Skip to Main Content
Skip Nav Destination
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.

This introduction makes the case for the importance of this volume by suggesting the need to think media theorization situationally. Corresponding to this, it argues that such a resitutation of the boundaries of what is called media theorization also opens the door to rethinking the very definition of media theory. This makes the consideration of particular situations in which media theory develops all the more important. While this volume focuses on Japanese media theory in particular, it also argues for the importance of decentering the West in the study of media more broadly, emphasizing the need for studying and writing about media theory with an eye to geographical and geocultural specificity everywhere—including the often unmarked West.

This content is only available as PDF.

Bibliography

Bibliography
Abel
,
Jonathan E.
Redacted: The Archives of Censorship in Transwar Japan
.
Berkeley
:
University of California Press
,
2012
.
Abel
,
Jonathan E.
Translator’s Introduction to Otaku: Japan’s Database Animals, by Hiroki Azuma, xii–xxvi
. Translated by
Abel
Jonathan E.
and
Kono
Shion
.
Minneapolis
:
University of Minnesota Press
,
2009
.
Across Henshūshitsu
, ed.
Ima, chōtaishū no jidai
.
Tokyo
:
Parco Shuppan
,
1985
.
Allen
,
Samantha
. “
Japan’s ‘Vagina Kayak’ Artist Fights Back against Obscenity Charges—and Misogyny
.”
Daily Beast
,
January
13
,
2015
. .
Amano
Yasukazu
.
Kiki no ideorōgu: Shimizu Ikutarō hihan
.
Tokyo
:
Hihyōsha
,
1970
.
Anderer
,
Paul
.
Introduction to Literature of the Lost Home: Kobayashi Hideo—Literary Criticism, 1924–1939
. Translated and edited by
Anderer
Paul
.
Stanford, CA
:
Stanford University Press
,
1995
.
Anderson
,
Benedict
.
Imagined Communities: Reflections on the Origin and Spread of Nationalism
.
New York
:
Verso Books
,
1983
.
Andrew
,
Dudley
. “
The Core and the Flow of Film Studies
.”
Critical Inquiry
35
(summer
2009
):
879
915
.
Appadurai
,
Arjun
, ed.
Globalization
.
Durham, NC
:
Duke University Press
,
2001
.
Arendt
,
Hannah
.
The Human Condition
.
Chicago
:
University of Chicago Press
,
1958
.
Arima
Tetsuo
.
Nihon terebi to CIA [Japanese television and the CIA]
.
Tokyo
:
Shinchōsha
,
2006
.
Arvidsson
,
Adam
.
Brand: Meaning and Value in Media Culture
.
London
:
Routledge
,
2006
.
Arvidsson
,
Adam
.
Marketing Modernity: Italian Advertising from Fascism to Postmodernity
.
London
:
Routledge
,
2003
.
Asada
,
Akira
. “
Infantile Capitalism and Japan’s Postmodernism: A Fairy Tale
.” In
Postmodernism and Japan
, edited by
Harootunian
Harry
and
Miyoshi
Masao
,
273
78
.
Durham, NC
:
Duke University Press
,
1989
.
Asada
,
Akira
. “
Interview with Akira Asada
.” By
Woznicki
Krystian
.
Nettime Mailing Lists
. .
Asada
,
Akira
.
Kōzō to chikara: Kigōron o koete [Structure and power: Beyond semiotics]
.
Tokyo
:
Keisō Shobō
,
1983
.
Asada
,
Akira
.
Tōsōron: Sukizo kizzu no bōken [Escape theory: The adventures of the schizo kids]
.
Tokyo
:
Chikuma Bunko
,
1986
.
Asada
Akira
,
Iwai
Katsuhito
, and
Karatani
Kōjin
. “
Marukusu kahei, gengo” [Marx, currency, language
]. In
Tōsōron: Sukizo kizzu no bōken
, by
Asada
Akira
,
151
239
.
Tokyo
:
Chikuma Bunko
,
1986
.
Asada
Akira
Karatani
Kōjin
, and
Kuno
Osamu
. “
Kyōtō gakuha to sanjū-nindai no shisō
.”
Hihyō kūkan [Critical space] II
vol.
4
(
1995
).
Austin
,
J. L.
How to Do Things with Words
. Edited by
Urmson
J. O.
and
Sbisá
Marina
.
Cambridge, MA
:
Harvard University Press
,
1962
.
Averbeck
,
Stefanie
.
Kommunikation als Prozess: Soziologische Perspektiven in der Zeitungswissenschaft, 1927–1934
.
Münster, Ger.
:
Lit
,
1998
.
Azuma
Hiroki
.
“90 nendai o furikaeru: Atogaki ni kaete 2: Interview with Hiroki Azuma.” [Looking back at the ’90s: In place of postscript: Interview with Hiroki Azuma]
. In
Cyberspace wa naze sō yobareru ka+ [Why is cyberspace called such?]: Azuma Hiroki archives 2
.
Tokyo
:
Kawade Bunko
,
2011
.
Azuma
Hiroki
. “
About Us
.”
Genron
.
Last modified May 10, 2011. Accessed June 1, 2014. (no longer active) http://global.genron.co.jp/aboutus/
.
Azuma
Hiroki
. “
The Disaster Broke Us Apart
.”
Shisōchizu beta
2
(
2011
):
8
17
.
Azuma
Hiroki
.
Dōbutsuka suru posutomodan [Animalizing the postmodern]
.
Tokyo
:
Kodansha
,
2001
.
Azuma
Hiroki
. “
For a Change, Proud to Be Japanese
.”
New York Times
,
March
16
,
2011
.
Azuma
Hiroki
.
General Will 2.0: Rousseau, Freud, Google
, trans.
Person
John
and
Matsuyama
Naoki
.
New York
:
Vertical
,
2014
.
Azuma
Hiroki
.
Ippan ishi 2.0: Rusō, Furoito, Gūguru [General will 2.0: Rousseau, Freud, Google]
.
Tokyo
:
Kodansha
,
2011
.
Azuma
Hiroki
.
Jōhō jiyū ron: Html Version Index [On information and freedom: html version index]
.
2005
. .
Azuma
Hiroki
.
Nihon 2.0
.
Tokyo
:
Genron
,
2012
.
Azuma
Hiroki
.
Otaku: Japan’s Database Animals
. Translated by
Abel
Jonathan E.
and
Kono
Shion
.
Minneapolis
:
University of Minnesota Press
,
2009
.
Azuma
Hiroki
.
“Postmodern saikō: ‘Gendai shisō’ o hitotsu no ideology toshite saiseiri suru tame ni” [Rethinking the postmodern: In order to rearrange “contemporary thought” as an ideology]
.
Asteion
54
(
2000
):
203
17
.
Azuma
,
Hiroki
.
Sonzairon teki, yūbin teki: Jacques Derrida ni tsuite [Ontological, postal: On Jacques Derrida]
.
Tokyo
:
Shinchōsha
,
1998
.
Azuma
Hiroki
.
“Sore ni shite mo mediaron wa naze konna ni konnnann na no ka?” [Why is it that media theory is so difficult?]
.
InterCommunication
14
(
1995
).
Azuma
,
Hiroki
.
“Sōzōkai to dōbutsuteki tsūro: Keishikika no Derrida-teki shomondai” [The imaginary and the animal route: Derridean problems of formalization]
. In
Hyōshō: Kōzō to dekigoto [Representation: Structure and event]
, edited by
Yasuo
Kobayashi
and
Hisaki
Matsuura
.
Tokyo
:
University of Tokyo Press
,
2000
.
Azuma
Hiroki
. “
Superflat Speculation
.” In
Superflat
, edited by
Murakami
Takashi
,
109
51
.
Tokyo
:
Madra
,
2000
.
Bao
,
Weihong
.
Fiery Cinema: The Emergence of an Affective Medium in China
.
Minneapolis
:
University of Minnesota Press
,
2015
.
Barshay
,
Andrew E.
Postwar Social and Political Thought, 1945–90
.” In
Modern Japanese Thought
, edited by
Wakabayashi
Bob Tadashi
,
273
356
.
Cambridge
:
Cambridge University Press
,
1998
.
Baudrillard
,
Jean
.
Consumer Society: Myths and Structures
.
London
:
Sage
,
1998
.
Baudrillard
,
Jean
. “
Requiem for the Media
,” trans.
Levin
Charles
, in
For a Critique of the Political Economy of the Sign
, ed.
Levin
Charles
,
164
84
(
Saint Louis, MO
:
Telos Press
,
1981
).
Baudrillard
,
Jean
.
Symbolic Exchange and Death
.
London
:
Sage Publication
,
1993
.
Benjamin
,
Walter
. “
Fukusei gijutsu jidai no geijutsu sakuhin
.” In
Benjamin korekushon I
. Translated by
Asai
Kenjirō
.
Tokyo
:
Chikuma Gakugei Bunkō
,
1995
.
Benjamin
,
Walter
. “
Gengo ippan oyobi ningen no kotoba ni tsuite
.” In
Benjamin Korekushon I
. Translated by
Asai
Kenjirō
.
Tokyo
:
Chikuma Gakugei Bunkō
,
1995
.
Benjamin
,
Walter
.
Gesammelte Schriften
. Vol.
I.2
.
Frankfurt
:
Suhrkamp Verlag
,
1990
.
Benjamin
,
Walter
. “
Shururearizumu
.” In
Benjamin Korekushon I
. Translated by
Asai
Kenjirō
.
Tokyo
:
Chikuma Gakugei Bunkō
,
1995
.
Blanchette
,
J.-F.
A Material History of Bits
,”
Journal of the American Society for Information Science and Technology
62
, no.
6
(
2011
):
1042
57
.
Boorstin
,
Daniel
.
The Image: A Guide to Pseudo-Events in America
.
New York
:
Vintage Books
,
1992
.
Brodey
,
Warren M.
The Design of Intelligent Environment: Soft Architecture
.”
Landscape
17
, no.
1
(autumn
1967
):
8
12
.
Caldwell
,
John Thornton
. “
Introduction: Theorizing the Digital Landrush
.” In
Electronic Media and Technoculture
, edited by
Caldwell
J. T.
,
1
31
.
New Brunswick, NJ
:
Rutgers University Press
,
2000
.
Caldwell
,
John Thornton
.
Production Culture: Industrial Reflexivity and Critical Practice in Film and Television
.
Durham, NC
:
Duke University Press
,
2008
.
Casanova
,
Pascale
.
The World Republic of Letters
. Translated by
DeBevoise
M. B.
.
Cambridge, MA
:
Harvard University Press
,
2004
.
Cather
,
Kirsten
.
The Art of Censorship in Postwar Japan
.
Honolulu
:
University of Hawai’i Press
,
2012
.
Cather
,
Kirsten
. “
The Politics and Pleasures of Historiographic Porn
.”
positions: east asia cultures critique
22
, no.
4
(
2014
):
749
80
.
Chen
,
Kuan-Hsing
.
Asia as Method
.
Durham, NC
:
Duke University Press
,
2010
.
Cho
,
Hyunjung
. “
Hiroshima Peace Memorial Park and the Making of Japanese Postwar Architecture
.”
Journal of Architectural Education
66
, no.
1
(
2012
):
72
83
.
Chun
,
Jayson Makoto
.
“A Nation of a Hundred Million Idiots”?: A Social History of Japanese Television, 1953–1973
.
New York
:
Routledge
,
2007
.
Chun
,
Wendy Hui Kyong
. “
The Enduring Ephemeral, or The Future Is a Memory
.” In
Media Archaeology: Approaches, Applications, and Implications
, edited by
Huhtamo
Erkki
and
Parikka
Jussi
,
184
206
.
Berkeley
:
University of California Press
,
2011
.
Chun
,
Wendy Hui Kyong
. “
Introduction: Did Somebody Say New Media?”
In
New Media, Old Media: A History and Theory Reader
, edited by
Chun
Wendy Hui Kyong
and
Keenan
Thomas W.
,
1
10
.
New York
:
Routledge
,
2006
.
Chun
,
Wendy Hui Kyong
.
Programmed Visions: Software and Memory
.
Cambridge, MA
:
MIT Press
,
2011
.
Clarke
,
Bruce
. “
Communication
.” In
Critical Terms for Media Studies
, edited by
Mitchell
W. J. T.
and
Hansen
Mark B. N.
,
131
44
.
Chicago
:
University of Chicago Press
,
2010
.
Coleman
,
Gabriella
.
Coding Freedom: The Ethics and Aesthetics of Hacking
.
Princeton, NJ
:
Princeton University Press
,
2013
.
Couldry
,
Nick
. “
Theorizing Media as Practice
.”
Social Semiotics
14
, no.
2
(
2004
):
115
32
.
Dean
,
Jodi
.
Blog Theory: Feedback and Capture in the Circuits of Drive
.
Cambridge, UK
:
Polity Press
,
2011
.
Debord
,
Guy
.
The Society of Spectacle
. Translated by
Nicholson-Smith
Donald
.
New York
:
Zone Books
,
1994
.
Deleuze
,
Gilles
.
Cinema 2
. Translated by
Tomlinson
Hugh
and
Galeta
Robert
.
Minneapolis
:
University of Minnesota Press
,
1989
.
Deleuze
,
Gilles
. “
Postscript on the Societies of Control
.”
October
59
(
1992
):
3
7
.
Demachi
Ryūji
.
Taiken rupo: Zainichi gaikokujin josei no sekkusu 51-ka kuni-5000-nin o “seiha” shita otoko no nikki
.
Tokyo
:
Kōbunsha
,
2011
.
Derrida
,
Jacques
. “
Architecture Where the Desire May Live
.” In
Rethinking Architecture: A Reader in Cultural Theory
, edited by
Leach
Neil
,
300
28
.
London
:
Routledge
,
1997
.
Derrida
,
Jacques
.
“Hagaki yori” [From The Post Card]
.
InterCommunication
, no.
0
(spring
1992
):
34
39
.
Derrida
,
Jacques
.
Limited Inc
. Translated by
Weber
Samuel
and
Mehlman
Jeffrey
.
Evanston, IL
:
Northwestern University Press
,
1988
.
Derrida
,
Jacques
.
The Post Card: From Socrates to Freud and Beyond
. Translated by
Bass
Alan
.
Chicago
:
University of Chicago Press
,
1987
.
Derrida
,
Jacques
.
Specters of Marx: The State of the Debt, the Work of Mourning, and the New International
. Translated by
Kamuf
Peggy
.
New York
:
Routledge
,
1994
.
Derrida
,
Jacques
. “
Structure, Sign, and Play in the Discourse of the Human Sciences
.” In
Writing and Difference
,
278
94
.
Chicago
:
University of Chicago Press
,
1978
.
Detleve
,
Zwick
, and
Cayla
Julien
.
Inside Marketing Practices, Ideologies, Devices
.
Oxford
:
Oxford University Press
,
2012
.
Dickinson
,
Kay
.
Arab Cinema Travels: Transnational Syria, Palestine, Dubai, and Beyond
.
London
:
British Film Institute
,
2016
.
Doak
,
Kevin Michael
.
Dreams of Difference: The Japanese Romantic School and the Crisis of Modernity
.
Berkeley
:
University of California Press
,
1994
.
Driscoll
,
Mark
.
Absolute Erotic, Absolute Grotesque: The Living, Dead, and Undead in Japan’s Imperialism, 1895–1945
.
Durham, NC
:
Duke University Press
,
2010
.
Dunne
,
Anthony
, and
Raby
Fiona
.
Speculative Everything: Design, Fiction, and Social Dreaming
.
Cambridge, MA
:
MIT Press
,
2013
.
Ďurovičová
,
Nataša
, and
Newman
Kathleen
, eds.
World Cinemas, Transnational Perspectives
.
New York
:
Routledge
,
2010
.
Eagleton
,
Terry
.
After Theory
.
New York
:
Basic Books
,
2003
.
Edwards
,
Paul N.
The Closed World: Computers and the Politics of Discourse in Cold War America
.
Cambridge, MA
:
MIT Press
,
1996
.
Enzensberger
,
Hans Magnus
. “
Constituents of a Theory of the Media
.” In
The New Media Reader
, edited by
Montfort
Nick
and
Wardrip-Fruin
Noah
,
259
76
.
Cambridge, MA
:
MIT Press
,
2003
.
Enzensberger
,
Hans Magnus
. “
Constituents of a Theory of the Media
.”
New Left Review
64
(
November/December
1970
):
13
36
.
Etō
Jun
.
Seijuku to sōshitsu [Maturity and loss]
.
Tokyo
:
Kawade Shobo Shinsha
,
1967
.
Eto
Kōichirō
.
Niko Niko Gakkai Beta o kenkyū shite mita [I went and studied Niko Niko Beta working group]
.
Tokyo
:
Kawade Shobō Shinsha
,
2012
.
Eyebeam
. “
About Eyebeam
.”
Accessed March 7, 2016. http://eyebeam.org/about
.
Eyebeam
. “
Inter-Discommunication Machine
.” .
Fabian
,
Johannes
.
Time and Its Other: How Anthropology Makes Its Object
.
New York
:
Columbia University Press
,
1983
.
Fan
,
Victor
.
Cinema Approaching Reality
.
Minneapolis
:
University of Minnesota Press
,
2015
.
Fingleton
,
Eamonn
. “
The Myth of Japan’s Failure
.”
New York Times
,
January
6
,
2012
.
Foucault
,
Michel
.
Security, Territory, Population: Lectures at the Collège de France, 1977–1978
. Edited by
Senellart
Michel
. Translated by
Burchell
Graham
.
New York
:
Palgrave Macmillan
,
2007
.
Foucault
,
Michel
.
“Society Must Be Defended”: Lectures at the the Collège de France, 1975–1976
. Edited by
Bertani
Mauro
and
Fontana
Alessandro
. Translated by
Macey
David
.
New York
:
Picador
,
2003
.
Frank
,
Thomas
.
The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism
.
Chicago
:
University of Chicago Press
,
1997
.
Frauenfelder
,
Mark
. “
Japanese Artist Goes on Trial over ‘Vagina Selfies’
.”
Boing Boing
,
July
28
,
2015
. .
Frauenfelder
,
Mark
. “
Who’s Afraid of Vagina Art
.”
Broadly
,
August
15
,
2015
.
Fujioka
Wakao
, ed.
Discover Japan 40nen kinen katarogu [Discover Japan fortieth anniversary commemorative cata logue]
.
Tokyo
:
PHP Kenkyūsha
,
2010
.
Fujioka
Wakao
.
Karei naru shuppatsu: Discover Japan [A splendid departure: Discover Japan]
.
Tokyo
:
Asahi Shuppan
,
1972
.
Fujioka
,
Wakao
.
Mōretsu kara biutifuru e [From intense to beautiful]. Vol. 2 of Fujioka Wakao zen purodūsu [Fujioka Wakao’s complete production]
.
Tokyo
:
PHP
,
1988
.
Fujioka
Wakao
.
Mōretsu kara byūtifuru e [From gung-ho to beautiful]
.
Tokyo
:
Dentsū Shuppan
,
1991
.
Fujioka
Wakao
.
Sayonara taishū, bunshū no tanjō [Goodbye mass, the birth of the segmented mass]
.
Tokyo
:
PHPBunko
,
1987
.
Fujioka
Wakao
et al
“Zadankai: Discover Japan kyanpēn uraomote” [Roundtable discussion: Front and back of Discover Japan campaign]
.
Senden kaigi
(
January
1972
):
14
23
.
Fukasaku
Mitsutada
.
Shinjuku kōgengaku [Shinjuku modernology]
.
Tokyo
:
Kadokawa Shuppan
,
1968
.
Furuhata
,
Yuriko
.
Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics
.
Durham, NC
:
Duke University Press
,
2013
.
Furuhata
,
Yuriko
. “
Multimedia Environments and Security Operations: Expo ’70 as a Laboratory of Governance
.”
Grey Room
54
(winter
2014
):
56
79
.
Gabrakova
,
Dennitza
. “
Archipelagic Thought and Theory’s Other: Traveling Theory in Japan
.”
positions
22
, no.
2
(spring
2014
):
461
87
.
Galbraith
,
Patrick W.
, and
Karlin
Jason G.
Introduction: The Mirror of Idols and Celebrity
.” In
Idols and Celebrity in Japanese Media Culture
, edited by
Galbraith
Patrick W.
and
Karlin
Jason G.
,
1
32
.
Basingstoke, UK
:
Palgrave
Macmillan
,
2012
.
Galey
,
Alan
, and
Ruecker
Stan
. “
How a Prototype Argues
.”
Literary and Linguistic Computing
25
, no.
4
(
2010
):
405
24
.
Galloway
,
Alexander R.
,
Thacker
Eugene
, and
Wark
McKenzie
.
Excommunication: Three Inquiries in Media and Mediation
.
Chicago
:
University of Chicago Press
,
2014
.
Gardner
,
William O.
The 1970 Osaka Expo and/as Science Fiction
.”
Review of Japanese Culture and Society
(
December
2011
):
26
43
.
Gekkan Across Henshūshitsu
, eds.
Kyanpēn obu Paruko: Paruko no senden senryaku [Campaign of Parco: Parco’s advertising strategy]
.
Tokyo
:
Parco Shuppan
,
1984
.
Gender, Genitor, Genitalia—Rokudenashiko sapōto-ten
.”
CAMPFIRE
. .
Genosko
,
Gary
.
McLuhan and Baudrillard: Masters of Implosion
.
London
:
Routledge
,
1999
.
Geoghegan
,
Bernard Dionysius
. “
From Information Theory to French Theory: Jakobson, Lévi-Strauss, and the Cybernetic Apparatus
.”
Critical Inquiry
38
(autumn
2011
):
96
126
.
