Skip to Main Content
Skip Nav Destination

Chapter 1 focuses on Afro-Argentine swing guitarist Oscar Alemán, who leveraged his phenotypical blackness and his musical talent in order to build a career that took him from Brazil to Buenos Aires to Paris and back to the Argentine capital. Over the course of his career, Alemán performed multiple black identities, responding creatively to his audiences’ varied racial expectations. In the Parisian nightclubs of the 1930s, being black gave him a certain cachet. Similarly, once he returned to Buenos Aires in 1940, his racial identity strengthened his claim to being Argentina’s most authentic jazz musician. Yet as a black jazz musician, he challenged ideas about Argentine national identity in ways that ultimately limited his career horizons. Alemán’s commercial success in Argentina during the 1940s and 1950s problematizes simplistic accounts of Argentine racism. Nevertheless, his association with a version of blackness that alluded to Brazilian tropicalism and Parisian nightlife eventually limited his appeal.

This content is only available as PDF.

Bibliography

Bibliography
Adamovsky
,
Ezequiel
.
Historia de la clase media argentina: Apogeo y decadencia de una ilusión
.
Buenos Aires
:
Planeta
,
2009
.
Agawu
,
Kofi
.
Representing African Music: Postcolonial Notes, Queries, Positions
.
New York
:
Routledge
,
2003
.
Agostini
,
Roberto
. “
Sanremo Effects: The Festival and the Italian Canzone (1950s–1960s)
.” In
Made in Italy: Studies in Popular Music
, edited by
Fabbri
Franco
and
Plastino
Goffredo
,
28
40
.
New York
:
Routledge
,
2014
.
Alabarces
,
Pablo
.
Entre gatos y violadores
.
Buenos Aires
:
Colihue
,
1993
.
Alabarces
,
Pablo
.
Peronistas, populistas y plebeyos: Crónicas de cultura y política
.
Buenos Aires
:
Prometeo
,
2011
.
Alabarces
,
Pablo
, and
Silba
Malvina
. “
‘Las manos de todos los negros, arriba’: Género, etnia y clase en la cumbia argentina
.”
Cultura y representaciones sociales
8
:
16
(
2014
):
52
74
.
Anchou
,
Gregorio
. “
El sueño industrial en emergencia: Los jóvenes realizadores cuestionan a los viejos lenguajes
.” In
Cine argentino: Modernidad y vanguardias, 1957–1983
, vol.
2
, edited by
España
Claudio
,
434
63
.
Buenos Aires
:
Fondo Nacional de las Artes
,
2005
.
Andrews
,
George Reid
.
The Afro-Argentines of Buenos Aires 1800–1900
.
Madison
:
University of Wisconsin Press
,
1980
.
Appadurai
,
Arjun
.
Modernity at Large: Cultural Dimensions of Globalization
.
Minneapolis
:
University of Minnesota Press
,
1996
.
Araújo
,
Samuel M.
Brega: Music and Conflict in Urban Brazil
.”
Latin American Music Review
9
:
1
(
1988
):
50
89
.
Archer-Straw
,
Petrine
.
Negrophilia: Avant-Garde Paris and Black Culture in the 1920s
.
London
:
Thames & Hudson
,
2000
.
Ardiles Gray
,
Julio
.
Historias de artistas contadas por ellos mismos
.
Buenos Aires
:
Belgrano
,
1981
.
Austerlitz
,
Paul
.
Jazz Consciousness: Music, Race, and Humanity
.
Middletown, CT
:
Wesleyan
,
2005
.
Avant-Mier
,
Roberto
.
Rock the Nation: Latin/o Identities and the Latin Rock Diaspora
.
London
:
Continuum
,
2010
.
Azzi
,
María Susan
, and
Collier
Simon
.
Le Grand Tango: The Life and Music of Astor Piazzola
.
Oxford
:
Oxford University Press
,
2000
.
Bakker
,
Gerben
. “
Adopting the Rights-Based Model: Music Multinationals and Local Music Industries since 1945
.”
Popular Music History
6
:
3
(
2011
):
330
.
Barr-Melej
,
Patrick
.
Cultural Politics, Nationalism and the Rise of the Middle Class
.
Chapel Hill
:
University of North Carolina Press
,
2001
.
Beal
,
Amy C.
Carla Bley
.
Urbana, IL
:
University of Illinois Press
,
2011
.
Bergmeier
,
Horst P. J.
, and
Lotz
Rainer E.
. “
James Arthur Briggs
.”
Black Music Research Journal
30
:
1
(
2010
):
93
181
.
Berti
,
Eduardo
.
Rockología: documentos de los ’80
.
Buenos Aires
:
Beas
,
1994
.
Blanc
,
Enrique
.
Flashback: La aventura del periodismo musical
.
Guadalajara
:
Universidad de Guadalajara
,
2012
.
Borge
,
Jason
. “
Dark Pursuits: Race and Early Argentine Jazz Criticism
.”
Afro-Hispanic Review
30
:
1
(
2011
):
63
80
.
Bose
,
Sugata
.
A Hundred Horizons: The Indian Ocean in the Age of Global Empire
.
Cambridge, MA
:
Harvard University Press
,
2006
.
Braceli
,
Rodolfo
.
Mercedes Sosa, La Negra
. 2nd ed.
Buenos Aires
:
Sudamericana
,
2010
.
Brizuela
,
Leopoldo
.
Cantar la vida: reportajes acinco cantantes argentinas
.
Buenos Aires
:
El Ateneo
,
1992
.
Burns
,
Gary
. “
DVD Review: This is Tom Jones: Volume One, Rock and Roll Legends
.”
Popular Music and Society
33
:
3
(
2010
):
418
.
Burton
,
Gary
.
Learning to Listen: The Jazz Journey of Gary Burton
.
Boston
:
Berklee Press
,
2013
.
Butler
,
David
.
Jazz Noir: Listening to Music from Phantom Lady to the Last Seduction
.
Westport, CT
:
Praeger
,
2002
.
Calderón
,
Héctor
. “
The Mexico City–Los Angeles Cultural Mosh Pits: Maldita Vecindad, a Chilanga-Chicana Rock Banda de Pueblo
.”
Aztlán
31
:
1
(
2006
):
95
137
.
Cannata
,
David
. “
Making It There: Piazzolla’s New York Concerts
.”
Latin American Music Review
26
:
1
(
2005
):
57
87
.
Caparrós
,
Martín
. “
El mejor argentino
.”
Crítica de la Argentina
,
1/8/10
.
Carassai
,
Sebastián
.
The Argentine Silent Majority: Middle Classes, Politics, Violence, and Memory in the Seventies
.
Durham, NC
:
Duke University Press
,
2014
.
Carella
,
Tulio
.
El Tango. Mito y Esencia
.
Buenos Aires
:
Ediciones doble p
,
1956
.
Carnicer
,
Lucio Raúl
. “
Arco Iris: cómo pintar con colores locales un fenómeno universal
.”
I Congresso Internacional de Estudos de Rock
.
Universidade Estadual Do Oeste Do Paraná
,
2013
.
Carrillo Rodríguez
,
Illa
. “
Latinoamericana de Tucumán: Mercedes Sosa y los itineraries de la música popular argentina en la larga década del sesenta
.” In
Ese ardiente jardín de la República: Formación y desarticulación de un “campo” cultural: Tucumán, 1880–1975
, edited by
Orquera
Fabiola
,
239
63
.
Córdoba
:
Alción Editora
,
2010
.
Carrillo Rodríguez
,
Illa
. “
Popular Music and the Work of Recollection in Early 1980s Argentina
.”
Congress of the Latin American Studies Association
,
Rio de Janeiro, Brazil
,
2009
.
Carrillo Rodríguez
,
Illa
. “
The Revolutionary Patria and Its New (Wo)Men: Gendered Tropes of Political Agency and Popular Identity in Argentine Folk Music of the Long 1960s
.” In
The Militant Song Movement in Latin America: Chile, Uruguay, and Argentina
, edited by
Vila
Pablo
,
229
47
.
Lanham, MD
:
Lexington Books
,
2014
.
Castro
,
Donald S.
The Afro-Argentine in Argentine Culture: El Negro del Acordeón
.
Lewiston, NY
:
Edwin Mellen
,
2001
.
Centro de Estudios Legales y Sociales
. “
Síntesis de prensa de la visita de la CIDH a la Argentina en 1979
.” .
Cepeda
,
María Elena
.
Musical ImagiNation: U.S.–Colombian Identity and the Latin Music Boom
.
New York
:
New York University Press
,
2010
.
Cepeda Sánchez
,
Hernando
. “
Apropiaciones de la modernidad cultural: Las representaciones de la nación argentina y colombiana desde las agrupaciones musicales La Columna de Fuego y Arco Iris
.”
Estudios sobre las Culturas Contemporáneas
19
:
37
(
2013
):
39
66
.
Chamosa
,
Oscar
.
The Argentine Folklore Movement: Sugar Elites, Criollo Workers, and the Politics of Cultural Nationalism, 1900–1955
.
Tucson
:
University of Arizona Press
,
2010
.
Chamosa
,
Oscar
.
Breve historia del folclore argentino (1920–1970): Identidad, política y nación
.
Buenos Aires
:
Edhasa
,
2012
.
Chamosa
,
Oscar
. “
Indigenous or Criollo: The Myth of White Argentina in Tucumán’s Calchaquí Valley
.”
Hispanic American Historical Review
88
:
1
(
2008
):
71
106
.
Chamosa
,
Oscar
. “
El Movimiento Folklórico: De Perón a La Revolución Libertadora (1945–1958)
.” In
El Primer Peronismo En Tucumán. Avances Y Nuevas Perspectivas
, edited by
Gutiérrez
Florencia
and
Rubinstein
Gustavo
,
249
70
.
Tucumán
:
EDUNT
,
2012
.
Chasteen
,
John Charles
.
National Rhythms, African Roots: The Deep History of Latin American Popular Dance
.
Albuquerque
:
University of New Mexico Press
,
2004
.
Citro
,
Silvia
. “
Ritual Transgression and Grotesque Realism in 1990s Rock Music: An Ethnographer among the Bersuit
.” In
Youth Identities and Argentine Popular Music
, edited by
Semán
Pablo
and
Vila
Pablo
,
19
39
.
New York
:
Palgrave Macmillan
,
2012
.
Coleman
,
Bill
.
Trumpet Story
.
Boston
:
Northeastern University Press
,
1991
.
Corona
,
Ignacio
. “
The Politics of Language, Class, and Nation in Mexico’s Rock En Español Movement
.” In
Song and Social Change in Latin America
, edited by
Shaw
Lauren
,
91
121
.
Lanham, MD
:
Lexington Books
,
2013
.
Corona
,
Ignacio
, and
Madrid
Alejandro L.
. “
Introduction: The Postnational Turn in Music Scholarship and Music Marketing
.” In
Postnational Musical Identities. Cultural Production, Distribution, and Consumption in a Globalized Scenario
, edited by
Corona
and
Madrid
,
3
22
.
Lanham, MD
:
Lexington Books
,
2008
.
Cosse
,
Isabella
.
Pareja, sexualidad y familia en los años sesenta: Una revolución discreta en Buenos Aires
.
Buenos Aires
:
Siglo XXI
,
2010
.
Cruz
,
José E.
A Year in the Life of Salsa Meets Jazz
.” .
Dalton
,
Karen C. C.
, and
Gates
Henry Louis
Jr
. “
Josephine Baker and Paul Colin: African American Dance Seen through Parisian Eyes
.”
Critical Inquiry
24
:
4
(
1998
):
903
34
.
Davis
,
Darién J.
White Face, Black Mask: Africaneity and the Early Social History of Popular Music in Brazil
.
East Lansing
:
Michigan State University Press
,
2009
.
de la Peza
,
Carmen
. “
Panteón Rococó: Mexican Ska and Collective Memory
.”
Intercultural Communication Studies
19
:
3
(
2010
):
112
23
.
Del Mazo
,
Mariano
.
Sandro: El fuego eterno
.
Buenos Aires
:
Aguilar
,
2009
.
del Valle
,
Ignacio
. “
Independencia y cine histórico en Argentina, Cuba y Chile (1968–1976). Reinterpretando el mito nacional
.”
Cinémas d’amerique latine
18
(
2010
):
5
8
.
Dewar
,
Andrew Raffo
. “
Hot and Cool from Buenos Aires to Chicago: Guillermo Gregorio’s jazz cosmopolitanism
