Skip to Main Content
Skip Nav Destination
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.

This chapter describes the cultural anxieties and rehabilitation of the crooner persona, then discusses the complex reasons for early crooners’ popularity and the ensuing backlash against them that precipitated the establishment of new middle-class vocal norms for white male popular (“pop”) singers. It discusses class-based singing aesthetics, an etymology of crooning, the impact of modern microphones and radio broadcasting, vocal variety in popular performance of the 1920s, the pivotal role of American youth and women in popularizing romantic crooning, the growing influence of racial assimilation and cultural nationalism, and the establishment of a sexual binary.

This content is only available as PDF.

Bibliography

ARCHIVAL SOURCES

J. Walter Thompson Archive. The John W. Hartman Center for Sales, Advertising and Marketing History. Duke University, Durham, NC.

Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Beverly Hills (MHL).

Rudy Vallée Collection. Scrapbooks, Correspondence, Scripts, Periodicals, and Recordings. The American Radio Archives, The Thousand Oaks Library, Thousand Oaks, CA (RVC).

UCLA Film and Television Archive, University of California, Los Angeles.

Wendall Hall papers, State Historical Society of Wisconsin, Madison.

RECORDINGS: A NOTE

I have noted in the text both the original recording dates of popular songs and the release date of the “best of” CD reissues of them in the 1990s, where I first heard them. Most of the early 1920s crooners were released on specialty imprints by English companies such as Living Era (ASV Records) and Flapper (Pavilion Records); small U.S. labels such as Audiophile Records (New Orleans), Diamond Cut Productions (Edison archive, Hibernia, NJ), and The Old Masters (George Morrow collection, San Mateo, CA); and specialty imprints from large multinational corporations such as Art Deco (Columbia, Sony Music). Since then, many of these songs have become available on streaming music channels such as Pandora and Spotify, as well as on YouTube (see especially the recording historian Tim Gracyk’s constantly updated treasure trove of early crooner recordings on his YouTube channel).

FILMOGRAPHY

Note: I first saw many of these films on VHS copies passed around in graduate school or on nitrate in the UCLA Film and Television Archives. Fortunately, many films have since been released on DVD, which I have noted. For the collections, I have not listed all the shorts on the DVDS, just the ones relevant to this project.

Selected Shorts
Clinching a Sale (with Harry Richman)
. Directed by
Cozine
Ray
.
USA
:
Paramount
,
1930
.
UCLA Film Archives. YouTube
.
Crosby, Columbo, and Vallée (cartoon)
. Directed by
Isling
Rudolf
.
USA
:
Warner Bros.
,
1932
.
Private Collection. YouTube
.
Metro Movietone Revue I (Harry Rose, Van and Schenck, The Capitolians, Grace Rodgers)
. Directed by
Grinde
Nick
.
USA
:
MGM
,
1929
.
On The Dawn of Sound II. USA: MGM/UA Home Video, 1993. VHS. Also on The Broadway Melody. “Special Features.” USA: Turner Entertainment, 2005. DVD
.
Metro Movietone Revue II (Harry Rose, Johnny Marvin, George Dewey Washington, The Locust Sisters)
. Directed by
Grinde
Nick
.
USA
:
MGM
,
1929
.
On The Dawn of Sound II. USA: MGM/UA Home Video, 1993. VHS. Also on The Broadway Melody. “Special Features.” USA: Turner Entertainment, 2005. DVD
.
Metro Movietone Revue I (Jack Pepper, Joseph Regan)
. Directed by
Grinde
Nick
.
USA
:
MGM
,
1930
.
On The Dawn of Sound II. USA: MGM/UA Home Video, 1993. VHS. Also on The Broadway Melody. “Special Features.” USA: Turner Entertainment, 2005. DVD
.
Metro Movietone Revue II (Jack Pepper, Ella Shields, George Dewey Washington, Joseph Regan, The Ponce Sisters)
. Directed by
Grinde
Nick
.
USA
:
MGM
,
1930
.
On The Dawn of Sound II. USA: MGM/UA Home Video, 1993. VHS. Also on The Broadway Melody. “Special Features.” USA: Turner Entertainment, 2005. DVD
.
A Movietone Divertissement (Tom Waring, Johnny Marvin)
.
USA
:
MGM
,
1928
.
On The Broadway Melody. “Special Features” (as Movietone Revue #7). USA: Turner Entertainment, 2005. DVD
.
Our Gang: “Follies of 1938.”
Directed by
Douglas
Gordon
.
USA
:
Hal Roach Studios
,
1937
.
Private Collection. YouTube
.
Rudy Vallée and His Connecticut Yankees 771
. Directed by
Roth
Murray
.
USA
:
Warner Bros. Vitaphone
,
1929
.
Private Collection
.
Swooner Crooner
. Directed by
Tashlin
Frank
.
USA
:
Warner Bros.
,
1944
.
Private Collection
.
That Goes Double (with Russ Columbo) 1495–6
. Directed by
Henabery
Joseph
.
USA
:
Warner Bros. Vitaphone
,
1933
.
Private Collection
.
Selected Short Film Collections

Bing at Sennett, vols. 1–2. USA: Festival Films, 1995. VHS. Contains One More Chance (directed by Mack Sennett; Sennett Picture Corp., 1931); Sing, Bing, Sing (directed by Babe Stafford; Sennett Picture Corp., 1933); Billboard Girl (directed by Leslie Pearce; Sennett Picture Corp., 1932).

Hollywood Rhythm: The Paramount Musical Shorts, 1929–1941, Volumes 1–4. USA: Kino Video, 1997. VHS. Contains Musical Justice (directed by Aubrey Scotto; Paramount, 1931); Radio Rhythm (directed by Joseph Stanley; Paramount, 1929); I Surrender Dear (directed by Mack Sennett; Sennett Picture Corp., 1931).

Hollywood Rhythm: The Paramount Musical Shorts, Volume 2: The Best of Big Bands and Swing. USA: Kino Video, 2001. DVD. Contains Blue of the Night (directed by Leslie Pearce; Sennett Picture Corp., 1932); The Musical Doctor (directed by Ray Cozine; Paramount, 1932); Singapore Sue (directed by Casey Robinson; Paramount, 1932); Dream House (aka Crooner’s Holiday) (directed by Del Lord; Sennett Picture Corp., 1932).

The Jazz Singer Deluxe Edition. USA: Warner Bros. Home Video, 2007. DVD. Contains Al Jolson: A Plantation Act 359 (1926); Van and Schenck: The Pennant Winning Battery of Songland 395 (1926); The Police Quartette 2320 (1927); Adele Rowland: Stories in Song 2348 (1928); Dick Rich and His Melodious Monarchs 2595 (1928); Gus Arnheim and His Ambassadors 2585 (1928); Paul Tremaine and His Aristocrats 742 (1929); Baby Rose Marie: The Child Wonder 809 (1929); Larry Ceballas’ Roof Garden Revue 2627 (1928).

Vitaphone Cavalcade of Musical Comedy Shorts Collection. USA: Warner Bros. Home Video, 2010. DVD.

Vitaphone Varieties. USA: Warner Bros. Home Video, 2011. DVD. Contains The Revelers, 483 (1927), Morrissey and Miller Nightclub Revue 2293 (1927), Earl Burtnett (Collegiate Jazz Artist) and His Biltmore Hotel Orchestra 2285 (1927), Val and Ernie Stanton in “Cut Yourself a Piece of Cake” 2586 (1928), Jimmy Clemons in “The Dream Café” 2242 (1927), Gladys Brockwell in “Hollywood Bound” 2235 (1928), Jay C. Flippen in “The Ham What Am,” 2581 (1928), Dick Rich and His Synco-Symphonists 2594 (1928), Eddie White in “I Thank You” 2689 (1928), Jack Waldron in “A Little Breath of Broadway” 2681 (1928), Earl Burtnett (Collegiate Jazz Artist) and His Biltmore Hotel Orchestra 2295 (1928), The Rangers in “ After the Round Up” 2900 (1928), Frank Whitman in “The Surprising Fiddler” 703 (1929), Harry Fox and His Six American Beauties, 828 (1929), Jack White “The Premiere Clown of Broadway” and His Montrealers 791 (1929), Oklahoma Bob Albright and His Rodeo Do Flappers 810 (1920), Mel Klee in “The Prince of Wails” 826 (1929), The Gotham Rhythm Boys 832 (1929), Poor Aubrey 3674–5 (1929), Revival Day 367 (1926?).

Vitaphone Varieties. Vol. 2. USA: Warner Bros. Home Video, 2012. DVD. Contains Hawaiian Nights, 422 (1927), Waring’s Pennsylvanians 427, 428 (1927), The Happiness Boys 537 (1927), Harry Wayman and His Debutantes 2261 (1927), Earl Burtnett (Collegiate Jazz Artist) and His Biltmore Hotel Orchestra 2294 (1928), Abe Lyman and His Orchestra 2338 (1928), Eddie Peabody in Banjoland 2560 (1928), Roy Fox “The Whispering Cornettist” 2819.

Warner Bros. Big Band, Jazz and Swing Short Subject Collection. USA: Turner Entertainment Co., 2009. DVD. Contains Rambling Round Radio Row 1–6, 1932–33 Season; Rambling Round Radio Row 1–2, 1933–34 Season; Rambling Round Radio Row 1934–35 Season.

