absence in Chinese Art and Visual Culture
.
London
:
Reaktion
,
2011
.
Hung
,
Wu
.
Vivan Sundaram: Re-take of Amrita
.
New York
:
Sepia International/Alkazi Collection
,
2006
.
Hung
,
Wu
.
Waste Not: Zhao Xiangyuan and Song Dong
.
Tokyo
:
Tokyo Gallery + BTAP, 2009. Exhibition catalogue.
Huyssen
,
Andreas
.
After the Great Divide: Modernism, Mass Culture, Postmodernism
.
Bloomington
:
Indiana University Press
,
1986
.
Huyssen
,
Andreas
.
Present Pasts: Urban Palimpsests and the Politics of Memory
.
Stanford, CA
:
Stanford University Press
,
2003
.
Huyssen
,
Andreas
.
Twilight Memories: Marking Time in a Culture of Amnesia
.
New York
:
Routledge
,
1995
.
Huyssen
,
Andreas
, ed.
Other Cities, Other Worlds: Urban Imaginaries in a Globalizing Age
.
Durham, NC
:
Duke University Press
,
2008
.
Jackson
,
Shannon
.
Social Works: Performing Art, Supporting Publics
.
New York
:
Routledge
,
2010
.
Jameson
,
Frederic
.
Afterword to Aesthetics and Politics: Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertolt Brecht, Georg Lukács
.
London
:
Verso
,
2007
.
Jameson
,
Frederic
.
Brecht and Method
.
London
:
Verso
,
2011
.
Jameson
,
Frederic
.
Valences of the Dialectic
.
London
:
Verso
,
2009
.
Jhaveri
,
Shanay
, ed.
Chandigarh Is in India
.
Mumbai
:
Shoestring Publishers
,
2016
.
Jhaveri
,
Shanay
, ed.
Western Artists and India: Creative Inspirations in Art and Design
.
Mumbai
:
Shoestring Publishers
,
2013
.
Jumabhoy
,
Zehra
, and
Tan
Boon Hui
, eds.
The Progressive Revolution: Modern Art for a New India
.
New York
:
Prestel
,
2018
.
Kaplan
,
Caren
.
Aerial Aftermaths: Wartime from Above
.
Durham, NC
:
Duke University Press
,
2017
.
Kapur
,
Geeta
. “
Again a Difficult Task Begins
.” In
Nasreen Mohamedi: Waiting Is a Part of Intense Living
,
161
206
.
Madrid
:
Museo Reina Sofia
,
2015
.
Exhibition catalogue
.
Kapur
,
Geeta
.
Chemould Prescott Road: 50 Years of Contemporary Art; Five Exhibitions Curated by Geeta Kapur
.
Mumbai
:
Chemould Prescott Road
,
2018
.
Exhibition catalogue
.
Kapur
,
Geeta
.
Contemporary Indian Art: An Exhibition of the Festival of India, 1982
.
London
:
Royal Academy of Arts
,
1982
.
Kapur
,
Geeta
.
Contemporary Indian Artists
.
New Delhi
:
Vikas
,
1978
.
Kapur
,
Geeta
. “
A Cultural Conjuncture in India: Art into Documentary
.” In
Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity
, edited by
Smith
Terry
,
Enwezor
Okwui
, and
Condee
Nancy
,
30
59
.
Durham, NC
:
Duke University Press
,
2008
.
Kapur
,
Geeta
. “
Curating across Agonistic Worlds
.” In
InFLUX: Contemporary Art in Asia
, edited by
Mukherji
Parul Dave
,
Ahuja
Naman P.
, and
Singh
Kavita
,
159
82
.
New Delhi
:
Sage
,
2014
.
Kapur
,
Geeta
. “
Delhi
.” In
Art Cities of the Future: 21st Century Avant-Gardes
, edited by
Byrd
Antawan I.
et al
,
89
112
.
London
:
Phaidon
,
2013
.
Kapur
,
Geeta
. “
The Evolution of Content in Amrita Sher-Gil’s Paintings
.”
