Book Chapter
Introduction: “Baroque, New World Baroque, Neobaroque: Categories and Concepts”
-
Published:January 2010
Citation
Lois Parkinson Zamora, Monika Kaup, 2010. "Introduction: “Baroque, New World Baroque, Neobaroque: Categories and Concepts”", Baroque New Worlds: Representation, Transculturation, Counterconquest, Lois Parkinson Zamora, Monika Kaup
Download citation file:
Close
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
This content is only available as PDF.
Foundational Texts
Foundational Texts
Benjamin
Walter
. Excerpts from The Origin of German Tragic Drama
. 1928. Trans. Osborne
John
. London
: Verso
, 1985
. 91
–95
, 174–85 included here.Buci-Glucksmann
Christine
. “Le travail du regard
” [“The Work of the Gaze”]. In La folie du voir: De l'estétique baroque
. Paris
: Galilée
, 1986
. 66
–89
. Translated by Baker
Dorothy Z.
.Campos
Haroldo de
. “The Rule of Anthropophagy: Europe under the Sign of Devoration
.” 1981
. Trans. Wolff
Maria Tai
. Latin American Literary Review
14
, no. 27
(1986): 42
–60
.Carpentier
Alejo
. “La ciudad de las columnas
” [“The City of Columns”]. 1964
. In Tientos y diferencias
, in Obras completas, vol. 13
, Ensayos. Mexico City
: Siglo Veintiuno
, 1990. 61
–73
. Translated by Schuessler
Michael
.Carpentier
Alejo
. Excerpt from “Problemática de la actual novela latinoamericana
” [“Questions Concerning the Contemporary Latin American Novel”]. 1964
. In Tientos y diferencias
, in Obras completas, vol. 13
, Ensayos. Mexico City
: Siglo Veintiuno
, 1990. 11
–44
; 37–41 included here. Translated by Schuessler
Michael
.Celorio
Gonzalo
. “Del barroco al neobarroco
” [“From the Baroque to the Neobaroque”]. In Ensayo de contraconquista
. Mexico City
: Tusquets
, 2001
. 75
–105
. Translated by Delden
Maarten van
.Chiampi
Irlemar
. “El barroco en el ocaso de la modernidad
” [“The Baroque at the Twilight of Modernity”]. In Barroco y modernidad
. Mexico City
: Fondo de Cultura Económica
, 2000
. 17
–41
. Translated by Childers
William
.d'Ors
Eugenio
. Excerpt from “La querella de lo barroco en Pontigny
” [“The Debate on the Baroque in Pontigny”]. Lo barroco
. 1935
; 1944, ed. d'Ors
Angel
and d'Ors
Alicia García Navarro de
. Madrid
: Tecnos
, 2002. 63
–101
; 78–91 included here. Translated by Faris
Wendy B.
.Fuentes
Carlos
. “Entre el dolor y la nada
” [“Between Pain and Nothingness”]. Siempre!
Supplement, La cultura en México, August
1
, 1962
, 2
–5
.Fuentes
Carlos
. “La novela como tragedia: William Faulkner
” [“The Novel as Tragedy: William Faulkner
”]. In Casa con dos puertas
. Mexico City
: Joaquín Mortiz
, 1970
. 52
–78
. Translated by Ochoa
John
.Glissant
Édouard
. “Concerning a Baroque Abroad in the World
.” In Poetics of Relation
. Trans. Wing
Betsy
. Ann Arbor
: University of Michigan Press
, 1997
. 77
–79
.González Echevarría
Roberto
. “Apetitos de Góngora y Lezama
” [“Góngora's and Lezama's Appetites”]. In XVII Congreso del Instituto Internacional de Literatura Iberoamericana: Sesión de Madrid
, vol. 1
, El barroco en América. Ed. Centro Iberoamericano de Cooperación
, Madrid
: Ediciones Cultura Hispánica del Centro Iberoamericano de Cooperación
, 1978
. 555
–72
. Translated by Delden
Maarten van
.Guido
Ángel
. “América frente a Europa en al arte
” [“America's Relation to Europe in the Arts”]. In Redescubrimiento de América en el arte
. Rosario
: República Argentina
, 1940
. 15
–36
. Translated by Blaine
Patrick
.Henríquez Ureña
Pedro
. “Barroco en América
” [“The Baroque in America”]. 1940
. In La utopía de América
, ed. Rama
Ángel
and Girardot
Rafael Gutiérrez
. Caracas
: Biblioteca Ayacucho
, 1978. 116
–19
. Translated by Dutra
Rose
.Lezama Lima
José
. “La curiosidad barroca
” [“Baroque Curiosity”]. In La expresión americana
(1957
), ed. Chiampi
Irlemar
. Mexico City
: Fondo de Cultura Económica
, 1993. 79
–106
. Translated by Pérez
María
and Birkenmaier
Anke
.Nietzsche
Friedrich
, “Vom Barockstile
” [“On the Baroque”]. 1878
. In Sämtliche Werke: Kritische Studienausgabe in Fünfzehn Bänden
, vol. 2
, Menschliches, Allzumenschliches I und II, ed. Colli
Giorgio
and Montinari
Mazzino
. Berlin
: Deutscher Taschenbuchverlag
, 1980
. 437
–39
. Translated by Kaup
Monika
.Pascual Buxó
José
. “Sor Juana y Góngora: Teoría y práctica de la imitación poética
” [“Sor Juana and Luis de Góngora: The Poetics of Imitatio”]. In Sor Juana Inés de la Cruz: Lectura barroca de la poesía
. Seville
: Editorial Renacimiento
, 2006
. 333
–400
. Translated by Schuessler
Michael
and Lapin
Ashley
.Praz
Mario
. “Baroque in England
.” 1960
. Translated in Modern Philology
61
, no. 3
(1964): 169
–79
.Reyes
Alfonso
. Excerpt from “Sabor de Góngora
” [“Savoring Góngora”]. 1928
. In Obras completas
, vol. 7
, ed. Sánchez
Ernesto Mejía
. Mexico City
: Fondo de Cultura Económica
, 1958. 171
–98
; 183–98 included here. Translated by Dutra
Rose
.Sarduy
Severo
. “El barroco y el neobarroco
” [“The Baroque and the Neobaroque”]. 1972
. In Obra completa
, vol. 2
, ed. Guerrero
Gustavo
and Wahl
François
. Madrid
: Galaxia Gutenberg
; Nanterre, France
: allca XX
, 1999. 1385
–404
. Translated by Winks
Christopher
.Sarduy
Severo
. “La cosmología barroca: Kepler
” [“Baroque Cosmology: Kepler”]. 1974
. In Barroco
, in Obra completa, vol. 2
, ed. Guerrero
Gustavo
and Wahl
François
. Madrid
: Galaxia Gutenberg
; Nanterre, France: allca XX, 1999. 1223
–40
. Translated by Winks
Christopher
.Wellek
René
. Excerpts from “The Concept of Baroque in Literary Scholarship
.” 1945
, updated 1962. In Concepts of Criticism
, ed. Nichols
Stephen G.
Jr.New Haven
: Yale University Press
, 1963. 68
–114
; 69–88, 108–14 included here.Wölfflin
Heinrich
. Excerpt from the introduction to Principles of Art History: The Problem of the Development of Style in Later Art
. 1915
. Trans. Hottinger
M. D.
. New York
: Dover
, 1950. 1
–17
; 13–16 included here.
This content is only available as PDF.
