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Foundational Texts

Foundational Texts
Benjamin
Walter
. Excerpts from
The Origin of German Tragic Drama
. 1928. Trans.
Osborne
John
.
London
:
Verso
,
1985
.
91
95
, 174–85 included here.
Buci-Glucksmann
Christine
. “
Le travail du regard
” [“The Work of the Gaze”]. In
La folie du voir: De l'estétique baroque
.
Paris
:
Galilée
,
1986
.
66
89
. Translated by
Baker
Dorothy Z.
.
Campos
Haroldo de
. “
The Rule of Anthropophagy: Europe under the Sign of Devoration
.”
1981
. Trans.
Wolff
Maria Tai
.
Latin American Literary Review
14
, no.
27
(1986):
42
60
.
Carpentier
Alejo
. “
La ciudad de las columnas
” [“The City of Columns”].
1964
. In
Tientos y diferencias
, in Obras completas, vol.
13
, Ensayos.
Mexico City
:
Siglo Veintiuno
, 1990.
61
73
. Translated by
Schuessler
Michael
.
Carpentier
Alejo
. Excerpt from “
Problemática de la actual novela latinoamericana
” [“Questions Concerning the Contemporary Latin American Novel”].
1964
. In
Tientos y diferencias
, in Obras completas, vol.
13
, Ensayos.
Mexico City
:
Siglo Veintiuno
, 1990.
11
44
; 37–41 included here. Translated by
Schuessler
Michael
.
Celorio
Gonzalo
. “
Del barroco al neobarroco
” [“From the Baroque to the Neobaroque”]. In
Ensayo de contraconquista
.
Mexico City
:
Tusquets
,
2001
.
75
105
. Translated by
Delden
Maarten van
.
Chiampi
Irlemar
. “
El barroco en el ocaso de la modernidad
” [“The Baroque at the Twilight of Modernity”]. In
Barroco y modernidad
.
Mexico City
:
Fondo de Cultura Económica
,
2000
.
17
41
. Translated by
Childers
William
.
d'Ors
Eugenio
. Excerpt from “
La querella de lo barroco en Pontigny
” [“The Debate on the Baroque in Pontigny”].
Lo barroco
.
1935
; 1944, ed.
d'Ors
Angel
and
d'Ors
Alicia García Navarro de
.
Madrid
:
Tecnos
, 2002.
63
101
; 78–91 included here. Translated by
Faris
Wendy B.
.
Fuentes
Carlos
. “
Entre el dolor y la nada
” [“Between Pain and Nothingness”].
Siempre!
Supplement, La cultura en México,
August
1
,
1962
,
2
5
.
Fuentes
Carlos
. “
La novela como tragedia: William Faulkner
” [“
The Novel as Tragedy: William Faulkner
”]. In
Casa con dos puertas
.
Mexico City
:
Joaquín Mortiz
,
1970
.
52
78
. Translated by
Ochoa
John
.
Glissant
Édouard
. “
Concerning a Baroque Abroad in the World
.” In
Poetics of Relation
. Trans.
Wing
Betsy
.
Ann Arbor
:
University of Michigan Press
,
1997
.
77
79
.
González Echevarría
Roberto
. “
Apetitos de Góngora y Lezama
” [“Góngora's and Lezama's Appetites”]. In
XVII Congreso del Instituto Internacional de Literatura Iberoamericana: Sesión de Madrid
, vol.
1
, El barroco en América. Ed.
Centro Iberoamericano de Cooperación
,
Madrid
:
Ediciones Cultura Hispánica del Centro Iberoamericano de Cooperación
,
1978
.
555
72
. Translated by
Delden
Maarten van
.
Guido
Ángel
. “
América frente a Europa en al arte
” [“America's Relation to Europe in the Arts”]. In
Redescubrimiento de América en el arte
.
Rosario
:
República Argentina
,
1940
.
15
36
. Translated by
Blaine
Patrick
.
Henríquez Ureña
Pedro
. “
Barroco en América
” [“The Baroque in America”].
1940
. In
La utopía de América
, ed.
Rama
Ángel
and
Girardot
Rafael Gutiérrez
.
Caracas
:
Biblioteca Ayacucho
, 1978.
116
19
. Translated by
Dutra
Rose
.
Lezama Lima
José
. “
La curiosidad barroca
” [“Baroque Curiosity”]. In
La expresión americana
(
1957
), ed.
Chiampi
Irlemar
.
Mexico City
:
Fondo de Cultura Económica
, 1993.
