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Works Cited

Blesser
,
Barry
, and
Salter
Linda-Ruth
.
Spaces Speak, Are You Listening? Experiencing Aural Architecture
.
Cambridge, MA
:
MIT Press
,
2007
.
Cannam
,
Chris
,
Landon
Christian
, and
Sandler
Mark
. “
Sonic Visualiser: An Open Source Application for Viewing, Analysing, and Annotating Music Audio Files
.”
Proceedings of the acm Multimedia International Conference
,
2010
.
Accessed November 29, 2017. www.sonicvisualiser.org
.
Daniel
,
Sharon
. “
Public Secrets
.”
Vectors: Journal of Culture and Technology in a Dy-namic Vernacular
2
, no.
2
(
2007
): .
Dewey
,
John
Art as Experience
.
1934
;
reprinted
,
New York
:
Perigee
,
2005
.
Dolmage
,
Jay
. “
Disability, Usability, Universal Design
.” In
Rhetorically Rethinking Usability
, edited by
Cochran
Susan Miller
and
Rodrigo
Rochelle L.
,
167
90
.
Cresskill
:
Hampton Press
,
2009
.
Dolmage
,
Jay
. “
Evolving Pedagogy
.”
Disability Studies Quarterly
25
, no.
4
(Fall
2005
): .
Dolmage
,
Jay
, and
Lewiecki-Wilson
Cynthia
. “
Refiguring Rhetorica: Linking Feminist Rhetoric and Disability Studies
.” In
Rhetorica in Motion: Feminist Methods and Methodologies
, edited by
Schell
Eileen E.
and
Rawson
K. J.
,
23
38
.
Pittsburgh
:
University of Pittsburgh Press
,
2010
.
Friedner
,
Michele
, and
Helmreich
Stefan
. “
When Deaf Studies Meets Sound Studies
.”
Senses and Society
7
, no.
1
(
2012
):
72
86
.
Goggin
,
Gerard
. “
Cellular Disability: Consumption, Design and Access
.” In
The Sound Studies Reader
, edited by
Sterne
Jonathan
,
372
87
.
London
:
Routledge
,
2012
.
Goodman
,
Steve
.
Sonic Warfare: Sound, Affect, and the Ecology of Fear
.
Cambridge, MA
:
MIT Press
,
2010
.
Hashemi
,
Mahmoud
, and
LaPorte
Stephen
.
Listen to Wikipedia
.
Accessed April 11, 2014. http://listen.hatnote.com
.
Kerschbaum
,
Stephanie
. “
Modality
.” In “
Multimodality in Motion: Disability and Kairotic Spaces
.”
Kairos
18
, no.
1
(
2013
): .
Laumeister
,
Maximillian
.
BitListen
.
Accessed April 11, 2014. www.bitlisten.com
.
Lingold
,
Mary Caton
,
Mueller
Darren
, and
Trettien
Whitney
. “
Introduction
.” In
Provoke! Digital Sound Studies
.
Durham, NC
:
Duke University Press
,
2018
.
Mahoney
,
Jill
. “
The Sound (and Sight and Feel) of Music for the Deaf
.”
Globe and Mail
,
November
9
,
2010
. .
Mills
,
Mara
. “
Deaf Jam: From Inscription to Reproduction to Information
.”
Social Text
28
, no.
1
(Spring
2010
):
35
58
.
Mills
,
Mara
. “
Hearing Aids and the History of Electronics Miniaturization
.” In
The Sound Studies Reader
, edited by
Sterne
Jonathan
,
73
78
.
London
:
Routledge
,
2012
.
PhDeviate
et al
. “
Towards an Open Digital Humanities
.”
THATCamp SoCal
2011
,
January
2011
. .
Porcello
,
Thomas
,
Meintjes
Louise
,
Ochoa
Ana Maria
, and
Samuels
David
. “
The Reorganization of the Sensory World
.”
Annual Review of Anthropology
39
(
2010
):
51
66
.
Pullin
,
Graham
.
Design Meets Disability
.
Cambridge, MA
:
MIT Press
,
2009
.
Sterne
,
Jonathan
. “
Sounds like the Mall of America: Programmed Music and the Architectonics of Commercial Space
.”
Ethnomusicology
41
, no.
1
(
1997
):
22
50
.
Thompson
,
Emily
.
The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933
.
Cambridge, MA
:
MIT Press
,
2002
.
Trower
,
Shelley
Senses of Vibration: A History of the Pleasure and Pain of Sound
.
New York
:
Continuum
,
2012
.
Watson
,
Léonie
. “
How to Write an Accessibility Statement
.”
Nomensa.com
,
February
17
,
2009
. .
Web Accessibility Initiative
. “
Web Content Accessibility Guidelines 2.0 (wcag 2.0, July 2012)
.”
Accessed April 13, 2014. www.w3.org/WAI/intro/wcag
.
Williams
,
George H.
Disability, Universal Design, and the Digital Humanities
.” In
Debates in the Digital Humanities
, edited by
Gold
Matthew K.
,
202
12
.
Minneapolis
:
University of Minnesota Press
,
2012
.
Yergeau
,
Melanie
et al
. “
Multimodality in Motion: Disability and Kairotic Spaces
.”
Kairos
18
, no.
1
(
2013
): .