Gerow
,
Aaron
, ed. “
Decentering Theory: Reconsidering the History of Japanese Film Theory
.”
Special issue, Review of Japanese Culture and Society
22
(
December
2010
).
Gerow
,
Aaron
. “
Introduction: The Theory Complex
.”
Review of Japanese Culture and Society
22
(
December
2010
):
1
13
.
Gerow
,
Aaron
.
Kitano Takeshi
.
London
:
British Film Institute
,
2008
.
Gerow
,
Aaron
. “
The Process of Theory: Reading Gonda Yasunosuke and Early Film Theory
.”
Review of Japanese Culture and Society
22
(
2010
):
37
43
.
Gerow
,
Aaron
.
Visions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895–1925
.
Berkeley
:
University of California Press
,
2010
.
Glander
,
Timothy
.
Origins of Mass Communications Research during the American Cold War
.
Mahwah, NJ
:
Lawrence Erlbaum Associates
,
2000
.
Gluck
,
Carol
.
Japan’s Modern Myths: Ideology in the Late Meiji Period
.
Princeton, NJ
:
Princeton University Press
,
1985
.
Gonda
Yasunosuke
.
Katsudō shashin no genri oyobi ōyō [The principles and applications of the moving pictures]
.
Tokyo
:
Uchida Rōkakuho
,
1914
.
Gonda
Yasunosuke
. “
The Principles and Applications of the Moving Pictures (Excerpts)
.” Translated by
Gerow
Aaron
.
Review of Japanese Culture and Society
22
(
2010
):
24
36
.
Gotō
Kazuhiko
.
“Makurūhan no unda gensō” [The illusion produced by McLuhan]
.
Asahi jyānaru
9
, no.
42
(
October
8
,
1967
):
18
23
.
Gotō
Kazuhiko
.
“Makurūhan to Nihon no media” [McLuhan and the Japanese media]
.
Chishiki
(
April
1981
):
190
96
.
Gotō
Shinpei
.
Seiden: Gotō Shinpei, Mantetsu jidai, 1906–1908
. Vol.
4
.
Tokyo
:
Fujiwara Shoten
,
2005
.
Gramsci
,
Antonio
.
Prison Notebooks
. Vol.
3
.
New York
:
Columbia University Press
,
2010
.
Grice
,
Paul
.
Studies in the Way of Words
.
Cambridge, MA
:
Harvard University Press
,
1989
.
Guillory
,
John
. “
Genesis of the Media Concept
.”
Critical Inquiry
36
, no.
2
(winter
2010
):
321
62
.
Habermas
Jürgen
.
The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society
. Translated by
Burger
Thomas
with
Lawrence
Frederick
.
Cambridge, MA
:
MIT Press
,
1991
.
Hachiya
,
Kazuhiko
. “
Inter Dis-Communication Machine (1993)
.”
YouTube
. .
Hagimoto
Haruhiko
,
Yoshihiko
Muraki
, and
Tsutomu
Konno
.
Omae wa ada no genzai ni suginai: Terebi ni nani ga kanō ka [You are nothing but the present: What is possible for television?]
.
Tokyo
:
Tabata Shoten
,
1969
.
Hakuhōdō Sōgō Seikatsu Kenkyūjo
, ed.
Bunshū no [The age of segmented mass]
.
Tokyo
:
Nihon Keizai Shinbunsha
,
1985
.
Hamano
Satoshi
. “
Kaisetsu: Azuma Hiroki no jōhōronteki tenkai ni tsuite
.” In
Cyberspace wa naze sō yobareru ka+: Azuma Hiroki archives 2
, by
Azuma
Hiroki
,
465
72
.
Tokyo
:
Kawade Bunko
,
2011
.
Hamano
Yasuhiro
.
Fasshonka shakai: Ryūdōkashakai, fasshon bijinesu, kyōkan bunka [Fashionizing society: Society in flux, fashion business, and the culture of sympathy]
.
Tokyo
:
Bijinesusha
,
1970
.
Hani
Susumu
and
Susumu
Okada
. “
Eiga ni okeru henkakuki to wa nanika
.” [
What would be a revolutionary period in cinema
]. In
Besuto obu Kinema junpō
,
882
85
.
Tokyo
:
Kinema Junpōsha
,
1994
.
Hansen
,
Mark B. N.
Feed-Forward: On the Future of Twenty-First-Century Media
.
Chicago
:
University of Chicago Press
,
2015
.
Hansen
,
Miriam
. “
Vernacular Modernism: Tracking Cinema on a Global Scale
.” In
World Cinemas, Transnational Perspectives
, edited by
Ďurovičová
Nataša
and
Newman
Kathleen
,
287
314
.
New York
:
Routledge
,
2010
.
Hardt
,
Michael
, and
Negri
Antonio
.
Multitude: War and Democracy in the Age of Empire
.
New York
:
Penguin Press
,
2004
.
Harootunian
,
Harry
.
Overcome by Modernity
.
Princeton, NJ
:
Princeton University Press
,
2001
.
Hasumi
,
Shigehiko
.
Hyōsō hihyō sengen [Declaration of surface criticism]
.
Tokyo
:
Chikuma Bunko
,
1985
.
Hasumi
Shigehiko
. “
‘Taisho-teki’ gensetsu to hihyō
.” In
Kindai nihon no hihyō:—Meiji-Taishō hen
, edited by
Karatani
Kōjin
,
146
76
.
Tokyo
:
Kodansha
,
1997
.
Hasumi
Shigehiko
and
Taka’aki
Yoshimoto
.
“Hihyō ni totte sakuhin to wa nani ka” [What is a work according to criticism?]
.
Umi
12
, no.
7
(
1980
):
236
66
.
Hayashi
,
Shūji
.
Ryūtsū kakumei: Seihin, keiro, oyobi shōhisha [A revolution in distribution: Products, pathways, and consumers]
.
Tokyo
:
Chūō Kōron Shinsho
,
1962
.
Hayashi
,
Yūjirō
.
Jōhōka shakai: Hādo na shakai kara sofuto na shakai e [Information society: From hard society to soft society]
.
Tokyo
:
Kōdansha Gendai Shinsho
,
1969
.
Hayashi
Yūjirō
and
Kagaku Gijutsu to Keizai no Kai [Japan Techno-Economics Society]
, eds.
Chō gijutsu shakai e no tenkai: Jōhōka shisutemu no ningen [Developing a super-technological society: Humans in the information system]
.
Tokyo
:
Daiyamondo Sha
,
1969
.
Hayles
,
Katherine
. “
Cybernetics
.” In
Critical Terms for Media Studies
, edited by
Mitchell
W. J. T.
and
Hansen
Mark B. N.
,
145
56
.
Chicago
:
University of Chicago Press
,
2010
.
Heidegger
,
Martin
.
The Fundamental Concepts of Metaphysics: World, Finitude, Solitude
. Translated by
McNeill
William
and
Walker
Nicholas
.
Bloomington
:
Indiana University Press
,
2001
.
Heisig
,
James W.
Philosophers of Nothingness: An Essay on the Kyoto School
.
Honolulu
:
University of Hawai’i Press
,
2001
.
Hidaka
,
Rokurō
. “
Terebijon kenkyū no hitotsu no zentei
.”
Shisō
413
(
November
1958
):
23
29
.
Hills
,
Matt
. “
Strategies, Tactics and the Question of Un Lieu Propre: What/Where Is ‘Media Theory’?
Social Semiotics
14
, no.
2
(
2004
):
133
49
.
Hirabayashi
,
Ichi
. “
‘Bi-hihyō’ ‘Sekai bunka’ to ‘Doyōbi’
.” In
Senjika teikō no kenkyū I
, Vol.
1
,
239
75
.
Tokyo
:
Mizusu Shobō
,
1968
.
Hochschild
,
Arlie
.
The Managed Heart: The Commercialization of Human Feeling
.
Berkeley
:
University of California Press
,
1973
.
Honda
,
Masuko
. “
The Genealogy of Hirahira: Liminality and the Girl
.” In
Girl Reading Girl in Japan
, edited by
Aoyama
Tomoko
and
Hartley
Barbara
,
19
37
.
Oxford
:
Routledge
,
2010
.
Horkheimer
,
Max
, and
Adorno
Theodor W.
.
Dialectic of Enlightenment: Philosophical Fragments
. Edited by
Noerr
Gunzelin Schmid
. Translated by
Jephcott
Edmund
.
Stanford, CA
:
Stanford University Press
,
2002
.
Howe
,
Jeff
. “
The Two Faces of Takashi Murakami
.”
WIRED
,
November
1
,
2003
. .
Illouz
,
Eva
.
Consuming the Romantic Utopia: Love and the Cultural Contradictions of Capitalism
.
Berkeley
:
University of California Press
,
1997
.
Imai
Yasuo
.
Benjamin no kyōiku shisō
.
Tokyo
:
Seori Shobō
,
1998
.
Taihei
Imamura
. “
Geijutsu keishiki to shite no eiga.” [Film as art form]
In
Eiga geijutsu no keishiki
,
129
62
.
Tokyo
:
Ōshio Shoin
,
1938
.
Inaba
Michio
.
Komyunikēshon hattatsushi [History of the development of communication]
.
Tokyo
:
Sōfūsha
,
1989
.
Inaba
Michio
. “
Nakai Masakazu no ‘baikai’-ron shōkai
.”
Shinbungaku hyōron
18
(
1989
):
111
18
.
Inokuchi
Ichirō
.
Masu komyunikēshon: Dono you ni taishū e hataraki kakeru ka [Mass communication: How to influence the masses]
.
Tokyo
:
Kōbunsha
,
1951
.
Hiroyoshi
Ishikawa
.
“Bijinesuman dokusho hakusho” [White paper on the businessman’s reading]
.
Eguzekutibu [Executive]
(
December
1967
):
4
10
.
Isozaki
Arata
. “
Ātisuto-Ākitekuto no jidai: Osaka banpaku no sōzōryoku o hokan shita āto shin: Interview with Arata Isozaki
.” By
Imura
Yasuko
,
Furuhata
Yuriko
, and
Matsui
Shigeru
.
Tokyo Geijutsu Daigaku Eizōkenkyū Kiyō
(
October
2012
):
36
80
.
Isozaki
Arata
. “
Haikyo ron
.” In
Kigō no umi ni ukabu “shima” [Islands in the sea of signs]
,
22
40
.
Tokyo
:
Iwanami Shoten
,
2013
.
Isozaki
Arata
. “
Invisible City
.” In
Architecture Culture, 1943–1968: A Documentary Anthology
, edited by
Ockman
Joan
,
403
97
.
New York
:
Columbia Books of Architecture
,
1993
.
Isozaki
Arata
.
“Konpō sareta kankyō” [Packaged environments]
. In
Kūkan e [To space]
,
414
28
.
Tokyo
:
Kajima Shuppanka
,
1997
.
Isozaki
Arata
.
“Mienai toshi” [The invisible city]
. In
Kūkan e [To space]
,
370
91
.
Tokyo
:
Kajima Shuppankai
,
1997
.
Isozaki
Arata
. “
Tange Kenzō no ‘kenchiku=toshi=kokka’ kyōdōtai to shite no Nihon
.” In
Sahshutsu sareta modanizumu: “Nihon” to iu mondai kikō
,
173
202
.
Tokyo
:
Iwanami Shoten
,
2005
.
Isozaki
Arata
.
“Toshi dezain no hōhō” [Methods of urban design]
. In
Kūkan e [To space]
,
88
121
.
Tokyo
:
Kajima Shuppankai
,
1997
.
Isozaki
Arata
.
“Yami no kūkan” [Space of shadows]
. In
Kūkan e [To space]
,
136
54
.
Tokyo
:
Kajima Shuppankai
,
1997
.
Isozaki
Arata
and
Asada
Akira
, eds.
Any Kenchiku to tetsugaku o meguru sesshon, 1991–2008 [Any: Sessions on architecture and philosophy, 1991–2008]
.
Tokyo
:
Kajima Shuppan
,
2010
.
Isozaki
Arata
and
Naohiko
Hino
. “
Kūkan e, Omatsuri Hiroba, Nihon no toshi kūkan: 1960 nen dai ni okeru toshiron no hōhō o megutte
.”
10+1
45
(
2006
):
187
97
.
Isozaki
Arata
and
Naohiko
Hino
. “
Tāningu pointo: Kūkan kara kankyō e” [Turning point: From space to environment
].
10+1
48
(
2007
):
193
205
.
Isozaki
Arata
and
Derrida
Jaques
. “
Anywhere: Dikonsutorakushon to wa nanika” [Anywhere: What is deconstruction?
]. In
Any: Kenchiku to tetsugaku o meguru sesshon, 1991–2008
,
81
100
.
Tokyo
:
Kajima Shuppan
,
2010
.
Isozaki
Arata
and
Yoshiaki
Tōno
. “
‘Kankyō’ ni tsuite
.”
Special Issue on Kūkan kara kankyō e, Bijutsu techō [Art notebook]
275
(
November
1966
):
91
105
.
Isozaki
Atelier
. “
Sofuto ākitekuchua: Ōtōba to shite no kankyō
.”
Kenchiku bunka
279
(
January
1970
):
65
93
.
Israel
,
Joachim
.
The Language of Dialectics and the Dialectics of Language
.
Atlantic Highlands, NJ
:
Humanities Press
,
1979
.
Ivy
,
Marilyn
. “
Critical Texts, Mass Artifacts: The Consumption of Knowledge in Postmodern Japan
.” In
Postmodernism and Japan
, edited by
Miyoshi
Masao
and
Harootunian
Harry D.
,
21
46
.
Durham, NC
:
Duke University Press
,
1989
.
Ivy
,
Marilyn
.
Discourses of the Vanishing: Modernity, Phantasm, Japan
.
Chicago
:
University of Chicago Press
,
1995
.
Iwamoto
Kenji
, ed.
Nihon eiga to modanizumu, 1920–1930
.
Tokyo
:
Ribropōto
,
1991
.
Johnson
,
Barbara
.
The Barbara Johnson Reader: The Surprise of Otherness
. Edited by
Feuerstein
Melissa
,
González
Bill Johnson
,
Porten
Lili
, and
Valens
Keja L.
.
Durham, NC
:
Duke University Press
,
2014
.
Joselit
,
David
.
Feedback: Television against Democracy
.
Cambridge, MA
:
MIT Press
,
2007
.
Kadobayashi
,
Takeshi
. “
Umesao Tadao’s Theory of Information Industry and 1960s Japanese Media Theory
.”
Paper presented at the Histories of Film Theories in East Asia conference
,
University of Michigan
,
September 29, 2012
.
Kadobayashi
,
Takeshi
.
Watcha Doin, Marshall McLuhan? An Aesthetics of Media
.
Tokyo
:
NTT Shuppan
,
2009
.
Kadoyama
Nobu
.
“Māketingu kihon genri ni arazu” [These are not the basic principles of marketing]
.
Kindai keiei [Modern management]
(
September
1967
):
57
65
.
“Kaisetsu.” “Towards the Development of a Theory of the Information Industries.”
Hōsō Asahi
(
December
1964
):
10
11
.
Kaizen
,
William
. “
Steps to an Ecology of Communication: Radical Software, Dan Graham, and the Legacy of Gregory Bateson
.”
Art Journal
67
, no.
3
(fall
2008
):
87
107
.
Karatani
Kōjin
.
Architecture as Metaphor: Language, Number, Money
. Edited by
Speaks
Michael
. Translated by
Kohso
Sabu
.
Cambridge, MA
:
MIT Press
,
1995
.
Karatani
Kōjin
. “
Bunkoban e no jobun
.” In
Kindai Nihon no Hihyō I: Shōwa-hen
, edited by
Karatani
Kōjin
,
193
94
.
Paperback ed
.
Tokyo
:
Kodansha
,
1997
.
Karatani
Kōjin
.
Hihyō to posutomodān [Criticism and the postmodern]
.
Tokyo
:
Fukutake Shoten
,
1989
.
Karatani
Kōjin
.
Hyūmoa to yuibutsu-ron [Humor and materialism]
.
Tokyo
:
Kodansha Geijutsu Bunko
,
1999
.
Karatani
Kōjin
.
Inyu to shite no kenchiku [Architecture as metaphor]
.
Tokyo
:
Kōdansha
,
1989
.
Karatani
Kōjin
. “
Karatani Kōjin’s Afterword to the English Edition (1991)
.” In
Origins of Japanese Literature
, translation by
de Bary
Brett
,
190
96
.
Durham, NC
:
Duke University Press
,
1993
.
Karatani
Kōjin
.
Origins of Modern Japanese Literature
. Translation by
de Bary
Brett
.
Durham, NC
:
Duke University Press
,
1993
.
Karatani
Kōjin
and
Kenji
Nakagami
. “
Beyond Kobayashi Hideo
.” In
Karatani Kōjin, Nakagami Kenji zen taiwa [All dialogues between Karatani Kojin and Nakagami Kenji]
,
62
.
Tokyo
:
Kodansha
,
2011
.
Karatani
Kōjin
and
Genichirō
Takahashi
.
“Gendai bungaku o tatakau.”[Fighting against contemporary literature]
Gunzō
47
, no.
6
(
May
1992
):
6
50
.
Karatani
Kōjin
,
Asada
Akira
,
Hasumi
Shigehiko
, and
Miura
Masashi
.
Kindai Nihon no Hihyō I: Shōwa-hen [Modern Japanese Criticism vol. 1: Showa]
.
Tokyo
:
Fukutake Shoten
,
1990–91
.
Karatani
Kōjin
.
Kindai Nihon no Hihyō II: Shōwa-hen [Modern Japanese Criticism vol. 2: Showa]
.
Tokyo
:
Fukutake Shoten
,
1992
.
Karatani
Kōjin
,
Asada
Akira
,
Fukuda
Kazuya
,
Kamata
Tetsuya
, and
Azuma
Hiroki
.
“Ima hihyō no basho wa doko ni aru no ka” [Where is the place of criticism now?]
.
Hihyō kūkan II
21
(
1999
):
6
32
.
Katō
,
Hidetoshi
. “
The Development of Communication Research in Japan
.” In
Japanese Popular Culture
, edited by
Katō
Hidetoshi
,
29
44
.
Rutland, VT
:
Charles Tuttle
,
1959
.
Katō
Hidetoshi
.
Jōhō shakai kara no chōsen [The challenge issued by the information society]
.
Tokyo
:
Tōyō Keizai Shinpō-sha
,
1971
.
Katō
Hidetoshi
.
“Terebijon to goraku.” [Television and entertainment]
Shisō
413
(
November
1958
):
43
47
.
Katō
Shuichi
.
Nihon bungakushi josetsu e [Prolegema for a history of Japanese literature]
.
Tokyo
:
Chikuma Shobō
,
1980
.
Katsura
Eishi
.
“Automaton Kompurekkusu” [Automaton complex]
. In
20 seiki no media 3 maruchimedia no hoos to media porichikkusu
, edited by
Katsura
Eishi
,
5
22
.
Tokyo
:
Jasuto Shisutemu
,
1996
.
Kawabe
Kazuo
, and
Shigeya
Fujita
, directors.
Nippon Zeronen [Nippon Year Zero]
.
Tokyo
:
Paionia LDC
,
1969
.
dvd
.
Kayama
Rika
.
Poketto no naka 80 nendai ga ippai [My pockets are filled with the 1980s]
.
Tokyo
:
Bajiriko
,
2008
.
Keizai Shingikai Jōhō Kenkyū Iinkai
.
Nihon no Jōhōka shakai: Sono bijon to kadai [Japan Information society: Its vision and challenges]
.
Tokyo
:
Daiyamondo Sha
,
1969
.
Kelty
,
Christopher
.
Two Bits: The Cultural Significance of Free Software
.
Durham, NC
:
Duke University Press
,
2008
.
Kido
Hiroyuki
. “
Shōhi kigōron to wa nandatta no ka?” [What was the theory of consumer semiotics?
], in
Wakamono ron o yomu
, ed.
Satoshi
Kotani
,
86
109
.
Kyoto
:
Sekai Shisōsha
,
1993
.
Kinoshita
Nagahiro
.
Nakai Masakazu—Atarashii bigaku” no kokoromi [Nakai Masakazu: Approaches to a new aesthetics]
.
Tokyo
:
Riburopōto
,
1995
.
Kishida
Masao
.
“Porno eiga no heroinu wa naze furui onna ka?” [Why is the porn movie heroine so old-fashioned?]
.
Onna erosu
no.
1
(
1973
):
170
.
Kitada
Akihiro
.
“Imi” e no aragai: Mediēshon no bunka seijigaku [An assault on “meaning”: The cultural politics of mediation]
.
Tokyo
:
Serika Shobō
,
2004
.
Kitada
Akihiro
.
“‘Imi’ e no aragai: Nakai Masakazu no ‘baikai’ gainen o megutte” [Against “meaning” on Nakai Masakazu’s concept of “medium”]
. In
“Imi” e no aragai: Mediēshon no bunka seijigaku
,
47
73
.
Tokyo
:
Serika Shobō
,
2004
.
Kitada
Akihiro
. “
‘Kansatsusha’ to shite no ukete
.”
Masu komyunikēshon kenkyū
53
(
1993
):
83
96
.
Kitada
Akihiro
.
Kōkokutoshi Tokyo: Sono tanjō to shi [Advertising city, Tokyo: Its birth and death]
.
Tokyo
:
Kōsaidō
,
2002
.
Kitada
Akihiro
.
Warau Nihon no nashonarizumu [A sneering Japan’s “nationalism”]
.
Tokyo
:
NHK Books
,
2005
.
Kittler
,
Friedrich
.
Gramophone, Film, Typewriter
. Translated by
Winthrop-Young
Geoffrey
.
