Book Chapter
Introduction: “People Get Ready”: The Future of Jazz Is Now! by Ajay Heble and Rob Wallace
By
-
Published:April 2013
Citation
Ajay Heble, Rob Wallace, 2013. "Introduction: “People Get Ready”: The Future of Jazz Is Now! by Ajay Heble and Rob Wallace", People Get Ready: The Future of Jazz Is Now!, Ajay Heble, Rob Wallace, Rob Wallace
Download citation file:
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
This content is only available as PDF.
Amador
Michelle
. Messages to Brackett
John
. 2009
. E-mail.Anderson
Iain
. This Is Our Music: Free Jazz, the Sixties, and American Culture
. Philadelphia
: University of Pennsylvania Press
, 2007
. Print.Ang
Ien
. On Not Speaking Chinese: Living between Asia and the West
. London
: Routledge
, 2001
. Print.Appadurai
Arjun
. Modernity at Large: Cultural Dimensions of Globalization
. Minneapolis
: University of Minnesota Press
, 1996
. Print.Atkins
E. Taylor
, ed. Jazz Planet
. Jackson
: University Press of Mississippi
, 2003
. Print.Austin
J. L.
How to Do Things with Words
. Ed. Sbisa
Marina
and Urmson
J. O.
. 2nd ed. Cambridge, MA
: Harvard University Press
, 1975
. Print.Bailey
Derek
. Improvisation: Its Nature and Practice in Music
. Cambridge, MA
: Da Capo
, 1992
. Print.Bangs
Lester
. “Charlie Haden: Liberation Music Orchestra
.” Morthland, 35
–36
. Print.Bangs
Lester
. “The mc5-Kick Out the Jams
.” Rolling Stone
30
Apr
. 1969
. Beat Patrol
. Web. 22
June
2010
.Baraka
Imamu Amiri
[LeRoi Jones]. Blues People: Negro Music in White America
. New York
: Morrow
, 1963
. Print.Baraka
Imamu Amiri
[LeRoi Jones]. “The Changing Same
.” Black Music
. Cambridge, MA
: Da Capo
, 1998
. 180
–211
. Print.Baraka
Imamu Amiri
[LeRoi Jones]. “One Night Stand
.” Preface to a Twenty Volume Suicide Note
. New York
: Totem/Corinth
, 1961
. 21
–22
. Print.Barrett
Lindon
. Blackness and Value: Seeing Double
. Cambridge
: Cambridge University Press
, 1999
. Print.Barzel
Tamar
. Conversations with Ribot
Marc
. Sept
. 2009
. E-mail.Berkman
Franya
. “Appropriating Universality: The Coltranes and 1960s Spirituality
.” American Studies
48.1
(2007
): 41
–62
. Print.Berkman
Franya
. “Divine Songs: The Music of Alice Coltrane
.” Diss.
Wesleyan University
, 2003
. Print.Berliner
Paul
. “Give and Take: The Collective Conversation of Jazz Performance
.” Creativity in Performance
. Ed. Sawyer
R. Keith
. Greenwich, CT
: Ablex
, 1997
. 9
–42
. Print.Born
Georgina
, and Hesmondhalgh
David
. Western Music and Its Others: Difference, Representation, and Appropriation in Music
. Berkeley
: University of California Press
, 2000
. Print.Borough of Manhattan Community College’s Tribeca Performing Arts Center
. “Lost Jazz Shrines
.” Tribeca Performing Arts Center
. Tribeca pac, n.d.
Web. 22
June
2010
.Braxton
Anthony
. Tri-Axium Writings
. 3
vols. Hanover, NH
: Frog Peak Music
, 1985
. Print.Bronx Council on the Arts
. “Economic Development through a Creative Economy: Executive Summary
.” Bronxarts
. Bronx Council on the Arts, n.d.
Web. 22
June
2010
.Brooks
David
. Bobos in Paradise: The New Upper Class and How They Got There
. New York
: Simon and Schuster
, 2001
. Print.dir.
Burns
Ken
, Jazz: A Film by Ken Burns
. 10
vols. pbs, 2001
. dvd.Butler
Judith
. Bodies That Matter: On the Discursive Limits of “Sex
.” New York
: Routledge
, 1993
. Print.Butler
Judith
. Gender Trouble: Feminism and the Subversion of Identity
. New York
: Routledge
, 1990
. Expt. in Price and Shildrick. 416
–22
. Print.Byron
Don
. Interview by Themba
Makani N.
. “Don Byron-On Life outside the Box
.” Seeingblack
. Web. 23
Oct
. 2012
.Carr
C.
“Money Changes Everything: The East Village Art Mart
.” Village Voice Literary Supplement
Sept
. 1985
. Abcnorio. Web. 22
June
2010
.Chicago Underground Duo
. 12 Degrees of Freedom
. Thrill Jockey, 1998
. cd.Chinen
Nate
. “Jazz in America, to the Beat of a Smooth One-Man Band
.” New York Times
27
Aug
. 2006
. Print.Chuck
D.
