Skip to Main Content
Skip Nav Destination
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
This content is only available as PDF.
Abramowitz
Rachel
.
2000
.
Is That a Gun in Your Pocket? The Truth about Female Power in Hollywood
.
New York
:
Random House
.
Abramowitz
Rachel
.
2007
. “
Indie Films Could Use a Little More ‘Sunshine.’
Los Angeles Times
,
October
25
, E1.
Abu-Lughod
Lila
.
2005
.
Dramas of Nationhood: The Politics of Television in Egypt
.
Chicago
:
University of Chicago Press
.
Allain
Stephanie
.
2007
. Interview by
Garibay
Lisa Y.
.
Film Independent Calendar
,
February
, pp.
5
,
15
.
Anderson
Chris
.
2006
.
The Long Tail: Why the Future of Business Is Selling Less of More
.
New York
:
Hyperion
.
Ansen
David
.
2006
. “
The Maverick of Movieland: Robert Altman, 1925–2006
.”
Newsweek
,
December
4
,
69
.
Ansen
David
.
2007
a. “
The Rage of Aquarius
.”
Newsweek
,
March
5
,
65
.
Ansen
David
.
2007
b. “
The Road to Ruin
” (review of No End in Sight).
Newsweek
,
July
30
. http://www.msnbc.msn.com/id/19886680/site/newsweek Accessed on
September
3
,
2010
.
Ansen
David
.
2008
. “
How Much Did ‘Taxi to the Dark Side’ Earn at the American Box Office?
Newsweek
,
July
7
/
July
14
,
66
,
68
.
Appadurai
Arjun
.
1990
. “
Disjuncture and Difference in the Global Cultural Economy
.”
Public Culture
2
(
2
):
1
24
.
Appadurai
Arjun
, and
Breckenridge
Carol
.
1988
. “
Why Public Culture?
Public Culture
1
(
1
, Fall):
5
9
.
Askew
Kelly
, and
Wilk
Richard R.
, eds.
2002
.
The Anthropology of Media: A Reader
.
Malden, Mass.
:
Blackwell Publishing
.
Bach
Steven
.
1985
.
Final Cut: Art, Money and Ego in the Making of Heaven’s Gate, the Film That Sank United Artists
.
New York
:
Newmarket Press
.
Balio
Tino
.
1976
.
United Artists: The Company Built by the Stars
.
Madison
:
University of Wisconsin Press
.
Bamberger
Michael
.
2006
.
The Man Who Heard Voices: Or, How M. Night Shyamalan Risked His Career on a Fairy Tale
.
New York
:
Gotham
.
Baron
Caroline
.
2006
. Interview by
Garibay
Lisa Y.
http://www.filmindependent.org/news/filmmaker+interviews/carolin_baron Accessed on
September
14
,
2010
.
Bauman
Zygmunt
.
1992
.
Intimations of Postmodernity
.
London and New York
:
Routledge
.
Bennett
Stephen Earl
, and
Rademacher
Eric W.
1997
. “
The ‘Age of Indifference’ Revisited: Patterns of Political Interest, Media Exposure, and Knowledge among Generation X
.” In
After the Boom: The Politics of Generation X
, ed.
Craig
S. C.
and
Bennett
S. E.
,
21
42
.
Lanham, Md.
:
Rowman and Littlefield
.
Berlant
Lauren
.
2011
.
Cruel Optimism
.
Durham, N.C.
:
Duke University Press
.
Bernstein
Matthew
.
1998
. “
Documentaphobia and Mixed Modes: Michael Moore’s Roger and Me
.” In
Documenting the Documentary: Close Readings of Film and Video
, ed.
Grant
B. K.
and
Sloniowski
J.
,
397
415
.
Detroit, Mich
.:
Wayne State University Press
.
Bernstein
Matthew
. [
1994
]
2000
.
Walter Wanger: Hollywood Independent
.
Minneapolis
:
University of Minnesota Press
.
Bilsborrow-Koo
Ryan
.
2008
. “
Your Film Online
.”
Filmmaker
Magazine blog post,
September
23
. http://filmmakermagazine.com/news/2008/09/your-film-online-by-ryan-bilsborrow-koo Accessed on
September
25
,
2008
.
Biskind
Peter
.
1983
.
Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties
.
New York
:
Henry Holt
.
Biskind
Peter
.
1998
.
Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ’n Roll Generation Saved Hollywood
.
New York
:
Touchstone (Simon and Schuster)
.
Biskind
Peter
.
2004
.
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film
.
New York
:
Simon and Schuster
.
Biskind
Peter
.
2007
. “
An American Family
.”
Vanity Fair
,
April
. http://www.vanityfair.com/culture/features/2007/04/sopranos200704 Accessed on
June
23
,
2008
.
Born
Georgina
.
1995
.
Rationalizing Culture: ircam, Boulez, and the Institutionalization of the Musical Avant-Garde
.
Berkeley
:
University of California Press
.
Born
Georgina
.
2005
.
Uncertain Vision: Birt, Dyke, and the Reinvention of the bbc
.
London
:
Vintage
.
Bourdieu
Pierre
.
1984
.
Distinction: A Social Critique of the Judgement of Taste
. Trans.
Nice
Richard
.
Cambridge, Mass.
:
Harvard University Press
.
Bourdieu
Pierre
.
1993
.
The Field of Cultural Production: Essays on Art and Literature
. Edited and introduced by
Johnson
Randal
. Various translators.
New York
:
Columbia University Press
.
Braudy
Leo
.
1976
.
The World in a Frame: What We See in Films
.
Chicago
:
University of Chicago Press
.
Braudy
Leo
, and
Cohen
Marshall
, eds.
2004
.
Film Theory and Criticism
. 6th ed.
New York
:
Oxford University Press
.
Brenner
Robert
.
2002
.
The Boom and the Bubble: The US in the World Economy
.
London and New York
:
Verso
.
Brenner
Robert
.
2003
. “
Towards the Precipice: Robert Brenner on the Crisis in the US Economy
.”
London Review of Books
,
February
6
.
Brooks
David
.
2000
.
Bobos in Paradise: The New Upper Class and How They Got There
.
New York
:
Simon and Schuster
.
Brooks
David
.
2005
. “
Karl’s New Manifesto
.”
New York Times
,
May
29
. http://www.nytimes.com/2005/05/29/opinion/29brooks.html?_r=1&pagewanted=print Accessed on
August
25
,
2010
.
Brooks
Peter
.
1995
.
The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess
.
New Haven, Conn.
:
Yale University Press
.
Browne
Nick
, ed.
1998
.
Refiguring American Film Genres: Theory and History
.
Berkeley
:
University of California Press
.
Burr
Ty
.
2007
. “
Ty Burr’s Top Ten
.”
Boston Globe
,
December
30
,
2007
. http://www.boston.com/ae/movies/articles/2007/12/29/ty_burrs_top_10 Accessed on
August
3
,
2008
.
Caldwell
John Thornton
.
2008
.
Production Culture: Industrial Reflexivity and Critical Practice in Film and Television
.
Durham, N.C.
:
Duke University Press
.
Callahan
David
.
2010
.
Fortunes of Change: The Rise of the Liberal Rich and the Remaking of America
.
Hoboken, N.J.
:
Wiley
.
Caton
Steven C.
1999
.
Lawrence of Arabia: A Film’s Anthropology
.
Berkeley
:
University of California Press
.
Caves
Richard E.
2000
.
Creative Industries: Contracts between Art and Commerce
.
Cambridge, Mass.
:
Harvard University Press
.
Chocano
Carina
.
2011
. “
Skipping through the Popular Culture, Snarling at Everyone
.” (On-line title: “Thelma, Louise and All the Pretty Women.”)
New York Times Magazine
,
April
24
, p. MM
48
.
Cieply
Michael
.
2009
. “
Now, Independent Filmmakers Are Distributing on Their Own
.”
New York Times
,
August
13
,
1
,
15
.
Cieply
Michael
, and
Barnes
Brooks
.
2009
. “
In Hollywood, the Easy-Money Generation Toughens Up
.”
New York Times
,
March
22
. http://www.nytimes.com/2009/03/23/business/media/23moguls.html Accessed on
September
14
,
2010
.
Comaroff
Jean
.
1997
. “
Consuming Passions: Child Abuse, Fetishism, and ‘The New World Order.’
Culture
17
(
1–2
):
7
25
.
Comaroff
Jean
, and
Comaroff
John L.
, eds.
2001
.
Millennial Capitalism and the Culture of Neoliberalism
.
Durham, N.C.
:
Duke University Press
.
Coontz
Stephanie
.
1992
.
The Way We Never Were: American Families and the Nostalgia Trap
.
New York
:
Basic
.
Coppola
Eleanor
. [
1979
]
1992
.
Notes on the Making of “Apocalypse Now.”
New York
:
Limelight Editions
.
Coupland
Douglas
.
1991
.
Generation X: Tales for an Accelerated Culture
.
New York
:
St. Martin’s
.
Coupland
Douglas
.
2010
. “
A Radical Pessimist’s Guide to the Next 10 Years
.”
Saturday’s Globe and Mail
,
Friday
,
October
8
. http://www.theglobeandmail.com/news/national/a-radical-pessimists-guide-to-the-next-10-years/article1750609/ Accessed on
March
21
,
2011
.
Crockford
Julian
.
2000
. “
‘It’s All about the Bucks, Kid. The Rest Is Conversation’: Framing the Economic Narrative from Wall Street to Reality Bites
Post Script
19
(
2
):
19
33
.
Curtin
Michael
.
1996
. “
On Edge: Culture Industries in the Neo-Network Era
.” In
Making and Selling Culture
, ed.
Ohmann
R.
,
181
202
.
Hanover, N.H.
:
Wesleyan University Press
.
Dargis
Manohla
.
2010
a. “
Declaration of Indies: Just Sell It Yourself!
New York Times
,
January
17
. http://www.nytimes.com/2010/01/17/movies/17dargis.html Accessed on
September
22
,
2010
.
Dargis
Manohla
.
2010
b. “
How Oscar Found Ms. Right
.”
New York Times
Arts and Leisure section,
Sunday
,
March
14
,
1
,
17
Davies
Erin
.
2009
. “
Indie-Film Shakeout: There Will Be Blood
.”
Time/cnn
,
November
7
http://www.time.com/time/business/article/0,8599,1936350,00.html.
Davis
Mike
.
1990
.
City of Quartz: Excavating the Future in Los Angeles
.
New York
:
Vintage
.
de Lauretis
Teresa
.
1984
.
Alice Doesn’t: Feminism, Semiotics, Cinema
.
Bloomington
:
Indiana University Press
.
Denby
David
.
2010
. “
Image Problems
.”
New Yorker
,
March
22
,
82
.
Desai
Jigna
.
2003
. “
Bombay Boys and Girls: The Gender and Sexual Politics of Transnationality in the New Indian Cinema in English
.”
South Asian Popular Culture
1
(
1
):
45
61
.
Deutchman
Ira
.
2009
. “
10 (9 actually) Responses to the Issues Brought Up at the ‘Indie Summit.’
http://iradeutchman.com/wordpress/indiefilm/indie-film-summit/ Accessed on
September
26
,
2009
.
Donadio
Rachel
.
2005
. “
Truth Is Stronger than Fiction
.”
New York Times Book Review
,
Sunday
,
August
7
,
27
.
Dornfeld
Barry
.
1998
.
Producing Public Television, Producing Public Culture
.
Princeton, N.J.
:
Princeton University Press
.
Dudley
Kathryn Marie
.
1994
.
The End of the Line: Lost Jobs, New Lives in Postindustrial America
.
Chicago
:
University of Chicago Press
.
Dunne
John Gregory
. [
1968
]
1998
.
The Studio
.
New York
:
Vintage
.
Durkheim
Emile
. [
1912
]
2001
.
The Elementary Forms of the Religious Life
. Trans.
Cosman
C.
Oxford
:
Oxford University Press
.
Eagleton
Terry
.
1996
.
The Illusions of Postmodernism
.
Oxford
:
Blackwell
.
Ebert
Roger
.
2007
. [Review of] “
No End in Sight
.”
Chicago Sun-Times
,
August
10
. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AiD=/20070809/REViEWs/708090301/1023 Accessed on
August
3
,
2008
.
Edelstein
David
.
2007
. “
The Year in Movies
.”
New York Magazine
,
December
9
,
2007
. http://nymag/com/arts/cultureawards/2007/41803/ Accessed on
August
3
,
2008
.
Editors.
1974
. “
The Last Word. Inaugural Issue of Jump Cut
.”
Jump Cut
, No.
1
,
1974
, pages not given.
Ehrenreich
Barbara
.
1989
.
Fear of Falling: The Inner Life of the Middle Class
.
New York
:
Pantheon
.
Ehrenreich
Barbara
.
2001
.
Nickel and Dimed: On (Not) Getting By in America
.
New York
:
Henry Holt
.
Ehrenreich
Barbara
.
2005
.
Bait and Switch: The (Futile) Pursuit of the American Dream
.
New York
:
Owl
.
Ehrenreich
John
, and
Ehrenreich
Barbara
.
1979
. “
The Professional Managerial Class
.” In
Between Labour and Capital
, ed.
Walker
P.
,
5
45
.
Boston
:
South End
.
Elsaesser
Thomas
.
1987
. “
Tales of Sound and Fury: Observations on the Family Melodrama
.” In
Home Is Where the Heart Is: Studies in Melodrama and Women’s Film
, ed.
Gledhill
C.
,
43
69
.
London
:
bfi
.
Epstein
Edward Jay
.
2006
.
The Big Picture: Money and Power in Hollywood
.
