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Asia-Pacific : culture, politics, and society

Kurosawa: Film Studies and Japanese Cinema

By
Mitsuhiro Yoshimoto
Mitsuhiro Yoshimoto

Mitsuhiro Yoshimoto is Associate Professor of Japanese, Cinema, and Comparative Literature at the University of Iowa.

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Duke University Press
ISBN electronic:
978-0-8223-9709-0
Publication date:
2000

The films of Akira Kurosawa have had an immense effect on the way the Japanese have viewed themselves as a nation and on the way the West has viewed Japan. In this comprehensive and theoretically informed study of the influential director’s cinema, Mitsuhiro Yoshimoto definitively analyzes Kurosawa’s entire body of work, from 1943’s Sanshiro Sugata to 1993’s Madadayo. In scrutinizing this oeuvre, Yoshimoto shifts the ground upon which the scholarship on Japanese cinema has been built and questions its dominant interpretive frameworks and critical assumptions.

Arguing that Kurosawa’s films arouse anxiety in Japanese and Western critics because the films problematize Japan’s self-image and the West’s image of Japan, Yoshimoto challenges widely circulating clichés about the films and shows how these works constitute narrative answers to sociocultural contradictions and institutional dilemmas. While fully acknowledging the achievement of Kurosawa as a filmmaker, Yoshimoto uses the director’s work to reflect on and rethink a variety of larger issues, from Japanese film history, modern Japanese history, and cultural production to national identity and the global circulation of cultural capital. He examines how Japanese cinema has been “invented” in the discipline of film studies for specific ideological purposes and analyzes Kurosawa’s role in that process of invention. Demonstrating the richness of both this director’s work and Japanese cinema in general, Yoshimoto’s nuanced study illuminates an array of thematic and stylistic aspects of the films in addition to their social and historical contexts.

Beyond aficionados of Kurosawa and Japanese film, this book will interest those engaged with cultural studies, postcolonial studies, cultural globalization, film studies, Asian studies, and the formation of academic disciplines.

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