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1960
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Aragbabalu
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Omidiji
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Obafemi
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Path to Nigerian Freedom
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Faber and Faber
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Azikiwe
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My Odyssey
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New York
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1970
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Azikiwe
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Nnamdi
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Renascent Africa
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Frank Cass
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.
Barnitz
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. “
In the Galleries: Jacob Lawrence
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Beier
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Thirteen Painters from the Mental Home Abeokuta: Guide to the Exhibition of Painters at the Exhibition Centre, Marina, Lagos, 31 August–11 September 1953
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1953
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Beier
,
Ulli
. “
Aginaldo dos Santos
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13
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Beier
,
Ulli
.
Art in Nigeria
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Cambridge
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,
1960
.
Beier
,
Ulli
. “
Artist from Sudan
.”
West African Review
32
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410
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February
1962
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49
53
.
Beier
,
Ulli
. “
Colette Omogbai—Exhibition of Paintings at Mbari, Ibadan
.”
Black Orpheus
14
(
February
1964
):
63
.
Beier
,
Ulli
.
Contemporary Art in Africa
.
New York
:
Praeger
,
1968
.
Beier
,
Ulli
. “
Contemporary Nigerian Art
.”
Nigeria
68
(
1961
):
27
57
.
Beier
,
Ulli
. “
Demas Nwoko: A Young Nigerian Artist
.”
Black Orpheus
8
(
1960/61
):
10
11
.
Beier
,
Ulli
. “
Eze: A Nigerian Surrealist Painter
.”
Nigeria
75
(
1962
):
79
80
.
Beier
,
Ulli
. “
Ibrahim Salahi
.”
Black Orpheus
10
(
1961/62
):
48
50
.
Beier
,
Ulli
.
In a Colonial University
.
Bayreuth
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Iwalewa-Haus, University of Bayreuth
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1993
.
Beier
,
Ulli
. “
Nigerian Stage Designer
.”
Nigeria
75
(
1962
):
77
.
Beier
,
Ulli
. “
The Right to Claim the World: Conversation with Ibrahim El Salahi
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Third Text
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23
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1993
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23
30
.
Beier
,
Ulli
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Three Zaria Artists” [Uche Okeke, Demas Nwoko, Jimo Bola Akolo]
.
West African Review
31
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395
(
October
1960
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37
41
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Beier
,
Ulli
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Two American Negro Painters
.”
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11
(
1962
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25
26
,
27
.
Beier
,
Ulli
. “
Two Yoruba Painters
.”
Black Orpheus
6
(
1959
):
29
32
.
Beier
,
Ulli
. “
Vincent Akweti Kofi: A Sculptor from Ghana
.”
Black Orpheus
9
(
June
1961
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35
36
.
Beier
,
Ulli
, ed.
Glücklose Köpfe: Luckless Heads
.
Bremen
:
Edition CON
,
1982
.
Beier
,
Ulli
, ed.
Ibrahim El Salahi: Drawings
.
Ibadan, Nigeria
:
Mbari
,
1961
.
Beier
,
Ulli
, ed.
The Return of Shango: The Theatre of Duro Ladipo
.
Bayreuth
:
Iwalewa-Haus, University of Bayreuth
,
1995
.
Beier
,
Ulli
, ed.
Thirty Years of Oshogbo Art
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Bayreuth
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Iwalewa-Haus, University of Bayreuth
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1991
.
Beier
,
Ulli
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Uche Okeke: Drawings
.
Ibadan, Nigeria
:
Mbari
,
1961
.

[See also the pseudonyms Akanji and Aragbabalu, Omidiji, for additional Ulli Beier entries.]