79
106
. Translated by
Pérez
María
and
Birkenmaier
Anke
.
Nietzsche
Friedrich
, “
Vom Barockstile
” [“On the Baroque”].
1878
. In
Sämtliche Werke: Kritische Studienausgabe in Fünfzehn Bänden
, vol.
2
, Menschliches, Allzumenschliches I und II, ed.
Colli
Giorgio
and
Montinari
Mazzino
.
Berlin
:
Deutscher Taschenbuchverlag
,
1980
.
437
39
. Translated by
Kaup
Monika
.
Pascual Buxó
José
. “
Sor Juana y Góngora: Teoría y práctica de la imitación poética
” [“Sor Juana and Luis de Góngora: The Poetics of Imitatio”]. In
Sor Juana Inés de la Cruz: Lectura barroca de la poesía
.
Seville
:
Editorial Renacimiento
,
2006
.
333
400
. Translated by
Schuessler
Michael
and
Lapin
Ashley
.
Praz
Mario
. “
Baroque in England
.”
1960
. Translated in
Modern Philology
61
, no.
3
(1964):
169
79
.
Reyes
Alfonso
. Excerpt from “
Sabor de Góngora
” [“Savoring Góngora”].
1928
. In
Obras completas
, vol.
7
, ed.
Sánchez
Ernesto Mejía
.
Mexico City
:
Fondo de Cultura Económica
, 1958.
171
98
; 183–98 included here. Translated by
Dutra
Rose
.
Sarduy
Severo
. “
El barroco y el neobarroco
” [“The Baroque and the Neobaroque”].
1972
. In
Obra completa
, vol.
2
, ed.
Guerrero
Gustavo
and
Wahl
François
.
Madrid
:
Galaxia Gutenberg
;
Nanterre, France
:
allca XX
, 1999.
1385
404
. Translated by
Winks
Christopher
.
Sarduy
Severo
. “
La cosmología barroca: Kepler
” [“Baroque Cosmology: Kepler”].
1974
. In
Barroco
, in Obra completa, vol.
2
, ed.
Guerrero
Gustavo
and
Wahl
François
.
Madrid
:
Galaxia Gutenberg
; Nanterre, France: allca XX, 1999.
1223
40
. Translated by
Winks
Christopher
.
Wellek
René
. Excerpts from “
The Concept of Baroque in Literary Scholarship
.”
1945
, updated 1962. In
Concepts of Criticism
, ed.
Nichols
Stephen G.
Jr.
New Haven
:
Yale University Press
, 1963.
68
114
; 69–88, 108–14 included here.
Wölfflin
Heinrich
. Excerpt from the introduction to
Principles of Art History: The Problem of the Development of Style in Later Art
.
1915
. Trans.
Hottinger
M. D.
.
New York
:
Dover
, 1950.
1
17
; 13–16 included here.
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Selected Bibliography

Selected Bibliography
Abeyta
Michael
. “
Ostentatious Offerings: The Neobaroque Economies of Carlos Fuentes's Terra Nostra
.”
Confluencia
18
, no.
1
(
2002
):
103
17
.
Acosta
Leonardo
. “
El barroco de Indias y la ideología colonialista
.” In
El barroco de indias y otros ensayos
.
Havana
:
Casa de las Américas
,
1984
.
9
52
.
Alfaro
Alfonso
, ed.
Arte y espiritualidad jesuitas: Principio y fundamento
.
Mexico City
:
Artes de México
,
2004
.
Alonso
Dámaso
.
Estudios y ensayos gongorinos
.
Madrid
:
Gredos
,
1955
.
Anceschi
Luciano
.
La idea del barroco: Estudio sobre un problema estético
.
Madrid
:
Tecnos
,
1991
.
Antelo
Raúl
. “
The Baroque Gaze
.” In
Literary Cultures of Latin America: A Comparative History
. Vol.
3
, Latin American Literary Culture: Subject to History, ed.
Valdés
Mario J.
and
Kadir
Djelal
.
New York
:
Oxford University Press
,
2004
.
191
200
.
Argan
Giulio Carlo
.
The Baroque Age
.
New York
:
Rizzoli
,
1989
.
Armstrong
Elizabeth
, and
Zamudio-Taylor
Victor
, eds.
Ultra-Baroque: Aspects of Post-Latin American Art
.
San Diego
:
Museum of Contemporary Art
,
2000
.
Arriarán
Samuel
, and
Beuchot
Mauricio
.
Filosofía, neobarroco y multiculturalismo
.
