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Works Cited

Aparicio
,
Frances R.
Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures
.
Middletown, CT
:
Wesleyan University Press
,
1998
.
Bailey
,
Moya Z.
All the Digital Humanists Are White, All the Nerds Are Men, but Some of Us Are Brave
.”
Journal of Digital Humanities
1
, no.
1
(Winter
2011
): .
Bender
,
Daniel
,
Corpis
Duane J.
, and
Walkowitz
Daniel
, eds. “
Sound Politics: Critically Listening to the Past
.”
Special issue
,
Radical History Review
121
(
2015
):
1
7
.
Boon
,
Marcus
. “
One Nation under a Groove? Music, Sonic Borders and the Politics of Vibration
.”
Sounding Out!
,
February
4
,
2013
. .
boyd
,
danah
. “
Participating in the Always-On Lifestyle
.” In
The Social Media Reader
, edited by
Mandiberg
Michael
,
71
76
.
New York
:
New York University Press
,
2012
.
Bratich
,
Jack Z.
The Digital Touch: Craft-Work as Immaterial Labour and Ontological Accumulation
.”
Ephemera
10
, nos.
3–4
(
2010
):
303
18
. .
Bull
,
Les
, and
Back
,
Michael
, eds.
The Auditory Culture Reader
.
London
:
Bloomsbury
,
2004
.
Chachra
,
Debbie
. “
Why I Am Not a Maker
.”
Atlantic
,
January
15
,
2015
. .
Charmaz
,
Kathy
.
Constructing Grounded Theory: A Practical Guide through Qualitative Analysis
.
London
:
Sage
,
2006
.
Chow
,
Rey
, and
Steintrager
James
, eds. “
The Sense of Sound
.”
Special issue, differences
22
, nos.
2–3
(
2001
).
Cohen
,
Dan
. “
The Blessay
,”
May
24
,
2012
. .
Cox
,
Christoph
, and
Warner
,
Daniel
, eds.
Audio Culture
.
New York
:
Continuum
,
2004
.
Cummings
,
E. E.
Since Feeling is First
.” In
Selected Poems
.
New York
:
Liveright
,
2007
.
Dawson
,
Ashley
. “
D.I.Y. Academy? Cognitive Capitalism, Humanist Scholarship, and the Digital Transformation
.” In
The Social Media Reader
, edited by
Mandiberg
Michael
,
257
74
.
New York
:
New York University Press
,
2012
.
Drobnik
,
Jim
, ed.
Aural Cultures
.
Toronto
:
YYZ Books
,
2004
.
Edson
,
Michael Peter
. “
Dark Matter: The Dark Matter of the Internet Is Open, Social, Peer-to-Peer, and Read/Write— And It’s the Future of Museums
.”
CODE | WORDS: Technology and Theory in the Museum
,
May
25
,
2014
. .
Erlmann
,
Veit
, ed.
Hearing Cultures: Essays on Sound, Listening, and Modernity
.
London
:
Bloomsbury
,
2004
.
Ferrada
,
Sebastian
. “
so! Reads: Norma Mendoza-Denton’s Homegirls
.”
Sounding Out!
,
October
26
,
2015
. .
Fitzpatrick
,
Kathleen
.
Planned Obsolescence: Publishing, Technology, and the Future of the Academy
.
New York
:
New York University Press
,
2011
.
Hardt
,
Michael
. “
Affective Labor
.”
Boundary 2
26
, no.
2
(
1999
):
89
100
.
Hilmes
,
Michele
. “
Is There a Field Called Sound Culture Studies? And Does It Matter?
American Quarterly
57
, no.
1
(
2005
):
249
59
.
Johnson
,
James H.
Listening in Paris: A Cultural History
.
Berkeley
:
University of California Press
,
1995
.
Kahn
,
Douglas
.
Noise, Water, Meat: A History of Sound in the Arts
.
Cambridge, MA
:
MIT Press
,
1999
.
Kun
,
Josh
.
Audiotopia: Music, Race, and America
.
Berkeley
:
University of California Press
,
2005
.
Kun
,
Josh
, and
Keeling
Kara
, eds. “
Sound Clash: Listening to American Studies
.”
Special issue
,
American Quarterly
633
(
2011
):
445
59
.
Laws
,
Catherine
, ed. “
On Listening
.”
Special issue
,
Performance Research
(
2010
):
1
3
.
McPherson
,
Tara
. “
Why Are the Digital Humanities So White? Or Thinking the Histories of Race and Computation
.” In
Debates in the Digital Humanities
, edited by
Gold
Matthew K.
,
139
60
.
Minneapolis
:
University of Minnesota Press
,
2012
.
Moten
,
Fred
.
In the Break: The Aesthetics of the Black Radical Tradition
.
Minneapolis
:
University of Minnesota Press
,
2003
.
O’Reilly
,
Tim
. “
What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software
.” In
The Social Media Reader
, edited by
Mandiberg
Michael
,
32
52
.
New York
:
New York University Press
,
2012
.
