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Digital Approaches to Historical Acoustemologies: Replication and Reenactment

Works Cited

Birdsall
,
Carolyn
.
Nazi Soundscapes: Sound, Technology and Urban Space in Germany, 1933–1945
.
Amsterdam
:
Amsterdam University Press
,
2012
.
Blesser
,
Barry
.
Spaces Speak, Are You Listening? Experiencing Aural Architecture
.
Cambridge, MA
:
MIT Press
,
2007
.
Brady
,
Erika
.
A Spiral Way: How the Phonograph Changed Ethnography
.
Jackson
:
University Press of Mississippi
,
1999
.
Bretez Site Officiel
. .
Butt
,
John
.
Play with History: The Historical Approach to Musical Performance
.
Cambridge, UK
:
Cambridge University Press
,
2002
.
Cailloce
,
Laure
. “
Écoutez le Paris du XVIIIe siècle
.”
CNRS Le Journal
,
June
16
,
2015
. .
Corbin
,
Alain
.
Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside
.
New York
:
Columbia University Press
,
1998
.
Debertolis
,
Paolo
,
Mizdrak
Slobodan
, and
Savolainen
Heikki
. “
The Research for an Archaeoacoustics Standard: The Right Approach to This New Complementary Science for Archaeology
.”
Paper presented at the Second Virtual International Conference on Advanced Research in Scientific Areas (ARSA–2013)
,
Slovakia
,
December 2–6, 2013
. .
Erlmann
,
Veit
.
Reason and Resonance: A History of Modern Aurality
.
New York
:
Zone Books
/
Cambridge, MA
:
Distributed by MIT Press
,
2010
.
Feld
,
Steven
. “
Acoustemology
.” In
Keywords in Sound
, edited by
Sakakeeny
Matt
and
Novak
David
,
12
21
.
Durham, NC
:
Duke University Press
,
2015
.
Feld
,
Steven
.
Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana
.
Durham, NC
:
Duke University Press
,
2012
.
Geoffroy-Schwinden
,
Rebecca Dowd
. “
Organs of the Soul: Sonic Networks in Eighteenth-Century Paris
.” In
Provoke! Digital Sound Studies
, edited by
Lingold
Mary Caton
,
Mueller
Darren
, and
Trettien
Whitney
.
Duke University Franklin Humanities Institute PhD Lab in Digital Knowledge, Soundbox Project
,
2014
. .
Graham
,
Shawn
,
et al
. “
Hearing the Past
.”
Electric Archaeology
,
January
5
,
2015
. .
Johnson
,
James H.
Listening in Paris: A Cultural History
.
Berkeley
:
University of California Press
,
1996
.
Manaktala
,
Gita
. “
Aural History on the Web: Reconstructing the Past through Sound
.”
MIT Press blog
. .
Mlekuz
,
Dimitrij
. “
Listening to Landscapes: Modeling Past Soundscapes in GIS
.”
Internet Archaeology
16
(
2004
): .
Nancy
