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Further Reading

Andrade
,
Sally J.
Painting a Different Picture
.”
Washington Post
,
December
17
,
1995
,
G7
.
Berelowitz
,
Jo-Anne
. “
Conflict over ‘Border Art’: Whose Subject, Whose Border, Whose Show?
Third Text
40
(autumn
1997
):
69
83
.
Caragol
,
Taína B.
Archives of Reality: Contemporary Efforts to Document Latino Art
.”
American Art
19
, no.
3
(fall
2005
):
2
8
.
Davalos
,
Karen Mary
. “
A Poetics of Love and Rescue in the Collection of Chicana/o Art
.”
Latino Studies
5
, no.
1
(spring
2007
):
76
103
.
Frankenstein
,
Alfred
. “
A Long-Range View of Latino Art
.”
San Francisco Chronicle
,
October
15
,
1977
,
34
.
Gaspar de Alba
,
Alicia
.
“The Solar of Chicano/Popular Culture: Mi Casa no es su casa.
” In
Chicano Art: Inside/Outside the Master’s House
,
31
88
.
Austin
:
University of Texas Press
,
1998
.
Mesa-Bains
,
Amalia
. “
The Real Multiculturalism: A Struggle for Authority and Power
.” In
Different Voices: A Social, Cultural, and Historical Framework for Change in the American Art Museum
,
86
100
.
New York
:
Association of Art Museum Directors
,
1992
.
Reprinted in Reinventing the Museum: Historical and Contemporary Perspectives on the Paradigm Shift, edited by GailAnderson, 99–109. Lanham, MD: Rowman Altamira, 2004
.
Ramos
,
E. Carmen
. “
The Latino Presence in American Art
.”
American Art
26
, no.
2
(summer
2012
):
7
13
.
Richard
,
Paul
. “
Tejana Nostalgia
.”
Washington Post
,
December
3
,
1995
,
G5
.
Sanromán
,
Lucía
. “
PST Mexican American and Chicano Exhibitions Legitimize the Periphery
.”
Art Journal
71
, no.
1
(spring
2012
):
76
87
.
Shaked
,
Nizan
. “
Phantom Sightings: Art after the Chicano Movement
.”
American Quarterly
60
, no.
4
(
December
2008
):
1057
72
.
Wilson
,
William
. “
A Blending of Hispanic Roots, Visions
.”
Los Angeles Times
,
July
30
,
1978
,
F90
.
Valasco
,
Robert
, II
Complex Latino Experience
.”
Washington Post
,
December
13
,
1995
,
A28
.
Ybarra-Frausto
,
Tomás
. “
Imagining a More Expansive Narrative of American Art
.”
American Art
19
, no.
3
(fall
2005
):
9
15
.

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References

Further Reading

Andrade
,
Sally J.
Painting a Different Picture
.”
Washington Post
,
December
17
,
1995
,
G7
.
Berelowitz
,
Jo-Anne
. “
Conflict over ‘Border Art’: Whose Subject, Whose Border, Whose Show?
Third Text
40
(autumn
1997
):
69
83
.
Caragol
,
Taína B.
Archives of Reality: Contemporary Efforts to Document Latino Art
.”
American Art
19
, no.
3
(fall
2005
):
2
8
.
Davalos
,
Karen Mary
. “
A Poetics of Love and Rescue in the Collection of Chicana/o Art
.”
Latino Studies
5
, no.
1
(spring
2007
):
76
103
.
Frankenstein
,
Alfred
. “
A Long-Range View of Latino Art
.”
San Francisco Chronicle
,
October
15
,
1977
,
34
.
Gaspar de Alba
,
Alicia
.
“The Solar of Chicano/Popular Culture: Mi Casa no es su casa.
” In
Chicano Art: Inside/Outside the Master’s House
,
31
88
.
Austin
:
University of Texas Press
,
1998
.
Mesa-Bains
,
Amalia
. “
The Real Multiculturalism: A Struggle for Authority and Power
.” In
Different Voices: A Social, Cultural, and Historical Framework for Change in the American Art Museum
,
86
100
.
New York
:
Association of Art Museum Directors
,
1992
.
Reprinted in Reinventing the Museum: Historical and Contemporary Perspectives on the Paradigm Shift, edited by GailAnderson, 99–109. Lanham, MD: Rowman Altamira, 2004
.
Ramos
,
E. Carmen
. “
The Latino Presence in American Art
.”
American Art
26
, no.
2
(summer
2012
):
7
13
.
Richard
,
Paul
. “
Tejana Nostalgia
.”
Washington Post
,
December
3
,
1995
,
G5
.
Sanromán
,
Lucía
. “
PST Mexican American and Chicano Exhibitions Legitimize the Periphery
.”
Art Journal
71
, no.
1
(spring
2012
):
76
87
.
Shaked
,
Nizan
. “
Phantom Sightings: Art after the Chicano Movement
.”
American Quarterly
60
, no.
4
(
December
2008
):
1057
72
.
Wilson
,
William
. “
A Blending of Hispanic Roots, Visions
.”
Los Angeles Times
,
July
30
,
1978
,
F90
.
Valasco
,
Robert
, II
Complex Latino Experience
.”
Washington Post
,
December
13
,
1995
,
A28
.
Ybarra-Frausto
,
Tomás
. “
Imagining a More Expansive Narrative of American Art
.”
American Art
19
, no.
3
(fall
2005
):
9
15
.
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