Beinart
,
Julian
. “
Malangatana
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Black Orpheus
10
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1961–62
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Benson
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Bernheim
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Marc
, and
Bernheim
Evelyne
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A New Kind of African Woman
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New York Times
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July
7
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1963
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14
.
Bhabha
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Homi K
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The Location of Culture
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London
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Routledge
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2004
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Bois
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Yve-Alain
.
Painting as Model
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Cambridge, MA
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MIT Press
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1990
.
Bois
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Yve-Alain
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The Semiology of Cubism
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From Faktura to Factography
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30
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1984
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119
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Byfield
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Judith
. “
‘Unwrapping’ Nationalism: Dress, Gender, and Nationalist Discourse in Colonial Lagos
.”
Discussion Papers in African Humanities
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Boston
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African Studies Center, Boston University
,
2000
.
Canclini
Néstor Garcia
,
.
Hybrid Cultures: Strategies for Entering and Leaving Modernity
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Minneapolis
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University of Minnesota Press
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.
Carland
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John M
.
The Colonial Office and Nigeria, 1898–1914
.
Stanford, CA
:
Hoover Institution Press
,
1985
.
Carthy
,
Shane
. “
Cannibalistic Christianity
.”
Nigeria
89
(
1966
):
79
.
Carthy
,
Shane
. “
Cannibalistic Christianity
.”
Nigeria
91
(
1966
):
316
.
Casely-Hayford
,
J. E.
Ethiopia Unbound: Studies in Race Emancipation
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London
:
Cass
,
1969
.
Césaire
,
Aimé
.
Discourse on Colonialism
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Pinkham
Joan
.
New York
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,
2000 [1972]
.
First published as Discours sur le colonialisme. Paris: Présence africaine, 1955
.
Césaire
,
Aimé
.
Return to My Native Land
. Translated by
Snyders
Emil
.
Paris
:
Présence africaine
,
1968
.
Chatterjee
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Partha
.
The Nation and Its Fragments: Colonial and Postcolonial Histories
.
Princeton, NJ
:
Princeton University Press
,
1993
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Chinweizu [Chinweizu Ibekwe]
. “
Prodigals, Come Home!
Okike: An African Journal of New Writing
4
(
1973
):
1
12
.
Chinweizu
,
Jemie Onwuchekwa
, and
Madubuike
.
Ihechukwu
Toward the Decolonization of African Literature: African Fiction and Poetry and Their Critics
.
Washington, DC
:
Howard University Press
,
1983
.
Clark [Clark-Bekederemo]
,
P.
J. (John Pepper)
.
A Reed in the Tide
.
London
:
Longmans
,
1965
.
Clark
,
T. J.
Farewell to an Idea: Episodes from a History of Modernism
.
New Haven, CT
:
Yale University Press
,
1999
.
Clarke
,
F
. “
The Double Mind in African Education
.”
Africa: Journal of the International African Institute
5
, no.
2
(
April
1932
):
158
168
.
Cole
,
Herbert M
. “
Art as a Verb in Iboland
.”
African Arts
3
, no.
1
(Autumn
1969
):
34
41
,
88
.
Cole
,
Herbert M
.
Icons: Ideals and Power in the Art of Africa
.
Washington, DC
:
Smithsonian Institution Press
,
1989
.
Cole
,
Herbert M
.
Mbari: Art and Life among the Owerri Igbo
.
Bloomington
:
Indiana University Press
,
1982
.
Cole
,
Herbert M
. “
Mbari Is Life
.”
African Arts
2
, no.
3
(Spring
1969
):
8
17
,
87
.
Cole
,
Herbert M.
, and
Aniakor
Chike
.
Igbo Arts: Community and Cosmos
.
Los Angeles
:
Museum of Cultural History, University of California
,
1984
.
Cole
,
Herbert M.
, and
Morell
Karen L.
.
Beauty and the Beast: Two Igbo Masquerades
.
VHS videotape
.
Seattle
:
African Studies Program in the Jackson School of International Studies, University of Washington
,