,
Jean-Luc
.
Listening
.
New York
:
Fordham University Press
,
2007
.
Ochoa Gautier
,
Ana Maria
.
Aurality: Listening and Knowledge in Nineteenth-Century Colombia
.
Durham, NC
:
Duke University Press
,
2014
.
Rath
,
Richard Cullen
.
How Early America Sounded
.
Ithaca, NY
:
Cornell University Press
,
2003
.
Rodaway
,
Paul
.
Sensuous Geographies: Body, Sense, Place
.
London
:
Routledge
,
1994
.
Sakakeeny
,
Matt
, and
Novak
David
, eds.
Keywords in Sound
.
Durham, NC
:
Duke University Press
,
2015
.
Schafer
,
R. Murray
.
The Soundscape: Our Sonic Environment and the Tuning of Our World
.
Rochester, VT
:
Destiny Books
,
1993
.
Schneider
,
Rebecca
.
Performing Remains: Art and War in Times of Theatrical Reenactment
.
London
:
Routledge
,
2011
.
Smith
,
Bruce R.
The Acoustic World of Early Modern England: Attending to the O-Factor
.
Chicago
:
University of Chicago Press
,
1999
.
Smith
,
Mark M.
Listening to Nineteenth-Century America
.
Chapel Hill
:
University of North Carolina Press
,
2001
.
Smith
,
Mark M.
, ed.
Hearing History: A Reader
.
Athens
:
University of Georgia Press
,
2004
.
Szendy
,
Peter
Listen: A History of Our Ears
.
New York
:
Fordham University Press
,
2008
.
Thompson
,
Emily
. “
The Roaring Twenties: An Interactive Exploration of the Historical Soundscape of New York City
.”
Vectors: Journal of Culture and Technology in a Dynamic Vernacular
(Fall
2013
):
n.p. Accessed November 28, 2017. http://vectorsdev.usc.edu/NYCsound/777b.html
.
Thompson
,
Emily
.
The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933
.
Cambridge, MA
:
MIT Press
,
2002
.
Till
,
Rupert
et al
.
Sounds of Stonehenge
. .
Virtual Paul’s Cross Project
. “
A Digital Re-creation of John Donne’s Gunpowder Day Sermon
.”
Raleigh: North Carolina State University. Accessed
November
27
,
2017
. .
Wall
,
John N.
Recovering Lost Acoustic Spaces: St. Paul’s Cathedral and Paul’s Churchyard in 1622
.”
Digital Studies/Le Champ Numérique, Proceedings of the sdh-semi 2012 Conference
. .
Wall
,
John N.
Transforming the Object of Our Study: The Early Modern Sermon and the Virtual Paul’s Cross Project
.”
Journal of Digital Humanities
3
, no.
1
(Spring
2014
): .
Wall
,
John N.
Virtual Paul’s Cross: The Experience of Public Preaching after the Reformation
.” In
Paul’s Cross and the Culture of Persuasion in England, 1520–1640
, edited by
Kirby
Torrance
and
Stanwood
P. G.
,
61
92
.
Leiden
:
Brill
,
2014
.

