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a John Hope Franklin Center Book
Sessue Hayakawa: Silent Cinema and Transnational Stardom
Duke University Press
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
Villain, Friend, or Lover: Sessue Hayakawa’s Stardom at Lasky-Paramount (1916–18)
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Related Book Chapters
Anna May Wong and Sessue Hayakawa: Racial Performance, Ornamentalism, and Yellow Voices in Daughter of the Dragon (1931)
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The Poetics of Addiction: Stardom, “Feminized” Spectatorship, and Interregional Business Relations in the Twilight Series