“Strange Bedfellows: How the Clash Inspired Public Enemy
.” Let Fury Have the Hour: The Punk Rock Politics of Joe Strummer
. Ed. D’Ambrosio
Antonio
. New York
: Nation
, 2004
. xix
–xx
. Print.City of Toronto
. Culture Plan for the Creative City
. Toronto
: Toronto Culture
, 2003
. Print.Coss
Bill
. “The Agonies of Exploration: Jeanne Lee and Ran Blake
.” Down Beat
13
Sep
. 1962
: 18
. Print.Crispell
Marilyn
. Personal Interview with Waterman
Ellen
and Smith
Julie
. 29
June
2003
.Cyrille
Andrew
, Lee
Jeanne
, and Lyons
Jimmy
. Nuba
. Black Saint, 1979
. cd.Dammers
Jerry
. “Cosmic Engineering: Jerry Dammers; The Spatial aka Orchestra
.” Sun Ra: Interviews and Essays
. Ed. Sinclair
John
. London
: Headpress
, 2010
. 129
–38
. Print.de Lauretis
Teresa
. Technologies of Gender: Essays on Theory, Film, and Fiction
. Bloomington
: Indiana University Press
, 1987
. Print.Derrida
Jacques
. “Remarks on Deconstruction and Pragmatism
.” Deconstruction and Pragmatism
. Ed. Mouffe
Chantal
. New York
: Routledge
, 1996
. 77
–88
. Print.Descombes
Vincent
. Modern French Philosophy
. Cambridge
: Cambridge University Press
, 1998
. Print.DeVeaux
Scott
. “Constructing the Jazz Tradition: Jazz Historiography
.” Black American Literature Forum
25.3
(1991
): 525
–60
. Print.Dickinson
Peter
. CageTalk: Dialogues with and about John Cage
. Rochester, NY
: University of Rochester Press
, 2006
. Print.Dickinson
Phil
. Personal interview with Wallace
Rob
. 23
Sept
. 2011
.Drake
Hamid
. Personal Interview with Waterman
Ellen
and Smith
Julie
. 29
June
2003
.Duncombe
Stephen
, and Tremblay
Maxwell
, eds. White Riot: Punk Rock and the Politics of Race
. London
: Verso
, 2011
.Duran
Bonnie
. “Race, Racism, and the Dharma
.” Dharma, Color, and Culture: New Voices in Western Buddhism
. Ed. Baldoquin
Hilda Gutierrez
. Berkeley
: Parallax
, 2004
. Print.Durant
Alan
. “Improvisation in the Political Economy of Music
.” Music and the Politics of Culture
. Ed. Norris
Christopher
. London
: Lawrence and Wishart
, 1989
. 252
–82
. Print.Early
Gerald
. “The Passing of Jazz’s Old Guard: Remembering Charles Mingus, Thelonious Monk, and Sonny Stitt
.” Kenyon Review
7.2
(1985
): 21
–36
. Print.Ellington
Duke
. “‘Interpretations in Jazz’: A Conference with Duke Ellington
.” Etude
(1947
): 134
, 172
. Print.Ellington
Duke
. “A Royal View of Jazz
.” Jazz: A Quarterly of American Music
2
(1959
): 83
–87
. Print.Ellison
Ralph
. Three Days before the Shooting
. . . Ed. Callahan
John F.
and Bradley
Adam
. New York
: Modern Library
, 2010
. Print.Erickson
Kevin
. “Reclaiming New York for Local Arts
.” Wiretap: Ideas and Actions for a New Generation
. 9
Jan
. 2008
. WireTapMag
. Web. 2
June
2010
.Evans
Graeme
. “Measure for Measure: Evaluating the Evidence of Culture’s Contribution to Regeneration
.” Urban Studies
42.5
/6
(2005
): 959
–83
. Print.Fellezs
Kevin
. Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion
. Durham, NC
: Duke University Press
, 2011
. Print.Fields
Jim
, and dirs
Michael Gramaglia
dirs., End of the Century: The Story of the Ramones
. Rhino Home Video, 2003
. DVD.Fischlin
Daniel
, and Heble
Ajay
, eds. The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
. Middletown, CT
: Wesleyan University Press
, 2004
. Print.Florida
Richard
. The Rise of the Creative Class-And How It’s Transforming Work, Leisure, Community and Everyday Life
. New York
: Basic
, 2002
. Print.Floyd
Samuel A.
, and Jr. “Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry
.” Black Music Research Journal
11.2
(1991
): 265
–87
. Print.Fontaine
Dick
, and dir. Sound??