.”
Jazz Research Journal
6
:
2
(
2012
):
151
69
.
Díaz
,
Claudio F.
Variaciones sobre el “ser nacional”: una aproximación sociodiscursiva al “folklore” argentino
.
Córdoba
:
Recovecos
,
2009
.
Drago
,
Alejandro Marcelo
. “
Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor’s Perspective
.”
PhD diss.
,
University of Southern Mississippi
,
2008
.
Dregni
,
Michael
.
Django: The Life and Music of a Gypsy Legend
.
New York
:
Oxford University Press
,
2004
.
Duany
,
Jorge
.
The Puerto Rican Nation on the Move: Identities on the Island and in the United States
.
Chapel Hill
:
University of North Carolina Press
,
2002
.
Durán
,
Thelma G.
, and
Barrios
Fernando
.
El grito del rock mexicano
.
Mexico City
:
Ediciones del Milenio
,
1995
.
Eddy
,
Chuck
. “
City of Dreams: Rock in Mexico
.”
Rock and Roll Always Forgets: A Quarter Century of Music Criticism
.
Durham, NC
:
Duke University Press
,
2011
.
Elena
,
Eduardo
. “
Argentina in Black and White: Race, Peronism, and the Color of Politics, 1940s to the Present
.” In
Rethinking Race in Modern Argentina
, edited by
Alberto
Paulina
and
Elena
Eduardo
.
Cambridge
:
Cambridge University Press
,
2016
.
Emerson
,
Ken
.
Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era
.
New York
:
Penguin
,
2006
.
Erlmann
,
Veit
. “
The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s
.”
Public Culture
8
(
1996
):
467
87
.
Falicov
,
Tamara
. “
Hollywood’s Rogue Neighbor: The Argentine Film Industry during the Good Neighbor Policy, 1939–1945
.”
The Americas
63
:
2
(
2006
):
245
60
.
Fellezs
,
Kevin
.
Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion
.
Durham, NC
:
Duke University Press
,
2011
.
Fernández
,
Raúl A.
From Afro-Cuban Rhythms to Latin Jazz
.
Berkeley
:
University of California Press
,
2006
.
Fernández Bitar
,
Marcelo
.
Historia del rock en Argentina: una investigación cronológica
.
Buenos Aires
:
El Juglar
,
1987
.
Fernández L’Hoeste
,
Héctor D.
On How Bloque de Búsqueda Lost Part of Its Name: The Predicament of Colombian Rock in the U.S. Market
.” In
Rockin’ Las Américas: The Global Politics of Rock in Latin/o America
, edited by
Hernández
Deborah Pacini
,
L’Hoeste
Héctor Fernández
, and
Zolov
Eric
,
179
99
.
Pittsburgh
:
University of Pittsburgh Press
,
2004
.
Fernández L’Hoeste
,
Héctor D.
, and
Vila
Pablo
, eds.
Cumbia! Scenes of a Migrant Latin American Music Genre
.
Durham, NC
:
Duke University Press
,
2013
.
Fischerman
,
Diego
. “
El nacimiento del cool argentino
.”
Página 12
(
December
13
,
2006
).
Fischerman
,
Diego
. “
Mucho más que folklore
,”
Página 12
, (
October
5
,
2009
).
Fischerman
,
Diego
, and
Gilbert
Abel
.
Piazzolla el mal entendido
.
Buenos Aires
:
Edhasa
,
2009
.
Flores
,
Daniel
.
La manera correcta de gritar
.
Buenos Aires
:
Kaicron
,
2013
.
Florine
,
Jane L.
‘Cuarteto’: Dance-Hall Entertainment or People’s Music?
Latin American Music Review
19
:
1
(
April
1998
):
31
46
.
Franco
,
Marina
.
Un enemigo para la nación: Orden interno, violencia y “subversion,” 1973–1976
.
Buenos Aires
:
Fondo de Cultura Económica
,
2012
.
Frigerio
,
Alejandro
. “
‘Negros’ y ‘Blancos’ en Buenos Aires: Repensando nuestras categorías raciales
.” In
Buenos Aires negra: Identidad y cultura
, edited by
Maronese
Leticia
,
88
93
.
Buenos Aires
,
2006
.
Frith
,
Simon
. “
Music and Identity
.” In
Questions of Cultural Identity
, edited by
Hall
Stuart
and
du Gay
Paul
,
108
27
.
London
:
Sage
,
1996
.
Fusco
,
Coco
. “
The Tango of Esthetics and Politics: An Interview with Fernando Solanas
.”
Cinéaste
16
:
1/2
(
1987–88
):
57
59
.
Gabbard
,
Krin
. “
Introduction: The Jazz Canon and Its Consequences
.” In
Jazz among the Discourses
, edited by
Gabbard
Krin
,
1
28
.
Durham, NC
:
Duke University Press
,
1995
.
Gaffet
,
Hernán
.
Oscar Alemán: Vida con swing. DVD
.
Buenos Aires
:
La pintada
,
2002
.
García
,
María Inés
. “
Música y radio en Mendoza, Argentina: la práctica musical de Tito Francia
.”
Latin American Music Review
24
:
2
(
2003
):
252
69
.
García
,
María Inés
.
Tito Francia y la música en Mendoza, de la radio al Nuevo Cancionero
.
Buenos Aires
:
Gourmet Musical
,
2010
.
García
,
María Inés
,
Greco
María Emilia
, and
Bravo
Nazareno
. “
Testimonial del Nuevo Cancionero: las prácticas musicales como discurso social y el rol del intellectual comprometido en la década del sesenta
.”
Resonancias
18
:
34
(
2014
):
89
110
.
García Brunelli
,
Omar
. “
De Woodstock a B.A.: Análisis de Camorra I, II Y III
.” In
Estudios Sobre La Obra de Astor Piazzolla
, edited by
Brunelli
Omar García
,
109
26
.
Buenos Aires
:
Gourmet Musical
,
2008
.
García Canclini
,
Néstor
.
Hybrid Cultures: Strategies for Entering and Leaving Modernity
.
Minneapolis
:
University of Minnesota Press
,
1995
.
García Canclini
,
Néstor
.
Imagined Globalization
. Translated by
Yúdice
George
.
Durham, NC
:
Duke University Press
,
2014
.
Garguin
,
Enrique
. “
‘Los argentinos descendemos de los barcos’: articulación racial de la identidad de clase media en Argentina (1920–1960)
.” In
Moralidades, economías e identidades de clase media: estudios históricos y etnográficos
, edited by
Visacovsky
Sergio Eduardo
and
Garguin
Enrique
,
61
94
.
Buenos Aires
:
Antropofagia
,
2009
.
Garofalo
,
Reebee
, ed.
Rockin’ the Boat: Mass Music and Mass Movements
.
Boston
:
South End Press
,
1992
.
Garrett
,
Charles Hiroshi
.
Struggling to Define a Nation: American Music and the Twentieth Century
.
Berkeley
:
University of California Press
,
2008
.
Garriga Zucal
,
José
. “
’Rockers’ Moral Limits in the Construction of Musical Communities
.” In
Youth Identities and Argentine Popular Music
, edited by
Semán
Pablo
and
Vila
Pablo
,
49
53
.
New York
:
Palgrave Macmillan
,
2012
.
Gendron
,
Bernard
.
Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde
.
Chicago, IL
:
University of Chicago Press
,
2002
.
Giddins
,
Gary
.
Visions of Jazz: The First Century
.
New York
:
Oxford University Press
,
1998
.
Gieco
,
León
.
De Ushuaia a La Quiaca
.
Buenos Aires
:
Retina
,
2004
.
Gillespie
,
Dizzy
, with
Fraser
Al
.
To Be, or Not … to Bop
.
1979
;
reprint
Minneapolis
:
University of Minnesota Press
,
2009
.
Gillett
,
Charlie
.
The Sound of the City: The Rise of Rock and Roll
.
New York
:
Pantheon
,
1970
.
Giunta
,
Andrea
.
Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties
.
Durham, NC
:
Duke University Press
,
2007
.
Goldschmitt
,
Kariann
. “
Doing the Bossa Nova: The Curious Life of a Social Dance in 1960s North America
.”
Luso-Brazilian Review
48
:
1
(
2011
):
61
78
.
González
,
Fernando
.
Liner Notes. Pablo Aslan Quintet
,
Piazzolla in Brooklyn and the Rebirth of Jazz Tango
.
Soundbrush Records
,
2011
.
Gordillo
,
Mónica
.
Piquetes y cacerolas: El “argentinazo” del 2001
.
Buenos Aires
:
Sudamericana
,
2011
.
Gorin
,
Natalio
.
Astor Piazzolla: A Memoir
. Translated by
Gonzalez
Fernando
.
Portland, OR
:
Amadeus Press
,
2001
.
Gravano
,
Ariel
.
El silencio y la porfía
.
Buenos Aires
:
Corregidor
,
1985
.
Grinberg
,
Miguel
.
Como vino la mano: orígenes del rock argentino
.
Buenos Aires
:
Gourmet Musical
,
2008
.
Gronow
,
Pekka
. “
The Record Industry: The Growth of a Mass Medium
.”
Popular Music
3
(
1983
):
53
75
.
Guerrero
,
Juliana
. “
De Ushuaia a La Quiaca: Vicisitudes de la música popular argentina
.”
Actas Buenos Aires, IASPM-AL
,
2005
.
Guzmán Bouvard
,
Margueritte
.
Revolutionizing Motherhood: The Mothers of the Plaza de Mayo
.
Lanham, MD
:
Scholarly Resources
,
1994
.
Hanke
,
Bob
. “
‘Yo Quiero Mi MTV!’: Making Music Television for Latin America
.” In
The Popular Music Studies Reader
, edited by
Bennett
A.
,
Toynbee
J.
, and
Shank
B.
,
317
25
.
New York
:
Routledge
,
2006
.
Hentoff
,
Nat
.
Jazz Is
.
New York
:
Random House
,
1976
.
Hertzman
,
Marc A.
Making Samba: A New History of Race and Music in Brazil
.
Durham, NC
:
Duke University Press
,
2013
.
Ibarra
,
Jesús
.
Los Bracho: Tres generaciones de cine mexicano
.
Mexico City
:
UNAM
,
2006
.
Jackson
,
Jeffrey H.
Making Jazz French: Music and Modern Life in Interwar Paris
.
Durham, NC
:
Duke University Press
,
2003
.
Jaramillo Agudelo
,
Darío
.
Poesía en la canción popular latinoamericana
.
Valencia
:
Pre-Textos
,
2008
.
Jiménez
,
Andrés E.
La Nueva Ola y la explosion del mercado discográfico
.”
Todo es Historia
421
(
2002
):
6
17
.
Johnson
,
Dexter
.
Liner notes to Oscar Alemán: Swing Guitar Masterpieces, 1938–1957
.
Acoustic Disc
,
1998
.
Jost
,
Ekkehard
.
Free Jazz
.
1975
;
reprint
Boston
:
Da Capo Press
,
1994
.
Jules-Rosette
,
Bennetta
.
Josephine Baker in Art and Life: The Icon and the Image
. 1st ed.
Urbana, IL
:
University of Illinois Press
,
2007
.
Kahn
,
Ashley
.
The House that Trane Built: The Story of Impulse Records
.
New York
:
Norton
,
2006
.
Kaliman
,
Ricardo J.
Alhajita es tu canto: El capital simbólico de Atahualpa Yupanqui
.
Tucumán
:
UNT
,
2003
.
Karush
,
Matthew B.
Blackness in Argentina: Jazz, Tango, and Race before Perón
.”
Past and Present
216
(
August
2012
):
215
45
.
Karush
,
Matthew B.
Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946
.
Durham, NC
:
Duke University Press
,
2012
.
Kleiman
,
Claudio
. “
Gustavo Santaolalla cuenta sus quince años de rock
.”
Expreso Imaginario
22
(
May
1978
):
27
35
.
Koert
,
Hans
. “
Online Oscar Alemán Discography
.” .
Koert
,
Hans
. “
Oscar Alemán 1930–1931
.” .
Koert
,
Hans
. “
Oscar Alemán: Star of the 7de Jazzwereldfeest in Scheveningen (1939)
.” .
Kun
,
Josh
.
Audiotopia: Music, Race, and America
.
Berkeley
:
University of California Press
,
2005
.
Kuri
,
Carlos
.
Piazzolla, la música límite
.
Buenos Aires
:
Corregidor
,
1997
.
Kutnowski
,
Martín
. “
Instrumental Rubato and Phrase Structure in Astor Piazzolla’s Music
.”
Latin American Music Review
23
:
1
(
2002
):
106
13
.
Labra
,
Diego
. “
La duda y la ironía. Un recorrido de los años sesenta a través de la filmografía selecta de Rodolfo Kuhn
.”
Estudios de Teoría Literaria
2
:
3
(
2013
):
99
112
.
Laing
