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This introduction argues that the sensational mode is uniquely revealing of the transformation of quotidian experience and public life under capitalist modernity, particularly in Latin American contexts, where modernization has exacerbated profound social divides. Highlighting the role of spectacles of violence in forging public spheres in early twentieth-century Mexico and Brazil, the introduction traces intersections between three distinctly modern, and often interconnected, modes of cultural production: sensationalism, melodrama, and seriality. Observing that sensational cinema emerged in dialogue with imported cultural forms and reflected locally specific understandings of the ontology of the moving image, the introduction traces shifting relationships between cinema and print culture, from the highly intermedial visual and entertainment cultures of the first decade of the twentieth century, to the intertextual relationships between serial literature and serial films that emerged in the 1910s, to the development of specialized discourses on cinema in the illustrated press in the 1920s.
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Bibliography
Archival Sources
BRAZIL
Arquivo Geral da Cidade do Rio de Janeiro - Coleção Pedro Lima
Arquivo Nacional (Rio de Janeiro) - Coleção Família Ferrez
Biblioteca Nacional (Rio de Janeiro)
Cinemateca Brasileira (São Paulo) - Arquivo Pedro Lima
Fundação Joaquim Nabuco (Recife)
Museu da Imagem e do Som (Rio de Janeiro) - Coleção Jurandyr Noronha
MEXICO
Archivo General de la Nación (Mexico City) - Propiedad Literaria y Artística
Biblioteca Miguel Lerdo de Tejada (Mexico City)
Biblioteca Nacional (Mexico City)
Cineteca Nacional (Mexico City)
Filmoteca de la Universidad Nacional Autónoma de México (Mexico City)
Hemeroteca Nacional (Mexico City)
Periodicals
BRAZIL
Boletim de Policia (Rio de Janeiro, RJ)
Careta (Rio de Janeiro, RJ)
A Cena Muda (Rio de Janeiro, RJ)
Cinearte (Rio de Janeiro, RJ)
Correio da Manhã (Rio de Janeiro, RJ)
Correio do Povo (Porto Alegre, RS)
Correio Paulistano (São Paulo, SP)
Diário de Noticias (Porto Alegre, RS)
Diário de Pernambuco (Recife, PE)
Diário do Povo (Campinas, SP)
O Estado de São Paulo (São Paulo, SP)
Fon - Fon (Rio de Janeiro, RJ)
Gazeta de Campinas (Campinas, SP)
Gazeta de Notícias (Rio de Janeiro, RJ)
O Imparcial (Rio de Janeiro, RJ)
O Jornal (Rio de Janeiro, RJ)
Jornal do Brasil (Rio de Janeiro, RJ)
Jornal do Comércio (Recife, PE)
Jornal do Recife (Recife, PE)
Klaxon (São Paulo, SP)
Moderno - Jornal (Recife, PE)
A Noite (Rio de Janeiro, RJ)
A Ordem (Recife, PE)
Palcos e Telas (Rio de Janeiro, RJ)
Para Todos … (Rio de Janeiro, RJ)
A Pilhéria (Recife, PE)
A Província (Recife, PE)
A Ronda (São Paulo, SP)
Selecta (Rio de Janeiro, RJ)
A Tela (Porto Alegre, RS)
Verde (Cataguases, MG)
MEXICO
Alborada (Orizaba, VE)
Arte y Sport (Mexico City, DF)
Cinema Repórter (Mexico City, DF)
El Correo Español (Mexico City, DF)
Le Courrier du Méxique et de l’Europe (Mexico City, DF)
El Demócrata (Mexico City, DF)
El Dictamen (Veracruz Llave, VE)
Don Quijote (Mexico City, DF)
Excélsior (Mexico City, DF)
Gaceta de Policia (Mexico City, DF)
El Heraldo de México (Mexico City, DF)
El Imparcial (Mexico City, DF)
El Nacional (Mexico City, DF)
El Pueblo (Mexico City, DF)
Revista de Revistas (Mexico City, DF)
El Tiempo (Mexico City, DF)
El Universal (Mexico City, DF)
El Universal Ilustrado (Mexico City, DF)
UNITED STATES
Cine - Mundial (New York, NY)
Moving Picture World (New York, NY)
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Silent Era website. http://www.silentera.com.