New York
:
Random House
.
Faludi
Susan
.
2010
. “
American Electra: Feminism’s Ritual Matricide
.”
Harper’s
,
October
,
29
42
.
Feinstein
Howard
.
1999
. “
A Tender Comedy about Child Abuse? What Is Todd Solondz Up To?
Guardian Unlimited
,
March
26
. http://www.guardian.co.uk/film/1999/mar/26/features. Accessed on
September
19
,
2010
.
Ferncase
Richard K.
1996
.
Outsider Features: American Independent Films of the 1980s
.
Westport, Conn.
:
Greenwood
.
Filmmakermagazine.com
http://www.filmmakermagazine.com/main/Filmmaker Background.pdf. Accessed on
February
5
,
2012
.
Fischer
Michael M. J.
1995
. “
Film as Ethnography and Cultural Critique in the Late Twentieth Century
.” In
Shared Differences: Multicultural Media and Practical Pedagogy
, ed.
Carson
D.
and
Friedman
L. D.
,
29
56
.
Urbana and Chicago
:
University of Illinois Press
.
Fleck
Ryan
, and
Boden
Anna
.
N.d.
Interview by
Carnevale
Rob
.http://www.indielondon.co.uk/Film-Review/half-nelson-ryan-fleck-and-anna-boden-interview. Accessed on
April
18
,
2010
.
Foucault
Michel
.
1986
.
The History of Sexuality
, Volume
1
.
New York
:
Vintage
.
Frank
Raphie
, and
Mindy
Bond
.
2005
. “
Todd Solondz, Filmmaker
.” http://gothamist.com/2005/04/13/todd_solondz_filmmaker.php. Accessed on
September
19
,
2010
.
Frank
Thomas
.
1997
.
The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism
.
Chicago
:
University of Chicago Press
.
Frow
John
.
1995
.
Cultural Studies and Cultural Value
.
Oxford
:
Clarendon
.
Fulcher
James
.
2004
.
Capitalism: A Very Short Introduction
.
New York
:
Oxford University Press
.
Gabler
Neal
.
1988
.
An Empire of Their Own: How the Jews Invented Hollywood
.
New York
:
Anchor
.
Gaines
Jane M.
1999
. “
Political Mimesis
.” In
Collecting Visible Evidence
, ed.
Gaines
J. M.
and
Renov
M.
,
84
103
.
Minneapolis
:
University of Minnesota Press
.
Geertz
Clifford
.
1973
a. “
Thick Description: Toward an Interpretive Theory of Culture
.” In his
The Interpretation of Cultures
,
3
32
.
New York
:
Basic
.
Geertz
Clifford
.
1973
b. “
Deep Play: Notes on the Balinese Cockfight
.” In his
The Interpretation of Cultures
,
412
54
.
New York
:
Basic
.
Ginsburg
Faye D.
1999
. “
The Parallax Effect: The Impact of Indigenous Media on Ethnographic Film
.” In
Collecting Visible Evidence
, ed.
Gaines
J. M.
and
Renov
M.
,
156
75
.
Minneapolis
:
University of Minnesota Press
.
Ginsburg
Faye D.
2002
. “
Fieldwork at the Movies: Anthropology and Media
.” In
Exotic No More: Anthropology on the Front Lines
, ed.
MacClancy
J.
,
359
76
.
Chicago and London
:
University of Chicago Press
.
Ginsburg
Faye D.
,
Abu-Lughod
Lila
, and
Larkin
Brian
, eds.
2002
.
Media Worlds: Anthropology on New Terrain
.
Berkeley
:
University of California Press
.
Giroux
Henry A.
1998
. “
Stealing Innocence: The Politics of Child Beauty Pageants
.” In
The Children’s Culture Reader
, ed.
Jenkins
H.
,
265
82
.
New York
:
New York University Press
.
Gitlin
Todd
.
1983
.
Inside Prime Time
.
New York
:
Pantheon
.
Glassner
Barry
.
1999
.
The Culture of Fear: Why Americans Are Afraid of the Wrong Things
.
New York
:
Basic
.
Gledhill
Christine
.
1987
. “
The Melodramatic Field: An Investigation
.” In
Home Is Where the Heart Is: Studies in Melodrama and Women’s Film
, ed.
Gledhill
C.
,
5
42
.
London
:
bfi
.
Grant
Barry Keith
, ed.
2003
.
Film Genre Reader III
.
Austin
:
University of Texas Press
.
Greenblatt
Stephen
.
1999
. “
The Touch of the Real
.” In
The Fate of “Culture”: Geertz and Beyond
, ed.
Ortner
S. B.
,
14
29
.
Berkeley
:
University of California Press
.
Grindstaff
Laura
.
2002
.
The Money Shot: Trash, Class, and the Making of tv Talk Shows
.
Chicago
:
University of Chicago Press
.
Gusterson
Hugh
, and
Besteman
Catherine
, eds.
2010
.
The Insecure American: How We Got Here and What We Should Do about It
.
Berkeley
:
University of California Press
.
Habermas
Jürgen
. [
1962
]
1994
.
The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society
. Trans.
Burger
T.
with
Lawrence
F.
Cambridge, Mass.
:
mit Press
.
Hale
Mike
.
2011
. “
Sugar and Spice and Vicious Beatings
.”
New York Times
,
Sunday
,
March
13, Television section,
6
,
26
.
Hannerz
Ulf
.
1996
.
Transnational Connections: Culture, People, Places
.
London and New York
:
Routledge
.
Hannerz
Ulf
.
2010
. “
Field Worries: Studying Down, Up, Sideways, Through, Backward, Forward, Early or Later, Away and at Home
.” In his
Anthropology’s World: Life in a Twenty-First-Century Discipline
,
59
86
.
London
:
Pluto
.
Hanson
Peter
.
2002
.
The Cinema of Generation X: A Critical Study of Films and Directors
.
Jefferson, N.C.
:
McFarland
.
Harris
Mark
.
2007
. “
Rage at the Machine
” (review of No End in Sight).
ew.com
, posted
August
23
,
2007
. www.ew.com/ew/article/0,,20053061,00.html. Accessed on
August
3
,
2008
.
Hartley
John
, ed.
2005
.
Creative Industries
.
Oxford, U.K.
:
Blackwell
.
Harvey
David
.
2005
.
A Brief History of Neoliberalism
.
Oxford
:
Oxford University Press
.
Haskell
Molly
. [
1973
]
1987
.
From Reverence to Rape: The Treatment of Women in the Movies
. 2nd ed.
Chicago
:
University of Chicago Press
.
Hass
Nancy
.
2005
. “
Hollywood’s New Old Girls’ Network: How Running the Studios Became Women’s Work
.”
New York Times
, Arts & Leisure,
Sunday
,
April
24
,
1
,
13
.
Hawkesworth
Mary
.
2004
. “
The Semiotics of Premature Burial: Feminism in a Postfeminist Age
.”
Signs
29
(
4
):
961
85
.
Hawkins
Joan
.
2005
. “
Dark, Disturbing, Intelligent, Provocative, and Quirky: Avant Garde Cinema of the 1980s and 1990s
.” In
Contemporary American Independent Film
, ed.
Holmlund
C.
and
Wyatt
J.
,
89
106
.
New York
:
Routledge
.
Hays
Matthew
.
1997
. “
Make Art, Not Politics: Gregg Araki on Going Nowhere
.” http://www.montrealmirror.com/archives/1997/071797/film1.html. Accessed on
September
11
,
2007
.
Hernandez
Eugene
.
2004
. “
Dispatch from Toronto: American Auteurs Araki, Kerrigan, and Solondz Stir Festival
.”
September
17
. http://www.indiewire.com/onthescene/ontheescene_040917toro.html. Accessed on
September
11
,
2007
.
Hesmondhalgh
David
.
2007
.
The Cultural Industries
. 2nd ed.
London
:
Sage
.
Hill
Debra
.
2000
. “
Produced by Debra Hill
.” Interview by
Ross
Ken
.
Produced By
, Summer,
8
15
,
18
.
Hohman
Anne Kathryn
.
2012
. Brooklyn Country: Class, Culture, and the Politics of “
Alternativity
.”
PhD dissertation
,
Department of Anthropology, Columbia University
.
Holtz
Geoffrey T.
1995
.
Welcome to the Jungle: The Why behind “Generation X.”
New York
:
St. Martin’s Griffin
.
Hope
Ted
.
1995
. “
Indie Film Is Dead
.”
Filmmaker Magazine
, Fall. http://www.film makermagazine.com/fa111995/dead_film.php. Accessed on
March
29
,
2006
.
Hope
Ted
.
2006
. imdb Biography. http://www.imdb.com/name/nm0394046/bio.
Hope
Ted
.
2008
. “
A Thousand Phoenix Rising: How the New Truly Free Filmmaking Will Rise from Indie’s Ashes
.” http://filmindependent.org/empower/keynote.html. Accessed on
September
29
,
2008
.
Hope
Ted
.
2010
a. “
The Good Machine No-Budget Commandments
.” Truly Free Film blog,
July
21
. http://trulyfreefilm.hopeforfilm.com/2010/07/the-good-machine-no-budget-commandments.html. Accessed on
September
14
,
2010
.
Hope
Ted
.
2010
b. “
Reflections on ‘Indie Film Is Dead.’
” Truly Free Film blog,
August
16
. http://trulyfreefilm.hopeforfilm.com/2010/08/reflections-on-indie-film-is-dead.html. Accessed on
September
23
,
2010
.
Hope
Ted
.
2010
c. “
Why Producers Are Valued
.” Blog post, Hope for Film,
July
15
. http://trulyfreefilm.hopeforfilm.com/2010/07/why-producers-are_valued.html. Accessed on
September
23
,
2010
.
Horkheimer
Max
, and
Adorno
Theodor W.
[
1944
]
2006
. “
The Culture Industry: Enlightenment as Mass Deception
.” In
Media and Cultural Studies: Keyworks
, ed.
Durham
M. G.
and
Kellner
D. M.
,
41
72
.
Malden, Mass.
:
Blackwell
.
Hornaday
Ann
.
2006
. “
Women of Independent Miens: Nicole Holofcener and Mary Harron Prove a Woman’s Place Is in the Director’s Chair
.”
Washington Post
,
Sunday
,
April
16
. http://www.washingtonpost.com/wp-dyn/content/article/2006/04/14/AR2006041400300_pf.html. Accessed on
May
29
,
2010
.
Horowitz
Josh
.
2006
.
The Mind of the Modern Moviemaker: 20 Conversations with the New Generation of Filmmakers
.
New York
:
Plume (Penguin)
.
Howe
Neil
, and
Strauss
Bill
.
1993
.
13th Gen: Abort, Retry, Ignore, Fail?
New York
:
Vintage
.
Hunter
Stephen
.
2007
. “
From Iraq to Alaska to Ireland, Powerful Storytelling That Hit [sic] Home
.”
Washington Post
,
Sunday
,
December
30
. http://www.washingtonpost.com/wp-dyn/content/article/2007/12/28/AR2007122800705.html. Accessed on
August
3
,
2008
.
IMDb.com
.
2010
. “
Independent Spirit Awards Overview
.” www.imdb.com/event/ev0000349/overview,
March
5
. Accessed on
February
5
,
2012
.
Inda
Jonathan Xavier
, and
Rosaldo
Renato
, eds.
2002
.
The Anthropology of Globalization: A Reader
.
Malden, Mass.
:
Blackwell
.
James
David E.
2005
.
The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles
.
Berkeley
:
University of California Press
.
Jameson
Fredric
.
1984
a. “
Foreword
” to
Lyotard
J.-F
,
The Postmodern Condition: A Report on Knowledge
,
vii
xxi
.
Minneapolis
:
University of Minnesota Press
.
Jameson
Fredric
.
1984
b. “
Postmodernism, or the Cultural Logic of Late Capitalism
.”
New Left Review
146
(
July-August
):
53
92
.
Jost
Jon
. [
1989
]
2005
. “
End of the Indies: Death of the Sayles Men
.” In
Contemporary American Independent Film: From the Margins to the Mainstream
, ed.
Holmlund
C.
and
Wyatt
J.
,
53
58
.
London and New York
:
Routledge
.
Kaufman
Anthony
.
2010
. “
Youthquake: Where Is the Under 30s Audience for Indie Film?
http://www.filmmakermagazine.com/issues/spring2010/industry-beat.php. Accessed on
September
22
,
2010
.
Kellner
Douglas
.
2010
.
Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era
.
Malden, Mass.
:
Wiley-Blackwell
.
King
Geoff
.
2005
.
American Independent Cinema
.
Bloomington
:
Indiana University Press
.
King
Geoff
.
2009
.
Indiewood, USA: Where Hollywood Meets Independent Cinema
.
London
:
I. B. Taurus
.
King
Lynnea Chapman
.
2000
. “
Generation X: Searching for an Identity?
Post Script
19
(
2
):
8
18
.
Klawans
Stuart
.
2000
. “
Independents’ Day
.”
Nation
,
March
16
. http://www.thenation.com/article/independents-day?page=full. Accessed on
July
27
,
2011
.
Klein
Naomi
.
2007
.
The Shock Doctrine: The Rise of Disaster Capitalism
.
London
:
Penguin
.
Krugman
Paul
.
2002
. “
For Richer: How the Permissive Capitalism of the Boom Destroyed American Equality
.”
New York Times Magazine
,
October
20
,
62
67
,
75
77
,
141
.
Kwan
Jennifer
.
2009
. “
Cody Exorcises Demons from ‘Jennifer’s Body.’