,
Dave
. “
The Recording Industry in the Twentieth Century
.” In
The International Recording Industries
, edited by
Marshall
Lee
,
31
52
.
New York
:
Routledge
,
2013
.
Lechner
,
Ernesto
.
Rock en Español: The Latin Alternative Rock Explosion
.
Chicago, IL
:
Chicago Review Press
,
2006
.
Lewis
,
George E.
A Power Stronger than Itself: The AACM and American Experimental Music
.
Chicago, IL
:
University of Chicago Press
,
2008
.
Leydon
,
Rebecca
. “
Utopias of the Tropics: The Exotic Music of Les Baxter and Yma Sumac
.” in
Widening the Horizon: Exoticism in Post-war Popular Music
, edited by
Hayward
Philip
,
45
71
.
Sydney
:
John Libbey
,
1999
.
Lipsitz
,
George
. “
Land of a Thousand Dances: Youth, Minorities, and the Rise of Rock and Roll
.” In
Recasting America: Culture and Politics in the Age of the Cold War
, edited by
May
Lary
,
267
83
.
Chicago, IL
:
University of Chicago Press
,
1989
.
Long
,
Kevin
. “
Epicenter of a Scene
.”
February
14
,
2009
. .
López Ruiz
,
Oscar
.
Piazzolla loco loco loco: 25 años de laburo y jodas conviviendo con un genio
.
Montevideo, UY
:
Ediciones de la Urraca
,
1994
.
Loza
,
Steven
.
Tito Puente and the Making of Latin Music
.
Urbana
:
University of Illinois Press
,
1999
.
Luna
,
Félix
. “
Mis encuentros con el folklore
.”
Todo es historia
500
(
2009
):
58
63
.
Lunardelli
,
Laura
.
Alternatividad, divino tesoro: el rock argentino en los 90
.
Buenos Aires
:
Biblos
,
2002
.
Madoery
,
Diego
. “
Gustavo Santaolalla. El productor artístico en el contexto del rock latinoamericano
.”
Actas Del VI Congreso de La Rama Latinoamericana iaspm
,
2005
. .
Malvicino
,
Horacio
.
El tano y yo
.
Buenos Aires
:
Corregidor
,
2007
.
Mamani
,
Ariel
. “
Réquiem para un cóndor ciego: Juan Lavalle según la visión estetizada de la dupla Sabato-Falú
.”
Prohistoria
10
(
2006
):
173
84
.
Manrupe
,
Raúl
, and
Portela
María Alejandra
.
Un diccionario de films argentinos (1930–1995)
.
Buenos Aires
:
Corregidor
,
2001
.
Manuel
,
Peter
. “
Salsa and the Music Industry: Corporate Control or Grassroots Expression?
” In
Essays on Cuban Music: North American and Cuban Perspectives
, edited by
Manuel
Peter
,
159
80
.
Lanham, MD
:
University Press of America
,
1991
.
Manzano
,
Valeria
.
The Age of Youth in Argentina: Culture, Politics, and Sexuality from Perón to Videla
.
Chapel Hill
:
University of North Carolina Press
,
2014
.
Maranghello
,
César
. “
Cine y política: Las nuevas leyes de cine
.” In
Cine argentino: Modernidad y vanguardias, 1957–1983
, vol.
2
, edited by
España
Claudio
,
338
57
.
Buenos Aires
:
Fondo Nacional de las Artes
,
2005
.
Marchi
,
Sergio
.
El rock perdido: de los hippies a la cultura chabona
.
Buenos Aires
:
Capital Intelectual
,
2005
.
Marchini
,
M. Darío
.
No toquen: músicos populares, gobierno y sociedad: De la utopía a la persecución y las listas negras en la Argentina 1960–1983
.
Buenos Aires
:
Catálagos
,
2008
.
Maronese
,
Leticia
, ed.
Patrimonio cultural Gitano
.
Buenos Aires
:
Comisión para el Patrimonio Histórico y Cultural de la Ciudad de Buenos Aires
,
2005
.
Martín
,
Eloísa
. “
Cumbia Villera and the End of the Culture of Work in Argentina in the 90s
.” In
Youth Identities and Argentine Popular Music
, edited by
Semán
Pablo
and
Vila
Pablo
,
59
81
.
New York
:
Palgrave Macmillan
,
2012
.
Martínez
,
Rubén
. “
Corazón del Rocanrol
.” In
Fragments of a Golden Age: The Politics of Culture in Mexico Since 1940
, edited by
Joseph
Gilbert
,
Rubenstein
Anne
, and
Zolov
Eric
,
373
86
.
Durham, NC
:
Duke University Press
,
2001
.
Matallana
,
Andrea
.
El tango entre dos Américas. La representación del tango en Estados Unidos, 1910–1939
.
Buenos Aires
:
A Contracorriente
,
2013
.
Matallana
,
Andrea
.
“Locos por la radio”: Una historia social de la radiofonía en la Argentina, 1923–1947
.
Buenos Aires
:
Prometeo
,
2006
.
Mauriño
,
Gabriela
. “
Raíces tangueras de la obra de Astor Piazzolla
.”
Latin American Music
22
:
2
(
2001
):
240
54
.
McCann
,
Bryan
. “
Blues and Samba: Another Side of Bossa Nova History
.”
Luso-Brazilian Review
44
:
2
(
2007
):
21
49
.
McCann
,
Bryan
.
Hello, Hello Brazil: Popular Music in the Making of Modern Brazil
.
Durham, NC
:
Duke University Press
,
2004
.
Mello
,
Jorge
. “
Gastão Bueno Lobo: The Man Who Introduced the Banjo to Brazil
.”
Musica Brasiliensis
,
July
18
,
2007
. .
Milanesio
,
Natalia
. “
Peronists and Cabecitas: Stereotypes and Anxieties at the Peak of Social Change
.” In
The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina
, edited by
Karush
Matthew B.
and
Chamosa
Oscar
,
53
84
.
Durham, NC
:
Duke University Press
,
2010
.
Miller
,
Karl Hagstrom
. “
Crossover Schemes: New York Salsa as Politics, Culture, and Commerce
.” In
Rhythm and Business: The Policital Economy of Black Music
, edited by
Kelley
Norman
,
172
98
.
New York
:
Akashic Books
,
2005
.
Miller
,
Karl Hagstrom
.
Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow
.
Durham, NC
:
Duke University Press
,
2010
.
Miller
,
Richard
. “
African Rhythms in Brazilian Popular Music: Tango Brasileiro, Maxixe, and Choro
.”
Luso-Brazilian Review
48
:
1
(
2011
):
7
10
.
Misemer
,
Sarah M.
Secular Saints: Performing Frida Kahlo, Carlos Gardel, Eva Perón, and Selena
.
Woodbridge
:
Temesis
,
2008
.
Molinero
,
Carlos D.
Militancia de la canción: Política en el canto folklórico de la Argentina (1944/1975)
.
Buenos Aires
:
De Aquí a la Vuelta
,
2011
.
Molinero
,
Carlos D.
, and
Vila
Pablo
. “
Raza y canción: la representación del indígena en la canción folklórica argentina
,”
Latin American Studies Association. Rio de Janeiro
,
2009
.
Molinero
,
Carlos D.
, and
Vila
Pablo
. “
A Brief History of the Militant Song Movement in Argentina
.” In
The Militant Song Movement: Chile, Uruguay, and Argentina
, edited by
Vila
Pablo
,
193
227
.
Lanham, MD
:
Lexington Books
,
2014
.
Mora
,
G. Cristina
.
Making Hispanics: How Activists, Bureaucrats, and Media Constructed a New American
.
Chicago
:
University of Chicago Press
,
2014
.
Moreno
,
Jairo
. “
Bauza-Gillespie-Latin/Jazz: Difference, Modernity, and the Black Caribbean
.”
South Atlantic Quarterly
103
:
1
(
2004
):
81
99
.
Moreno
,
Julio
.
Yankee Don’t Go Home: Mexican Nationalism, American Business Culture, and the Shaping of Modern Mexico, 1920–1950
.
Chapel Hill
:
University of North Carolina Press
,
2003
.
Negus
,
Keith
.
Music Genres and Corporate Cultures
.
New York
:
Routledge
,
1999
.
Nevarez
,
Leonard
. “
Tito Larriva: The hombre secreto of L.A.’s Culture Industry
.”
Musical Urbanism
.
December
31
,
2012
. .
Ochoa Gauthier
,
Ana María
.
Músicas locales en tiempos de globalización
.
Buenos Aires
:
Norma
,
2003
.
Ochoa Gauthier
,
Ana María
, and
Yúdice
George
. “
The Latin American Music Industry in an Era of Crisis
.”
Paper prepared for The Global Alliance for Cultural Diversity
.
Paris: UNESCO
,
2002
.
O’Malley
,
Mike
. “
Blind Imitation
.”
The Aporetic
.
November
10
,
2010
. .
Oroz
,
Silvia
.
Melodrama: El cine de lágrimas de América Latina
.
Mexico City
:
UAM
,
1995
.
Orquera
,
Yolanda Fabiola
. “
From the Andes to Paris: Atahualpa Yupanqui, the Communist Party, and the Latin American Folksong Movement
.” In
Red Strains: Music and Communism Outside the Communist Bloc
, edited by
Adlington
Robert
,
105
18
.
Oxford
:
Oxford University Press
,
2013
.
Orquera
,
Yolanda Fabiola
. “
Marxismo, peronismo, indocriollismo: Atahualpa Yupanqui y el norte argentino
.”
Studies in Latin American Popular Culture
27
(
2008
):
185
205
.
Ortega Peña
,
Rodolfo
, and
Duhalde
Eduardo Luis
.
Folklore argentino y revisionismo histórico: La montonera de Felipe Varela en el cantar popular
.
Buenos Aires
:
Sudestada
,
1967
.
Ortiz
,
Renato
.
Mundialización y cultura
. Translated by
Noya
Elsa
.
Buenos Aires
:
Alianza
,
1997
.
Ortiz
,
Renato
. “
Mundialization/Globalization
.”
Theory, Culture and Society
23
:
2–3
(
2006
):
401
3
.
Pacini Hernández
,
Deborah
.
Oye como va: Hybridity and Identity in Latino Popular Music
.
Philadelphia, PA
:
Temple University Press
,
2009
.
Paladino
,
Diana
, and
Maranghello
César
. “
San Martín en el cine: Representaciones del siglo XX
.”
Cinémas d’amerique latine
18
(
2010
):
34
38
.
Paredes Pacho
,
José Luis
, and
Blanc
Enrique
. “
Rock Mexicano, Breve Recuento Del Siglo XX
.” In
La música en México: Panorama del siglo XX
, edited by
Tello
Aurelio
,
395
485
.
Mexico City
:
Fondo de Cultura Económica
,
2010
.
Parsonage
,
Catherine
.
The Evolution of Jazz in Britain 1880–1935
.
Aldershot
:
Ashgate
,
2005
.
Party
,
Daniel
. “
The Miamization of Latin American Pop Music
.” In
Postnational Musical Identities: Cultural Production, Distribution and Consumption in a Globalized Scenario
, edited by
Corona
Ignacio
and
Madrid
Alejandro L.
,
65
80
.
Lanham, MD
:
Lexington Books
,
2008
.
Party
,
Daniel
. “
Placer Culpable: Shame and Nostalgia in the Chilean 1990s Balada Revival
.”
Latin American Music Review
30
:
1
(
2009
):
69
98
.
Party
,
Daniel
. “
Raphael Is Different: Spanish ‘canción melódica’ under Late Francoism
.” In
Music and Francoism
, edited by
Zalduondo
Gemma Pérez
and
Quesada
Germán Gan
,
285
300
.
Turnhout, BE
:
Brepols
,
2013
.
Pelinski
,
Ramón
. “
Astor Piazzolla: entre tango y fuga, en busca de una identidad estilística
.” In
Estudios sobre la obra de Astor Piazzolla
, edited by
Brunelli
Omar García
,
35
56
.
Buenos Aires
:
Gourmet Musical
,
2008
.
Pérez Firmat
,
Gustavo
. “
Latunes: An Introduction
.”
Latin American Research Review
43
:
2
(
2008
):
180
203
.
Pérez Flores
,
Hirmarys
. “
La Nueva Canción Latinoamericana en su forma y contenido
.”
Humania del Sur
7
:
13
(
2012
):
139
54
.
Peterson
,
Richard A.
Why 1955? Explaining the Advent of Rock Music
.”
Popular Music
9
:
1
(
1990
):
97
116
.
Piazzolla
,
Diana
.
Astor
.
Buenos Aires
:
Emecé
,
1987
.
Piekut
,
Benjamin
. “
Race, Community, and Conflict in the Jazz Composers Guild
.”
Jazz Perspectives
3
:
3
(
2009
):
191
231
.
Pistocchi
,
Jorge