Sound Practices for Digital Humanities

Works Cited

Blesser
,
Barry
, and
Salter
Linda-Ruth
.
Spaces Speak, Are You Listening? Experiencing Aural Architecture
.
Cambridge, MA
:
MIT Press
,
2007
.
Cannam
,
Chris
,
Landon
Christian
, and
Sandler
Mark
. “
Sonic Visualiser: An Open Source Application for Viewing, Analysing, and Annotating Music Audio Files
.”
Proceedings of the acm Multimedia International Conference
,
2010
.
Accessed November 29, 2017. www.sonicvisualiser.org
.
Daniel
,
Sharon
. “
Public Secrets
.”
Vectors: Journal of Culture and Technology in a Dy-namic Vernacular
2
, no.
2
(
2007
): .
Dewey
,
John
Art as Experience
.
1934
;
reprinted
,
New York
:
Perigee
,
2005
.
Dolmage
,
Jay
. “
Disability, Usability, Universal Design
.” In
Rhetorically Rethinking Usability
, edited by
Cochran
Susan Miller
and
Rodrigo
Rochelle L.
,
167
90
.
Cresskill
:
Hampton Press
,
2009
.
Dolmage
,
Jay
. “
Evolving Pedagogy
.”
Disability Studies Quarterly
25
, no.
4
(Fall
2005
): .
Dolmage
,
Jay
, and
Lewiecki-Wilson
Cynthia
. “
Refiguring Rhetorica: Linking Feminist Rhetoric and Disability Studies
.” In
Rhetorica in Motion: Feminist Methods and Methodologies
, edited by
Schell
Eileen E.
and
Rawson
K. J.
,
23
38
.
Pittsburgh
:
University of Pittsburgh Press
,
2010
.
Friedner
,
Michele
, and
Helmreich
Stefan
. “
When Deaf Studies Meets Sound Studies
.”
Senses and Society
7
, no.
1
(
2012
):
72
86
.
Goggin
,
Gerard
. “
Cellular Disability: Consumption, Design and Access
.” In
The Sound Studies Reader
, edited by
Sterne
Jonathan
,
372
87
.
London
:
Routledge
,
2012
.
Goodman
,
Steve
.
Sonic Warfare: Sound, Affect, and the Ecology of Fear
.
Cambridge, MA
:
MIT Press
,
2010
.
Hashemi
,
Mahmoud
, and
LaPorte
Stephen
.
Listen to Wikipedia
.
Accessed April 11, 2014. http://listen.hatnote.com
.
Kerschbaum
,
Stephanie
. “
Modality
.” In “
Multimodality in Motion: Disability and Kairotic Spaces
.”
Kairos
18
, no.
1
(
2013
): .
Laumeister
,
Maximillian
.
BitListen
.
Accessed April 11, 2014. www.bitlisten.com
.
Lingold
,
Mary Caton
,
Mueller
Darren
, and
Trettien
Whitney
. “
Introduction
.” In
Provoke! Digital Sound Studies
.
Durham, NC
:
Duke University Press
,
2018
.
Mahoney
,
Jill
. “
The Sound (and Sight and Feel) of Music for the Deaf
.”
Globe and Mail
,
November
9
,
2010
. .
Mills
,
Mara
. “
Deaf Jam: From Inscription to Reproduction to Information
.”
Social Text
28
, no.
1
(Spring
2010
):
35
58
.
Mills
,
Mara
. “
Hearing Aids and the History of Electronics Miniaturization
.” In
The Sound Studies Reader
, edited by
Sterne
Jonathan
,
73
78
.
London
:
Routledge
,
2012
.
PhDeviate
et al
. “
Towards an Open Digital Humanities
.”
THATCamp SoCal
2011
,
January
2011
. .
Porcello
,
Thomas
,
Meintjes
Louise
,
Ochoa
Ana Maria
, and
Samuels
David
. “
The Reorganization of the Sensory World
.”
Annual Review of Anthropology
39
(
2010
):
51
66
.
Pullin
,
Graham
.
Design Meets Disability
.
Cambridge, MA
:
MIT Press
,
2009
.
Sterne
,
Jonathan
. “
Sounds like the Mall of America: Programmed Music and the Architectonics of Commercial Space
.”
Ethnomusicology
41
, no.
1
(
1997
):
22
50
.
Thompson
,
Emily
.
The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933
.
Cambridge, MA
:
MIT Press
,
2002
.
Trower
,
Shelley
Senses of Vibration: A History of the Pleasure and Pain of Sound
.
New York
:
Continuum
,
2012
.
Watson
,
Léonie
. “
How to Write an Accessibility Statement
.”
Nomensa.com
,
February
17
,
2009
. .
Web Accessibility Initiative
. “
Web Content Accessibility Guidelines 2.0 (wcag 2.0, July 2012)
.”
Accessed April 13, 2014. www.w3.org/WAI/intro/wcag
.
Williams
,
George H.
Disability, Universal Design, and the Digital Humanities
.” In
Debates in the Digital Humanities
, edited by
Gold
Matthew K.
,
202
12
.
Minneapolis
:
University of Minnesota Press
,
2012
.
Yergeau
,
Melanie
et al
. “
Multimodality in Motion: Disability and Kairotic Spaces
.”
Kairos
18
, no.
1
(
2013
): .