Feature Films
Anchors Away
. Directed by
Sidney
George
.
USA
:
MGM
,
1945
.
DVD
.
Ann Carver’s Profession
. Directed by
Buzzell
Edward
.
USA
:
Columbia
,
1933
.
Private Collection. DVD
.
Anything Goes
. Directed by
Milestone
Lewis
.
USA
:
Paramount
,
1936
.
DVD
.
Applause
. Directed by
Mamoulian
Rouben
.
USA
:
Paramount
,
1929
.
DVD
.
The Bachelor and the Bobby-Soxer
. Directed by
Reis
Irving
.
USA
:
RKO
,
1947
.
DVD
.
The Big Broadcast of 1932
. Directed by
Tuttle
Frank
.
USA
:
Paramount
,
1932
.
Private Collection
.
Blessed Event
. Directed by
Ruth
Roy Del
.
USA
:
Warner Bros.
,
1932
.
DVD
.
Bondage
. Directed by
Santell
Alfred
.
USA
:
Fox Film Corp.
,
1933
.
UCLA Film Archives
.
Bonnie and Clyde
. Directed by
Penn
Arthur
.
USA
:
Warner Bros.
,
1967
.
DVD
.
The Broadway Melody
. Directed by
Beaumont
Henry
.
USA
:
MGM
,
1929
.
DVD
.
Broadway thru a Keyhole
. Directed by
Sherman
Lowell
.
USA
:
Twentieth Century Pictures
,
1933
.
DVD
.
The Call of the Flesh
. Directed by
Brabin
Charles
.
USA
:
MGM
,
1930
.
UCLA Film Archives
.
Chasing Rainbows (excerpts)
. Directed by
Reisner
Charles
.
USA
:
MGM
,
1930
.
UCLA Film Archives
.
Close Harmony
. Directed by
Cromwell
John
and
Sutherland
A. Edward
.
USA
:
Paramount
,
1929
.
UCLA Film Archives
.
College Humor
. Directed by
Ruggles
Wesley
.
USA
:
Paramount
,
1933
.
UCLA Film Archives. DVD
.
Crooner
. Directed by
Bacon
Lloyd
.
USA
:
Warner Bros.
,
1922
.
UCLA Film Archives / TCM Channel
.
Cuban Love Song
. Directed by
Dyke
W. S. Van
.
USA
:
MGM
,
1931
.
UCLA Film Archives
.
Dames
. Directed by
Enright
Ray
and
Berkeley
Busby
.
USA
:
Warner Bros.
,
1934
.
DVD
.
Devil May Care
. Directed by
Franklin
Sidney
.
USA
:
MGM
,
1929
.
UCLA Film Archives
.
Devil’s Holiday
. Directed by
Goulding
Edmund
.
USA
:
Paramount
,
1930
.
UCLA Film Archives
.
Do I Sound Gay?
Directed by
Thorpe
David
.
USA
:
IFC Films / Sundance Selects
,
2015
.
Theater
.
Double or Nothing
. Directed by
Reed
Theodore
.
USA
:
Paramount
,
1937
.
DVD
.
Follow Thru
. Directed by
Corrigan
Lloyd
.
USA
:
Paramount
,
1930
.
UCLA Film Archives
.
Footlight Parade
. Directed by
Bacon
Lloyd
.
USA
:
Warner Bros.
,
1933
.
DVD
.
42nd Street
. Directed by
Bacon
Lloyd
.
USA
:
Warner Bros.
,
1933
.
DVD
.
The Gay Divorcee
. Directed by
Sandrich
Mark
.
USA
:
RKO
,
1934
.
DVD
.
George White’s Scandals
. Directed by
Freeland
Thornton
,
Lachman
Harry
, and
White
George
.
USA
:
Fox
,
1934
.
TCM Channel / DVD
.
Glorifying the American Girl
. Directed by
Webb
Millard
.
USA
:
Paramount
,
1929
.
TCM Channel
.
Going Hollywood
. Directed by
Walsh
Raoul
.
USA
:
MGM
,
1933
.
DVD
.
Going My Way
. Directed by
McCarey
Leo
.
USA
:
Paramount
,
1944
.
DVD
.
Gold Diggers of Broadway (excerpts)
. Directed by
Ruth
Roy Del
.
USA
:
Warner Bros.
,
1929
.
UCLA Film Archives. On The Dawn of Sound I. USA: MGM/UA Home Video, 1992. VHS. Also on The Jazz Singer Deluxe Edition. USA: Warner Bros. Home Video, 2007. DVD
.
Gold Diggers of 1933
. Directed by
LeRoy
Mervyn
.
USA
:
Warner Bros.
,
1933
.
DVD
.
Good News (excerpts)
. Directed by
Grinde
Nick
.
USA
:
MGM
,
1930
.
UCLA Film and Television Archives
.
Good News
. Directed by
Walters
Charles
.
USA
:
MGM
,
1947
.
DVD
.
Hallelujah
. Directed by
Vidor
King
.
USA
:
MGM
,
1929
.
DVD
.
Holiday Inn
. Directed by
Sandrich
Mark
.
USA
:
Paramount
,
1942
.
DVD
.
The Hollywood Revue of 1929
. Directed by
Reisner
Charles
.
USA
:
MGM
,
1929
.
VHS Private Collection. DVD
.
How to Succeed in Business without Really Trying
. Directed by
Swift
David
.
USA
:
United Artists
,
1967
.
DVD
.
In Gay Madrid
. Directed by
Leonard
Robert Z.
.
USA
:
MGM
,
1930
.
UCLA Film Archives
.
International House
. Directed by
Sutherland
A. Edward
.
USA
:
Paramount
,
1933
.
DVD
.
The Jazz Singer
. Directed by
Crosland
Alan
.
USA
:
Warner Bros.
,
1927
.
DVD
.
The King of Jazz
. Directed by
Anderson
John Murray
.
USA
:
Universal
,
1930
.
DVD
.
The Letter
. Directed by
Limur
Jean De
.
USA
:
Warner Bros.
,
1929
.
DVD
.
Love Me Tonight
. Directed by
Mamoulian
Rouben
.
USA
:
Paramount
,
1932
.
DVD
.
Mississippi
. Directed by
Sutherland
Edward
.
USA
:
Paramount
,
1935
.
UCLA Film Archives. DVD
.
Mother’s Boy
. Directed by
Barker
Bradley
.
USA
:
Pathé Exchange
,
1929
.
UCLA Film Archives
.
Moulin Rouge
. Directed by
Lanfield
Sidney
.
USA
:
Twentieth Century Pictures
,
1934
.
UCLA Film Archives
.
My Own Private Idaho
. Directed by
Sant
Gus Van
.
USA
:
New Line Cinema
,
1991
.
DVD
.
On the Town
. Directed by
Kelly
Gene
and
Donen
Stanley
.
USA
:
MGM
,
1949
.
DVD
.
The Palm Beach Story
. Directed by
Sturges
Preston
.
USA
:
Paramount
,
1942
.
DVD
.
Paramount on Parade
. Directed by
Arzner
Dorothy
(10 others).
USA
:
Paramount
,
1930
.
Private Collection. VHS
.
Pennies from Heaven
. Directed by
McLeod
Norman
.
USA
:
Paramount
,
1936
.
UCLA Film Archives. DVD
.
Radio Days
. Directed by
Allen
Woody
.
USA
:
MGM
,
1987
.
DVD
.
Rhythm on the Range
. Directed by
Taurog
Norman
.
USA
:
Paramount
,
1936
.
DVD
.
Road to Morocco
. Directed by
Butler
David
.
USA
:
Paramount
,
1942
.
DVD
.
Road to Singapore
. Directed by
Schertzinger
Victor
.
USA
:
Paramount
,
1940
.
DVD
.
The Rogue Song
. Directed by
Barrymore
Lionel
.
USA
:
MGM
,
1930
.
UCLA Film Archives
.
Sadie McKee
. Directed by
Brown
Clarence
.
USA
:
MGM
,
1934
.
DVD
.
Second Fiddle
. Directed by
Lanfield
Sidney
.
USA
:
Twentieth Century Fox
,
1939
.
DVD
.
The Show of Shows
. Directed by
Adolfi
John G.
.
USA
:
Warner Bros.
,
1929
.
DVD
.
The Singing Fool
. Directed by
Bacon
Lloyd
.
USA
:
Warner Bros.
,
1928
.
DVD
.
Song o’ My Heart
. Directed by
Borzage
Frank
.
USA
.
1930
.
UCLA Film Archives. DVD
.
So This Is College
. Directed by
Wood
Sam
.
USA
:
MGM
,
1929
.
DVD
.
Stage Struck
. Directed by
Berkeley
Busby
.
USA
:
Warner Bros.
,
1936
.
UCLA Film Archives
.
Sweet Music
. Directed by
Green
Alfred E.
.
USA
:
Warner Bros.
,
1935
.
TCM Channel
.
Take Me Out to the Ballgame
. Directed by
Berkeley
Busby
.
USA
:
MGM
,
1949
.
DVD
.
Three on a Match
. Directed by
LeRoy
Mervyn
.
USA
:
Warner Bros.
,
1932
.
DVD
.
Too Much Harmony
. Directed by
Sutherland
Edward
.
USA
:
Paramount
,
1933
.
UCLA Film Archives
.
Top Hat
. Directed by
Sandrich
Mark
.
USA
:
RKO
,
1935
.
DVD
.
20 Million Sweethearts
. Directed by
Enright
Ray
.
USA
:
Warner Bros.
,
1934
.
TCM Channel
.
Unfaithfully Yours
. Directed by
Sturges
Preston
.
USA
:
Fox
,
1948
.
DVD
.
The Vagabond Lover
. Directed by
Neilan
Marshall
.
USA
:
RKO
,
1929
.
TCM Channel
.
Waikiki Wedding
. Directed by
Tuttle
Frank
.
USA
:
Paramount
,
1937
.
DVD
.
We’re Not Dressing
. Directed by
Milestone
Lewis
.
USA
:
Paramount
,
1936
.
DVD
.
Young at Heart
. Directed by
Douglas
Gordon
.
USA
:
Warner Bros.
,
1954
.
DVD
.
WRITTEN WORKS
Abbott
,
Lynn
, and
Seroff
Doug
.
Out of Sight: The Rise of African American Popular Music, 1889–1895
.
Jackson
:
University Press of Mississippi
,
2002
.
Abbott
,
Lynn
, and
Seroff
Doug
.
Ragged but Right: Black Traveling Shows, “Coon Songs,” and the Dark Pathway to Blues and Jazz
.
Jackson
:
University Press of Mississippi
,
2007
.
Abel
,
Richard
.
Americanizing the Movies and “Movie-Mad” Audiences, 1910–1914
.
Berkeley
:
University of California Press
,
2006
.
Abel
,
Richard
. “
The Most American of Attractions, the Illustrated Song
.” In
The Sounds of Early Cinema
, ed.
Abel
Richard
and
Altman
Rick
.
Bloomington
:
Indiana University Press
,
2001
.
Abel
,
Richard
, and
Altman
Rick
, eds.
The Sounds of Early Cinema
.
Bloomington
:
Indiana University Press
,
2001
.
Abelove
,
Henry
. “
Freud, Male Homosexuality and the Americans
.” In
The Lesbian and Gay Studies Reader
, ed.
Abelove
Henry
,
Barale
Michele Aina
, and
Halperin
David
.
New York
:
Routledge
,
1993
.
Acland, Charles
,
R.
, ed.
Residual Media
.
Minneapolis
:
University of Minnesota Press
,
2007
.
Addison
,
Heather
.
Hollywood and the Rise of Physical Culture
.
New York
:
Routledge
,
2003
.
Adickes
,
Sandra
.
To Be Young Was Very Heaven: Women in New York before the First World War
.
New York
:
St. Martin’s Press
,
1997
.
Adorno
,
Theodor
. “
On Jazz
.”
Discourse
12
, no.
1
(
1989
):
44
69
.
Adorno
,
Theodor
.
Sound Figures
.
Stanford
:
Stanford University Press
,
1999
.
Albertson
,
Chris
.
Bessie
.
New Haven, CT
:
Yale University Press
,
2003
.
Allen
,
Frederick Lewis
.
Only Yesterday: An Informal History of the 1920’s
.
New York
:
Harper-Collins
,
2000
.
Allen
,
Robert C.
Horrible Prettiness: Burlesque and American Culture
.
Chapel Hill
:
University of North Carolina Press
,
1991
.
Altman
,
Rick
.
The American Film Musical
.
Bloomington
:
Indiana University Press
,
1987
.
Altman
,
Rick
. “
Cinema and Popular Song: The Lost Tradition
.” In
Soundtrack Available: Essays on Film and Popular Music
, ed.
Wocjik
Pamela Robertson
and
Knight
Arthur
.
Durham, NC
:
Duke University Press
,
2001
.
Altman
,
Rick
.
Silent Film Sound
.
New York
:
Columbia University Press
,
2004
.
Altman
,
Rick
, ed.
Sound Theory, Sound Practice
.
New York
:
Routledge
,
1992
.
Altman
,
Rick
. “
The Technology of the Voice, Part One
.”
Iris
3
, no.
1
(
1985
):
3
20
.
Altman
,
Rick
. “
The Technology of the Voice, Part Two
.”
Iris
4
, no.
1
(
1986
):
107
18
.
American Academy of Teachers in Singing
. “
Reasons for Studying Singing
.”
Etude
,
July
1931
,
510
.
American Academy of Teachers in Singing
.
Singing, the Well-Spring of Music
.
New York
:
American Academy of Teachers in Singing
,
1933
.
Anderson
,
Mark Lynn
.
Twilight of the Idols: Hollywood and the Human Sciences in 1920s America
.
Berkeley
:
University of California Press
,
2011
.
Anderton
,
Barries
.
Sonny Boy: The World of Al Jolson
.
London
:
Jupiter Books
,
1995
.
Antler
,
Joyce
.
You Never Call! You Never Write: A History of the Jewish Mother
.
New York
:
Oxford University Press
,
2007
.
Armstrong
,
Louis
.
Swing That Music
.
New York
:
Da Capo Press
,
1993
.
Arnheim
,
Rudolf
.
Radio
.
1936
.
New York
:
Arno Press
,
1971
.
Baade
,
Christina L.