Marg
25
, no.
2
(
March
1972
):
39
53
.
Kapur
,
Geeta
. “
Familial Narratives and Their Accidental Denouement
.” In
Where Three Dreams Cross: 150 Years of Photography from India, Pakistan, and Bangladesh
,
44
61
.
London
:
Whitechapel Gallery
,
2010
.
Exhibition catalogue
.
Kapur
,
Geeta
. In
Quest of Identity: Art and Indigenism in Post-colonial Culture with Special Reference to Contemporary Indian Painting
.
Baroda
:
Vrishchik
,
1973
.
Kapur
,
Geeta
. “
Modernist Myths and the Exile of Maqbool Fida Husain
.” In
Barefoot across the Nation: Maqbool Fida Husain and the Idea of India
, edited by
Ramaswamy
Sumathi
,
21
53
.
London
:
Routledge
,
2011
.
Kapur
,
Geeta
. “
Mortality Morbidity Masquerade
.” In
Bhupen Khakhar: You Can’t Please All
, edited by
Dercon
Chris
and
Raza
Nada
,
158
65
.
London
:
Tate
,
2016
.
Exhibition catalogue
.
Kapur
,
Geeta
. “
Partisan Modernity
.” In
Mulk Raj Anand: Shaping the Indian Modern
, edited by
Garimella
Annapurna
,
28
41
.
Mumbai
:
Marg
,
2005
.
Kapur
,
Geeta
. “
Partisan Views about the Human Figure (1981)
.” In
Horn Please: Narratives in Contemporary Indian Art
, edited by
Bern
Kuntsmuseum
,
33
40
.
Berlin
:
Hatje Cantz
,
2007
.
Kapur
,
Geeta
. “
Proposition Avant-Garde: A View from the South
.”
Art Journal
77
, no.
1
(spring
2018
):
87
89
.
Kapur
,
Geeta
. “
Secular Artist, Citizen Artist
.” In
Art and Social Change: A Critical Reader
, edited by
Bradley
Will
and
Esche
Charles
,
422
39
.
London
:
Tate/Afterall
,
2007
.
Kapur
,
Geeta
. “
sub-Terrain: artists dig the contemporary
.” In
body.city: siting contemporary culture in India
, edited by
Chandrasekhar
Indira
and
Seel
Peter
,
47
83
.
New Delhi
:
Tulika
,
2003
.
Kapur
,
Geeta
. “
The Uncommon Universe of Bhupen Khakhar
.” In
Pop Art and Vernacular Cultures
, edited by
Mercer
Kobena
,
110
35
.
London
:
Iniva
,
2007
.
Kapur
,
Geeta
.
When Was Modernism: Essays on Contemporary Cultural Practice in India
.
New Delhi
:
Tulika
,
2000
.
Kapur
,
Geeta
, and
Rajadhyaksha
Ashish
. “
Bombay/Mumbai 1992–2001
.” In
Century City: Art and Culture in the Modern Metropolis
, edited by
Blazwick
Iwona
,
16
41
.
London
:
Tate
,
2001
.
Exhibition catalogue
.
Kee
,
Joan
.
Contemporary Korean Art: Tansaekhwa and the Urgency of Method
.
Minneapolis
:
University of Minnesota Press
,
2013
.
Khilnani
,
Sunil
.
The Idea of India
.
New York
:
Farrar, Straus and Giroux
,
1997
.
Khullar
,
Sonal
.
Worldly Affiliations: Artistic Practice, National Identity, and Modernism in India, 1930–1990
.
Berkeley
:
University of California Press
,
2015
.
Krauss
,
Rosalind
.
The Originality of the Avant-Garde and Other Modernist Myths
.
Cambridge, MA
:
MIT Press
,
1985
.
Kumar
,
R. Siva
Enchantment and Engagement: Murals of K.G. Subramanyan
.
Kolkata
:
Seagull
,
2015
.
Kumar
,
R. Siva
K. G. Subramanyan: A Retrospective
.