Stanford, CA
:
Stanford University Press
,
1999
.
Kittler
,
Friedrich
.
The Truth of the Technological World: Essays on the Genealogy of Presence
. Translated by
Butler
Erik
.
Stanford, CA
:
Stanford University Press
,
2013
.
Kobayashi
Hideo
.
“Eiga hihyō ni tsuite” [On film criticism]
. In
Kobayashi Hideo zensakuhin
11
.
Tokyo
:
Shinchōsha
,
2003
.
Kobayashi
Hideo
.
“Gohho no tegami” [Letters from Van Gogh]
. In
Kobayashi Hideo zensakuhin
20
,
14
15
.
Tokyo
:
Shinchōsha
,
2004
.
Kobayashi
Hideo
.
“Komedi riterēru: Kobayashi Hideo o kakonde” [Comédie littéraire: Around Kobayashi Hideo]
. In
Kobayashi Hideo zenshū
15
(
Tokyo
:
Shinchōsha
,
2001
):
27
28
.
Kobayashi
Hideo
. “
Literature of the Lost Home
.” In
Literature of the Lost Home: Kobayashi Hideo—Literary Criticism, 1924–1939
, translated and edited by
Anderer
Paul
,
53
.
Stanford, CA
:
Stanford University Press
,
1995
.
Kobayashi
Hideo
.
“Manshū” no rekishi [History of “Manchuria”]
.
Tokyo
:
Kōdansha Gendai Shinsho
,
2008
.
Kobayashi
Hideo
.
Mantetsu chōsabu: “Ganso shinku tanku” no tanjō to hōkai [The Manchurian Railway Research Department: The birth and dissolution of the “original think tank”]
.
Tokyo
:
Heibonsha
,
2005
.
Kobayashi
Hideo
.
“Mootuaruto” [Mozart]
. In
Kobayashi Hideo zensakuhin
15
,
47
102
.
Tokyo
:
Shinchōsha
,
2003
.
Kobayashi
Hideo
. “
Multiple Designs
.” In
Literature of the Lost Home: Kobayashi Hideo—Literary Criticism, 1924–1939
, translated and edited by
Anderer
Paul
,
20
21
.
Stanford, CA
:
Stanford University Press
,
1995
.
Kobayashi
Hideo
.
“Shitai shashin arui wa shitai ni tsuite” [On the photographs of the dead bodies, or, the dead bodies]
. In
Kobayashi Hideo zensakuhin
17
,
38
39
.
Tokyo
:
Shinchōsha
,
2004
.
Kobayashi
Hideo
. “
X e no tegami
.” In
Kobayashi Hideo zensakuhin
4
,
78
.
Tokyo
:
Shinchōsha
,
2003
.
Kobayashi
,
Toshiaki
.
Denken des Fremden: Am Beispiel Kitaro Nishida [Thinking the alien: The example of Kitaro Nishida]
.
Frankfurt
:
Stromfeld/Nexus
,
2002
.
Kojève
,
Alexandre
.
Introduction to the Reading of Hegel: Lectures on the Phenomenology of Spirit
. Edited by
Alan
Bloom
. Translated by
Nichols
James H.
Jr.
Ithaca, NY
:
Cornell University Press
,
1980
.
Konno
Tsutomu (Ben)
.
“Kanōsei no teiji ni mukatte” [ Toward the presentation of possibility]
.
Geijutsu kurabu [Art Club journal]
(
July
1973
),
91
96
.
Koolhaas
Rem
, and
Ulrich Obrist
Hans
, eds.
Project Japan: Metabolism Talks …
.
Cologne, Ger.
:
Taschen
,
2011
.
Kōzu
Akira
.
Bunka no keikō to taisaku [The tendencies and countermeasures of culture]
.
Tokyo
:
Chijin Kan
,
1984
.
Krämer
,
Sybille
. “
Das Medium als Spur und als Apparat
.” In
Medien, Computer, Realität: Wirklichkeitsvorstellungen und Neue Medien
, edited by
Krämer
Sybille
,
73
94
.
Frankfurt am Main
:
Suhrkamp
,
1998
.
Krämer
,
Sybille
. “
Erfüllen Medien eine Konstitutionsleistung? Thesen über die Rolle medientheoretischer Erwägungen beim Philosophieren
.” In
Medienphilosophie: Beiträge zur Klärung eines Begriffs
, edited by
Münker
Stefan
,
Roesler
Alexander
, and
Sandbothe
Mike
,
78
90
.
Frankfurt
:
Fischer
,
2003
.
Krapp
,
Peter
. “
Hypertext Avant La Lettre.
.” In
New Media, Old Media: A History and Theory Reader
, edited by
Chun
Wendy Hui Kyong
and
Keenan
Thomas W.
,
359
74
.
New York
:
Routledge
,
2006
.
Kropotkin
,
Petr Alekseevich
.
The Conquest of Bread and Other Writings
. Edited by
Shatz
Marshall
.
Cambridge
:
Cambridge University Press
,
1995
.
Krueger
,
Myron W.
Responsive Environments
.” In
The New Media Reader
, edited by
Wardrip-Fruin
Noah
and
Montfort
Nick
,
379
89
.
Cambridge, MA
:
MIT Press
,
2003
.
Kuia Japan, tokushū: Miwaku no busu
.”
Special Issue
,
Kuia Japan
3
(
October
2000
).
Kuroda
Raiji
.
Nikutai no anākizumu: 1960nendai nihon bijutsu ni okeru pafōmansu no chika suimyaku [Anarchy of the body: Undercurrents of performance art in 1960s Japan]
.
Tokyo
:
Grambooks
,
2010
.
Kuroishi
,
Izumi
. “
Mathematics for/from Society: The Role of the Module in Modernizing Japanese Architectural Production
.”
Nexus Network Journal: Architecture and Mathematics
11
, no.
2
(
2009
):
201
16
.
Kurokawa
Kishō
.
Jōhō rettō Nihon no shōrai [The future of information archipelago Japan]
.
Tokyo
:
Dai San Bunmei Sha
,
1972
.
Lamarre
,
Thomas
.
Shadows on the Screen: Tanizaki Jun’ichirō on Cinema and “Oriental” Aesthetics
.
Ann Arbor
:
University of Michigan Press
,
2005
.
Lash
,
Scott
, and
Lury
Celia
.
Global Culture Industry: The Mediatization of Things
.
Cambridge, UK
:
Polity Press
,
2007
.
Laube
,
Johannes
. “
Westliches und östliches Erbe in der Philosophie Hajime Tanabe
.”
Neue Zeitschrift für systematische Theologie und Religionsphilosophie
20
(summer
1978
):
1
15
.
Lazzarato
,
Maurizo
. “
Struggle, Event, Media
.”
republicart
. .
Lin
,
Zhongjie
.
Kenzo Tange and the Metabolist Movement: Urban Utopias of Modern Japan
.
New York
:
Routledge
,
2010
.
Lionnet
Françoise
, and
Shu-mei
Shih
, “
Introduction: The Creolization of Theory
,” in
The Creolization of Theory
,
Lionnet
Françoise
and
Shih
Shu-mei
, eds.
Durham
:
Duke University Press
,
2011
.

lixil. “10+1.” Accessed July 9, 2014. http://10plus1.jp/.

Lovink
,
Geert
. “
Enemy of Nostalgia: Victim of the Present, Critic of the Future: Interview with Geert Lovink
.” By
Lunenfeld
Peter
.
PAJ: A Journal of Performance and Art 70
24
, no.
1
(
January
2002
):
5
15
.
Lovink
,
Geert
.
Networks without a Cause: A Critique of Social Media
.
Cambridge, UK
:
Polity Press
,
2011
.
Lury
,
Celia
.
Brands: The Logos of the Global Economy
.
London
:
Routledge
,
2004
.
Mabuchi
Kōsuke
.
“Zokutachi” no sengoshi [A postwar history of the “tribes”]
.
Tokyo
:
Sanseidō
,
1989
.
Mackie
,
Vera C.
Feminism in Modern Japan: Citizenship, Embodiment, and Sexuality
.
Cambridge
:
Cambridge University Press
,
2003
.
Mackie
,
Vera C.
Reading Lolita in Japan
.” In
Girl Reading Girl in Japan
, edited by
Aoyama
Tomoko
and
Hartley
Barbara
,
187
201
.
New York
:
Routledge
,
2010
.
Macnaughtan
,
Helen
. “
Womenomics for Japan: Is the Abe Policy for Gendered Employment Viable in an Era of Precarity
.”
Asia-Pacific Journal: Japan Focus
,
April
5
,
2015
. .
“Makurūhanizumu to kōkoku” [McLuhanism and advertising]
.
Special issue, Brain
42
, no.
10
(
October
1967
):
6
35
.
Manovich
,
Lev
.
The Language of New Media
.
Cambridge, MA
:
MIT Press
,
2001
.
Manovich
,
Lev
. “
Postmedia Aesthetics
.” In
Transmedia Frictions: The Digital, the Arts, and the Humanities
, edited by
Kinder
Marsha
and
McPherson
Tara
,
34
44
.
Oakland
:
University of California Press
,
2014
.
Manovich
,
Lev
.
Software Takes Command
.
New York
:
Bloomsbury
,
2013
.
Martin
,
Reinhold
.
The Organizational Complex: Architecture, Media, and Corporate Space
.
Cambridge, MA
:
MIT Press
,
2003
.
Marx
,
Karl
.
Grundrisse. Translated by Martin Nicolaus
.
London
:
Penguin Books
,
1973
.
Masuda
Tsūji
.
Kaimaku beru wa natta: Masuda shiatā e yōkoso [The opening bell has rung: Welcome to Masuda theater]
.
Tokyo
:
Tokyo Shinbun
,
2005
.
Masuda
Tsūji
.
“Sōzōteki paruko kyowakoku: Sono kyōkan konseputo” [Republic of creative PARCO, its concept of sympathy]
.
Senden kaigi
(
November
1976
).
Masuda
Yoneji
.
Jōhō shakai nyūmono: Konpyūta wa ningen shakai wo kaeru [Introduction to information society: Computers transform human society]
.
Tokyo
:
Pelican
,
1968
.
Masuda
,
Yoneji
.
The Information Society as Post-Industrial Society
.
Tokyo
:
Institute for the Information Society
,
1980
.
Matsuda
Masao
.
Fūkei no shimetsu [The extinction of landscape]
.
Tokyo
:
Kōshisha
,
2013
.
Masao
Matsuda
.
“Media kakumei no tame no akushisu” [The axis of media revolution]
.
Bijutsu techō
(
May
1973
):
51
60
.
Matsui
Shigeru
.
“Fukusei gijutsu no tenkai to media geijutsu no seiritsu: 1950 nendai no Nihon ni okeru terebi, shakai shinrigaku, gendai geijutsu no sōgo shintō” [The development of reproduction technology and the establishment of media arts: Interpenetrations among television, social psychology, and con temporary art of the 1950s]
.
Eizō media gaku: Tokyo geijutsu daigaku daigakuin eizō kenkyūkai kiyō
2
(
March
2012
):
35
79
.
Matsumoto
,
Naoki
. “
Interview: Genron: Interview with Naoki Matsumoto
.”
By Giant Robot
.
Accessed October 2, 2014. (no longer active). http://www.giantrobot.com/blogs/news/15804763-interview-genron
.
Matsumoto
Toshio
. “
A Theory of Avant-Garde Documentary
.” Translated by
Raine
Michael
.
Cinema Journal
51
, no.
4
(
2012
):
148
54
.
McKenna
,
Christopher D.
The World’s Newest Profession: Management Consulting in the Twentieth Century
.
Cambridge
:
Cambridge University Press
,
2006
.
McLuhan
,
Marshall
. “
The Relation of Environment to Anti-Environment
.” In
Marshall McLuhan Unbound
, edited by
McLuhan
Eric
and
Terrence Gordon
W.
,
5
19
.
Corte Madera, CA
:
Ginko Press
,
2005
.
McLuhan
,
Marshall
.
Understanding Media: The Extensions of Man
.
Cambridge, MA
:
MIT Press
,
1994
.
Media
Rebyū
, ed.
Za messēji: McLuhan ikō no media kankyō
.
Tokyo
:
Heibon Sha
,
1982
.
Meillasoux
,
Quentin
.
Nach der Endlichkeit
.
Zürich
:
diaphanes
,
2008
.
Minami
Hiroshi
. “
Terebijon to ukete no seikatsu
.”
Shisō
413
(
November
1958
):
103
15
.
Minami
Hiroshi
. “
Terebi to ningen
.” In
Kōza gendai masu komyunikēshon 2: Terebi jidai [The age of television]
, edited by
Minami
Hiroshi
,
7
16
.
Tokyo
:
Kawade Shobō Shinsha
,
1960
.
Mitchell
,
W. J. T.
, and
Hansen
Mark B. N.
.
Critical Terms for Media Studies
.
Chicago
,
University of Chicago Press
,
2010
.
Miura
Atsushi
.
Jiyū no jidai no fuan na jibun: Shōhi shakai no datsu shinwa [The anxious self in the age of freedom: Demythologizing consumer society]
.
Tokyo
:
Shō Bunsha
,
2006
.
Miyamoto
Mitsugu
. “
Kono chō-nankai sho ga ureru makafushigi
.”
Asahi Journal
26
, no.
15
(
June
1984
):
11
13
.
Mizoguchi
Akiyo
,
Saeki
Yōko
, and
Miki
Sōko
, eds.
Shiryō Nihon ribu-shi
.
Tokyo
:
Shōkadō
,
1992
.
Mizukoshi
Shin
.
Media no seisei
.
Tokyo
:
Dōbunkan
,
1993
.
“Mōi no Makurūhan senpū” [The raging McLuhan whirlwind]
.
Shūkan sankei
16
, no.
40
(
September
1967
):
98
.
Monnet
,
Livia
. “
Montage, Cinematic Subjectivity and Feminism in Ozaki Midori’s Drifting in the World of the Seventh Sense.
Japan Forum
11
, no.
1
(
1999
):
57
82
.
Moore
,
Aaron
. “
Para-Existential Forces of Invention: Nakai Masakazu’s Theory of Technology and Critique of Capitalism
.”
positions
17
, no.
1
(
2009
):
125
57
.
Morley
,
David
, and
Robins
Kevin
.
Spaces of Identity: Global Media, Electronic Landscapes, and Cultural Boundaries
.
London
:
Routledge
,
1995
.
Morris-Suzuki
Tessa
.
Beyond Computopia: Information, Automation, and Democracy in Japan
.
New York
:
Kegan Paul
,
1988
.
Mumford
,
Eric Paul
.
The CIAM Discourse on Urbanism, 1928–1960
.
Cambridge, MA
:
MIT Press
,
2000
.
Mumford
,
Lewis
.
The City in History
.
New York
:
Harcourt
,
1961
.
Münker
,
Stefan
. “
After the Medial Turn: Sieben Thesen zur Medienphilosophie
.” In
Medienphilosophie: Beiträge zur Klärung eines Begriffs
, edited by
Münker
Stefan
,
Roesler
Alexander
, and
Sandbothe
Mike
,
16
25
.
Frankfurt am Main
:
Fischer
,
2003
.
Murayama
Tomoyoshi
.
“Eiga no genkaisei” [The limits of film]
.
Kinema Junpō
507
(
June
1
,
1934
):
67
68
.
Nagai
Kiyohiko
.
“Kaikaku to handō to—Entsenberugā no rainichi o megutte” [Reformation and backlash: On Enzensberger’s visit to Japan]
.
Sekai
(
May
1973
):
228
31
.
Nakahira
Takuma
.
Mitsuzukeru hate ni hi ga [Fire on the shore of continual looking]
.
Tokyo
:
Osiris
,
2007
.
Nakahira
Takuma
.
Naze shokubutsu zukan ka: Nakahira Takuma hihyō seishū, 1965–1977 [Why an illustrated botanical dictionary: Nakahira Takuma’s critical writings, 1965–1977]
.
Tokyo
:
Chikuma Shobō
,
2007
.
Nakahira
Takuma
.
“Nikusei no kakutoku wa kanō ka: Media-ron hihan e mukete” [Is it possible to capture the voice (nikusei): Toward a critique of media theory]
.
Nihon dokusho shinbun
,
March
19
,
1973
.
Nakahira
Takuma
.
Sākyurēshon: Hizuke, basho, kōi = Circulation: Date, Place, Events
. Translated by
Prichard
Franz
.
Tokyo
:
Oshirisu
,
2012
.
Nakai
Masakazu
.
Nakai Masakazu zenshū. 4 vols
. Edited by
Kuno
Osamu
.
Tokyo
:
Bijutsu Shuppansha
,
1964–81
.
Nakai
Masakazu
. “
Shikisai eiga no omoide
.” In
Nakai Masakazu zenshū
, edited by
Kuno
Osamu
,
3
:
232
35
.
Tokyo
:
Bijutsu Shuppan
,
1964–81
.
Nakamura
Hideyuki
. “
Tobichitta gareki no naka o
.” In
Jōhō shakai no bunka 2: Imēji no naka no shakai
, edited by
Uchida
Ryūzō
.
Tokyo
:
Tokyo Daigaku Shuppankai
,
1988
.
Negroponte
,
Nicholas
.
Soft Architecture Machines
.
Cambridge, MA
:
MIT Press
,
1976
.
Ngai
,
Sianne
. “
Zany, Cute, Interesting: Sianne Ngai on Our Aesthetic Categories
.”
Asian American Writers’ Workshop
,
February
7
,
2013
. .
NHK Nenkan: 1962 [nhk Yearbook: 1962]
.
Tokyo
:
Rajio Sābisu Sentā
,
1962
.
Nishida
Kitarō
.
An Inquiry into the Good
. Translated by
Abe
Masao
and
Ives
Christopher
.
New Haven, CT
:
Yale University Press
,
1990
.
Nishida
Kitarō
.
Nishida Kitarō zenshū
, Vols.
1–24
.
New ed
.
Tokyo
:
Iwanami
,
2002–9
.
Nishidō
Kōjin
,
“Enshutsuka no shigoto” [The work of the director]
, in
Enshutsuka no shigoto: 60nendai, enre, engeki kakumei
, eds.
Kyōkai
Nihon Enshutsusha
and
Nishidō
Kōjin
,
11
64
.
Tokyo
:
Renga Shobō Shinsha
,
2006
.
Nornes
,
Markus
.
Cinema Babel: Translating Global Cinema
.
Minneapolis
:
University of Minnesota Press
,
2007
.
Nornes
,
Markus
.
Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary
.
Minneapolis
:
University of Minnesota Press
,
2007
.
Nornes
,
Markus
.
Japanese Documentary Film: The Meiji Era through Hiroshima
.
Minneapolis
:
University of Minnesota Press
,
2003
.
Nornes
,
Markus
, ed.
The Pink Book: The Japanese Eroduction and Its Contexts
.
Ann Arbor, MI
:
Kinema Club
,
2014
.
Nozick
,
Robert
.
Anarchy, State, and Utopia
.
New York
:
Basic Books
,
1974
.
NTT Intercommunication Center
. .
NTT Intercommunication Center
. “
Seeing Is Believing
.” .
Nulty
,
Timothy E.
Introductory Note
.”
Nippon Telegraph and Telephone Privatization Study: Experience of Japan and Lessons for Developing Countries
,
World Bank Discussion Paper
179
(
1992
):
vi
vii
.
Obara
Kazuhiro
.
IT bijinesu no enre [The principles of IT business]
.
Tokyo
:
NHK Shuppan
,
2014
.
Oguma
Eiji
.
Shimizu Ikutarō [Shimizu Ikutarō]
.
Tokyo
:
Ochanomizu Shobō
,
2003
.
Okonogi
Keigo
.
Moratoriamu ningen no jidai [The age of the moratorium human]
.
Tokyo
:
Chūō Kōron Shinsha
,
1978
.
Ōmae
,
Masaomi
.
Makurūhan: Sono hito to riron [McLuhan: The man and his theories]
.
Tokyo
:
Daikosha
,
1967
.
Ōnishi
Wakato
.
“Āto to waisetsu—hasama de” [Between art and obscenity]
.
Asahi shinbun
,
July
23
,
2014
.
O’Reilly
,
Tim
. “
What Is Web 2.0: Design Patterns and Business Models for the Next Generation of Software
.”
September
30
,
2005
. .
Ōsawa
Masachi
.
Denshi mediaron [Theories of electronic media]
.
Tokyo
:
Shinyōsha
,
1995
.
Ōtsuka
Eiji
.
Monogatari shōhiron: “Bikkurima” no shinwagaku [Theory of narrative consumption: Myth analysis of “Bikkuriman”]
.
Tokyo
:
Shinyōsha
,
1989
.
Ōtsuka
Eiji
.
Teihon monogatari shōhi-ron [Theory of Narrative Consumption: Authoritative edition]
.
Tokyo
:
Kadokawa Shoten
,
2001
.
Ōtsuka
Eiji
. “
World and Variation
.” Translated by
Steinberg
Marc
.
Mechademia
5
(
2010
):
99
116
.
Ōya
Sōichi
.
“‘Ichioku sōhakuchika’ meimei shimatsuki.” [An account of the coining of the term “one hundred million idiots”]
. In
Ōya Sōichi zenshū [Ōya Sōichi collected works]
,
339
48
.
Tokyo
:
Eichōsha
,
1975
.
Ozeki
Shūji
.
“Gendai no ningenkan o tō: Asada Akira-ra no ‘ryūkō shisō’ o hihan suru” [Inquiry into the contemporary idea of the human: Criticizing the Asada Akira group’s “fashionable thought”]
.
Bunka Hyōron
279
(
June
1984
):
28
57
.
Parikka
,
Jussi
.