Selected Bibliography
Selected Bibliography
Abeyta
Michael
. “Ostentatious Offerings: The Neobaroque Economies of Carlos Fuentes's Terra Nostra
.” Confluencia
18
, no. 1
(2002
): 103
–17
.Acosta
Leonardo
. “El barroco de Indias y la ideología colonialista
.” In El barroco de indias y otros ensayos
. Havana
: Casa de las Américas
, 1984
. 9
–52
.Alfaro
Alfonso
, ed. Arte y espiritualidad jesuitas: Principio y fundamento
. Mexico City
: Artes de México
, 2004
.Anceschi
Luciano
. La idea del barroco: Estudio sobre un problema estético
. Madrid
: Tecnos
, 1991
.Antelo
Raúl
. “The Baroque Gaze
.” In Literary Cultures of Latin America: A Comparative History
. Vol. 3
, Latin American Literary Culture: Subject to History, ed. Valdés
Mario J.
and Kadir
Djelal
. New York
: Oxford University Press
, 2004
. 191
–200
.Armstrong
Elizabeth
, and Zamudio-Taylor
Victor
, eds. Ultra-Baroque: Aspects of Post-Latin American Art
. San Diego
: Museum of Contemporary Art
, 2000
.Arriarán
Samuel
, and Beuchot
Mauricio
. Filosofía, neobarroco y multiculturalismo
. Mexico City
: Editorial Itaca
, 1999
.Ávila
Affonso
. “The Baroque Culture of Brazil
.” In Brazil: Body and Soul
, ed. Sullivan
Edward
. New York
: Guggenheim Museum
, 2001
. 114
–26
.Ávila
Affonso
, ed. Barroco: O territorio do barroco no século XXI
. Ouro Preto, Brazil
: Rona
, 2000
.Ávila
Cristina
. “Brazilian Baroque Art
.” In Brazil: Body and Soul
, ed. Sullivan
Edward
. New York
: Guggenheim Museum
, 2001
. 128
–36
.Badiou
Alain
. “Gilles Deleuze, the Fold: Leibniz and the Baroque
.” In Gilles Deleuze and the Theater of Philosophy
, ed. Boundas
Constantin V.
and Olkowski
Dorothea
. New York
: Routledge
, 1994
. 51
–69
.Bal
Mieke
. Quoting Caravaggio: Contemporary Art, Preposterous History
. Chicago
: University of Chicago Press
, 1999
.Baldissera
Lisa
, Chapman
Jake
, Chapman
Dinos
, Henderson
Lee
, and Martineau
Luanne
. Peculiar Culture: The Contemporary Baroque
. Victoria, BC, Canada
: Art Gallery of Greater Victoria
, 2009
.Ballón Aguirre
Enrique
. Desconcierto barroco
. Mexico City
: Universidad Nacional Autónoma de México
, 2001
.Barner
Wilfried
, ed. Der literarische Barockbegriff
. Darmstadt, Germany
: Wissenschaftliche Buchgesellschaft
, 1975
.Barner
Wilfried
. “Nietzsches literarischer Barockbegriff
.” 1970
. In Der literarische Barockbegriff
, ed. Darmstadt
Barner
, Germany
: Wissenschaftliche Buchgesellschaft
, 1975. 568
–91
.Barth
John
. “The Literature of Exhaustion
.” 1967
. In The Friday Book: Essays and Other Nonfiction
. New York
: Putnam
, 1984
. 62
–76
.Barthel
Manfred
. The Jesuits: History and Legend of the Society of Jesus
. Trans. Howson
Mark
. New York
: William Morrow
, 1984
.Barthes
Roland
. Sade/Fourier/Loyola
. Trans. Miller
Richard
. Berkeley
: University of California Press
, 1989
.Barzun
Jacques
. “The Opulent Eye
.” In From Dawn to Decadence: Five Hundred Years of Western Cultural Life, 1500 to the Present
. New York
: HarperCollins
, 2000
. 333
–58
.Battistini
Andrea
. “The Telescope in the Baroque Imagination
.” In Reason and Its Others: Italy, Spain, and the New World
, ed. Castillo
David R.
and Lollini
Massimo
. Nashville, Tenn.
: Vanderbilt University Press
, 2006
. 3
–38
.Bauer
Ralph
. “‘Friends and Compatriots’: Carlos de Sigüenza y Góngora and the Piracy of Knowledge
.” In The Cultural Geography of Colonial American Literatures: Empire, Travel, Modernity
. Cambridge
: Cambridge University Press
, 2003
. 157
–78
.Bazin
Germain
. Baroque and Rococo
. Trans. Griffin
Jonathan
. London
: Thames and Hudson
, 1964
.Bejel
Emilio
. José Lezama Lima: Poet of the Image
. Gainesville
: University of Florida Press
, 1990
.Beverley
John
. “Barroco de estado: Góngora y el gongorismo
.” In Del Lazarillo al sandinismo: Estudios sobre la función ideológica de la literatura española e hispanoamericana
. Minneapolis
: Prisma Institute
, 1987
. 77
–97
.Beverley
John
. “On the Spanish Literary Baroque
.” In Against Literature
. Minneapolis
: University of Minnesota Press
, 1993
. 47
–65
.Beverley
John
. Una modernidad obsoleta: Estudios sobre el barroco
. Los Teques, Venezuela
: Fondo Editorial a.l.e.m.
, 1997
.Blanco
John D.
“Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquín's A Portrait of the Artist as Filipino
.” Kritika Kultura
, no. 4
(2004
): 6
–33
.Borges
Jorge Luis
. Textos recobrados, 1919–1929
. ed. Carril
Sara Luisa del
. Buenos Aires
: Emecé
, 1997
.Bornhofen
Patricia Lynn
. “Cosmography and Chaography: Baroque to Neobaroque
.” PhD diss.
, University of Wisconsin
, Madison
, 1995
.Bosch
Lynette M. F.
. Cuban-American Art in Miami: Exile, Identity and the Neo-Baroque
. Burlington, Vt.
: Lund Humphries
, 2004
.Bottineau
Ives
. Iberian-American Baroque
. Trans. Leake
Kenneth Martin
. Lausanne
: Benedikt Taschen Verlag
, 1990
.Braider
Christopher
. Baroque Self-Invention and Historical Truth: Hercules at the Crossroads
. Aldershot, UK
: Ashgate
, 2004
.Bredekamp
Horst
. Die Fenster der Monade: Gottfried Wilhelm Leibniz Theater der Natur und Kunst
. Berlin
: Akademie Verlag
, 2004
.Brown
J. Andrew
. “Cyborgs, Post-Punk, and the Neobaroque: Ricardo Piglia's La ciudad ausente
.” Comparative Literature
61
, no. 3
(2009
): 316
–26
.Brown
Marshall
. “The Classic Is the Baroque: On the Principle of Wölfflin's Art History
.” Critical Inquiry
9
, no. 2
(1982
): 379
–404
.Christine
Buci-Glucksmann
. Baroque Reason: The Aesthetics of Modernity
. Trans. Camiller
Patrick
. London
: Sage
, 1994
.Buci-Glucksmann
Christine
, ed. Puissance du baroque: Les forces, les formes, les rationalités
. Paris
: Galilée
, 1996
.Christine
Buci-Glucksmann
. Tragique de l'ombre: Shakespeare et le maniérisme
. Paris
: Galilée
, 1990
.Burckhardt
Jacob
. The Cicerone: An Art Guide to Painting in Italy
. Trans. Clough
A. H.
. New York
: Garland
, 1979
.Buscaglia-Salgado
José F.
“The Creole in His Labyrinth
.” In Undoing Empire: Race and Nation in the Mulatto Caribbean
. Minneapolis
: University of Minnesota Press
, 2003
. 128
–82
.Bustillo
Carmen
. Barroco y América Latina: Un itinerario inconcluso
. Caracas
: Monte Ávila Editores
, 1990
.Calabrese
Omar
. Neo-Baroque: A Sign of the Times
. Trans. Lambert
Charles
. Princeton
: Princeton University Press
, 1992
.Campos
Haroldo de
. Novas: Selected Writings
. Ed. Bessa
Antonio Sergio
and Cisneros
Odile
. Evanston, Ill.