National Gallery of Modern Art
,
New Delhi
,
2003
.
Exhibition catalogue
.
Kwon
,
Miwon
.
One Place after Another: Site-Specific Art and Locational Identity
.
Cambridge, MA
:
MIT Press
,
2002
.
LeMenager
,
Stephanie
.
Living Oil: Petroleum Culture in the American Century
.
New York
:
Oxford University Press
,
2014
.
Maharaj
,
Sarat
, ed.
Farewell to Post-Colonialism: Querying the Guangzhou Triennial, 2008
.
Dublin
:
Visual Arts Ireland
,
2009
.
Mann
,
Paul
.
The Theory-Death of the Avant-Garde
.
Bloomington
:
Indiana University Press
,
1991
.
Mathur
,
Saloni
.
India by Design: Colonial History and Cultural Display
.
Berkeley
:
University of California Press
,
2007
. (
Published in India by Orient Blackswan, 2011
.)
Mathur
,
Saloni
. “
Partition and the Visual Arts: Reflections on Method
.”
Third Text, special issue on Partition
,
31
, nos.
2–3
(fall
2017
):
205
12
.
Mathur
,
Saloni
. “
A Retake of Sher-Gil’s ‘Self-Portrait as Tahitian’
.”
Critical Inquiry
37
, no.
2
(
2011
):
515
44
.
Mathur
,
Saloni
, ed.
The Migrant’s Time: Rethinking Art History and Diaspora
.
Williamstown, MA
:
Clark Art Institute/Yale University Press
,
2011
.
Mathur
,
Saloni
, and
Singh
Kavita
, eds.
No Touching, No Spitting, No Praying: The Museum in South Asia
.
New Delhi
:
Routledge
,
2015
.
Mathur
,
Saloni
, and
Kwon
Miwon
, eds.
Making Strange: Gagawaka + Postmortem by Vivan Sundaram
.
Los Angeles
:
Fowler Museum at UCLA
,
2015
.
Exhibition catalogue
.
McClellan
,
Andrew
.
Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris
.
Berkeley
:
University of California Press
,
1994
.
Mercer
,
Kobena
, ed.
Cosmopolitan Modernisms
.
London and Cambridge, MA
:
inIVA/MIT Press
,
2005
.
Mercer
,
Kobena
, ed.
Pop Art and Vernacular Cultures
.
London and Cambridge, MA
:
inIVA/MIT Press
,
2007
.
Meskimmon
,
Marsha
.
Contemporary Art and the Cosmopolitan Imagination
.
New York
:
Routledge
,
2011
.
Mirzoeff
,
Nicholas
.
Watching Babylon: The War in Iraq and Global Visual Culture
.
New York
:
Routledge
,
2005
.
Mirzoeff
,
Nicholas
, ed.
The Visual Culture Reader
.
London
:
Routledge
,
1998
.
Mitchell
,
Timothy
.
Carbon Democracy: Political Power in the Age of Oil
.
London
:
Verso
,
2011
.
Mitchell
,
W. J. T.
Cloning Terror: The War of Images, 9/11 to the Present
.
Chicago
:
University of Chicago Press
,
2011
.
Mitchell
,
W. J. T.
, ed.
Landscape and Power
.
Chicago
:
University of Chicago Press
,
2002
.
Mitter
,
Partha
.
Art and Nationalism in Colonial India 1850–1922: Occidental Orientations
.
Cambridge, UK
:
Cambridge University Press
,
1994
.
Mitter
,
Partha
. “
Decentering Modernism: Art History and Avant-Garde Art from the Periphery
.”
Art Bulletin
90
, no.
4
(
2008
):
531
48
.
Mitter
,
Partha
.
Indian Art
.
Oxford
:
Oxford University Press
,
2002
.
Mitter
,
Partha
.
The Triumph of Modernism: India’s Artists and the Avant-Garde 1922–1947
.
London
:
Reaktion
,
2007
.
Morris
,
Rosalind
, ed.
Can the Subaltern Speak? Reflections on the History of an Idea
.
