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Book Chapter

Introduction: Utility and Cinema

By
Haidee Wasson
Haidee Wasson
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Charles R. Acland
Charles R. Acland
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Doi:
https://doi.org/10.1215/9780822394167-001
  • Published:
    September 2011
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
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Bibliography

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Archives and Collections

American College of Surgeons Archives, Chicago

American Museum of Natural History Special Collections, New York City

CBS News Archive, New York City

Cleveland Public Library Archives, Cleveland

George Eastman House, Rochester, N.Y.

Kautz Family YMCA Archives at the University of Minnesota, Minneapolis

Library of Congress, Washington

Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Beverly Hills

Metropolitan Museum of Art Library, New York City

National Archives, Washington

National Archives of Canada, Ottawa

National Board of Review of Motion Pictures Collection, New York Public Library, New York City

National Library of Medicine, Bethesda, Md.

National Museum of American History Archives Center, Washington

Rockefeller Archive Center, Sleepy Hollow, N.Y.

Schomburg Center for Research in Black Culture, New York City UNESCO Archives, Paris

United States National Archives and Records Administration (NARA), College Park, Md.

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Useful Cinema

Useful Cinema

Edited by
Charles R. Acland
Charles R. Acland

Charles R. Acland is Professor and Concordia University Research Chair in Communication Studies at Concordia University in Montreal. He is the author of Screen Traffic: Movies, Multiplexes, and Global Culture, also published by Duke University Press, and the editor of Residual Media.

Haidee Wasson is Associate Professor in the Mel Hoppenheim School of Cinema at Concordia University. She is the author of Museum Movies: The Museum of Modern Art and the Birth of Art Cinema and a co-editor of Inventing Film Studies, also published by Duke University Press.

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Haidee Wasson
Haidee Wasson

Charles R. Acland is Professor and Concordia University Research Chair in Communication Studies at Concordia University in Montreal. He is the author of Screen Traffic: Movies, Multiplexes, and Global Culture, also published by Duke University Press, and the editor of Residual Media.

Haidee Wasson is Associate Professor in the Mel Hoppenheim School of Cinema at Concordia University. She is the author of Museum Movies: The Museum of Modern Art and the Birth of Art Cinema and a co-editor of Inventing Film Studies, also published by Duke University Press.

Search for other works by this author on:
This Site
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Duke University Press
DOI:
https://doi.org/10.1215/9780822394167
Copyright:
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
ISBN electronic:
978-0-8223-9416-7
Publication date:
2011
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References

Bibliography

Archives and Collections

American College of Surgeons Archives, Chicago

American Museum of Natural History Special Collections, New York City

CBS News Archive, New York City

Cleveland Public Library Archives, Cleveland

George Eastman House, Rochester, N.Y.

Kautz Family YMCA Archives at the University of Minnesota, Minneapolis

Library of Congress, Washington

Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Beverly Hills

Metropolitan Museum of Art Library, New York City

National Archives, Washington

National Archives of Canada, Ottawa

National Board of Review of Motion Pictures Collection, New York Public Library, New York City

National Library of Medicine, Bethesda, Md.

National Museum of American History Archives Center, Washington

Rockefeller Archive Center, Sleepy Hollow, N.Y.

Schomburg Center for Research in Black Culture, New York City UNESCO Archives, Paris

United States National Archives and Records Administration (NARA), College Park, Md.

Books, Articles, Papers, and Dissertations

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