Rhapsody, 1966
. Film.Foster
Susan Leigh
. “Introducing Unnatural Acts, 1997
.” Decomposition: Post-Disciplinary Performance
. Ed. Sue-Ellen Case
Philip Brett
, and Foster
Susan Leigh
. Bloomington
: Indiana University Press
, 2000
. 3
–9
. Print.Frisell
Bill
. History, Mystery
. Nonesuch, 2008
. cd.Garcia
Beatriz
. “Cultural Policy and Urban Regeneration in Western European Cities: Lessons from Experience, Prospects for the Future
.” Local Economy
19.4
(2004
): 312
–26
. Print.Garnham
Nicholas
. “From Cultural to Creative Industries: An Analysis of the Implications of the ‘Creative Industries’ Approach to Arts and Media Policy Making in the United Kingdom
.” International Journal of Cultural Policy
11.1
(2005
): 15
–29
. Print.Gelfand
Alexander
. “Life after the Death of Jazz
.” The Walrus
. July/August
2006
. Web. 23
Oct
. 2012
.Gilroy
Paul
. The Black Atlantic: Modernity and Double Consciousness
. Cambridge, MA
: Harvard University Press
, 1993
. Print.Ginder
Jenny
. Towards a New Music Venue: Report on Quantitative and Qualitative Review
. Toronto
: Toronto Arts Council, Ontario Arts Council, and Canada Council for the Arts
, 2008
. Print.Gioia
Ted
. “Where Did Our Revolution Go? Free Jazz Turns Fifty
.” Jazz
. Jazz.com. 27
Feb
. 2008
. Web. 22
June
2010
.Goldberg
Joe
. “Cecil Taylor and the New Tradition
.” Saturday Review
9
Feb
. 1963
: 43
. Print.gossett
hattie
. “In the Window/Monk
.” African American Review
27.4
(1993
): 571
. Print.Griffin
Farah Jasmine
. “When Malindy Sings: A Meditation on Black Women’s Vocality
.” Uptown Conversation: The New Jazz Studies
. Ed. Robert G. O’Meally
Brent Hayes Edwards
, and Griffin
Farah Jasmine
. New York
: Columbia University Press
, 2004
. 102
–25
. Print.Griffiths
Ron
. “The Politics of Cultural Policy in Urban Regeneration Strategies
.” Policy and Politics
21.1
(1993
): 39
–46
. Print.Gutierrez Baldoquin
Hilda
. Dharma, Color, and Culture: New Voices in Western Buddhism
. Berkeley
: Parallax
, 2004
. Print.Haden
Charlie
. Liberation Music Orchestra
. 1969
. Impulse!, 1996
. cd.Haden
Charlie
. Not in Our Name
. Verve, 2005
. CD.Hall
Stuart
, and Gay
Paul du
, eds. Questions of Cultural Identity
. London
: Sage
, 1996
. Print.Hancock
Herbie
. Foreword. The Buddha in Your Mirror
. Ed. Woody Hochswender
Greg Martin
, and Morino
Ted
. Santa Monica, CA
: Middle Way
, 2001
.Hancock
Herbie
. Foreword. Interview by Valerie Reiss. “Herbie, Fully Buddhist
.” Beliefnet
. Beliefnet, 2007
. Web. 22
June
2010
.Harris
Jerome
. “Jazz on the Global Stage
.” The African Diaspora: A Musical Perspective
. Ed. Monson
Ingrid Tolia
. New York
: Garland
, 2000
. 103
–50
. Print.Hawryluk
Maggie
. “Calling All the Shots: Adrienne Albert Talks about Her Latest Strategy
.” Brokers Weekly
9
Apr
. 2008
: 18
. Print.Hebdige
Dick
. Cut ’n’ Mix: Culture, Identity, and Caribbean Music
. New York
: Routledge
, 1987
. Print.Hebdige
Dick
. Hiding in the Light: On Images and Things
. London
: Routledge
, 1979
. Print.Heble
Ajay
. Landing on the Wrong Note: Jazz, Dissonance, and Critical Practice
. New York
: Routledge
, 2000
. Print.Heffley
Mike
. Northern Sun, Southern Moon: Europe’s Reinvention of Jazz
. New Haven, CT
: Yale University Press
, 2005
. Print.Henderson
Stephen
. “Modernity and Other Directions in Afro-American Literature: Reflections on the Past Two Decades
.” Fertile Ground: Memories and Visions
. Ed. Salaam
Kalamu Ya
and Brown
Kysha
. New Orleans
: Runagate
, 1996
. 136
–43
. Print.Hesmondhalgh
David
, and Pratt
Andy C.
