Photography after Photography: Gender, Genre, History
Abigail Solomon-Godeau is Professor Emerita of the Department of History of Art and Architecture at the University of California, Santa Barbara, and the author of several books, including Photography at the Dock: Essays on Photographic History, Institutions, and Practices; Male Trouble: A Crisis in Representation; Rosemary Laing; Chair à canons: Photographie, discours, féminisme; and coauthor of Birgit Jürgenssen.
Sarah Parsons is Associate Professor of Art History at York University.
Abigail Solomon-Godeau is Professor Emerita of the Department of History of Art and Architecture at the University of California, Santa Barbara, and the author of several books, including Photography at the Dock: Essays on Photographic History, Institutions, and Practices; Male Trouble: A Crisis in Representation; Rosemary Laing; Chair à canons: Photographie, discours, féminisme; and coauthor of Birgit Jürgenssen.
Sarah Parsons is Associate Professor of Art History at York University.
Torture at Abu Ghraib: In and Out of the Media (2007)
In this essay Solomon-Godeau argues that the carefully staged photographs of torture at Abu Ghraib function as spectacle. Despite this and their digital production, they still carry the weight of truth, of capturing something horrible. This essay explores the various ways race, class, gender, religion, and nationality all shaped the creation and circulation of these images. Solomon-Godeau, as others have done, recognizes the visual tropes of amateur pornography within which the participants function as both actors and directors. As a whole, this archive (still only partially revealed) points to a terrifying dark side to the role of representation in building community and collective identity. In this respect, the Abu Ghraib archive might be considered the infernal double of so-called worker photography of the 1920s and 1930s, producing not an emancipatory and collective self-representation but a lethal bond of murderous fraternity.
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