New York
:
Columbia University Press
,
2010
.
Moss
,
Jessica
, and
Rahman
Ram
, eds.
The Sahmat Collective: Art and Activism in India since 1989
.
Chicago
:
Smart Museum/University of Chicago Press
,
2013
.
Exhibition catalogue
.
Nancy
,
Jean-Luc
. “
Elliptical Sense
.”
Research in Phenomenology
18
(
1988
):
175
90
.
Niranjana
,
Tejaswini
.
Siting Translation: History, Poststructuralism, and the Postcolonial Context
.
Berkeley
:
University of California Press
,
1992
.
Niranjana
,
Tejaswini
,
Sudhir
P.
, and
Dhareshwar
Vivek
, eds.
Interrogating Modernity: Culture and Colonialism in India
.
Calcutta
:
Seagull Books
,
1993
.
Nixon
,
Rob
.
Slow Violence and the Environmentalism of the Poor
.
Cambridge, MA
:
Harvard University Press
,
2011
.
Okeke-Agulu
,
Chika
.
Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria
.
Durham, NC
:
Duke University Press
,
2015
.
Overton
,
Tom
, ed.
Portraits: John Berger on Artists
.
London
:
Verso
,
2015
.
Owens
,
Craig
.
Beyond Recognition: Representation, Power, and Culture
.
Berkeley
:
University of California Press
,
1992
.
Painter
,
Karen
, and
Crow
Thomas
.
Late Thoughts: Reflections on Artists and Composers at Work
.
Los Angeles
:
Getty Research Institute
,
2006
.
Parameswaran
,
Ameet
, and
Dev
Rahul
. “
To Be Partisan, Unsettled, and Alert: Conversation with Geeta Kapur
.”
Art Margins On-line
,
March
11
,
2015
. .
Pinney
,
Christopher
.
Camera Indica: The Social Life of Indian Photographs
.
Chicago
:
University of Chicago Press
,
1998
.
Pinney
,
Christopher
.
The Coming of Photography in India
.
London
:
British Library
,
2008
.
Pinney
,
Christopher
.
Photos of the Gods: The Printed Image and Political Struggle in India
.
London
:
Reaktion
,
2004
.
Poddar
,
Sandhini
.
V.S. Gaitonde: Painting as Process, Painting as Life
.
New York
:
Prestel
,
2014
.
Pollock
,
Griselda
.
Differencing the Canon: Feminist Desire and the Writing of Art’s Histories
.
London
:
Routledge
,
1999
.
Pollock
,
Griselda
, ed.
Generations and Geographies in the Visual Arts: Feminist Readings
.
London
:
Routledge
,
1996
.
Pollock
,
Griselda
, and
Orton
Fred
.
Avant-Gardes and Partisans Reviewed
.
Manchester
:
Manchester University Press
,
1997
.
Prakash
,
Gyan
.
Another Reason: Science and the Imagination of Modern India
.
Princeton, NJ
:
Princeton University Press
,
1999
.
Prakash
,
Gyan
.
Mumbai Fables: A History of an Enchanted City
.
Princeton, NJ
:
Princeton University Press
,
2011
.
Prakash
,
Gyan
, and
Kruse
Kevin
, eds.
The Spaces of the Modern City
.
Princeton, NJ
:
Princeton University Press
,
2008
.
Prakash
,
Vikramaditya
.
Chandigarh’s LeCorbusier
.
Seattle
:
University of Washington Press
,
2002
.
Prendergast
,
Christopher
, ed.
Cultural Materialism: On Raymond Williams
.
Minneapolis
:
University of Minnesota Press
,
1995
.
Rabinow
,
Paul
, ed.
The Foucault Reader
.
New York
:
Vintage Books
(
1984
),
2010
.
Rajadhyaksha
,
Ashish
.
Indian Cinema in the Time of Celluloid: From Bollywood to the Emergency
.
Bloomington
:
Indiana University Press
,
2009
.
Rajadhyaksha
,
Ashish
. “
Living the Tradition
.”
