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References

References
Augoyarde
,
Jean- Francois
, and
Torge
Henry
, eds.
2006
.
Sonic Experience: A Guide to Everyday Sounds
.
Montreal
:
McGill- Queens University Press
.
Boas
,
Franz
.
1889
. “
On Alternating Sounds
.”
American Anthropologist
2
(
1
):
47
54
.
Born
,
Georgina
, ed.
2013
.
Music, Sound, and Space: Transformations of Public and Private Experience
.
Cambridge
:
Cambridge University Press
.
Bull
,
Michael
, ed.
2013
.
Sound Studies
.
London
:
Routledge
.
Chow
,
Rey
, and
Steintrager
James
, eds. “
The Sense of Sound
.”
Special issue, differences
22
(
2–3
).
Cox
,
Christopher
, and
Warner
Daniel
, ed.
2004
.
Audio Culture: Readings in Modern Music
.
New York
:
Continuum
.
Demers
,
Joanna
.
2010
.
Listening through the Noise: The Aesthetics of Experimental Electronic Music
.
New York
:
Oxford University Press
.
Duranti
,
Alessandro
.
2001
.
Key Terms in Language and Culture
.
London
:
Wiley-Blackwell
.
Erlmann
,
Veit
.
2004
. “
But What of the Ethnographic Ear? Anthropology, Sound, and the Senses
.” In
Hearing Cultures: Essays on Sound, Listening and Modernity
, ed.
Erlmann
Veit
, pp.
1
20
.
Oxford
:
Berg
.
Feld
,
Steven
.
1996
. “
Waterfalls of Song: An Acoustemology of Place Resounding in Bosavi, Papua New Guinea
.” In
Senses of Place
, ed.
Feld
Steven
and
Basso
Keith
,
91
136
.
Santa Fe
:
School of American Research Press
.
Feld
,
Steven
.
2012 [1982]
.
Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression
.
3rd
ed.
Durham
:
Duke University Press
.
Gluck
,
Carol
, and
Tsing
Anna Lowenhaupt
, eds.
2009
.
Words in Motion: Toward a Global Lexicon
.
Durham
:
Duke University Press
.
Gopinath
,
Sumanth
, and
Stanyek
Jason
, eds.
2014
.
The Oxford Handbook of Mobile Music Studies
. Vols.
1 and 2
.
Oxford
:
Oxford University Press
.
Kahn
,
Douglas
.
2013
.
Earth Sound, Earth Signal: Energies and Earth Magnitude in the Arts
.
Berkeley
:
University of California Press
.
Kahn
,
Douglas
.
1999
.
Noise Water Meat: A History of Sound in the Arts
.
Cambridge, MA
:
MIT Press
.
Katz
,
Mark
.
2010
.
Capturing Sound: How Technology Has Changed Music
. Rev.
2nd
ed.
Berkeley
:
University of California Press
.
Keeling
,
Kara
, and
Kun
John
.
2011
. “
Sound Clash: Listening to American Studies
.”
Special issue, American Quarterly
63
(
3
).
Kelley
,
Caleb
.
2009
.
Cracked Media: The Sound of Malfunction
.
Cambridge, MA
:
MIT Press
.
Kim-Cohen
Seth
.
2009
.
In the Blink of an Ear: Toward a Non-cochlear Sonic Art
.
New York
:
Continuum
.
Labelle
,
Brandon
.
2006
.
Background Noise: Perspectives on Sound Art
.
New York
:
Continuum
.
Lakoff
,
George
, and
Johnson
Mark
.
1980
.
Metaphors We Live By
.
Chicago
:
University of Chicago Press
.
Levi-Strauss
Claude
.
1973
.
The Raw and the Cooked
. Trans.
John
and
Weightman
Doreen
.
London
:
Jonathan Cape
.
Licht
,
Alan
.
2007
.
Sound Art: Beyond Music, between Categories
.
New York
:
Rizzoli
.
Lucier
,
Alvin
.
2012
.
Music 109: Notes on Experimental Music
.
Middletown
:
Wesleyan University Press
.
Meintjes
,
Louise
.
Sound of Africa!: Making Music Zulu in a South African Studio
.
Durham
:
Duke University Press
.
2003
.
Mitchell
,
W. J. T.
, and
Hansen
Mark B. N.
, eds.
2010
.
Critical Terms for Media Studies
.
Chicago
:
University of Chicago Press
.
Pinch
,
Trevor
, and
Bijsterveld
Karin
, eds.
2011
.
Oxford Handbook for Sound Studies
.
New York
:
Oxford University Press
.
Porcello
,
Thomas
.
2004
. “
Speaking of Sound: Language and the Professionalization of Sound-Recording Engineers
.”
Social Studies of Science
34
:
733
758
.
Rodgers
,
Tara
.
2010
.
Pink Noises: Women on Electronic Music and Sound
.
Durham
:
Duke University Press
.
Samuels
,
David
,
Meintjes
,
Louise
Ochoa
Ana María
,
Porcello
Thomas
.
2010
. “
Soundscapes: Toward a Sounded Anthropology
.”
Annual Review of Anthropology
39
:
329
345
.
Scales
,
Christopher A.
2012
.
Recording Culture: Powwow Music and the Aboriginal Recording Industry on the Northern Plains
.
Durham
:
Duke University Press
.
Schafer
,
R.
Murray
.
1977
.
The Tuning of the World
.
New York
:
Knopf
.
Stadler
,
Gustavus
, ed.
2010
. “
The Politics of Recorded Sound
.”
Special issue, Social Text
102
.
Sterne
,
Jonathan
.
2012
.
MP3: The Meaning of a Format
.
Durham
:
Duke University Press
.
Suisman
,
David
, and
Strasser
Susan
, eds.
2009
.
Sound in the Age of Mechanical Reproduction
.
Philadelphia
:
University of Pennsylvania Press
.
Voegelin
,
Salome
.
2010
.
Listening to Noise and Silence: Towards a Philosophy of Sound Art
.
New York
:
Continuum
.
Williams
,
Raymond
.
1985
.
Keywords: A Vocabulary of Culture and Society
, Rev.
2nd
ed.
New York
:
Oxford University Press
.