: Northwestern University Press
, 2007
.Cañizares-Esguerra
Jorge
. “Our Lady of Guadalupe as Neoplatonic Seal and Mesoamerican Glyph
.” In How to Write the History of the New World: Histories, Epistemologies, and Identities in the Eighteenth-Century Atlantic World
. Stanford
: Stanford University Press
, 2001
. 305
–21
.Carpentier
Alejo
. “The Baroque and the Marvelous Real
.” Trans. Huntington
Tanya
and Zamora
Lois Parkinson
. In Magical Realism: Theory, History, Community
, ed. Zamora
and Faris
Wendy B.
. Durham, N.C.
: Duke University Press
, 1995
. 89
–108
.Carpentier
Alejo
. “Lo barroco y lo real maravilloso
.” 1975
. In La novela latinoamericana en vísperas de un nuevo siglo y otros ensayos
. Mexico City
: Siglo Veintiuno
, 1981. 111
–35
.Carpentier
Alejo
. “On the Marvelous Real in America
.” In Magical Realism: Theory, History, Community
, eds. Zamora
Lois Parkinson
and Faris
Wendy B.
. Durham, N.C.
: Duke University Press
, 1995
. 75
–88
.Cascardi
Anthony J.
“The Genealogy of the Sublime in the Aesthetics of the Spanish Baroque
.” In Reason and Its Others: Italy, Spain, and the New World
, ed. Castillo
David R.
and Lollini
Massimo
. Nashville, Tenn.
: Vanderbilt University Press
, 2006
. 221
–39
.Cascardi
Anthony J.
“The Subject of Control
.” In Culture and Control in Counter-Reformation Spain
, ed. Cruz
Anne J.
and Perry
Mary Elizabeth
. Minneapolis
: University of Minnesota Press
, 1992
. 231
–54
.Castellanos
Rosario
. “Language as an Instrument of Domination
.” In A Rosario Castellanos Reader
, ed. and trans. Ahern
Maureen
. Austin
: University of Texas Press
, 1988
. 250
–53
.Castellanos
Rosario
. “Notas al margen: El lenguaje como instrumento de dominio
.” In Mujer que sabe latín
. 1973
. Mexico City
: Fondo de Cultura Económica
, 1984. 175
–80
.Castellanos
Rosario
. “Once Again Sor Juana
.” 1966
. In A Rosario Castellanos Reader
, ed. and trans. Ahern
Maureen
. Austin
: University of Texas Press
, 1988. 223
–25
.Castillo
David R.
(A)wry Views: Anamorphosis, Cervantes, and the Early Picaresque
. West Lafayette, Ind.
: Purdue University Press
, 2001
.Catalá
Rafael
. Para una lectura americana del barroco mexicano: Sor Juana Inés de la Cruz y Sigüenza y Góngora
. Minneapolis
: Prisma Institute
, 1987
.Celorio
Gonzalo
. “Barroco y crítica en la literatura hispanoamericana
.” In Modernidad, mestizaje cultural, ethos barroco
, ed. Echeverría
Bolívar
. Mexico City
: Universidad Nacional Autónoma de México
, 1994
. 333
–47
.Celorio
Gonzalo
. México, ciudad de papel: Discurso
. Mexico City
: Universidad Nacional Autónoma de México
, 1997
.Certeau
Michel de
. The Mystic Fable
. Vol. 1
, The Sixteenth and Seventeenth Centuries. Trans. Smith
Michael B.
. Chicago
: University of Chicago Press
, 1992
.Childers
William
. “The Baroque Public Sphere
.” In Reason and Its Others: Italy, Spain, and the New World
, ed. Castillo
David R.
and Lollini
Massimo
. Nashville, Tenn.
: Vanderbilt University Press
, 2006
. 165
–85
.Colvin
Margaret Elizabeth
. Baroque Fictions: Revisioning the Classical in Marguerite Yourcenar
. Amsterdam
: Rodopi
, 2005
.Corrin
Lisa G.
, ed. Going for Baroque: Eighteen Contemporary Artists Fascinated with the Baroque and Rococo
. Baltimore
: Contemporary and the Walters Art Gallery
, 1995
.Costa Tribe
Tania
. “The Mulatto as Artist and Image in Colonial Brazil
.” Oxford Art Journal
19
, no. 1
(1996
): 67
–79
.Coutinho
Afrânio
. Aspectos da literatura barroca
. Rio de Janeiro
: Editôra A. Noite
, 1950
.Couture
Mark Richard
. “El Agua Más Recordada: Golden Age Poetry in Lezama's Ah, Que Tu Escapes.'
” Hispania
80
, no. 1
(1997
): 21
–30
.Cruz
Juana Inés de la
. The Divine Narcissus
. Trans. Peters
Patricia A.
and Domeier
Renée
. Albuquerque
: University of New Mexico Press
, 1998
.Cruz
Juana Inés de la
. Obras completas
. Ed. Plancarte
Alfonso Méndez
. 4
vols. Mexico City
: Fondo de Cultura Económica
, 1951–57
.Cruz
Juana Inés de la
. Poems, Protest, and a Dream: Selected Writings
. Trans. Peden
Margaret Sayers
. New York
: Penguin
, 1997
.Cruz
Juana Inés de la
. The Sonnets of Sor Juana Inés de la Cruz in English Verse
. Trans. Cobb
Carl W.
. Lewiston N.Y.
: Edwin Mellen
, 2001
.Cruz
Juana Inés de la
. A Sor Juana Anthology
. Trans. Trueblood
Alan S.
. Cambridge
: Harvard University Press
, 1988
.Cuperman
Pedro
. American Baroque: December 1988, Holly Solomon Gallery
. New York
: The Gallery
, 1988
.Daniells
Roy
. Milton, Mannerism, and Baroque
. Toronto
: University of Toronto Press
, 1963
.Chistina
Degli-Esposti
“Sally Potter's Orlando and the Neo-Baroque Scopic Regime
.” Cinema Journal
36
, no. 1
(1996
): 75
–93
.Deleuze
Gilles
. The Fold: Leibniz and the Baroque
. Trans. Conley
Tom
. Minneapolis
: University of Minnesota Press
, 1993
.Diego
Gerardo
, ed. Antología poética en honor de Góngora: Desde Lope de Vega a Rubén Darío
. 1927
. Madrid
: Alianza
, 1979.Dos Prazeres Gomes
Maria
. “Barroco e poesia experimental: Um diálogo de doisgumes
.” Poligrafías
, no. 2
(1997
): 47
–57
.Dugaw
Dianne
, and Powell
Amanda
. “Baroque Sapphic Poetry: A Feminist Road Not Taken
.” In Reason and Its Others: Italy, Spain, and the New World
, ed. Castillo
David R.
and Lollini
Massimo
. Nashville, Tenn.
: Vanderbilt University Press
, 2006
. 123
–42
.DuPont
Denise
. “Baroque Ambiguities: The Figure of the Author in Terra Nostra
.” Latin American Literary Review
30
, no. 59
.(2002
): 5
–19
.Echevarrén
Roberto
et al, eds. Medusario: Muestra de poesía latinoamericana
. Mexico
: Fondo de Cultura Económica
, 1996
.Echeverría
Bolívar
, ed. Modernidad, mestizaje cultural, ethos barroco
. Mexico City
: Universidad Nacional Autónoma de México
, 1994
.Eco
Umberto
. “The Poetics of the Open Work
.” 1962
. In The Open Work
. Trans. Cancogni
Anna
. Cambridge
: Harvard University Press
, 1989. 1
–23
.Egginton
William
. “The Baroque as a Problem of Thought
.” pmla
124
, no. 1
(2009
): 143
–55
.Egginton
William
. “The Corporeal Baroque and the New World Baroque
.” South Atlantic Quarterly
106
, no. 1
(2007
): 107
–27
.Egginton
William
. “Gracián and the Emergence of the Modern Subject
.” In Rhetoric and Politics: Baltasar Gracián and the New World Order
, ed. Spadaccini
Nicholas
and Talens
Jenaro
. Minneapolis
: Minnesota University Press
, 1997
. 151
–69
.Egginton
William
. How the World Became a Stage: Presence, Theatricality, and the Question of Modernity
. Albany
: State University of New York Press
, 2003
.Egginton
William
. “Reason's Baroque House (Cervantes, Master Architect)
.” In Reason and Its Others: Italy, Spain, and the New World
, ed. Castillo
David R.
and Lollini
Massimo
. Nashville, Tenn.