Victory through Harmony: The BBC and Popular Music in World War II
.
New York
:
Oxford University Press
,
2012
.
Balio
,
Tino
.
Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939
.
Berkeley
:
University of California Press
,
1993
.
Balk
,
Alfred
.
The Rise of Radio: From Marconi through the Golden Age
.
Jefferson, NC
:
Mc-Farland
,
2006
.
Barkin
,
Elaine
, and
Hamessley
Lydia
.
Audible Traces: Gender, Identity, and Music
.
Los Angeles
:
Carciofoli Verlagschaus
,
1999
.
Barnes
,
Ken
.
The Crosby Years
.
New York
:
St. Martin’s Press
,
1980
.
Barnes
,
Ken
.
Sinatra and the Great Song Stylists
.
London
:
Ian Allen
,
1972
.
Barnouw
,
Erik
.
A History of Broadcasting in the United States. Vol. 1: A Tower in Babel: To 1933
.
New York
:
Oxford University Press
,
1966
.
Barrios
,
Richard
.
Screened Out: Playing Gay in Hollywood from Edison to Stonewall
.
New York
:
Routledge
,
2003
.
Barrios
,
Richard
.
A Song in the Dark: The Birth of the Musical Film
. 2nd ed.
New York
:
Oxford University Press
,
2010
.
Barris
,
Alex
.
Hollywood’s Other Men
.
New York
:
A. S. Barnes
,
1975
.
Barthes
,
Roland
. “
The Grain of the Voice
.” In
Image, Music, Text
. Trans.
Heath
Stephen
.
New York
:
Hill and Wang
,
1977
.
Barthes
,
Roland
.
The Responsibility of Forms: Critical Essays on Music, Art, and Representation
. Trans.
Howard
Richard
.
New York
:
Hill and Wang
,
1985
.
Bauer
,
Barbara
.
Bing Crosby
.
Pyramid History of the Movies
.
New York
:
Pyramid
,
1977
.
Bean
,
Annemarie
,
Hatch
James V.
, and
McNamara
Brooks
, eds.
Inside the Minstrel Mask: Readings in Nineteenth Century Blackface Minstrelsy
.
Hanover, NH
:
Wesleyan University Press
,
1996
.
Bederman
,
Gail
.
Manliness and Civilization: A Cultural History of Gender and Race in the United States, 1880–1917
.
Chicago
:
University of Chicago Press
,
1995
.
Beebe
,
Roger
,
Fulbrook
Denise
, and
Saunders
Ben
, eds.
Rock over the Edge: Transformations in Popular Music Culture
.
Durham, NC
:
Duke University Press
,
2002
.
Bell
,
Anne Oliver
.
The Diary of Virginia Woolf: Volume One 1915–1919
.
San Diego
:
Harvest Books
,
1977
.
Bennett
,
Andy
.
Popular Music and Youth Culture: Music, Identity, and Place
.
New York
:
St. Martin’s Press
,
2000
.
Bennett
,
Chad
. “
Flaming the Fans: Shame and the Aesthetics of Queer Fandom in Todd Haynes’s Velvet Goldmine
.”
Cinema Journal
49
, no.
2
(
2010
):
17
39
.
Bennett
,
Tony
, with
Friedwald
Will
.
The Good Life
.
New York
:
Pocket Books
,
1998
.
Benson
,
Susan Porter
.
Counter Cultures: Saleswomen, Managers, and Customers in American Department Stores, 1890–1940
.
Champaign
:
University of Illinois Press
,
1986
.
Benson
,
Susan Porter
.
Household Accounts: Working-Class Family Economics in the Interwar United States
.
Ithaca, NY
:
Cornell University Press
,
2007
.
Bergreen
,
Laurence
.
As Thousands Cheer: The Life of Irving Berlin
.
New York
:
Penguin Books
,
1990
.
Berlant
,
Lauren
.
The Female Complaint: The Unfinished Business of Sentimentality in American Culture
.
Durham, NC
:
Duke University Press
,
2008
.
Biddle
,
Ian
, and
Gibson
Kirsten
, eds.
Masculinity and the Western Musical Practice
.
Burlington, VT
:
Ashgate
,
2009
.
Billman
,
Larry
.
Fred Astaire: A Bio-Bibliography
.
Westport, CT
:
Greenwood Press
,
1997
.
Binkley
,
Sam
.
Getting Loose: Lifestyle Consumption in the 1970s
.
Durham, NC
:
Duke University Press
,
2007
.
Biocca
,
Frank
. “
Media and Perceptual Shifts: Early Radio and the Clash of Musical Cultures
.”
Journal of Popular Culture
24
(Fall
1990
):
1
15
.
Blake
,
Angela M.
How New York Became American, 1890–1924
.
Baltimore
:
Johns Hopkins University Press
,
2006
.
Bodnar
,
John
.
The Transplanted: A History of Immigrants in Urban America
.
Bloomington
:
Indiana University Press
,
1987
.
Bookbinder
,
Robert
.
The Films of Bing Crosby
.
Secaucus, NJ
:
Citadel
,
1977
.
Bordman
,
Gerald
.
American Musical Theatre: A Chronicle
.
New York
:
Oxford University Press
,
1986
.
Bowlly
,
Al
.
Modern Style Singing
.
London
:
Henri Selmer
,
1934
.
Brackett
,
David
.
Interpreting Popular Music
.
Cambridge
:
Cambridge University Press
,
1995
.
Brackett
,
David
, ed.
The Pop, Rock, and Soul Reader: Histories and Debates
.
New York
:
Oxford University Press
,
2005
.
Braun
,
Hans-Joachim
, ed.
“I Sing the Body Electric”: Music and Technology in the 20th Century
.
New York
:
Wolke
,
2000
.
Brett
,
Philip
,
Wood
Elizabeth
, and
Thomas
Gary C.
, eds.
Queering the Pitch: The New Gay and Lesbian Musicology
.
New York
:
Routledge
,
1994
.
Brooks
,
Daphne
.
Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910
.
Durham, NC
:
Duke University Press
,
2006
.
Brooks
,
Daphne
. “
‘Once More with Feeling’: Popular Music Studies in the New Millennium
.”
Journal of Popular Music Studies
22
, no.
1
(
2010
).
Brooks
,
Daphne
. “
‘The Voice Which Is Not One’: Amy Winehouse Sings the Ballad of Sonic Blue(s)-face Culture
.”
Women and Performance
20
, no.
1
(
2010
).
Brooks
,
Tim
.
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919
.
Urbana
:
University of Illinois Press
,
2004
.
Brown
,
Jayna
.
Babylon Girls: Black Women Performers and the Shaping of the Modern
.
Durham, NC
:
Duke University Press
,
2008
.
Brundage
,
W. Fitzhugh
, ed.
Beyond Blackface: African Americans and the Creation of American Popular Culture, 1890–1930
.
Chapel Hill
:
University of North Carolina Press
,
2011
.
Bull
,
Michael
, and
Back
Les
.
The Auditory Culture Reader
.
New York
:
Berg Press
,
2003
.
Burnim
,
Mellonee V.
, and
Maultsby
Portia K.
.
African American Music: An Introduction
.
New York
:
Routledge
,
2006
.
Burrough
,
Bryan
.
Public Enemies: America’s Greatest Crime Wave and the Birth of the FBI, 1933–34
.
New York
:
Penguin Books
,
2004
.
Butler
,
Judith
.
Undoing Gender
.
New York
:
Routledge
,
2004
.
Butsch
,
Richard
.
The Citizen Audience: Crowds, Publics, and Individuals
.
New York
:
Routledge
,
2008
.
Butsch
,
Richard
.
The Making of American Audiences: From Stage to Television, 1750–1990
.
New York
:
Cambridge University Press
,
2000
.
Caffin
,
Caroline
.
Vaudeville: The Book
.
New York
:
Mitchell Kennerley
,
1914
.
Calverton
,
V. F.
The Bankruptcy of Marriage
.
New York
:
Macaulay
,
1928
.
Calverton
,
V. F.
, and
Schmalhausen
Samuel D.
, eds.
The New Generation: The Intimate Problems of Modern Parents and Children
.
New York
:
Macaulay
,
1930
.
Cantor
,
Eddie
.
My Life Is in Your Hands
.
New York
:
Harper and Brothers
,
1928
.
Cartei
,
Valentina
, and
Reby
David
. “
Acting Gay: Male Actors Shift the Frequency Components of Their Voices towards Female Values When Playing Homosexual Characters
.”
Journal of Nonverbal Behavior
36
, no.
1
(
2012
):
79
93
.
Carter
,
Julian B.
The Heart of Whiteness: Normal Sexuality and Race in America, 1880–1940
.
Durham, NC
:
Duke University Press
,
2007
.
Cavanaugh
,
Jack
.
Tunney: Boxing’s Brainiest Champ and His Upset of the Great Jack Dempsey
.
New York
:
Random House
,
2006
.
Cavicchi
,
Daniel
.
Listening and Longing: Music Lovers in the Age of Barnum
.
Middletown, CT
:
Wesleyan University Press
,
2011
.
Chafe
,
William Henry
.
The American Woman: Her Changing Social, Economic, and Political Roles, 1920–1970
.
New York
:
Oxford University Press
,
1972
.
Chanan
,
Michael
.
Repeated Takes: A Short History of Recording and Its Effects on Music
.
New York
:
Verso
,
1995
.
Charters
,
Ann
.
Nobody: The Story of Bert Williams
.
New York
:
Da Capo Press
,
1983
.
Chauncey
,
George
.
Gay New York: Gender, Urban Culture, and the Making of the Gay Male World 1890–1940
.
New York
:
Basic Books
,
1994
.
Chevigny
,
Paul
.
Gigs: Jazz and the Cabaret Law in New York City
. 2nd ed.
New York
:
Routledge
,
2005
.
Chude-Sokei
,
Louis
.
The Last Darky: Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora
.
Durham, NC
:
Duke University Press
,
2006
.
Clement
,
Elisabeth
.
Love for Sale: Courting, Treating, and Prostitution in New York City, 1900–1945
.
Chapel Hill
:
University of North Carolina Press
,
2006
.
Coates
,
Norma
. “
(R)evolution Now? Rock and the Political Potential of Gender
.” In
Sexing the Groove: Popular Music and Gender
, ed.
Whiteley
Sheila
.
New York
:
Routledge
,
1997
.
Coben
,
Stanley
.
Rebellion against Victorianism: The Impetus for Cultural Change in 1920s America
.
New York
:
Oxford University Press
,
1991
.
Cockrell
,
Dale
.
Demons of Disorder: Early Blackface Minstrels and Their World
.
New York
:
Cambridge University Press
,
1997
.
Cohen
,
Lizabeth
.
A Consumer’s Republic: The Politics of Mass Consumption in Postwar America
.
New York
:
Vintage Books
,
2003
.
Cohen
,
Lizabeth
.
Making a New Deal: Industrial Workers in Chicago, 1919–1939
.
New York
:
Cambridge University Press
,
1990
.
Coilin
,
Sid
, and
Staveacre
Tony
.
Al Bowlly
.
London
:
Elm Tree Books
,
1977
.
Connell
,
R. W.
Masculinities
. 2nd ed.
Berkeley
:
University of California Press
,
2005
.
Connell
,
R. W.
The Social Organization of Masculinity
.” In
Feminist Theory Reader: Local and Global Perspectives
, ed.
McCann
Carol
and
Seung-Kyung
Kim
.
New York
:
Routledge
,
2009
.
Cook
,
Nicholas
, and
Pople
Anthony
, eds.
The Cambridge History of Twentieth-Century Music
.
New York
:
Cambridge University Press
,
2004
.
Cooke
,
James Francis
.
Great Singers on the Art of Singing: Educational Conferences with Foremost Artists
.
Philadelphia
:
Theo. Presser
,
1921
.
Coontz
,
Stephanie
.
Marriage, a History: From Obedience to Intimacy or How Love Conquered Marriage
.
New York
:
Viking
,
2005
.
Cooper
,
Kim
, and
Smay
David
, eds.
Bubblegum Music Is the Naked Truth
.
Los Angeles
:
Feral House
,
2001
.
Cott
,
Nancy F.
, ed.
History of Women in the United States: Historical Articles on Women’s Lives and Activities. Vol. 10: Sexuality and Sexual Behavior
.
New York
:
K. G. Sauer
,
1993
.
Cott
,
Nancy F.
, ed.
Public Vows: A History of Marriage and the Nation
.
Cambridge, MA
:
Harvard University Press
,
2000
.
Couvares
,
Francis G.
, ed.