Figures & Tables

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References

References

References
Augoyarde
,
Jean- Francois
, and
Torge
Henry
, eds.
2006
.
Sonic Experience: A Guide to Everyday Sounds
.
Montreal
:
McGill- Queens University Press
.
Boas
,
Franz
.
1889
. “
On Alternating Sounds
.”
American Anthropologist
2
(
1
):
47
54
.
Born
,
Georgina
, ed.
2013
.
Music, Sound, and Space: Transformations of Public and Private Experience
.
Cambridge
:
Cambridge University Press
.
Bull
,
Michael
, ed.
2013
.
Sound Studies
.
London
:
Routledge
.
Chow
,
Rey
, and
Steintrager
James
, eds. “
The Sense of Sound
.”
Special issue, differences
22
(
2–3
).
Cox
,
Christopher
, and
Warner
Daniel
, ed.
2004
.
Audio Culture: Readings in Modern Music
.
New York
:
Continuum
.
Demers
,
Joanna
.
2010
.
Listening through the Noise: The Aesthetics of Experimental Electronic Music
.
New York
:
Oxford University Press
.
Duranti
,
Alessandro
.
2001
.
Key Terms in Language and Culture
.
London
:
Wiley-Blackwell
.
Erlmann
,
Veit
.
2004
. “
But What of the Ethnographic Ear? Anthropology, Sound, and the Senses
.” In
Hearing Cultures: Essays on Sound, Listening and Modernity
, ed.
Erlmann
Veit
, pp.
1
20
.
Oxford
:
Berg
.
Feld
,
Steven
.
1996
. “
Waterfalls of Song: An Acoustemology of Place Resounding in Bosavi, Papua New Guinea
.” In
Senses of Place
, ed.
Feld
Steven
and
Basso
Keith
,
91
136
.
Santa Fe
:
School of American Research Press
.
Feld
,
Steven
.
2012 [1982]
.
Sound and Sentiment: Birds, Weeping, Poetics, and Song in Kaluli Expression
.
3rd
ed.
Durham
:
Duke University Press
.
Gluck
,
Carol
, and
Tsing
Anna Lowenhaupt
, eds.
2009
.
Words in Motion: Toward a Global Lexicon
.
Durham
:
Duke University Press
.
Gopinath
,
Sumanth
, and
Stanyek
Jason
, eds.
2014
.
The Oxford Handbook of Mobile Music Studies
. Vols.
1 and 2
.
Oxford
:
Oxford University Press
.
Kahn
,
Douglas
.
2013
.
Earth Sound, Earth Signal: Energies and Earth Magnitude in the Arts
.
Berkeley
:
University of California Press
.
Kahn
,
Douglas
.
1999
.
Noise Water Meat: A History of Sound in the Arts
.
Cambridge, MA
:
MIT Press
.
Katz
,
Mark
.
2010
.
Capturing Sound: How Technology Has Changed Music
. Rev.
2nd
ed.
Berkeley
:
University of California Press
.
Keeling
,
Kara
, and
Kun
John
.
2011
. “
Sound Clash: Listening to American Studies
.”
Special issue, American Quarterly
63
(
3
).
Kelley
,