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References

Works Cited

Birdsall
,
Carolyn
.
Nazi Soundscapes: Sound, Technology and Urban Space in Germany, 1933–1945
.
Amsterdam
:
Amsterdam University Press
,
2012
.
Blesser
,
Barry
.
Spaces Speak, Are You Listening? Experiencing Aural Architecture
.
Cambridge, MA
:
MIT Press
,
2007
.
Brady
,
Erika
.
A Spiral Way: How the Phonograph Changed Ethnography
.
Jackson
:
University Press of Mississippi
,
1999
.
Bretez Site Officiel
. .
Butt
,
John
.
Play with History: The Historical Approach to Musical Performance
.
Cambridge, UK
:
Cambridge University Press
,
2002
.
Cailloce
,
Laure
. “
Écoutez le Paris du XVIIIe siècle
.”
CNRS Le Journal
,
June
16
,
2015
. .
Corbin
,
Alain
.
Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside
.
New York
:
Columbia University Press
,
1998
.
Debertolis
,
Paolo
,
Mizdrak
Slobodan
, and
Savolainen
Heikki
. “
The Research for an Archaeoacoustics Standard: The Right Approach to This New Complementary Science for Archaeology
.”
Paper presented at the Second Virtual International Conference on Advanced Research in Scientific Areas (ARSA–2013)
,
Slovakia
,
December 2–6, 2013
. .
Erlmann
,
Veit
.
Reason and Resonance: A History of Modern Aurality
.
New York
:
Zone Books
/
Cambridge, MA
:
Distributed by MIT Press
,
2010
.
Feld
,
Steven
. “
Acoustemology
.” In
Keywords in Sound
, edited by
Sakakeeny
Matt
and
Novak
David
,
12
21
.
Durham, NC
:
Duke University Press
,
2015
.
Feld
,
Steven
.
Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana
.
Durham, NC
:
Duke University Press
,
2012
.
Geoffroy-Schwinden
,
Rebecca Dowd
. “
Organs of the Soul: Sonic Networks in Eighteenth-Century Paris
.” In
Provoke! Digital Sound Studies
, edited by
Lingold
Mary Caton
,
Mueller
Darren
, and
Trettien
Whitney
.
Duke University Franklin Humanities Institute PhD Lab in Digital Knowledge, Soundbox Project
,
2014
. .
Graham
,
Shawn
,
et al
. “
Hearing the Past
.”
Electric Archaeology
,
January
5
,
2015
. .
Johnson
,
James H.
Listening in Paris: A Cultural History
.
Berkeley
:
University of California Press
,
1996
.
Manaktala
,
Gita
. “
Aural History on the Web: Reconstructing the Past through Sound
.”
MIT Press blog
. .
Mlekuz
,
Dimitrij
. “
Listening to Landscapes: Modeling Past Soundscapes in GIS
.”
Internet Archaeology
16
(
2004
): .
Nancy
,
Jean-Luc
.
Listening
.
New York
:
Fordham University Press
,
2007
.
Ochoa Gautier
,
Ana Maria
.
Aurality: Listening and Knowledge in Nineteenth-Century Colombia
.
Durham, NC
:
Duke University Press
,
2014
.
Rath
,
Richard Cullen
.
How Early America Sounded
.
Ithaca, NY
:
Cornell University Press
,
2003
.
Rodaway
,
Paul
.
Sensuous Geographies: Body, Sense, Place
.
London
:
Routledge
,
1994
.
Sakakeeny
,
Matt
, and
Novak
David
, eds.
Keywords in Sound
.
Durham, NC
:
Duke University Press
,
2015
.
Schafer
,
R. Murray
.
The Soundscape: Our Sonic Environment and the Tuning of Our World
.
Rochester, VT
:
Destiny Books
,
1993
.
Schneider
,
Rebecca
.
Performing Remains: Art and War in Times of Theatrical Reenactment
.
London
:
Routledge
,
2011
.
Smith
,
Bruce R.
The Acoustic World of Early Modern England: Attending to the O-Factor
.
Chicago
:
University of Chicago Press
,
1999
.
Smith
,
Mark M.
Listening to Nineteenth-Century America
.
Chapel Hill
:
University of North Carolina Press
,
2001
.
Smith
,
Mark M.
, ed.
Hearing History: A Reader
.
Athens
:
University of Georgia Press
,
2004
.
Szendy
,
Peter
Listen: A History of Our Ears
.
New York
:
Fordham University Press
,
2008
.
Thompson
,
Emily
. “
The Roaring Twenties: An Interactive Exploration of the Historical Soundscape of New York City
.”
Vectors: Journal of Culture and Technology in a Dynamic Vernacular
(Fall
2013
):
n.p. Accessed November 28, 2017. http://vectorsdev.usc.edu/NYCsound/777b.html
.
Thompson
,
Emily
.
The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933
.
Cambridge, MA
:
MIT Press
,
2002
.
Till
,
Rupert
et al
.
Sounds of Stonehenge
. .
Virtual Paul’s Cross Project
. “
A Digital Re-creation of John Donne’s Gunpowder Day Sermon
.”
Raleigh: North Carolina State University. Accessed
November
27
,
2017
. .
Wall
,
John N.
Recovering Lost Acoustic Spaces: St. Paul’s Cathedral and Paul’s Churchyard in 1622
.”
Digital Studies/Le Champ Numérique, Proceedings of the sdh-semi 2012 Conference
. .
Wall
,
John N.
Transforming the Object of Our Study: The Early Modern Sermon and the Virtual Paul’s Cross Project
.”
Journal of Digital Humanities
3
, no.
1
(Spring
2014
): .
Wall
,
John N.
Virtual Paul’s Cross: The Experience of Public Preaching after the Reformation
.” In
Paul’s Cross and the Culture of Persuasion in England, 1520–1640
, edited by
Kirby
Torrance
and
Stanwood
P. G.
,
61
92
.
Leiden
:
Brill
,
2014
.