Journal of Arts and Ideas
16
(
January–March
1988
):
73
86
.
Rajadhyaksha
,
Ashish
. “
There Is Violence in the Air
.” In
Vivan Sundaram: Disjunctures
,
168
179
.
Munich
:
Prestel/Haus der Kunst
,
2018
.
Exhibition catalogue
.
Rajadhyaksha
,
Ashish
, with
Willemen
Paul
.
Encyclopedia of Indian Cinema
.
London
:
British Film Institute
,
1995
.
Ramaswamy
,
Sumathi
, ed.
Barefoot Across the Nation: Maqbool Fida Husain and the Idea of India
.
London
:
Routledge
,
2011
.
Rogoff
,
Irit
.
Terra Infirma: Geography’s Visual Culture
.
Abingdon, VA
:
Routledge
,
2000
.
Rogoff
,
Irit
. “
What Is a Theorist?
” In
The State of Art Criticism
, edited by
Elkins
James
and
Newman
Michael
,
97
109
.
New York
:
Routledge
,
2008
.
Rosengarten
,
Ruth
.
Vivan Sundaram Is Not a Photographer: The Photographic Works of Vivan Sundaram
.
New Delhi
:
Tulika
,
2019
.
Roy
,
Ananya
, and
Ong
Aihwa
, eds.
Worlding Cities: Asian Experiments and the Art of Being Global
.
London
:
Blackwell
,
2011
.
Roy
,
Ananya
, and
AlSayyad
Nezar
, eds.
Urban Informality: Transnational Perspectives from the Middle East, Latin America, and South Asia
.
New York
:
Lexington
,
2004
.
Roy
,
Tania
. “
Non-Renewable Resources: The Poetics and Politics of Vivan Sundaram’s Trash
.”
Theory, Culture and Society
30
, nos.
7/8
(
2013
):
265
76
.
Roy
,
Tania
. “
Wreck, Restoration, and the Work of Carrying On: History on Vivan Sundaram’s Boat-Works
.”
Cultural Politics
5
, no.
3
(
2009
):
359
84
.
Rubinstein
,
Raphael
, ed.
Critical Mess: Art Critics on the State of Their Practice
.
Lenox, MA
:
Hard Press Editions
,
2006
.
Rushdie
,
Salman
.
The Moor’s Last Sigh
.
New York
:
Vintage
,
1995
.
Said
,
Edward
.
Beginnings: Intention and Method
.
New York
:
Columbia University Press
,
1985
.
Said
,
Edward
.
On Late Style: Music and Literature Against the Grain
.
New York
:
Vintage
,
2006
.
Said
,
Edward
.
Orientalism
.
New York
:
Vintage
,
1979
.
Said
,
Edward
.
The World, the Text, and the Critic
.
London
:
Vintage
,
1991
.
Sambrani
,
Chaitanya
.
Tracking Trash: Vivan Sundaram and the Turbulent Core of Modernity
.
Mumbai
:
Chemould Prescott Road
,
2008
.
Exhibition catalogue
.
Sambrani
,
Chaitanya
, ed.
At Home in the World: The Art and Life of Gulammohammed Sheikh
.
New Delhi
:
Tulika Books
,
2019
.
Sambrani
,
Chaitanya
, ed.
Edge of Desire: Recent Art in India
.
London
:
Phillip Wilson
,
2005
.
Exhibition catalogue
.
Sangari
,
Kumkum
, ed.
Trace Retrace: Paintings, Nilima Sheikh
.
New Delhi
:
Tulika Books
,
2013
.
Scanlan
,
John
.
On Garbage
.
London
:
Reaktion
,
2005
.
Scott
,
David
.
Conscripts of Modernity: The Tragedy of Colonial Enlightenment
.
Durham, NC
:
Duke University Press
,
2004
.
Scott
,
David
.
Omens of Adversity: Tragedy, Time, Memory, Justice
.
Durham, NC
:
Duke University Press
,
2014
.
Scott
,
David
.