: Vanderbilt University Press
, 2006
. 186
–203
.Eliot
T. S.
“The Metaphysical Poets
.” In Selected Essays, 1917–1932
. New York
: Harcourt, Brace
, 1932
.241
–50
.Eliot
T. S.
The Varieties of Metaphysical Poetry: The Clark Lectures at Trinity College, Cambridge, 1926, and the Turnbull Lectures at the Johns Hopkins University, 1933
. ed. Schuchard
Ronald
. New York
: Harcourt, Brace
, 1994
.Figueroa Sánchez
Cristo Rafael
. Barroco y neobarroco en la narrativa hispanoamericana: Cartografías literarias de la segunda mitad del siglo XX
. Bogotá/Medellín
: Pontificia Universidad Javeriana/Editorial Univeridad de Antioquia
, 2007
.Figueroa Sánchez
Cristo Rafael
. Barroco y neoabarroco en la narrativa hispanoamericana: Cartografías de la segunda mitad del siglo XX
. Medellín, Colombia
: Editorial Pontificia Universidad Javeriana
, 2008
.Flor
Fernando R de la
. Barroco: Representación e ideología en el mundo hispánico, 1580–1680
. Madrid
: Cátedra
, 2002
.Focillon
Henri
. The Life of Forms in Art
. Trans. Hogan
Charles B.
and Kubler
George
. New York
: Zone
, 1992
.Foucault
Michel
. The Order of Things: An Archaeology of the Human Sciences
. New York
: Vintage
, 1973
.Fraser
Valerie
. “Surrealising the Baroque: Mexico's Spanish Heritage and the Work of Alberto Gironella
.” Oxford Art Journal
14
, no. 1
(1991
): 34
–43
.Friedrich
Hugo
. The Structure of Modern Poetry from the Mid-Nineteenth to the Mid-Twentieth Century
. Trans. Neugroschel
Joachim
. Evanston
: Northwestern University Press
, 1974
.Fuentes
Carlos
. “The Baroque Culture of the New World
.” In The Buried Mirror: Reflections on Spain and the New World
. Boston
: Houghton Mifflin
, 1992
. 195
–213
.Fuentes
Carlos
. “José Lezama Lima: Cuerpo y palabra del barroco
.” In Valiente mundo nuevo: Épica, utopía y mito en la novela hispanoamericana
. Madrid
: Mondadori
, 1990
. 209
–52
.Fuente Benevides
Rafael de la
. De lo barroco en el Péru
. Lima
: Universidad Nacional Mayor de San Marcos
, 1968
.Gallo
Rubén
. “Sarduy avec Lacan: The Portrayal of French Psychoanalysis in Cobra and La Simulación
.” Revista Hispánica Moderna
60
, no. 1
(2007
): 35
–60
.García Lorca
Federico
. “La imagen poética de Don Luis de Góngora
.” In Obras completas
, ed. Hoyo
Arturo del
. Madrid
: Aguilar
, 1972
. 62
–85
.Gates
Eunice Joiner
. “Reminiscence of Góngora in the Works of Sor Juana Inés de la Cruz
.” pmla
54
(1939
): 1041
–58
.Gilman
Stephen
. “An Introduction to the Ideology of the Baroque in Spain
.” Symposium
, no. 1
(1946
): 82
–107
.Gimbernat de González
Ester
. “La curiosidad barroca
.” In Coloquio internacional sobre la obra de José Lezama Lima
. Vol. 2
. Poitiers
: Université de Poitiers; Centre de recherches latino-américains
, 1984
. 59
–64
.Giovannotti
Micaela
, and Korotkin
Joyce B.
, eds. Neo Baroque!: Petah Coyne, Ann Craven, Angelo Filomeno, Robert Longo, Emilio Perez, Alexis Rockman, Takagi Masakatsu & Saeko Takagi, Fred Tomaselli, Nicola Verlato, Kehinde Wiley
. Milan
: Charta
, 2006
.Goddard
Michael
. “The Fold, Cinema, and Neo-Baroque Modernity
.” In Impacts of Modernities
, ed. Lamarre
Thomas
and Nae-hui
Kang
. Vol. 3
of Traces: A Multilingual Series of Cultural Theory and Translation. Hong Kong
: Hong Kong University Press
, 2004
. 209
–228
.Luis de
Góngora
. Selected Poems of Luis de Góngora
. Ed. and trans. Dent-Young
John
. Chicago
: University of Chicago Press
, 2007
.Góngora
Luis de
. Las soledades
. Ed. Alonso
Dámaso
. 3rd ed.Madrid
: Sociedad de Estudios y Publicaciones
, 1956
.Gonzalez
Eduardo
. “Baroque Endings: Carpentier, Sarduy, and Some Textual Contingencies
.” mln
92
, no. 2
(1977
): 269
–95
.González Echevarría
Roberto
. Alejo Carpentier: The Pilgrim at Home
. Ithaca
: Cornell University Press
, 1977
.González Echevarría
Roberto
. Celestina's Brood: Continuities of the Baroque in Spanish and Latin American Literature
. Durham, N.C.
: Duke University Press
, 1993
.González Echevarría
Roberto
. La ruta de Severo Sarduy
. Hanover, N.H.
: Ediciones del Norte
, 1987
.Gosner
Pamela
. Caribbean Baroque: Historic Architecture of the Spanish Antilles
. Pueblo, Colo.
: Passeggiata Press
, 1996
.Greenberg
Mitchell
. Baroque Bodies: Psychoanalysis and the Culture of French Absolutism
. Ithaca
: Cornell University Press
, 2001
.Greene
Roland
. “Baroque and Neobaroque: Making Thistory
.” pmla
124
, no. 1
(2009
): 150
–55
.Greer
Margaret Rich
. María de Zayas Tells Baroque Tales of Love and the Cruelty of Men
. University Park
: Pennsylvania University Press
, 2000
.Gruzinski
Serge
. “The Admirable Effects of the Baroque Image
.” In Images at War: Mexico from Columbus to “Blade Runner” (1492–2019)
. Trans. MacLean
Heather
. Durham, N.C.
: Duke University Press
, 2001
. 96
–160
.Gruzinski
Serge
. “From the Baroque to the Neo-baroque: The Colonial Sources of the Postmodern Era (The Mexican Case)
.” In El corazón sangrante/The Bleeding Heart
, ed. Debroise
Olivier
, Sussman
Elisabeth
, and Teitelbaum
Matthew
. Boston
: Institute of Contemporary Art
, 1991
. 62
–89
.Gruzinski
Serge
. Images at War: Mexico from Columbus to Blade Runner (1492–2019)
. Trans. MacLean
Heather
. Durham, N.C.