Reuters
. http://www.reuters.com/article/idusTRE58c0z120090914. Accessed on
September
28
,
2010
.
Lahr
John
.
2002
. “
Whirlwind: How the Filmmaker Mira Nair Makes People See the World Her Way
.”
New Yorker
,
December
9
. Downloaded from Lexis/Nexus on
September
7
,
2007
.
Lancaster
Roger N.
2011
.
Sex Panic and the Punitive State
.
Berkeley
:
University of California Press
.
Lang
Brent
.
2011
. “
‘Restrepo’ Filmmaker Tim Hetherington Killed in Libya
.”
Wrap Movies
,
April
20
. http://www.thewrap.com. Accessed on
April
20
,
2011
.
Larkin
Brian
.
2008
.
Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria
.
Durham, N.C.
:
Duke University Press
.
Lash
Scott
, and
Lury
Celia
.
2007
.
Global Cultural Industry: The Mediation of Things
.
Cambridge, U.K.
:
Polity
.
Levy
Emanuel
.
1999
.
Cinema of Outsiders: The Rise of American Independent Film
.
New York
:
New York University Press
.
Linden
Sheri
.
2003
. “
Real Genius
.”
Hollywood Reporter
,
August
,
35
37
.
Linklater
Richard
.
1992
.
Slacker
.
New York
:
St. Martin’s
.
Lyotard
Jean-François
.
1984
.
The Postmodern Condition: A Report on Knowledge
. Trans.
Bennington
G.
and
Massumi
B.
Minneapolis
:
University of Minnesota Press
.
Macaulay
Scott
.
2006
. “
Playground Rules
” (interview with Todd Field).
Filmmaker Magazine
, Fall. http://www.filmmakermagazine.com/issues/fa112006/features/playground_rules.php. Accessed on
September
19
,
2010
.
Macaulay
Scott
.
2008
. Editor’s Note.
Filmmaker Newsletter
,
April
17
. newsletter@filmmakermagazine.com.
Macaulay
Scott
.
2009
. Editor’s Note.
Filmmaker Newsletter
,
October
29
. newsletter@filmmakermagazine.com.
Mandelberger
Sandy
.
2009
. “
Producer Ted Hope Honored at Woodstock Film Festival
.”
fft Online
. http://filmfestivaltoday.com/index.php?option=com_content&view=article&catid=38%3Afft-festival-coverage&id=237%3Aproducer-ted-hope-honored-at-woodstock-film-festival&Itemid=60. Accessed on
September
14
,
2010
.
Mankekar
Purnima
.
1999
.
Screening Culture, Viewing Politics: An Ethnography of Television, Womanhood, and Nation in Postcolonial India
.
Durham, N.C.
:
Duke University Press
.
Mann
Denise
.
2008
.
Hollywood Independents: The Postwar Talent Takeover
.
Minneapolis
:
University of Minnesota Press
.
Marcus
George E.
1998
.
Ethnography through Thick and Thin
.
Princeton
:
Princeton University Press
.
Marcus
George E.
1998
.
Ethnography through Thick and Thin
.
Princeton
:
Princeton University Press
.
Marcus
George E.
, and
Fischer
Michael M. J.
1986
.
Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences
.
Chicago
:
University of Chicago Press
.
Martin
Randy
, and
Shohat
Ella
, eds.
2003
. “
Corruption in Corporate Culture
.” Special issue of
Social Text
, Winter.
Maslin
Janet
.
1996
. “
To Abort, Not to Abort: A Comedy
.”
New York Times
,
December
13
. http://movies.nytimes.com/movie/review?res=9F0iEiDCi73EF930A2575iciA960958260. Accessed on
December
23
,
2011
.
Mast
Gerald
, revised by
Kawin
Bruce F.
1992
.
A Short History of the Movies
. 5th ed.
New York
:
Macmillan
.
Mauss
Marcel
. [
1923
] 1967.
The Gift: Forms and Functions of Exchange in Archaic Societies
. Trans.
Cunnison
I.
New York
:
W. W. Norton
.
May
Lary
.
1989
. “
Movie Star Politics: The Screen Actors’ Guild, Cultural Conversion, and the Hollywood Red Scare
.” In
Recasting America: Culture and Politics in the Age of Cold War
, ed.
May
L.
,
125
53
.
Chicago
:
University of Chicago Press
.
Mayer
Vicki
,
Banks
Miranda J.
, and
Caldwell
John Thornton
, eds.
2009
.
Production Studies: Cultural Studies of Media Industries
.
New York
:
Routledge
.
Mayshark
Jesse Fox
.
2007
.
Post-Pop Cinema: The Search for Meaning in New American Film
.
Westport, Conn.
:
Praeger
.
Mazzarella
William
.
2003
.
Shoveling Smoke: Advertising and Globalization in Contemporary India
.
Durham, N.C.
:
Duke University Press
.
McCarthy
Todd
.
2007
. “
It’s Not Easy Being a Kid
.”
Daily Variety
,
January
26
,
1
,
6
.
McDonald
Kathy A.
2001
. “
Truth Is as Strong as Fiction on the Tube
.”
Daily Variety
,
July
30
,
36
37
.
McHugh
Kathleen
.
2009
. “
The World and the Soup: Historicizing Media Feminism in Transnational Contexts
.”
Camera Obscura
24
(
372
):
111
52
.
McRobbie
Angela
.
2009
.
The Aftermath of Feminism: Gender, Culture, and Social Change
.
London
:
Sage
.
Merritt
Greg
.
2000
.
Celluloid Mavericks: The History of American Independent Film
.
New York
:
Thunder Mouth
.
Miège
Bernard
.
1989
.
The Capitalization of Cultural Production
.
New York
:
International General
.
Miller
Toby
,
Govil
Nitin
,
McMurria
John
, and
Maxwell
Richard
.
2001
.
Global Hollywood
.
London
:
British Film Institute
.
Modleski
Tania
.
1988
.
The Women Who Knew Too Much: Hitchcock and Feminist Theory
.
New York and London
:
Routledge and Kegan Paul
.
Modleski
Tania
.
1991
.
Feminism without Women: Culture and Criticism in a “Postfeminist” Age
.
New York and London
:
Routledge
.
Moncrieff
Karen
.
n.d.
[ca.
December
2006
]. Interview, with
Hurt
Mary Beth
, by the NYC Movie Guru. http://www.nycmovieguru.com/karen&mary.html/. Accessed on
May
9
,
2010
.
Mottram
James
.
2006
.
The Sundance Kids: How the Mavericks Took Back Hollywood
.
New York
:
Faber and Faber
.
Mulvey
Laura
. [
1975
]
2004
. “
Visual Pleasure and Narrative Cinema
.” In
Film Theory and Criticism
, 6th ed., ed.
Braudy
L.
and
Cohen
M.
,
837
48
.
New York
:
Oxford University Press
.
Muñoz
Lorenza
.
2008
. Interview with
Kaufman
Charlie
.
Film Independent Magazine
17
(
10
,
October
):
5
.
Muñoz
Lorenza
.
2009
. “
Behind-the-Scenes at the Spirit Awards
.”
Film Independent Magazine
18
(
2
,
February
):
8
10
.
Nader
Laura
.
1969
. “
Up the Anthropologist: Perspectives Gained from Studying Up
.” In
Reinventing Anthropology
, ed.
Hymes
D.
,
284
311
.
New York
:
Pantheon
.
Negra
Diane
.
2005
. “‘
Queen of the Indies’: Parker Posey's Niche Stardom and the Taste Cultures of Independent Film
.” In
Contemporary American Independent Film
, ed.
Holmlund
C.
and
Wyatt
J.
,
71
88
.
London and New York
:
Routledge
.
Nelson
Rob
, and
Cowan
Jon
.
1994
.
Revolution X: A Survival Guide for Our Generation
.
New York
:
Penguin
.
Nesbitt
Jim
.
1991
. “
American Dream Fades, Changes for Middle Class
. “
Ann Arbor News
,
September
22
,
A1
,
A11
.
Newman
Katherine S.
1988
.
Falling from Grace: The Experience of Downward Mobility in the American Middle Class
.
New York
:
Vintage
.
Newman
Katherine S.
1993
.
Declining Fortunes: The Withering of the American Dream
.
New York
:
Basic
.
Nichols
Bill
.
1978
. “
[Review of] 38 Families, Redevelopment, Revolution until Victory, The Beginning of Our Victory. New from California Newsreel
.”
Jump Cut
17
(
April
):
10
13
.
Nichols
Bill
.
1991
.
Representing Reality: Issues and Concepts in Documentary
.
Bloomington
:
University of Indiana Press
.
Obst
Lynda
.
1996
.
Hello, He Lied, & Other Truths from the Hollywood Trenches
.
New York
:
Broadway
.
O'Hehir
Andrew
.
2009
. “
The Undignified Near-Death of Miramax
.”
Salon
,
November
5
. http://www.salon.com/ent/movies/btm/feature/2009/11/04/miramax/print.html. Accessed on
September
22
,
2010
.
Ohmann
Richard
, ed.
1996
.
Making and Selling Culture
.
Hanover, N.H.
:
Wesleyan University Press
.
Ortner
Sherry B.
1978
.
Sherpas through Their Rituals
.
Cambridge
:
Cambridge University Press
.
Ortner
Sherry B.
.
2003
.
New Jersey Dreaming: Capital, Culture, and the Class of ’58
.
Durham, N.C.
:
Duke University Press
.
Ortner
Sherry B.
.
2006
a. “
Introduction: Updating Practice Theory
.” In her
Anthropology and Social Theory: Culture, Power, and the Acting Subject
,
1
18
.
Durham, N.C.
:
Duke University Press
.
Ortner
Sherry B.
. [
1991
]
2006
b. “
Reading America: Preliminary Notes on Class and Culture
.” In her
Anthropology and Social Theory: Culture, Power and the Acting Subject
,
19
41
.
Durham, N.C.
:
Duke University Press
.
Ortner
Sherry B.
[
1998
]
2006
c. “
Generation X: Anthropology in a Media-Saturated World
.” In her
Anthropology and Social Theory: Culture, Power and the Acting Subject
,
80
106
.
Durham, N.C.
:
Duke University Press
.
Ortner
Sherry B.
.
2006
d. “
Power and Projects: Reflections on Agency
.” In her
Anthropology and Social Theory: Culture, Power and the Acting Subject
,
129
54
.
Durham, N.C.
:
Duke University Press
.
Ortner
Sherry B.
2007
a. “
Notes from Hollywood: The Indie Movement
.”
Anthropology News September
,
27
28
.
Ortner
Sherry B.
2007
b. “
Notes from Hollywood: Little Miss Sunshine Finds Its Way
.”
Anthropology News
,
October
,
22
23
.
Ortner
Sherry B.
2010
. “
Access: Reflections on Studying Up in Hollywood
.”
Ethnography
11
(
2
):
211
33
.
Ortner
Sherry B.
2011
. “
On Neoliberalism
.”
Anthropology of This Century
, Issue
1
,
May
,
London
. www.aotcpress.com/articles/neoliberalism.
Owen
Rob
.
1997
.
Gen X tv: The Brady Bunch to Melrose Place
.
Syracuse, N.Y.
:
Syracuse University Press
.
Palmer
Stephanie
, and
Taylor
Sheila Hanahan
.
2005
. Interview by
Leeder
Chris
. Done Deal Interviews. http://www.scriptsales.com/StephanieSheilaInterview.html. Accessed on
November
3
,
2005
.
Perucci
Robert
, and
Wysong
Earl
.
2008
.
The New Class Society: Goodbye American Dream?
Lanham, Md.
:
Rowman and Littlefield
.
Pfeil
Fred
. [
1985
]
1990
. “
‘Makin’ Flippy Floppy’: Postmodernism and the Baby Boom pmc
.” In his
Another Tale to Tell: Politics and Narrative in Postmodern Culture
,
97
125
.
London
:
Verso
.
Pfeil
Fred
.
1995
. “
Chips Off the Old Block
.” In his
White Guys: Studies in Postmodern Domination and Difference
,
233
62
.
London
:
Verso
.
Phillips
Kevin
.
2002
.
Wealth and Democracy: A Political History of the American Rich
.
New York
:
Broadway
.
Pierson
John
.
2003
.
Spike, Mike Reloaded: A Guided Tour across a Decade of American Independent Cinema
.
New York
:
Hyperion/Miramax
.
Porterfield
Matthew
.
2011
. “
If We Speak with Honesty, Will People Listen and Respond?
” Truly Free Film blog via e-mail,
February
17
.
Post Script
.
2000
. Special Issue on Gen X Films. Vol.
19
, No.
2
, Winter–Spring.
Powdermaker
Hortense
.
1950
.
Hollywood the Dream Factory
.
New York
:
Little, Brown
.
Radwan
Jon
.
2000
. “
Generation X and Postmodern Cinema: SlackerPost
.”
post Script
19
(
2
, Winter–Spring):
34
48
.
Remnick
David
.
2007
. “
Comment: Family Guy
.”
New Yorker
,
June
4
,
29
30
.
Roberts
Johnnie L.
2004
. “
The Lions’ Reign
.”
Newsweek
,
July
12
,
42
43
.
Rosen
David
, with
Hamilton
Peter
.
1990
.
Off-Hollywood: The Making and Marketing of Independent Films
.
New York
:
Grove Weidenfeld
.
Rosenfelt
Deborah
, and
Stacey
Judith
.
1987
. “
Second Thoughts on the Second Wave
.”
Feminist Studies
13
(
2
):
341
61
.
Ross
Andrew
.
1988
. “
Introduction
.” In
Universal Abandon? The Politics of Postmodernism
, ed.