1985
.
Coleman
,
James S
.
Backgrounds to Nigerian Nationalism
.
Berkeley
:
University of California Press
,
1958
.
Colonial Office, Advisory Committee on Education in the Colonies
.
Memorandum on the Education of African Communities
. Colonial no. 103.
London
:
HMSO
,
1935
.
Conner
,
Clifford D
.
A People’s History of Science: Miners, Midwives, and “Low Mechanicks.”
New York
:
Nation Books
,
2005
.
Coomaraswamy
,
Ananda
.
The Dance of Œiva: Fourteen Indian Essays
.
New York
:
Sunwise Turn
,
1918
.
Craven
,
David
. “
The Latin American Origins of ‘Alternative Modernism.’
Third Text
36
(
1996
):
29
44
.
Crowder
,
Michael
. “
Akolo
.”
Nigeria
74
(
1962
):
91
.
Crowder
,
Michael
. “
Indirect Rule—French and British Style
.” In
Perspectives on the African Past
, edited by
Klein
Martin A.
and
Johnson
G. Wesley
,
358
369
.
Boston
:
Little, Brown
,
1972
.
Crowder
,
Michael
. “
Nigeria’s Artists Emerge
.”
West African Review
33
, no.
417
(
September
1962
):
30
36
,
59
.
Crowder
,
Michael
.
The Story of Nigeria
.
London
:
Faber and Faber
,
1966
.
Cummings
,
Richard
.
The Pied Piper: Allard K. Lowenstein and the Liberal Dream
.
New York
:
Grove Press
,
1985
.
Dalmia
,
Yashodhara
.
The Making of Modern Indian Art: The Progressives
.
Oxford
:
Oxford University Press
,
2001
.
Danford
,
John A
. “
Nigerian Art
.”
Nigeria
33
(
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):
153
174
.
Darah
,
G. G.
, and
Quel
Safy
, eds.
Bruce Onobrakpeya: The Spirit in Ascent
.
Lagos
:
Ovuomaroro Gallery
,
1992
.
Davis
,
John A
. “
Preface
.” In
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, edited by
American Society of African Culture
,
v
vii
.
Berkeley
:
University of California Press
,
1962
.
Delange
,
Jacqueline
, and
Fry
Philip
. “
Introduction
.” In
Contemporary African Art
,
5
8
.
Exhibition catalog, Camden Arts Centre
.
London
:
Studio International
,
1970
.
Deliss
,
Clémentine
, ed.
Seven Stories about Modern Art in Africa
.
Paris
:
Flammarion
,
1995
.
de Moraes Farias
,
P. F.
, and
Barber
Karin
. “
Introduction
.” In
Self-Assertion and Brokerage: Early Cultural Nationalism in West Africa
, edited by
de Moraes Farias
P. F.
and
Barber
Karin
,
1
10
.
Birmingham
:
Centre of West African Studies, Birmingham University
,
1990
.
Deressa
,
Solomon
. “
Skunder in Context
.”
Nka: Journal of Contemporary African Art
11/12
(
2000
):
80
85
.
Dike
,
P. C.
, and
Oyelola
P.
, eds.
The Zaria Art Society: A New Consciousness
.
Lagos
:
National Gallery of Art
,
1998
.
Diop
,
Alioune
. “
Remarks on African Personality and Négritude
.” In
Pan-Africanism Reconsidered
, edited by the
American Society of African Culture
,
337
345
.
Berkeley
:
University of California Press
,
1962
.
Dosumu
,
A. O. Delo
. “
Preface
.” In
Aina Onabolu, A Short Discourse on Art
,
unpaginated
.
Lagos
:
Aina Onabolu
,
1920
.
Dover
,
Cedric
.
American Negro Art
.
Greenwich, CT
:
New York Graphic Society
,
1960
.
Drewal
,
Henry
. “
Memory and Agency: Bantu and Yoruba Arts in Brazilian Culture
.” In
Diaspora and Visual Culture: Representing Africans and Jews
, edited by
Mirzoeff
Nicholas
,
241
253
.
London
:
Routledge
,
1999
.
Drewal
,
Henry
,
Pemberton
John
III
, and
Abiodun
Rowland
.
Yoruba: Nine Centuries of African Art and Thought
, edited by
Wardwell
Allen
.
New York
:
Center for African Arts
,
1989
.
Du Bois
,
W. E. B.
The Souls of Black Folk
.
New York
:
Vintage Books/Library of America
,
1990
.
Du Bois
,
W. E. B.
The World and Africa
.
New York
:
International
,
1965
.
Duerden
,
Dennis
. “
Is There a Nigerian Style of Painting?
Nigeria
41
(
1953
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51
59
.
Duerden
,
Dennis
. “
‘Mbari’: Ibadan’s Arts Club
.“
West African Review
32
, no.
408
(
December
1961
):
41
43
.
Duerden
,
Dennis
. “
School for Painters: Seven-Day Course at Ibadan’s Arts Club
.”
West African Review
33
, no.
409
(
January
1962
):
33
38
.
Echeruo
,
Michael
.
Victorian Lagos: Aspects of Nineteenth Century Lagos Life
.
London
:
Macmillan
,
1977
.
Egonwa
,
Osa
. “
The Evolution of the Concept of ‘Natural Synthesis.’
Uso: Nigerian Journal of Art
3
, nos.
1–2
(
2001
):
52
60
.
Ekom
,
Ernest
. “
Caviare to the General?
Nigeria
80
(
1964
):
72
80
.
Ekpo
,
Denis
, “
From Negritude to Post-Africanism
.”
Third Text
24
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2
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2010
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177
187
.
Ekwensi
,
Cyprian
.
An African Night’s Entertainment: A Tale of Vengeance
. Illustrated by
Onobrakpeya
Bruce
.
Lagos
:
African Universities Press
,
1962
.
Ekwensi
,
Cyprian
. “
The High Price of Nigerian Art
.”
Nigeria
88
(
1966
):
36
41
.
Ekwensi
,
Cyprian
. “
One Step Beyond
.”
Nigeria
79
(
1963
):
299
.
Emokpae
,
Erhabor
. “
Cannibalistic Christianity
.”
Nigeria
90
(
1966
):
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Williams
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Denis
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Figures & Tables