Movie Censorship and American Culture
.
Washington, DC
:
Smithsonian Institution Press
,
1996
.
Coward
,
Noel
.
Private Lives
.
Garden City, NY
:
Doubleday
,
1930
.
Crafton
,
Donald
.
The History of American Cinema. Vol. 4: The Talkies: America’s Transition to Sound, 1926–1931
.
New York
:
Simon and Schuster
,
1997
.
Craig
,
Maxine Leeds
.
Sorry I Don’t Dance: Why Men Refuse to Move
.
New York
:
Oxford University Press
,
2013
.
Crosby
,
Bing
.
Call Me Lucky
. 2nd ed.
New York
:
Da Capo Press
,
1993
.
Crosby
,
Gary
, with
Firestone
Ross
.
Going My Own Way
.
New York
:
Doubleday
,
1983
.
Crosby
,
Ted
.
The Story of Bing Crosby
.
New York
:
World
,
1946
.
Czitrom
,
Daniel J.
Media and the American Mind: From Morse to McLuhan
.
Chapel Hill
:
University of North Carolina Press
,
1982
.
Davis
,
Angela Y.
Blues Legacies and Black Feminism: Gertrude “Ma” Rainey, Bessie Smith and Billie Holiday
.
New York
:
Pantheon Books
,
1998
.
Davis
,
Janet
.
The Circus Age: Culture and Society under the American Big Top
.
Chapel Hill
:
University of North Carolina Press
,
2002
.
Davis
,
Katharine Bement
.
Factors in the Sex Life of Twenty-Two Hundred Women
.
New York
:
Arno Press, New York Times
,
1972
.
DeCordova
,
Richard
.
Picture Personalities: The Emergence of the Star System in America
.
Chicago
:
University of Illinois Press
,
1990
.
De La Pena
,
Carolyn Thomas
.
The Body Electric: How Strange Machines Build the Modern American
.
New York
:
New York University Press
,
2003
.
De La Pena
,
Carolyn Thomas
. “
Slow and Low Progress, or Why American Studies Should Do Technology
.”
American Quarterly
58
, no.
3
(
2006
):
915
41
.
DeLong
,
Thomas A.
The Mighty Music Box
.
Los Angeles
:
Amber Crest Books
,
1980
.
DeLong
,
Thomas A.
Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960
.
Jefferson, NC
:
McFarland
,
1996
.
D’Emilio
,
John
. “
Capitalism and Gay Identity
.” In
Powers of Desire: The Politics of Sexuality
, ed.
Snitow
Ann
,
Stansell
Christine
, and
Thompson
Sharon
.
New York
:
Monthly Review Press
,
1983
.
D’Emilio
,
John
, and
Freedman
Estelle
.
Intimate Matters: A History of Sexuality in America
.
New York
:
Harper and Row
,
1988
.
Denning
,
Michael
.
The Cultural Front: The Laboring of American Culture in the Twentieth Century
.
New York
:
Verso
,
1996
.
Deutsch
,
Sarah Jane
. “
From Ballots to Breadlines, 1920–1940
.” In
No Small Courage: A History of Women in the United States
, ed.
Cott
Nancy
.
New York
:
Oxford University Press
,
2000
.
Dimeglio
,
John E.
Vaudeville U.S.A.
Bowling Green, OH
:
Bowling Green University Popular Press
,
1973
.
Diner
,
Hasia R.
Erin’s Daughters in America: Irish Immigrant Women in the Nineteenth Century
.
Baltimore
:
Johns Hopkins University Press
,
1983
.
Doctor
,
Jennifer
.
The BBC and Ultra-Modern Music, 1922–1936: Shaping a Nation’s Tastes
.
Cambridge
:
Cambridge University Press
,
1999
.
Doerksen
,
Clifford J.
American Babel: Rogue Radio Broadcasters of the Jazz Age
.
Philadelphia
:
University of Pennsylvania Press
,
2005
.
Doherty
,
Thomas
.
Hollywood’s Censor: Joseph I. Breen and the Production Code
.
New York
:
Columbia University Press
,
2009
.
Doherty
,
Thomas
.
Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934
.
New York
:
Columbia University Press
,
1999
.
Donnelly
,
K. J.
The Spectre of Sound: Music in Film and Television
.
London
:
British Film Institute
,
2005
.
Douglas
,
Ann
.
Terrible Honesty: Mongrel Manhattan in the 1920s
.
New York
:
Farrar, Straus and Giroux
,
1995
.
Douglas
,
George
.
The Early Days of Radio Broadcasting
.
Jefferson, NC
:
McFarland
,
1987
.
Douglas
,
Mary
.
Purity and Danger: An Analysis of the Concepts of Pollution and Taboo
.
New York
:
Praeger
,
1966
.
Douglas
,
Susan
.
Inventing American Broadcasting, 1899–1922
.
Baltimore
:
Johns Hopkins University Press
,
1987
.
Douglas
,
Susan
.
Listening In: Radio and the American Imagination
.
New York
:
Random House
,
1999
.
Douglas
,
Susan
.
Where the Girls Are: Growing Up Female with the Mass Media
.
New York
:
Random House
,
1994
.
Doyle
,
Peter
.
Echo and Reverb: Fabricating Space in Popular Music Recordings, 1900–1960
.
Middletown, CT
:
Wesleyan University Press
,
2005
.
Doyle
,
Peter
. “
From ‘My Blue Heaven’ to ‘Race with the Devil’: Echo, Reverb and (Dis)ordered Space in Early Popular Music Recording
.”
Popular Music
23
(
2004
):
31
49
.
Dragonette
,
Jessica
.
Faith Is a Song: The Odyssey of an American Artist
.
New York
:
David McKay
,
1951
.
Drutman
,
Irving
.
Good Company
.
Boston
:
Little, Brown
,
1976
.
Duberman
,
Martin
,
Vicinus
Martha
, and
Chauncey
George
Jr.
, eds.
Hidden from History: Reclaiming the Gay and Lesbian Past
.
New York
:
New American Library
,
1989
.
Duchan
,
Joshua S.
Powerful Voices: The Musical and Social World of Collegiate a Capella
.
Ann Arbor
:
University of Michigan Press
,
2012
.
Duggan
,
Lisa
. “
The Social Enforcement of Heterosexuality and Lesbian Resistance in the 1920s
.” In
Class, Race, and Sex: The Dynamics of Control
, ed.
Swerdlow
Amy
and
Lessinger
Hanna
.
Boston
:
G. K. Hall
,
1983
.
Dunning
,
John
.
On the Air: The Encyclopedia of Old-Time Radio
.
New York
:
Oxford University Press
,
1998
.
Durand
,
Regis
. “
The Disposition of the Voice
.” In
Mimesis, Masochism, and Mime: The Politics of Theatricality in Contemporary French Thought
, ed.
Murray
Timothy
.
Ann Arbor
:
University of Michigan Press
,
1997
.
Dyer
,
Richard
.
Heavenly Bodies: Film Stars and Society
.
New York
:
St. Martin’s Press
,
1986
.
Dyer
,
Richard
.
In the Space of a Song: The Uses of Song in Film
.
New York
:
Routledge
,
2012
.
Dyer
,
Richard
.
Only Entertainment
.
New York
:
Routledge
,
1992
.
Dyer
,
Richard
.
White
.
Routledge
:
New York
,
1997
.
Echols
,
Alice
.
Hot Stuff: Disco and the Remaking of American Culture
.
New York
:
Norton
,
2010
.
Ehrenreich
,
Barbara
.
The Hearts of Men: American Dreams and the Flight from Commitment
.
New York
:
Anchor
,
1987
.
Ehrenreich
,
Barbara
,
Hess
Elisabeth
, and
Jacobs
Gloria
. “
Beatlemania: A Sexually Defiant Subculture?
” In
The Subcultures Reader
, ed.
Gilder
Ken
and
Thornton
Sarah
.
New York
:
Routledge
,
1997
.
Emerson
,
Ken
.
DooDah! Stephen Foster and the Rise of American Popular Culture
.
New York
:
Da Capo Press
,
1997
.
Ennis
,
Philip H.
The Seventh Stream: The Emergence of RocknRoll in American Popular Music
.
Hanover, NH
:
Wesleyan University Press
,
1992
.
Erenberg
,
Lewis A.
From New York to Middletown: Repeal and the Legitimatization of Nightlife in the Great Depression
.”
American Quarterly
38
(
1986
):
761
68
.
Erenberg
,
Lewis A.
Steppin’ Out: New York Nightlife and the Transformation of American Culture, 1890–1930
.
Westport, CT
:
Greenwood Press
,
1981
.
Erenberg
,
Lewis A.
Swingin’ the Dream: Big Band Jazz and the Rebirth of American Culture
.
Chicago
:
University of Chicago Press
,
1998
.
Ericksen
,
Julia A.
, and
Steffen
Sally A.
.
Kiss and Tell: Surveying Sex in the Twentieth Century
.
Cambridge, MA
:
Harvard University Press
,
1999
.
Ewen
,
David
.
The Life and Death of Tin Pan Alley: The Golden Age of American Popular Music
.
New York
:
Funk and Wagnall
,
1964
.
Eyman
,
Scott
.
The Speed of Sound: Hollywood and the Talkie Revolution, 1926–1930
.
Baltimore
:
Johns Hopkins University Press
,
1997
.
Fass
,
Paula
.
The Damned and the Beautiful: American Youth in the 1920s
.
New York
:
Oxford University Press
,
1977
.
Faulkner
,
Howard J.
, and
Pruitt
Virginia D.
, eds.
Dear Dr. Menninger: Women’s Voices from the Thirties
.
Columbia
:
University of Missouri Press
,
1997
.
Feld
,
Steven
, and
Basso
Keith H.
, eds.
Senses of Place
.
Santa Fe, NM
:
School of American Research Press
,
1996
.
Felski
,
Rita
.
The Gender of Modernity
.
Cambridge, MA
:
Harvard University Press
,
1995
.
Finson
,
Jon W.
The Voices That Are Gone: Themes in 19th-Century American Popular Song
.
New York
:
Oxford University Press
,
1994
.
Fischer
,
Claude A.
America Calling: A Social History of the Telephone to 1940
.
Berkeley
:
University of California Press
,
1992
.
Fischer
,
Lucy
, ed.
American Cinema of the 1920s
.
New Brunswick, NJ
:
Rutgers University Press
,
2009
.
Fisher
,
Eddie
.
Been There, Done That
.
New York
:
St. Martin’s Press
,
1999
.
Fishzon
,
Anna
.
Fandom, Authenticity, and Opera: Mad Acts and Letter Scenes in Fin-de-Siècle Russia
.
New York
:
Palgrave
,
2013
.
Fitzgerald
,
F. Scott
.
This Side of Paradise
. [
1920
.]
New York
:
Simon and Schuster
,
1995
.
Fleeger
,
Jennifer
.
Sounding American: Hollywood, Opera, and Jazz
.
New York
:
Oxford University Press
,
2014
.
Flinn
,
Caryl
.
Brass Diva: The Life and Legends of Ethel Merman
.
Berkeley
:
University of California Press
,
2007
.
Flinn
,
Caryl
.
Strains of Utopia: Gender, Nostalgia, and Hollywood Film Music
.
Princeton, NJ
:
Princeton University Press
,
1992
.
Floyd
,
Samuel A.
Jr.
, ed.
Black Music in the Harlem Renaissance: A Collection of Essays
.
Knoxville
:
University of Tennessee Press
,
1993
.
Foucault
,
Michel
.
The History of Sexuality: An Introduction
. Vol.
1
. Trans.
Hurley
Robert
.
New York
:
Vintage Books
,
1990
.
Fraiman
,
Susan
.
Cool Men and the Second Sex
.
New York
:
Columbia University Press
,
2003
.
Frayne
,
John George
, and
Wolfe
Halley
.
Elements of Sound Recording
.
New York
:
John Wiley and Sons
,
1949
.
Freedland
,
Michael
.
Jolie: The Al Jolson Story
.
London
:
Comet
,
1985
.
Freud
,
Sigmund
.
The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 11: Five Lectures on Psychoanalysis, Leonardo Da Vinci, and Other Works
. Trans.
Strachey
James
; collaborator,
Freud
Anna
.
London
:
Hogarth Press
,
1957
.
Friedwald
,
Will
.
Jazz Singing: America’s Great Voices from Bessie Smith to Bebop and Beyond
.
New York
:
Scribner
,
1990
.
Frith
,
Simon
.
Performing Rites: On the Value of Popular Music
.
Cambridge, MA
:
Harvard University Press
,
1996
.
Frith
,
Simon
. “
Pop Music
.” In
The Cambridge Companion to Pop and Rock
, ed.