: Duke University Press
, 2001
.Guardini
Francesco
. “Old and New, Modern and Postmodern: Baroque and Neobaroque
.” McLuhan Studies
, no. 4
(1996
), http://www.chass.utoronto.ca/mcluhanstudies/v1_iss4/1_4index.htm.Guerrero
Gustavo
. La estrategia neobarroca: Estudio sobre el resurgimiento de la poética barroca en la obra de Severo Sarduy
. Barcelona
: Edicions del Mall
, 1987
.Gumbrecht
Hans Ulrich
. “Warum gerade Góngora?: Poetologie und Historisches Bewusstsein in Spanien zwischen der Jahrhundertwende und Bürgerkrieg
.” In Lyrik und Malerei der Avantgarde
, ed. Warning
Rainer
and Wehle
Winfried
. Munich
: Wilhelm Fink
, 1982
. 145
–91
.Gutiérrez
Ramón
. Barroco iberoamericano de los Andes a las Pampas
. Barcelona
: Lunwerg
, 1997
.Hampton
Timothy
, ed. Baroque Topographies
. Special issue, Yale French Studies, no. 80
. (1991
). New Haven
: Yale University Press
, 1991.Hauser
Arnold
. The Social History of Art
. Vol. 2
, Renaissance, Mannerism, Baroque. 1957
. New York
: Vintage
, 1985.Hersey
George
. Architecture and Geometry in the Age of the Baroque
. Chicago
: University of Chicago Press
, 2000
.Hill
Ruth
. Sceptres and Sciences in the Spains: Four Humanists and the New Philosophy (ca. 1680–1740)
. Liverpool
: Liverpool University Press
, 2000
.Hinojosa
Rolando
. “The Baroque in the Life and Literature of the Hispano-American
.” Point of Contact
3
, no. 3
(1993
): 22
–27
.Hoffmeister
Gerhart
. Deutsche und europäische Barockliteratur
. Stuttgart
: Metzler
, 1987
.Jáuregui
Carlos A.
Canibalia: Canibalismo, calibanismo, antropofagia cultural y consumo en América Latina
. Madrid
: Iberoamericana Vervuert
, 2008
.Jay
Martin
. “Scopic Regimes of Modernity
.” In Modernity and Identity
, ed. Lash
Scott
and Friedman
Jonathan
. Oxford
: Blackwell
, 1992
. 178
–95
.Johnson
Christopher D.
. “Intertextuality and Translation: Borges, Browne, and Quevedo
.” Translation and Literature
11
, no. 2
(2002
): 174
–94
.Juengel
Scott J.
“Of Beauty, Cruelty, and Animal Life: Hogarth's Baroque
.” Differences
16
, no. 1
(2005
): 24
–62
.Kadir
Djelal
. “Baroque; or, The Untenable Ground: Quest as Self-Reminiscence
.” In Questing Fictions: Latin America's Family Romance
. Minneapolis
: University of Minnesota Press
, 1986
. 86
–104
.Kaup
Monika
. “Becoming-Baroque: Folding European Forms into the New World Baroque with Alejo Carpentier
.” cr: The New Centennial Review
5
, no. 2
(2005
): 107
–49
.Kaup
Monika
. “‘The Future Is Entirely Fabulous’: The Baroque Genealogy of Latin America's Modernity
.” mlq
68
, no. 2
(2007
): 221
–41
.Kaup
Monika
. “The Neobaroque in Djuna Barnes
.” Modernism/Modernity
12
, no. 1
(2005
): 85
–110
.Kaup
Monika
. “Postdictatorship Allegory and Neobaroque Disillusionment in José Donoso's Casa de Campo
.” Chasqui
34
, no. 2
(2005
): 92
–112
.Kaup
Monika
. “‘Vaya Papaya!’: Cuban Baroque and Visual Culture in Alejo Carpentier, Ricardo Porro, and Ramón Alejandro
.” pmla
124
, no. 1
(2009
): 156
–71
.Kelemen
Pál
. Folk Baroque in Mexico: Mestizo Architecture through the Centuries
. Orlando
: Brewton
, 1974
.Kubler
George
. Mexican Architecture of the Sixteenth Century
. New Haven
: Yale University Press
, 1948
.Kubler
George
. The Shape of Time: Remarks on the History of Things
. New Haven
: Yale University Press
, 1962
.Kubler
George
, and Soria
Martin
. Art and Architecture in Spain and Portugal and Their American Dominions, 1500–1800
. Baltimore, Md.
: Penguin
, 1959
.Kuhnheim
Jill
. “Sensual Excess: The Neobaroque
.” In Spanish American Poetry at the End of the Twentieth Century
. Austin
: University of Texas Press
, 2004
. 115
–44
.La Bossière
Camille
. “Past and Present: The Neobaroque Novel in French Canada
.” In Studies on Canadian Literature: Introductory and Critical Essays
, ed. Davidson
Arnold E.
. New York
: Modern Language Association of America
, 1990
. 193
–206
.Lacan
Jacques
. “On the Baroque
.” In The Seminar of Jacques Lacan
. Vol. 20
, On Feminine Sexuality: The Limits of Love and Knowledge. Ed. Miller
Jacques-Alain
. Trans. Fink
Bruce
. New York
: Norton
, 1998
. 104
–17
.Lambert
Gregg
. “The Baroque Detective: Borges as Precursor
.” In The Non-philosophy of Gilles Deleuze
. New York
: Continuum
, 2002
. 73
–89
.Lange-Churión
Pedro
. “Neobaroque: Latin America's Postmodernity?
” In Latin America and Postmodernity: A Contemporary Reader
. ed. Lange-Churión
and Mendieta
Eduardo
. Amherst, N.Y.
: Humanity Books
, 2001
. 253
–73
.Leonard
Irving A.
Baroque Times in Old Mexico: Seventeenth-Century Persons, Places, and Practices
. Ann Arbor
: University of Michigan Press
, 1959
.Leonard
Irving A.
. Don Carlos de Sigüenza y Góngora: A Mexican Savant of the Seventeenth Century
. Berkeley
: University of California Press
, 1929
.Lepper
Marcel
. “Typologie, Stilpsychologie, Kunstwollen: Zur Erfindung des Barock
.” Arcadia
41
, no. 1
(2006
): 14
–28
.Levine
Joseph M.
Between the Ancients and Moderns: Baroque Culture in Restoration England
. New Haven
: Yale University Press
, 1999
.Levy
Evonne
. Propaganda and the Jesuit Baroque
. Berkeley
: University of California Press
, 2004
.Lewalski
Barbara K.
, and Sabol
Andrew J.
. Major Poets of the Earlier Seventeenth Century: Donne, Herbert, Vaughan, Crashaw, Jonson, Herrick, Marvell
. New York
: Odyssey Press
, 1973
.Lezama Lima
José
. Esferaimagen: Sierpe de Don Luis de Góngora; Las imágenes posibles
. Barcelona
: Tusquets
, 1970
.Lezama Lima
José
. “Summa Critica of American Culture
.” Trans. Schafer
Mark
. In The Oxford Book of Latin American Essays
, ed. Stavans
Ilan
. Oxford
: Oxford University Press
, 1997
. 244
–59
.Loomis
John A.
. Revolution of Forms: Cuba's Forgotten Art Schools
. New York
: Princeton Architectural Press
, 1999
.Ludmer
Josefina
. “Las tretas del débil
.” In La sartén por el mango: Encuentro de escritoras latinoamericanas
. ed. González
Patricia Elena
and Ortega
Eliana
. Río Piedras, P.R.
: Ediciones Huracán
, 1984
. 47
–55
.Lützeler
Heinrich
. “Der Wandel der Barockauffassung
.” 1933
. In Der literarische Barockbegriff
, ed. Barner
Wilfried
. Darmstadt, Germany
: Wissenschaftliche Buchgesellschaft
, 1975. 199
–219
.Lynn
Greg
, ed. “Folding in Architecture
.” Special Issue, Architectural Design
, no. 102
(1993
).MacFadyen
David
. Joseph Brodsky and the Baroque
. Montreal
: McGill-Queen's University Press
, 1998
.Maiorino
Giancarlo
. The Cornucopian Mind and the Baroque Unity of the Arts
. University Park
: Pennsylvania State University Press
, 1990
.Malcuzynski
Marie-Pierrette
. “Le champ notionnel du (néo)Baroque
.” In Entre-Dialogues avec Bakhtin
. Amsterdam
: Rodopi
, 1992
. 92
–131
.Malcuzynski
Marie-Pierrette
. “The (Neo)Baroque: A Critical Inquiry into the Transformation and Application of a Conceptual Field
.” Trans. Faris
Wendy
. Comparative Literature
61
, no. 3
(2009
): 295
–315
.Manrique
Jorge Alberto
. “Del barroco a la Ilustración
.” In Historia general de México
. by Bernal
Ignacio
. Mexico City
: El Colegio de México
, 2000
.433
–88
.Maravall
José Antonio
. Culture of the Baroque: Analysis of a Historical Structure
. Trans. Cochran
Terry
. Minneapolis
: University of Minnesota Press
, 1986
.Maravall
José Antonio
. Utopia and Counterutopia in the “Quixote”
. Trans. Felkel
Robert W.