. “
Gustavo Santaolalla: verdades en movimiento
.”
Expreso Imaginario
(
January
1977
):
3
.
Podalsky
,
Laura
.
Specular City: Transforming Culture, Consumption, and Space in Buenos Aires, 1955–1973
.
Philadelphia
:
Temple University Press
,
2004
.
Poppe
,
Nicolas
. “
Made in Joinville: Transnational Identitary Aesthetics in Carlos Gardel’s Early Paramount Films
.”
Journal of Latin American Cultural Studies
21
:
4
(
2012
):
481
95
.
Portorrico
,
Emilio Pedro
.
Diccionario biográfico de la música argentina de raíz folklorica
.
Florida
:
Banco de la Provincia de Buenos Aires
,
1997
.
Prieto
,
Adolfo
.
El discurso criollista en la formación de la Argentina moderna
.
Buenos Aires
:
Sudamericana
,
1988
.
Pujol
,
Sergio
.
Canciones argentinas (1910–2010)
.
Buenos Aires
:
Emecé
,
2010
.
Pujol
,
Sergio
.
Historia del baile. De la milonga a la disco
.
1999
;
reprint
Buenos Aires
:
Gourmet Musical
,
2011
.
Pujol
,
Sergio
.
Jazz al sur: Historia de la música negra en la Argentina
.
Buenos Aires
:
Emecé
,
2004
.
Pujol
,
Sergio
.
La década rebelde: Los sesenta en la Argentina
.
Buenos Aires
:
Emecé
,
2002
.
Pujol
,
Sergio
.
Oscar Alemán: La guitarra embrujada
.
Buenos Aires
:
Planeta
,
2015
.
Pujol
,
Sergio
.
Rock y dictadura Crónica de una generación (1976–1983)
.
Buenos Aires
:
Emecé
,
2005
.
Quijada
,
Mónica
,
Bernard
Carmen
, and
Schneider
Arnd
, eds.
Homogeneidad y nación: con un estudio de caso: Argentina, siglos XIX y XX
.
Madrid
:
Consejo Superior de Investigaciones Científicas
,
2000
.
Ratliff
,
Ben
.
Coltrane: The Story of a Sound
.
New York
:
Farrar, Straus and Giroux
,
2007
.
Regev
,
Motti
.
Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity
.
Cambridge
:
Polity Press
,
2013
.
Rios
,
Fernando
. “
La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and Its Impact on Nueva Canción
.”
Latin American Music Review / Revista de Música Latinoamericana
29
:
2
(
2008
):
145
89
.
Roberts
,
John Storm
.
Latin Jazz: The First of the Fusions, 1880s to Today
.
New York
:
Schirmer Books
,
1999
.
Roberts
,
John Storm
.
The Latin Tinge: The Impact of Latin American Music on the United States
.
New York
:
Oxford University Press
,
1979
.
Rodríguez Marino
,
Paula
. “
MTV Latino: Identidad, Nación y Rock
.”
Studies in Latin American Popular Culture
21
(
2002
):
155
73
.
Rye
,
Howard
. “
Southern Syncopated Orchestra: The Roster
.”
Black Music Research Journal
30
:
1
(
2010
):
19
70
.
Santiago
,
Javier
.
Nueva Ola portoricensis: La revolución musical que vivió Puerto Rico en la década del 60
.
San Juan
:
Editorial del Patio
,
1994
.
Savigliano
,
Marta
.
Tango and the Political Economy of Passion
.
Boulder, CO
:
Westview Press
,
1995
.
Scheurer
,
Timothy
. “
The Beatles, the Brill Building, and the Persistence of Tin Pan Alley in the Age of Rock
.”
Popular Music and Society
20
:
4
(
1996
):
89
102
.
Schifrin
,
Lalo
, and
Palmer
Richard
.
Mission Impossible: My Life in Music
.
Lanham, MD
:
Scarecrow Press
,
2008
.
Seibel
,
Beatriz
. “
La presencia afroargentina en el espectáculo
.” In
El negro en La Argentina: Presencia y negación
, edited by
Picotti
Dina
,
199
208
.
Buenos Aires
:
Editores de América Latina
,
2001
.
Seigel
,
Micol
.
Uneven Encounters: Making Race and Nation in Brazil and the United States
.
Durham, NC
:
Duke University Press
,
2009
.
Semán
,
Pablo
, and
Vila
Pablo
. “
Cumbia Villera or the Complex Construction of Masculinity and Femininity in Contemporary Argentina
.” In
Youth Identities and Argentine Popular Music
, edited by
Semán
Pablo
and
Vila
Pablo
,
101
23
.
New York
:
Palgrave Macmillan
,
2012
.
Semán
,
Pablo
, and
Vila
Pablo
. “
Rock Chabón: The Contemporary National Rock of Argentina
.” In
From Tejano to Tango: Latin American Popular Music
, edited by
Clark
Walter Aaron
,
70
94
.
New York
:
Routledge
,
2002
.
Semán
,
Pablo
,
Vila
Pablo
, and
Benedetti
Cecilia
. “
Neoliberalism and Rock in the Popular Sectors of Contemporary Argentina
.” In
Rockin’ Las Américas: The Global Politics of Rock in Latin/o America
, edited by
Hernández
Deborah Pacini
,
L’Hoeste
Héctor Fernández
, and
Zolov
Eric
,
261
89
.
Pittsburgh
:
University of Pittsburgh Press
,
2004
.
Seoane
,
María
, and
Núñez
Héctor Ruiz
.
La noche de los lápices
.
1986
;
reprint
Buenos Aires
:
Sudamericana
,
2011
.
Seveso
,
César
. “
Political Emotions and the Origins of the Peronist Resistance
.” In
The New Cultural History of Peronism
, edited by
Karush
Matthew B.
and
Chamosa
Oscar
,
239
69
.
Durham, NC
:
Duke University Press
,
2010
.
Sewell
,
William H.
Jr
.
Logics of History: Social Theory and Social Transformation
.
Chicago
:
University of Chicago Press
,
2005
.
Sierra
,
Luis Adolfo
.
Historia de la orquesta típica: Evolución instrumental del tango
.
Buenos Aires
:
Corregidor
,
1985
.
Slidin’ on the Frets: The Hawaiian Steel Guitar Phenomenon. CD
.
Yahoo 2056
,
2000
.
Solomianski
,
Alejandro
.
Identidades secretas: La negritud argentina
.
Rosario
:
Beatriz Viterbo
,
2003
.
Solórzano-Thompson
,
Nohemy
. “
Performative Masculinities: The Pachuco and the Luchador in the Songs of Maldita Vecindad and Café Tacuba
.”
Studies in Latin American Popular Culture
26
(
January
2007
):
79
96
.
Sopeña
,
Gerardo
. “
Oscar Alemán ‘abrazado a mi cavaquinho’
.”
Crisis
(
January
1975
):
29
35
.
Spencer
,
Kristopher
.
Film and Television Scores, 1950–1979: A Critical Survey by Genre
.
Jefferson, NC
:
McFarland
,
2008
.
Speratti
,
Alberto
.
Con Piazzolla
.
Buenos Aires
:
Galerna
,
1969
.
Spinelli
,
María Estela
.
Los vencedores vencidos: El anti-Peronismo y la “revolución libertadora
.”
Buenos Aires
:
Biblos
,
2005
.
Stovall
,
Tyler
.
Paris Noir: African Americans in the City of Light
.
New York
:
Houghton Mifflin
,
1996
.
Stowe
,
David W.
Swing Changes: Big-Band Jazz in New Deal America
.
Cambridge, MA
:
Harvard University Press
,
1994
.
Strega
,
Enrique
.
Bossanova y nuevo tango: Una historia de Vinicius a Astor
.
Buenos Aires
:
Corregidor
,
2009
.
Sublette
,
Ned
.
Cuba and Its Music: From the First Drums to the Mambo
.
Chicago
:
Chicago Review Press
,
2004
.
Sublette
,
Ned
. “
The Kingsmen and the Cha-Cha-Chá
.” In
Listen Again: A Momentary History of Pop Music
, edited by
Weisbard
Eric
,
69
94
.
Durham, NC
:
Duke University Press
,
2007
.
Suisman
,
David
.
Selling Sounds: The Commercial Revolution in American Music
.
Cambridge, MA
:
Harvard University Press
,
2009
.
Svampa
,
Maristella
, and
Pereyra
Sebastián
.
Entre la ruta y el barrio: La experiencia de las organizaciones piqueteras
.
Buenos Aires
:
Biblos
,
2009
.
Szusterman
,
Celia
.
Frondizi and the Politics of Developmentalism in Argentina, 1955–62
.
Pittsburgh
:
University of Pittsburgh Press
,
1993
.
Terán
,
Oscar
.
Nuestros años sesentas: la formación de la nueva izquierda intelectual en la Argentina, 1956–1966
.
Buenos Aires
:
Puntosur
,
1991
.
Thompson
,
Daniella
. “
The Globetrotting Romeu Silva
.”
Música Brasiliensis
,
November
17
,
2003
. .
Thompson
,
Daniella
. “
Unraveling the Gnattali-Barbieri Mystery
,”
Musica Brasiliensis
,
December
23
,
2006
. .
Thompson
,
Era Bell
. “
Argentina: Land of Vanishing Blacks
.”
Ebony
,
October
1973
,
74
85
.
Thompson
,
Robert Farris
.
Tango: The Art History of Love
.
New York
:
Pantheon
,
2005
.
Torrón
,
Andrés
. “
Bajofondo: Doing the Wango Tango
.”
Global Rhythm
17
:
10
(
2008
):
36
41
.
Traber
,
Daniel S.
Pick It Up! Pick It Up!: The Transnational Localism of Ska
.”
Popular Music and Society
36
:
1
(
February
2013
):
1
18
.
Tucker
,
Joshua
. “
Mediating Sentiment and Shaping Publics: Recording Practice and the Articulation of Social Change in Andean Lima
.”
Popular Music and Society
33
:
2
(
2010
):
141
62
.
Turino
,
Thomas
. “
The Mbira, Worldbeat, and the International Imagination
.”
World of Music
40
:
2
(
1998
):
85
106
.
Ursini
,
Sonia
.
La supervivencia de un artista en el tiempo
.
Buenos Aires
:
Corregidor
,
1993
.
Verba
,
Ericka Kim
. “
To Paris and Back: Violeta Parra’s Transnational Performance of Authenticity
.”
Americas
70
:
2
(
2013
):
269
302
.
Verdesio
,
Gustavo
. “
Cultural Connections: Rock across Class and Ethnic Identities
.” In
A Companion to Latin American Literature and Culture
, edited by
Castro-Klarén
Sara
,
636
46
.
Chichester, UK
:
Blackwell
,
2013
.
Vila
,
Pablo
. “
Argentina’s ‘Rock Nacional’: The Struggle for Meaning
.”
Latin American Music Review
10
:
1
(
1989
):
1
28
.
Vila
,
Pablo
. “
Música popular y auge del folklore
.”
Crear en la cultura nacional
2
.
10
(
1982
):
24
27
.
Vila
,
Pablo
. “
Narrative Identities and Popular Music: Linguistic Discourses and Social Practices
.” In
Music and Youth Culture in Latin America: Identity Construction Processes from New York to Buenos Aires
, edited by
Vila
Pablo
,
17
80
.
New York
:
Oxford University Press
,
2014
.
Villarroel
,
Luis F.
Tango, Folklore de Buenos Aires
.
Buenos Aires
:
Ideagraf
,
1957
.
Wallis
,
Roger
, and
Malm
Krister
.
Big Sounds from Small Peoples
.
New York
:
Pendragon
,
1984
.
Washburne
,
Chris
. “
The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music
.”
Black Music Research Journal
17
:
1
(
1997
):
59
80
.
Waxer
,
Lise
.
The City of Musical Memory: Salsa, Record Grooves, and Popular Culture in Cali, Colombia
.
Middletown, CT
:
Wesleyan
,
2002
.
White
,
Bob W.
Congolese Rumba and Other Cosmopolitanisms
.”
Cahiers d’études africaines
168
(
2002
). .
Wood
,
Ean
.
The Josephine Baker Story
.
London
:
Sanctuary
,
2000
.
Yúdice
,
George
.
The Expediency of Culture: Uses of Culture in the Global Era
.
Durham, NC
:
Duke University Press
,
2003
.
Yúdice
,
George
. “
La industria de la música en la integración América Latina-Estados Unidos
.” In
Las industrias culturales en la integración latinoamericana
, edited by
Canclini
Néstor García
and
Moneta
Carlos Juan
,
181
243
.
Mexico City
:
Grijalbo
,
1999
.
Zolov
,
Eric
.
Refried Elvis: The Rise of the Mexican Counterculture
.
Berkeley
:
University of California Press
,
1999
.