. “Cultural Industries and Cultural Policy
.” International Journal of Cultural Policy
11.1
(2005
): 1
–13
. Print.Higgins
Dick
. Modernism since Postmodernism: Essays on Intermedia
. San Diego
: San Diego State University Press
, 1997
. Print.Higgins
Dick
. “A Taxonomy of Sound Poetry
.” Ubuweb
. Ubuweb, 2
Oct
. 2002
. Web. 22
June
2010
.Hoare
Ian
. “Mighty, Mighty Spade and Whitey: Black Lyrics and Soul’s Interaction with White Culture
.” The Soul Book
. Ed. Ian Hoare
Tony Cummings
, Anderson
Clive
, and Frith
Simon
. New York
: Dell
, 1975
. 117
–68
. Print.Hughes
Langston
. “The Negro Artist and the Racial Mountain
.” Keeping Time: Readings in Jazz History
. Ed. Walser
Robert
. New York
: Oxford University Press
, 1999
. 55
–57
. Print.Huyssen
Andreas
. Present Pasts: Urban Palimpsests and the Politics of Memory
. Stanford, CA
: Stanford University Press
, 2003
. Print.Infantry
Ashante
. “A Jazz Niche below the Radar, but on the Map: New Parkdale Venue for the Non-mainstream Migrates to the Tranzac Club for Improv Festival
.” Thestar. Toronto Star
, 15
Nov
. 2007
. Web. 22
June
2010
.Issue Project Room
. Homepage. Issueprojectroom
. issue Project Room, 2009
. Web. 22
June
2010
.Jacques
Geoffrey
, moderator
, with DeVeaux
Scott
, Gabbard
Krin
, Gendron
Bernard
, and Tucker
Sherrie
. “A Roundtable on Ken Burns’s Jazz
.” Journal of Popular Music Studies
13.2
(2001
): 207
–25
. Print. “
Jazz of a Minority
.” Panel Discussion. wbai
. 21
Apr
. 1964
. Radio.Jenkins
Barbara
. “Toronto’s Cultural Renaissance
.” Canadian Journal of Communication
30.2
(2005
): 169
–86
. Print.Jenkins
Philip
. Mystics and Messiahs: Cults and New Religions in American History
. New York
: Oxford University Press
, 2000
. Print.Quartet
John Coltrane
. One Down, One Up: Live at the Half Note
. Impulse!, 2005
. cd.Kelley
Robin D. G.
Freedom Dreams: The Black Radical Imagination
. Boston
: Beacon
, 2002
. Print.Kennedy
Gary W.
“Crispell, Marilyn
.” Grove Music Online
. Oxford University Press
, n.d.
Web. 31
May
2010
.Kennedy
Gary W.
. “Drake, Hamid
.” Grove Music Online
. Oxford University Press
, n.d.
Web. 31
May
2010
.Kingwell
Mark
. “The $195-Million Scribble, and Other Tales of Seduction from Our Romance with Celebrity Architects
.” Toronto Life
38.6
(2004
): 70
–75
. Print.Kramer
Wayne
. “My Night as a Tone Scientist
.” Sun Ra: Interviews and Essays
. Ed. Sinclair
John
. London
: Headpress
, 2010
. 125
–27
. Print.Kristeva
Julia
. The Sense and Non-sense of Revolt: The Powers and Limits of Psychoanalysis
. Trans.Herman
Jeanine
. New York
: Columbia University Press
, 2000
. Print.Kristeva
Julia
. Strangers to Ourselves
. Trans.Roudiez
Leon S.
. New York
: Columbia University Press
, 1991
. Print.Lee
Jeanne
. “Compositions and Arrangements
.” Undated, in author’s possession.Lee
Jeanne
. Conspiracy
. Earthforms, 1974
. cd.Lee
Jeanne
. “In These Last Days (from The Valley of Astonishment and Bewilderment)
.” Nuba
. Black Saint, 1973
. cd.Lee
Jeanne
. “Narrative of Career
.” Undated, in author’s possession. Print.Lee
Jeanne
. “Overview of Artistic Achievements
.” Undated, in author’s possession. Print.Lee
Jeanne
, and Blake
Ran
. The Newest Sound Around
. 1962
. bmg, 1987
. cd.Leitch
Vincent B.
“The Politics of Sovereignty
.” The Late Derrida
. Ed. Mitchell
W. J. T.
and Davidson
Arnold I.
. Chicago
: University of Chicago Press
, 2007
. 229
–47
. Print.Levin
Laura
, and Solga
Kim
. “Building Utopia: Performance and the Fantasy of Urban Renewal in Contemporary Toronto
.” tdr: The Drama Review
53.3
(2009
): 37
–53
. Print.Lewis
George E.
“Afterword to ‘Improvised Music after 1950’: The Changing Same
.” The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
. Ed. Fischlin
Daniel
and Heble
Ajay
. Middletown, CT
: Wesleyan University Press
, 2004
. 163
–72
. Print.Lewis
George E.
“Experimental Music in Black and White: The aacm in New York, 1970–1985
.” Current Musicology
71
–73
(2001
– 2
): 100
–57
. Print.Lewis
George E.
. “Gittin’ to Know Y’all: Improvised Music, Interculturalism, and the Racial Imagination
.” Critical Studies in Improvisation / Études critiques en improvisation
1.1
(2004
). Web. 20
Oct
. 2012
.Lewis
George E.
“Improvised Music after 1950: Afrological and Eurological Perspectives
.” The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
. Ed. Fischlin
Daniel
, and Heble
Ajay
Middletown, CT
: Wesleyan University
, 2004
. 131
–62
. Print.Lewis
George E.
Personal Interview with Waterman
Ellen
and Smith
Julie
. 26
June
2003
.Lewis
George E.
A Power Stronger than Itself: The aacm and American Experimental Music
. Chicago
: University of Chicago Press
, 2009
. Print.Lewis
George E.