. Detroit
: Wayne State University Press
, 1991
.Márquez Rodríguez
Alexis
. El barroco literario en Hispanoamérica: Ensayos de teoría y crítica
. Bogotá
: Tercer Mundo Editores
, 1991
.Márquez Rodríguez
Alexis
. Lo barroco y lo real-maravilloso en la obra de Alejo Carpentier
. Mexico City
: Siglo Veintiuno
, 1982
.Martín
José Ramón Jouve
, and Soulodre-LaFrance
Renée
, eds. Revista Canadiense de Estudios Hispánicos
33
, no. 1
(2008
): special issue, La constitución del barroco hispánico: Problemas y acercamientos.Mather
Christine
. Baroque to Folk/De lo barroco a lo popular
. Santa Fe
: Museum of New Mexico Press
, 1980
.Maza
Francisco de la
, ed. Sor Juan Inés de la Cruz ante la historia
. Mexico City
: Universidad Nacional Autónoma de México
, 1980
.Méndez Rodenas
Adriana
. Severo Sarduy: El neobarroco de la transgresión
. Mexico City
: Universidad Nacional Autónoma de México
, 1983
.Migliorini
Bruno
. “Etimologia e storia del termine ‘Baroco.’
” In Manierismo, Baroco, Rococo: Concetti e termini
. ed. Accademia Nazionale dei Lincei
. Rome
: Accademia Nazionale dei Lincei
, 1962
. 39
–54
.Miroslav
John Hanak
. “The Emergence of Baroque Mentality and Its Cultural Impact on Western Europe after 1550
.” Journal of Aesthetics and Art Criticism
28
, no. 3
(1970
): 315
–26
.Monsiváis
Carlos
. “Neobaroque and Popular Culture
.” Trans. Ramey
James
. pmla
124
, no. 1
(2009
): 18
–88
.Monsiváis
Carlos
. “Neobarroco y cultura popular
.” In Modernidad, mestizaje cultural, ethos barroco
, ed. Echevarría
Bolívar
. Mexico City
: Universidad Nacional Autónoma de México
, 1994
. 299
–309
.Morales Benítez
Otto
. “El mestizo y el barroco
.” In América Latina: Integración por la cultura
, ed. Garreta
Mariano J.
. Buenos Aires
: Fernando García Cambeiro
, 1977
. 29
–50
.Moraña
Mabel
. “The Baroque and Transculturation
.” In Literary Cultures of Latin America: A Comparative History
, vol. 3
, Latin American Literary Culture: Subject to History, ed. Valdés
Mario J.
and Kadir
Djelal
. New York
: Oxford University Press
, 2004
. 180
–90
.Moraña
Mabel
, ed. Relecturas del barroco de Indias
. Hanover, N.H.
: Ediciones del Norte
, 1994
.Moraña
Mabel
. Viaje al silencio: Exploraciones del discurso barroco
. Mexico City
: Fondo de Cultura Económica
, 1998
.Moreiras
Alberto
. “Mules and Snakes: On the Neo-Baroque Principle of Delocalization
.” In Ideologies of Hispanism
, ed. Moraña
Mabel
. Nashville, Tenn.
: Vanderbilt University Press
, 2004
. 201
–29
.Moreno Villa
José
. Lo mexicano en las artes plásticas
. Mexico City
: Fondo de Cultura Económica
, 1948
.Moser
Walter
. “Le baroque: Pour faire et défaire des identités culturelles
.” In L'interculturel au coeur des Amériques
, ed. Durante
Daniel Castillo
and Imbert
Patrick
. Ottawa
: Legas
, 2003
. 101
–18
.Moser
Walter
. “The Concept of Baroque
.” Revista Canadiense de Estudios Hispánicos
33
, no. 1
(2008
): 11
–37
.Mourgues
Odette de
. Metaphysical, Baroque, and Précieux Poetry
. Oxford
: Clarendon
, 1953
.Mullen
Robert
. Architecture and Its Sculpture in Viceregal Mexico
. Austin
: University of Texas Press
, 1994
.Mumford
Lewis
. “The Baroque City
.” In The Lewis Mumford Reader
, ed. Miller
Donald
. New York
: Pantheon
, 1986
. 127
–47
.Murray
Timothy
. Digital Baroque: New Media Art and Cinematic Folds
. Minneapolis
: University of Minnesota Press
, 2008
.Ndalianis
Angela
. Neobaroque Aesthetics and Contemporary Entertainment
. Cambridge
: mit Press
, 2004
.Nelson
Lowry
. “Góngora and Milton: Toward a Definition of the Baroque Author(s)
.” Comparative Literature
6
, no. 1
(1954
): 53
–63
.Neo-Baroque Blog
. Selected bibliography: http://neobaroque.wordpress.com/category/readings.Nietzsche
Friedrich
. “Le style baroque
.” In The Complete Works of Friedrich Nietzsche
, vol. 7
, Human, All-Too-Human, Part II, ed. Levy
Oscar
. New York
: Gordon
, 1974
. 74
–75
.Novo
Salvador
. Nueva grandeza mexicana
. 1946. Mexico City
: Consejo Nacional para Cultura y las Artes
, 1992
.Ochoa
John A.
“Sor Juana, Food, and the Life of the Mind
.” In Approaches to Teaching the Works of Sor Juana Inés de la Cruz
, ed. Bergmann
Emilie L.
and Schlau
Stacey
. New York
: Modern Language Association
, 2007
. 229
–37
.Ochoa
John A.
“The Threats of Collapse in Cambio de Piel (or Fuentes the Frail)
.” In The Uses of Failure in Mexican Literature and Identity
. Austin
: University of Texas Press
, 2004
. 143
–64
.Ono
Ichiro
. Divine Excess: Mexican Ultra-Baroque
. San Francisco
: Chronicle Books
, 1995
.Oropesa
Salvador A.
. The Contemporáneos Group: Rewriting Mexico in the Thirties and Forties
. Austin
: University of Texas Press
, 2003
.Oropesa
Salvador A.
. “Obscuritas and the Closet: Queer Neobaroque in Mexico
.” pmla
124
, no. 1
(2009
): 172
–79
.Orozco Díaz
Emilio
. El teatro y la teatralidad del barroco
. Barcelona
: Editoral Planeta
, 1969
.Ortega
José
. La estética neobarroca en la narrativa hispanoamericana
. Madrid
: José Porrúa Turanzas
, 1984
.Palmer
Gabrielle
, and Pierce
Donna
. Cambios: The Spirit of Transformation in Spanish Colonial Art
. Santa Barbara
: Santa Barbara Museum of Art and University of New Mexico Press
, 1992
.Panofsky
Erwin
. “What Is Baroque?
” 1934
. In Three Essays on Style
, ed. Lavin
Irving
. Cambridge
: mit Press
, 1995. 19
–88
.Pascual Buxó
José
. “Sor Juana y Góngora: Teoría y práctica de la imitación poética
.” In Sor Juana Inés de la Cruz: Lectura barroca de la poesía
. Seville
: Editorial Renacimiento
, 2006
. 333
–400
.Pauly
Arabella
. Neobarroco: Zur Wesensbestimmung Lateinamerikas und seiner Literatur
. Frankfurt
: Peter Lang
, 1993
.Paz
Octavio
. Sor Juana; or, The Traps of Faith
. Trans. Peden
Margaret Sayers
. Cambridge
: Harvard University Press
, 1988
.Pérez Firmat
Gustavo
. “The Strut of the Centipede: José Lezama Lima and New World Exceptionalism
.” In Do the Americas Have a Common Literature?