A Geology of Media
.
Minneapolis
:
University of Minnesota Press
,
2015
.
Partner
,
Simon
.
Assembled in Japan: Electrical Goods and the Making of the Japanese Consumer
.
Berkeley
:
University of California Press
,
2001
.
Peters
,
John Durham
.
The Marvelous Clouds: Toward a Philosophy of Elemental Media
.
Chicago
:
University of Chicago Press
,
2015
.
Raunig
,
Gerald
,
Ray
Gene
, and
Wuggenig
Ulf
, eds.
Critique of Creativity: Precarity, Subjectivity, and Resistance in the “Creative Industries.”
London
:
Mayfly
,
2011
.
Rieu
,
Alain-Marc
.
Savoir et pouvoir dans la modernisation du Japon
.
Paris
:
PUF
,
2001
.
Rodowick
,
David
.
Elegy for Theory
.
Cambridge, MA
:
Harvard University Press
,
2014
.
Roesler
,
Alexander
. “
Medienphilosophie und Zeichentheorie
.” In
Medienphilosophie: Beiträge zur Klärung eines Begriffs
, edited by
Münker
Stefan
,
Roesler
Alexander
, and
Sandbothe
Mike
,
34
52
.
Frankfurt
:
Fischer-Taschenbuch-Verl
,
2003
.
Rokudenashiko
.
Megumi Igarashi (Rokudenashiko): Art and Obscenity: Did the Japanese Police Go Too Far with Her?
(
Tokyo
:
Foreign Correspondents’ Club, Tokyo
,
2014
),
July
14
, .
Rokudenashiko
. “
Rokudenashiko ‘Decoman.’
Niconico Dōga
. .
Rokudenashiko
. “
Support MK Boat Project!—The World’s First 3D Scanned Peach on the Beach
.”
YouTube
,
June
17
,
2013
. .
Rokudenashiko
.
Waisetsu tte nan desu ka? [What is obscenity?]
.
Tokyo
:
Kinyōbi
,
2015
.
An English version was translated by Graham Kolbeins and Anne Ishii and published as What is Obscenity?: The Story of a Good For Nothing Artist and Her Pussy (Toronto: Koyama Press, 2016)
.
Rokudenashiko
.
Watashi no karada ga waisetsu?!: Onna no soko dake naze tabū [My body is obscene?!: Why is only my lady part taboo?]
.
Tokyo
:
Chikuma Shobō
,
2015
.
Ronell
,
Avital
.
The Telephone Book: Technology, Schizophrenia, Electric Speech
.
Lincoln
:
University of Nebraska Press
,
1989
.
Russell
,
Andrew L.
Modularity: An Interdiscplinary History of an Ordering Concept
.”
Information and Culture
47
, no.
3
(
2012
):
257
87
.
Saitō
Ryōsuke
.
Omocha hakubutsushi [A natural history of toys]
.
Tokyo
:
Sōjinsha
,
1989
.
Sakai
,
Naoki
.
Translation and Subjectivity: On “Japan” and Cultural Nationalism
.
Minneapolis
:
University of Minnesota Press
,
1997
.
Naoki
Sakai
, and
Nishitani
Osamu
.
“Sekai-shi” no kaitai: Honyaku shutai rekishi
.
Tokyo
:
Ibunsha
,
1999
.
Salazkina
,
Masha
. “
Introduction: Film Theory in the Age of Neoliberal Globalization
.”
Framework: The Journal of Cinema and Media
, Vol.
56
, no.
2
(fall
2015
):
325
49
.
Sarkar
,
Bhaskar
. “
Tracking ‘Global Media’ in the Outposts of Globalization
,” in
World Cinemas, Transnational Perspectives
.
Ďurovičová
Nataša
and
Newman
Kathleen
, eds.
New York
:
Routledge
,
2009
.
Sas
,
Miryam
. “
By Other Hands: Environment and Apparatus in 1960s Intermedia
.” In
The Oxford Handbook of Japanese Cinema
, edited by
Miyao
Daisuke
,
383
415
.
Oxford
:
Oxford University Press
,
2014
.
Sas
,
Miryam
.
Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return
.
Cambridge, MA
:
Harvard University Asian Centre
,
2011
.
Sasaki
Atsushi
.
Nippon no shisō [Japanese thought]
.
Tokyo
:
Kondansha Gendai Shinsho
,
2009
.
Sasaki
Kiichi
.
“Terebi bunka to wa nanika.” [What is television culture?]
.
Shisō
413
(
November
1958
):
225
31
.
Sawaragi
Noi
.
Sensō to banpaku [World Expositions and war]
.
Tokyo
:
Bijutsu Shuppansha
,
2005
.
Schäfer
,
Fabian
. “
Public Opinion and the Press: Transnational Contexts of Early Media and Communication Studies in Prewar Japan, 1918–1937
.”
Social Science Japan Journal
14
:
1
(winter
2011
):
21
38
.
Schäfer
,
Fabian
.
Public Opinion, Propaganda, Ideology: Theories on the Press and Its Social Function in Interwar Japan, 1918–1937
.
Leiden
:
Brill
,
2012
.
Schäfer
,
Fabian
.
Tosaka Jun: Ideologie, Medien Alltag: Eine Auswahl ideologiekritischer, kultur-und medientheoretischer und geschichtsphilosophischer Schriften
.
Leipzig
:
Leipziger Universitätsverlag
,
2011
.
Schieder
,
Chelsea Szendi
. “
Two, Three, Many 1960s
.”
Monthly Review
,
June
10
,
2015
. .
Schmitt
,
Carl
.
Politische Romantik [Political Romanticism]
.
Berlin
:
Dunker & Humbolt
,
1998
.
Schnapp
,
Jeffrey T.
, and
Michaels
Adam
.
The Electric Information Age Book: McLuhan/Agel/Fiore and the Experimental Paperback
.
New York
:
Architectural Press
,
2012
.
Sconce
,
Jeffrey
.
Haunted Media: Electronic Presence from Telegraphy to Television
.
Durham, NC
:
Duke University Press
,
2000
.
“Seiki datadotta sakuhin geijutsu ka waisetsu ka” [Is a decorated sex organ art or obscenity?]
.
Asahi shinbun
,
December
17
,
2014
.
Seki
Nancy
.
“Kawai Shun’ichi wa ikiteru koto ga sunawachi rōdō de aru” [Kawai Shun’ichi’s very act of being alive is labor]
.
Terebi shōtō jikan 2
.
Tokyo
:
Bunshu Bunko
,
2000
.
Seki
Nancy
.
Nani o ima sara [What do you want now?]
.
Tokyo
:
Kadokawa Bunko
,
1999
.
Seki
Nancy
.
“Otoko no chikubi ga kane ni natte, shin no danjo byōdō wa chikai” [Male nipples also earn money; the true equality of the sexes is close]
.
Shūkan Bunshū
,
July
1997
.
Reprinted in Terebi shōtō jikan 2. Tokyo: Bunshu Bunko, 2000
.
Seki
Nancy
.
Terebi shōtō jikan 2
.
Tokyo
:
Bunshu Bunko
,
2000
.
Seki
Nancy
. “
‘Wain de dekiteiru’ Kawashima Naomi o rikai dekiru ka
.”
Shūkan Bunshū
,
November
6
,
1997
.
Reprinted in Terebi shōtō jikan 2. Tokyo: Bunshu Bunko, 2000
.
Seki
Nancy
and
Takahiro
Ōtsuki
.
Jogoku de Hotoke [Like meeting my saviour in Hell]
.
Tokyo
:
Asahi Bunko
,
1999
.
Sherif
,
Ann
.
Japan’s Cold War: Media, Literature, and the Law
.
New York
:
Columbia University Press
,
2009
.
Tomomi
Shibuya
.
“Sekai no shio: Rokudenashiko taiho ga aburidasu shakai no jinken kankaku” [Winds of the world: Rokudenashiko’s arrest shakes up the perception of human rights]
.
Sekai
no.
860
(
2014
):
38
.
Shigematsu
,
Setsu
. “
The Japanese Women’s Liberation Movement and the United Red Army
.”
Feminist Media Studies
12
, no.
2
(
June
1
,
2012
):
163
79
.
Shigematsu
,
Setsu
.
Scream from the Shadows: The Women’s Liberation Movement in Japan
.
Minneapolis
:
University of Minnesota Press
,
2012
.
Atsushi
Shimada
. “
Terebi geijutu no kiso
.”
Shisō
413
(
November
1958
):
232
39
.
Shimizu
Hikaru
.
Eiga to bunka [Film and culture]
.
Kyoto
:
Kyōiku Tosho
,
1941
.
Shimizu
Ikutarō
.
“Terebi bunmeiron” [On TV civilization]
. In
Besuto obu Kinema junpō
,
707
9
.
Tokyo
:
Kinema Junpōsha
,
1994
.
Shimizu
Ikutarō
.
“Terebijon jidai” [The television age]
.
Shisō
413
(
November
1958
):
2
22
.
Shimizu
Ikutarō
.
“Terebi no honshitsu” [The essence of television]
.
Asahi shinbun
,
May
2
,
1957
(
morning ed.
).
Shimokōbe
Atsushi
, ed.
Jōhōshakai to no taiwa: Mirai Nihon no jōhō nettowāku [Dialogues with information society: Information networks for future Japan]
.
Tokyo
:
Tōyō Keizai Shinhōsha
,
1970
.
Shimomura
Toratarō
.
Nishida Kitarō: Hito to shisō [Kitaro Nishida: The man and his thought]
.
Tokyo
:
Tōkai Daigaku Shuppankai
,
1977
.
Simons
,
Jan
. “
New Media as Old Media: Cinema
.” In
The New Media Book
, edited by
Harries
Dan
,
231
41
.
London
:
BFI
,
2002
.
Spackman
,
Barbara
.
“Politics on the Warpath: Machiavelli’s Art of War.
.” In
Machiavelli and the Discourse of Literature
, edited by
Kahn
Vicky
and
Ascoli
Albert
,
179
93
.
Ithaca, NY
:
Cornell University Press
,
1993
.
Sputniko
. “
Tranceflora: Amy’s Glowing Silk
.”
Sputniko!
.
Stearn
,
Gerald Emanuel
.
Introduction to McLuhan: Hot and Cool
, edited by
Stearn
Gerald Emanuel
,
xiii
xvi
.
New York
:
Signet Books
,
1967
.
Steinberg
,
Marc
.
Anime’s Media Mix: Franchising Toys and Characters in Japan
.
Minneapolis
:
University of Minnesota Press
,
2012
.
Steinberg
,
Marc
.
“Review of Otaku: Japan’s Database Animals: Japanese Postmodernity Reconsidered.”
Mechademia
. .
Stone
,
Allucquére Rosanne
.
The War of Desire and Technology at the Close of the Mechanical Age
.
Cambridge, MA
:
MIT Press
,
1996
.
Suga
Hidemi
.
Nihon kindai bungaku no tanjō: Genbun icchi ndo to nashonarizumu
.
Tokyo
:
Ota Shuppan
,
1995
.
Suga
Hidemi
.
“‘1968-nen’ to 3.11 ikō o tsunagu shikō” [Thought that links 1968 to the after-math of 3.11]
. In
Tsumura Takashi seisen hyōronshū: 1968-nen igo
, edited by
Suga
Hidemi
,
381
92
.
Tokyo
:
Ronsōsha
,
2012
.
Sugiyama
Mitsunobu
.
Sengo keimō to shakaikagaku no shisō
.
Tokyo
:
Shinyosha
,
1983
.
Suzuki
Shigesaburō
. “
Zakkan
.”
Eiga ōrai
(
April
1928
).
Suzuki
Tadashi
.
Nihon no gōri-ron: Kanō Kōkichi to Nakai Masakazu
.
Tokyo
:
Gendai Shichōsha
,
1961
.
Tahara
Sōichirō
.
“Nichijō kara no tonsō.” [Flight from the Everyday]
.
Tenbō
(
October
1971
):
74
78
.
Quoted in Yoshiyuki Niwa, “Dokyumentarī seishun jidai no shūen.” In Terebi da yo! Zen’in shūgō, edited by Masato Hase and Shōichi Ōta, 80–103. Tokyo: Sekyūsha, 2007
.
Takemura
Ken’ichi
.
Gonin no mōretsu na Amerikajin [Five intense Americans]
.
Tokyo
:
Kodansha
,
1967
.
Takemura
Ken’ichi
.
“Ima wadai no TV komāsharu o saiten suru” [Rating the most talked about current TV commercials]
. In
CM Gurafiti. Vol. 2, Terebi 25 nen no kiroku
, edited by
Yamamoto
Kōji
,
22
27
.
Tokyo
:
Sebundō Shinkōsha
,
1970
.
Takemura
Ken’ichi
.
Makurūhan no riron no tenkai to ōyō [The development and application of McLuhan’s theory]
.
Tokyo
:
Kodansha
,
1967
.
Takemura
Ken’ichi
.
Makurūhan no sekai: Gendai bunmei no taishitsu to sono miraizō [McLuhan’s World: The constitution of contemporary civilization and its future]
.
Tokyo
:
Kodansha
,
1967
.
Takemura
Ken’ichi
.
Makurūhan to no taiwa: Nihon bunka to Makurūhannizumu [Conversations with McLuhan: McLuhanism and Japanese culture]
.
Tokyo
:
Kodansha
,
1968
.
Takemura
Ken’ichi
.
Media no karuwazashi tachi: Makurūhan de yomitoku gendai shakai [Media acrobats: Reading contemporary society through McLuhan]
.
Tokyo
:
Bijinesu Sha
,
2002
.
Takemura
Ken’ichi
.
Nijū shikō no ōyō to tenkai [The application and development of twofold thought]
.
Tokyo
:
Daiwa Shobo
,
1970
.
Takemura
Ken’ichi
.
Takemura Ken’ichi jisenshū: Makurūhan no sekai: Gendai bunmei no taishitsu to sono miraizō [Takemura Ken’ichi’s self-selected works: McLuhan’s world: The constitution of con temporary civilization and its future]
.
Tokyo
:
Tokuma Shoten
,
1980
.
Originally published as Makurūhan no sekai: Gendai bunmei no taishitsu to sono miraizō [McLuhan’s world: The constitution of contemporary civilization and its future] (Tokyo: Kodansha, 1967)
.
Takemura
Ken’ichi
.
“Terebi jidai no yogensha M. Makkurūhan: Jinbutsu shōkai” [M. McLuhan, the prophet of the television age: An introduction to his personality]
. In
Makurūhan: Tanjō 100 nen media (ron) no kanōsei o tou
,
160
71
.
Tokyo
:
Kawade
,
2011
.
Takemura
Ken’ichi
.
Uchū o nomu hitotsu me” [One eye that swallows the universe]
.
Hōsō Asahi
(
June
1967
):
8
23
.
Takeuchi
.
Media to chishikijin: Shimizu Ikutarō no haken to bōkyaku [Media and intellectuals: The discovery and forgetting of Shimizu Ikutarō]
.
Tokyo
:
Chūō Kōronsha
,
2012
.
Taki
Kōji
.
“Aru media no bohimei” [The epitaph of a certain media]
.
Bijutsu techō
(
May
1973
):
38
50
.
Tamura
Norio
.
“‘Atarashii Shinbungaku’ no tanjō to ‘Masu komi’ ron no eikyō: Inokuchi Ichirō ni hajimaru sengo no ‘Amerikashu’ kenkyū no inyū” [The birth of “new newspaper science” and the impact of mass communication theory: The postwar introduction of the “American” style of research that began with Inokuchi Ichirō]
,
Komyunikēshon kagaku
35
(
2012
):
123
33
.
Tanabe
Hajime
.
Nihon Rettō no shōraizō: 21 seiki e no kenchiku [The future of the Japanese archipelago: The formation of Tōkaidō megalopolis]
.
Tokyo
:
Kōdansha
,
1966
.
Tanabe
Hajime
.
Shu no ronri [Logic of the species]
.
Tokyo
:
Iwanami Bunko
,
2010
.
Tanaka
Mitsu
,
“Benjo kara no kaihō” [Liberation from the toilet]
.
Onna erosu
no.
2
(
1973
):
178
90
.
Tange
Kenzō
.
Kenchiku to toshi: Dezain oboegaki [City as architecture: Notes on design]
.
Tokyo
:
Sekai Bunkusha
,
1975
.
Reprint, Tokyo: Shōkokusha, 2011
.
Tanizaki
,
Junichiro
.
“Gei ni tsuite” [On art]
.
Kaizo
(
March–April
1933
),
reprinted as “Geidan,” in Tanizaki Junichiro zenshu vol. 20, 442–44
.
Tokyo
:
Shinchosha
,
1982
.
Tholen
,
Georg Christoph
.
Zur Ortsbestimmung analoger und digitaler Medien
.
Bielefeld, Ger.
:
Transcript
,
2005
.
Thummel
,
Thomas
, and
Thummel
Max
. “
Privatization of Telecommunications in Japan
.” In
Limits to Privatization: How to Avoid Too Much of a Good Thing
, edited by
von Weizsäcker
Ernst Ulrich
,
Young
Oran R.
, and
Finger
Matthias
,
76
78
.
London
:
Earthscan
,
2005
.
Tosaka
Jun
.
“Eiga no ninshikironteki kachi to fuzoku byosha.” [The representation of custom and the epistemological value of cinema]
.
Nihon eiga
2
, no.
6
(
June
1937
):
13
19
.
Tosaka
Jun
.
“Eiga no shajitsuteki tokusei to fūzokusei oyobi taishūsei.” [The realistic qualities of cinema in relation to custom and mass culture]
. In
Tosaka Jun zenshū
,
282
89
.
Tokyo
:
Keisō Shobō
,
1966–67
.
Quoted in Naoki Yamamoto. “Realities That Matter: The Development of Realist Film Theory and Practice in Japan, 1895–1945. ” PhD diss. , Yale University, 2012
.
Tosaka
Jun
. “
Film as the Reproduction of the Present: Custom and the Masses
.” Translated by
Walker
Gavin
. In
Tosaka Jun: A Critical Reader
, edited by
Kawshima
Ken C.
,
Schäfer
Fabian
, and
Stolz
Robert
,
103
13
.
Ithaca, NY
:
Cornell East Asia Series
,
2013
.
Tosaka
Jun
.
Tosaka Jun zenshū
. Vols.
1–5
.
Tokyo
:
Keisō Shobō
,
1966–67
.
Toyokawa
Saikaku
. “
The Core System and Social Scale: Design Methodology at the Tange Laboratory
.” Translated by
Watanabe
Hiroshi
. In
Kenzō Tange: Architecture for the World
, edited by
Kuan
Seng
and
Lippit
Yukio
,
15
28
.
Zürich
:
Lars Müler Publishers and the President and Fellows of Harvard College
,
2012
.
Toyokawa
Saikaku
.
Gunzō to shite no Tange Kenkyūshitsu: Sengo Nihon kenchiku toshi shi no meinsutorīmu [The Tange Lab as a group: The mainstream of postwar Japanese architecture and the history of urban design]
.
Tokyo
:
Ohmsha
,
2012
.
Tsumura
Takashi
.
“An·an kara no jūnen” [Ten years since An·an]
,
Waseda bungaku
(
August
1981
):
26
29
.
Tsumura
Takashi
.
“70nen bunka kakumei to ‘hōkōtenkan’ no shomondai” [The cultural revolution of the 70s and the problems of “changing course”]
.
Shin nihon bungaku
(
May
1972
):
109
13
.
Tsumura
Takashi
.
“Toshi=soshikiron to shite no mediaron o kaku to suru jōhō kankyō-gaku e no kōsatsu” [Thoughts toward information-environment studies centered on urban=organizational theory]
.
Hōsō hihyō
4
(
1973
):
35
41
.
Tsurumi
Shunsuke
.
“Komyunikēshon shi e no oboegaki” [Notes on the history of communication]
. In
Komyunikēshon shi: Kōza komyunikēshon [The history of communication: A course on communication]
, edited by
Etō
Fumio
,
Tsurumi
Shunsuke
, and
Yamamoto
Akira
,
3
21
.
Tokyo
:
Kenkyūsha
,
1973
.
Tsurumi
Shunsuke
et al
. “
Zadankai: Nakai Masakazu to wareware no jidai
.”
Shisō no kagaku
14
(
1983
):
71
89
.
Turkle
,
Sherry
.
Life on the Screen: Identity in the Age of the Internet
.
New York
:
Simon and Schuster
,
1995
.
Turner
,
Fred
.
The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties
.
Berkeley
:
University of California Press
,
2014
.
Uchikawa
Yoshimi
et al
., eds.
Jōhō shakai [Information society]
.
Tokyo
:
Tokyo Daigaku Shuppan-kai
,
1974
.
Ueno
Chizuko
.
Onna asobi [Women’s play]
.
Tokyo
:
Gakuyō
,
1988
.
Ueno
Chizuko
.
“Onna to iu shisō” [A theory called woman]
. In
Onna no nanajūnendai, 1969–1986: Parco posutā ten
, edited by
Masuda
Tsūji
,
26
29
.
Tokyo
:
Disuku Emu
,
2001
.
Ueno
Chizuko
.
Watashi sagashi gēmu [Search-myself game]
.
Tokyo
:
Chikuma Shobo
,
1987
.
Ueyama
Shunpei
. “
Nakai Masakazu no ‘Iinkai no ronri.’
Shisō no kagaku
23
(
1960
):
55
60
.
Umesao
Tadao
.
Jōhō no bunmeigaku [A civilization study of information]
.
Tokyo
:
Chūō Bunko
,
1999
.
Ura
Tatsuya
.
“Oboccha-man Asada Akira” [Man-child Asada Akira]
.