Ross
Andrew
,
vii
xviii
.
Minneapolis
:
University of Minnesota Press
.
Ross
Lillian
. [
1952
]
2002
.
Picture
.
Cambridge, Mass
.:
Da Capo
.
Ross
Steven J.
1998
.
Working Class Hollywood: Silent Films and the Shaping of Class in America
.
Princeton, N.J.
:
Princeton University Press
.
Rosten
Leo
. [
1941
]
1970
.
Hollywood: The Movie Colony, the Movie Makers
.
New York
:
Harcourt, Brace
.
Rothkopf
Joshua
.
2006
. “
[Review of] Marie Antoinette
Time Out New York
,
October
19
25
,
125
.
Roussel
Violaine
.
2010
. “
Making 'A Political Movie That Does Not Take a Political Stand': Specialization and Depoliticization in American Cinema
.”
International Journal of Politics, Culture, and Society
23
:
137
55
.
Rushkoff
Douglas
, ed.
1994
.
The Gen X Reader
.
New York
:
Ballantine
.
Ryan
Michael
, and
Kellner
Douglas
.
1988
.
Camera Politica: The Politics and Ideology of Contemporary Hollywood Film
.
Bloomington
:
Indiana University Press
.
Salamon
Julie
. [
1991
]
2002
.
The Devil’s Candy: The Anatomy of a Hollywood Fiasco
.
Cambridge, Mass.
:
Da Capo
.
Schamus
James
.
1995
. “
Long Live Indie Film
.”
Filmmaker Magazine
, Fall. www.film makermagazine.com/fa111995/live_film.php. Accessed on
March
29
,
2006
.
Schamus
James
. [
1999
] 2001. “
A Rant
.” In
The End of Cinema as We Know It
, ed.
Lewis
J.
,
253
60
.
New York
:
New York University Press
.
Schamus
James
.
2006
. Interview by
Martemucci
Anna
. http://thecareercookbook.com/article.php?article_id=18. Accessed on
November
20
,
2007
.
Schatz
Thomas
.
1981
.
Hollywood Genres: Formulas, Filmmaking, and the Studio System
.
New York
:
Random House
.
Scheper-Hughes
Nancy
, and
Stein
Howard F.
1998
. “
Child Abuse and the Unconscious in American Popular Culture
.” In
The Children's Culture Reader
, ed.
Jenkins
Henry
,
178
95
.
New York
:
New York University Press
.
Schickel
Richard
.
2007
. “
No End in Sight: Iraq in Harsh Light
.”
Time
, posted
Friday
,
July
27
, 2007. http://www.time.com/time/arts/article/0,8599,164771600,.html. Accessed on
August
3
,
2008
.
Scott
A. O.
2007
. “
In the Beginning: Focusing on the Iraq War Enablers
” (Review of No End in Sight).
New York Times
,
July
27
,
2007
. http://movies.nytimes.com/2007/07/27movies/27sigh.htm. Accessed on
August
3
,
2008
.
Scott
A. O.
2009
. “
Neo-Neo Realism: A Handful of Young American Directors Are Making Clear-eyed Movies for Hard Times
.”
New York Times Magazine
,
March
22
,
38
43
.
Scott
A. O.
, and
Dargis
Manohla
.
2011
. “
Gosh, Sweetie, That's a Big Gun
.”
New York Times
,
Sunday
,
May
1
, special section on “Summer Movies,”
1
,
10
.
Sennett
Richard
.
1998
.
The Corrosion of Character: The Personal Consequences of Work in the New Capitalism
.
New York
:
W. W. Norton
.
Sennett
Richard
.
2006
.
The Culture of the New Capitalism
.
New Haven, Conn.
:
Yale University Press
.
Setoodeh
Ramin
.
2009
. “
Apocalypse Now
.”
Newsweek
,
December
7
,
70
.
Shapiro
Isaac
, and
Greenstein
Robert
.
1999
. “
The Widening Income Gulf
.”
April
4
.
Washington, D.C.
:
Center on Budget and Policy Priorities
.
Shohat
Ella
, and
Stam
Robert
.
1994
.
Unthinking Eurocentrism: Multiculturalism and the Media
.
New York
:
Routledge
.
Sklar
Robert
.
1975
.
Movie-Made America: A Cultural History of American Movies
.
New York
:
Random House
.
Smith
Sean
.
2006
. “
A Flying Leap
.”
Newsweek
,
July
3
/
July
10
,
88
89
.
Smith
Sean
, and
Ansen
David
.
2006
. “
Prize Fighters
.”
Newsweek
,
February
6
,
58
67
.
Smith
Sean
.
2007
. “
Hollywood Royalty
.”
Newsweek
,
January
29
,
56
67
.
Sobchack
Vivian
.
1998
. “
Lounge Time: Postwar Crises and the Chronotope of Film Noir
.” In
Refiguring American Film Genres: History and Theory
, ed.
Browne
N.
,
129
70
.
Berkeley
:
University of California Press
.
Sobchack
Vivian
.
2003
. “
'Surge and Splendor’: A Phenomenology of the Hollywood Historical Epic
.” In
Film Genre Reader III
, ed.
Grant
B. K.
,
296
323
.
Austin
:
University of Texas Press
.
So Little Time … An aids History
.”
2002
. http://www.aegis.com/topics/timeline/. Accessed on
August
29
,
2010
.
Stacey
Judith
.
1990
.
Brave New Families: Stories of Domestic Upheaval in Late-Twentieth-Century America
.
New York
:
Basic
.
Stacey
Judith
.
1996
.
In the Name of the Family: Rethinking Family Values in a Postmodern Age
.
Boston
:
Beacon
.
Steven
Peter
, ed.
1985
.
Jump Cut: Hollywood, Politics, and Counter-Cinema
.
Toronto, Ont
.:
Between the Lines
.
Stevens
Dana
. “
The Top 10 Movies of 2007
.”
Slate Magazine
,
December
28
,
2007
. http://www.slate.com/id/2180954/. Accessed on
August
3
,
2008
.
Straw
Will
.
2002
. “
Scenes and Sensibilities
.”
Public
, No.
22/23
,
245
57
. (My pagination refers to a manuscript version downloaded from the Web.)
Stubbs
Liz
, and
Rodriguez
Richard
.
2000
.
Making Independent Films: Advice from the Filmmakers
.
New York
:
Allworth
.
Swart
Sharon
.
2009
. “
Indies Stay Alive in 2009
.”
Variety
,
December
29
. http://www.variety.com/article/VRm8013177.html?categoryid=3768&cs=1. Accessed on
September
8
,
2010
.
Tang
Jean
.
2002
. “
'I Don’t Think I Was Cut Out to Be a Director:’ Todd Solondz Explains Why Moviemaking Is a Nightmare
.” http://dir.salon.com/ent/movies/int/2002/01/30/solondz/index.html. Accessed on
September
14
,
2010
.
Tasker
Yvonne
.
1998
.
Working Girls: Gender and Sexuality in Popular Cinema
.
New York
:
Routledge
.
Tasker
Yvonne
, and
Negra
Diane
, eds.
2007
.
Interrogating Post-Feminism: Gender and the Politics of Popular Culture
.
Durham, N.C.
:
Duke University Press
.
Taylor
Timothy D.
2012
.
The Sounds of Capitalism: Music, Advertising, and the Conquest of Culture
.
Chicago
:
University of Chicago Press
.
Taylor
Timothy D.
n.d.
New Capitalism, Music, and Social Theory
. In preparation.
Thompson
Anne
.
2005
. “
The Producers
.” www.hollywoodreporter.com.
August
,
36
37
.
Thompson
E. P.
1966
.
The Making of the English Working Class
.
New York
:
Vintage
.
Thompson
Gabriel
.
2008
. “
Meet the Wealth Gap
.”
Nation
,
June
30
,
18
27
.
Timberg
Scott
.
2004
. “
After the Indie Revolution
.” theage.com.au.
January
17
. http://www.theage.com.au/articles/2004/01/14/1073877894564.html. Accessed on
July
26
,
2011
.
Traube
Elizabeth
.
1992
a.
Dreaming Identities: Class, Gender, and Generation in 1980s Hollywood Movies
.
Boulder, Colo.
:
Westview
.
Traube
Elizabeth
.
1992
b. “
Secrets of Success in Postmodern Society
.” In her
Dreaming Identities: Class, Gender, and Generation in 1980s Hollywood Movies
,
67
96
.
Boulder, Colo.
:
Westview
.
Traube
Elizabeth
.
1994
. “
Family Matters: Postfeminist Constructions of a Contested Site
.” In
Visualizing Theory: Selected Essays from Visual Anthropology Review 1990–1994
, ed.
Taylor
L.
,
301
21
.
New York
:
Routledge
.
Traube
Elizabeth
.
1996
. “
Introduction
.” In
Making and Selling Culture
, ed.
Ohmann
R.
,
xi
xxiii
.
Hanover, N.H.
:
Wesleyan University Press
.
Turan
Kenneth
.
2002
.
Sundance to Sarajevo: Film Festivals and the World They Made
.
Berkeley and Los Angeles
:
University of California Press
.
Uchitelle
Louis
.
2010
. “
American Dream Is Elusive for New Generation
.”
New York Times
,
July
6
. http://www.nytimes.com/2010/07/07/business/economy/07 generation.html. Accessed on
September
28
,
2010
.
Ulrich
John M.
, and
Harris
Andrea L.
, eds.
2003
.
GenXegesis: Essays on Alternative Youth (Sub)Culture
.
Madison
:
University of Wisconsin Press
.
Vachon
Christine
, with
Edelstein
David
.
1998
.
Shooting to Kill: How an Independent Producer Blasts through the Barriers to Make Movies That Matter
.
New York
:
Harper Collins
.
Vachon
Christine
, with
Bunn
Austin
.
2006
.
A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond
.
New York
:
Simon and Schuster
.
Van Couvering
Alicia
.
2007
. “
A Question of Silence
” (Interview with Hilary Brougher).
Filmmaker Magazine
, Winter,
35
41
.
Van Lier
Heidi
.
2009
. “
Indie Films q&a with Heidi Van Lier: My Indie Film Shoot Feels Lame and Small. Help
.” http://filmindependent.org/filmmaker-blogs/1430. Accessed on
May
28
,
2009
.
Walley
Christine J.
2010
. “
Deindustrializing Chicago: A Daughter’s Story
.” In
The Insecure American: How We Got Here and What We Should Do about It
, ed.
Guster-son
H.
and
Besteman
C.
,
113
39
.
Berkeley
:
University of California Press
.
Watney
Simon
.
1987
.
Policing Desire: Pornography, aids, and the Media
.
Minneapolis
:
University of Minnesota Press
.
Waxman
Sharon
.
2006
.
Rebels on the Backlot: Six Maverick Directors and How They Conquered the Hollywood Studio System
.
New York
:
Harper Collins
.
Waxman
Sharon
.
2007
. “
Hollywood’s Shortage of Female Power
.”
New York Times
,
April
27
. http://query.nytimes.com/gst/fullpage.html?res=9507EiDFi53EF935Ai5757C0 A96i9C8B63&sec=&spon=&pagewanted=all. Accessed on
April
27
,
2010
.
Wikipedia
. www.wikipedia.org.
Wikipedia
. “
Charles H. Ferguson
.” Accessed on
February
5
,
2012
.
Wikipedia
. “
Metro-Goldwyn-Mayer
.” Accessed on
April
11
,
2011
.
Wikipedia
. “
Leo Rosten
.” Accessed on
February
4
,
2012
.
Williams
Linda
.
1998
a. “
Melodrama Revised
.” In
Refiguring American Film Genres: History and Theory
, ed.
Browne
N.
,
42
88
.
Berkeley
:
University of California Press
.
Williams
Linda
.
1998
b. “
Mirrors without Memories: Truth, History, and The Thin Blue Line
” In
Documenting the Documentary: Close Readings of Documentary Film and Video
, ed.
Grant
B. K.
and
Sloniowski
J.
,
379
96
.
Detroit
:
Wayne State University Press
.
Williams
Linda
.
2003
. “
Film Bodies: Gender, Genre, and Excess
.” In
Film Genre Reader III
, ed.
Grant
B. K.
,
141
59
.
Austin
:
University of Texas Press
.
Williams
Raymond
.
1977
.
Marxism and Literature
.
Oxford
:
Oxford University Press
.
Williams
Raymond
.
1981
.
Culture
.
London
:
Fontana
.
Wood
Gaby
.
2006
. “
Hollywood’s New Politics
.”
Observer
,
Sunday
,
January
8. http://film.guardian.co.uk/print/0, 53 69257-3181,00.html. Accessed on
May
30
,
2008
.
Wray
John
.
2007
. “
Minister of Fear
.”
New York Times Magazine
,
September
23
,
44
49
.
Wyatt
Justin
.
2001
. “
Marketing Marginalized Cultures: The Wedding Banquet, Cultural Identities, and Independent Cinema of the 1990s
.” In
The End of Cinema as We Know It
, ed.
Lewis
J.
,
61
71
.
New York
:
New York University Press
.
Zeitchik
Steven
, and
McClintock
Pamela
.
2007
. “
Redford Touts Documentaries
.”
Variety @ Sundance
,
January
18
. [Hard copy accessed on
January
20
,
2007
, in files of author.]
Ziskin
Laura
.
2002
. “
Produced by Case Study: Laura Ziskin
.” Interview by
Green
Chris
.
Produced by
, Spring,
16
23
.

Figures & Tables

Contents

Advertisement

References

Abramowitz
Rachel
.
2000
.