“Rethinking Diversity: New Music in the Global Context
.” Canadian New Music Network Forum. Halifax, Nova Scotia, January
7
–9
, 2010
. Keynote address.Lewis
George
, and Masaoka
Miya
. The Usual Turmoil and Other Duets
. Music and Arts Program, 1998
. cd.Licht
Alan
. Comment on “Marc Ribot: Care and Feeding of a Musical Margin
.” All about Jazz
. 9
June
2007
. Web. 9
June
2010
.Lipsitz
George
. American Studies in a Moment of Danger
. Minneapolis
: University of Minnesota Press
, 2001
. Print.Lipsitz
George
. Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place
. London
: Verso
, 1997
. Print.Lipsitz
George
. Footsteps in the Dark: The Hidden Histories of Popular Music
. Minneapolis
: University of Minnesota Press
, 2007
. Print.Lipsitz
George
. “Songs of the Unsung: The Darby Hicks History of Jazz
.” Uptown Conversations: The New Jazz Studies
. Ed. Robert G. O’Meally
Brent Hayes Edwards
, and Griffin
Farah Jasmine
. New York
: Columbia University Press
, 2004
. 9
–26
. Print.Litweiler
John
. “Free Jazz Today
.” The Freedom Principle: Jazz after 1958
. Cambridge, MA
: Da Capo
, 1990
. 287
–99
. Print.Lock
Graham
. Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton
. Durham, NC
: Duke University Press
, 1999
. Print.Lowe
Allen
. That Devilin’ Tune: A Jazz History [1895–1950]
. West Hills Radio Archive, 2006
. cd.Mac Low
Jackson
. Liner notes. Jackson Mac Low
. New Wilderness Audiographics, 1977
. Audiocassette.Mac Lowe
Jackson
. “The Text on the Opposite Page May Be Used in Any Way as a Score for Solo or Group Readings, Musical or Dramatic Performances, Looking, Smelling, Anything Else &/or Nothing at All
.” An Anthology of Chance Operations
. Ed. Young
La Monte
. New York
: Young and Mac Low
, 1963
. Print.Mackey
Nathaniel
. “Other: From Noun to Verb
.” The Jazz Cadence of American Culture
. Ed. O’Meally
Robert G.
, 513
–32
. New York
: Columbia University Press
, 1998
. Print.Mackey
Nathaniel
. “Paracritical Hinge
.” The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
. Ed. Fischlin
Daniel
and Heble
Ajay
. Middletown, CT
: Wesleyan University Press
, 2004
. 367
–86
. Print.Marcus
Greil
. Lipstick Traces: A Secret History of the Twentieth Century
. Cambridge, MA
: Harvard University Press
, 1989
. Print.Marcus
Greil
. Liner notes. Liliput
. Kill Rock Stars, 2001
. cd.Masaoka
Miya
. Personal Interview with Waterman
Ellen
and Smith
Julie
. 26
June
2003
Orchestra
Masaoka
. What Is the Difference between Stripping and Playing the Violin?
Victo, 1998
. cd.mc 5.
Kick Out the Jams!
Elektra, 1969
. cd.McClary
Susan
. Feminine Endings: Music, Gender, and Sexuality
. Minnesota
: University of Minnesota Press
, 1991
. Print.McClintock
Anne
. Imperial Leather: Race, Gender, and Sexuality in the Colonial Contest
. New York
: Routledge
, 1995
. Print.McGuigan
Jim
. “Doing a Florida Thing: The Creative Class Thesis and Cultural Policy
.” International Journal of Cultural Policy
15.3
(2009
): 291
–300
. Print.McMullen
Tracy
. “Identity for Sale: Glenn Miller, Wynton Marsalis, and Cultural Replay in Music
.” Big Ears: Listening for Gender in Jazz Studies
. Ed. Rustin
Nichole T.
and Tucker
Sherrie
Durham, NC
: Duke University Press
, 2008
. 129
–54
. Print.McMullen
Tracy
. “The Improvisative
.” The Oxford Handbook of Critical Improvisation Studies
. Ed. Lewis
George
and Piekut
Benjamin
. Oxford
: Oxford University Press, forthcoming
. Print.McNeil
Legs
, and McCain
Gillian
. Please Kill Me: The Uncensored Oral History of Punk
. New York
: Penguin
, 1996
. Print.McPhee
Joe
. Nation Time
. 1970
. Atavistic, 2009
. cd.Miles
Malcolm
. “Interruptions: Testing the Rhetoric of Culturally Led Urban Development
.” Urban Studies
42.5/6
(2005
): 889
–911
. Print.Miller
Paul D.
, ed. Sound Unbound: Sampling Digital Music and Culture
. New York
: Routledge
, 2003
. Print.Mingus
Charles
. “Open Letter to the Avant Garde
.” More than a Fake Book
. New York
: Jazzworkshop
, 1991
. 119
. Print.Monson
Ingrid
. “Art Blakey’s African Diaspora
.” The African Diaspora: A Musical Perspective
. Ed. Monson
Ingrid
. New York
: Garland
, 2003
. 329
–52
. Print.Monson
Ingrid
. Saying Something: Jazz Improvisation and Interaction
. Chicago
: University of Chicago Press
, 1996
. Print.Morthland
John
, ed. Mainlines, Blood Feasts, and Bad Taste: A Lester Bangs Reader
. New York
: Anchor
, 2003
. Print.Moten
Fred
. In the Break: The Aesthetics of the Black Radical Tradition
. Minneapolis
: University of Minnesota Press
, 2003
. Print.Moynihan
Colin
. “Punk Institution Receives City Money for New Building
.” New York Times
29
June
2009
. Print.Mugge
Robert
dir.