Contents

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References

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.
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. “
Artist from Sudan
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53
.
Beier
,
Ulli
. “
Colette Omogbai—Exhibition of Paintings at Mbari, Ibadan
.”
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14
(
February
1964
):
63
.
Beier
,
Ulli
.
Contemporary Art in Africa
.
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,
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.
Beier
,
Ulli
. “
Contemporary Nigerian Art
.”
Nigeria
68
(
1961
):
27
57
.
Beier
,
Ulli
. “
Demas Nwoko: A Young Nigerian Artist
.”
Black Orpheus
8
(
1960/61
):
10
11
.
Beier
,
Ulli
. “
Eze: A Nigerian Surrealist Painter
.”
Nigeria
75
(
1962
):
79
80
.
Beier
,
Ulli
. “
Ibrahim Salahi
.”
Black Orpheus
10
(
1961/62
):
48
50
.
Beier
,
Ulli
.
In a Colonial University
.
Bayreuth
:
Iwalewa-Haus, University of Bayreuth
,
1993
.
Beier
,
Ulli
. “
Nigerian Stage Designer
.”
Nigeria
75
(
1962
):
77
.
Beier
,
Ulli
. “
The Right to Claim the World: Conversation with Ibrahim El Salahi
.”
Third Text
7
, no.
23
(
1993
):
23
30
.
Beier
,
Ulli
. “
Three Zaria Artists” [Uche Okeke, Demas Nwoko, Jimo Bola Akolo]
.
West African Review
31
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395
(
October
1960
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37
41
.
Beier
,
Ulli
. “
Two American Negro Painters
.”
Black Orpheus
11
(
1962
):
25
26
,
27
.
Beier
,
Ulli
. “
Two Yoruba Painters
.”
Black Orpheus
6
(
1959
):
29
32
.
Beier
,
Ulli
. “
Vincent Akweti Kofi: A Sculptor from Ghana
.”
Black Orpheus
9
(
June
1961
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35
36
.
Beier
,
Ulli
, ed.
Glücklose Köpfe: Luckless Heads
.
Bremen
:
Edition CON
,
1982
.
Beier
,
Ulli
, ed.
Ibrahim El Salahi: Drawings
.
Ibadan, Nigeria
:
Mbari
,
1961
.
Beier
,
Ulli
, ed.
The Return of Shango: The Theatre of Duro Ladipo
.
Bayreuth
:
Iwalewa-Haus, University of Bayreuth
,
1995
.
Beier
,
Ulli
, ed.
Thirty Years of Oshogbo Art
.
Bayreuth
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Iwalewa-Haus, University of Bayreuth
,
1991
.
Beier
,
Ulli
, ed.
Uche Okeke: Drawings
.
Ibadan, Nigeria
:
Mbari
,
1961
.

[See also the pseudonyms Akanji and Aragbabalu, Omidiji, for additional Ulli Beier entries.]

Beinart
,
Julian
. “
Malangatana
.”
Black Orpheus
10
(
1961–62
):
22
27
.
Benson
,
Peter
.
Black Orpheus, Transition, and Modern Cultural Awakening in Africa
.
Berkeley
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,
1986
.
Bernheim
,
Marc
, and
Bernheim
Evelyne
. “
A New Kind of African Woman
.”
New York Times
,
July
7
,
1963
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14
.
Bhabha
,
Homi K
.
The Location of Culture
.
London
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Routledge
,
2004
.
Bois
,
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