Frith
Simon
,
Straw
Will
, and
Street
John
.
New York
:
Cambridge University Press
,
2001
.
Frith
,
Simon
.
Sound Effects: Youth, Leisure and the Politics of Rock’n’Roll
.
New York
:
Pantheon
,
1981
.
Frith
,
Simon
, and
Goodwin
Andrew
.
On Record: Rock, Pop, and the Written Word
.
New York
:
Routledge
,
1990
.
Frith
,
Simon
,
Straw
Will
, and
Street
John
, eds.
The Cambridge Companion to Pop and Rock
.
New York
:
Cambridge University Press
,
2001
.
Fuller
,
Sophie
, and
Whitesell
Lloyd
, eds.
Queer Episodes in Music and Modern Identity
.
Chicago
:
University of Illinois Press
,
2002
.
Gabbard
,
Krin
.
Black Magic: White Hollywood and African American Culture
.
New Brunswick, NJ
:
Rutgers University Press
,
2004
.
Gabbard
,
Krin
, ed.
Jazz among the Discourses
.
Durham, NC
:
Duke University Press
,
1995
.
Gabler
,
Neal
.
Winchell: Gossip, Power and the Culture of Celebrity
.
New York
:
Knopf
,
1994
.
Garafalo
,
Reebee
.
Rockin’ Out: Popular Music in the USA
. 2nd ed.
Upper Saddle River, NJ
:
Prentice Hall
,
2002
.
Gaudio
,
Rudolf P.
Sounding Gay: Pitch Properties in the Speech of Gay and Straight Men
.”
American Speech
69
, no.
1
(
1994
):
30
57
.
Gelatt
,
Roland
.
The Fabulous Phonograph, 1877–1977
. 2nd ed.
New York
:
Macmillan
,
1977
.
Gennari
,
John
.
Blowin’ Hot and Cool: Jazz and Its Critics
.
Chicago
:
University of Chicago Press
,
2006
.
George-Warren
,
Holly
.
Public Cowboy: The Life and Times of Gene Autry
.
New York
:
Oxford University Press
,
2007
.
Gerhard
,
Jane F.
Desiring Revolution: Second-Wave Feminism and the Rewriting of American Sexual Thought, 1920 to 1982
.
New York
:
Columbia University Press
,
2001
.
Gerstle
,
Gary
.
American Crucible: Race and Nation in the Twentieth Century
.
Princeton, NJ
:
Princeton University Press
,
2001
.
Giddins
,
Gary
.
Bing Crosby: A Pocketful of Dreams. The Early Years 1903–1940
.
Boston
:
Little, Brown
,
2001
.
Giddins
,
Gary
.
Preface to Call Me Lucky, by Bing Crosby
. 2nd ed.
New York
:
Da Capo Press
,
1993
.
Giddins
,
Gary
.
Riding on a Blue Note: Jazz and American Pop
.
New York
:
Oxford University Press
,
1981
.
Gilbert
,
Douglas
.
American Vaudeville: Its Life and Times
.
New York
:
Dover
,
1940
.
Giles
,
Peter
.
The History and Technique of the Counter-Tenor: A Study of the High Male Voice
.
Cambridge
:
Scholar Press
,
1994
.
Gitelman
,
Lisa
. “
How Users Define New Media: A History of the Amusement Phonograph
.” In
Rethinking Media Change: The Aesthetics of Transition
, ed.
Thorburn
David
and
Jenkins
Henry
.
Cambridge, MA
:
MIT Press
,
2003
.
Gitelman
,
Lisa
.
Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era
.
Stanford
:
Stanford University Press
,
1999
.
Gitelman
,
Lisa
, and
Pingree
Geoffrey B.
, eds.
New Media, 1740–1915
.
Cambridge, MA
:
MIT Press
,
2003
.
Glenn
,
Susan A.
Female Spectacle: The Theatrical Roots of Modern Feminism
.
Cambridge, MA
:
Harvard University Press
,
2000
.
Goldberg
,
Isaac
.
Tin Pan Alley: A Chronicle of the American Popular Music Racket
.
New York
:
John Day
,
1930
.
Goldman
,
Herbert G.
Banjo Eyes: Eddie Cantor and the Birth of Modern Stardom
.
New York
:
Oxford University Press
,
1997
.
Goldman
,
Herbert G.
Jolson: The Legend Comes to Life
.
New York
:
Oxford University Press
,
1988
.
Goldmark
,
Daniel
,
Kramer
Lawrence
, and
Leppert
Richard
, eds.
Beyond the Soundtrack: Representing Music in Cinema
.
Berkeley
:
University of California Press
,
2007
.
Goldsmith
,
Alfred
, and
Lescarboura
Austin
.
This Thing Called Broadcasting
.
New York
:
Henry Holt
,
1930
.
Gomery
,
Douglas
.
The Coming of Sound: A History
.
New York
:
Routledge
,
2005
.
Gomery
,
Douglas
.
Shared Pleasures: A History of Movie Presentation in the United States
.
Madison
:
University of Wisconsin Press
,
1992
.
Gorbman
,
Claudia
.
Unheard Melodies: Narrative Film Music
.
Indianapolis
:
Indiana University Press
,
1987
.
Gottschild
,
Brenda Dixon
.
Waltzing in the Dark: African American Vaudeville and Race Politics in the Swing Era
.
New York
:
St. Martin’s Press
,
2000
.
Gracyk
,
Tim
.
Popular American Recording Pioneers, 1895–1925
.
New York
:
Haworth Press
,
2000
.
Greene
,
Margaret
.
The Voice and Its Disorders
.
New York
:
Macmillan
,
1957
.
Greene
,
Margaret
.
The Voice and Its Disorders
. 3rd ed.
Philadelphia
:
J. B. Lippincott
,
1972
.
Greene
,
Margaret
.
The Voice and Its Disorders
. 4th ed.
Philadelphia
:
J. B. Lippincott
,
1980
.
Greene
,
Margaret
, and
Mathieson
Lesley
.
The Voice and Its Disorders
. 6th ed.
Philadelphia
:
Whurr
,
2001
.
Gregg
,
Melissa
, and
Siegworth
Gregory J.
, eds.
The Affect Theory Reader
.
Durham, NC
:
Duke University Press
,
2010
.
Gregory
,
James N.
Southern Diaspora: How the Great Migrations of Black and White Southerners Transformed America
.
Chapel Hill
:
University of North Carolina Press
,
2007
.
Griffen
,
Clyde
, and
Carnes
Mark C.
, eds.
Meanings for Manhood: Constructions of Masculinity in Victorian America
.
Chicago
:
University of Chicago Press
,
1990
.
Griffith
,
R. Marie
. “
Apostles of Abstinence: Fasting and Masculinity during the Progressive Era
.”
American Quarterly
52
, no.
4
(
2000
):
599
638
.
Gross
,
Ben
.
I Looked and I Listened: Informal Recollections of Radio and TV
.
New Rochelle, NY
:
Arlington House
,
1954
.
Grossman
,
James R.
Land of Hope: Chicago, Black Southerners, and the Great Migration
.
Chicago
:
University of Chicago Press
,
1991
.
Groves
,
E. R.
, and
Ogburn
W. F.
.
American Marriage and Family Relationships: The Early Sociology of the Family
. Vol.
7
.
New York
:
Henry Holt
,
1928
.
Groves
,
Ernest R.
The American Family
.
Chicago
:
J. B. Lippincott
,
1934
.
Groves
,
Robert W.
Americana as Revealed through Old Tin Pan Alley Era Songs
.”
Research in American Popular Music
30
(
1992
):
25
42
.
Gunning
,
Tom
. “
The Cinema of Attraction: Early Film, Its Spectator, and the Avant-Garde
.” In
Film and Theory: An Anthology
, ed.
Stam
Robert
and
Miller
Toby
.
Malden, MA
:
Blackwell
,
2000
.
Halberstam
,
Judith
.
In a Queer Time and Place: Transgender Bodies, Subcultural Lives
.
New York
:
New York University Press
,
2005
.
Hall
,
Stuart
. “
Encoding/Decoding
.” In
Culture, Media, Language: Working Papers in Cultural Studies, 1972–1979
, ed.
Hall
Stuart
et al
London
:
Hutchinson
,
1980
.
Hamm
,
Charles
.
Irving Berlin: Songs from the Melting Pot. The Formative Years, 1907–1914
.
New York
:
Oxford University Press
,
1997
.
Hamm
,
Charles
.
Yesterdays: Popular Song in America
.
New York
:
Norton
,
1979
.
Handy
,
W. C.
Father of the Blues
.
New York
:
Macmillan
,
1944
.
Hansen
,
Miriam
.
Babel and Babylon: Spectatorship in American Silent Film
.
Cambridge, MA
:
Harvard University Press
,
1991
.
Hanson
,
Ellis
.
Decadence and Catholicism
.
Cambridge, MA
:
Harvard University Press
,
1997
.
Harkins
,
Anthony
.
Hillbilly: A Cultural History of an American Icon
.
New York
:
Oxford University Press
,
2004
.
Harris
,
Charles
.
After the Ball: Forty Years of Melody
.
New York
:
Frank-Maurice
,
1926
.
Harrison
,
Scott D.
,
Welch
Graham F.
, and
Adler
Adam
, eds.
Perspectives on Males and Singing
.
London
:
Springer
,
2012
.
Hatch
,
Kristen
.
Shirley Temple and the Performance of Girlhood
.
New Brunswick, NJ
:
Rutgers University Press
,
2015
.
Hawkins
,
Stan
.
The British Pop Dandy: Masculinity, Popular Music and Culture
.
Burlington, VT
:
Ashgate
,
2009
.
Heap
,
Chad
.
Slumming: Sexual and Racial Encounters in American Nightlife, 1885–1940
.
Chicago
:
University of Chicago Press
,
2009
.
Heilbut
,
Anthony
.
The Fan Who Knew Too Much: Aretha Franklin, the Rise of Soap Opera, Children of the Gospel Church, and Other Meditations
.
New York
:
Knopf
,
2012
.
Hemming
,
Roy
, and
Hadju
David
.
Discovering Great Singers of Classic Pop
.
New York
:
New-market Press
,
1991
.
Hesmondhalgh
,
Desmond
, and
Negus
Keith
, eds.
Popular Music Studies
.
New York
:
Oxford University Press
,
2002
.
Higashi
,
Sumiko
.
Cecil B. DeMille and American Culture: The Silent Era
.
Berkeley
:
University of California Press
,
1994
.
Higham
,
John
.
Strangers in the Land: Patterns of American Nativism, 1860–1925
. 2nd ed.
New Brunswick, NJ
:
Rutgers University Press
,
1988
.
Hilderbrand
,
Lucas
. “
‘Luring Disco Dollies to a Life of Vice’: Queer Pop Music’s Moment
.”
Journal of Popular Music Studies
25
, no.
4
(
2013
):
415
38
.
Hilmes
,
Michele
.
Hollywood and Broadcasting from Radio to Cable
.
Chicago
:
University of Illinois Press
,
1990
.
Hilmes
,
Michele
. “
Invisible Men: Amos ’n’ Andy and the Roots of Broadcast Discourse
.”
Critical Studies in Mass Communication
10
, no.
4
(
1993
):
301
21
.
Hilmes
,
Michele
.
NBC: America’s Network
.
Berkeley
:
University of California Press
,
2007
.
Hilmes
,
Michele
.
Only Connect: A Cultural History of Broadcasting in the United States
.
Toronto
:
Wadsworth
,
2002
.
Hilmes
,
Michele
.
Radio Voices: American Broadcasting 1922–1952
.
Minneapolis
:
University of Minnesota Press
,
1997
.
Hirschhorn
,
Clive
.
The Hollywood Musical
.
New York
:
Portland House
,
1991
.
Hoberman
,
J.
, and
Shandler
Jeffrey
.
Entertaining America: Jews, Movies, and Broadcasting
.
Princeton, NJ
:
Princeton University Press
,
2003
.
Hoffman
,
Frank
,
Carty
Dick
, and
Riggs
Quentin
.
Billy Murray: The Phonograph Industry’s First Great Recording Artist
.
Lanham, MD
:
Scarecrow Press
,
1997
.
Horn
,
David
. “
Torch Singer
.” In
Continuum Encyclopedia of the World Volume II: Performance and Production
, ed.
Shepherd
John
.
New York
:
Continuum
,
2003
.
Horning
,
Susan Schmidt
.
Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP
.
Baltimore
:
Johns Hopkins University Press
,
2013
.
Horning
,
Susan Schmidt
. “
Chasing Sound: The Culture and Technology of Recording Studios in America, 1877–1977
.”
PhD dissertation
,
Case Western University
,
2002
.
Horowitz
,
Daniel
.
The Morality of Spending: Attitudes toward the Consumer Society in America, 1875–1940
.
Baltimore
:
Johns Hopkins University Press