Organization of American Historians
. “
Is Blogging Scholarship? 2014 OAH Annual Meeting
.”
Youtube video
.
April
16
,
2014
. .
Picker
,
John M.
Victorian Soundscapes
.
New York
:
Oxford University Press
,
2003
.
Pinch
,
Trevor
, and
Trocco
Frank
.
Analog Days: The Invention and Impact of the Moog Synthesizer
.
Cambridge, MA
:
Harvard University Press
,
2002
.
Rath
,
Richard Cullen
.
How Early America Sounded
.
Ithaca, NY
:
Cornell University Press
,
2003
.
Sample
,
Mark
. “
What’s Wrong with Writing Essays?
Sample Reality
,
March
29
,
2009
. .
Shirky
,
Clay
. “
Gin, Television, and Social Surplus
.” In
The Social Media Reader
, edited by
Mandiberg
Michael
,
236
41
.
New York
:
New York University Press
,
2012
.
Smith
,
Bruce R.
The Acoustic World of Early Modern England: Attending to the O-Factor
.
Chicago
:
University of Chicago Press
,
1999
.
Smith
,
Mark M.
Hearing History
.
Athens
:
University of Georgia Press
,
2004
.
Solórzano
,
Daniel G.
, and
Yosso
Tara J.
. “
Critical Race Methodology: Counter-Storytelling as an Analytical Framework for Education Research
.”
Qualitative Inquiry
8
, no.
1
(
2002
):
23
44
.
Stadler
,
Gus
, ed. “
The Politics of Recorded Sound
.”
Special issue
,
Social Text
28
, no.
1
(Spring
2010
). .
Sterne
,
Jonathan
.
The Audible Past: Cultural Origins of Sound Reproduction
.
Durham, NC
:
Duke University Press
,
2003
.
Sterne
,
Jonathan
, ed.
The Sound Studies Reader
.
London
:
Routledge
,
2012
.
Sundén
,
Jenny
. “
Technologies of Feeling: Affect between the Analog and the Digital
.” In
Networked Affect
, edited by
Hillis
Ken
,
Paasonen
Susanna
, and
Petit
Michael
,
135
50
.
Cambridge, MA
:
MIT Press
,
2015
.
Thompson
,
Emily Ann
.
The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933
.
Cambridge, MA
:
MIT Press
,
2002
.
Williams
,
Raymond
. “
Community
.” In
Keywords: A Vocabulary of Culture and Society
.Rev. ed.
New York
:
Oxford University Press
,
1983
.

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References

Works Cited

Aparicio
,
Frances R.
Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures
.
Middletown, CT
:
Wesleyan University Press
,
1998
.
Bailey
,
Moya Z.
All the Digital Humanists Are White, All the Nerds Are Men, but Some of Us Are Brave
.”
Journal of Digital Humanities
1
, no.
1
(Winter
2011
): .
Bender
,
Daniel
,
Corpis
Duane J.
, and
Walkowitz
Daniel
, eds. “
Sound Politics: Critically Listening to the Past
.”
Special issue
,
Radical History Review
121
(
2015
):
1
7
.
Boon
,
Marcus
. “
One Nation under a Groove? Music, Sonic Borders and the Politics of Vibration
.”
Sounding Out!
,
February
4
,
2013
. .
boyd
,
danah
. “
Participating in the Always-On Lifestyle
.” In
The Social Media Reader
, edited by
Mandiberg
Michael
,
71
76
.
New York
:
New York University Press
,
2012
.
Bratich
,
Jack Z.
The Digital Touch: Craft-Work as Immaterial Labour and Ontological Accumulation
.”
Ephemera
10
, nos.
3–4
(
2010
):
303
18
. .
Bull
,
Les
, and
Back
,
Michael
, eds.
The Auditory Culture Reader
.
London
:
Bloomsbury
,
2004
.
Chachra
,
Debbie
. “
Why I Am Not a Maker
.”
Atlantic
,
January
15
,
2015
. .
Charmaz
,
Kathy
.
Constructing Grounded Theory: A Practical Guide through Qualitative Analysis
.
London
:
Sage
,
2006
.
Chow
,
Rey
, and
Steintrager
James
, eds. “
The Sense of Sound
.”
Special issue, differences
22
, nos.
2–3
(
2001
).
Cohen
,
Dan
. “
The Blessay
,”
May
24
,
2012
. .
Cox
,
Christoph
, and
Warner
,
Daniel
, eds.
Audio Culture
.
New York
:
Continuum
,
2004
.
Cummings
,
E. E.
Since Feeling is First
.” In
Selected Poems
.
New York
:
Liveright
,
2007
.
Dawson
,
Ashley
. “
D.I.Y. Academy? Cognitive Capitalism, Humanist Scholarship, and the Digital Transformation
.” In
The Social Media Reader
, edited by
Mandiberg
Michael
,
257
74
.
New York
:
New York University Press
,
2012
.
Drobnik
,
Jim
, ed.
Aural Cultures
.
Toronto
:
YYZ Books
,
2004
.