, ed. Firmat
Pérez
. Durham, N.C.
: Duke University Press
, 1990
. 316
–32
.Néstor
Perlongher
. Prosa plebeya: Ensayos 1980–92
. Ed. Ferrer
Christian
and Baigorria
Osvaldo
. Buenos Aires
: Colihue
, 1997
.Petersson
Robert Torsten
. The Art of Ecstasy: Teresa, Bernini, and Crashaw
. London
: Atheneum
, 1970
.Pfandl
Ludwig
. Sor Juana Inés de la Cruz, la décima musa de México: Su vida, su poesía, su psique
. Trans. Ortega y Medina
Juan Antonio
. Mexico City
: Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México
, 1963
.Picón-Salas
Mariano
. “The Baroque of the Indies
.” 1944
. In From Conquest to Independence: A Cultural History of Spanish America
. Trans. Leonard
Irving A.
. Berkeley
: University of California Press
, 1962. 85
–105
.Pierce
Donna
, Gomar
Rogelio Ruiz
, and Bargellini
Clara
. Painting a New World: Mexican Art and Life, 1521–1821
. Denver
: Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art, Denver Art Museum
, 2004
.Pimentel
Luz Aurora
. Metaphoric Narration: Paranarrative Dimensions in “A la Recherche du Temps Perdu
.” Toronto
: University of Toronto Press
, 1990
.Portús
Javier
. “La imagen barroca
.” In Barroco
, ed. Haro
Pedro Aullón de
. Madrid
: Verbum
, 2004
. 299
–348
.Praz
Mario
. “The Flaming Heart: Richard Crashaw and the Baroque
.” 1925
. In The Flaming Heart: Essays on Crashaw, Machiavelli, and Other Studies in the Relations between Italian and English Literature from Chaucer to T. S. Eliot
. Garden City, N.Y.
: Doubleday
1958. 204
–63
.Praz
Mario
. Secentismo e Marinismo in Inghilterra: John Donne—Richard Crashaw
. Florence
: La Voce
, 1925
.Praz
Mario
. Studies in Seventeenth-Century Imagery
. Rome
: Edizioni de Storia e Letteratura
, 1964
.Prix
Wolf D.
, and Kramer
Thomas
, eds. Rock over Barock: Young and Beautiful; 7 + 2
. Vienna
: Springer
, 2006
.Puccini
Dario
. Una mujer en soledad: Sor Juana Inés de la Cruz, una excepción en la cultura y la literatura barroca
. Mexico City
: Fondo de Cultura Económica
, 1997
.Pulido Tirado
Genara
. “El lenguaje barroco
.” In Barroco
, ed. Haro
Pedro Aullón de
. Madrid
: Verbum
, 2004
. 377
–446
.Purgar
Krešimir
. Neobarokni Subjekt/The Neobaroque Subject: Lovro Artuković i slike našeg vremana/Lovro Artuković and Images of Our Time
. Zagreb, Croatia
: Meandarmedia
, 2006
.Quijano
Aníbal
. “Colonialidad del poder, cultura y conocimiento en América Latina
.” Anuario mariateguiano
9
, no. 9
(1997
): 113
–21
.Rama
Angel
. The Lettered City
. Trans. Chasteen
John Charles
. Durham. N.C.
: Duke University Press
, 1996
.Reyes
Alfonso
. Cuestiones gongorinas
. 1927. In Obras completas, vol. 7
, ed. Sánchez
Ernesto Mejía
. Mexico City
: Fondo de Cultura Económica
, 1958
. 10
–167
.Reyes-Valerio
Constantino
. Arte indocristiano
. 1978
. Mexico City
: Instituto Nacional de Antropología e Historia
, 2000.Richard
Nelly
. Cultural Residues: Chile in Transition
. Trans. West-Durán
Alan
and Quester
Theodore
. Minneapolis
: University of Minnesota Press
, 2004
.Rincón
Carlos
. Mapas y pliegues: Ensayos de cartografía cultural y de lectura del neobarroco
. Bogotá
: Colcultura
, 1996
.Rincón
Carlos
. “El universo neobarroco
.” In Modernidad, mestizaje cultural, ethos barroco
, ed. Echeverría
Bolívar
. Mexico City
: Universidad Nacional Autónoma de México
, 1994
. 349
–88
.Rivas
Víctor Gerardo
. La sombra fugitiva: La poética del precipicio en el “Primero sueño” de Sor Juana y la comprensión del humanismo barroco
. Mexico City
: Universidad Nacional Autónoma de México
, 2001
.Rivers
Elias L.
, ed. Renaissance and Baroque Poetry of Spain, with English Prose Translations
. Project Heights, Ill.
: Waveland Press
, 1966
.Roggiano
Alfredo A.
“Acerca de dos barrocos: El de España y el de América
.” In XVII Congreso del Instituto Internacional de Literatura Iberoamericana: Sesión de Madrid
, vol. 1
, El barroco en América. Ed. Centro Iberoamericano de Cooperación
. Madrid
: Ediciones Cultura Hispánica del Centro Iberoamericano de Cooperación
, 1978
. 39
–48
.Roh
Franz
. “Magical Realism: Postexpressionism
.” 1925
. Trans. Faris
Wendy B.
. In Magical Realism: Theory, History, Community
, ed. Zamora
Lois Parkinson
and Faris
Wendy B.
. Durham, N.C.
: Duke University Press
, 1995. 15
–31
.Roh
Franz
. Nach-Expressionismus, Magischer Realismus: Probleme der neuesten europäischen Malerei
. Leipzig
: Klinkhardt und Biermann
, 1925
.Roh
Franz
. Realismo mágico, post expresionismo: Problemas de la pintura europea más reciente
. Trans. Vela
Fernando
. Madrid
: Revista de Occidente
, 1927
.Rosenberg
Benjamin Béla
. “The Changing Concept of the Literary Baroque in the Criticism of the Twentieth Century
.” PhD diss.
, Johns Hopkins University
, 1935
.Ross
Kathleen
. The Baroque Narrative of Carlos de Sigüenza y Góngora: A New World Paradise
. Cambridge
: Cambridge University Press
, 1993
.Rubial García
Antonio
, ed. Historia de la vida cotidiana en México
. Vol. 2
, La ciudad barroca. Mexico City
: El Colegio de México and Fondo de Cultura Económica
, 2005
.Sáenz
Pilar
. The Life and Works of Eugenio d'Ors
. Troy, Mich.
: International Book Publishers
, 1983
.Salgado
César Augusto
. “Barroco Joyce: Borges's and Lezama's Antagonistic Readings
.” In Transcultural Joyce
, ed. Lawrence
Karen
. Cambridge
: Cambridge University Press
, 1998
. 63
–96
.Salgado
César Augusto
. From Modernism to Neobaroque: Joyce and Lezama Lima
. Lewisburg, Penn.
: Bucknell University Press
, 2001
.Salgado
César Augusto
. “Hybridity in New World Baroque Theory
.” Journal of American Folklore
112
, no. 445
(1999
): 316
–31
.Santí
Enrico Mario
. “Sobre Severo Sarduy: El efecto barroco
.” In Escritura y tradición
. Barcelona
: Laia
, 1987
. 153
–57
.Sarduy
Severo
. “The Baroque and the Neobaroque
.” 1972
. In Latin America in Its Literature
, ed. Moreno
César Fernández
et al, trans. Berg
Mary G.