Sun Ra: A Joyful Noise
. Mug-Shot, 1980
. Film. “Nation Time
. ” Nov
. 2000
. 118
. Print.New York State Council on the Arts
. “Past nysca Grants
.” nysca
. New York State Council on the Arts, 2004
. Web. 22
June
2010
.Nicholson
Stuart
. Is Jazz Dead? (Or Has It Moved to a New Address)
. New York
: Routledge
, 2005
. Print.Nisenson
Eric
. Ascension: John Coltrane and His Quest
. Cambridge, MA
: Da Capo
, 1993
. Print.Noglik
Bert. Liner notes
. Double Holy House
. 1990
. Perf. Cecil Taylor. fmp, 1999
. cd.Nuttall-Smith
Chris
. “Who Can Save the rom This Time?
” Globe and Mail
22
Jan
. 2010
. Print.Oliveros
Pauline
. “Harmonic Anatomy: Women in Improvisation
.” The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
. Ed. Fischlin
Daniel
and Heble
Ajay
. Middletown, CT
: Wesleyan University Press
, 2004
. 50
–70
. Print.Oliveros
Pauline
. Software for People: Collected Writings, 1963–80
. Barrytown, NY
: Printed Editions
, 1984
. Print.O’Meally
Robert
, Edwards
Brent Hayes
, and Griffin
Farah Jasmine
, eds. Uptown Conversation: The New Jazz Studies
. New York
: Columbia University Press
, 2004
. Print.Palmer
Robert
.Liner notes. Spirits of Havana
. Perf. Jane Burnett. MusicHaus, 2002
. cd.Parker
Andrew
, and Sedgwick
Eve Kosofsky
. “Introduction: Performativity and Performance
.” Performativity and Performance
. New York
: Routledge
, 1995
. 1
–18
. Print.Parker
Evan
. Messages to the author. 2009
. E-mail.Parker
William
. Liner notes. The Inside Songs of Curtis Mayfield
. rai Trade, 2007
. cd.Parker
William
. Liner notes. I Plan to Stay a Believer: The Inside Songs of Curtis Mayfield
. aum Fidelity, 2010
. cd.Parsonage
Catherine
. The Evolution of Jazz in Britain, 1880–1935
. Hampshire, UK
: Ashgate
, 2005
. Print.Patterson
Matt
. “The Public Legitimization of Iconic Architectural Developments: A Comparative Study of the Royal Ontario Museum and the Art Gallery of Ontario
.” 44th Annual Meeting of the Canadian Sociological Association
. Carleton University, Ottawa
. May
2009
. Paper Presentation.Peck
Jamie
. “Struggling with the Creative Class
.” International Journal of Urban and Regional Research
29.4
(2005
): 740
–70
. Print.Peretti
Burton
. “Epilogue: Jazz as American History
.” Riffs and Choruses: A New Jazz Anthology
. Ed. Clark
Andrew
. New York
: Continuum
, 2001
. 185
– 89
. Print.Peterson
Carla L.
“Foreword: Eccentric Bodies
.” Recovering the Black Female Body: Self-Representations by African American Women
. Ed. Bennett
Michael
and Dickerson
Vanessa D.
. New Brunswick, NJ
: Rutgers University Press
, 2001
. ix
–xvi
. Print.Piekut
Benjamin
. “Testing, Testing …: New York Experimentalism 1964
.” Diss.
Columbia University
, 2008
. Print.Pintak
Lawrence
. “‘Something Has to Change’: Blacks in American Buddhism
.” . 2005
. Web. 28
June
2010
.Porter
Eric
. What Is This Thing Called Jazz: African American Musicians as Artists, Critics, and Activists
. Berkeley
: University of California Press
, 2002
. Print.Pravaz
Natasha
. “Brazilian Music and Community Building in Toronto
.” Diaspora, Dispersal, Improvisation, and Imagination. The Guelph Jazz Festival Colloquium. Macdonald Stewart Art Centre
, Guelph
. 3
Sept
. 2008
. Presentation.Price
Janet
, and Shildrick
Margrit
, eds. Feminist Theory and the Body: A Reader
. New York
: Routledge
, 1999
. Print.Radano
Ronald
. Lying Up a Nation: Race and Black Music
. Chicago
: University of Chicago Press
, 2003
. Print.Radano
Ronald
. New Musical Figurations: Anthony Braxton’s Cultural Critique
. Chicago
: University of Chicago Press
, 1994
. Print.Ramsey
Guthrie P.
, Jr., Race Music: Black Cultures from Bebop to Hip-Hop
. Berkeley
: University of California Press
, 2003
. Print.Ramshaw
Sara
. “Deconstructin(g) Jazz Improvisation: Derrida and the Law of the Singular Event
.” Critical Studies in Improvisation / Études critiques en improvisation
2.1
(2006
). Web. 23
June
2010
.Ratliff
Ben
. “At the White House, a Blend of Jazz Greats and Hopefuls
.” New York Times
15
June
2006
. Web. 7
December
2009
.Reason Myers
Dana L.