Is That a Gun in Your Pocket? The Truth about Female Power in Hollywood
.
New York
:
Random House
.
Abramowitz
Rachel
.
2007
. “
Indie Films Could Use a Little More ‘Sunshine.’
Los Angeles Times
,
October
25
, E1.
Abu-Lughod
Lila
.
2005
.
Dramas of Nationhood: The Politics of Television in Egypt
.
Chicago
:
University of Chicago Press
.
Allain
Stephanie
.
2007
. Interview by
Garibay
Lisa Y.
.
Film Independent Calendar
,
February
, pp.
5
,
15
.
Anderson
Chris
.
2006
.
The Long Tail: Why the Future of Business Is Selling Less of More
.
New York
:
Hyperion
.
Ansen
David
.
2006
. “
The Maverick of Movieland: Robert Altman, 1925–2006
.”
Newsweek
,
December
4
,
69
.
Ansen
David
.
2007
a. “
The Rage of Aquarius
.”
Newsweek
,
March
5
,
65
.
Ansen
David
.
2007
b. “
The Road to Ruin
” (review of No End in Sight).
Newsweek
,
July
30
. http://www.msnbc.msn.com/id/19886680/site/newsweek Accessed on
September
3
,
2010
.
Ansen
David
.
2008
. “
How Much Did ‘Taxi to the Dark Side’ Earn at the American Box Office?
Newsweek
,
July
7
/
July
14
,
66
,
68
.
Appadurai
Arjun
.
1990
. “
Disjuncture and Difference in the Global Cultural Economy
.”
Public Culture
2
(
2
):
1
24
.
Appadurai
Arjun
, and
Breckenridge
Carol
.
1988
. “
Why Public Culture?
Public Culture
1
(
1
, Fall):
5
9
.
Askew
Kelly
, and
Wilk
Richard R.
, eds.
2002
.
The Anthropology of Media: A Reader
.
Malden, Mass.
:
Blackwell Publishing
.
Bach
Steven
.
1985
.
Final Cut: Art, Money and Ego in the Making of Heaven’s Gate, the Film That Sank United Artists
.
New York
:
Newmarket Press
.
Balio
Tino
.
1976
.
United Artists: The Company Built by the Stars
.
Madison
:
University of Wisconsin Press
.
Bamberger
Michael
.
2006
.
The Man Who Heard Voices: Or, How M. Night Shyamalan Risked His Career on a Fairy Tale
.
New York
:
Gotham
.
Baron
Caroline
.
2006
. Interview by
Garibay
Lisa Y.
http://www.filmindependent.org/news/filmmaker+interviews/carolin_baron Accessed on
September
14
,
2010
.
Bauman
Zygmunt
.
1992
.
Intimations of Postmodernity
.
London and New York
:
Routledge
.
Bennett
Stephen Earl
, and
Rademacher
Eric W.
1997
. “
The ‘Age of Indifference’ Revisited: Patterns of Political Interest, Media Exposure, and Knowledge among Generation X
.” In
After the Boom: The Politics of Generation X
, ed.
Craig
S. C.
and
Bennett
S. E.
,
21
42
.
Lanham, Md.
:
Rowman and Littlefield
.
Berlant
Lauren
.
2011
.
Cruel Optimism
.
Durham, N.C.
:
Duke University Press
.
Bernstein
Matthew
.
1998
. “
Documentaphobia and Mixed Modes: Michael Moore’s Roger and Me
.” In
Documenting the Documentary: Close Readings of Film and Video
, ed.
Grant
B. K.
and
Sloniowski
J.
,
397
415
.
Detroit, Mich
.:
Wayne State University Press
.
Bernstein
Matthew
. [
1994
]
2000
.
Walter Wanger: Hollywood Independent
.
Minneapolis
:
University of Minnesota Press
.
Bilsborrow-Koo
Ryan
.
2008
. “
Your Film Online
.”
Filmmaker
Magazine blog post,
September
23
. http://filmmakermagazine.com/news/2008/09/your-film-online-by-ryan-bilsborrow-koo Accessed on
September
25
,
2008
.
Biskind
Peter
.
1983
.
Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties
.
New York
:
Henry Holt
.
Biskind
Peter
.
1998
.
Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock ’n Roll Generation Saved Hollywood
.
New York
:
Touchstone (Simon and Schuster)
.
Biskind
Peter
.
2004
.
Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film
.
New York
:
Simon and Schuster
.
Biskind
Peter
.
2007
. “
An American Family
.”
Vanity Fair
,
April
. http://www.vanityfair.com/culture/features/2007/04/sopranos200704 Accessed on
June
23
,
2008
.
Born
Georgina
.
1995
.
Rationalizing Culture: ircam, Boulez, and the Institutionalization of the Musical Avant-Garde
.
Berkeley
:
University of California Press
.
Born
Georgina
.
2005
.
Uncertain Vision: Birt, Dyke, and the Reinvention of the bbc
.
London
:
Vintage
.
Bourdieu
Pierre
.
1984
.
Distinction: A Social Critique of the Judgement of Taste
. Trans.
Nice
Richard
.
Cambridge, Mass.
:
Harvard University Press
.
Bourdieu
Pierre
.
1993
.
The Field of Cultural Production: Essays on Art and Literature
. Edited and introduced by
Johnson
Randal
. Various translators.
New York
:
Columbia University Press
.
Braudy
Leo
.
1976
.
The World in a Frame: What We See in Films
.
Chicago
:
University of Chicago Press
.
Braudy
Leo
, and
Cohen
Marshall
, eds.
2004
.
Film Theory and Criticism
. 6th ed.
New York
:
Oxford University Press
.
Brenner
Robert
.
2002
.
The Boom and the Bubble: The US in the World Economy
.
London and New York
:
Verso
.
Brenner
Robert
.
2003
. “
Towards the Precipice: Robert Brenner on the Crisis in the US Economy
.”
London Review of Books
,
February
6
.
Brooks
David
.
2000
.
Bobos in Paradise: The New Upper Class and How They Got There
.
New York
:
Simon and Schuster
.
Brooks
David
.
2005
. “
Karl’s New Manifesto
.”
New York Times
,
May
29
. http://www.nytimes.com/2005/05/29/opinion/29brooks.html?_r=1&pagewanted=print Accessed on
August
25
,
2010
.
Brooks
Peter
.
1995
.
The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess
.
New Haven, Conn.
:
Yale University Press
.
Browne
Nick
, ed.
1998
.
Refiguring American Film Genres: Theory and History
.
Berkeley
:
University of California Press
.
Burr
Ty
.
2007
. “
Ty Burr’s Top Ten
.”
Boston Globe
,
December
30
,
2007
. http://www.boston.com/ae/movies/articles/2007/12/29/ty_burrs_top_10 Accessed on
August
3
,
2008
.
Caldwell
John Thornton
.
2008
.
Production Culture: Industrial Reflexivity and Critical Practice in Film and Television
.
Durham, N.C.
:
Duke University Press
.
Callahan
David
.
2010
.
Fortunes of Change: The Rise of the Liberal Rich and the Remaking of America
.
Hoboken, N.J.
:
Wiley
.
Caton
Steven C.
1999
.
Lawrence of Arabia: A Film’s Anthropology
.
Berkeley
:
University of California Press
.
Caves
Richard E.
2000
.
Creative Industries: Contracts between Art and Commerce
.
Cambridge, Mass.
:
Harvard University Press
.
Chocano
Carina
.
2011
. “
Skipping through the Popular Culture, Snarling at Everyone
.” (On-line title: “Thelma, Louise and All the Pretty Women.”)
New York Times Magazine
,
April
24
, p. MM
48
.
Cieply
Michael
.
2009
. “
Now, Independent Filmmakers Are Distributing on Their Own
.”
New York Times
,
August
13
,
1
,
15
.
Cieply
Michael
, and
Barnes
Brooks
.
2009
. “
In Hollywood, the Easy-Money Generation Toughens Up
.”
New York Times
,
March
22
. http://www.nytimes.com/2009/03/23/business/media/23moguls.html Accessed on
September
14
,
2010
.
Comaroff
Jean
.
1997
. “
Consuming Passions: Child Abuse, Fetishism, and ‘The New World Order.’
Culture
17
(
1–2
):
7
25
.
Comaroff
Jean
, and
Comaroff
John L.
, eds.
2001
.
Millennial Capitalism and the Culture of Neoliberalism
.
Durham, N.C.
:
Duke University Press
.
Coontz
Stephanie
.
1992
.
The Way We Never Were: American Families and the Nostalgia Trap
.
New York
:
Basic
.
Coppola
Eleanor
. [
1979
]
1992
.
Notes on the Making of “Apocalypse Now.”
New York
:
Limelight Editions
.
Coupland
Douglas
.
1991
.
Generation X: Tales for an Accelerated Culture
.
New York
:
St. Martin’s
.
Coupland
Douglas
.
2010
. “
A Radical Pessimist’s Guide to the Next 10 Years
.”
Saturday’s Globe and Mail
,
Friday
,
October
8
. http://www.theglobeandmail.com/news/national/a-radical-pessimists-guide-to-the-next-10-years/article1750609/ Accessed on
March
21
,
2011
.
Crockford
Julian
.
2000
. “
‘It’s All about the Bucks, Kid. The Rest Is Conversation’: Framing the Economic Narrative from Wall Street to Reality Bites
Post Script
19
(
2
):
19
33
.
Curtin
Michael
.
1996
. “
On Edge: Culture Industries in the Neo-Network Era
.” In
Making and Selling Culture
, ed.
Ohmann
R.
,
181
202
.
Hanover, N.H.
:
Wesleyan University Press
.
Dargis
Manohla
.
2010
a. “
Declaration of Indies: Just Sell It Yourself!
New York Times
,
January
17
. http://www.nytimes.com/2010/01/17/movies/17dargis.html Accessed on
September
22
,
2010
.
Dargis
Manohla
.
2010
b. “
How Oscar Found Ms. Right
.”
New York Times
Arts and Leisure section,
Sunday
,
March
14
,
1
,
17
Davies
Erin
.
2009
. “
Indie-Film Shakeout: There Will Be Blood
.”
Time/cnn
,
November
7
http://www.time.com/time/business/article/0,8599,1936350,00.html.
Davis
Mike
.
1990
.
City of Quartz: Excavating the Future in Los Angeles
.
New York
:
Vintage
.
de Lauretis
Teresa
.
1984
.
Alice Doesn’t: Feminism, Semiotics, Cinema
.
Bloomington
:
Indiana University Press
.
Denby
David
.
2010
. “
Image Problems
.”
New Yorker
,
March
22
,
82
.
Desai
Jigna
.
2003
. “
Bombay Boys and Girls: The Gender and Sexual Politics of Transnationality in the New Indian Cinema in English
.”
South Asian Popular Culture
1
(
1
):
45
61
.
Deutchman
Ira
.
2009
. “
10 (9 actually) Responses to the Issues Brought Up at the ‘Indie Summit.’
http://iradeutchman.com/wordpress/indiefilm/indie-film-summit/ Accessed on
September
26
,
2009
.
Donadio
Rachel
.
2005
. “
Truth Is Stronger than Fiction
.”
New York Times Book Review
,
Sunday
,
August
7
,
27
.
Dornfeld
Barry
.
1998
.
Producing Public Television, Producing Public Culture
.
Princeton, N.J.
:
Princeton University Press
.
Dudley
Kathryn Marie
.
1994
.
The End of the Line: Lost Jobs, New Lives in Postindustrial America
.
Chicago
:
University of Chicago Press
.
Dunne
John Gregory
. [
1968
]
1998
.
The Studio
.
New York
:
Vintage
.
Durkheim
Emile
. [
1912
]
2001
.
The Elementary Forms of the Religious Life
. Trans.
Cosman
C.
Oxford
:
Oxford University Press
.
Eagleton
Terry
.
1996
.
The Illusions of Postmodernism
.
Oxford
:
Blackwell
.
Ebert
Roger
.
2007
. [Review of] “
No End in Sight
.”
Chicago Sun-Times
,
August
10
. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AiD=/20070809/REViEWs/708090301/1023 Accessed on
August
3
,
2008
.
Edelstein
David
.
2007
. “
The Year in Movies
.”
New York Magazine
,
December
9
,
2007
. http://nymag/com/arts/cultureawards/2007/41803/ Accessed on
August
3
,
2008
.
Editors.
1974
. “
The Last Word. Inaugural Issue of Jump Cut
.”
Jump Cut
, No.
1
,
1974
, pages not given.
Ehrenreich
Barbara
.
1989
.
Fear of Falling: The Inner Life of the Middle Class
.
New York
:
Pantheon
.
Ehrenreich
Barbara
.
2001
.
Nickel and Dimed: On (Not) Getting By in America
.
New York
:
Henry Holt
.
Ehrenreich
Barbara
.
2005
.
Bait and Switch: The (Futile) Pursuit of the American Dream
.
New York
:
Owl
.
Ehrenreich
John
, and
Ehrenreich
Barbara
.
1979
. “
The Professional Managerial Class
.” In
Between Labour and Capital
, ed.
Walker
P.
,
5
45
.
Boston
:
South End
.
Elsaesser
Thomas
.
1987
. “
Tales of Sound and Fury: Observations on the Family Melodrama
.” In
Home Is Where the Heart Is: Studies in Melodrama and Women’s Film
, ed.
Gledhill
C.
,
43
69
.
London
:
bfi
.
Epstein
Edward Jay
.
2006
.
The Big Picture: Money and Power in Hollywood
.
New York
:
Random House
.
Faludi
Susan
.
2010
. “
American Electra: Feminism’s Ritual Matricide
.”