Works Cited

Blesser
,
Barry
, and
Salter
Linda-Ruth
.
Spaces Speak, Are You Listening? Experiencing Aural Architecture
.
Cambridge, MA
:
MIT Press
,
2007
.
Cannam
,
Chris
,
Landon
Christian
, and
Sandler
Mark
. “
Sonic Visualiser: An Open Source Application for Viewing, Analysing, and Annotating Music Audio Files
.”
Proceedings of the acm Multimedia International Conference
,
2010
.
Accessed November 29, 2017. www.sonicvisualiser.org
.
Daniel
,
Sharon
. “
Public Secrets
.”
Vectors: Journal of Culture and Technology in a Dy-namic Vernacular
2
, no.
2
(
2007
): .
Dewey
,
John
Art as Experience
.
1934
;
reprinted
,
New York
:
Perigee
,
2005
.
Dolmage
,
Jay
. “
Disability, Usability, Universal Design
.” In
Rhetorically Rethinking Usability
, edited by
Cochran
Susan Miller
and
Rodrigo
Rochelle L.
,
167
90
.
Cresskill
:
Hampton Press
,
2009
.
Dolmage
,
Jay
. “
Evolving Pedagogy
.”
Disability Studies Quarterly
25
, no.
4
(Fall
2005
): .
Dolmage
,
Jay
, and
Lewiecki-Wilson
Cynthia
. “
Refiguring Rhetorica: Linking Feminist Rhetoric and Disability Studies
.” In
Rhetorica in Motion: Feminist Methods and Methodologies
, edited by
Schell
Eileen E.
and
Rawson
K. J.
,
23
38
.
Pittsburgh
:
University of Pittsburgh Press
,
2010
.
Friedner
,
Michele
, and
Helmreich
Stefan
. “
When Deaf Studies Meets Sound Studies
.”
Senses and Society
7
, no.
1
(
2012
):
72
86
.
Goggin
,
Gerard
. “
Cellular Disability: Consumption, Design and Access
.” In
The Sound Studies Reader
, edited by
Sterne
Jonathan
,
372
87
.
London
:
Routledge
,
2012
.
Goodman
,
Steve
.
Sonic Warfare: Sound, Affect, and the Ecology of Fear
.
Cambridge, MA
:
MIT Press
,
2010
.
Hashemi
,
Mahmoud
, and
LaPorte
Stephen
.
Listen to Wikipedia
.
Accessed April 11, 2014. http://listen.hatnote.com
.
Kerschbaum
,
Stephanie
. “
Modality
.” In “
Multimodality in Motion: Disability and Kairotic Spaces
.”
Kairos
18
, no.
1
(
2013
): .
Laumeister
,
Maximillian
.
BitListen
.
Accessed April 11, 2014. www.bitlisten.com
.
Lingold
,
Mary Caton
,
Mueller
Darren
, and
Trettien
Whitney
. “
Introduction
.” In
Provoke! Digital Sound Studies
.
Durham, NC
:
Duke University Press
,
2018
.
Mahoney
,
Jill
. “
The Sound (and Sight and Feel) of Music for the Deaf
.”
Globe and Mail
,
November
9
,
2010
. .
Mills
,
Mara
. “
Deaf Jam: From Inscription to Reproduction to Information
.”
Social Text
28
, no.
1
(Spring
2010
):
35
58
.
Mills
,
Mara
. “
Hearing Aids and the History of Electronics Miniaturization
.” In
The Sound Studies Reader
, edited by
Sterne
Jonathan
,
73
78
.
London
:
Routledge
,
2012
.
PhDeviate
et al
. “
Towards an Open Digital Humanities
.”
THATCamp SoCal
2011
,
January
2011
. .
Porcello
,
Thomas
,
Meintjes
Louise
,
Ochoa
Ana Maria
, and
Samuels
David
. “
The Reorganization of the Sensory World
.”
Annual Review of Anthropology
39
(
2010
):
51
66
.
Pullin
,
Graham
.
Design Meets Disability
.
Cambridge, MA
:
MIT Press
,
2009
.
Sterne
,
Jonathan
. “
Sounds like the Mall of America: Programmed Music and the Architectonics of Commercial Space
.”
Ethnomusicology
41
, no.
1
(
1997
):
22
50
.
Thompson
,
Emily
.
The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933
.
Cambridge, MA
:
MIT Press
,
2002
.
Trower
,
Shelley
Senses of Vibration: A History of the Pleasure and Pain of Sound
.
New York
:
Continuum
,
2012
.
Watson
,
Léonie
. “
How to Write an Accessibility Statement
.”
Nomensa.com
,
February
17
,
2009
. .
Web Accessibility Initiative
. “
Web Content Accessibility Guidelines 2.0 (wcag 2.0, July 2012)
.”
Accessed April 13, 2014. www.w3.org/WAI/intro/wcag
.
Williams
,
George H.
Disability, Universal Design, and the Digital Humanities
.” In
Debates in the Digital Humanities
, edited by
Gold
Matthew K.
,
202
12
.
Minneapolis
:
University of Minnesota Press
,
2012
.
Yergeau
,
Melanie
et al
. “
Multimodality in Motion: Disability and Kairotic Spaces
.”
Kairos
18
, no.
1
(
2013
): .
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