Ushio
304
(
August
1984
):
106
14
.
Uricchio
,
William
. “
Old Media as New Media: Television
.” In
The New Media Book
, edited by
Harries
Dan
,
219
30
.
London
:
BFI
,
2002
.
van Dijk
,
Paul
.
Anthropology in the Age of Technology: The Philosophical Contributions of Günther Anders
.
Amsterdam
:
Rodopi
,
2000
.
Originally published as Die Antiquiertheit des Meschen by Günther Anders. Munich, Ger.: C. H. Beck, 1980
.
Virno
,
Paolo
.
The Grammar of the Multitude: For an Analysis of Contemporary Forms of Life
.
Los Angeles
:
Semiotext(e)
,
2004
.
Wada
Ben
.
Engi to ningen [Performance and humans]
.
Tokyo
:
Mainichi Shinbunsha
,
1970
.
Wark
,
McKenzie
.
Molecular Red: Theory for the Anthropocene
.
London
:
Verso Books
,
2015
.
Wartella
,
Ellen
, and
Byron
Reeves
. “
Historical Trends in Research on Children and the Media: 1900–1960
.”
Journal of Communication
35
, no.
2
(
June
1985
):
118
33
.
Watanabe
Kazutami
. “
Sengo shisō no mitorizu” [A sketch of postwar thought
]. In
Sengo nihon no shisō-shi—sono saikento
, edited by
Najita
Tetsuo
,
Maeda
Ai
, and
Kamishima
Jiro
,
98
.
Tokyo
:
Iwanami Shoten
,
1988
.
Wiener
,
Norbert
.
Cybernetics: Or, Control and Communication in the Animal and the Machine
.
New York
:
J. Wiley
,
1948
.
Wigley
,
Mark
. “
Network Fever
.” In
New Media, Old Media: A History and Theory Reader
, edited by
Chun
Wendy Hui Kyong
and
Keenan
Thomas
,
375
98
.
New York
:
Routledge
,
2006
.
Winthrop-Young
,
Geoffrey
.
Kittler and the Media
.
Cambridge, UK
:
Polity Press
,
2011
.
Yamada
Munemutsu
.
“‘Bi hihyō,’ ‘Sekai bunka.’” [Aesthetic criticism, world culture]
Shisō
470
(
1963
):
101
14
.
Yamai
Kazunori
and
Yayoi
Saitō
.
Taiken rupo: Nihon no kōrei-sha fukushi [Experiential reportage: Social welfare for Japan’s aged persons]
.
Tokyo
:
Iwanami Shoten
,
1994
.
Yamamoto
,
Naoki
. “
Realities That Matter: The Development of Realist Film Theory and Practice in Japan, 1895–1945
.”
PhD diss
.,
Yale University
,
2012
.
Yasumi
Akihiro
. “
Optical Remnants: Paris, 1971, Takuma Nakahira
.” In
Sākyurēshon: Hizuke, basho, kōi = Circulation: Date, Place, Events
, by
Nakahira
Takuma
,
310
17
. Translated by
Prichard
Franz
.
Tokyo
:
Oshirisu
,
2012
.
Yatsuka
Hajime
.
Metaborizumu Nekusasu [Metabolism Nexus]
.
Tokyo
,
Ohmsha
,
2011
.
Yatsuka
Hajime
.
“‘Metaborizumu nekusasu’ to iu ‘kindai no chōkoku’” [The overcoming modernity called Metabolism Nexus]
. In
Metaborizumu no mirai toshi [Metabolism: The city of the future]
,
10
16
.
Tokyo
:
Mori Bijutsukan
,
2011
.
Yokoda
Masuo
.
Hyōden Nancy Seki: “Kokoro ni hitori Nancy o” [A critical biography of Nancy Seki: “Always keep Nancy in one’s heart”]
.
Tokyo
:
Asahi Bunko
,
2014
.
Yoneyama
,
Lisa
.
Hiroshima Traces: Time, Space, and the Dialectics of Memory
.
Berkeley
:
University of California Press
,
1999
.
Yoshimi
Shun’ya
.
“Koe” no shihonshugi: Denwa rajio chikuonki
.
Tokyo
:
Kōdansha
,
1995
.
Yoshimi
Shun’ya
. “
‘Made in Japan’: The Cultural Politics of ‘Home Electrification’ in Postwar Japan
.”
Media, Culture and Society
21
, no.
2
(
1999
):
149
71
.
Yoshimi
Shun’ya
. “
Terebi ga ie ni yatte kita
.”
Shisō
956
(
December
2003
):
26
47
.
Yoshimi
Shun’ya
. “
Terebijon jidai’ kaidai
.”
Shisō
956
(
December
2003
):
7
10
.
Yoshimi
Shun’ya
.
Toshi no doramaturugī: Tokyo sakariba no shakaishi [Dramaturgy of the city: The social history of the entertainment district, Tokyo]
.
Tokyo
:
Kōbundo
,
1987
.
Yoshimi
Shun’ya
,
Wakabayashi
Mikio
, and
Mizukoshi
Shin
.
Media toshite no denwa [Telephone as media]
.
Tokyo
:
Kobundō
,
1992
.
Yoshimoto
,
Mitsuhiro
. “
The Difficulty of Being Radical
.”
Boundary
218
, no.
3
(fall
1991
):
242
57
.
Yoshimoto
,
Mitsuhiro
.
Kurosawa: Film Studies and Japanese Cinema
.
Durham, NC
:
Duke University Press
,
2000
.
Yoshimoto
Taka’aki
.
Hai imēji-ron [High-image theory]
.
Tokyo
:
Fukutake Shoten
,
1989
.
Zahlten
,
Alexander
. “
The Role of Genre in Film from Japan: Transformations, 1960s–2000s
.”
PhD diss
.,
UMI
,
2009
.
Žižek
,
Slavoj
. “
Cyberspace, or How to Traverse the Fantasy in the Age of the Retreat of the Big Other
.”
Public Culture
10
, no.
3
(
1998
):
483
513
.
Žižek
,
Slavoj
. “
Cyberspace, or, the Unbearable Closure of Being
.” In
The Plague of Fantasies
,
161
213
.
London
:
Verso
,
1997
.

Figures & Tables

Contents

Advertisement

References

Bibliography

Bibliography
Abel
,
Jonathan E.
Redacted: The Archives of Censorship in Transwar Japan
.
Berkeley
:
University of California Press
,
2012
.
Abel
,
Jonathan E.
Translator’s Introduction to Otaku: Japan’s Database Animals, by Hiroki Azuma, xii–xxvi
. Translated by
Abel
Jonathan E.
and
Kono
Shion
.
Minneapolis
:
University of Minnesota Press
,
2009
.
Across Henshūshitsu
, ed.
Ima, chōtaishū no jidai
.
Tokyo
:
Parco Shuppan
,
1985
.
Allen
,
Samantha
. “
Japan’s ‘Vagina Kayak’ Artist Fights Back against Obscenity Charges—and Misogyny
.”
Daily Beast
,
January
13
,
2015
. .
Amano
Yasukazu
.
Kiki no ideorōgu: Shimizu Ikutarō hihan
.
Tokyo
:
Hihyōsha
,
1970
.
Anderer
,
Paul
.
Introduction to Literature of the Lost Home: Kobayashi Hideo—Literary Criticism, 1924–1939
. Translated and edited by
Anderer
Paul
.
Stanford, CA
:
Stanford University Press
,
1995
.
Anderson
,
Benedict
.
Imagined Communities: Reflections on the Origin and Spread of Nationalism
.
New York
:
Verso Books
,
1983
.
Andrew
,
Dudley
. “
The Core and the Flow of Film Studies
.”
Critical Inquiry
35
(summer
2009
):
879
915
.
Appadurai
,
Arjun
, ed.
Globalization
.
Durham, NC
:
Duke University Press
,
2001
.
Arendt
,
Hannah
.
The Human Condition
.
Chicago
:
University of Chicago Press
,
1958
.
Arima
Tetsuo
.
Nihon terebi to CIA [Japanese television and the CIA]
.
Tokyo
:
Shinchōsha
,
2006
.
Arvidsson
,
Adam
.
Brand: Meaning and Value in Media Culture
.
London
:
Routledge
,
2006
.
Arvidsson
,
Adam
.
Marketing Modernity: Italian Advertising from Fascism to Postmodernity
.
London
:
Routledge
,
2003
.
Asada
,
Akira
. “
Infantile Capitalism and Japan’s Postmodernism: A Fairy Tale
.” In
Postmodernism and Japan
, edited by
Harootunian
Harry
and
Miyoshi
Masao
,
273
78
.
Durham, NC
:
Duke University Press
,
1989
.
Asada
,
Akira
. “
Interview with Akira Asada
.” By
Woznicki
Krystian
.
Nettime Mailing Lists
. .
Asada
,
Akira
.
Kōzō to chikara: Kigōron o koete [Structure and power: Beyond semiotics]
.
Tokyo
:
Keisō Shobō
,
1983
.
Asada
,
Akira
.
Tōsōron: Sukizo kizzu no bōken [Escape theory: The adventures of the schizo kids]
.
Tokyo
:
Chikuma Bunko
,
1986
.
Asada
Akira
,
Iwai
Katsuhito
, and
Karatani
Kōjin
. “
Marukusu kahei, gengo” [Marx, currency, language
]. In
Tōsōron: Sukizo kizzu no bōken
, by
Asada
Akira
,
151
239
.
Tokyo
:
Chikuma Bunko
,
1986
.
Asada
Akira
Karatani
Kōjin
, and
Kuno
Osamu
. “
Kyōtō gakuha to sanjū-nindai no shisō
.”
Hihyō kūkan [Critical space] II
vol.
4
(
1995
).
Austin
,
J. L.
How to Do Things with Words
. Edited by
Urmson
J. O.
and
Sbisá
Marina
.
Cambridge, MA
:
Harvard University Press
,
1962
.
Averbeck
,
Stefanie
.
Kommunikation als Prozess: Soziologische Perspektiven in der Zeitungswissenschaft, 1927–1934
.
Münster, Ger.
:
Lit
,
1998
.
Azuma
Hiroki
.
“90 nendai o furikaeru: Atogaki ni kaete 2: Interview with Hiroki Azuma.” [Looking back at the ’90s: In place of postscript: Interview with Hiroki Azuma]
. In
Cyberspace wa naze sō yobareru ka+ [Why is cyberspace called such?]: Azuma Hiroki archives 2
.
Tokyo
:
Kawade Bunko
,
2011
.
Azuma
Hiroki
. “
About Us
.”
Genron
.
Last modified May 10, 2011. Accessed June 1, 2014. (no longer active) http://global.genron.co.jp/aboutus/
.
Azuma
Hiroki
. “
The Disaster Broke Us Apart
.”
Shisōchizu beta
2
(
2011
):
8
17
.
Azuma
Hiroki
.
Dōbutsuka suru posutomodan [Animalizing the postmodern]
.
Tokyo
:
Kodansha
,
2001
.
Azuma
Hiroki
. “
For a Change, Proud to Be Japanese
.”
New York Times
,
March
16
,
2011
.
Azuma
Hiroki
.
General Will 2.0: Rousseau, Freud, Google
, trans.
Person
John
and
Matsuyama
Naoki
.
New York
:
Vertical
,
2014
.
Azuma
Hiroki
.
Ippan ishi 2.0: Rusō, Furoito, Gūguru [General will 2.0: Rousseau, Freud, Google]
.
Tokyo
:
Kodansha
,
2011
.
Azuma
Hiroki
.
Jōhō jiyū ron: Html Version Index [On information and freedom: html version index]
.
2005
. .
Azuma
Hiroki
.
Nihon 2.0
.
Tokyo
:
Genron
,
2012
.
Azuma
Hiroki
.
Otaku: Japan’s Database Animals
. Translated by
Abel
Jonathan E.
and
Kono
Shion
.
Minneapolis
:
University of Minnesota Press
,
2009
.
Azuma
Hiroki
.
“Postmodern saikō: ‘Gendai shisō’ o hitotsu no ideology toshite saiseiri suru tame ni” [Rethinking the postmodern: In order to rearrange “contemporary thought” as an ideology]
.
Asteion
54
(
2000
):
203
17
.
Azuma
,
Hiroki
.
Sonzairon teki, yūbin teki: Jacques Derrida ni tsuite [Ontological, postal: On Jacques Derrida]
.
Tokyo
:
Shinchōsha
,
1998
.
Azuma
Hiroki
.
“Sore ni shite mo mediaron wa naze konna ni konnnann na no ka?” [Why is it that media theory is so difficult?]
.
InterCommunication
14
(
1995
).
Azuma
,
Hiroki
.
“Sōzōkai to dōbutsuteki tsūro: Keishikika no Derrida-teki shomondai” [The imaginary and the animal route: Derridean problems of formalization]
. In
Hyōshō: Kōzō to dekigoto [Representation: Structure and event]
, edited by
Yasuo
Kobayashi
and
Hisaki
Matsuura
.
Tokyo
:
University of Tokyo Press
,
2000
.
Azuma
Hiroki
. “
Superflat Speculation
.” In
Superflat
, edited by
Murakami
Takashi
,
109
51
.
Tokyo
:
Madra
,
2000
.
Bao
,
Weihong
.
Fiery Cinema: The Emergence of an Affective Medium in China
.
Minneapolis
:
University of Minnesota Press
,
2015
.
Barshay
,
Andrew E.
Postwar Social and Political Thought, 1945–90
.” In
Modern Japanese Thought
, edited by
Wakabayashi
Bob Tadashi
,
273
356
.
Cambridge
:
Cambridge University Press
,
1998
.
Baudrillard
,
Jean
.
Consumer Society: Myths and Structures
.
London
:
Sage
,
1998
.
Baudrillard
,
Jean
. “
Requiem for the Media
,” trans.
Levin
Charles
, in
For a Critique of the Political Economy of the Sign
, ed.
Levin
Charles
,
164
84
(
Saint Louis, MO
:
Telos Press
,
1981
).
Baudrillard
,
Jean
.
Symbolic Exchange and Death
.
London
:
Sage Publication
,
1993
.
Benjamin
,
Walter
. “
Fukusei gijutsu jidai no geijutsu sakuhin
.” In
Benjamin korekushon I
. Translated by
Asai
Kenjirō
.
Tokyo
:
Chikuma Gakugei Bunkō
,
1995
.
Benjamin
,
Walter
. “
Gengo ippan oyobi ningen no kotoba ni tsuite
.” In
Benjamin Korekushon I
. Translated by
Asai
Kenjirō
.
Tokyo
:
Chikuma Gakugei Bunkō
,
1995
.
Benjamin
,
Walter
.
Gesammelte Schriften
. Vol.
I.2
.
Frankfurt
:
Suhrkamp Verlag
,
1990
.
Benjamin
,
Walter
. “
Shururearizumu
.” In
Benjamin Korekushon I
. Translated by
Asai
Kenjirō
.
Tokyo
:
Chikuma Gakugei Bunkō
,
1995
.
Blanchette
,
J.-F.
A Material History of Bits
,”
Journal of the American Society for Information Science and Technology
62
, no.
6
(
2011
):
1042
57
.
Boorstin
,
Daniel
.
The Image: A Guide to Pseudo-Events in America
.
New York
:
Vintage Books
,
1992
.
Brodey
,
Warren M.
The Design of Intelligent Environment: Soft Architecture
.”
Landscape
17
, no.
1
(autumn
1967
):
8
12
.
Caldwell
,
John Thornton
. “
Introduction: Theorizing the Digital Landrush
.” In
Electronic Media and Technoculture
, edited by
Caldwell
J. T.
,
1
31
.
New Brunswick, NJ
:
Rutgers University Press
,
2000
.
Caldwell
,
John Thornton
.
Production Culture: Industrial Reflexivity and Critical Practice in Film and Television
.
Durham, NC
:
Duke University Press
,
2008
.
Casanova
,
Pascale
.
The World Republic of Letters
. Translated by
DeBevoise
M. B.
.
Cambridge, MA
:
Harvard University Press
,
2004
.
Cather
,
Kirsten
.
The Art of Censorship in Postwar Japan
.
Honolulu
:
University of Hawai’i Press
,
2012
.
Cather
,
Kirsten
. “
The Politics and Pleasures of Historiographic Porn
.”
positions: east asia cultures critique
22
, no.
4
(
2014
):
749
80
.
Chen
,
Kuan-Hsing
.
Asia as Method
.
Durham, NC
:
Duke University Press
,
2010
.
Cho
,
Hyunjung
. “
Hiroshima Peace Memorial Park and the Making of Japanese Postwar Architecture
.”
Journal of Architectural Education
66
, no.
1
(
2012
):
72
83
.
Chun
,
Jayson Makoto
.
“A Nation of a Hundred Million Idiots”?: A Social History of Japanese Television, 1953–1973
.
New York
:
Routledge
,
2007
.
Chun
,
Wendy Hui Kyong
. “
The Enduring Ephemeral, or The Future Is a Memory
.” In
Media Archaeology: Approaches, Applications, and Implications
, edited by
Huhtamo
Erkki
and
Parikka
Jussi
,
184
206
.
Berkeley
:
University of California Press
,
2011
.
Chun
,
Wendy Hui Kyong
. “
Introduction: Did Somebody Say New Media?”
In
New Media, Old Media: A History and Theory Reader
, edited by
Chun
Wendy Hui Kyong
and
Keenan
Thomas W.
,
1
10
.
New York
:
Routledge
,
2006
.
Chun
,
Wendy Hui Kyong
.
Programmed Visions: Software and Memory
.
Cambridge, MA
:
MIT Press
,
2011
.
Clarke
,
Bruce
. “
Communication
.” In
Critical Terms for Media Studies
, edited by
Mitchell
W. J. T.
and
Hansen
Mark B. N.
,
131
44
.
Chicago
:
University of Chicago Press
,
2010
.
Coleman
,
Gabriella
.
Coding Freedom: The Ethics and Aesthetics of Hacking
.
Princeton, NJ
:
Princeton University Press
,
2013
.
Couldry
,
Nick
. “
Theorizing Media as Practice
.”
Social Semiotics
14
, no.
2
(
2004
):
115
32
.
Dean
,
Jodi
.
Blog Theory: Feedback and Capture in the Circuits of Drive
.
Cambridge, UK
:
Polity Press
,
2011
.
Debord
,
Guy
.
The Society of Spectacle
. Translated by
Nicholson-Smith
Donald
.
New York
:
Zone Books
,
1994
.
Deleuze
,
Gilles
.
Cinema 2
. Translated by
Tomlinson
Hugh
and
Galeta
Robert
.
Minneapolis
:
University of Minnesota Press
,
1989
.
Deleuze
,
Gilles
. “
Postscript on the Societies of Control
.”
October
59
(
1992
):
3
7
.
Demachi
Ryūji
.
Taiken rupo: Zainichi gaikokujin josei no sekkusu 51-ka kuni-5000-nin o “seiha” shita otoko no nikki
.
Tokyo
:
Kōbunsha
,
2011
.
Derrida
,
Jacques
. “
Architecture Where the Desire May Live
.” In
Rethinking Architecture: A Reader in Cultural Theory
, edited by
Leach
Neil
,
300
28
.
London
:
Routledge
,
1997
.
Derrida
,
Jacques
.
“Hagaki yori” [From The Post Card]
.
InterCommunication
, no.
0
(spring
1992
):
34
39
.
Derrida
,
Jacques
.
Limited Inc
. Translated by
Weber
Samuel
and
Mehlman
Jeffrey
.
Evanston, IL
:
Northwestern University Press
,
1988
.
Derrida
,
Jacques
.
The Post Card: From Socrates to Freud and Beyond
. Translated by
Bass
Alan
.
Chicago
:
University of Chicago Press
,
1987
.
Derrida
,
Jacques
.
Specters of Marx: The State of the Debt, the Work of Mourning, and the New International
. Translated by
Kamuf
Peggy
.
New York
:
Routledge
,
1994
.
Derrida
,
Jacques
. “
Structure, Sign, and Play in the Discourse of the Human Sciences
.” In
Writing and Difference
,
278
94
.
Chicago
:
University of Chicago Press
,
1978
.
Detleve
,
Zwick
, and
Cayla
Julien
.
Inside Marketing Practices, Ideologies, Devices
.
Oxford
:
Oxford University Press
,
2012
.
Dickinson
,
Kay
.
Arab Cinema Travels: Transnational Syria, Palestine, Dubai, and Beyond
.
London
:
British Film Institute
,
2016
.
Doak
,
Kevin Michael
.
Dreams of Difference: The Japanese Romantic School and the Crisis of Modernity
.
Berkeley
:
University of California Press
,
1994
.
Driscoll
,
Mark
.
Absolute Erotic, Absolute Grotesque: The Living, Dead, and Undead in Japan’s Imperialism, 1895–1945
.
Durham, NC
:
Duke University Press
,
2010
.
Dunne
,
Anthony
, and
Raby
Fiona
.
Speculative Everything: Design, Fiction, and Social Dreaming
.
Cambridge, MA
:
MIT Press
,
2013
.
Ďurovičová
,
Nataša
, and
Newman
Kathleen
, eds.
World Cinemas, Transnational Perspectives
.
New York
:
Routledge
,
2010
.
Eagleton
,
Terry
.
After Theory
.
New York
:
Basic Books
,
2003
.
Edwards
,
Paul N.
The Closed World: Computers and the Politics of Discourse in Cold War America
.
Cambridge, MA
:
MIT Press
,
1996
.
Enzensberger
,
Hans Magnus
. “
Constituents of a Theory of the Media
.” In
The New Media Reader
, edited by
Montfort
Nick
and
Wardrip-Fruin
Noah
,
259
76
.