Edson
,
Michael Peter
. “
Dark Matter: The Dark Matter of the Internet Is Open, Social, Peer-to-Peer, and Read/Write— And It’s the Future of Museums
.”
CODE | WORDS: Technology and Theory in the Museum
,
May
25
,
2014
. .
Erlmann
,
Veit
, ed.
Hearing Cultures: Essays on Sound, Listening, and Modernity
.
London
:
Bloomsbury
,
2004
.
Ferrada
,
Sebastian
. “
so! Reads: Norma Mendoza-Denton’s Homegirls
.”
Sounding Out!
,
October
26
,
2015
. .
Fitzpatrick
,
Kathleen
.
Planned Obsolescence: Publishing, Technology, and the Future of the Academy
.
New York
:
New York University Press
,
2011
.
Hardt
,
Michael
. “
Affective Labor
.”
Boundary 2
26
, no.
2
(
1999
):
89
100
.
Hilmes
,
Michele
. “
Is There a Field Called Sound Culture Studies? And Does It Matter?
American Quarterly
57
, no.
1
(
2005
):
249
59
.
Johnson
,
James H.
Listening in Paris: A Cultural History
.
Berkeley
:
University of California Press
,
1995
.
Kahn
,
Douglas
.
Noise, Water, Meat: A History of Sound in the Arts
.
Cambridge, MA
:
MIT Press
,
1999
.
Kun
,
Josh
.
Audiotopia: Music, Race, and America
.
Berkeley
:
University of California Press
,
2005
.
Kun
,
Josh
, and
Keeling
Kara
, eds. “
Sound Clash: Listening to American Studies
.”
Special issue
,
American Quarterly
633
(
2011
):
445
59
.
Laws
,
Catherine
, ed. “
On Listening
.”
Special issue
,
Performance Research
(
2010
):
1
3
.
McPherson
,
Tara
. “
Why Are the Digital Humanities So White? Or Thinking the Histories of Race and Computation
.” In
Debates in the Digital Humanities
, edited by
Gold
Matthew K.
,
139
60
.
Minneapolis
:
University of Minnesota Press
,
2012
.
Moten
,
Fred
.
In the Break: The Aesthetics of the Black Radical Tradition
.
Minneapolis
:
University of Minnesota Press
,
2003
.
O’Reilly
,
Tim
. “
What Is Web 2.0? Design Patterns and Business Models for the Next Generation of Software
.” In
The Social Media Reader
, edited by
Mandiberg
Michael
,
32
52
.
New York
:
New York University Press
,
2012
.
Organization of American Historians
. “
Is Blogging Scholarship? 2014 OAH Annual Meeting
.”
Youtube video
.
April
16
,
2014
. .
Picker
,
John M.
Victorian Soundscapes
.
New York
:
Oxford University Press
,
2003
.
Pinch
,
Trevor
, and
Trocco
Frank
.
Analog Days: The Invention and Impact of the Moog Synthesizer
.
Cambridge, MA
:
Harvard University Press
,
2002
.
Rath
,
Richard Cullen
.
How Early America Sounded
.
Ithaca, NY
:
Cornell University Press
,
2003
.
Sample
,
Mark
. “
What’s Wrong with Writing Essays?
Sample Reality
,
March
29
,
2009
. .
Shirky
,
Clay
. “
Gin, Television, and Social Surplus
.” In
The Social Media Reader
, edited by
Mandiberg
Michael
,
236
41
.
New York
:
New York University Press
,
2012
.
Smith
,
Bruce R.
The Acoustic World of Early Modern England: Attending to the O-Factor
.
Chicago
:
University of Chicago Press
,
1999
.
Smith
,
Mark M.
Hearing History
.
Athens
:
University of Georgia Press
,
2004
.
Solórzano
,
Daniel G.
, and
Yosso
Tara J.
. “
Critical Race Methodology: Counter-Storytelling as an Analytical Framework for Education Research
.”
Qualitative Inquiry
8
, no.
1
(
2002
):
23
44
.
Stadler
,
Gus
, ed. “
The Politics of Recorded Sound
.”
Special issue
,
Social Text
28
, no.
1
(Spring
2010
). .
Sterne
,
Jonathan
.
The Audible Past: Cultural Origins of Sound Reproduction
.
Durham, NC
:
Duke University Press
,
2003
.
Sterne
,
Jonathan
, ed.
The Sound Studies Reader
.
London
:
Routledge
,
2012
.
Sundén
,
Jenny
. “
Technologies of Feeling: Affect between the Analog and the Digital
.” In
Networked Affect
, edited by
Hillis
Ken
,
Paasonen
Susanna
, and
Petit
Michael
,
135
50
.
Cambridge, MA
:
MIT Press
,
2015
.
Thompson
,
Emily Ann
.
The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933
.
Cambridge, MA
:
MIT Press
,
2002
.
Williams
,
Raymond
. “
Community
.” In
Keywords: A Vocabulary of Culture and Society
.Rev. ed.
New York
:
Oxford University Press
,
1983
.
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