Harper’s
,
October
,
29
42
.
Feinstein
Howard
.
1999
. “
A Tender Comedy about Child Abuse? What Is Todd Solondz Up To?
Guardian Unlimited
,
March
26
. http://www.guardian.co.uk/film/1999/mar/26/features. Accessed on
September
19
,
2010
.
Ferncase
Richard K.
1996
.
Outsider Features: American Independent Films of the 1980s
.
Westport, Conn.
:
Greenwood
.
Filmmakermagazine.com
http://www.filmmakermagazine.com/main/Filmmaker Background.pdf. Accessed on
February
5
,
2012
.
Fischer
Michael M. J.
1995
. “
Film as Ethnography and Cultural Critique in the Late Twentieth Century
.” In
Shared Differences: Multicultural Media and Practical Pedagogy
, ed.
Carson
D.
and
Friedman
L. D.
,
29
56
.
Urbana and Chicago
:
University of Illinois Press
.
Fleck
Ryan
, and
Boden
Anna
.
N.d.
Interview by
Carnevale
Rob
.http://www.indielondon.co.uk/Film-Review/half-nelson-ryan-fleck-and-anna-boden-interview. Accessed on
April
18
,
2010
.
Foucault
Michel
.
1986
.
The History of Sexuality
, Volume
1
.
New York
:
Vintage
.
Frank
Raphie
, and
Mindy
Bond
.
2005
. “
Todd Solondz, Filmmaker
.” http://gothamist.com/2005/04/13/todd_solondz_filmmaker.php. Accessed on
September
19
,
2010
.
Frank
Thomas
.
1997
.
The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism
.
Chicago
:
University of Chicago Press
.
Frow
John
.
1995
.
Cultural Studies and Cultural Value
.
Oxford
:
Clarendon
.
Fulcher
James
.
2004
.
Capitalism: A Very Short Introduction
.
New York
:
Oxford University Press
.
Gabler
Neal
.
1988
.
An Empire of Their Own: How the Jews Invented Hollywood
.
New York
:
Anchor
.
Gaines
Jane M.
1999
. “
Political Mimesis
.” In
Collecting Visible Evidence
, ed.
Gaines
J. M.
and
Renov
M.
,
84
103
.
Minneapolis
:
University of Minnesota Press
.
Geertz
Clifford
.
1973
a. “
Thick Description: Toward an Interpretive Theory of Culture
.” In his
The Interpretation of Cultures
,
3
32
.
New York
:
Basic
.
Geertz
Clifford
.
1973
b. “
Deep Play: Notes on the Balinese Cockfight
.” In his
The Interpretation of Cultures
,
412
54
.
New York
:
Basic
.
Ginsburg
Faye D.
1999
. “
The Parallax Effect: The Impact of Indigenous Media on Ethnographic Film
.” In
Collecting Visible Evidence
, ed.
Gaines
J. M.
and
Renov
M.
,
156
75
.
Minneapolis
:
University of Minnesota Press
.
Ginsburg
Faye D.
2002
. “
Fieldwork at the Movies: Anthropology and Media
.” In
Exotic No More: Anthropology on the Front Lines
, ed.
MacClancy
J.
,
359
76
.
Chicago and London
:
University of Chicago Press
.
Ginsburg
Faye D.
,
Abu-Lughod
Lila
, and
Larkin
Brian
, eds.
2002
.
Media Worlds: Anthropology on New Terrain
.
Berkeley
:
University of California Press
.
Giroux
Henry A.
1998
. “
Stealing Innocence: The Politics of Child Beauty Pageants
.” In
The Children’s Culture Reader
, ed.
Jenkins
H.
,
265
82
.
New York
:
New York University Press
.
Gitlin
Todd
.
1983
.
Inside Prime Time
.
New York
:
Pantheon
.
Glassner
Barry
.
1999
.
The Culture of Fear: Why Americans Are Afraid of the Wrong Things
.
New York
:
Basic
.
Gledhill
Christine
.
1987
. “
The Melodramatic Field: An Investigation
.” In
Home Is Where the Heart Is: Studies in Melodrama and Women’s Film
, ed.
Gledhill
C.
,
5
42
.
London
:
bfi
.
Grant
Barry Keith
, ed.
2003
.
Film Genre Reader III
.
Austin
:
University of Texas Press
.
Greenblatt
Stephen
.
1999
. “
The Touch of the Real
.” In
The Fate of “Culture”: Geertz and Beyond
, ed.
Ortner
S. B.
,
14
29
.
Berkeley
:
University of California Press
.
Grindstaff
Laura
.
2002
.
The Money Shot: Trash, Class, and the Making of tv Talk Shows
.
Chicago
:
University of Chicago Press
.
Gusterson
Hugh
, and
Besteman
Catherine
, eds.
2010
.
The Insecure American: How We Got Here and What We Should Do about It
.
Berkeley
:
University of California Press
.
Habermas
Jürgen
. [
1962
]
1994
.
The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society
. Trans.
Burger
T.
with
Lawrence
F.
Cambridge, Mass.
:
mit Press
.
Hale
Mike
.
2011
. “
Sugar and Spice and Vicious Beatings
.”
New York Times
,
Sunday
,
March
13, Television section,
6
,
26
.
Hannerz
Ulf
.
1996
.
Transnational Connections: Culture, People, Places
.
London and New York
:
Routledge
.
Hannerz
Ulf
.
2010
. “
Field Worries: Studying Down, Up, Sideways, Through, Backward, Forward, Early or Later, Away and at Home
.” In his
Anthropology’s World: Life in a Twenty-First-Century Discipline
,
59
86
.
London
:
Pluto
.
Hanson
Peter
.
2002
.
The Cinema of Generation X: A Critical Study of Films and Directors
.
Jefferson, N.C.
:
McFarland
.
Harris
Mark
.
2007
. “
Rage at the Machine
” (review of No End in Sight).
ew.com
, posted
August
23
,
2007
. www.ew.com/ew/article/0,,20053061,00.html. Accessed on
August
3
,
2008
.
Hartley
John
, ed.
2005
.
Creative Industries
.
Oxford, U.K.
:
Blackwell
.
Harvey
David
.
2005
.
A Brief History of Neoliberalism
.
Oxford
:
Oxford University Press
.
Haskell
Molly
. [
1973
]
1987
.
From Reverence to Rape: The Treatment of Women in the Movies
. 2nd ed.
Chicago
:
University of Chicago Press
.
Hass
Nancy
.
2005
. “
Hollywood’s New Old Girls’ Network: How Running the Studios Became Women’s Work
.”
New York Times
, Arts & Leisure,
Sunday
,
April
24
,
1
,
13
.
Hawkesworth
Mary
.
2004
. “
The Semiotics of Premature Burial: Feminism in a Postfeminist Age
.”
Signs
29
(
4
):
961
85
.
Hawkins
Joan
.
2005
. “
Dark, Disturbing, Intelligent, Provocative, and Quirky: Avant Garde Cinema of the 1980s and 1990s
.” In
Contemporary American Independent Film
, ed.
Holmlund
C.
and
Wyatt
J.
,
89
106
.
New York
:
Routledge
.
Hays
Matthew
.
1997
. “
Make Art, Not Politics: Gregg Araki on Going Nowhere
.” http://www.montrealmirror.com/archives/1997/071797/film1.html. Accessed on
September
11
,
2007
.
Hernandez
Eugene
.
2004
. “
Dispatch from Toronto: American Auteurs Araki, Kerrigan, and Solondz Stir Festival
.”
September
17
. http://www.indiewire.com/onthescene/ontheescene_040917toro.html. Accessed on
September
11
,
2007
.
Hesmondhalgh
David
.
2007
.
The Cultural Industries
. 2nd ed.
London
:
Sage
.
Hill
Debra
.
2000
. “
Produced by Debra Hill
.” Interview by
Ross
Ken
.
Produced By
, Summer,
8
15
,
18
.
Hohman
Anne Kathryn
.
2012
. Brooklyn Country: Class, Culture, and the Politics of “
Alternativity
.”
PhD dissertation
,
Department of Anthropology, Columbia University
.
Holtz
Geoffrey T.
1995
.
Welcome to the Jungle: The Why behind “Generation X.”
New York
:
St. Martin’s Griffin
.
Hope
Ted
.
1995
. “
Indie Film Is Dead
.”
Filmmaker Magazine
, Fall. http://www.film makermagazine.com/fa111995/dead_film.php. Accessed on
March
29
,
2006
.
Hope
Ted
.
2006
. imdb Biography. http://www.imdb.com/name/nm0394046/bio.
Hope
Ted
.
2008
. “
A Thousand Phoenix Rising: How the New Truly Free Filmmaking Will Rise from Indie’s Ashes
.” http://filmindependent.org/empower/keynote.html. Accessed on
September
29
,
2008
.
Hope
Ted
.
2010
a. “
The Good Machine No-Budget Commandments
.” Truly Free Film blog,
July
21
. http://trulyfreefilm.hopeforfilm.com/2010/07/the-good-machine-no-budget-commandments.html. Accessed on
September
14
,
2010
.
Hope
Ted
.
2010
b. “
Reflections on ‘Indie Film Is Dead.’
” Truly Free Film blog,
August
16
. http://trulyfreefilm.hopeforfilm.com/2010/08/reflections-on-indie-film-is-dead.html. Accessed on
September
23
,
2010
.
Hope
Ted
.
2010
c. “
Why Producers Are Valued
.” Blog post, Hope for Film,
July
15
. http://trulyfreefilm.hopeforfilm.com/2010/07/why-producers-are_valued.html. Accessed on
September
23
,
2010
.
Horkheimer
Max
, and
Adorno
Theodor W.
[
1944
]
2006
. “
The Culture Industry: Enlightenment as Mass Deception
.” In
Media and Cultural Studies: Keyworks
, ed.
Durham
M. G.
and
Kellner
D. M.
,
41
72
.
Malden, Mass.
:
Blackwell
.
Hornaday
Ann
.
2006
. “
Women of Independent Miens: Nicole Holofcener and Mary Harron Prove a Woman’s Place Is in the Director’s Chair
.”
Washington Post
,
Sunday
,
April
16
. http://www.washingtonpost.com/wp-dyn/content/article/2006/04/14/AR2006041400300_pf.html. Accessed on
May
29
,
2010
.
Horowitz
Josh
.
2006
.
The Mind of the Modern Moviemaker: 20 Conversations with the New Generation of Filmmakers
.
New York
:
Plume (Penguin)
.
Howe
Neil
, and
Strauss
Bill
.
1993
.
13th Gen: Abort, Retry, Ignore, Fail?
New York
:
Vintage
.
Hunter
Stephen
.
2007
. “
From Iraq to Alaska to Ireland, Powerful Storytelling That Hit [sic] Home
.”
Washington Post
,
Sunday
,
December
30
. http://www.washingtonpost.com/wp-dyn/content/article/2007/12/28/AR2007122800705.html. Accessed on
August
3
,
2008
.
IMDb.com
.
2010
. “
Independent Spirit Awards Overview
.” www.imdb.com/event/ev0000349/overview,
March
5
. Accessed on
February
5
,
2012
.
Inda
Jonathan Xavier
, and
Rosaldo
Renato
, eds.
2002
.
The Anthropology of Globalization: A Reader
.
Malden, Mass.
:
Blackwell
.
James
David E.
2005
.
The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles
.
Berkeley
:
University of California Press
.
Jameson
Fredric
.
1984
a. “
Foreword
” to
Lyotard
J.-F
,
The Postmodern Condition: A Report on Knowledge
,
vii
xxi
.
Minneapolis
:
University of Minnesota Press
.
Jameson
Fredric
.
1984
b. “
Postmodernism, or the Cultural Logic of Late Capitalism
.”
New Left Review
146
(
July-August
):
53
92
.
Jost
Jon
. [
1989
]
2005
. “
End of the Indies: Death of the Sayles Men
.” In
Contemporary American Independent Film: From the Margins to the Mainstream
, ed.
Holmlund
C.
and
Wyatt
J.
,
53
58
.
London and New York
:
Routledge
.
Kaufman
Anthony
.
2010
. “
Youthquake: Where Is the Under 30s Audience for Indie Film?
http://www.filmmakermagazine.com/issues/spring2010/industry-beat.php. Accessed on
September
22
,
2010
.
Kellner
Douglas
.
2010
.
Cinema Wars: Hollywood Film and Politics in the Bush-Cheney Era
.
Malden, Mass.
:
Wiley-Blackwell
.
King
Geoff
.
2005
.
American Independent Cinema
.
Bloomington
:
Indiana University Press
.
King
Geoff
.
2009
.
Indiewood, USA: Where Hollywood Meets Independent Cinema
.
London
:
I. B. Taurus
.
King
Lynnea Chapman
.
2000
. “
Generation X: Searching for an Identity?
Post Script
19
(
2
):
8
18
.
Klawans
Stuart
.
2000
. “
Independents’ Day
.”
Nation
,
March
16
. http://www.thenation.com/article/independents-day?page=full. Accessed on
July
27
,
2011
.
Klein
Naomi
.
2007
.
The Shock Doctrine: The Rise of Disaster Capitalism
.
London
:
Penguin
.
Krugman
Paul
.
2002
. “
For Richer: How the Permissive Capitalism of the Boom Destroyed American Equality
.”
New York Times Magazine
,
October
20
,
62
67
,
75
77
,
141
.
Kwan
Jennifer
.
2009
. “
Cody Exorcises Demons from ‘Jennifer’s Body.’
Reuters
. http://www.reuters.com/article/idusTRE58c0z120090914. Accessed on
September
28
,
2010
.