Caleb
.
2009
.
Cracked Media: The Sound of Malfunction
.
Cambridge, MA
:
MIT Press
.
Kim-Cohen
Seth
.
2009
.
In the Blink of an Ear: Toward a Non-cochlear Sonic Art
.
New York
:
Continuum
.
Labelle
,
Brandon
.
2006
.
Background Noise: Perspectives on Sound Art
.
New York
:
Continuum
.
Lakoff
,
George
, and
Johnson
Mark
.
1980
.
Metaphors We Live By
.
Chicago
:
University of Chicago Press
.
Levi-Strauss
Claude
.
1973
.
The Raw and the Cooked
. Trans.
John
and
Weightman
Doreen
.
London
:
Jonathan Cape
.
Licht
,
Alan
.
2007
.
Sound Art: Beyond Music, between Categories
.
New York
:
Rizzoli
.
Lucier
,
Alvin
.
2012
.
Music 109: Notes on Experimental Music
.
Middletown
:
Wesleyan University Press
.
Meintjes
,
Louise
.
Sound of Africa!: Making Music Zulu in a South African Studio
.
Durham
:
Duke University Press
.
2003
.
Mitchell
,
W. J. T.
, and
Hansen
Mark B. N.
, eds.
2010
.
Critical Terms for Media Studies
.
Chicago
:
University of Chicago Press
.
Pinch
,
Trevor
, and
Bijsterveld
Karin
, eds.
2011
.
Oxford Handbook for Sound Studies
.
New York
:
Oxford University Press
.
Porcello
,
Thomas
.
2004
. “
Speaking of Sound: Language and the Professionalization of Sound-Recording Engineers
.”
Social Studies of Science
34
:
733
758
.
Rodgers
,
Tara
.
2010
.
Pink Noises: Women on Electronic Music and Sound
.
Durham
:
Duke University Press
.
Samuels
,
David
,
Meintjes
,
Louise
Ochoa
Ana María
,
Porcello
Thomas
.
2010
. “
Soundscapes: Toward a Sounded Anthropology
.”
Annual Review of Anthropology
39
:
329
345
.
Scales
,
Christopher A.
2012
.
Recording Culture: Powwow Music and the Aboriginal Recording Industry on the Northern Plains
.
Durham
:
Duke University Press
.
Schafer
,
R.
Murray
.
1977
.
The Tuning of the World
.
New York
:
Knopf
.
Stadler
,
Gustavus
, ed.
2010
. “
The Politics of Recorded Sound
.”
Special issue, Social Text
102
.
Sterne
,
Jonathan
.
2012
.
MP3: The Meaning of a Format
.
Durham
:
Duke University Press
.
Suisman
,
David
, and
Strasser
Susan
, eds.
2009
.
Sound in the Age of Mechanical Reproduction
.
Philadelphia
:
University of Pennsylvania Press
.
Voegelin
,
Salome
.
2010
.
Listening to Noise and Silence: Towards a Philosophy of Sound Art
.
New York
:
Continuum
.
Williams
,
Raymond
.
1985
.
Keywords: A Vocabulary of Culture and Society
, Rev.
2nd
ed.
New York
:
Oxford University Press
.
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