Mexico City
:
Editorial Itaca
,
1999
.
Aullón de Haro
Pedro
, ed.
Barroco
.
Madrid
:
Verbum
,
2004
.
Ávila
Affonso
. “
The Baroque Culture of Brazil
.” In
Brazil: Body and Soul
, ed.
Sullivan
Edward
.
New York
:
Guggenheim Museum
,
2001
.
114
26
.
Ávila
Affonso
, ed.
Barroco: O territorio do barroco no século XXI
.
Ouro Preto, Brazil
:
Rona
,
2000
.
Ávila
Cristina
. “
Brazilian Baroque Art
.” In
Brazil: Body and Soul
, ed.
Sullivan
Edward
.
New York
:
Guggenheim Museum
,
2001
.
128
36
.
Badiou
Alain
. “
Gilles Deleuze, the Fold: Leibniz and the Baroque
.” In
Gilles Deleuze and the Theater of Philosophy
, ed.
Boundas
Constantin V.
and
Olkowski
Dorothea
.
New York
:
Routledge
,
1994
.
51
69
.
Bailey
Gauvin Alexander
.
Art of Colonial Latin America
.
London
:
Phaidon
,
2005
.
Bal
Mieke
.
Quoting Caravaggio: Contemporary Art, Preposterous History
.
Chicago
:
University of Chicago Press
,
1999
.
Baldissera
Lisa
,
Chapman
Jake
,
Chapman
Dinos
,
Henderson
Lee
, and
Martineau
Luanne
.
Peculiar Culture: The Contemporary Baroque
.
Victoria, BC, Canada
:
Art Gallery of Greater Victoria
,
2009
.
Ballón Aguirre
Enrique
.
Desconcierto barroco
.
Mexico City
:
Universidad Nacional Autónoma de México
,
2001
.
Barner
Wilfried
, ed.
Der literarische Barockbegriff
.
Darmstadt, Germany
:
Wissenschaftliche Buchgesellschaft
,
1975
.
Barner
Wilfried
. “
Nietzsches literarischer Barockbegriff
.”
1970
. In
Der literarische Barockbegriff
, ed.
Darmstadt
Barner
,
Germany
:
Wissenschaftliche Buchgesellschaft
, 1975.
568
91
.
Barth
John
. “
The Literature of Exhaustion
.”
1967
. In
The Friday Book: Essays and Other Nonfiction
.
New York
:
Putnam
,
1984
.
62
76
.
Barthel
Manfred
.
The Jesuits: History and Legend of the Society of Jesus
. Trans.
Howson
Mark
.
New York
:
William Morrow
,
1984
.
Barthes
Roland
. “
The Baroque Face
.”
Review
(
1972
):
31
32
.
Barthes
Roland
.
Sade/Fourier/Loyola
. Trans.
Miller
Richard
.
Berkeley
:
University of California Press
,
1989
.
Barzun
Jacques
. “
The Opulent Eye
.” In
From Dawn to Decadence: Five Hundred Years of Western Cultural Life, 1500 to the Present
.
New York
:
HarperCollins
,
2000
.
333
58
.
Battistini
Andrea
. “
The Telescope in the Baroque Imagination
.” In
Reason and Its Others: Italy, Spain, and the New World
, ed.
Castillo
David R.
and
Lollini
Massimo
.
Nashville, Tenn.
:
Vanderbilt University Press
,
2006
.
3
38
.
Bauer
Ralph
. “
‘Friends and Compatriots’: Carlos de Sigüenza y Góngora and the Piracy of Knowledge
.” In
The Cultural Geography of Colonial American Literatures: Empire, Travel, Modernity
.
Cambridge
:
Cambridge University Press
,
2003
.
157
78
.
Bazin
Germain
.
Baroque and Rococo
. Trans.
Griffin
Jonathan
.
London
:
Thames and Hudson
,
1964
.
Bejel
Emilio
.
José Lezama Lima: Poet of the Image
.
Gainesville
:
University of Florida Press
,
1990
.
Beverley
John
. “
Barroco de estado: Góngora y el gongorismo
.” In
Del Lazarillo al sandinismo: Estudios sobre la función ideológica de la literatura española e hispanoamericana
.
Minneapolis
:
Prisma Institute
,
1987
.
77
97
.
Beverley
John
. “
Going Baroque?
boundary 2
15
, no.
3
(
1988
):
27
39
.
Beverley
John
. “
On the Spanish Literary Baroque
.” In
Against Literature
.