“The Myth of Absence: Representation, Reception, and the Music of Experimental Women Improvisers
.” Diss. University of California, San Diego
, 2002
. Print.Ribot
Marc
. “Crisis in Indie/New Music Clubs: The Care and Feeding of a Musical Margin
.” Freejazz
. 20
Sept
. 2006
. Web. 5
May
2010
.Ribot
Marc
. “Marc Ribot: The Care and Feeding of a Musical Margin
.” All about Jazz
. aol Music. 5
June
2007
. Web. 5
May
2010
.Roberts
Rob
. “The Torontonians: William Thorsell, agent of change
.” National Post
. National Post, Inc. 13
Nov
. 2009
. Web. 5
May
2010
.Robeson
Paul
. Paul Robeson Speaks: Writings, Speeches, Interviews, 1918–1974
. Ed. Foner
P. S.
. New York
: Bruner/Mazel
, 1978
. Print.Roe
Tom
. “Generation Ecstasy: New York’s Free Jazz Continuum
.” Undercurrents: The Hidden Wiring of Modern Music
. London
: Continuum
, 2002
. 249
–62
. Print.Rowe
Keith
. “Invisible Jukebox
.” Wire
Jan
. 2008
. 18
–21
. Print. Schaffner, Nicholas. Saucerful of Secrets: The Pink Floyd Odyssey
. New York
: Dell
, 1992
. Print.Schechner
Richard
. Performance Studies: An Introduction
. London
: Routledge
, 2002
. Print.Scott
Joan W.
“The Evidence of Experience
.” Critical Inquiry
17
(1991
): 773
– 97
. Print.Searle
Chris
. Forward Groove: Jazz and the Real World from Louis Armstrong to Gilad Atzmon
. London
: Northway
, 2008
. Print.Quarterly
sgi
. “The Art of Life: Interview with Herbie Hancock
.” sgi Quarterly: A Buddhist Forum for Peace, Culture, and Education
(2001
). Print.Shange
Ntozake
. “Did I Hear the Congregation Say Amen?
” Village Voice
29
Apr
. 1981
: 77
. Print.Shantz
Adam
. “Organized Sound from Chicago’s Underground
.” New York Times
18
Mar
. 2001
. Web. 22
June
2010
.Shepp
Archie
. Liner notes. Mama Too Tight
. Impulse!, 1998
. cd.Shukaitis
Stephen
. “Space Is the (Non)Place: Martians, Marxists, and the Outer Space of the Radical Imagination
.” Sociological Review
57.1
(2009
): 98
–113
. Web. 15
Jan
. 2010
.Sisario
Ben
. “An Avant-Garde Arts Group Bites Off a Lot to Chew
.” New York Times
8
July
2009
. Print.Sisario
Ben
. “Avant Garde Music Loses a Lower Manhattan Home
.” New York Times
31
March
2007
. Web. 11
Nov
. 2011
.Small
Christopher
. Musicking: The Meanings of Performing and Listening
. Middletown, CT
: Wesleyan University Press
, 1998
. Print.Smith
Julie
. “Playing Like a Girl: The Queer Laughter of the Feminist Improvising Group
.” The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
. Ed. Fischlin
Daniel
and Heble
Ajay
. Middletown, CT
: Wesleyan University Press
, 2004
. 224
–43
. Print.Snead
James
. “Repetition as a Figure of Black Cultures
.” Out There: Marginalization and Contemporary Cultures
. Ed. Russell Ferguson
Martha Gever
, Minh-ha
Trinh T.
, West Cornel
. New Museum of Contemporary Art and mit Press
, 1990
. 213
–30
. Print.Sorbara
Joe
. “Leftover Daylight Series
.” Oval Window Music
. N.p., 2003
– 9
. Web. 22
June
2010
.Spooner
James
dir.
, Afro-Punk
. Image Entertainment, 2003
. Film.Stanbridge
Alan
. “Detour or Dead-End? Contemporary Cultural Theory and the Search for New Cultural Policy Models
.” International Journal of Cultural Policy
8.2
(2002
): 121
–34
. Print.Stanbridge
Alan
. “Display Options: Discourses of Art and Context in the Contemporary Museum
.” International Journal of Cultural Policy
11.2
(2005
): 157
–70
. Print.Stanbridge
Alan
. “From the Margins to the Mainstream: Jazz, Social Relations, and Discourses of Value
.” Critical Studies in Improvisation / Études critiques en improvisation
4.1
(2008
). Web. 23
June
2010
.Stanbridge
Alan
. “Live Reviews: Aim Toronto Interface Series with Evan Parker
.” Signal to Noise (The Quarterly Journal of Improvised, Experimental and Unusual Music)
53
(2009
): 42
–43
. Print.Stanbridge
Alan
. “The Tradition of all the Dead Generations: Music and Cultural Policy
.” International Journal of Cultural Policy
13.3
(2007
): 255
–71
. Print.Stanyek
Jason
. “Transmissions of an Interculture: Pan-African Jazz and Intercultural Improvisation
.” The Other Side of Nowhere: Jazz, Improvisation, and Communities in Dialogue
. Ed. Fischlin
Daniel
and Heble
Ajay
. Middletown, CT
: Wesleyan University Press
, 2004
. 87
–130
. Print.Stewart
Jesse
. “Freedom Music: Jazz and Human Rights
.” Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making
. Ed. Fischlin
Daniel
and Heble
Ajay
. Montreal
: Black Rose
, 2003
. 88
–107
. Print.Strom
Stephanie
. “Grants Nurture Arts Spaces and Housing
.” New York Times
4
Apr
. 2010
. Print.Stuffco
Jered
. “rom Condo Project Takes Heat from Critics
.” Globe and Mail
2
Nov
. 2005
. Print.Ra
Sun
. Heliocentric Worlds, Vol. II
. 1965
. Get Back, 1999
. cd.Ra
Sun
. Interview by Sinclair
John
. “It Knocks on Everybody’s Door: Detroit Interview with Sun Ra
.” Sinclair
, 22
–30
.Szwed
John F.