Lahr
John
.
2002
. “
Whirlwind: How the Filmmaker Mira Nair Makes People See the World Her Way
.”
New Yorker
,
December
9
. Downloaded from Lexis/Nexus on
September
7
,
2007
.
Lancaster
Roger N.
2011
.
Sex Panic and the Punitive State
.
Berkeley
:
University of California Press
.
Lang
Brent
.
2011
. “
‘Restrepo’ Filmmaker Tim Hetherington Killed in Libya
.”
Wrap Movies
,
April
20
. http://www.thewrap.com. Accessed on
April
20
,
2011
.
Larkin
Brian
.
2008
.
Signal and Noise: Media, Infrastructure, and Urban Culture in Nigeria
.
Durham, N.C.
:
Duke University Press
.
Lash
Scott
, and
Lury
Celia
.
2007
.
Global Cultural Industry: The Mediation of Things
.
Cambridge, U.K.
:
Polity
.
Levy
Emanuel
.
1999
.
Cinema of Outsiders: The Rise of American Independent Film
.
New York
:
New York University Press
.
Linden
Sheri
.
2003
. “
Real Genius
.”
Hollywood Reporter
,
August
,
35
37
.
Linklater
Richard
.
1992
.
Slacker
.
New York
:
St. Martin’s
.
Lyotard
Jean-François
.
1984
.
The Postmodern Condition: A Report on Knowledge
. Trans.
Bennington
G.
and
Massumi
B.
Minneapolis
:
University of Minnesota Press
.
Macaulay
Scott
.
2006
. “
Playground Rules
” (interview with Todd Field).
Filmmaker Magazine
, Fall. http://www.filmmakermagazine.com/issues/fa112006/features/playground_rules.php. Accessed on
September
19
,
2010
.
Macaulay
Scott
.
2008
. Editor’s Note.
Filmmaker Newsletter
,
April
17
. newsletter@filmmakermagazine.com.
Macaulay
Scott
.
2009
. Editor’s Note.
Filmmaker Newsletter
,
October
29
. newsletter@filmmakermagazine.com.
Mandelberger
Sandy
.
2009
. “
Producer Ted Hope Honored at Woodstock Film Festival
.”
fft Online
. http://filmfestivaltoday.com/index.php?option=com_content&view=article&catid=38%3Afft-festival-coverage&id=237%3Aproducer-ted-hope-honored-at-woodstock-film-festival&Itemid=60. Accessed on
September
14
,
2010
.
Mankekar
Purnima
.
1999
.
Screening Culture, Viewing Politics: An Ethnography of Television, Womanhood, and Nation in Postcolonial India
.
Durham, N.C.
:
Duke University Press
.
Mann
Denise
.
2008
.
Hollywood Independents: The Postwar Talent Takeover
.
Minneapolis
:
University of Minnesota Press
.
Marcus
George E.
1998
.
Ethnography through Thick and Thin
.
Princeton
:
Princeton University Press
.
Marcus
George E.
1998
.
Ethnography through Thick and Thin
.
Princeton
:
Princeton University Press
.
Marcus
George E.
, and
Fischer
Michael M. J.
1986
.
Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences
.
Chicago
:
University of Chicago Press
.
Martin
Randy
, and
Shohat
Ella
, eds.
2003
. “
Corruption in Corporate Culture
.” Special issue of
Social Text
, Winter.
Maslin
Janet
.
1996
. “
To Abort, Not to Abort: A Comedy
.”
New York Times
,
December
13
. http://movies.nytimes.com/movie/review?res=9F0iEiDCi73EF930A2575iciA960958260. Accessed on
December
23
,
2011
.
Mast
Gerald
, revised by
Kawin
Bruce F.
1992
.
A Short History of the Movies
. 5th ed.
New York
:
Macmillan
.
Mauss
Marcel
. [
1923
] 1967.
The Gift: Forms and Functions of Exchange in Archaic Societies
. Trans.
Cunnison
I.
New York
:
W. W. Norton
.
May
Lary
.
1989
. “
Movie Star Politics: The Screen Actors’ Guild, Cultural Conversion, and the Hollywood Red Scare
.” In
Recasting America: Culture and Politics in the Age of Cold War
, ed.
May
L.
,
125
53
.
Chicago
:
University of Chicago Press
.
Mayer
Vicki
,
Banks
Miranda J.
, and
Caldwell
John Thornton
, eds.
2009
.
Production Studies: Cultural Studies of Media Industries
.
New York
:
Routledge
.
Mayshark
Jesse Fox
.
2007
.
Post-Pop Cinema: The Search for Meaning in New American Film
.
Westport, Conn.
:
Praeger
.
Mazzarella
William
.
2003
.
Shoveling Smoke: Advertising and Globalization in Contemporary India
.
Durham, N.C.
:
Duke University Press
.
McCarthy
Todd
.
2007
. “
It’s Not Easy Being a Kid
.”
Daily Variety
,
January
26
,
1
,
6
.
McDonald
Kathy A.
2001
. “
Truth Is as Strong as Fiction on the Tube
.”
Daily Variety
,
July
30
,
36
37
.
McHugh
Kathleen
.
2009
. “
The World and the Soup: Historicizing Media Feminism in Transnational Contexts
.”
Camera Obscura
24
(
372
):
111
52
.
McRobbie
Angela
.
2009
.
The Aftermath of Feminism: Gender, Culture, and Social Change
.
London
:
Sage
.
Merritt
Greg
.
2000
.
Celluloid Mavericks: The History of American Independent Film
.
New York
:
Thunder Mouth
.
Miège
Bernard
.
1989
.
The Capitalization of Cultural Production
.
New York
:
International General
.
Miller
Toby
,
Govil
Nitin
,
McMurria
John
, and
Maxwell
Richard
.
2001
.
Global Hollywood
.
London
:
British Film Institute
.
Modleski
Tania
.
1988
.
The Women Who Knew Too Much: Hitchcock and Feminist Theory
.
New York and London
:
Routledge and Kegan Paul
.
Modleski
Tania
.
1991
.
Feminism without Women: Culture and Criticism in a “Postfeminist” Age
.
New York and London
:
Routledge
.
Moncrieff
Karen
.
n.d.
[ca.
December
2006
]. Interview, with
Hurt
Mary Beth
, by the NYC Movie Guru. http://www.nycmovieguru.com/karen&mary.html/. Accessed on
May
9
,
2010
.
Mottram
James
.
2006
.
The Sundance Kids: How the Mavericks Took Back Hollywood
.
New York
:
Faber and Faber
.
Mulvey
Laura
. [
1975
]
2004
. “
Visual Pleasure and Narrative Cinema
.” In
Film Theory and Criticism
, 6th ed., ed.
Braudy
L.
and
Cohen
M.
,
837
48
.
New York
:
Oxford University Press
.
Muñoz
Lorenza
.
2008
. Interview with
Kaufman
Charlie
.
Film Independent Magazine
17
(
10
,
October
):
5
.
Muñoz
Lorenza
.
2009
. “
Behind-the-Scenes at the Spirit Awards
.”
Film Independent Magazine
18
(
2
,
February
):
8
10
.
Nader
Laura
.
1969
. “
Up the Anthropologist: Perspectives Gained from Studying Up
.” In
Reinventing Anthropology
, ed.
Hymes
D.
,
284
311
.
New York
:
Pantheon
.
Negra
Diane
.
2005
. “‘
Queen of the Indies’: Parker Posey's Niche Stardom and the Taste Cultures of Independent Film
.” In
Contemporary American Independent Film
, ed.
Holmlund
C.
and
Wyatt
J.
,
71
88
.
London and New York
:
Routledge
.
Nelson
Rob
, and
Cowan
Jon
.
1994
.
Revolution X: A Survival Guide for Our Generation
.
New York
:
Penguin
.
Nesbitt
Jim
.
1991
. “
American Dream Fades, Changes for Middle Class
. “
Ann Arbor News
,
September
22
,
A1
,
A11
.
Newman
Katherine S.
1988
.
Falling from Grace: The Experience of Downward Mobility in the American Middle Class
.
New York
:
Vintage
.
Newman
Katherine S.
1993
.
Declining Fortunes: The Withering of the American Dream
.
New York
:
Basic
.
Nichols
Bill
.
1978
. “
[Review of] 38 Families, Redevelopment, Revolution until Victory, The Beginning of Our Victory. New from California Newsreel
.”
Jump Cut
17
(
April
):
10
13
.
Nichols
Bill
.
1991
.
Representing Reality: Issues and Concepts in Documentary
.
Bloomington
:
University of Indiana Press
.
Obst
Lynda
.
1996
.
Hello, He Lied, & Other Truths from the Hollywood Trenches
.
New York
:
Broadway
.
O'Hehir
Andrew
.
2009
. “
The Undignified Near-Death of Miramax
.”
Salon
,
November
5
. http://www.salon.com/ent/movies/btm/feature/2009/11/04/miramax/print.html. Accessed on
September
22
,
2010
.
Ohmann
Richard
, ed.
1996
.
Making and Selling Culture
.
Hanover, N.H.
:
Wesleyan University Press
.
Ortner
Sherry B.
1978
.
Sherpas through Their Rituals
.
Cambridge
:
Cambridge University Press
.
Ortner
Sherry B.
.
2003
.
New Jersey Dreaming: Capital, Culture, and the Class of ’58
.
Durham, N.C.
:
Duke University Press
.
Ortner
Sherry B.
.
2006
a. “
Introduction: Updating Practice Theory
.” In her
Anthropology and Social Theory: Culture, Power, and the Acting Subject
,
1
18
.
Durham, N.C.
:
Duke University Press
.
Ortner
Sherry B.
. [
1991
]
2006
b. “
Reading America: Preliminary Notes on Class and Culture
.” In her
Anthropology and Social Theory: Culture, Power and the Acting Subject
,
19
41
.
Durham, N.C.
:
Duke University Press
.
Ortner
Sherry B.
[
1998
]
2006
c. “
Generation X: Anthropology in a Media-Saturated World
.” In her
Anthropology and Social Theory: Culture, Power and the Acting Subject
,
80
106
.
Durham, N.C.
:
Duke University Press
.
Ortner
Sherry B.
.
2006
d. “
Power and Projects: Reflections on Agency
.” In her
Anthropology and Social Theory: Culture, Power and the Acting Subject
,
129
54
.
Durham, N.C.
:
Duke University Press
.
Ortner
Sherry B.
2007
a. “
Notes from Hollywood: The Indie Movement
.”
Anthropology News September
,
27
28
.
Ortner
Sherry B.
2007
b. “
Notes from Hollywood: Little Miss Sunshine Finds Its Way
.”
Anthropology News
,
October
,
22
23
.
Ortner
Sherry B.
2010
. “
Access: Reflections on Studying Up in Hollywood
.”
Ethnography
11
(
2
):
211
33
.
Ortner
Sherry B.
2011
. “
On Neoliberalism
.”
Anthropology of This Century
, Issue
1
,
May
,
London
. www.aotcpress.com/articles/neoliberalism.
Owen
Rob
.
1997
.
Gen X tv: The Brady Bunch to Melrose Place
.
Syracuse, N.Y.
:
Syracuse University Press
.
Palmer
Stephanie
, and
Taylor
Sheila Hanahan
.
2005
. Interview by
Leeder
Chris
. Done Deal Interviews. http://www.scriptsales.com/StephanieSheilaInterview.html. Accessed on
November
3
,
2005
.
Perucci
Robert
, and
Wysong
Earl
.
2008
.
The New Class Society: Goodbye American Dream?
Lanham, Md.
:
Rowman and Littlefield
.
Pfeil
Fred
. [
1985
]
1990
. “
‘Makin’ Flippy Floppy’: Postmodernism and the Baby Boom pmc
.” In his
Another Tale to Tell: Politics and Narrative in Postmodern Culture
,
97
125
.
London
:
Verso
.
Pfeil
Fred
.
1995
. “
Chips Off the Old Block
.” In his
White Guys: Studies in Postmodern Domination and Difference
,
233
62
.
London
:
Verso
.
Phillips
Kevin
.
2002
.
Wealth and Democracy: A Political History of the American Rich
.
New York
:
Broadway
.
Pierson
John
.
2003
.
Spike, Mike Reloaded: A Guided Tour across a Decade of American Independent Cinema
.
New York
:
Hyperion/Miramax
.
Porterfield
Matthew
.
2011
. “
If We Speak with Honesty, Will People Listen and Respond?
” Truly Free Film blog via e-mail,
February
17
.
Post Script
.
2000
. Special Issue on Gen X Films. Vol.
19
, No.
2
, Winter–Spring.
Powdermaker
Hortense
.
1950
.
Hollywood the Dream Factory
.
New York
:
Little, Brown
.
Radwan
Jon
.
2000
. “
Generation X and Postmodern Cinema: SlackerPost
.”
post Script
19
(
2
, Winter–Spring):
34
48
.
Remnick
David
.
2007
. “
Comment: Family Guy
.”
New Yorker
,
June
4
,
29
30
.
Roberts
Johnnie L.
2004
. “
The Lions’ Reign
.”
Newsweek
,
July
12
,
42
43
.
Rosen
David
, with
Hamilton
Peter
.
1990
.
Off-Hollywood: The Making and Marketing of Independent Films
.
New York
:
Grove Weidenfeld
.
Rosenfelt
Deborah
, and
Stacey
Judith
.
1987
. “
Second Thoughts on the Second Wave
.”
Feminist Studies
13
(
2
):
341
61
.
Ross
Andrew
.
1988
. “
Introduction
.” In
Universal Abandon? The Politics of Postmodernism
, ed.