Refashioning Futures: Criticism after Postcoloniality
.
Princeton, NJ
:
Princeton University Press
,
1999
.
Scott
,
David
. “
Stuart Hall at Eighty
.”
Small Axe
16
, no.
2
(
July
2012
):
vii
x
.
Scott
,
David
.
Stuart Hall’s Voice: Intimations of an Ethics of Receptive Generosity
.
Durham, NC
:
Duke University Press
,
2017
.
Scott
,
David
. “
The Temporality of Generations: Dialogue, Tradition, Criticism
.”
New Literary History
45
, no.
2
(spring
2014
):
157
81
.
Scott
,
James
.
Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed
.
New Haven, CT
:
Yale University Press
,
1999
.
Sekula
,
Allan
.
Fish Story
.
Rotterdam
:
Richter Verlag
,
1995
.
Sheikh
,
Gulammohammed
.
“Buddy” (translated from Gujarati)
. In
Touched by Bhupen
.
Mumbai
:
Galerie Mirchandani + Steinruecke
,
2013
.
Exhibition catalogue
.
Sheikh
,
Gulammohammed
, ed.
Contemporary Art in Baroda
.
New Delhi
:
Tulika
,
1997
.
Sherman
,
Daniel
, and
Rogoff
Irit
, eds.
Museum Cultures: Histories, Discourses, Spectacles
.
Minneapolis
:
University of Minnesota Press
,
1994
.
Sinha
,
Ajay
. “
Contemporary Indian Art: A Question of Method
.”
Art Journal
58
, no.
3
(
1999
):
31
39
.
Sinha
,
Ajay
. “
Modernism in India: A Short History of a Blush
.”
Art Bulletin
90
, no.
4
(
December
2008
):
561
68
.
Sinha
,
Gayatri
, ed.
Art and Visual Culture in India, 1857–2007
.
Mumbai
:
Marg
,
2009
.
Sinha
,
Gayatri
, ed.
Expressions and Evocations: Contemporary Women Artists of India
.
Mumbai
:
Marg
,
1996
.
Sinha
,
Gayatri
, ed.
Indian Art: An Overview
.
New Delhi
:
Rupa
,
2003
.
Smith
,
Terry
,
Enwezor
Okwui
, and
Condee
Nancy
, eds.
Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity
.
Durham, NC
:
Duke University Press
,
2008
.
Sontag
,
Susan
.
Against Interpretation and Other Essays
.
New York
:
Picador
,
1996
.
First published 1966
.
Sontag
,
Susan
.
Regarding the Pain of Others
.
New York
:
Picador
,
2003
.
Sood
,
Pooja
, ed.
The Khoj Book of Contemporary Indian Art, 1997–2007
.
Noida, India
:
Collins
,
2010
.
Spivak
,
Gayatri Chakravorty
.
A Critique of Postcolonial Reason
.
Cambridge, MA
:
Harvard University Press
,
1999
.
Stoler
,
Ann Laura
.
Duress: Imperial Durabilities in Our Times
.
Durham, NC
:
Duke University Press
,
2016
.
Subramanyan
,
K.G.
The Creative Circuit
.
Calcutta
:
Seagull
,
1992
.
Subramanyan
,
K.G.
The Living Tradition: Perspectives on Modern Indian Art
.
Calcutta
:
Seagull
,
1987
.
Subramanyan
,
K.G.
The Magic of Making: Essays on Art and Culture
.
Calcutta
:
Seagull
,
2007
.
Suderburg
,
Erika
, ed.
Space, Site, Intervention: Situating Installation Art
.
Minneapolis
:
University of Minnesota Press
,
2000
.
Sundaram
,
Ravi
.
Pirate Modernity: Delhi’s Media Urbanism
.
London
:
Routledge
,
2010
.
Sundaram
,
Vivan
.
Gagawaka: Making Strange
.
Mumbai
:
Chemould Prescott Road
,
2012
.
Exhibition catalogue
.
Sundaram
,
Vivan
.
History Project
.
