Book Chapter
Introduction: Ariosto, Tasso, and Storytelling
-
Published:January 1999
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
This content is only available as PDF.
Works Cited
Clubb
, Louise
. “Italian Renaissance Theater
.” The Oxford Illustrated History of Theatre
. Ed. Brown
John Russell
. Oxford
: Oxford UP
, 1995
. 107
–41
.De Sanctis
, Francesco
. History of Italian Literature
. Trans. Redfern
Joan
. New York
: Harcourt, Brace
, 1931
.Eco
, Umberto
. Semiotics and the Philosophy of Language
. Bloomington
: Indiana UP
, 1984
.Erspamer
, Francesco
. “Il pensiero debole di Torquato Tasso
.” La Menzogna
. Ed. Cardini
Francesco
. Florence
: Ponte alle Grazie
, 1989
. 120
–36
.Ferguson
, Margaret
. Trials of Desire: Renaissance Defenses of Poetry
. New Haven
: Yale UP
, 1983
.Finucci
, Valeria
. “The Female Masquerade: Ariosto and the Game of Desire
.” Desire in the Renaissance: Psychoanalysis and Literature
. Ed. Finucci
Valeria
and Schwartz
Regina
. Princeton
: Princeton UP
, 1994
. 61
–88
.Finucci
, Valeria
. “Moderata Fonte e il romanzo cavalleresco al femminile
.” Moderato Fonte, Tredici canti del Floridoro
. Ed. Finucci
Valeria
. Modena
: Mucchi,
1995
. ix
–xxxix
.Hauser
, Arnold
. Mannerism: The Crisis of the Renaissance and the Origin of Modern Art
. New York
: Knopf
, 1965
.Javitch
, Daniel
. “Cantus Interruptus in the Orlando Furioso
.”Modern Language Notes
95
(1980
): 66
–80
.Javitch
, Daniel
. “The Imitation of Imitations in Orlando Furioso
.”Renaissance Quarterly
38
(1985
): 215
–39
.Javitch
, Daniel
. “The Orlando Furioso and Ovid’s Revision of the Aeneid
.”Modern Language Notes
99
(1984
): 1023
–36
.Javitch
, Daniel
. Proclaiming a Classic: The Canonization of Orlando Furioso
. Princeton
: Princeton UP
, 1991
.McKinney
, Ronald
. “The Origins of Postmodernism: The Ariosto-Tasso Debate
.” Philosophy Today
13
(1989
): 232
–44
.Nicholson
, Eric
. “‘That’s How It Is’: Comic Travesties of Sex and Gender in Early Sixteenth-Century Venice
.” Look Who’s Laughing: Gender and Comedy
. Ed. Finney
Gail
. Langhorne, Pa.
: Gordon & Breach
, 1994
. 17
–34
.Rivière
, Joan
. “Womanliness as a Masquerade
.” Formations of Identity
. Ed. Burgin
Victor
, Donald
James
, and Kaplan
Cora
. London
: Methuen
, 1986
. 35
–44
.Rodini
, Robert
. “Selected Bibliography of Ariosto Criticism, 1980–87
.” Modern Language Notes
103
(1988
): 187
–203
.Rodini
, Robert
. “Selected Bibliography of Ariosto Criticism: 1986–1993
.” Annali d’Italianistica
12
(1994
): 299
–317
.Rodini
, Robert
, and Maria
Salvatore Di
. Ludovico Ariosto: An Annotated Bibliography of Criticism, 1956–1980
. Columbia
: U of Missouri P
, 1984
.Rorty
, Richard
. Consequences of Pragmatism: Essays: 1972–1980
. Minneapolis
: U of Minnesota P
, 1982
.Schulenberg
, Jane
. “The Heroics of Virginity: Brides of Christ and Sacrificial Mutilation
.” Women in the Middle Ages and the Renaissance
. Ed. Rose
Mary Beth
. Syracuse
: Syracuse UP
, 1986
. 30
–72
.Vattimo
, Gianni
, and Rovatti
Pier Aldo
, eds. Il pensiero debole
. Milan
: Feltrinelli
, 1983
.Weinberg
, Bernard
. A History of Literary Criticism in the Italian Renaissance
. Chicago
: U of Chicago P
, 1961
.Zatti
, Sergio
. L’uniforme cristiano e il multiforme pagano: saggio sulla Gerusalemme liberata
. Milan
: Saggiatore
, 1983
.