Cambridge, MA
:
MIT Press
,
2003
.
Enzensberger
,
Hans Magnus
. “
Constituents of a Theory of the Media
.”
New Left Review
64
(
November/December
1970
):
13
36
.
Etō
Jun
.
Seijuku to sōshitsu [Maturity and loss]
.
Tokyo
:
Kawade Shobo Shinsha
,
1967
.
Eto
Kōichirō
.
Niko Niko Gakkai Beta o kenkyū shite mita [I went and studied Niko Niko Beta working group]
.
Tokyo
:
Kawade Shobō Shinsha
,
2012
.
Eyebeam
. “
About Eyebeam
.”
Accessed March 7, 2016. http://eyebeam.org/about
.
Eyebeam
. “
Inter-Discommunication Machine
.” .
Fabian
,
Johannes
.
Time and Its Other: How Anthropology Makes Its Object
.
New York
:
Columbia University Press
,
1983
.
Fan
,
Victor
.
Cinema Approaching Reality
.
Minneapolis
:
University of Minnesota Press
,
2015
.
Fingleton
,
Eamonn
. “
The Myth of Japan’s Failure
.”
New York Times
,
January
6
,
2012
.
Foucault
,
Michel
.
Security, Territory, Population: Lectures at the Collège de France, 1977–1978
. Edited by
Senellart
Michel
. Translated by
Burchell
Graham
.
New York
:
Palgrave Macmillan
,
2007
.
Foucault
,
Michel
.
“Society Must Be Defended”: Lectures at the the Collège de France, 1975–1976
. Edited by
Bertani
Mauro
and
Fontana
Alessandro
. Translated by
Macey
David
.
New York
:
Picador
,
2003
.
Frank
,
Thomas
.
The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism
.
Chicago
:
University of Chicago Press
,
1997
.
Frauenfelder
,
Mark
. “
Japanese Artist Goes on Trial over ‘Vagina Selfies’
.”
Boing Boing
,
July
28
,
2015
. .
Frauenfelder
,
Mark
. “
Who’s Afraid of Vagina Art
.”
Broadly
,
August
15
,
2015
.
Fujioka
Wakao
, ed.
Discover Japan 40nen kinen katarogu [Discover Japan fortieth anniversary commemorative cata logue]
.
Tokyo
:
PHP Kenkyūsha
,
2010
.
Fujioka
Wakao
.
Karei naru shuppatsu: Discover Japan [A splendid departure: Discover Japan]
.
Tokyo
:
Asahi Shuppan
,
1972
.
Fujioka
,
Wakao
.
Mōretsu kara biutifuru e [From intense to beautiful]. Vol. 2 of Fujioka Wakao zen purodūsu [Fujioka Wakao’s complete production]
.
Tokyo
:
PHP
,
1988
.
Fujioka
Wakao
.
Mōretsu kara byūtifuru e [From gung-ho to beautiful]
.
Tokyo
:
Dentsū Shuppan
,
1991
.
Fujioka
Wakao
.
Sayonara taishū, bunshū no tanjō [Goodbye mass, the birth of the segmented mass]
.
Tokyo
:
PHPBunko
,
1987
.
Fujioka
Wakao
et al
“Zadankai: Discover Japan kyanpēn uraomote” [Roundtable discussion: Front and back of Discover Japan campaign]
.
Senden kaigi
(
January
1972
):
14
23
.
Fukasaku
Mitsutada
.
Shinjuku kōgengaku [Shinjuku modernology]
.
Tokyo
:
Kadokawa Shuppan
,
1968
.
Furuhata
,
Yuriko
.
Cinema of Actuality: Japanese Avant-Garde Filmmaking in the Season of Image Politics
.
Durham, NC
:
Duke University Press
,
2013
.
Furuhata
,
Yuriko
. “
Multimedia Environments and Security Operations: Expo ’70 as a Laboratory of Governance
.”
Grey Room
54
(winter
2014
):
56
79
.
Gabrakova
,
Dennitza
. “
Archipelagic Thought and Theory’s Other: Traveling Theory in Japan
.”
positions
22
, no.
2
(spring
2014
):
461
87
.
Galbraith
,
Patrick W.
, and
Karlin
Jason G.
Introduction: The Mirror of Idols and Celebrity
.” In
Idols and Celebrity in Japanese Media Culture
, edited by
Galbraith
Patrick W.
and
Karlin
Jason G.
,
1
32
.
Basingstoke, UK
:
Palgrave
Macmillan
,
2012
.
Galey
,
Alan
, and
Ruecker
Stan
. “
How a Prototype Argues
.”
Literary and Linguistic Computing
25
, no.
4
(
2010
):
405
24
.
Galloway
,
Alexander R.
,
Thacker
Eugene
, and
Wark
McKenzie
.
Excommunication: Three Inquiries in Media and Mediation
.
Chicago
:
University of Chicago Press
,
2014
.
Gardner
,
William O.
The 1970 Osaka Expo and/as Science Fiction
.”
Review of Japanese Culture and Society
(
December
2011
):
26
43
.
Gekkan Across Henshūshitsu
, eds.
Kyanpēn obu Paruko: Paruko no senden senryaku [Campaign of Parco: Parco’s advertising strategy]
.
Tokyo
:
Parco Shuppan
,
1984
.
Gender, Genitor, Genitalia—Rokudenashiko sapōto-ten
.”
CAMPFIRE
. .
Genosko
,
Gary
.
McLuhan and Baudrillard: Masters of Implosion
.
London
:
Routledge
,
1999
.
Geoghegan
,
Bernard Dionysius
. “
From Information Theory to French Theory: Jakobson, Lévi-Strauss, and the Cybernetic Apparatus
.”
Critical Inquiry
38
(autumn
2011
):
96
126
.
Gerow
,
Aaron
, ed. “
Decentering Theory: Reconsidering the History of Japanese Film Theory
.”
Special issue, Review of Japanese Culture and Society
22
(
December
2010
).
Gerow
,
Aaron
. “
Introduction: The Theory Complex
.”
Review of Japanese Culture and Society
22
(
December
2010
):
1
13
.
Gerow
,
Aaron
.
Kitano Takeshi
.
London
:
British Film Institute
,
2008
.
Gerow
,
Aaron
. “
The Process of Theory: Reading Gonda Yasunosuke and Early Film Theory
.”
Review of Japanese Culture and Society
22
(
2010
):
37
43
.
Gerow
,
Aaron
.
Visions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895–1925
.
Berkeley
:
University of California Press
,
2010
.
Glander
,
Timothy
.
Origins of Mass Communications Research during the American Cold War
.
Mahwah, NJ
:
Lawrence Erlbaum Associates
,
2000
.
Gluck
,
Carol
.
Japan’s Modern Myths: Ideology in the Late Meiji Period
.
Princeton, NJ
:
Princeton University Press
,
1985
.
Gonda
Yasunosuke
.
Katsudō shashin no genri oyobi ōyō [The principles and applications of the moving pictures]
.
Tokyo
:
Uchida Rōkakuho
,
1914
.
Gonda
Yasunosuke
. “
The Principles and Applications of the Moving Pictures (Excerpts)
.” Translated by
Gerow
Aaron
.
Review of Japanese Culture and Society
22
(
2010
):
24
36
.
Gotō
Kazuhiko
.
“Makurūhan no unda gensō” [The illusion produced by McLuhan]
.
Asahi jyānaru
9
, no.
42
(
October
8
,
1967
):
18
23
.
Gotō
Kazuhiko
.
“Makurūhan to Nihon no media” [McLuhan and the Japanese media]
.
Chishiki
(
April
1981
):
190
96
.
Gotō
Shinpei
.
Seiden: Gotō Shinpei, Mantetsu jidai, 1906–1908
. Vol.
4
.
Tokyo
:
Fujiwara Shoten
,
2005
.
Gramsci
,
Antonio
.
Prison Notebooks
. Vol.
3
.
New York
:
Columbia University Press
,
2010
.
Grice
,
Paul
.
Studies in the Way of Words
.
Cambridge, MA
:
Harvard University Press
,
1989
.
Guillory
,
John
. “
Genesis of the Media Concept
.”
Critical Inquiry
36
, no.
2
(winter
2010
):
321
62
.
Habermas
Jürgen
.
The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society
. Translated by
Burger
Thomas
with
Lawrence
Frederick
.
Cambridge, MA
:
MIT Press
,
1991
.
Hachiya
,
Kazuhiko
. “
Inter Dis-Communication Machine (1993)
.”
YouTube
. .
Hagimoto
Haruhiko
,
Yoshihiko
Muraki
, and
Tsutomu
Konno
.
Omae wa ada no genzai ni suginai: Terebi ni nani ga kanō ka [You are nothing but the present: What is possible for television?]
.
Tokyo
:
Tabata Shoten
,
1969
.
Hakuhōdō Sōgō Seikatsu Kenkyūjo
, ed.
Bunshū no [The age of segmented mass]
.
Tokyo
:
Nihon Keizai Shinbunsha
,
1985
.
Hamano
Satoshi
. “
Kaisetsu: Azuma Hiroki no jōhōronteki tenkai ni tsuite
.” In
Cyberspace wa naze sō yobareru ka+: Azuma Hiroki archives 2
, by
Azuma
Hiroki
,
465
72
.
Tokyo
:
Kawade Bunko
,
2011
.
Hamano
Yasuhiro
.
Fasshonka shakai: Ryūdōkashakai, fasshon bijinesu, kyōkan bunka [Fashionizing society: Society in flux, fashion business, and the culture of sympathy]
.
Tokyo
:
Bijinesusha
,
1970
.
Hani
Susumu
and
Susumu
Okada
. “
Eiga ni okeru henkakuki to wa nanika
.” [
What would be a revolutionary period in cinema
]. In
Besuto obu Kinema junpō
,
882
85
.
Tokyo
:
Kinema Junpōsha
,
1994
.
Hansen
,
Mark B. N.
Feed-Forward: On the Future of Twenty-First-Century Media
.
Chicago
:
University of Chicago Press
,
2015
.
Hansen
,
Miriam
. “
Vernacular Modernism: Tracking Cinema on a Global Scale
.” In
World Cinemas, Transnational Perspectives
, edited by
Ďurovičová
Nataša
and
Newman
Kathleen
,
287
314
.
New York
:
Routledge
,
2010
.
Hardt
,
Michael
, and
Negri
Antonio
.
Multitude: War and Democracy in the Age of Empire
.
New York
:
Penguin Press
,
2004
.
Harootunian
,
Harry
.
Overcome by Modernity
.
Princeton, NJ
:
Princeton University Press
,
2001
.
Hasumi
,
Shigehiko
.
Hyōsō hihyō sengen [Declaration of surface criticism]
.
Tokyo
:
Chikuma Bunko
,
1985
.
Hasumi
Shigehiko
. “
‘Taisho-teki’ gensetsu to hihyō
.” In
Kindai nihon no hihyō:—Meiji-Taishō hen
, edited by
Karatani
Kōjin
,
146
76
.
Tokyo
:
Kodansha
,
1997
.
Hasumi
Shigehiko
and
Taka’aki
Yoshimoto
.
“Hihyō ni totte sakuhin to wa nani ka” [What is a work according to criticism?]
.
Umi
12
, no.
7
(
1980
):
236
66
.
Hayashi
,
Shūji
.
Ryūtsū kakumei: Seihin, keiro, oyobi shōhisha [A revolution in distribution: Products, pathways, and consumers]
.
Tokyo
:
Chūō Kōron Shinsho
,
1962
.
Hayashi
,
Yūjirō
.
Jōhōka shakai: Hādo na shakai kara sofuto na shakai e [Information society: From hard society to soft society]
.
Tokyo
:
Kōdansha Gendai Shinsho
,
1969
.
Hayashi
Yūjirō
and
Kagaku Gijutsu to Keizai no Kai [Japan Techno-Economics Society]
, eds.
Chō gijutsu shakai e no tenkai: Jōhōka shisutemu no ningen [Developing a super-technological society: Humans in the information system]
.
Tokyo
:
Daiyamondo Sha
,
1969
.
Hayles
,
Katherine
. “
Cybernetics
.” In
Critical Terms for Media Studies
, edited by
Mitchell
W. J. T.
and
Hansen
Mark B. N.
,
145
56
.
Chicago
:
University of Chicago Press
,
2010
.
Heidegger
,
Martin
.
The Fundamental Concepts of Metaphysics: World, Finitude, Solitude
. Translated by
McNeill
William
and
Walker
Nicholas
.
Bloomington
:
Indiana University Press
,
2001
.
Heisig
,
James W.
Philosophers of Nothingness: An Essay on the Kyoto School
.
Honolulu
:
University of Hawai’i Press
,
2001
.
Hidaka
,
Rokurō
. “
Terebijon kenkyū no hitotsu no zentei
.”
Shisō
413
(
November
1958
):
23
29
.
Hills
,
Matt
. “
Strategies, Tactics and the Question of Un Lieu Propre: What/Where Is ‘Media Theory’?
Social Semiotics
14
, no.
2
(
2004
):
133
49
.
Hirabayashi
,
Ichi
. “
‘Bi-hihyō’ ‘Sekai bunka’ to ‘Doyōbi’
.” In
Senjika teikō no kenkyū I
, Vol.
1
,
239
75
.
Tokyo
:
Mizusu Shobō
,
1968
.
Hochschild
,
Arlie
.
The Managed Heart: The Commercialization of Human Feeling
.
Berkeley
:
University of California Press
,
1973
.
Honda
,
Masuko
. “
The Genealogy of Hirahira: Liminality and the Girl
.” In
Girl Reading Girl in Japan
, edited by
Aoyama
Tomoko
and
Hartley
Barbara
,
19
37
.
Oxford
:
Routledge
,
2010
.
Horkheimer
,
Max
, and
Adorno
Theodor W.
.
Dialectic of Enlightenment: Philosophical Fragments
. Edited by
Noerr
Gunzelin Schmid
. Translated by
Jephcott
Edmund
.
Stanford, CA
:
Stanford University Press
,
2002
.
Howe
,
Jeff
. “
The Two Faces of Takashi Murakami
.”
WIRED
,
November
1
,
2003
. .
Illouz
,
Eva
.
Consuming the Romantic Utopia: Love and the Cultural Contradictions of Capitalism
.
Berkeley
:
University of California Press
,
1997
.
Imai
Yasuo
.
Benjamin no kyōiku shisō
.
Tokyo
:
Seori Shobō
,
1998
.
Taihei
Imamura
. “
Geijutsu keishiki to shite no eiga.” [Film as art form]
In
Eiga geijutsu no keishiki
,
129
62
.
Tokyo
:
Ōshio Shoin
,
1938
.
Inaba
Michio
.
Komyunikēshon hattatsushi [History of the development of communication]
.
Tokyo
:
Sōfūsha
,
1989
.
Inaba
Michio
. “
Nakai Masakazu no ‘baikai’-ron shōkai
.”
Shinbungaku hyōron
18
(
1989
):
111
18
.
Inokuchi
Ichirō
.
Masu komyunikēshon: Dono you ni taishū e hataraki kakeru ka [Mass communication: How to influence the masses]
.
Tokyo
:
Kōbunsha
,
1951
.
Hiroyoshi
Ishikawa
.
“Bijinesuman dokusho hakusho” [White paper on the businessman’s reading]
.
Eguzekutibu [Executive]
(
December
1967
):
4
10
.
Isozaki
Arata
. “
Ātisuto-Ākitekuto no jidai: Osaka banpaku no sōzōryoku o hokan shita āto shin: Interview with Arata Isozaki
.” By
Imura
Yasuko
,
Furuhata
Yuriko
, and
Matsui
Shigeru
.
Tokyo Geijutsu Daigaku Eizōkenkyū Kiyō
(
October
2012
):
36
80
.
Isozaki
Arata
. “
Haikyo ron
.” In
Kigō no umi ni ukabu “shima” [Islands in the sea of signs]
,
22
40
.
Tokyo
:
Iwanami Shoten
,
2013
.
Isozaki
Arata
. “
Invisible City
.” In
Architecture Culture, 1943–1968: A Documentary Anthology
, edited by
Ockman
Joan
,
403
97
.
New York
:
Columbia Books of Architecture
,
1993
.
Isozaki
Arata
.
“Konpō sareta kankyō” [Packaged environments]
. In
Kūkan e [To space]
,
414
28
.
Tokyo
:
Kajima Shuppanka
,
1997
.
Isozaki
Arata
.
“Mienai toshi” [The invisible city]
. In
Kūkan e [To space]
,
370
91
.
Tokyo
:
Kajima Shuppankai
,
1997
.
Isozaki
Arata
. “
Tange Kenzō no ‘kenchiku=toshi=kokka’ kyōdōtai to shite no Nihon
.” In
Sahshutsu sareta modanizumu: “Nihon” to iu mondai kikō
,
173
202
.
Tokyo
:
Iwanami Shoten
,
2005
.
Isozaki
Arata
.
“Toshi dezain no hōhō” [Methods of urban design]
. In
Kūkan e [To space]
,
88
121
.
Tokyo
:
Kajima Shuppankai
,
1997
.
Isozaki
Arata
.
“Yami no kūkan” [Space of shadows]
. In
Kūkan e [To space]
,
136
54
.
Tokyo
:
Kajima Shuppankai
,
1997
.
Isozaki
Arata
and
Asada
Akira
, eds.
Any Kenchiku to tetsugaku o meguru sesshon, 1991–2008 [Any: Sessions on architecture and philosophy, 1991–2008]
.
Tokyo
:
Kajima Shuppan
,
2010
.
Isozaki
Arata
and
Naohiko
Hino
. “
Kūkan e, Omatsuri Hiroba, Nihon no toshi kūkan: 1960 nen dai ni okeru toshiron no hōhō o megutte
.”
10+1
45
(
2006
):
187
97
.
Isozaki
Arata
and
Naohiko
Hino
. “
Tāningu pointo: Kūkan kara kankyō e” [Turning point: From space to environment
].
10+1
48
(
2007
):
193
205
.
Isozaki
Arata
and
Derrida
Jaques
. “
Anywhere: Dikonsutorakushon to wa nanika” [Anywhere: What is deconstruction?
]. In
Any: Kenchiku to tetsugaku o meguru sesshon, 1991–2008
,
81
100
.
Tokyo
:
Kajima Shuppan
,
2010
.
Isozaki
Arata
and
Yoshiaki
Tōno
. “
‘Kankyō’ ni tsuite
.”
Special Issue on Kūkan kara kankyō e, Bijutsu techō [Art notebook]
275
(
November
1966
):
91
105
.
Isozaki
Atelier
. “
Sofuto ākitekuchua: Ōtōba to shite no kankyō
.”
Kenchiku bunka
279
(
January
1970
):
65
93
.
Israel
,
Joachim
.
The Language of Dialectics and the Dialectics of Language
.
Atlantic Highlands, NJ
:
Humanities Press
,
1979
.
Ivy
,
Marilyn
. “
Critical Texts, Mass Artifacts: The Consumption of Knowledge in Postmodern Japan
.” In
Postmodernism and Japan
, edited by
Miyoshi
Masao
and
Harootunian
Harry D.
,
21
46
.
Durham, NC
:
Duke University Press
,
1989
.
Ivy
,
Marilyn
.
Discourses of the Vanishing: Modernity, Phantasm, Japan
.
Chicago
:
University of Chicago Press
,
1995
.
Iwamoto
Kenji
, ed.
Nihon eiga to modanizumu, 1920–1930
.
Tokyo
:
Ribropōto
,
1991
.
Johnson
,
Barbara
.
The Barbara Johnson Reader: The Surprise of Otherness
. Edited by
Feuerstein
Melissa
,
González
Bill Johnson
,
Porten
Lili
, and
Valens
Keja L.
.
Durham, NC
:
Duke University Press
,
2014
.
Joselit
,
David
.
Feedback: Television against Democracy
.
Cambridge, MA
:
MIT Press
,
2007
.
Kadobayashi
,
Takeshi
. “
Umesao Tadao’s Theory of Information Industry and 1960s Japanese Media Theory
.”
Paper presented at the Histories of Film Theories in East Asia conference
,
University of Michigan
,
September 29, 2012
.
Kadobayashi
,
Takeshi
.
Watcha Doin, Marshall McLuhan? An Aesthetics of Media
.
Tokyo
:
NTT Shuppan
,
2009
.
Kadoyama
Nobu
.
“Māketingu kihon genri ni arazu” [These are not the basic principles of marketing]
.
Kindai keiei [Modern management]
(
September
1967
):
57
65
.
“Kaisetsu.” “Towards the Development of a Theory of the Information Industries.”
Hōsō Asahi
(
December
1964
):
10
11
.
Kaizen
,
William
. “
Steps to an Ecology of Communication: Radical Software, Dan Graham, and the Legacy of Gregory Bateson
.”
Art Journal
67
, no.
3
(fall
2008
):
87
107
.
Karatani
Kōjin
.
Architecture as Metaphor: Language, Number, Money
. Edited by
Speaks
Michael
. Translated by
Kohso
Sabu
.
Cambridge, MA
:
MIT Press
,
1995
.
Karatani
Kōjin
. “
Bunkoban e no jobun
.” In
Kindai Nihon no Hihyō I: Shōwa-hen
, edited by
Karatani
Kōjin
,
193
94
.
Paperback ed
.
Tokyo
:
Kodansha
,
1997
.
Karatani
Kōjin
.
Hihyō to posutomodān [Criticism and the postmodern]
.
Tokyo
:
Fukutake Shoten
,
1989
.
Karatani
Kōjin
.
Hyūmoa to yuibutsu-ron [Humor and materialism]
.
Tokyo
:
Kodansha Geijutsu Bunko
,
1999
.
Karatani
Kōjin
.