New Delhi
:
Tulika
,
2017
.
Sundaram
,
Vivan
. “
Recycling Photographs
.” In
Photography Theory
, edited by
Elkins
James
,
333
39
.
London
:
Routledge
,
2007
.
Sundaram
,
Vivan
.
Re-take of Amrita: Digital Photomontages
.
New Delhi
:
Tulika
,
2001
.
Sundaram
,
Vivan
.
Umrao Singh Sher-Gil: His Misery and His Manuscript
.
New Delhi
:
Photoink
,
2008
.
Sundaram
,
Vivan
, ed.
Amrita Sher-Gil: A Self-Portrait in Letters and Writings
.
2 vols. New Delhi
:
Tulika
,
2009
.
Szeman
,
Imre
, and
Boyer
Dominic
, eds.
Energy Humanities: An Anthology
.
Baltimore
:
Johns Hopkins University Press
,
2017
.
Tarlo
,
Emma
.
Unsettling Memories: Narratives of the Emergency in Delhi
.
Berkeley
:
University of California
,
2003
.
Terracciano
,
Emilia
.
Art and Emergency: Modernism in Twentieth-Century India
.
London
:
I.B. Taurus
,
2017
.
Tiampo
,
Ming
.
Gutai: Decentering Modernism
.
Chicago
:
University of Chicago Press
,
2011
.
Tuli
,
Neville
.
Indian Contemporary Painting
.
New York
:
Harry N. Abrams
,
1998
.
Vaughan
,
Philippa
, ed.
The Victoria Memorial Hall, Calcutta: Conceptions, Collections, Conservation
.
Mumbai
:
Marg
,
1997
.
Vergine
,
Lea
, ed.
Trash: From Junk to Art
.
Milan
:
Electa
,
1997
.
Vergo
,
Peter
, ed.
The New Museology
.
London
:
Reaktion
,
1989
.
Virilio
,
Paul
.
Desert Screen: War at the Speed of Light
.
London
:
Bloomsbury Academic
,
2005
.
Wagner
,
Anne
.
A House Divided: American Art since 1955
.
Berkeley
:
University of California Press
,
2012
.
Weiss
,
Rachel
. “
Some Thoughts after Kapur and Mathur
.”
Art Journal
77
, no.
1
(spring
2018
):
95
101
.
Weiss
,
Rachel
, ed.
Making Art Global (Part 1): The Third Havana Biennale 1989
.
London
:
Afterall
,
2012
.
Welchman
,
John
, ed.
Institutional Critique and After
.
Zurich
:
JRP Ringier
,
2006
.
Whiles
,
Virginia
.
Art and Polemic in Pakistan: Cultural Politics and Tradition in Contemporary Miniature Painting
.
London
:
I.B. Taurus
,
2010
.
Whiteley
,
Gillian
.
Junk: Art and the Politics of Trash
.
London
:
I.B. Tauris
,
2011
.
Willett
,
John
, ed.
Brecht on Theatre: The Development of an Aesthetic
.
London
:
Methuen
,
1964
.
Williams
,
Paul
.
Memorial Museums: The Global Rush to Commemorate Atrocities
.
New York
:
Berg
,
2007
.
Williams
,
Raymond
.
Keywords
.
Oxford
:
Oxford University Press
,
2015
.
First published 1976
.
Williams
,
Raymond
.
The Politics of Modernism: Against the New Conformists
.
London
:
Verso
,
1990
.
Williams
,
Raymond
.
Problems in Materialism and Culture
.
London
:
Verso
,
1980
.
Young
,
James
.
At Memory’s Edge: After-Images of the Holocaust in Contemporary Art and Architecture
.
New Haven, CT
:
Yale University Press
,
2000
.
Zitzewitz
,
Karin
.
The Art of Secularism: The Cultural Politics of Modernist Art in Contemporary India
.
London
:
Hurst
,
2014
.
Close Modal
This Feature Is Available To Subscribers Only

Sign In or Create an Account

Close Modal
Close Modal