Figures & Tables

Contents

Advertisement

References

Bibliography

Bibliography
Adamovsky
,
Ezequiel
.
Historia de la clase media argentina: Apogeo y decadencia de una ilusión
.
Buenos Aires
:
Planeta
,
2009
.
Agawu
,
Kofi
.
Representing African Music: Postcolonial Notes, Queries, Positions
.
New York
:
Routledge
,
2003
.
Agostini
,
Roberto
. “
Sanremo Effects: The Festival and the Italian Canzone (1950s–1960s)
.” In
Made in Italy: Studies in Popular Music
, edited by
Fabbri
Franco
and
Plastino
Goffredo
,
28
40
.
New York
:
Routledge
,
2014
.
Alabarces
,
Pablo
.
Entre gatos y violadores
.
Buenos Aires
:
Colihue
,
1993
.
Alabarces
,
Pablo
.
Peronistas, populistas y plebeyos: Crónicas de cultura y política
.
Buenos Aires
:
Prometeo
,
2011
.
Alabarces
,
Pablo
, and
Silba
Malvina
. “
‘Las manos de todos los negros, arriba’: Género, etnia y clase en la cumbia argentina
.”
Cultura y representaciones sociales
8
:
16
(
2014
):
52
74
.
Anchou
,
Gregorio
. “
El sueño industrial en emergencia: Los jóvenes realizadores cuestionan a los viejos lenguajes
.” In
Cine argentino: Modernidad y vanguardias, 1957–1983
, vol.
2
, edited by
España
Claudio
,
434
63
.
Buenos Aires
:
Fondo Nacional de las Artes
,
2005
.
Andrews
,
George Reid
.
The Afro-Argentines of Buenos Aires 1800–1900
.
Madison
:
University of Wisconsin Press
,
1980
.
Appadurai
,
Arjun
.
Modernity at Large: Cultural Dimensions of Globalization
.
Minneapolis
:
University of Minnesota Press
,
1996
.
Araújo
,
Samuel M.
Brega: Music and Conflict in Urban Brazil
.”
Latin American Music Review
9
:
1
(
1988
):
50
89
.
Archer-Straw
,
Petrine
.
Negrophilia: Avant-Garde Paris and Black Culture in the 1920s
.
London
:
Thames & Hudson
,
2000
.
Ardiles Gray
,
Julio
.
Historias de artistas contadas por ellos mismos
.
Buenos Aires
:
Belgrano
,
1981
.
Austerlitz
,
Paul
.
Jazz Consciousness: Music, Race, and Humanity
.
Middletown, CT
:
Wesleyan
,
2005
.
Avant-Mier
,
Roberto
.
Rock the Nation: Latin/o Identities and the Latin Rock Diaspora
.
London
:
Continuum
,
2010
.
Azzi
,
María Susan
, and
Collier
Simon
.
Le Grand Tango: The Life and Music of Astor Piazzola
.
Oxford
:
Oxford University Press
,
2000
.
Bakker
,
Gerben
. “
Adopting the Rights-Based Model: Music Multinationals and Local Music Industries since 1945
.”
Popular Music History
6
:
3
(
2011
):
330
.
Barr-Melej
,
Patrick
.
Cultural Politics, Nationalism and the Rise of the Middle Class
.
Chapel Hill
:
University of North Carolina Press
,
2001
.
Beal
,
Amy C.
Carla Bley
.
Urbana, IL
:
University of Illinois Press
,
2011
.
Bergmeier
,
Horst P. J.
, and
Lotz
Rainer E.
. “
James Arthur Briggs
.”
Black Music Research Journal
30
:
1
(
2010
):
93
181
.
Berti
,
Eduardo
.
Rockología: documentos de los ’80
.
Buenos Aires
:
Beas
,
1994
.
Blanc
,
Enrique
.
Flashback: La aventura del periodismo musical
.
Guadalajara
:
Universidad de Guadalajara
,
2012
.
Borge
,
Jason
. “
Dark Pursuits: Race and Early Argentine Jazz Criticism
.”
Afro-Hispanic Review
30
:
1
(
2011
):
63
80
.
Bose
,
Sugata
.
A Hundred Horizons: The Indian Ocean in the Age of Global Empire
.
Cambridge, MA
:
Harvard University Press
,
2006
.
Braceli
,
Rodolfo
.
Mercedes Sosa, La Negra
. 2nd ed.
Buenos Aires
:
Sudamericana
,
2010
.
Brizuela
,
Leopoldo
.
Cantar la vida: reportajes acinco cantantes argentinas
.
Buenos Aires
:
El Ateneo
,
1992
.
Burns
,
Gary
. “
DVD Review: This is Tom Jones: Volume One, Rock and Roll Legends
.”
Popular Music and Society
33
:
3
(
2010
):
418
.
Burton
,
Gary
.
Learning to Listen: The Jazz Journey of Gary Burton
.
Boston
:
Berklee Press
,
2013
.
Butler
,
David
.
Jazz Noir: Listening to Music from Phantom Lady to the Last Seduction
.
Westport, CT
:
Praeger
,
2002
.
Calderón
,
Héctor
. “
The Mexico City–Los Angeles Cultural Mosh Pits: Maldita Vecindad, a Chilanga-Chicana Rock Banda de Pueblo
.”
Aztlán
31
:
1
(
2006
):
95
137
.
Cannata
,
David
. “
Making It There: Piazzolla’s New York Concerts
.”
Latin American Music Review
26
:
1
(
2005
):
57
87
.
Caparrós
,
Martín
. “
El mejor argentino
.”
Crítica de la Argentina
,
1/8/10
.
Carassai
,
Sebastián
.
The Argentine Silent Majority: Middle Classes, Politics, Violence, and Memory in the Seventies
.
Durham, NC
:
Duke University Press
,
2014
.
Carella
,
Tulio
.
El Tango. Mito y Esencia
.
Buenos Aires
:
Ediciones doble p
,
1956
.
Carnicer
,
Lucio Raúl
. “
Arco Iris: cómo pintar con colores locales un fenómeno universal
.”
I Congresso Internacional de Estudos de Rock
.
Universidade Estadual Do Oeste Do Paraná
,
2013
.
Carrillo Rodríguez
,
Illa
. “
Latinoamericana de Tucumán: Mercedes Sosa y los itineraries de la música popular argentina en la larga década del sesenta
.” In
Ese ardiente jardín de la República: Formación y desarticulación de un “campo” cultural: Tucumán, 1880–1975
, edited by
Orquera
Fabiola
,
239
63
.
Córdoba
:
Alción Editora
,
2010
.
Carrillo Rodríguez
,
Illa
. “
Popular Music and the Work of Recollection in Early 1980s Argentina
.”
Congress of the Latin American Studies Association
,
Rio de Janeiro, Brazil
,
2009
.
Carrillo Rodríguez
,
Illa
. “
The Revolutionary Patria and Its New (Wo)Men: Gendered Tropes of Political Agency and Popular Identity in Argentine Folk Music of the Long 1960s
.” In
The Militant Song Movement in Latin America: Chile, Uruguay, and Argentina
, edited by
Vila
Pablo
,
229
47
.
Lanham, MD
:
Lexington Books
,
2014
.
Castro
,
Donald S.
The Afro-Argentine in Argentine Culture: El Negro del Acordeón
.
Lewiston, NY
:
Edwin Mellen
,
2001
.
Centro de Estudios Legales y Sociales
. “
Síntesis de prensa de la visita de la CIDH a la Argentina en 1979
.” .
Cepeda
,
María Elena
.
Musical ImagiNation: U.S.–Colombian Identity and the Latin Music Boom
.
New York
:
New York University Press
,
2010
.
Cepeda Sánchez
,
Hernando
. “
Apropiaciones de la modernidad cultural: Las representaciones de la nación argentina y colombiana desde las agrupaciones musicales La Columna de Fuego y Arco Iris
.”
Estudios sobre las Culturas Contemporáneas
19
:
37
(
2013
):
39
66
.
Chamosa
,
Oscar
.
The Argentine Folklore Movement: Sugar Elites, Criollo Workers, and the Politics of Cultural Nationalism, 1900–1955
.
Tucson
:
University of Arizona Press
,
2010
.
Chamosa
,
Oscar
.
Breve historia del folclore argentino (1920–1970): Identidad, política y nación
.
Buenos Aires
:
Edhasa
,
2012
.
Chamosa
,
Oscar
. “
Indigenous or Criollo: The Myth of White Argentina in Tucumán’s Calchaquí Valley
.”
Hispanic American Historical Review
88
:
1
(
2008
):
71
106
.
Chamosa
,
Oscar
. “
El Movimiento Folklórico: De Perón a La Revolución Libertadora (1945–1958)
.” In
El Primer Peronismo En Tucumán. Avances Y Nuevas Perspectivas
, edited by
Gutiérrez
Florencia
and
Rubinstein
Gustavo
,
249
70
.
Tucumán
:
EDUNT
,
2012
.
Chasteen
,
John Charles
.
National Rhythms, African Roots: The Deep History of Latin American Popular Dance
.
Albuquerque
:
University of New Mexico Press
,
2004
.
Citro
,
Silvia
. “
Ritual Transgression and Grotesque Realism in 1990s Rock Music: An Ethnographer among the Bersuit
.” In
Youth Identities and Argentine Popular Music
, edited by
Semán
Pablo
and
Vila
Pablo
,
19
39
.
New York
:
Palgrave Macmillan
,
2012
.
Coleman
,
Bill
.
Trumpet Story
.
Boston
:
Northeastern University Press
,
1991
.
Corona
,
Ignacio
. “
The Politics of Language, Class, and Nation in Mexico’s Rock En Español Movement
.” In
Song and Social Change in Latin America
, edited by
Shaw
Lauren
,
91
121
.
Lanham, MD
:
Lexington Books
,
2013
.
Corona
,
Ignacio
, and
Madrid
Alejandro L.
. “
Introduction: The Postnational Turn in Music Scholarship and Music Marketing
.” In
Postnational Musical Identities. Cultural Production, Distribution, and Consumption in a Globalized Scenario
, edited by
Corona
and
Madrid
,
3
22
.
Lanham, MD
:
Lexington Books
,
2008
.
Cosse
,
Isabella
.
Pareja, sexualidad y familia en los años sesenta: Una revolución discreta en Buenos Aires
.
Buenos Aires
:
Siglo XXI
,
2010
.
Cruz
,
José E.
A Year in the Life of Salsa Meets Jazz
.” .
Dalton
,
Karen C. C.
, and
Gates
Henry Louis
Jr
. “
Josephine Baker and Paul Colin: African American Dance Seen through Parisian Eyes
.”
Critical Inquiry
24
:
4
(
1998
):
903
34
.
Davis
,
Darién J.
White Face, Black Mask: Africaneity and the Early Social History of Popular Music in Brazil
.
East Lansing
:
Michigan State University Press
,
2009
.
de la Peza
,
Carmen
. “
Panteón Rococó: Mexican Ska and Collective Memory
.”
Intercultural Communication Studies
19
:
3
(
2010
):
112
23
.
Del Mazo
,
Mariano
.
Sandro: El fuego eterno
.
Buenos Aires
:
Aguilar
,
2009
.
del Valle
,
Ignacio
. “
Independencia y cine histórico en Argentina, Cuba y Chile (1968–1976). Reinterpretando el mito nacional
.”
Cinémas d’amerique latine
18
(
2010
):
5
8
.
Dewar
,
Andrew Raffo
. “
Hot and Cool from Buenos Aires to Chicago: Guillermo Gregorio’s jazz cosmopolitanism
.”
Jazz Research Journal
6
:
2
(
2012
):
151
69
.
Díaz
,
Claudio F.
Variaciones sobre el “ser nacional”: una aproximación sociodiscursiva al “folklore” argentino
.
Córdoba
:
Recovecos
,
2009
.
Drago
,
Alejandro Marcelo
. “
Instrumental Tango Idioms in the Symphonic Works and Orchestral Arrangements of Astor Piazzolla. Performance and Notational Problems: A Conductor’s Perspective
.”
PhD diss.
,
University of Southern Mississippi
,
2008
.
Dregni
,
Michael
.
Django: The Life and Music of a Gypsy Legend
.
New York
:
Oxford University Press
,
2004
.
Duany
,
Jorge
.
The Puerto Rican Nation on the Move: Identities on the Island and in the United States
.
Chapel Hill
:
University of North Carolina Press
,
2002
.
Durán
,
Thelma G.
, and
Barrios
Fernando
.
El grito del rock mexicano
.
Mexico City
:
Ediciones del Milenio