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References

Works Cited

Blesser
,
Barry
, and
Salter
Linda-Ruth
.
Spaces Speak, Are You Listening? Experiencing Aural Architecture
.
Cambridge, MA
:
MIT Press
,
2007
.
Cannam
,
Chris
,
Landon
Christian
, and
Sandler
Mark
. “
Sonic Visualiser: An Open Source Application for Viewing, Analysing, and Annotating Music Audio Files
.”
Proceedings of the acm Multimedia International Conference
,
2010
.
Accessed November 29, 2017. www.sonicvisualiser.org
.
Daniel
,
Sharon
. “
Public Secrets
.”
Vectors: Journal of Culture and Technology in a Dy-namic Vernacular
2
, no.
2
(
2007
): .
Dewey
,
John
Art as Experience
.
1934
;
reprinted
,
New York
:
Perigee
,
2005
.
Dolmage
,
Jay
. “
Disability, Usability, Universal Design
.” In
Rhetorically Rethinking Usability
, edited by
Cochran
Susan Miller
and
Rodrigo
Rochelle L.
,
167
90
.
Cresskill
:
Hampton Press
,
2009
.
Dolmage
,
Jay
. “
Evolving Pedagogy
.”
Disability Studies Quarterly
25
, no.
4
(Fall
2005
): .
Dolmage
,
Jay
, and
Lewiecki-Wilson
Cynthia
. “
Refiguring Rhetorica: Linking Feminist Rhetoric and Disability Studies
.” In
Rhetorica in Motion: Feminist Methods and Methodologies
, edited by
Schell
Eileen E.
and
Rawson
K. J.
,
23
38
.
Pittsburgh
:
University of Pittsburgh Press
,
2010
.
Friedner
,
Michele
, and
Helmreich
Stefan
. “
When Deaf Studies Meets Sound Studies
.”
Senses and Society
7
, no.
1
(
2012
):
72
86
.
Goggin
,
Gerard
. “
Cellular Disability: Consumption, Design and Access
.” In
The Sound Studies Reader
, edited by
Sterne
Jonathan
,
372
87
.
London
:
Routledge
,
2012
.
Goodman
,
Steve
.
Sonic Warfare: Sound, Affect, and the Ecology of Fear
.
Cambridge, MA
:
MIT Press
,
2010
.
Hashemi
,
Mahmoud
, and
LaPorte
Stephen
.
Listen to Wikipedia
.
Accessed April 11, 2014. http://listen.hatnote.com
.
Kerschbaum
,
Stephanie
. “
Modality
.” In “
Multimodality in Motion: Disability and Kairotic Spaces
.”
Kairos
18
, no.
1
(
2013
): .
Laumeister
,
Maximillian
.
BitListen
.
Accessed April 11, 2014. www.bitlisten.com
.
Lingold
,
Mary Caton
,
Mueller
Darren
, and
Trettien
Whitney
. “
Introduction
.” In
Provoke! Digital Sound Studies
.
Durham, NC
:
Duke University Press
,
2018
.
Mahoney
,
Jill
. “
The Sound (and Sight and Feel) of Music for the Deaf
.”
Globe and Mail
,
November
9
,
2010
. .
Mills
,
Mara
. “
Deaf Jam: From Inscription to Reproduction to Information
.”
Social Text
28
, no.
1
(Spring
2010
):
35
58
.
Mills
,
Mara
. “
Hearing Aids and the History of Electronics Miniaturization
.” In
The Sound Studies Reader
, edited by
Sterne
Jonathan
,
73
78
.
London
:
Routledge
,
2012
.
PhDeviate
et al
. “
Towards an Open Digital Humanities
.”
THATCamp SoCal
2011
,
January
2011
. .
Porcello
,
Thomas
,
Meintjes
Louise
,
Ochoa
Ana Maria
, and
Samuels
David
. “
The Reorganization of the Sensory World
.”
Annual Review of Anthropology
39
(
2010
):
51
66
.
Pullin
,
Graham
.
Design Meets Disability
.
Cambridge, MA
:
MIT Press
,
2009
.
Sterne
,
Jonathan
. “
Sounds like the Mall of America: Programmed Music and the Architectonics of Commercial Space
.”
Ethnomusicology
41
, no.
1
(
1997
):
22
50
.
Thompson
,
Emily
.
The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933
.
Cambridge, MA
:
MIT Press
,
2002
.
Trower
,
Shelley
Senses of Vibration: A History of the Pleasure and Pain of Sound
.
New York
:
Continuum
,
2012
.
Watson
,
Léonie
. “
How to Write an Accessibility Statement
.”
Nomensa.com
,
February
17
,
2009
. .
Web Accessibility Initiative
. “
Web Content Accessibility Guidelines 2.0 (wcag 2.0, July 2012)
.”
Accessed April 13, 2014. www.w3.org/WAI/intro/wcag
.
Williams
,
George H.
Disability, Universal Design, and the Digital Humanities
.” In
Debates in the Digital Humanities
, edited by
Gold
Matthew K.
,
202
12
.
Minneapolis
:
University of Minnesota Press
,
2012
.
Yergeau
,
Melanie
et al
. “
Multimodality in Motion: Disability and Kairotic Spaces
.”
Kairos
18
, no.
1
(
2013
): .
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