,
1985
.
Horten
,
Gerd
.
Radio Goes to War: The Cultural Politics Propaganda during World War II
.
Berkeley
:
University of California Press
,
2002
.
Hubbs
,
Nadine
.
The Queer Composition of America’s Sound: Gay Modernists, American Music, and National Identity
.
Berkeley
:
University of California Press
,
2004
.
Hubbs
,
Nadine
.
Rednecks, Queers, and Country Music
.
Berkeley
:
University of California Press
,
2014
.
Hutchinson
,
Barbara
,
Hanson
Marvin
, and
Mecham
Marlin
.
Diagnostic Handbook of Speech Pathology
.
Baltimore
:
Williams and Wilkins
,
1979
.
Huyssen
,
Andreas
.
After the Great Divide: Modernism, Mass Culture, Postmodernism
.
Bloomington
:
Indiana University Press
,
1986
.
Hyland
,
William G.
The Song Is Ended: Songwriters and American Music
.
Oxford
:
Oxford University Press
,
1995
.
Hyman
,
Paula E.
Gender and Assimilation in Modern Jewish History: The Roles and Representation of Women
.
Seattle
:
University of Washington Press
,
1995
.
Jacobs
,
Lea
.
The Decline of Sentiment: American Film in the 1920s
.
Berkeley
:
University of California Press
,
2008
.
Jacobson
,
Matthew Frye
.
Special Sorrows: The Diasporic Imagination of Irish, Polish, and Jewish Immigrants in the United States
.
Cambridge, MA
:
Harvard University Press
,
1995
.
Jacobson
,
Matthew Frye
.
Whiteness of a Different Color: European Immigrants and the Alchemy of Race
.
Cambridge, MA
:
Harvard University Press
,
1998
.
James
,
Rian
.
All about New York: An Intimate Guide
.
New York
:
John Day Guides
,
1931
.
James
,
Rian
.
Crooner
.
New York
:
Alfred H. King
,
1932
.
James
,
Rian
.
Dining in New York
.
New York
:
John Day
,
1930
.
Jansen
,
David
.
Tin Pan Alley
.
New York
:
Donald I. Fine
,
1988
.
Jarman-Ivens
,
Freya
, ed.
Oh Boy! Masculinities and Popular Music
.
New York
:
Routledge
,
2007
.
Jarman-Ivens
Freya
. “
Pitch Fever: The Castrato, the Tenor, and the Question of Masculinity in Nineteenth-Century Opera
.” In
Masculinity and Opera
, ed.
Purvis
Philip
.
New York
:
Routledge
,
2013
.
Jasen
,
David A.
, and
Jones
Gene
.
Spreadin’ Rhythm Around: Black Popular Songwriters, 1880–1930
.
New York
:
Routledge
,
2005
.
Jenkins
,
Henry
.
Textual Poachers: Television Fans and Participatory Culture
.
New York
:
Routledge
,
1992
.
Jenkins
,
Henry
.
What Made Pistachio Nuts: Early Sound Comedy and the Vaudeville Aesthetic
.
New York
:
Columbia University Press
,
1992
.
Jennings
,
John J.
Theatrical and Circus Life or Secrets of the Stage
.
St. Louis
:
M. S. Barnett
,
1882
.
Jessel
,
George
.
So Help Me: The Autobiography of George Jessel
.
New York
:
Random House
,
1943
.
Johnson
,
E. Patrick
.
Appropriating Blackness: Performance and the Politics of Authenticity
.
Durham, NC
:
Duke University Press
,
2003
.
Jones
,
Delilah
.
Great Crooners: The Life, Times and Music Series
.
New York
:
Friedman/Fairfax
,
1996
.
Jung
,
Sun
.
Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols
.
Hong Kong
:
Hong Kong University Press
,
2011
.
Kahn
,
Roger
.
A Flame of Pure Fire: Jack Dempsey and the Roaring ’20s
.
New York
:
Harcourt Brace
,
1999
.
Kammen
,
Michael
.
American Culture, American Tastes: Social Change and the 20th Century
.
New York
:
Knopf
,
1999
.
Katz
,
Mark
.
Capturing Sound: How Technology Changed Music
.
Berkeley
:
University of California Press
,
2004
.
Kaye
,
Lenny
.
You Call It Madness: The Sensuous Song of the Croon
.
New York
:
Villard
,
2004
.
Keightley
,
Keir
. “
Frank Sinatra and the Hollywood Musical in Transition”: Young at Heart (1955) and Pal Joey (1957)
.”
Paper presented at the Cinema and Popular Song Conference
,
Iowa City
,
April 1999
.
Keightley
,
Keir
. “
Frank Sinatra, Hi Fi and the Formations of Adult Culture, 1948–1962
.”
PhD dissertation
,
Concordia University
,
1997
.
Keil
,
Charles
, and
Feld
Steven
.
Music Grooves: Essays and Dialogues
.
Chicago
:
University of Chicago Press
,
1994
.
Kelland
,
Clarence Budington
.
The Great Crooner
.
New York
:
Harper and Brothers
,
1933
.
Kendrick
,
Walter
.
The Secret Museum: Pornography in Modern Culture
.
New York
:
Viking
,
1987
.
Kenney
,
William Howland
.
Recorded Music in American Life: The Phonograph and Popular Memory, 1890–1945
.
New York
:
Oxford University Press
,
1999
.
Kenny
,
Nick
.
Conducting a Successful Radio Column
.
New York
:
Newspaper Institute of America
,
1942
.
Kibler
,
M. Alison
.
Rank Ladies: Gender and Cultural Hierarchy in American Vaudeville
.
Chapel Hill
:
University of North Carolina Press
,
1999
.
Kidd
,
Kenneth B.
Making American Boys: Boyology and the Feral Tale
.
Minneapolis
:
University of Minnesota Press
,
2004
.
Kimmel
,
Michael S.
Manhood in America: A Cultural History
.
New York
:
Free Press
,
1996
.
Kiner
,
Larry F.
The Rudy Vallée Discography
.
Westport, CT
:
Greenwood Press
,
1985
.
Kinscella
,
Hazel Gertrude
.
Music on the Air
.
New York
:
Viking
,
1934
.
Kinsey
,
Alfred
et al
Sexual Behavior in the Human Female
.
Philadelphia
:
W. B. Saunders
,
1953
.
Kippax
,
Susan
. “
Women as Audience: The Experience of Unwaged Women of the Performance Arts
.” In
Culture and Power: A Media, Culture and Society Reader
, ed.
Scannell
Paddy
et al
London
:
Sage
,
1992
.
Kitch
,
Carolyn
.
The Girl on the Magazine Cover: The Origin of Visual Stereotypes in the American Mass Media
.
Chapel Hill
:
University of North Carolina Press
,
2000
.
Klapper
,
Melissa R.
Jewish Girls Coming of Age in America, 1860–1920
.
New York
:
New York University Press
,
2005
.
Kline
,
Wendy
.
Building a Better Race: Gender, Sexuality and Eugenics, from the Turn of the Century to the Baby Boom
.
Berkeley
:
University of California Press
,
2005
.
Knight
,
Arthur
.
Disintegrating the Musical: Black Performance and American Musical Film
.
Durham, NC
:
Duke University Press
,
2002
.
Koestenbaum
,
Wayne
.
The Queen’s Throat: Opera, Homosexuality, and the Mystery of Desire
.
New York
:
Vintage Books
,
1993
.
Kraft
,
James P.
Stage to Studio: Musicians and the Sound Revolution, 1890–1950
.
Baltimore
:
Johns Hopkins University Press
,
1996
.
Krasner
,
David
. “
The Real Thing
.” In
Beyond Blackface: African Americans and the Creation of Popular Culture, 1890–1930
, ed.
Brundage
W. Fitzhugh
.
Chapel Hill
:
University of North Carolina Press
,
2011
.
Kristeva
,
Julia
.
Powers of Horror: An Essay on Abjection
.
New York
:
Columbia University Press
,
1982
.
Lacey
,
Kate
.
Feminine Frequencies: Gender, German Radio, and the Public Sphere, 1923–1945
.
Ann Arbor
:
University of Michigan Press
,
1996
.
Lanza
,
Joseph
.
Vanilla Pop: Sweet Sounds from Frankie Avalon to ABBA
.
Chicago
:
Chicago Review Press
,
2005
.
Laqueur
,
Thomas
.
Solitary Sex: A Cultural History of Masturbation
.
New York
:
Zone Books
,
2003
.
Lass
,
Norman
,
McReynolds
Leija
,
Northern
Jerry
, and
Yoder
David
.
Handbook of Speech-Language Pathology and Audiology
.
Philadelphia
:
B. C. Decker
,
1988
.
Lastra
,
James
.
Sound Technology and the American Cinema: Perception, Representation, Modernity
.
New York
:
Columbia University Press
,
2000
.
Latham
,
Angela J.
Posing a Threat: Flappers, Chorus Girls, and Other Brazen Performers of the American 1920s
.
Hanover, NH
:
Wesleyan University Press
,
2000
.
Laurie
,
Joe
Jr.
Vaudeville: From the Honky-Tonks to the Palace
.
New York
:
Henry Holt
,
1953
.
Lawrence
,
Amy
.
Echo and Narcissus: Women’s Voices in Classical Hollywood Cinema
.
Berkeley
:
University of California Press
,
1991
.
Lears
,
T. J. Jackson
.
No Place of Grace: Antimodernism and the Transformation of American Culture, 1880–1920
.
Chicago
:
University of Chicago Press
,
1994
.
Lees
,
Gene
.
Singers and the Song
.
New York
:
Oxford University Press
,
1987
.
Lehman
,
Peter
.
Roy Orbison: The Invention of an Alternative Rock Masculinity
.
Philadelphia
:
Temple University Press
,
2003
.
Lenthall
,
Bruce
.
Radio’s America: The Great Depression and the Rise of Modern Mass Culture
.
Chicago
:
University of Chicago Press
,
2007
.
Leonard
,
Neil
.
Jazz and the White Americans: The Acceptance of an Art Form
.
Chicago
:
University of Chicago Press
,
1962
.
Leppert
,
Richard
, and
McClary
Susan
, eds.
Music and Society: The Politics of Composition, Performance, and Reception
.
New York
:
Cambridge University Press
,
1987
.
Lerner
,
Michael A.
Dry Manhattan: Prohibition in New York City
.
Cambridge, MA
:
Harvard University Press
,
2007
.
Levine
,
Lawrence W.
Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America
.
Cambridge, MA
:
Harvard University Press
,
1988
.
Levine
,
Lawrence W.
The Unpredictable Past: Explorations in American Cultural History
.
New York
:
Oxford University Press
,
1993
.
Lewis
,
Robert M.
From Traveling Show to Vaudeville: Theatrical Spectacle in America, 1830–1910
.
Baltimore
:
Johns Hopkins University Press
,
2003
.
Lhamon
,
W. T.
Jr.
Raising Cain: Blackface Performance from Jim Crow to Hip Hop
.
Cambridge, MA
:
Harvard University Press
,
1998
.
Liebman
,
Roy
.
Vitaphone Films: A Catalogue of the Features and Shorts
.
Jefferson, NC
:
Mc-Farland
,
2003
.
Lindsey
,
Ben B.
, and
Evans
Wainwright
.
The Companionate Marriage
.
Garden City, NY
:
Garden City Publishing
,
1929
.
Linn
,
Karen
.
That Half-Barbaric Twang: The Banjo in American Popular Culture
.
Chicago
:
University of Illinois Press
,
1991
.
Lipsitz
,
George
.
Footsteps in the Dark: The Hidden Histories of Popular Music
.
Minneapolis
:
University of Minnesota Press
,
2007
.
Lipsitz
,
George
. “
Listening to Learn and Learning to Listen: Popular Culture, Cultural Theory and American Studies
.”
American Quarterly
42
, no.
4
(
1990
):
615
36
.
Lockheart
,
Paula
. “
A History of Early Microphone Singing, 1925–1939: American Mainstream Popular Singing at the Advent of Electronic Microphone Amplification
.”
Popular Music and Society
26
(
October
2003
):
367
85
.
Loesser
,
Arthur
.
Men, Women and Pianos: A Social History
.
New York
:
Simon and Schuster
,
1954
.
Lombardo
,
Guy
, with
Altshul
Jack
.