,
1995
.
Eddy
,
Chuck
. “
City of Dreams: Rock in Mexico
.”
Rock and Roll Always Forgets: A Quarter Century of Music Criticism
.
Durham, NC
:
Duke University Press
,
2011
.
Elena
,
Eduardo
. “
Argentina in Black and White: Race, Peronism, and the Color of Politics, 1940s to the Present
.” In
Rethinking Race in Modern Argentina
, edited by
Alberto
Paulina
and
Elena
Eduardo
.
Cambridge
:
Cambridge University Press
,
2016
.
Emerson
,
Ken
.
Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era
.
New York
:
Penguin
,
2006
.
Erlmann
,
Veit
. “
The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s
.”
Public Culture
8
(
1996
):
467
87
.
Falicov
,
Tamara
. “
Hollywood’s Rogue Neighbor: The Argentine Film Industry during the Good Neighbor Policy, 1939–1945
.”
The Americas
63
:
2
(
2006
):
245
60
.
Fellezs
,
Kevin
.
Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion
.
Durham, NC
:
Duke University Press
,
2011
.
Fernández
,
Raúl A.
From Afro-Cuban Rhythms to Latin Jazz
.
Berkeley
:
University of California Press
,
2006
.
Fernández Bitar
,
Marcelo
.
Historia del rock en Argentina: una investigación cronológica
.
Buenos Aires
:
El Juglar
,
1987
.
Fernández L’Hoeste
,
Héctor D.
On How Bloque de Búsqueda Lost Part of Its Name: The Predicament of Colombian Rock in the U.S. Market
.” In
Rockin’ Las Américas: The Global Politics of Rock in Latin/o America
, edited by
Hernández
Deborah Pacini
,
L’Hoeste
Héctor Fernández
, and
Zolov
Eric
,
179
99
.
Pittsburgh
:
University of Pittsburgh Press
,
2004
.
Fernández L’Hoeste
,
Héctor D.
, and
Vila
Pablo
, eds.
Cumbia! Scenes of a Migrant Latin American Music Genre
.
Durham, NC
:
Duke University Press
,
2013
.
Fischerman
,
Diego
. “
El nacimiento del cool argentino
.”
Página 12
(
December
13
,
2006
).
Fischerman
,
Diego
. “
Mucho más que folklore
,”
Página 12
, (
October
5
,
2009
).
Fischerman
,
Diego
, and
Gilbert
Abel
.
Piazzolla el mal entendido
.
Buenos Aires
:
Edhasa
,
2009
.
Flores
,
Daniel
.
La manera correcta de gritar
.
Buenos Aires
:
Kaicron
,
2013
.
Florine
,
Jane L.
‘Cuarteto’: Dance-Hall Entertainment or People’s Music?
Latin American Music Review
19
:
1
(
April
1998
):
31
46
.
Franco
,
Marina
.
Un enemigo para la nación: Orden interno, violencia y “subversion,” 1973–1976
.
Buenos Aires
:
Fondo de Cultura Económica
,
2012
.
Frigerio
,
Alejandro
. “
‘Negros’ y ‘Blancos’ en Buenos Aires: Repensando nuestras categorías raciales
.” In
Buenos Aires negra: Identidad y cultura
, edited by
Maronese
Leticia
,
88
93
.
Buenos Aires
,
2006
.
Frith
,
Simon
. “
Music and Identity
.” In
Questions of Cultural Identity
, edited by
Hall
Stuart
and
du Gay
Paul
,
108
27
.
London
:
Sage
,
1996
.
Fusco
,
Coco
. “
The Tango of Esthetics and Politics: An Interview with Fernando Solanas
.”
Cinéaste
16
:
1/2
(
1987–88
):
57
59
.
Gabbard
,
Krin
. “
Introduction: The Jazz Canon and Its Consequences
.” In
Jazz among the Discourses
, edited by
Gabbard
Krin
,
1
28
.
Durham, NC
:
Duke University Press
,
1995
.
Gaffet
,
Hernán
.
Oscar Alemán: Vida con swing. DVD
.
Buenos Aires
:
La pintada
,
2002
.
García
,
María Inés
. “
Música y radio en Mendoza, Argentina: la práctica musical de Tito Francia
.”
Latin American Music Review
24
:
2
(
2003
):
252
69
.
García
,
María Inés
.
Tito Francia y la música en Mendoza, de la radio al Nuevo Cancionero
.
Buenos Aires
:
Gourmet Musical
,
2010
.
García
,
María Inés
,
Greco
María Emilia
, and
Bravo
Nazareno
. “
Testimonial del Nuevo Cancionero: las prácticas musicales como discurso social y el rol del intellectual comprometido en la década del sesenta
.”
Resonancias
18
:
34
(
2014
):
89
110
.
García Brunelli
,
Omar
. “
De Woodstock a B.A.: Análisis de Camorra I, II Y III
.” In
Estudios Sobre La Obra de Astor Piazzolla
, edited by
Brunelli
Omar García
,
109
26
.
Buenos Aires
:
Gourmet Musical
,
2008
.
García Canclini
,
Néstor
.
Hybrid Cultures: Strategies for Entering and Leaving Modernity
.
Minneapolis
:
University of Minnesota Press
,
1995
.
García Canclini
,
Néstor
.
Imagined Globalization
. Translated by
Yúdice
George
.
Durham, NC
:
Duke University Press
,
2014
.
Garguin
,
Enrique
. “
‘Los argentinos descendemos de los barcos’: articulación racial de la identidad de clase media en Argentina (1920–1960)
.” In
Moralidades, economías e identidades de clase media: estudios históricos y etnográficos
, edited by
Visacovsky
Sergio Eduardo
and
Garguin
Enrique
,
61
94
.
Buenos Aires
:
Antropofagia
,
2009
.
Garofalo
,
Reebee
, ed.
Rockin’ the Boat: Mass Music and Mass Movements
.
Boston
:
South End Press
,
1992
.
Garrett
,
Charles Hiroshi
.
Struggling to Define a Nation: American Music and the Twentieth Century
.
Berkeley
:
University of California Press
,
2008
.
Garriga Zucal
,
José
. “
’Rockers’ Moral Limits in the Construction of Musical Communities
.” In
Youth Identities and Argentine Popular Music
, edited by
Semán
Pablo
and
Vila
Pablo
,
49
53
.
New York
:
Palgrave Macmillan
,
2012
.
Gendron
,
Bernard
.
Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde
.
Chicago, IL
:
University of Chicago Press
,
2002
.
Giddins
,
Gary
.
Visions of Jazz: The First Century
.
New York
:
Oxford University Press
,
1998
.
Gieco
,
León
.
De Ushuaia a La Quiaca
.
Buenos Aires
:
Retina
,
2004
.
Gillespie
,
Dizzy
, with
Fraser
Al
.
To Be, or Not … to Bop
.
1979
;
reprint
Minneapolis
:
University of Minnesota Press
,
2009
.
Gillett
,
Charlie
.
The Sound of the City: The Rise of Rock and Roll
.
New York
:
Pantheon
,
1970
.
Giunta
,
Andrea
.
Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties
.
Durham, NC
:
Duke University Press
,
2007
.
Goldschmitt
,
Kariann
. “
Doing the Bossa Nova: The Curious Life of a Social Dance in 1960s North America
.”
Luso-Brazilian Review
48
:
1
(
2011
):
61
78
.
González
,
Fernando
.
Liner Notes. Pablo Aslan Quintet
,
Piazzolla in Brooklyn and the Rebirth of Jazz Tango
.
Soundbrush Records
,
2011
.
Gordillo
,
Mónica
.
Piquetes y cacerolas: El “argentinazo” del 2001
.
Buenos Aires
:
Sudamericana
,
2011
.
Gorin
,
Natalio
.
Astor Piazzolla: A Memoir
. Translated by
Gonzalez
Fernando
.
Portland, OR
:
Amadeus Press
,
2001
.
Gravano
,
Ariel
.
El silencio y la porfía
.
Buenos Aires
:
Corregidor
,
1985
.
Grinberg
,
Miguel
.
Como vino la mano: orígenes del rock argentino
.
Buenos Aires
:
Gourmet Musical
,
2008
.
Gronow
,
Pekka
. “
The Record Industry: The Growth of a Mass Medium
.”
Popular Music
3
(
1983
):
53
75
.
Guerrero
,
Juliana
. “
De Ushuaia a La Quiaca: Vicisitudes de la música popular argentina
.”
Actas Buenos Aires, IASPM-AL
,
2005
.
Guzmán Bouvard
,
Margueritte
.
Revolutionizing Motherhood: The Mothers of the Plaza de Mayo
.
Lanham, MD
:
Scholarly Resources
,
1994
.
Hanke
,
Bob
. “
‘Yo Quiero Mi MTV!’: Making Music Television for Latin America
.” In
The Popular Music Studies Reader
, edited by
Bennett
A.
,
Toynbee
J.
, and
Shank
B.
,
317
25
.
New York
:
Routledge
,
2006
.
Hentoff
,
Nat
.
Jazz Is
.
New York
:
Random House
,
1976
.
Hertzman
,
Marc A.
Making Samba: A New History of Race and Music in Brazil
.
Durham, NC
:
Duke University Press
,
2013
.
Ibarra
,
Jesús
.
Los Bracho: Tres generaciones de cine mexicano
.
Mexico City
:
UNAM
,
2006
.
Jackson
,
Jeffrey H.
Making Jazz French: Music and Modern Life in Interwar Paris
.
Durham, NC
:
Duke University Press
,
2003
.
Jaramillo Agudelo
,
Darío
.
Poesía en la canción popular latinoamericana
.
Valencia
:
Pre-Textos
,
2008
.
Jiménez
,
Andrés E.
La Nueva Ola y la explosion del mercado discográfico
.”
Todo es Historia
421
(
2002
):
6
17
.
Johnson
,
Dexter
.
Liner notes to Oscar Alemán: Swing Guitar Masterpieces, 1938–1957
.
Acoustic Disc
,
1998
.
Jost
,
Ekkehard
.
Free Jazz
.
1975
;
reprint
Boston
:
Da Capo Press
,
1994
.
Jules-Rosette
,
Bennetta
.
Josephine Baker in Art and Life: The Icon and the Image
. 1st ed.
Urbana, IL
:
University of Illinois Press
,
2007
.
Kahn
,
Ashley
.
The House that Trane Built: The Story of Impulse Records
.
New York
:
Norton
,
2006
.
Kaliman
,
Ricardo J.
Alhajita es tu canto: El capital simbólico de Atahualpa Yupanqui
.
Tucumán
:
UNT
,
2003
.
Karush
,
Matthew B.
Blackness in Argentina: Jazz, Tango, and Race before Perón
.”
Past and Present
216
(
August
2012
):
215
45
.
Karush
,
Matthew B.
Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946
.
Durham, NC
:
Duke University Press
,
2012
.
Kleiman
,
Claudio
. “
Gustavo Santaolalla cuenta sus quince años de rock
.”
Expreso Imaginario
22
(
May
1978
):
27
35
.
Koert
,
Hans
. “
Online Oscar Alemán Discography
.” .
Koert
,
Hans
. “
Oscar Alemán 1930–1931
.” .
Koert
,
Hans
. “
Oscar Alemán: Star of the 7de Jazzwereldfeest in Scheveningen (1939)
.” .
Kun
,
Josh
.
Audiotopia: Music, Race, and America
.
Berkeley
:
University of California Press
,
2005
.
Kuri
,
Carlos
.
Piazzolla, la música límite
.
Buenos Aires
:
Corregidor
,
1997
.
Kutnowski
,
Martín
. “
Instrumental Rubato and Phrase Structure in Astor Piazzolla’s Music
.”
Latin American Music Review
23
:
1
(
2002
):
106
13
.
Labra
,
Diego
. “
La duda y la ironía. Un recorrido de los años sesenta a través de la filmografía selecta de Rodolfo Kuhn
.”
Estudios de Teoría Literaria
2
:
3
(
2013
):
99
112
.
Laing
,
Dave
. “
The Recording Industry in the Twentieth Century
.” In
The International Recording Industries
, edited by
Marshall
Lee
,
31
52
.
New York
:
Routledge
,
2013
.
Lechner
,
Ernesto
.
Rock en Español: The Latin Alternative Rock Explosion
.
Chicago, IL
:
Chicago Review Press
,
2006
.
Lewis
,
George E.
A Power Stronger than Itself: The AACM and American Experimental Music
.
Chicago, IL
:
University of Chicago Press
,
2008
.
Leydon
,
Rebecca
. “
Utopias of the Tropics: The Exotic Music of Les Baxter and Yma Sumac