et alThe Future of Jazz
. Ed. Taylor
Yuval
. Chicago
: A Capella
, 2002
. Print.Szwed
John F.
Jazz 101: A Complete Guide to Learning and Loving Jazz
. New York
: Hyperion
, 2000
. Print.Szwed
John F.
Space Is the Place: The Lives and Times of Sun Ra
. Cambridge, MA
: Da Capo
, 1998
. Print.Tulku
Tarthang
. Milking the Painted Cow: The Creative Power of Mind and the Shape of Reality in Light of the Buddhist Tradition
. Berkeley
: Dharma
, 2005
. Print.Taylor
Arthur
. Notes and Tones: Musician-to-Musician Interviews
. New York
: Perigree
, 1977
.Taylor
Cecil
. Double Holy House
. 1990
. fmp, 1999
. cd.Taylor
Cecil
. Interview with Chris Funkhouser. “Being Matter Ignited: An Interview with Cecil Taylor
.” Hambone
12
(1999
): 17
–39
. Print.Taylor
Cecil
, perf. Jazzfestival Hamburg Performance. ndr tv Recording. 12
Nov
. 1995
. Television.Terlizzi
Roberto
, Martinelli
Francesco
, and Archangeli
Stefano
. “Jeanne Lee and Gunter Hampel
.” Coda
1
Feb
. 1979
: 6
–9
. Print.Thomas
Lorenzo
. Don’t Deny My Name: Words and Music and the Black Intellectual Tradition
. Ed. Nielsen
Aldon Lynn
. Ann Arbor
: University of Michigan Press
, 2008
. Print.Thomson
Scott
. “The Pedagogical Imperative of Musical Improvisation
.” Critical Studies in Improvisation / Études critiques en improvisation
3.2
(2007
). Web. 23
June
2010
.Thomson
Scott
, Aldcroft
Ken
, Clutton
Rob
, Fraser
Nick
, Piilonen
Rob
, and Sorbara
Joe
. “Roundtable Discussion: The Association of Improvising Musicians Toronto
.” Critical Studies in Improvisation / Études critiques en improvisation
2.1
(2006
). Web. 23
June
2010
.Threadgold
Terry
. “Performativity, Voice, Corporeality, Habitus, Becoming, Assemblage: Some Reflections on Theory and Performing Metaphors
.” Musics and Feminisms
. Ed. Macarthur
Sally
and Poynton
Cate
. Sydney
: Australian Music Centre
, 1999
. 63
–77
. Print. “
Transliteration
.” Oxford Reference Online
. Oxford
: Oxford University Press
, n.d.
Web. 31
May
2010
.Tucker
Sherrie
. “Big Ears: Listening for Gender in Jazz Studies
.” Current Musicology
71
–73
(2001
–2): 375
–408
. Print.Von Eschen
Penny M.
Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War
. Cambridge, MA
: Harvard University Press
, 2004
. Print.Walser
Robert
, ed. Keeping Time: Readings in Jazz History
. New York
: Oxford University Press
, 1999
. Print.Watt
Mike
. “Revising History: Mike Watt on John Coltrane, Miles Davis, Sun Ra, More
.” The Bad Penny
. Web. 23
Oct
. 2012
.Webb
Ellen
. “For the Taste of an Apple: Why I Practice Zen
.” Taken by Surprise: A Dance Improvisation Reader
. Ed. Albright
Ann Cooper
and Gere
David
. Middletown, CT
: Wesleyan University Press
, 2003
. 239
–43
. Print.Whyte
Murray
. “Why Richard Florida’s Honeymoon Is Over
.” Thestar
. Toronto Star. 27
June
2009
. Web. 17
Apr
. 2010
.Wilmer
Valerie
. As Serious as Your Life: The Story of the New Jazz
. London
: Serpent’s Tail
, 1977
. Print.Wilson
Olly
. “Black Music as an Art Form
.” Black Music Research Journal
3
(1983
): 1
–22
. Print.Zorn
John
. Spy vs. Spy-The Music of Ornette Coleman
. Elektra, 1989
. cd.