Inyu to shite no kenchiku [Architecture as metaphor]
.
Tokyo
:
Kōdansha
,
1989
.
Karatani
Kōjin
. “
Karatani Kōjin’s Afterword to the English Edition (1991)
.” In
Origins of Japanese Literature
, translation by
de Bary
Brett
,
190
96
.
Durham, NC
:
Duke University Press
,
1993
.
Karatani
Kōjin
.
Origins of Modern Japanese Literature
. Translation by
de Bary
Brett
.
Durham, NC
:
Duke University Press
,
1993
.
Karatani
Kōjin
and
Kenji
Nakagami
. “
Beyond Kobayashi Hideo
.” In
Karatani Kōjin, Nakagami Kenji zen taiwa [All dialogues between Karatani Kojin and Nakagami Kenji]
,
62
.
Tokyo
:
Kodansha
,
2011
.
Karatani
Kōjin
and
Genichirō
Takahashi
.
“Gendai bungaku o tatakau.”[Fighting against contemporary literature]
Gunzō
47
, no.
6
(
May
1992
):
6
50
.
Karatani
Kōjin
,
Asada
Akira
,
Hasumi
Shigehiko
, and
Miura
Masashi
.
Kindai Nihon no Hihyō I: Shōwa-hen [Modern Japanese Criticism vol. 1: Showa]
.
Tokyo
:
Fukutake Shoten
,
1990–91
.
Karatani
Kōjin
.
Kindai Nihon no Hihyō II: Shōwa-hen [Modern Japanese Criticism vol. 2: Showa]
.
Tokyo
:
Fukutake Shoten
,
1992
.
Karatani
Kōjin
,
Asada
Akira
,
Fukuda
Kazuya
,
Kamata
Tetsuya
, and
Azuma
Hiroki
.
“Ima hihyō no basho wa doko ni aru no ka” [Where is the place of criticism now?]
.
Hihyō kūkan II
21
(
1999
):
6
32
.
Katō
,
Hidetoshi
. “
The Development of Communication Research in Japan
.” In
Japanese Popular Culture
, edited by
Katō
Hidetoshi
,
29
44
.
Rutland, VT
:
Charles Tuttle
,
1959
.
Katō
Hidetoshi
.
Jōhō shakai kara no chōsen [The challenge issued by the information society]
.
Tokyo
:
Tōyō Keizai Shinpō-sha
,
1971
.
Katō
Hidetoshi
.
“Terebijon to goraku.” [Television and entertainment]
Shisō
413
(
November
1958
):
43
47
.
Katō
Shuichi
.
Nihon bungakushi josetsu e [Prolegema for a history of Japanese literature]
.
Tokyo
:
Chikuma Shobō
,
1980
.
Katsura
Eishi
.
“Automaton Kompurekkusu” [Automaton complex]
. In
20 seiki no media 3 maruchimedia no hoos to media porichikkusu
, edited by
Katsura
Eishi
,
5
22
.
Tokyo
:
Jasuto Shisutemu
,
1996
.
Kawabe
Kazuo
, and
Shigeya
Fujita
, directors.
Nippon Zeronen [Nippon Year Zero]
.
Tokyo
:
Paionia LDC
,
1969
.
dvd
.
Kayama
Rika
.
Poketto no naka 80 nendai ga ippai [My pockets are filled with the 1980s]
.
Tokyo
:
Bajiriko
,
2008
.
Keizai Shingikai Jōhō Kenkyū Iinkai
.
Nihon no Jōhōka shakai: Sono bijon to kadai [Japan Information society: Its vision and challenges]
.
Tokyo
:
Daiyamondo Sha
,
1969
.
Kelty
,
Christopher
.
Two Bits: The Cultural Significance of Free Software
.
Durham, NC
:
Duke University Press
,
2008
.
Kido
Hiroyuki
. “
Shōhi kigōron to wa nandatta no ka?” [What was the theory of consumer semiotics?
], in
Wakamono ron o yomu
, ed.
Satoshi
Kotani
,
86
109
.
Kyoto
:
Sekai Shisōsha
,
1993
.
Kinoshita
Nagahiro
.
Nakai Masakazu—Atarashii bigaku” no kokoromi [Nakai Masakazu: Approaches to a new aesthetics]
.
Tokyo
:
Riburopōto
,
1995
.
Kishida
Masao
.
“Porno eiga no heroinu wa naze furui onna ka?” [Why is the porn movie heroine so old-fashioned?]
.
Onna erosu
no.
1
(
1973
):
170
.
Kitada
Akihiro
.
“Imi” e no aragai: Mediēshon no bunka seijigaku [An assault on “meaning”: The cultural politics of mediation]
.
Tokyo
:
Serika Shobō
,
2004
.
Kitada
Akihiro
.
“‘Imi’ e no aragai: Nakai Masakazu no ‘baikai’ gainen o megutte” [Against “meaning” on Nakai Masakazu’s concept of “medium”]
. In
“Imi” e no aragai: Mediēshon no bunka seijigaku
,
47
73
.
Tokyo
:
Serika Shobō
,
2004
.
Kitada
Akihiro
. “
‘Kansatsusha’ to shite no ukete
.”
Masu komyunikēshon kenkyū
53
(
1993
):
83
96
.
Kitada
Akihiro
.
Kōkokutoshi Tokyo: Sono tanjō to shi [Advertising city, Tokyo: Its birth and death]
.
Tokyo
:
Kōsaidō
,
2002
.
Kitada
Akihiro
.
Warau Nihon no nashonarizumu [A sneering Japan’s “nationalism”]
.
Tokyo
:
NHK Books
,
2005
.
Kittler
,
Friedrich
.
Gramophone, Film, Typewriter
. Translated by
Winthrop-Young
Geoffrey
.
Stanford, CA
:
Stanford University Press
,
1999
.
Kittler
,
Friedrich
.
The Truth of the Technological World: Essays on the Genealogy of Presence
. Translated by
Butler
Erik
.
Stanford, CA
:
Stanford University Press
,
2013
.
Kobayashi
Hideo
.
“Eiga hihyō ni tsuite” [On film criticism]
. In
Kobayashi Hideo zensakuhin
11
.
Tokyo
:
Shinchōsha
,
2003
.
Kobayashi
Hideo
.
“Gohho no tegami” [Letters from Van Gogh]
. In
Kobayashi Hideo zensakuhin
20
,
14
15
.
Tokyo
:
Shinchōsha
,
2004
.
Kobayashi
Hideo
.
“Komedi riterēru: Kobayashi Hideo o kakonde” [Comédie littéraire: Around Kobayashi Hideo]
. In
Kobayashi Hideo zenshū
15
(
Tokyo
:
Shinchōsha
,
2001
):
27
28
.
Kobayashi
Hideo
. “
Literature of the Lost Home
.” In
Literature of the Lost Home: Kobayashi Hideo—Literary Criticism, 1924–1939
, translated and edited by
Anderer
Paul
,
53
.
Stanford, CA
:
Stanford University Press
,
1995
.
Kobayashi
Hideo
.
“Manshū” no rekishi [History of “Manchuria”]
.
Tokyo
:
Kōdansha Gendai Shinsho
,
2008
.
Kobayashi
Hideo
.
Mantetsu chōsabu: “Ganso shinku tanku” no tanjō to hōkai [The Manchurian Railway Research Department: The birth and dissolution of the “original think tank”]
.
Tokyo
:
Heibonsha
,
2005
.
Kobayashi
Hideo
.
“Mootuaruto” [Mozart]
. In
Kobayashi Hideo zensakuhin
15
,
47
102
.
Tokyo
:
Shinchōsha
,
2003
.
Kobayashi
Hideo
. “
Multiple Designs
.” In
Literature of the Lost Home: Kobayashi Hideo—Literary Criticism, 1924–1939
, translated and edited by
Anderer
Paul
,
20
21
.
Stanford, CA
:
Stanford University Press
,
1995
.
Kobayashi
Hideo
.
“Shitai shashin arui wa shitai ni tsuite” [On the photographs of the dead bodies, or, the dead bodies]
. In
Kobayashi Hideo zensakuhin
17
,
38
39
.
Tokyo
:
Shinchōsha
,
2004
.
Kobayashi
Hideo
. “
X e no tegami
.” In
Kobayashi Hideo zensakuhin
4
,
78
.
Tokyo
:
Shinchōsha
,
2003
.
Kobayashi
,
Toshiaki
.
Denken des Fremden: Am Beispiel Kitaro Nishida [Thinking the alien: The example of Kitaro Nishida]
.
Frankfurt
:
Stromfeld/Nexus
,
2002
.
Kojève
,
Alexandre
.
Introduction to the Reading of Hegel: Lectures on the Phenomenology of Spirit
. Edited by
Alan
Bloom
. Translated by
Nichols
James H.
Jr.
Ithaca, NY
:
Cornell University Press
,
1980
.
Konno
Tsutomu (Ben)
.
“Kanōsei no teiji ni mukatte” [ Toward the presentation of possibility]
.
Geijutsu kurabu [Art Club journal]
(
July
1973
),
91
96
.
Koolhaas
Rem
, and
Ulrich Obrist
Hans
, eds.
Project Japan: Metabolism Talks …
.
Cologne, Ger.
:
Taschen
,
2011
.
Kōzu
Akira
.
Bunka no keikō to taisaku [The tendencies and countermeasures of culture]
.
Tokyo
:
Chijin Kan
,
1984
.
Krämer
,
Sybille
. “
Das Medium als Spur und als Apparat
.” In
Medien, Computer, Realität: Wirklichkeitsvorstellungen und Neue Medien
, edited by
Krämer
Sybille
,
73
94
.
Frankfurt am Main
:
Suhrkamp
,
1998
.
Krämer
,
Sybille
. “
Erfüllen Medien eine Konstitutionsleistung? Thesen über die Rolle medientheoretischer Erwägungen beim Philosophieren
.” In
Medienphilosophie: Beiträge zur Klärung eines Begriffs
, edited by
Münker
Stefan
,
Roesler
Alexander
, and
Sandbothe
Mike
,
78
90
.
Frankfurt
:
Fischer
,
2003
.
Krapp
,
Peter
. “
Hypertext Avant La Lettre.
.” In
New Media, Old Media: A History and Theory Reader
, edited by
Chun
Wendy Hui Kyong
and
Keenan
Thomas W.
,
359
74
.
New York
:
Routledge
,
2006
.
Kropotkin
,
Petr Alekseevich
.
The Conquest of Bread and Other Writings
. Edited by
Shatz
Marshall
.
Cambridge
:
Cambridge University Press
,
1995
.
Krueger
,
Myron W.
Responsive Environments
.” In
The New Media Reader
, edited by
Wardrip-Fruin
Noah
and
Montfort
Nick
,
379
89
.
Cambridge, MA
:
MIT Press
,
2003
.
Kuia Japan, tokushū: Miwaku no busu
.”
Special Issue
,
Kuia Japan
3
(
October
2000
).
Kuroda
Raiji
.
Nikutai no anākizumu: 1960nendai nihon bijutsu ni okeru pafōmansu no chika suimyaku [Anarchy of the body: Undercurrents of performance art in 1960s Japan]
.
Tokyo
:
Grambooks
,
2010
.
Kuroishi
,
Izumi
. “
Mathematics for/from Society: The Role of the Module in Modernizing Japanese Architectural Production
.”
Nexus Network Journal: Architecture and Mathematics
11
, no.
2
(
2009
):
201
16
.
Kurokawa
Kishō
.
Jōhō rettō Nihon no shōrai [The future of information archipelago Japan]
.
Tokyo
:
Dai San Bunmei Sha
,
1972
.
Lamarre
,
Thomas
.
Shadows on the Screen: Tanizaki Jun’ichirō on Cinema and “Oriental” Aesthetics
.
Ann Arbor
:
University of Michigan Press
,
2005
.
Lash
,
Scott
, and
Lury
Celia
.
Global Culture Industry: The Mediatization of Things
.
Cambridge, UK
:
Polity Press
,
2007
.
Laube
,
Johannes
. “
Westliches und östliches Erbe in der Philosophie Hajime Tanabe
.”
Neue Zeitschrift für systematische Theologie und Religionsphilosophie
20
(summer
1978
):
1
15
.
Lazzarato
,
Maurizo
. “
Struggle, Event, Media
.”
republicart
. .
Lin
,
Zhongjie
.
Kenzo Tange and the Metabolist Movement: Urban Utopias of Modern Japan
.
New York
:
Routledge
,
2010
.
Lionnet
Françoise
, and
Shu-mei
Shih
, “
Introduction: The Creolization of Theory
,” in
The Creolization of Theory
,
Lionnet
Françoise
and
Shih
Shu-mei
, eds.
Durham
:
Duke University Press
,
2011
.

lixil. “10+1.” Accessed July 9, 2014. http://10plus1.jp/.

Lovink
,
Geert
. “
Enemy of Nostalgia: Victim of the Present, Critic of the Future: Interview with Geert Lovink
.” By
Lunenfeld
Peter
.
PAJ: A Journal of Performance and Art 70
24
, no.
1
(
January
2002
):
5
15
.
Lovink
,
Geert
.
Networks without a Cause: A Critique of Social Media
.
Cambridge, UK
:
Polity Press
,
2011
.
Lury
,
Celia
.
Brands: The Logos of the Global Economy
.
London
:
Routledge
,
2004
.
Mabuchi
Kōsuke
.
“Zokutachi” no sengoshi [A postwar history of the “tribes”]
.
Tokyo
:
Sanseidō
,
1989
.
Mackie
,
Vera C.
Feminism in Modern Japan: Citizenship, Embodiment, and Sexuality
.
Cambridge
:
Cambridge University Press
,
2003
.
Mackie
,
Vera C.
Reading Lolita in Japan
.” In
Girl Reading Girl in Japan
, edited by
Aoyama
Tomoko
and
Hartley
Barbara
,
187
201
.
New York
:
Routledge
,
2010
.
Macnaughtan
,
Helen
. “
Womenomics for Japan: Is the Abe Policy for Gendered Employment Viable in an Era of Precarity
.”
Asia-Pacific Journal: Japan Focus
,
April
5
,
2015
. .
“Makurūhanizumu to kōkoku” [McLuhanism and advertising]
.
Special issue, Brain
42
, no.
10
(
October
1967
):
6
35
.
Manovich
,
Lev
.
The Language of New Media
.
Cambridge, MA
:
MIT Press
,
2001
.
Manovich
,
Lev
. “
Postmedia Aesthetics
.” In
Transmedia Frictions: The Digital, the Arts, and the Humanities
, edited by
Kinder
Marsha
and
McPherson
Tara
,
34
44
.
Oakland
:
University of California Press
,
2014
.
Manovich
,
Lev
.
Software Takes Command
.
New York
:
Bloomsbury
,
2013
.
Martin
,
Reinhold
.
The Organizational Complex: Architecture, Media, and Corporate Space
.
Cambridge, MA
:
MIT Press
,
2003
.
Marx
,
Karl
.
Grundrisse. Translated by Martin Nicolaus
.
London
:
Penguin Books
,
1973
.
Masuda
Tsūji
.
Kaimaku beru wa natta: Masuda shiatā e yōkoso [The opening bell has rung: Welcome to Masuda theater]
.
Tokyo
:
Tokyo Shinbun
,
2005
.
Masuda
Tsūji
.
“Sōzōteki paruko kyowakoku: Sono kyōkan konseputo” [Republic of creative PARCO, its concept of sympathy]
.
Senden kaigi
(
November
1976
).
Masuda
Yoneji
.
Jōhō shakai nyūmono: Konpyūta wa ningen shakai wo kaeru [Introduction to information society: Computers transform human society]
.
Tokyo
:
Pelican
,
1968
.
Masuda
,
Yoneji
.
The Information Society as Post-Industrial Society
.
Tokyo
:
Institute for the Information Society
,
1980
.
Matsuda
Masao
.
Fūkei no shimetsu [The extinction of landscape]
.
Tokyo
:
Kōshisha
,
2013
.
Masao
Matsuda
.
“Media kakumei no tame no akushisu” [The axis of media revolution]
.
Bijutsu techō
(
May
1973
):
51
60
.
Matsui
Shigeru
.
“Fukusei gijutsu no tenkai to media geijutsu no seiritsu: 1950 nendai no Nihon ni okeru terebi, shakai shinrigaku, gendai geijutsu no sōgo shintō” [The development of reproduction technology and the establishment of media arts: Interpenetrations among television, social psychology, and con temporary art of the 1950s]
.
Eizō media gaku: Tokyo geijutsu daigaku daigakuin eizō kenkyūkai kiyō
2
(
March
2012
):
35
79
.
Matsumoto
,
Naoki
. “
Interview: Genron: Interview with Naoki Matsumoto
.”
By Giant Robot
.
Accessed October 2, 2014. (no longer active). http://www.giantrobot.com/blogs/news/15804763-interview-genron
.
Matsumoto
Toshio
. “
A Theory of Avant-Garde Documentary
.” Translated by
Raine
Michael
.
Cinema Journal
51
, no.
4
(
2012
):
148
54
.
McKenna
,
Christopher D.
The World’s Newest Profession: Management Consulting in the Twentieth Century
.
Cambridge
:
Cambridge University Press
,
2006
.
McLuhan
,
Marshall
. “
The Relation of Environment to Anti-Environment
.” In
Marshall McLuhan Unbound
, edited by
McLuhan
Eric
and
Terrence Gordon
W.
,
5
19
.
Corte Madera, CA
:
Ginko Press
,
2005
.
McLuhan
,
Marshall
.
Understanding Media: The Extensions of Man
.
Cambridge, MA
:
MIT Press
,
1994
.
Media
Rebyū
, ed.
Za messēji: McLuhan ikō no media kankyō
.
Tokyo
:
Heibon Sha
,
1982
.
Meillasoux
,
Quentin
.
Nach der Endlichkeit
.
Zürich
:
diaphanes
,
2008
.
Minami
Hiroshi
. “
Terebijon to ukete no seikatsu
.”
Shisō
413
(
November
1958
):
103
15
.
Minami
Hiroshi
. “
Terebi to ningen
.” In
Kōza gendai masu komyunikēshon 2: Terebi jidai [The age of television]
, edited by
Minami
Hiroshi
,
7
16
.
Tokyo
:
Kawade Shobō Shinsha
,
1960
.
Mitchell
,
W. J. T.
, and
Hansen
Mark B. N.
.
Critical Terms for Media Studies
.
Chicago
,
University of Chicago Press
,
2010
.
Miura
Atsushi
.
Jiyū no jidai no fuan na jibun: Shōhi shakai no datsu shinwa [The anxious self in the age of freedom: Demythologizing consumer society]
.
Tokyo
:
Shō Bunsha
,
2006
.
Miyamoto
Mitsugu
. “
Kono chō-nankai sho ga ureru makafushigi
.”
Asahi Journal
26
, no.
15
(
June
1984
):
11
13
.
Mizoguchi
Akiyo
,
Saeki
Yōko
, and
Miki
Sōko
, eds.
Shiryō Nihon ribu-shi
.
Tokyo
:
Shōkadō
,
1992
.
Mizukoshi
Shin
.
Media no seisei
.
Tokyo
:
Dōbunkan
,
1993
.
“Mōi no Makurūhan senpū” [The raging McLuhan whirlwind]
.
Shūkan sankei
16
, no.
40
(
September
1967
):
98
.
Monnet
,
Livia
. “
Montage, Cinematic Subjectivity and Feminism in Ozaki Midori’s Drifting in the World of the Seventh Sense.
Japan Forum
11
, no.
1
(
1999
):
57
82
.
Moore
,
Aaron
. “
Para-Existential Forces of Invention: Nakai Masakazu’s Theory of Technology and Critique of Capitalism
.”
positions
17
, no.
1
(
2009
):
125
57
.
Morley
,
David
, and
Robins
Kevin
.
Spaces of Identity: Global Media, Electronic Landscapes, and Cultural Boundaries
.
London
:
Routledge
,
1995
.
Morris-Suzuki
Tessa
.
Beyond Computopia: Information, Automation, and Democracy in Japan
.
New York
:
Kegan Paul
,
1988
.
Mumford
,
Eric Paul
.
The CIAM Discourse on Urbanism, 1928–1960
.
Cambridge, MA
:
MIT Press
,
2000
.
Mumford
,
Lewis
.
The City in History
.
New York
:
Harcourt
,
1961
.
Münker
,
Stefan
. “
After the Medial Turn: Sieben Thesen zur Medienphilosophie
.” In
Medienphilosophie: Beiträge zur Klärung eines Begriffs
, edited by
Münker
Stefan
,
Roesler
Alexander
, and
Sandbothe
Mike
,
16
25
.
Frankfurt am Main
:
Fischer
,
2003
.
Murayama
Tomoyoshi
.
“Eiga no genkaisei” [The limits of film]
.
Kinema Junpō
507
(
June
1
,
1934
):
67
68
.
Nagai
Kiyohiko
.
“Kaikaku to handō to—Entsenberugā no rainichi o megutte” [Reformation and backlash: On Enzensberger’s visit to Japan]
.
Sekai
(
May
1973
):
228
31
.
Nakahira
Takuma
.
Mitsuzukeru hate ni hi ga [Fire on the shore of continual looking]
.
Tokyo
:
Osiris
,
2007
.
Nakahira
Takuma
.
Naze shokubutsu zukan ka: Nakahira Takuma hihyō seishū, 1965–1977 [Why an illustrated botanical dictionary: Nakahira Takuma’s critical writings, 1965–1977]
.
Tokyo
:
Chikuma Shobō
,
2007
.
Nakahira
Takuma
.
“Nikusei no kakutoku wa kanō ka: Media-ron hihan e mukete” [Is it possible to capture the voice (nikusei): Toward a critique of media theory]
.