Auld Acquaintance
.
New York
:
Ballantine Books
,
1975
.
Lott
,
Eric
.
Love and Theft: Blackface Minstrelsy and the American Working Class
.
New York
:
Oxford University Press
,
1993
.
Loviglio
,
Jason
.
Radio’s Intimate Public: Network Broadcasting and Mass-Mediated Democracy
.
Minneapolis
:
University of Minnesota Press
,
2005
.
Loviglio
,
Jason
, and
Hilmes
Michele
, eds.
The Radio Reader: An Anthology
.
New York
:
Routledge
,
2001
.
Lystra
,
Karen
.
Dangerous Intimacy: The Untold Story of Mark Twain’s Final Years
.
Berkeley
:
University of California Press
,
2004
.
Macdougall
,
Robert
. “
The Wire Devils: Pulp Thrillers, the Telephone, and Action at a Distance in the Wiring of a Nation
.”
American Quarterly
58
, no.
3
(
2006
):
715
41
.
Macfarlane
,
Malcolm
.
Bing Crosby: Day by Day
.
Lanham, MD
:
Scarecrow Press
,
2001
.
MacLeod
,
David I.
Building Character in the American Boy
.
Madison
:
University of Wisconsin Press
,
1983
.
Mahar
,
William J.
Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture
.
Urbana
:
University of Illinois Press
,
1999
.
Maltby
,
Richard
. “
The Production Code and the Hays Office
.” In
Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939
, ed.
Balio
Tino
.
Berkeley
:
University of California Press
,
1993
.
Mann
,
William
.
Behind the Screen: How Gays and Lesbians Shaped Hollywood, 1910–1969
.
New York
:
Viking Press
,
2001
.
Manring
,
M. M.
Slave in a Box: The Strange Career of Aunt Jemima
.
Charlottesville
:
University Press of Virginia
,
1998
.
Marchand
,
Roland
.
Advertising the American Dream, 1920–1940
.
Berkeley
:
University of California Press
,
1985
.
Marks
,
Edward
.
They All Sang: From Tony Pastor to Rudy Vallée
.
New York
:
Viking Press
,
1935
.
Marks
,
Martin Miller
.
Music and the Silent Film: Contexts and Case Studies, 1895–1924
.
New York
:
Oxford University Press
,
1997
.
Marra
,
Kim
, and
Schanke
Robert A.
, eds.
Staging Desire: Queer Readings of American Theater History
.
Ann Arbor
:
University of Michigan Press
,
2002
.
Marvin
,
Carolyn
.
When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century
.
New York
:
Oxford University Press
,
1988
.
Mattfield
,
Julius
.
Variety Music Cavalcade: A Chronology of Vocal and Instrumental Popular Music in the United States, 1620–1950
.
New York
:
Prentice-Hall
,
1952
.
Mavor
,
Carol
.
Reading Boyishly
.
Durham, NC
:
Duke University Press
,
2007
.
May
,
Elaine Tyler
.
Homeward Bound: American Families in the Cold War Era
.
New York
:
Basic Books
,
1988
.
McBee
,
Randy D.
Dance Hall Days: Intimacy and Leisure among Working-Class Immigrants in the United States
.
New York
:
New York University Press
,
2000
.
McBrien
,
William
.
Cole Porter
.
New York
:
Vintage Books
,
1998
.
McChesney
,
Robert W.
Telecommunication, Mass Media, and Democracy: The Battle for Control of U.S. Broadcasting, 1928–1935
.
New York
:
Oxford University Press
,
1994
.
McClary
,
Susan
.
Feminine Endings: Music, Gender, and Sexuality
.
Minneapolis
:
University of Minnesota Press
,
1991
.
McClary
,
Susan
. “
Same as It Ever Was: Youth Culture and Music
.” In
Microphone Fiends: Youth Music and Youth Culture
, ed.
Ross
Andrew
and
Rose
Tricia
.
New York
:
Routledge
,
1994
.
McClary
,
Susan
. “
Soprano Masculinities
.” In
Masculinity and Opera
, ed.
Purvis
Philip
.
New York
:
Routledge
,
2013
.
McCracken
,
Allison
. “
The Countertenor and the Crooner
.”
Antenna (blog)
,
3
,
10
, and
17
May
2011
. .
McCracken
,
Allison
. “
‘God’s Gift to Us Girls’: Crooning, Gender, and the Re-creation of American Popular Song, 1928–1933
.”
American Music
17
, no.
4
(
1999
):
365
95
.
McCracken
,
Allison
. “
Real Men Don’t Sing Ballads
.” In
Soundtrack Available: Essays on Film and Popular Music
, ed.
Wojcik
Pam Robertson
and
Knight
Arthur
.
Durham, NC
:
Duke University Press
,
2001
.
McElvaine
,
Robert
.
The Great Depression: America 1929–1941
.
New York
:
Random House Times Books
,
1993
.
McElya
,
Micki
.
Clinging to Mammy: The Faithful Slave in Twentieth-Century America
.
Cambridge, MA
:
Harvard University Press
,
2007
.
McFadden
,
Margaret T.
America’s Boyfriend Who Can’t Get a Date: Gender, Race, and the Cultural Work of the Jack Benny Program
.”
Journal of American History
(
June
1993
):
113
34
.
McGovern
,
Charles F.
Sold American: Consumption and Citizenship, 1890–1945
.
Chapel Hill
:
University of North Carolina Press
,
2006
.
McGreevey
,
John
.
Parish Boundaries: The Catholic Encounter with Race in the Twentieth-Century Urban North
.
Chicago
:
University of Chicago Press
,
1996
.
McGregor
,
Alexander
.
The Catholic Church and Hollywood: Censorship and Morality in 1930s Hollywood
.
New York
:
I. B. Tauris
,
2013
.
McLaughlin
,
Robert L.
, and
Parry
Sally E.
.
We’ll Always Have the Movies: American Cinema during World War II
.
Lexington
:
University of Kentucky Press
,
2006
.
McNally
,
Karen
.
When Frankie Went to Hollywood: Frank Sinatra and American Male Identity
.
Chicago
:
University of Chicago Press
,
2008
.
Meehan
,
Eileen
. “
Why We Don’t Count: The Commodity Audience
.” In
Connections: A Broadcasting History Reader
, ed.
Hilmes
Michele
.
Toronto
:
Wadsworth Press
,
2003
.
Meizel
,
Katherine
.
Idolized: Music, Media, and Identity in American Idol
.
Bloomington
:
Indiana University Press
,
2011
.
Melnick
,
Jeffrey
. “
Tin Pan Alley and the Black Jewish Nation
.” In
American Popular Music: New Approaches to the Twentieth Century
, ed.
Rubin
Rachel
and
Melnick
Jeffrey
.
Amherst
:
University of Massachusetts Press
,
2001
.
Mercer
,
Kobena
.
Welcome to the Jungle: New Positions in Black Cultural Studies
.
New York
:
Routledge
,
1994
.
Merwin
,
Ted
.
In Their Own Image: New York Jews in Jazz Age Popular Culture
.
New Brunswick, NJ
:
Rutgers University Press
,
2006
.
Middleton
,
Richard
.
Voicing the Popular: On the Subjects of Popular Music
.
New York
:
Routledge
,
2006
.
Millard
,
Andre
.
America on Record: A History of Recorded Sound
.
New York
:
Cambridge University Press
,
1995
.
Millard
,
Andre
.
Beatlemania: Technology, Business, and Teen Culture in Cold War America
.
Baltimore
:
Johns Hopkins University Press
,
2012
.
Miller
,
Karl Hagstrom
.
Segregating Sounds: Inventing Folk and Pop Music in the Age of Jim Crow
.
Durham, NC
:
Duke University Press
,
2010
.
Miller
,
Neil
.
Out of the Past: Gay and Lesbian History from 1869 to the Present
.
New York
:
Vintage Books
,
2005
.
Mintz
,
Steven
, and
Kellogg
Susan
.
Domestic Revolutions: A Social History of American Family Life
.
New York
:
Free Press
,
1988
.
Mizejewski
,
Linda
.
Ziegfeld Girl: Image and Icon in Culture and Cinema
.
Durham, NC
:
Duke University Press
,
1999
.
Modell
,
John
.
Into One’s Own: From Youth to Adulthood in the United States, 1920–1975
.
Berkeley
:
University of California Press
,
1989
.
Moi
,
Toril
.
Henrik Ibsen and the Birth of Modernism
.
New York
:
Oxford University Press
,
2008
.
Moon
,
Krystyn
.
Yellowface: Creating the Chinese in American Popular Music and Performance, 1850s–1920s
.
New Brunswick, NJ
:
Rutgers University Press
,
2005
.
Mooney
,
Hughson F.
Songs, Singers, and Society, 1890–1954
.”
American Quarterly
6
, no.
3
(
1954
):
221
32
.
Moorehead
,
Caroline
.
Gellhorn: A Twentieth-Century Life
.
New York
:
Henry Holt
,
2003
.
Mordden
,
Ethan
.
Better Foot Forward: The History of the American Musical Theatre
.
New York
:
Viking Press
,
1976
.
Mordden
,
Ethan
.
Broadway Babies: The People Who Made the American Musical
.
New York
:
Oxford University Press
,
1983
.
Mordden
,
Ethan
.
Make Believe: The Broadway Musical in the 1920s
.
New York
:
Oxford University Press
,
1997
.
Mordden
,
Ethan
.
Sing for Your Supper
.
New York
:
Macmillan
,
2005
.
Morris
,
Charles R.
American Catholic: The Saints and Sinners Who Built America’s Most Powerful Church
.
New York
:
Random House
,
1997
.
Morris
,
Mitchell
.
The Persistence of Sentiment: Display and Feeling in Popular Music of the 1970s
.
Berkeley
:
University of California Press
,
2013
.
Mukerji
,
Chandra
, and
Schudson
Michael
, eds.
Rethinking Popular Culture: Contemporary Perspectives in Cultural Studies
.
Berkeley
:
University of California Press
,
1991
.
Murray
,
Matthew
. “
‘The Tendency to Deprave and Corrupt Morals’: Regulation and Irregular Sexuality in Golden Age Radio Comedy
.” In
The Radio Reader
, ed.
Hilmes
Michele
and
Loviglio
Jason
.
New York
:
Routledge
,
2002
.
Nasaw
,
David
.
Going Out: The Rise and Fall of Public Amusements
.
Cambridge, MA
:
Harvard University Press
,
1993
.
Nash
,
Elizabeth
.
Geraldine Farrar: Opera’s Charismatic Innovator
.
Jefferson, NC
:
McFarland
,
2012
.
Negra
,
Diane
, ed.
The Irish in Us: Irishness, Performativity, and Popular Culture
.
Durham, NC
:
Duke University Press
,
2006
.
Negus
,
Keith
.
Popular Music in Theory
.
Hanover, NH
:
Wesleyan University Press
,
1996
.
Newman
,
Kathy M.
Radio Active: Advertising and Consumer Activism, 1935–1947
.
Berkeley
:
University of California Press
,
2004
.
Nicholson
,
Stuart
.
Is Jazz Dead? (Or Has It Moved to a New Address)
.
New York
:
Routledge
,
2005
.
Nisbett
,
Alec
.
The Sound Studio
. 6th ed.
Oxford
:
Focal Press
,
1995
.
Nolan
,
Frederick
.
Lorenz Hart: A Poet on Broadway
.
New York
:
Oxford University Press
,
1994
.
O’Brien
,
David
.
Public Catholicism
.
New York
:
Macmillan
,
1989
.
Odem
,
Mary E.
Delinquent Daughters: Protecting and Policing Adolescent Female Sexuality in the United States, 1885–1920
.
Chapel Hill
:
University of North Carolina Press
,
1995
.
Ogren
,
Kathy J.
The Jazz Revolution: Twenties America and the Meaning of Jazz
.
Oxford
:
Oxford University Press
,
1989
.
Oja
,
Carol
.
Making Music Modern: New York in the 1920s
.
New York
:
Oxford University Press
,
2000
.
O’Leary
,
Cecilia Elizabeth
.
To Die For: The Paradox of American Patriotism
.
Princeton, NJ
:
Princeton University Press
,
1999
.
Oliver
,
Paul
.
Kings of Jazz: Bessie Smith
.
New York
:
A. S. Barnes
,
1959
.
Oliver
,
Paul
.