.” in
Widening the Horizon: Exoticism in Post-war Popular Music
, edited by
Hayward
Philip
,
45
71
.
Sydney
:
John Libbey
,
1999
.
Lipsitz
,
George
. “
Land of a Thousand Dances: Youth, Minorities, and the Rise of Rock and Roll
.” In
Recasting America: Culture and Politics in the Age of the Cold War
, edited by
May
Lary
,
267
83
.
Chicago, IL
:
University of Chicago Press
,
1989
.
Long
,
Kevin
. “
Epicenter of a Scene
.”
February
14
,
2009
. .
López Ruiz
,
Oscar
.
Piazzolla loco loco loco: 25 años de laburo y jodas conviviendo con un genio
.
Montevideo, UY
:
Ediciones de la Urraca
,
1994
.
Loza
,
Steven
.
Tito Puente and the Making of Latin Music
.
Urbana
:
University of Illinois Press
,
1999
.
Luna
,
Félix
. “
Mis encuentros con el folklore
.”
Todo es historia
500
(
2009
):
58
63
.
Lunardelli
,
Laura
.
Alternatividad, divino tesoro: el rock argentino en los 90
.
Buenos Aires
:
Biblos
,
2002
.
Madoery
,
Diego
. “
Gustavo Santaolalla. El productor artístico en el contexto del rock latinoamericano
.”
Actas Del VI Congreso de La Rama Latinoamericana iaspm
,
2005
. .
Malvicino
,
Horacio
.
El tano y yo
.
Buenos Aires
:
Corregidor
,
2007
.
Mamani
,
Ariel
. “
Réquiem para un cóndor ciego: Juan Lavalle según la visión estetizada de la dupla Sabato-Falú
.”
Prohistoria
10
(
2006
):
173
84
.
Manrupe
,
Raúl
, and
Portela
María Alejandra
.
Un diccionario de films argentinos (1930–1995)
.
Buenos Aires
:
Corregidor
,
2001
.
Manuel
,
Peter
. “
Salsa and the Music Industry: Corporate Control or Grassroots Expression?
” In
Essays on Cuban Music: North American and Cuban Perspectives
, edited by
Manuel
Peter
,
159
80
.
Lanham, MD
:
University Press of America
,
1991
.
Manzano
,
Valeria
.
The Age of Youth in Argentina: Culture, Politics, and Sexuality from Perón to Videla
.
Chapel Hill
:
University of North Carolina Press
,
2014
.
Maranghello
,
César
. “
Cine y política: Las nuevas leyes de cine
.” In
Cine argentino: Modernidad y vanguardias, 1957–1983
, vol.
2
, edited by
España
Claudio
,
338
57
.
Buenos Aires
:
Fondo Nacional de las Artes
,
2005
.
Marchi
,
Sergio
.
El rock perdido: de los hippies a la cultura chabona
.
Buenos Aires
:
Capital Intelectual
,
2005
.
Marchini
,
M. Darío
.
No toquen: músicos populares, gobierno y sociedad: De la utopía a la persecución y las listas negras en la Argentina 1960–1983
.
Buenos Aires
:
Catálagos
,
2008
.
Maronese
,
Leticia
, ed.
Patrimonio cultural Gitano
.
Buenos Aires
:
Comisión para el Patrimonio Histórico y Cultural de la Ciudad de Buenos Aires
,
2005
.
Martín
,
Eloísa
. “
Cumbia Villera and the End of the Culture of Work in Argentina in the 90s
.” In
Youth Identities and Argentine Popular Music
, edited by
Semán
Pablo
and
Vila
Pablo
,
59
81
.
New York
:
Palgrave Macmillan
,
2012
.
Martínez
,
Rubén
. “
Corazón del Rocanrol
.” In
Fragments of a Golden Age: The Politics of Culture in Mexico Since 1940
, edited by
Joseph
Gilbert
,
Rubenstein
Anne
, and
Zolov
Eric
,
373
86
.
Durham, NC
:
Duke University Press
,
2001
.
Matallana
,
Andrea
.
El tango entre dos Américas. La representación del tango en Estados Unidos, 1910–1939
.
Buenos Aires
:
A Contracorriente
,
2013
.
Matallana
,
Andrea
.
“Locos por la radio”: Una historia social de la radiofonía en la Argentina, 1923–1947
.
Buenos Aires
:
Prometeo
,
2006
.
Mauriño
,
Gabriela
. “
Raíces tangueras de la obra de Astor Piazzolla
.”
Latin American Music
22
:
2
(
2001
):
240
54
.
McCann
,
Bryan
. “
Blues and Samba: Another Side of Bossa Nova History
.”
Luso-Brazilian Review
44
:
2
(
2007
):
21
49
.
McCann
,
Bryan
.
Hello, Hello Brazil: Popular Music in the Making of Modern Brazil
.
Durham, NC
:
Duke University Press
,
2004
.
Mello
,
Jorge
. “
Gastão Bueno Lobo: The Man Who Introduced the Banjo to Brazil
.”
Musica Brasiliensis
,
July
18
,
2007
. .
Milanesio
,
Natalia
. “
Peronists and Cabecitas: Stereotypes and Anxieties at the Peak of Social Change
.” In
The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina
, edited by
Karush
Matthew B.
and
Chamosa
Oscar
,
53
84
.
Durham, NC
:
Duke University Press
,
2010
.
Miller
,
Karl Hagstrom
. “
Crossover Schemes: New York Salsa as Politics, Culture, and Commerce
.” In
Rhythm and Business: The Policital Economy of Black Music
, edited by
Kelley
Norman
,
172
98
.
New York
:
Akashic Books
,
2005
.
Miller
,
Karl Hagstrom
.
Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow
.
Durham, NC
:
Duke University Press
,
2010
.
Miller
,
Richard
. “
African Rhythms in Brazilian Popular Music: Tango Brasileiro, Maxixe, and Choro
.”
Luso-Brazilian Review
48
:
1
(
2011
):
7
10
.
Misemer
,
Sarah M.
Secular Saints: Performing Frida Kahlo, Carlos Gardel, Eva Perón, and Selena
.
Woodbridge
:
Temesis
,
2008
.
Molinero
,
Carlos D.
Militancia de la canción: Política en el canto folklórico de la Argentina (1944/1975)
.
Buenos Aires
:
De Aquí a la Vuelta
,
2011
.
Molinero
,
Carlos D.
, and
Vila
Pablo
. “
Raza y canción: la representación del indígena en la canción folklórica argentina
,”
Latin American Studies Association. Rio de Janeiro
,
2009
.
Molinero
,
Carlos D.
, and
Vila
Pablo
. “
A Brief History of the Militant Song Movement in Argentina
.” In
The Militant Song Movement: Chile, Uruguay, and Argentina
, edited by
Vila
Pablo
,
193
227
.
Lanham, MD
:
Lexington Books
,
2014
.
Mora
,
G. Cristina
.
Making Hispanics: How Activists, Bureaucrats, and Media Constructed a New American
.
Chicago
:
University of Chicago Press
,
2014
.
Moreno
,
Jairo
. “
Bauza-Gillespie-Latin/Jazz: Difference, Modernity, and the Black Caribbean
.”
South Atlantic Quarterly
103
:
1
(
2004
):
81
99
.
Moreno
,
Julio
.
Yankee Don’t Go Home: Mexican Nationalism, American Business Culture, and the Shaping of Modern Mexico, 1920–1950
.
Chapel Hill
:
University of North Carolina Press
,
2003
.
Negus
,
Keith
.
Music Genres and Corporate Cultures
.
New York
:
Routledge
,
1999
.
Nevarez
,
Leonard
. “
Tito Larriva: The hombre secreto of L.A.’s Culture Industry
.”
Musical Urbanism
.
December
31
,
2012
. .
Ochoa Gauthier
,
Ana María
.
Músicas locales en tiempos de globalización
.
Buenos Aires
:
Norma
,
2003
.
Ochoa Gauthier
,
Ana María
, and
Yúdice
George
. “
The Latin American Music Industry in an Era of Crisis
.”
Paper prepared for The Global Alliance for Cultural Diversity
.
Paris: UNESCO
,
2002
.
O’Malley
,
Mike
. “
Blind Imitation
.”
The Aporetic
.
November
10
,
2010
. .
Oroz
,
Silvia
.
Melodrama: El cine de lágrimas de América Latina
.
Mexico City
:
UAM
,
1995
.
Orquera
,
Yolanda Fabiola
. “
From the Andes to Paris: Atahualpa Yupanqui, the Communist Party, and the Latin American Folksong Movement
.” In
Red Strains: Music and Communism Outside the Communist Bloc
, edited by
Adlington
Robert
,
105
18
.
Oxford
:
Oxford University Press
,
2013
.
Orquera
,
Yolanda Fabiola
. “
Marxismo, peronismo, indocriollismo: Atahualpa Yupanqui y el norte argentino
.”
Studies in Latin American Popular Culture
27
(
2008
):
185
205
.
Ortega Peña
,
Rodolfo
, and
Duhalde
Eduardo Luis
.
Folklore argentino y revisionismo histórico: La montonera de Felipe Varela en el cantar popular
.
Buenos Aires
:
Sudestada
,
1967
.
Ortiz
,
Renato
.
Mundialización y cultura
. Translated by
Noya
Elsa
.
Buenos Aires
:
Alianza
,
1997
.
Ortiz
,
Renato
. “
Mundialization/Globalization
.”
Theory, Culture and Society
23
:
2–3
(
2006
):
401
3
.
Pacini Hernández
,
Deborah
.
Oye como va: Hybridity and Identity in Latino Popular Music
.
Philadelphia, PA
:
Temple University Press
,
2009
.
Paladino
,
Diana
, and
Maranghello
César
. “
San Martín en el cine: Representaciones del siglo XX
.”
Cinémas d’amerique latine
18
(
2010
):
34
38
.
Paredes Pacho
,
José Luis
, and
Blanc
Enrique
. “
Rock Mexicano, Breve Recuento Del Siglo XX
.” In
La música en México: Panorama del siglo XX
, edited by
Tello
Aurelio
,
395
485
.
Mexico City
:
Fondo de Cultura Económica
,
2010
.
Parsonage
,
Catherine
.
The Evolution of Jazz in Britain 1880–1935
.
Aldershot
:
Ashgate
,
2005
.
Party
,
Daniel
. “
The Miamization of Latin American Pop Music
.” In
Postnational Musical Identities: Cultural Production, Distribution and Consumption in a Globalized Scenario
, edited by
Corona
Ignacio
and
Madrid
Alejandro L.
,
65
80
.
Lanham, MD
:
Lexington Books
,
2008
.
Party
,
Daniel
. “
Placer Culpable: Shame and Nostalgia in the Chilean 1990s Balada Revival
.”
Latin American Music Review
30
:
1
(
2009
):
69
98
.
Party
,
Daniel
. “
Raphael Is Different: Spanish ‘canción melódica’ under Late Francoism
.” In
Music and Francoism
, edited by
Zalduondo
Gemma Pérez
and
Quesada
Germán Gan
,
285
300
.
Turnhout, BE
:
Brepols
,
2013
.
Pelinski
,
Ramón
. “
Astor Piazzolla: entre tango y fuga, en busca de una identidad estilística
.” In
Estudios sobre la obra de Astor Piazzolla
, edited by
Brunelli
Omar García
,
35
56
.
Buenos Aires
:
Gourmet Musical
,
2008
.
Pérez Firmat
,
Gustavo
. “
Latunes: An Introduction
.”
Latin American Research Review
43
:
2
(
2008
):
180
203
.
Pérez Flores
,
Hirmarys
. “
La Nueva Canción Latinoamericana en su forma y contenido
.”
Humania del Sur
7
:
13
(
2012
):
139
54
.
Peterson
,
Richard A.
Why 1955? Explaining the Advent of Rock Music
.”
Popular Music
9
:
1
(
1990
):
97
116
.
Piazzolla
,
Diana
.
Astor
.
Buenos Aires
:
Emecé
,
1987
.
Piekut
,
Benjamin
. “
Race, Community, and Conflict in the Jazz Composers Guild
.”
Jazz Perspectives
3
:
3
(
2009
):
191
231
.
Pistocchi
,
Jorge
. “
Gustavo Santaolalla: verdades en movimiento
.”
Expreso Imaginario
(
January
1977
):
3
.
Podalsky
,
Laura
.
Specular City: Transforming Culture, Consumption, and Space in Buenos Aires, 1955–1973
.
Philadelphia
:
Temple University Press
,
2004
.
Poppe
,
Nicolas
. “