Ross
Andrew
,
vii
xviii
.
Minneapolis
:
University of Minnesota Press
.
Ross
Lillian
. [
1952
]
2002
.
Picture
.
Cambridge, Mass
.:
Da Capo
.
Ross
Steven J.
1998
.
Working Class Hollywood: Silent Films and the Shaping of Class in America
.
Princeton, N.J.
:
Princeton University Press
.
Rosten
Leo
. [
1941
]
1970
.
Hollywood: The Movie Colony, the Movie Makers
.
New York
:
Harcourt, Brace
.
Rothkopf
Joshua
.
2006
. “
[Review of] Marie Antoinette
Time Out New York
,
October
19
25
,
125
.
Roussel
Violaine
.
2010
. “
Making 'A Political Movie That Does Not Take a Political Stand': Specialization and Depoliticization in American Cinema
.”
International Journal of Politics, Culture, and Society
23
:
137
55
.
Rushkoff
Douglas
, ed.
1994
.
The Gen X Reader
.
New York
:
Ballantine
.
Ryan
Michael
, and
Kellner
Douglas
.
1988
.
Camera Politica: The Politics and Ideology of Contemporary Hollywood Film
.
Bloomington
:
Indiana University Press
.
Salamon
Julie
. [
1991
]
2002
.
The Devil’s Candy: The Anatomy of a Hollywood Fiasco
.
Cambridge, Mass.
:
Da Capo
.
Schamus
James
.
1995
. “
Long Live Indie Film
.”
Filmmaker Magazine
, Fall. www.film makermagazine.com/fa111995/live_film.php. Accessed on
March
29
,
2006
.
Schamus
James
. [
1999
] 2001. “
A Rant
.” In
The End of Cinema as We Know It
, ed.
Lewis
J.
,
253
60
.
New York
:
New York University Press
.
Schamus
James
.
2006
. Interview by
Martemucci
Anna
. http://thecareercookbook.com/article.php?article_id=18. Accessed on
November
20
,
2007
.
Schatz
Thomas
.
1981
.
Hollywood Genres: Formulas, Filmmaking, and the Studio System
.
New York
:
Random House
.
Scheper-Hughes
Nancy
, and
Stein
Howard F.
1998
. “
Child Abuse and the Unconscious in American Popular Culture
.” In
The Children's Culture Reader
, ed.
Jenkins
Henry
,
178
95
.
New York
:
New York University Press
.
Schickel
Richard
.
2007
. “
No End in Sight: Iraq in Harsh Light
.”
Time
, posted
Friday
,
July
27
, 2007. http://www.time.com/time/arts/article/0,8599,164771600,.html. Accessed on
August
3
,
2008
.
Scott
A. O.
2007
. “
In the Beginning: Focusing on the Iraq War Enablers
” (Review of No End in Sight).
New York Times
,
July
27
,
2007
. http://movies.nytimes.com/2007/07/27movies/27sigh.htm. Accessed on
August
3
,
2008
.
Scott
A. O.
2009
. “
Neo-Neo Realism: A Handful of Young American Directors Are Making Clear-eyed Movies for Hard Times
.”
New York Times Magazine
,
March
22
,
38
43
.
Scott
A. O.
, and
Dargis
Manohla
.
2011
. “
Gosh, Sweetie, That's a Big Gun
.”
New York Times
,
Sunday
,
May
1
, special section on “Summer Movies,”
1
,
10
.
Sennett
Richard
.
1998
.
The Corrosion of Character: The Personal Consequences of Work in the New Capitalism
.
New York
:
W. W. Norton
.
Sennett
Richard
.
2006
.
The Culture of the New Capitalism
.
New Haven, Conn.
:
Yale University Press
.
Setoodeh
Ramin
.
2009
. “
Apocalypse Now
.”
Newsweek
,
December
7
,
70
.
Shapiro
Isaac
, and
Greenstein
Robert
.
1999
. “
The Widening Income Gulf
.”
April
4
.
Washington, D.C.
:
Center on Budget and Policy Priorities
.
Shohat
Ella
, and
Stam
Robert
.
1994
.
Unthinking Eurocentrism: Multiculturalism and the Media
.
New York
:
Routledge
.
Sklar
Robert
.
1975
.
Movie-Made America: A Cultural History of American Movies
.
New York
:
Random House
.
Smith
Sean
.
2006
. “
A Flying Leap
.”
Newsweek
,
July
3
/
July
10
,
88
89
.
Smith
Sean
, and
Ansen
David
.
2006
. “
Prize Fighters
.”
Newsweek
,
February
6
,
58
67
.
Smith
Sean
.
2007
. “
Hollywood Royalty
.”
Newsweek
,
January
29
,
56
67
.
Sobchack
Vivian
.
1998
. “
Lounge Time: Postwar Crises and the Chronotope of Film Noir
.” In
Refiguring American Film Genres: History and Theory
, ed.
Browne
N.
,
129
70
.
Berkeley
:
University of California Press
.
Sobchack
Vivian
.
2003
. “
'Surge and Splendor’: A Phenomenology of the Hollywood Historical Epic
.” In
Film Genre Reader III
, ed.
Grant
B. K.
,
296
323
.
Austin
:
University of Texas Press
.
So Little Time … An aids History
.”
2002
. http://www.aegis.com/topics/timeline/. Accessed on
August
29
,
2010
.
Stacey
Judith
.
1990
.
Brave New Families: Stories of Domestic Upheaval in Late-Twentieth-Century America
.
New York
:
Basic
.
Stacey
Judith
.
1996
.
In the Name of the Family: Rethinking Family Values in a Postmodern Age
.
Boston
:
Beacon
.
Steven
Peter
, ed.
1985
.
Jump Cut: Hollywood, Politics, and Counter-Cinema
.
Toronto, Ont
.:
Between the Lines
.
Stevens
Dana
. “
The Top 10 Movies of 2007
.”
Slate Magazine
,
December
28
,
2007
. http://www.slate.com/id/2180954/. Accessed on
August
3
,
2008
.
Straw
Will
.
2002
. “
Scenes and Sensibilities
.”
Public
, No.
22/23
,
245
57
. (My pagination refers to a manuscript version downloaded from the Web.)
Stubbs
Liz
, and
Rodriguez
Richard
.
2000
.
Making Independent Films: Advice from the Filmmakers
.
New York
:
Allworth
.
Swart
Sharon
.
2009
. “
Indies Stay Alive in 2009
.”
Variety
,
December
29
. http://www.variety.com/article/VRm8013177.html?categoryid=3768&cs=1. Accessed on
September
8
,
2010
.
Tang
Jean
.
2002
. “
'I Don’t Think I Was Cut Out to Be a Director:’ Todd Solondz Explains Why Moviemaking Is a Nightmare
.” http://dir.salon.com/ent/movies/int/2002/01/30/solondz/index.html. Accessed on
September
14
,
2010
.
Tasker
Yvonne
.
1998
.
Working Girls: Gender and Sexuality in Popular Cinema
.
New York
:
Routledge
.
Tasker
Yvonne
, and
Negra
Diane
, eds.
2007
.
Interrogating Post-Feminism: Gender and the Politics of Popular Culture
.
Durham, N.C.
:
Duke University Press
.
Taylor
Timothy D.
2012
.
The Sounds of Capitalism: Music, Advertising, and the Conquest of Culture
.
Chicago
:
University of Chicago Press
.
Taylor
Timothy D.
n.d.
New Capitalism, Music, and Social Theory
. In preparation.
Thompson
Anne
.
2005
. “
The Producers
.” www.hollywoodreporter.com.
August
,
36
37
.
Thompson
E. P.
1966
.
The Making of the English Working Class
.
New York
:
Vintage
.
Thompson
Gabriel
.
2008
. “
Meet the Wealth Gap
.”
Nation
,
June
30
,
18
27
.
Timberg
Scott
.
2004
. “
After the Indie Revolution
.” theage.com.au.
January
17
. http://www.theage.com.au/articles/2004/01/14/1073877894564.html. Accessed on
July
26
,
2011
.
Traube
Elizabeth
.
1992
a.
Dreaming Identities: Class, Gender, and Generation in 1980s Hollywood Movies
.
Boulder, Colo.
:
Westview
.
Traube
Elizabeth
.
1992
b. “
Secrets of Success in Postmodern Society
.” In her
Dreaming Identities: Class, Gender, and Generation in 1980s Hollywood Movies
,
67
96
.
Boulder, Colo.
:
Westview
.
Traube
Elizabeth
.
1994
. “
Family Matters: Postfeminist Constructions of a Contested Site
.” In
Visualizing Theory: Selected Essays from Visual Anthropology Review 1990–1994
, ed.
Taylor
L.
,
301
21
.
New York
:
Routledge
.
Traube
Elizabeth
.
1996
. “
Introduction
.” In
Making and Selling Culture
, ed.
Ohmann
R.
,
xi
xxiii
.
Hanover, N.H.
:
Wesleyan University Press
.
Turan
Kenneth
.
2002
.
Sundance to Sarajevo: Film Festivals and the World They Made
.
Berkeley and Los Angeles
:
University of California Press
.
Uchitelle
Louis
.
2010
. “
American Dream Is Elusive for New Generation
.”
New York Times
,
July
6
. http://www.nytimes.com/2010/07/07/business/economy/07 generation.html. Accessed on
September
28
,
2010
.
Ulrich
John M.
, and
Harris
Andrea L.
, eds.
2003
.
GenXegesis: Essays on Alternative Youth (Sub)Culture
.
Madison
:
University of Wisconsin Press
.
Vachon
Christine
, with
Edelstein
David
.
1998
.
Shooting to Kill: How an Independent Producer Blasts through the Barriers to Make Movies That Matter
.
New York
:
Harper Collins
.
Vachon
Christine
, with
Bunn
Austin
.
2006
.
A Killer Life: How an Independent Film Producer Survives Deals and Disasters in Hollywood and Beyond
.
New York
:
Simon and Schuster
.
Van Couvering
Alicia
.
2007
. “
A Question of Silence
” (Interview with Hilary Brougher).
Filmmaker Magazine
, Winter,
35
41
.
Van Lier
Heidi
.
2009
. “
Indie Films q&a with Heidi Van Lier: My Indie Film Shoot Feels Lame and Small. Help
.” http://filmindependent.org/filmmaker-blogs/1430. Accessed on
May
28
,
2009
.
Walley
Christine J.
2010
. “
Deindustrializing Chicago: A Daughter’s Story
.” In
The Insecure American: How We Got Here and What We Should Do about It
, ed.
Guster-son
H.
and
Besteman
C.
,
113
39
.
Berkeley
:
University of California Press
.
Watney
Simon
.
1987
.
Policing Desire: Pornography, aids, and the Media
.
Minneapolis
:
University of Minnesota Press
.
Waxman
Sharon
.
2006
.
Rebels on the Backlot: Six Maverick Directors and How They Conquered the Hollywood Studio System
.
New York
:
Harper Collins
.
Waxman
Sharon
.
2007
. “
Hollywood’s Shortage of Female Power
.”
New York Times
,
April
27
. http://query.nytimes.com/gst/fullpage.html?res=9507EiDFi53EF935Ai5757C0 A96i9C8B63&sec=&spon=&pagewanted=all. Accessed on
April
27
,
2010
.
Wikipedia
. www.wikipedia.org.
Wikipedia
. “
Charles H. Ferguson
.” Accessed on
February
5
,
2012
.
Wikipedia
. “
Metro-Goldwyn-Mayer
.” Accessed on
April
11
,
2011
.
Wikipedia
. “
Leo Rosten
.” Accessed on
February
4
,
2012
.
Williams
Linda
.
1998
a. “
Melodrama Revised
.” In
Refiguring American Film Genres: History and Theory
, ed.
Browne
N.
,
42
88
.
Berkeley
:
University of California Press
.
Williams
Linda
.
1998
b. “
Mirrors without Memories: Truth, History, and The Thin Blue Line
” In
Documenting the Documentary: Close Readings of Documentary Film and Video
, ed.
Grant
B. K.
and
Sloniowski
J.
,
379
96
.
Detroit
:
Wayne State University Press
.
Williams
Linda
.
2003
. “
Film Bodies: Gender, Genre, and Excess
.” In
Film Genre Reader III
, ed.
Grant
B. K.
,
141
59
.
Austin
:
University of Texas Press
.
Williams
Raymond
.
1977
.
Marxism and Literature
.
Oxford
:
Oxford University Press
.
Williams
Raymond
.
1981
.
Culture
.
London
:
Fontana
.
Wood
Gaby
.
2006
. “
Hollywood’s New Politics
.”
Observer
,
Sunday
,
January
8. http://film.guardian.co.uk/print/0, 53 69257-3181,00.html. Accessed on
May
30
,
2008
.
Wray
John
.
2007
. “
Minister of Fear
.”
New York Times Magazine
,
September
23
,
44
49
.
Wyatt
Justin
.
2001
. “
Marketing Marginalized Cultures: The Wedding Banquet, Cultural Identities, and Independent Cinema of the 1990s
.” In
The End of Cinema as We Know It
, ed.
Lewis
J.
,
61
71
.
New York
:
New York University Press
.
Zeitchik
Steven
, and
McClintock
Pamela
.
2007
. “
Redford Touts Documentaries
.”
Variety @ Sundance
,
January
18
. [Hard copy accessed on
January
20
,
2007
, in files of author.]
Ziskin
Laura
.
2002
. “
Produced by Case Study: Laura Ziskin
.” Interview by
Green
Chris
.
Produced by
, Spring,
16
23
.
Close Modal

or Create an Account

Close Modal
Close Modal