Minneapolis
:
University of Minnesota Press
,
1993
.
47
65
.
Beverley
John
.
Una modernidad obsoleta: Estudios sobre el barroco
.
Los Teques, Venezuela
:
Fondo Editorial a.l.e.m.
,
1997
.
Blanco
John D.
Baroque Modernity and the Colonial World: Aesthetics and Catastrophe in Nick Joaquín's A Portrait of the Artist as Filipino
.”
Kritika Kultura
, no.
4
(
2004
):
6
33
.
Bodei
Remo
et al
.
Barroco y neobarrocco
.
Madrid
:
Círculo de Bellas Artes
,
1993
.
Borges
Jorge Luis
.
Textos recobrados, 1919–1929
. ed.
Carril
Sara Luisa del
.
Buenos Aires
:
Emecé
,
1997
.
Bornhofen
Patricia Lynn
. “
Cosmography and Chaography: Baroque to Neobaroque
.”
PhD diss.
,
University of Wisconsin
,
Madison
,
1995
.
Bosch
Lynette M. F.
.
Cuban-American Art in Miami: Exile, Identity and the Neo-Baroque
.
Burlington, Vt.
:
Lund Humphries
,
2004
.
Bottineau
Ives
.
Iberian-American Baroque
. Trans.
Leake
Kenneth Martin
.
Lausanne
:
Benedikt Taschen Verlag
,
1990
.
Braider
Christopher
.
Baroque Self-Invention and Historical Truth: Hercules at the Crossroads
.
Aldershot, UK
:
Ashgate
,
2004
.
Bredekamp
Horst
.
Die Fenster der Monade: Gottfried Wilhelm Leibniz Theater der Natur und Kunst
.
Berlin
:
Akademie Verlag
,
2004
.
Brown
J. Andrew
. “
Cyborgs, Post-Punk, and the Neobaroque: Ricardo Piglia's La ciudad ausente
.”
Comparative Literature
61
, no.
3
(
2009
):
316
26
.
Brown
Marshall
. “
The Classic Is the Baroque: On the Principle of Wölfflin's Art History
.”
Critical Inquiry
9
, no.
2
(
1982
):
379
404
.
Christine
Buci-Glucksmann
.
Baroque Reason: The Aesthetics of Modernity
. Trans.
Camiller
Patrick
.
London
:
Sage
,
1994
.
Buci-Glucksmann
Christine
, ed.
Puissance du baroque: Les forces, les formes, les rationalités
.
Paris
:
Galilée
,
1996
.
Christine
Buci-Glucksmann
.
Tragique de l'ombre: Shakespeare et le maniérisme
.
Paris
:
Galilée
,
1990
.
Burckhardt
Jacob
.
The Cicerone: An Art Guide to Painting in Italy
. Trans.
Clough
A. H.
.
New York
:
Garland
,
1979
.
Buscaglia-Salgado
José F.
The Creole in His Labyrinth
.” In
Undoing Empire: Race and Nation in the Mulatto Caribbean
.
Minneapolis
:
University of Minnesota Press
,
2003
.
128
82
.
Bustillo
Carmen
.
Barroco y América Latina: Un itinerario inconcluso
.
Caracas
:
Monte Ávila Editores
,
1990
.
Calabrese
Omar
.
Neo-Baroque: A Sign of the Times
. Trans.
Lambert
Charles
.
Princeton
:
Princeton University Press
,
1992
.
Calloway
Stephen
.
Baroque Baroque: The Culture of Excess
.
London
:
Phaidon
,
1994
.
Campos
Haroldo de
.
Novas: Selected Writings
. Ed.
Bessa
Antonio Sergio
and
Cisneros
Odile
.
Evanston, Ill.
:
Northwestern University Press
,
2007
.
Candido
Antonio
.
Formação da literatura brasileira
.
São Paulo
:
Martins
,
1959
.
Cañizares-Esguerra
Jorge
. “
Our Lady of Guadalupe as Neoplatonic Seal and Mesoamerican Glyph
.” In
How to Write the History of the New World: Histories, Epistemologies, and Identities in the Eighteenth-Century Atlantic World
.
Stanford
:
Stanford University Press
,
2001
.
305
21
.
Carpentier
Alejo
. “
The Baroque and the Marvelous Real
.” Trans.
Huntington
Tanya
and
Zamora
Lois Parkinson
. In
Magical Realism: Theory, History, Community
, ed.
Zamora
and
Faris
Wendy B.
.
Durham, N.C.