Made in Joinville: Transnational Identitary Aesthetics in Carlos Gardel’s Early Paramount Films
.”
Journal of Latin American Cultural Studies
21
:
4
(
2012
):
481
95
.
Portorrico
,
Emilio Pedro
.
Diccionario biográfico de la música argentina de raíz folklorica
.
Florida
:
Banco de la Provincia de Buenos Aires
,
1997
.
Prieto
,
Adolfo
.
El discurso criollista en la formación de la Argentina moderna
.
Buenos Aires
:
Sudamericana
,
1988
.
Pujol
,
Sergio
.
Canciones argentinas (1910–2010)
.
Buenos Aires
:
Emecé
,
2010
.
Pujol
,
Sergio
.
Historia del baile. De la milonga a la disco
.
1999
;
reprint
Buenos Aires
:
Gourmet Musical
,
2011
.
Pujol
,
Sergio
.
Jazz al sur: Historia de la música negra en la Argentina
.
Buenos Aires
:
Emecé
,
2004
.
Pujol
,
Sergio
.
La década rebelde: Los sesenta en la Argentina
.
Buenos Aires
:
Emecé
,
2002
.
Pujol
,
Sergio
.
Oscar Alemán: La guitarra embrujada
.
Buenos Aires
:
Planeta
,
2015
.
Pujol
,
Sergio
.
Rock y dictadura Crónica de una generación (1976–1983)
.
Buenos Aires
:
Emecé
,
2005
.
Quijada
,
Mónica
,
Bernard
Carmen
, and
Schneider
Arnd
, eds.
Homogeneidad y nación: con un estudio de caso: Argentina, siglos XIX y XX
.
Madrid
:
Consejo Superior de Investigaciones Científicas
,
2000
.
Ratliff
,
Ben
.
Coltrane: The Story of a Sound
.
New York
:
Farrar, Straus and Giroux
,
2007
.
Regev
,
Motti
.
Pop-Rock Music: Aesthetic Cosmopolitanism in Late Modernity
.
Cambridge
:
Polity Press
,
2013
.
Rios
,
Fernando
. “
La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and Its Impact on Nueva Canción
.”
Latin American Music Review / Revista de Música Latinoamericana
29
:
2
(
2008
):
145
89
.
Roberts
,
John Storm
.
Latin Jazz: The First of the Fusions, 1880s to Today
.
New York
:
Schirmer Books
,
1999
.
Roberts
,
John Storm
.
The Latin Tinge: The Impact of Latin American Music on the United States
.
New York
:
Oxford University Press
,
1979
.
Rodríguez Marino
,
Paula
. “
MTV Latino: Identidad, Nación y Rock
.”
Studies in Latin American Popular Culture
21
(
2002
):
155
73
.
Rye
,
Howard
. “
Southern Syncopated Orchestra: The Roster
.”
Black Music Research Journal
30
:
1
(
2010
):
19
70
.
Santiago
,
Javier
.
Nueva Ola portoricensis: La revolución musical que vivió Puerto Rico en la década del 60
.
San Juan
:
Editorial del Patio
,
1994
.
Savigliano
,
Marta
.
Tango and the Political Economy of Passion
.
Boulder, CO
:
Westview Press
,
1995
.
Scheurer
,
Timothy
. “
The Beatles, the Brill Building, and the Persistence of Tin Pan Alley in the Age of Rock
.”
Popular Music and Society
20
:
4
(
1996
):
89
102
.
Schifrin
,
Lalo
, and
Palmer
Richard
.
Mission Impossible: My Life in Music
.
Lanham, MD
:
Scarecrow Press
,
2008
.
Seibel
,
Beatriz
. “
La presencia afroargentina en el espectáculo
.” In
El negro en La Argentina: Presencia y negación
, edited by
Picotti
Dina
,
199
208
.
Buenos Aires
:
Editores de América Latina
,
2001
.
Seigel
,
Micol
.
Uneven Encounters: Making Race and Nation in Brazil and the United States
.
Durham, NC
:
Duke University Press
,
2009
.
Semán
,
Pablo
, and
Vila
Pablo
. “
Cumbia Villera or the Complex Construction of Masculinity and Femininity in Contemporary Argentina
.” In
Youth Identities and Argentine Popular Music
, edited by
Semán
Pablo
and
Vila
Pablo
,
101
23
.
New York
:
Palgrave Macmillan
,
2012
.
Semán
,
Pablo
, and
Vila
Pablo
. “
Rock Chabón: The Contemporary National Rock of Argentina
.” In
From Tejano to Tango: Latin American Popular Music
, edited by
Clark
Walter Aaron
,
70
94
.
New York
:
Routledge
,
2002
.
Semán
,
Pablo
,
Vila
Pablo
, and
Benedetti
Cecilia
. “
Neoliberalism and Rock in the Popular Sectors of Contemporary Argentina
.” In
Rockin’ Las Américas: The Global Politics of Rock in Latin/o America
, edited by
Hernández
Deborah Pacini
,
L’Hoeste
Héctor Fernández
, and
Zolov
Eric
,
261
89
.
Pittsburgh
:
University of Pittsburgh Press
,
2004
.
Seoane
,
María
, and
Núñez
Héctor Ruiz
.
La noche de los lápices
.
1986
;
reprint
Buenos Aires
:
Sudamericana
,
2011
.
Seveso
,
César
. “
Political Emotions and the Origins of the Peronist Resistance
.” In
The New Cultural History of Peronism
, edited by
Karush
Matthew B.
and
Chamosa
Oscar
,
239
69
.
Durham, NC
:
Duke University Press
,
2010
.
Sewell
,
William H.
Jr
.
Logics of History: Social Theory and Social Transformation
.
Chicago
:
University of Chicago Press
,
2005
.
Sierra
,
Luis Adolfo
.
Historia de la orquesta típica: Evolución instrumental del tango
.
Buenos Aires
:
Corregidor
,
1985
.
Slidin’ on the Frets: The Hawaiian Steel Guitar Phenomenon. CD
.
Yahoo 2056
,
2000
.
Solomianski
,
Alejandro
.
Identidades secretas: La negritud argentina
.
Rosario
:
Beatriz Viterbo
,
2003
.
Solórzano-Thompson
,
Nohemy
. “
Performative Masculinities: The Pachuco and the Luchador in the Songs of Maldita Vecindad and Café Tacuba
.”
Studies in Latin American Popular Culture
26
(
January
2007
):
79
96
.
Sopeña
,
Gerardo
. “
Oscar Alemán ‘abrazado a mi cavaquinho’
.”
Crisis
(
January
1975
):
29
35
.
Spencer
,
Kristopher
.
Film and Television Scores, 1950–1979: A Critical Survey by Genre
.
Jefferson, NC
:
McFarland
,
2008
.
Speratti
,
Alberto
.
Con Piazzolla
.
Buenos Aires
:
Galerna
,
1969
.
Spinelli
,
María Estela
.
Los vencedores vencidos: El anti-Peronismo y la “revolución libertadora
.”
Buenos Aires
:
Biblos
,
2005
.
Stovall
,
Tyler
.
Paris Noir: African Americans in the City of Light
.
New York
:
Houghton Mifflin
,
1996
.
Stowe
,
David W.
Swing Changes: Big-Band Jazz in New Deal America
.
Cambridge, MA
:
Harvard University Press
,
1994
.
Strega
,
Enrique
.
Bossanova y nuevo tango: Una historia de Vinicius a Astor
.
Buenos Aires
:
Corregidor
,
2009
.
Sublette
,
Ned
.
Cuba and Its Music: From the First Drums to the Mambo
.
Chicago
:
Chicago Review Press
,
2004
.
Sublette
,
Ned
. “
The Kingsmen and the Cha-Cha-Chá
.” In
Listen Again: A Momentary History of Pop Music
, edited by
Weisbard
Eric
,
69
94
.
Durham, NC
:
Duke University Press
,
2007
.
Suisman
,
David
.
Selling Sounds: The Commercial Revolution in American Music
.
Cambridge, MA
:
Harvard University Press
,
2009
.
Svampa
,
Maristella
, and
Pereyra
Sebastián
.
Entre la ruta y el barrio: La experiencia de las organizaciones piqueteras
.
Buenos Aires
:
Biblos
,
2009
.
Szusterman
,
Celia
.
Frondizi and the Politics of Developmentalism in Argentina, 1955–62
.
Pittsburgh
:
University of Pittsburgh Press
,
1993
.
Terán
,
Oscar
.
Nuestros años sesentas: la formación de la nueva izquierda intelectual en la Argentina, 1956–1966
.
Buenos Aires
:
Puntosur
,
1991
.
Thompson
,
Daniella
. “
The Globetrotting Romeu Silva
.”
Música Brasiliensis
,
November
17
,
2003
. .
Thompson
,
Daniella
. “
Unraveling the Gnattali-Barbieri Mystery
,”
Musica Brasiliensis
,
December
23
,
2006
. .
Thompson
,
Era Bell
. “
Argentina: Land of Vanishing Blacks
.”
Ebony
,
October
1973
,
74
85
.
Thompson
,
Robert Farris
.
Tango: The Art History of Love
.
New York
:
Pantheon
,
2005
.
Torrón
,
Andrés
. “
Bajofondo: Doing the Wango Tango
.”
Global Rhythm
17
:
10
(
2008
):
36
41
.
Traber
,
Daniel S.
Pick It Up! Pick It Up!: The Transnational Localism of Ska
.”
Popular Music and Society
36
:
1
(
February
2013
):
1
18
.
Tucker
,
Joshua
. “
Mediating Sentiment and Shaping Publics: Recording Practice and the Articulation of Social Change in Andean Lima
.”
Popular Music and Society
33
:
2
(
2010
):
141
62
.
Turino
,
Thomas
. “
The Mbira, Worldbeat, and the International Imagination
.”
World of Music
40
:
2
(
1998
):
85
106
.
Ursini
,
Sonia
.
La supervivencia de un artista en el tiempo
.
Buenos Aires
:
Corregidor
,
1993
.
Verba
,
Ericka Kim
. “
To Paris and Back: Violeta Parra’s Transnational Performance of Authenticity
.”
Americas
70
:
2
(
2013
):
269
302
.
Verdesio
,
Gustavo
. “
Cultural Connections: Rock across Class and Ethnic Identities
.” In
A Companion to Latin American Literature and Culture
, edited by
Castro-Klarén
Sara
,
636
46
.
Chichester, UK
:
Blackwell
,
2013
.
Vila
,
Pablo
. “
Argentina’s ‘Rock Nacional’: The Struggle for Meaning
.”
Latin American Music Review
10
:
1
(
1989
):
1
28
.
Vila
,
Pablo
. “
Música popular y auge del folklore
.”
Crear en la cultura nacional
2
.
10
(
1982
):
24
27
.
Vila
,
Pablo
. “
Narrative Identities and Popular Music: Linguistic Discourses and Social Practices
.” In
Music and Youth Culture in Latin America: Identity Construction Processes from New York to Buenos Aires
, edited by
Vila
Pablo
,
17
80
.
New York
:
Oxford University Press
,
2014
.
Villarroel
,
Luis F.
Tango, Folklore de Buenos Aires
.
Buenos Aires
:
Ideagraf
,
1957
.
Wallis
,
Roger
, and
Malm
Krister
.
Big Sounds from Small Peoples
.
New York
:
Pendragon
,
1984
.
Washburne
,
Chris
. “
The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music
.”
Black Music Research Journal
17
:
1
(
1997
):
59
80
.
Waxer
,
Lise
.
The City of Musical Memory: Salsa, Record Grooves, and Popular Culture in Cali, Colombia
.
Middletown, CT
:
Wesleyan
,
2002
.
White
,
Bob W.
Congolese Rumba and Other Cosmopolitanisms
.”
Cahiers d’études africaines
168
(
2002
). .
Wood
,
Ean
.
The Josephine Baker Story
.
London
:
Sanctuary
,
2000
.
Yúdice
,
George
.
The Expediency of Culture: Uses of Culture in the Global Era
.
Durham, NC
:
Duke University Press
,
2003
.
Yúdice
,
George
. “
La industria de la música en la integración América Latina-Estados Unidos
.” In
Las industrias culturales en la integración latinoamericana
, edited by
Canclini
Néstor García
and
Moneta
Carlos Juan
,
181
243
.
Mexico City
:
Grijalbo
,
1999
.
Zolov
,
Eric
.
Refried Elvis: The Rise of the Mexican Counterculture
.
Berkeley
:
University of California Press
,
1999
.

Related

Email alerts

Close Modal

or Create an Account

Close Modal
Close Modal