Pictures and Progress: Early Photography and the Making of African American Identity
Maurice O. Wallace is Associate Professor of English and African & African American Studies at Duke University. He is the author of Constructing the Black Masculine: Identity and Ideality in African American Men's Literature and Culture, 1775–1995, also published by Duke University Press.
Shawn Michelle Smith is Associate Professor of Visual and Critical Studies at the School of the Art Institute of Chicago. She is the author of Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture, also published by Duke University Press, and American Archives: Gender, Race, and Class in Visual Culture. Smith is coauthor (with Dora Apel) of Lynching Photographs.
Maurice O. Wallace is Associate Professor of English and African & African American Studies at Duke University. He is the author of Constructing the Black Masculine: Identity and Ideality in African American Men's Literature and Culture, 1775–1995, also published by Duke University Press.
Shawn Michelle Smith is Associate Professor of Visual and Critical Studies at the School of the Art Institute of Chicago. She is the author of Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture, also published by Duke University Press, and American Archives: Gender, Race, and Class in Visual Culture. Smith is coauthor (with Dora Apel) of Lynching Photographs.
Out from Behind the Mask: Paul Laurence Dunbar, the Hampton Institute Camera Club, and Photographic Performance of Identity
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Published:June 2012
Ray Sapirstein, 2012. "Out from Behind the Mask: Paul Laurence Dunbar, the Hampton Institute Camera Club, and Photographic Performance of Identity", Pictures and Progress: Early Photography and the Making of African American Identity, Maurice O. Wallace, Shawn Michelle Smith
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