:
Duke University Press
,
1995
.
89
108
.
Carpentier
Alejo
. “
Lo barroco y lo real maravilloso
.”
1975
. In
La novela latinoamericana en vísperas de un nuevo siglo y otros ensayos
.
Mexico City
:
Siglo Veintiuno
, 1981.
111
35
.
Carpentier
Alejo
. “
On the Marvelous Real in America
.” In
Magical Realism: Theory, History, Community
, eds.
Zamora
Lois Parkinson
and
Faris
Wendy B.
.
Durham, N.C.
:
Duke University Press
,
1995
.
75
88
.
Cascardi
Anthony J.
The Genealogy of the Sublime in the Aesthetics of the Spanish Baroque
.” In
Reason and Its Others: Italy, Spain, and the New World
, ed.
Castillo
David R.
and
Lollini
Massimo
.
Nashville, Tenn.
:
Vanderbilt University Press
,
2006
.
221
39
.
Cascardi
Anthony J.
The Subject of Control
.” In
Culture and Control in Counter-Reformation Spain
, ed.
Cruz
Anne J.
and
Perry
Mary Elizabeth
.
Minneapolis
:
University of Minnesota Press
,
1992
.
231
54
.
Castagnino
Raúl
.
El barroco literario hispánico
.
Buenos Aires
:
Nova
,
1969
.
Castellanos
Rosario
. “
Language as an Instrument of Domination
.” In
A Rosario Castellanos Reader
, ed. and trans.
Ahern
Maureen
.
Austin
:
University of Texas Press
,
1988
.
250
53
.
Castellanos
Rosario
. “
Notas al margen: El lenguaje como instrumento de dominio
.” In
Mujer que sabe latín
.
1973
.
Mexico City
:
Fondo de Cultura Económica
, 1984.
175
80
.
Castellanos
Rosario
. “
Once Again Sor Juana
.”
1966
. In
A Rosario Castellanos Reader
, ed. and trans.
Ahern
Maureen
.
Austin
:
University of Texas Press
, 1988.
223
25
.
Castillo
David R.
(A)wry Views: Anamorphosis, Cervantes, and the Early Picaresque
.
West Lafayette, Ind.
:
Purdue University Press
,
2001
.
Catalá
Rafael
.
Para una lectura americana del barroco mexicano: Sor Juana Inés de la Cruz y Sigüenza y Góngora
.
Minneapolis
:
Prisma Institute
,
1987
.
Celorio
Gonzalo
. “
Barroco y crítica en la literatura hispanoamericana
.” In
Modernidad, mestizaje cultural, ethos barroco
, ed.
Echeverría
Bolívar
.
Mexico City
:
Universidad Nacional Autónoma de México
,
1994
.
333
47
.
Celorio
Gonzalo
.
México, ciudad de papel: Discurso
.
Mexico City
:
Universidad Nacional Autónoma de México
,
1997
.
Certeau
Michel de
.
The Mystic Fable
. Vol.
1
, The Sixteenth and Seventeenth Centuries. Trans.
Smith
Michael B.
.
Chicago
:
University of Chicago Press
,
1992
.
Chancé
Dominique
.
Poétique baroque de la Caraïbe
.
Paris
:
Karthala
,
2001
.
Charpentrat
Pierre
.
Le mirage baroque
.
Paris
:
Minuit
,
1967
.
Childers
William
. “
The Baroque Public Sphere
.” In
Reason and Its Others: Italy, Spain, and the New World
, ed.
Castillo
David R.
and
Lollini
Massimo
.
Nashville, Tenn.
:
Vanderbilt University Press
,
2006
.
165
85
.
Childers
William
.
Transnational Cervantes
.
Toronto
:
University of Toronto Press
,
2006
.
Colvin
Margaret Elizabeth
.
Baroque Fictions: Revisioning the Classical in Marguerite Yourcenar
.
Amsterdam
:
Rodopi
,
2005
.
Corrin
Lisa G.
, ed.
Going for Baroque: Eighteen Contemporary Artists Fascinated with the Baroque and Rococo
.
Baltimore
:
Contemporary and the Walters Art Gallery
,
1995
.
Costa Tribe
Tania
. “
The Mulatto as Artist and Image in Colonial Brazil
.”
Oxford Art Journal
19
, no.
1
(
1996
):
67
79
.
Coutinho
Afrânio
.
Aspectos da literatura barroca
.
Rio de Janeiro
:
Editôra A. Noite
,
1950
.
Couture
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