. New York
: Holmes and Meier
, 1980. 115
–32
.Sarduy
Severo
. Ensayos generales sobre el barroco
. Mexico City
: Fondo de Cultura Económica
, 1987
.Sarduy
Severo
. “La simulación
.” In Obra completa
. Eds. Guerrero
Gustavo
and Wahl
François
. Madrid
: Galaxia Gutenberg; Nanterre
, France
: allca XX
, 1999
. Vol. 2
: 1264
–344
.Schons
Dorothy
. “Some Obscure Points in the Life of Sor Juana Inés de la Cruz
.” Modern Philology
24
, no. 2
(1926
): 141
–62
.Schumm
Petra
, ed. Barrocos y modernos: Nuevos caminos en la investigación del barroco iberoamericano
. Madrid
: Iberoamericana
, 1998
.Sebastián
Santiago
. El barroco iberoamericano: Mensajo iconográfico
. Madrid
: Encuentro Ediciones
, 1990
.Sebastián
Santiago
. Contrarreforma y Barroco: Lecturas iconográficas e iconológicas
. Madrid
: Alianza Editorial
, 1981
.Sefamí
Jacobo
. “El llamado delos deseosos: Poesía neobarroca latinoamericana
.” Siglo XX/Twentieth Century
12
, no. 1–2
(1994
): 219
–37
.Sillevis
John
, ed. The Baroque World of Fernando Botero
. Alexandria, Va.
: Art Services International
, 2007
.Skrine
Peter
. The Baroque: Literature and Culture in Seventeenth-Century Europe
. London
: Methuen
, 1978
.Smith
Robert C.
Jr. “The Colonial Architecture of Minas Gerais in Brazil
.” Art Bulletin
21
, no. 2
(1939
): 110
–59
.Spadaccini
Nicholas
, and Martín-Estudillo
Luis
, eds. Hispanic Baroques: Reading Cultures in Context
. Nashville, Tenn.
: Vanderbilt University Press
, 2005
.Spengler
Oswald
. The Decline of the West
. Trans. Atkinson
Charles Francis
. 2
vols. New York
: Knopf
, 1980
.Spitta
Silvia
. Between Two Waters: Narratives of Transculturation in Latin America
. Houston
: Rice University Press
, 1994
.Spitzer
Leo
. “The Spanish Baroque
.” 1944
. In Representative Essays
. Ed. Forcione
Alban K.
, Lindenberger
Herbert
, and Sutherland
Madeline
. Stanford
: Stanford University Press
, 1988. 125
–39
.Sypher
Wylie
. Four Stages of Renaissance Style: Transformations in Art and Literature, 1400–1700
. Garden City, N.Y.
: Doubleday
, 1955
.Tally
Robert Taylor
. “American Baroque: Melville and the Literary Cartography of the World System
.” PhD diss.
, University of Pittsburgh
, 1999
.Telles
Augusto C.
, da Silva
. “Brazilian Baroque Architecture
.” In Brazil: Body and Soul
, ed. Sullivan
Edward
. New York
: Guggenheim Museum
, 2001
. 138
–48
.Thun
Matteo
. “Neobarocke Masstäbe
.” In Design heute: Masstäbe. Formgebung zwischen Industrie und Kunst-Stück
, ed. Fischer
Volker
. Munich
: Prestel
, 1988
. 197
–206
.Toussaint
Manuel
. Colonial Art in Mexico
. Ed. and trans. Weismann
Elizabeth Wilder
. Austin
: University of Texas Press
, 1967
.Tribe
Tania Costa
. “The Mulatto as Artist and Image in Colonial Brazil
.” Oxford Art Journal
19
, no. 1
(1996
): 67
–79
.Tweedie
James
. “Caliban's Books: The Hybrid Text in Peter Greenaway's Prospero's Books
.” Cinema Journal
40
, no. 1
(2000
): 104
–26
.Tweedie
James
. “The Suspended Spectacle of History: The Tableau Vivant in Derek Jarman's Caravaggio
.” Screen
44
, no. 4
(2003
): 379
–403
.Underwood
David K.
. “Toward a Phenomenology of Brazil's Baroque Modernism
.” In Brazil: Body and Soul
, ed. Sullivan
Edward J.
. New York
: Guggenheim Museum
, 2001
. 526
–38
.Van Delden
Maarten
. Carlos Fuentes, Mexico, and Modernity
. Nashville, Tenn.
: Vanderbilt University Press
, 1998
.Varderi
Alejandro
. Severo Sarduy y Pedro Almodóvar: Del barroco al kitsch en la narrativa y el cine postmodernos
. Madrid
: Editorial Pliegos
, 1996
.Wacker
Kelly A.
, ed. Baroque Tendencies in Contemporary Art
. Newcastle
: Cambridge Scholars Publishing
, 2007
.Wakefield
Steve
. Carpentier's Baroque Fiction: Returning Medusa's Gaze
. Woodbridge, Suffolk, UK
: Boydell and Brewer
, 2004
.Warnke
Frank J.
Versions of Baroque: European Literature in the Seventeenth Century
. New Haven
: Yale University Press
, 1972
.Weismann
Elizabeth Wilder
. Art and Time in Mexico: From the Conquest to the Revolution
. New York
: Harper and Row
, 1985
.Wölfflin
Heinrich
. Renaissance and Baroque
. 1888
. Trans. Simon
Kathrin
. Ithaca
: Cornell University Press
, 1967.Wollen
Peter
. “Baroque and Neo-Baroque in the Age of the Spectacle
.” Point of Contact
3
, no. 3
(1993
): 9
–21
.Woods
Michael J.
Gracián Meets Góngora: The Theory and Practice of Wit
. Warminster, UK
: Aris and Philips
, 1996
.XVII Congreso del Instituto Internacional de Literatura Iberoamericana: Sesión de Madrid
. Vol. 1
, El barroco en América
. Ed. Centro Iberoamericano de Cooperación
. Madrid
: Ediciones Cultura Hispánica del Centro Iberoamericano de Cooperación
, 1978
.Yaeger
Patricia
. “‘Black Men Dressed in Gold’—Eudora Welty, Empty Objects, and the Neobaroque
.” Editor's Column, pmla
124
, no. 11
(2009
): 11
–24
.Yaeger
Patricia
. “Circum-Atlantic Superabundance: Milk as World-Making in Alice Randall and Kara Walker.” In “Global Contexts, Local Literature: The New Southern Studies
,” ed. McKee
Kathryn
and Trefzer
Annette
, special issue, American Literature
78
, no. 4
(2006
): 769
–98
.Zamora
Lois Parkinson
. “Comparative Conclusions: Baroque New Worlds
.” In The Usable Past: The Imagination of History in Recent Fiction of the Americas
. Cambridge
: Cambridge University Press
, 1997
. 196
–210
.Zamora
Lois Parkinson
. The Inordinate Eye: New World Baroque and Latin American Fiction
. Chicago
: University of Chicago Press
, 2006
.Zamora
Lois Parkinson
. “New World Baroque, Neobaroque, Brut Barroco: Latin American Postcolonialisms
.” pmla
124
, no. 1
(2009
): 127
–42
.Zamora
Lois Parkinson
. “Swords and Silver Rings: Magical Objects in the Work of Jorge Luis Borges and Gabriel García Márquez
.” In A Companion to Magical Realism
, ed. Hart
Stephen
and Ouyang
Wen-chin
. Rochester, NY.
: Tamesis
, 2005
. 28
–45
.Zamora
Lois Parkinson
, and Faris
Wendy B.
, eds. Magical Realism: Theory, History, Community
. Durham, N.C.
: Duke University Press
, 1995
.Zavala
Iris M.
“The Three Faces of the Baroque in Mexico and the Caribbean
.” In Literary Cultures of Latin America: A Comparative History
, vol. 3
, Latin American Literary Culture: Subject to History, ed. Valdés
Mario J.
and Kadir
Djelal
. New York
: Oxford University Press
, 2004
. 174
–79
.