Nihon dokusho shinbun
,
March
19
,
1973
.
Nakahira
Takuma
.
Sākyurēshon: Hizuke, basho, kōi = Circulation: Date, Place, Events
. Translated by
Prichard
Franz
.
Tokyo
:
Oshirisu
,
2012
.
Nakai
Masakazu
.
Nakai Masakazu zenshū. 4 vols
. Edited by
Kuno
Osamu
.
Tokyo
:
Bijutsu Shuppansha
,
1964–81
.
Nakai
Masakazu
. “
Shikisai eiga no omoide
.” In
Nakai Masakazu zenshū
, edited by
Kuno
Osamu
,
3
:
232
35
.
Tokyo
:
Bijutsu Shuppan
,
1964–81
.
Nakamura
Hideyuki
. “
Tobichitta gareki no naka o
.” In
Jōhō shakai no bunka 2: Imēji no naka no shakai
, edited by
Uchida
Ryūzō
.
Tokyo
:
Tokyo Daigaku Shuppankai
,
1988
.
Negroponte
,
Nicholas
.
Soft Architecture Machines
.
Cambridge, MA
:
MIT Press
,
1976
.
Ngai
,
Sianne
. “
Zany, Cute, Interesting: Sianne Ngai on Our Aesthetic Categories
.”
Asian American Writers’ Workshop
,
February
7
,
2013
. .
NHK Nenkan: 1962 [nhk Yearbook: 1962]
.
Tokyo
:
Rajio Sābisu Sentā
,
1962
.
Nishida
Kitarō
.
An Inquiry into the Good
. Translated by
Abe
Masao
and
Ives
Christopher
.
New Haven, CT
:
Yale University Press
,
1990
.
Nishida
Kitarō
.
Nishida Kitarō zenshū
, Vols.
1–24
.
New ed
.
Tokyo
:
Iwanami
,
2002–9
.
Nishidō
Kōjin
,
“Enshutsuka no shigoto” [The work of the director]
, in
Enshutsuka no shigoto: 60nendai, enre, engeki kakumei
, eds.
Kyōkai
Nihon Enshutsusha
and
Nishidō
Kōjin
,
11
64
.
Tokyo
:
Renga Shobō Shinsha
,
2006
.
Nornes
,
Markus
.
Cinema Babel: Translating Global Cinema
.
Minneapolis
:
University of Minnesota Press
,
2007
.
Nornes
,
Markus
.
Forest of Pressure: Ogawa Shinsuke and Postwar Japanese Documentary
.
Minneapolis
:
University of Minnesota Press
,
2007
.
Nornes
,
Markus
.
Japanese Documentary Film: The Meiji Era through Hiroshima
.
Minneapolis
:
University of Minnesota Press
,
2003
.
Nornes
,
Markus
, ed.
The Pink Book: The Japanese Eroduction and Its Contexts
.
Ann Arbor, MI
:
Kinema Club
,
2014
.
Nozick
,
Robert
.
Anarchy, State, and Utopia
.
New York
:
Basic Books
,
1974
.
NTT Intercommunication Center
. .
NTT Intercommunication Center
. “
Seeing Is Believing
.” .
Nulty
,
Timothy E.
Introductory Note
.”
Nippon Telegraph and Telephone Privatization Study: Experience of Japan and Lessons for Developing Countries
,
World Bank Discussion Paper
179
(
1992
):
vi
vii
.
Obara
Kazuhiro
.
IT bijinesu no enre [The principles of IT business]
.
Tokyo
:
NHK Shuppan
,
2014
.
Oguma
Eiji
.
Shimizu Ikutarō [Shimizu Ikutarō]
.
Tokyo
:
Ochanomizu Shobō
,
2003
.
Okonogi
Keigo
.
Moratoriamu ningen no jidai [The age of the moratorium human]
.
Tokyo
:
Chūō Kōron Shinsha
,
1978
.
Ōmae
,
Masaomi
.
Makurūhan: Sono hito to riron [McLuhan: The man and his theories]
.
Tokyo
:
Daikosha
,
1967
.
Ōnishi
Wakato
.
“Āto to waisetsu—hasama de” [Between art and obscenity]
.
Asahi shinbun
,
July
23
,
2014
.
O’Reilly
,
Tim
. “
What Is Web 2.0: Design Patterns and Business Models for the Next Generation of Software
.”
September
30
,
2005
. .
Ōsawa
Masachi
.
Denshi mediaron [Theories of electronic media]
.
Tokyo
:
Shinyōsha
,
1995
.
Ōtsuka
Eiji
.
Monogatari shōhiron: “Bikkurima” no shinwagaku [Theory of narrative consumption: Myth analysis of “Bikkuriman”]
.
Tokyo
:
Shinyōsha
,
1989
.
Ōtsuka
Eiji
.
Teihon monogatari shōhi-ron [Theory of Narrative Consumption: Authoritative edition]
.
Tokyo
:
Kadokawa Shoten
,
2001
.
Ōtsuka
Eiji
. “
World and Variation
.” Translated by
Steinberg
Marc
.
Mechademia
5
(
2010
):
99
116
.
Ōya
Sōichi
.
“‘Ichioku sōhakuchika’ meimei shimatsuki.” [An account of the coining of the term “one hundred million idiots”]
. In
Ōya Sōichi zenshū [Ōya Sōichi collected works]
,
339
48
.
Tokyo
:
Eichōsha
,
1975
.
Ozeki
Shūji
.
“Gendai no ningenkan o tō: Asada Akira-ra no ‘ryūkō shisō’ o hihan suru” [Inquiry into the contemporary idea of the human: Criticizing the Asada Akira group’s “fashionable thought”]
.
Bunka Hyōron
279
(
June
1984
):
28
57
.
Parikka
,
Jussi
.
A Geology of Media
.
Minneapolis
:
University of Minnesota Press
,
2015
.
Partner
,
Simon
.
Assembled in Japan: Electrical Goods and the Making of the Japanese Consumer
.
Berkeley
:
University of California Press
,
2001
.
Peters
,
John Durham
.
The Marvelous Clouds: Toward a Philosophy of Elemental Media
.
Chicago
:
University of Chicago Press
,
2015
.
Raunig
,
Gerald
,
Ray
Gene
, and
Wuggenig
Ulf
, eds.
Critique of Creativity: Precarity, Subjectivity, and Resistance in the “Creative Industries.”
London
:
Mayfly
,
2011
.
Rieu
,
Alain-Marc
.
Savoir et pouvoir dans la modernisation du Japon
.
Paris
:
PUF
,
2001
.
Rodowick
,
David
.
Elegy for Theory
.
Cambridge, MA
:
Harvard University Press
,
2014
.
Roesler
,
Alexander
. “
Medienphilosophie und Zeichentheorie
.” In
Medienphilosophie: Beiträge zur Klärung eines Begriffs
, edited by
Münker
Stefan
,
Roesler
Alexander
, and
Sandbothe
Mike
,
34
52
.
Frankfurt
:
Fischer-Taschenbuch-Verl
,
2003
.
Rokudenashiko
.
Megumi Igarashi (Rokudenashiko): Art and Obscenity: Did the Japanese Police Go Too Far with Her?
(
Tokyo
:
Foreign Correspondents’ Club, Tokyo
,
2014
),
July
14
, .
Rokudenashiko
. “
Rokudenashiko ‘Decoman.’
Niconico Dōga
. .
Rokudenashiko
. “
Support MK Boat Project!—The World’s First 3D Scanned Peach on the Beach
.”
YouTube
,
June
17
,
2013
. .
Rokudenashiko
.
Waisetsu tte nan desu ka? [What is obscenity?]
.
Tokyo
:
Kinyōbi
,
2015
.
An English version was translated by Graham Kolbeins and Anne Ishii and published as What is Obscenity?: The Story of a Good For Nothing Artist and Her Pussy (Toronto: Koyama Press, 2016)
.
Rokudenashiko
.
Watashi no karada ga waisetsu?!: Onna no soko dake naze tabū [My body is obscene?!: Why is only my lady part taboo?]
.
Tokyo
:
Chikuma Shobō
,
2015
.
Ronell
,
Avital
.
The Telephone Book: Technology, Schizophrenia, Electric Speech
.
Lincoln
:
University of Nebraska Press
,
1989
.
Russell
,
Andrew L.
Modularity: An Interdiscplinary History of an Ordering Concept
.”
Information and Culture
47
, no.
3
(
2012
):
257
87
.
Saitō
Ryōsuke
.
Omocha hakubutsushi [A natural history of toys]
.
Tokyo
:
Sōjinsha
,
1989
.
Sakai
,
Naoki
.
Translation and Subjectivity: On “Japan” and Cultural Nationalism
.
Minneapolis
:
University of Minnesota Press
,
1997
.
Naoki
Sakai
, and
Nishitani
Osamu
.
“Sekai-shi” no kaitai: Honyaku shutai rekishi
.
Tokyo
:
Ibunsha
,
1999
.
Salazkina
,
Masha
. “
Introduction: Film Theory in the Age of Neoliberal Globalization
.”
Framework: The Journal of Cinema and Media
, Vol.
56
, no.
2
(fall
2015
):
325
49
.
Sarkar
,
Bhaskar
. “
Tracking ‘Global Media’ in the Outposts of Globalization
,” in
World Cinemas, Transnational Perspectives
.
Ďurovičová
Nataša
and
Newman
Kathleen
, eds.
New York
:
Routledge
,
2009
.
Sas
,
Miryam
. “
By Other Hands: Environment and Apparatus in 1960s Intermedia
.” In
The Oxford Handbook of Japanese Cinema
, edited by
Miyao
Daisuke
,
383
415
.
Oxford
:
Oxford University Press
,
2014
.
Sas
,
Miryam
.
Experimental Arts in Postwar Japan: Moments of Encounter, Engagement, and Imagined Return
.
Cambridge, MA
:
Harvard University Asian Centre
,
2011
.
Sasaki
Atsushi
.
Nippon no shisō [Japanese thought]
.
Tokyo
:
Kondansha Gendai Shinsho
,
2009
.
Sasaki
Kiichi
.
“Terebi bunka to wa nanika.” [What is television culture?]
.
Shisō
413
(
November
1958
):
225
31
.
Sawaragi
Noi
.
Sensō to banpaku [World Expositions and war]
.
Tokyo
:
Bijutsu Shuppansha
,
2005
.
Schäfer
,
Fabian
. “
Public Opinion and the Press: Transnational Contexts of Early Media and Communication Studies in Prewar Japan, 1918–1937
.”
Social Science Japan Journal
14
:
1
(winter
2011
):
21
38
.
Schäfer
,
Fabian
.
Public Opinion, Propaganda, Ideology: Theories on the Press and Its Social Function in Interwar Japan, 1918–1937
.
Leiden
:
Brill
,
2012
.
Schäfer
,
Fabian
.
Tosaka Jun: Ideologie, Medien Alltag: Eine Auswahl ideologiekritischer, kultur-und medientheoretischer und geschichtsphilosophischer Schriften
.
Leipzig
:
Leipziger Universitätsverlag
,
2011
.
Schieder
,
Chelsea Szendi
. “
Two, Three, Many 1960s
.”
Monthly Review
,
June
10
,
2015
. .
Schmitt
,
Carl
.
Politische Romantik [Political Romanticism]
.
Berlin
:
Dunker & Humbolt
,
1998
.
Schnapp
,
Jeffrey T.
, and
Michaels
Adam
.
The Electric Information Age Book: McLuhan/Agel/Fiore and the Experimental Paperback
.
New York
:
Architectural Press
,
2012
.
Sconce
,
Jeffrey
.
Haunted Media: Electronic Presence from Telegraphy to Television
.
Durham, NC
:
Duke University Press
,
2000
.
“Seiki datadotta sakuhin geijutsu ka waisetsu ka” [Is a decorated sex organ art or obscenity?]
.
Asahi shinbun
,
December
17
,
2014
.
Seki
Nancy
.
“Kawai Shun’ichi wa ikiteru koto ga sunawachi rōdō de aru” [Kawai Shun’ichi’s very act of being alive is labor]
.
Terebi shōtō jikan 2
.
Tokyo
:
Bunshu Bunko
,
2000
.
Seki
Nancy
.
Nani o ima sara [What do you want now?]
.
Tokyo
:
Kadokawa Bunko
,
1999
.
Seki
Nancy
.
“Otoko no chikubi ga kane ni natte, shin no danjo byōdō wa chikai” [Male nipples also earn money; the true equality of the sexes is close]
.
Shūkan Bunshū
,
July
1997
.
Reprinted in Terebi shōtō jikan 2. Tokyo: Bunshu Bunko, 2000
.
Seki
Nancy
.
Terebi shōtō jikan 2
.
Tokyo
:
Bunshu Bunko
,
2000
.
Seki
Nancy
. “
‘Wain de dekiteiru’ Kawashima Naomi o rikai dekiru ka
.”
Shūkan Bunshū
,
November
6
,
1997
.
Reprinted in Terebi shōtō jikan 2. Tokyo: Bunshu Bunko, 2000
.
Seki
Nancy
and
Takahiro
Ōtsuki
.
Jogoku de Hotoke [Like meeting my saviour in Hell]
.
Tokyo
:
Asahi Bunko
,
1999
.
Sherif
,
Ann
.
Japan’s Cold War: Media, Literature, and the Law
.
New York
:
Columbia University Press
,
2009
.
Tomomi
Shibuya
.
“Sekai no shio: Rokudenashiko taiho ga aburidasu shakai no jinken kankaku” [Winds of the world: Rokudenashiko’s arrest shakes up the perception of human rights]
.
Sekai
no.
860
(
2014
):
38
.
Shigematsu
,
Setsu
. “
The Japanese Women’s Liberation Movement and the United Red Army
.”
Feminist Media Studies
12
, no.
2
(
June
1
,
2012
):
163
79
.
Shigematsu
,
Setsu
.
Scream from the Shadows: The Women’s Liberation Movement in Japan
.
Minneapolis
:
University of Minnesota Press
,
2012
.
Atsushi
Shimada
. “
Terebi geijutu no kiso
.”
Shisō
413
(
November
1958
):
232
39
.
Shimizu
Hikaru
.
Eiga to bunka [Film and culture]
.
Kyoto
:
Kyōiku Tosho
,
1941
.
Shimizu
Ikutarō
.
“Terebi bunmeiron” [On TV civilization]
. In
Besuto obu Kinema junpō
,
707
9
.
Tokyo
:
Kinema Junpōsha
,
1994
.
Shimizu
Ikutarō
.
“Terebijon jidai” [The television age]
.
Shisō
413
(
November
1958
):
2
22
.
Shimizu
Ikutarō
.
“Terebi no honshitsu” [The essence of television]
.
Asahi shinbun
,
May
2
,
1957
(
morning ed.
).
Shimokōbe
Atsushi
, ed.
Jōhōshakai to no taiwa: Mirai Nihon no jōhō nettowāku [Dialogues with information society: Information networks for future Japan]
.
Tokyo
:
Tōyō Keizai Shinhōsha
,
1970
.
Shimomura
Toratarō
.
Nishida Kitarō: Hito to shisō [Kitaro Nishida: The man and his thought]
.
Tokyo
:
Tōkai Daigaku Shuppankai
,
1977
.
Simons
,
Jan
. “
New Media as Old Media: Cinema
.” In
The New Media Book
, edited by
Harries
Dan
,
231
41
.
London
:
BFI
,
2002
.
Spackman
,
Barbara
.
“Politics on the Warpath: Machiavelli’s Art of War.
.” In
Machiavelli and the Discourse of Literature
, edited by
Kahn
Vicky
and
Ascoli
Albert
,
179
93
.
Ithaca, NY
:
Cornell University Press
,
1993
.
Sputniko
. “
Tranceflora: Amy’s Glowing Silk
.”
Sputniko!
.
Stearn
,
Gerald Emanuel
.
Introduction to McLuhan: Hot and Cool
, edited by
Stearn
Gerald Emanuel
,
xiii
xvi
.
New York
:
Signet Books
,
1967
.
Steinberg
,
Marc
.
Anime’s Media Mix: Franchising Toys and Characters in Japan
.
Minneapolis
:
University of Minnesota Press
,
2012
.
Steinberg
,
Marc
.
“Review of Otaku: Japan’s Database Animals: Japanese Postmodernity Reconsidered.”
Mechademia
. .
Stone
,
Allucquére Rosanne
.
The War of Desire and Technology at the Close of the Mechanical Age
.
Cambridge, MA
:
MIT Press
,
1996
.
Suga
Hidemi
.
Nihon kindai bungaku no tanjō: Genbun icchi ndo to nashonarizumu
.
Tokyo
:
Ota Shuppan
,
1995
.
Suga
Hidemi
.
“‘1968-nen’ to 3.11 ikō o tsunagu shikō” [Thought that links 1968 to the after-math of 3.11]
. In
Tsumura Takashi seisen hyōronshū: 1968-nen igo
, edited by
Suga
Hidemi
,
381
92
.
Tokyo
:
Ronsōsha
,
2012
.
Sugiyama
Mitsunobu
.
Sengo keimō to shakaikagaku no shisō
.
Tokyo
:
Shinyosha
,
1983
.
Suzuki
Shigesaburō
. “
Zakkan
.”
Eiga ōrai
(
April
1928
).
Suzuki
Tadashi
.
Nihon no gōri-ron: Kanō Kōkichi to Nakai Masakazu
.
Tokyo
:
Gendai Shichōsha
,
1961
.
Tahara
Sōichirō
.
“Nichijō kara no tonsō.” [Flight from the Everyday]
.
Tenbō
(
October
1971
):
74
78
.
Quoted in Yoshiyuki Niwa, “Dokyumentarī seishun jidai no shūen.” In Terebi da yo! Zen’in shūgō, edited by Masato Hase and Shōichi Ōta, 80–103. Tokyo: Sekyūsha, 2007
.
Takemura
Ken’ichi
.
Gonin no mōretsu na Amerikajin [Five intense Americans]
.
Tokyo
:
Kodansha
,
1967
.
Takemura
Ken’ichi
.
“Ima wadai no TV komāsharu o saiten suru” [Rating the most talked about current TV commercials]
. In
CM Gurafiti. Vol. 2, Terebi 25 nen no kiroku
, edited by
Yamamoto
Kōji
,
22
27
.
Tokyo
:
Sebundō Shinkōsha
,
1970
.
Takemura
Ken’ichi
.
Makurūhan no riron no tenkai to ōyō [The development and application of McLuhan’s theory]
.
Tokyo
:
Kodansha
,
1967
.
Takemura
Ken’ichi
.
Makurūhan no sekai: Gendai bunmei no taishitsu to sono miraizō [McLuhan’s World: The constitution of contemporary civilization and its future]
.
Tokyo
:
Kodansha
,
1967
.
Takemura
Ken’ichi
.
Makurūhan to no taiwa: Nihon bunka to Makurūhannizumu [Conversations with McLuhan: McLuhanism and Japanese culture]
.
Tokyo
:
Kodansha
,
1968
.
Takemura
Ken’ichi
.
Media no karuwazashi tachi: Makurūhan de yomitoku gendai shakai [Media acrobats: Reading contemporary society through McLuhan]
.
Tokyo
:
Bijinesu Sha
,
2002
.
Takemura
Ken’ichi
.
Nijū shikō no ōyō to tenkai [The application and development of twofold thought]
.
Tokyo
:
Daiwa Shobo
,
1970
.
Takemura
Ken’ichi
.
Takemura Ken’ichi jisenshū: Makurūhan no sekai: Gendai bunmei no taishitsu to sono miraizō [Takemura Ken’ichi’s self-selected works: McLuhan’s world: The constitution of con temporary civilization and its future]
.
Tokyo
:
Tokuma Shoten
,
1980
.
Originally published as Makurūhan no sekai: Gendai bunmei no taishitsu to sono miraizō [McLuhan’s world: The constitution of contemporary civilization and its future] (Tokyo: Kodansha, 1967)
.
Takemura
Ken’ichi
.
“Terebi jidai no yogensha M. Makkurūhan: Jinbutsu shōkai” [M. McLuhan, the prophet of the television age: An introduction to his personality]
. In
Makurūhan: Tanjō 100 nen media (ron) no kanōsei o tou
,
160
71
.
Tokyo
:
Kawade
,
2011
.
Takemura
Ken’ichi
.
Uchū o nomu hitotsu me” [One eye that swallows the universe]
.
Hōsō Asahi
(
June
1967
):
8
23
.
Takeuchi
.
Media to chishikijin: Shimizu Ikutarō no haken to bōkyaku [Media and intellectuals: The discovery and forgetting of Shimizu Ikutarō]
.
Tokyo
:
Chūō Kōronsha
,
2012
.
Taki
Kōji
.
“Aru media no bohimei” [The epitaph of a certain media]
.
Bijutsu techō
(
May
1973
):
38
50
.
Tamura
Norio
.
“‘Atarashii Shinbungaku’ no tanjō to ‘Masu komi’ ron no eikyō: Inokuchi Ichirō ni hajimaru sengo no ‘Amerikashu’ kenkyū no inyū” [The birth of “new newspaper science” and the impact of mass communication theory: The postwar introduction of the “American” style of research that began with Inokuchi Ichirō]
,
Komyunikēshon kagaku
35
(
2012
):
123
33
.
Tanabe
Hajime
.
Nihon Rettō no shōraizō: 21 seiki e no kenchiku [The future of the Japanese archipelago: The formation of Tōkaidō megalopolis]
.
Tokyo
:
Kōdansha
,
1966
.
Tanabe
Hajime
.
Shu no ronri [Logic of the species]
.
Tokyo
:
Iwanami Bunko
,
2010
.