Songsters and Saints: Vocal Traditions on Race Records
.
New York
:
Cambridge University Press
,
1984
.
Olson
,
James S.
Catholic Immigrants in America
.
Chicago
:
Nelson-Hall
,
1987
.
Orsi
,
Robert Anthony
.
The Madonna of 15th Street: Faith and Community in Italian Harlem, 1880–1950
.
New Haven, CT
:
Yale University Press
,
1985
.
Orvell
,
Miles
.
The Real Thing: Imitation and Authenticity in American Culture, 1880–1940
.
Chapel Hill
:
University of North Carolina Press
,
1989
.
Osterholm
,
J. Roger
.
Bing Crosby: A Bio-Bibliography
.
Westport, CT
:
Greenwood Press
,
1994
.
Pabst
,
Ralph M.
, and
Austin
Gene
.
Gene Austin’s Ol’ Buddy
.
Phoenix
:
Augury Press
,
1984
.
Pearson
,
Allison
.
I Think I Love You
.
New York
:
Knopf
,
2011
.
Pecknold
,
Diane
.
The Selling Sound: The Rise of the Country Music Industry
.
Durham, NC
:
Duke University Press
,
2007
.
Peiss
,
Kathy
.
Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York
.
Philadelphia
:
Temple University Press
,
1986
.
Peiss
,
Kathy
, and
Ewen
Elizabeth
.
Immigrant Women in the Land of Dollars: Life and Culture on the Lower East Side, 1890–1925
.
New York
:
Monthly Press
,
1985
.
Peiss
,
Kathy
, and
Simmons
Christina
, eds.
Passion and Power: Sexuality in History
.
Philadelphia
:
Temple University Press
,
1989
.
Penner
,
James
.
Pinks, Pansies, and Punks: The Rhetoric of Masculinity in American Literary Culture
.
Bloomington
:
Indiana University Press
,
2011
.
Peraino
,
Judith A.
Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut
.
New York
:
Oxford University Press
,
2011
.
Peraino
,
Judith A.
Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig
.
Berkeley
:
University of California Press
,
2006
.
Peretti
,
Burton
.
The Creation of Jazz: Music, Race, and Culture in Urban America
.
Chicago
:
University of Illinois Press
,
1992
.
Peretti
,
Burton
.
Jazz in American Culture
.
Chicago
:
Ivan R. Dee
,
1997
.
Peretti
,
Burton
.
Nightclub City: Politics and Amusement in Manhattan
.
Philadelphia
:
University of Pennsylvania Press
,
2007
.
Pessen
,
Edward
. “
Two Kinds of Woman in the Tin Pan Alley Song of the 1920s and 1930s
.”
Research in American Popular Music
30
(
1992
):
11
24
.
Peters
,
John
.
Speaking into the Air: A History of the Idea of Communication
.
Chicago
:
University of Chicago Press
,
1999
.
Peterson
,
Richard A.
Creating Country Music
.
Chicago
:
University of Chicago Press
,
1997
.
Pettegrew
,
John
.
Brutes in Suits: Male Sensibility in America, 1890–1920
.
Baltimore
:
Johns Hopkins University Press
,
2007
.
Picker
,
John M.
Victorian Soundscapes
.
New York
:
Oxford University Press
,
2003
.
Pitts
,
Michael
, and
Hoffman
Frank
.
The Rise of the Crooners
.
Lanham, MD
:
Scarecrow Press
,
2002
.
Pleasants
,
Henry
.
The Great American Popular Singers
.
New York
:
Simon and Schuster
,
1974
.
Pleck
,
Joseph
, and
Pleck
Elizabeth
, eds.
The American Man
.
Englewood Cliffs, NJ
:
Prentice-Hall
,
1980
.
Poizat
,
Michel
.
The Angel’s Cry: Beyond the Pleasure Principle in Opera
.
Ithaca, NY
:
Cornell University Press
,
1992
.
Pollack
,
Howard
.
George Gershwin: His Life and Work
.
Berkeley
:
University of California Press
,
2006
.
Potter
,
Dennis
.
Seeing the Blossom
.
London
:
Faber and Faber
,
1994
.
Potter
,
John
, ed.
The Cambridge Companion to Singing
.
New York
:
Cambridge University Press
,
2000
.
Potter
,
John
.
Tenor: History of a Voice
.
New Haven, CT
:
Yale University Press
,
2009
.
Pretor-Pinney
,
Gavin
, and
Hodgkinson
Tom
.
The Ukulele Handbook
.
London
:
Bloomsbury
,
2013
.
Purvis
,
Philip
, ed.
Masculinity in Opera: Gender, History, and the New Musicology
.
New York
:
Routledge
,
2013
.
Rabinovitz
,
Lauren
.
For the Love of Pleasure: Women, Movies, and Culture in Turn of the Century Chicago
.
New Brunswick, NJ
:
Rutgers University Press
,
1998
.
Radano
,
Ronald
.
Lying Up a Nation: Race and Black Music
.
Chicago
:
University of Chicago Press
,
2003
.
Radano
,
Ronald
, and
Bohlman
Philip V.
, eds.
Music and the Racial Imagination
.
Chicago
:
University of Chicago Press
,
2000
.
Railton
,
Diane
. “
The Gendered Carnival of Pop
.” In
The Gender and Media Reader
, ed.
Kearney
Mary Celeste
.
New York
:
Routledge
,
2011
.
Rapp
,
Rayna
, and
Ross
Ellen
. “
The Twenties’ Backlash: Compulsory Heterosexuality, the Consumer Family, and the Waning of Feminism
.” In
Class, Race, and Sex: The Dynamics of Control
, ed.
Swerdlow
Amy
and
Lessinger
Hanna
.
Boston
:
G. K. Hall
,
1983
.
Razlogova
,
Elena
.
The Listener’s Voice: Early Radio and the American Public
.
Philadelphia
:
University of Pennsylvania Press
,
2011
.
Reznik
,
Shiri
, and
Lemish
Dafna
. “
Falling in Love with High School Musical: Girls’ Talk about Romantic Perceptions
.” In
Mediated Girlhoods: New Explorations of Girls’ Media Culture
, ed.
Kearney
Mary Celeste
.
New York
:
Peter Lang
,
2011
.
Richman
,
Harry
, with
Gehman
Richard
.
A Hell of a Life
.
New York
:
Duell, Sloan and Pearce
,
1966
.
Riis
,
Thomas L.
Just before Jazz: Black Musical Theater in New York, 1890–1915
.
Washington, DC
:
Smithsonian Institution Press
,
1989
.
Rodger
,
Gillian M.
Champagne Charlie and Pretty Jemima: Variety Theater in the Nineteenth Century
.
Urbana
:
University of Illinois Press
,
2010
.
Rodgers
,
Richard
.
Musical Stages: An Autobiography
. 2nd ed.
New York
:
Da Capo Press
,
1995
.
Roediger
,
David R.
The Wages of Whiteness: Race and the Making of the American Working Class
.
New York
:
Verso
,
1991
.
Roediger
,
David R.
Working toward Whiteness: How America’s Immigrants Became White
.
New York
:
Basic Books
,
2005
.
Rogers
,
Ginger
.
Ginger
.
New York
:
HarperCollins
,
1991
.
Rogin
,
Michael
.
Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot
.
Berkeley
:
University of California Press
,
1996
.
Rose
,
Al
.
Eubie Blake
.
New York
:
Schirmer Books
,
1979
.
Ross
,
Andrew
, and
Rose
Tricia
, eds.
Microphone Fiends: Youth Music and Youth Culture
.
New York
:
Routledge
,
1994
.
Ross
,
Steven J.
Working-Class Hollywood: Silent Film and the Shaping of Class in America
.
Princeton, NJ
:
Princeton University Press
,
1998
.
Rotundo
,
E. Anthony
.
American Manhood: Transformations in Masculinity from the Revolution to the Modern Era
.
New York
:
Basic Books
,
1993
.
Royster
,
Francesca
.
Sounding Like a No-No: Queer Scenes and Eccentric Acts in the Post-Soul Era
.
Ann Arbor
:
University of Michigan Press
,
2012
.
Rubin
,
Martin
.
Showstoppers: Busby Berkeley and the Tradition of Spectacle
.
New York
:
Columbia University Press
,
1993
.
Rubin
,
Rachel
, and
Melnick
Jeffrey
, eds.
American Popular Music: New Approaches to the Twentieth Century
.
Amherst
:
University of Massachusetts Press
,
2001
.
Rubin
,
Ruth
.
Voices of a People: The Story of Yiddish Folksong
.
Urbana
:
University of Illinois Press
,
2000
.
Russell
,
Ina
.
Jeb and Dash: A Diary of Gay Life, 1918–1945
.
Boston
:
Faber and Faber
,
1993
.
Russo
,
Alexander
.
Points on the Dial: Golden Age Radio beyond the Networks
.
Durham, NC
:
Duke University Press
,
2010
.
Russo
,
Mary
.
Female Grotesques: Risk, Excess, and Modernity
.
New York
:
Routledge
,
1994
.
Rustin
,
Nicolas T.
, and
Tucker
Sherrie
, eds.
Big Ears: Listening for Gender in Jazz Studies
.
Durham, NC
:
Duke University Press
,
2008
.
Sadie
,
Stanley
, ed.
The New Grove Dictionary of Music and Musicians
. 2nd ed.
New York
:
Oxford University Press
,
2001
.
Sanjek
,
Russell
.
Pennies from Heaven: The American Popular Music Business in the Twentieth Century
.
New York
:
Da Capo Press
,
1988
.
Santoro
,
Gene
.
Highway 61 Revisited: The Tangled Roots of American Jazz, Blues, Rock, and Country Music
.
New York
:
Oxford University Press
,
2004
.
Savran
,
David
.
Highbrow, Lowbrow: Theatre, Jazz, and the Making of the New Middle Class
.
Ann Arbor
:
University of Michigan Press
,
2010
.
Savran
,
David
.
A Queer Sort of Materialism: Recontextualizing American Theater
.
Ann Arbor
:
University of Michigan Press
,
2003
.
Saxton
,
Alexander
. “
Blackface Minstrelsy
.” In
Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy
, ed.
Bean
Annemarie
,
Hatch
James V.
, and
McNamara
Brooks
.
Hanover, NH
:
Wesleyan University Press
,
1996
.
Scanlon
,
Jennifer
.
Inarticulate Longings: The Ladies’ Home Journal, Gender, and the Promises of Consumer Culture
.
New York
:
Routledge
,
1995
.
Scannell
,
Paddy
.
Radio, Television and Modern Life
.
Oxford
:
Blackwell
,
1996
.
Scheiner
,
Georganne
.
Signifying Female Adolescence: Film Representations and Fans, 1920–1950
.
Westport, CT
:
Praeger
,
2000
.
Schrum
,
Kelly
.
Some Wore Bobby Sox: The Emergence of Teenage Girls’ Culture, 1920–1945
.
New York
:
Palgrave
,
2004
.
Schuller
,
Gunther
.
Early Jazz: Its Roots and Musical Development
.
New York
:
Oxford University Press
,
1968
.
Schuller
,
Gunther
.
The Swing Era: The Development of Jazz, 1930–1945
.
New York
:
Oxford University Press
,
1989
.
Schweitzer
,
Marlis
. “
Sex Acts: Reading the History of Female Sexuality through Art and Drama
.”
American Quarterly
59
, no.
2
(
2007
):
443
50
.
Sconce
,
Jeffrey
.
Haunted Media: Electrical Presence from Telegraphy to Television
.
Durham, NC
:
Duke University Press
,
2000
.
S.D.
,
Trav
.
No Applause — Just Throw Money: The Book That Made Vaudeville Famous
.
New York
:
Faber and Faber
,
2005
.
Sedaris
,
David
.
Me Talk Pretty One Day
.
New York
:
Back Bay Books
,
2001
.
Sedgwick
,
Eve
. “
How to Bring Up Your Kids Gay
.”
Social Text
29
(
1991
):
18
27
.
Senelick
,
Laurence
.
The Changing Room: Sex, Drag, and Theatre
.
New York
:
Routledge
,
2000
.
Shaw
,
Arnold
.
The Jazz Age: Popular Music in the 1920s
.
New York
:
Oxford University Press
,
1987
.
Shaw
,
Charles G.
Nightlife: Vanity Fair’s Intimate Guide to New York after Dark
.
New York
:
John Day
,
1931
.
Shepherd
,
Daniel
, and
Slatzer
Robert
.
Bing Crosby: The Hollow Man
.
New York
:
St. Martin’s Press
,
1981
.
Shepherd
,
John
.
Music as Social Text
.
Cambridge, MA
:
Polity Press
,
1991
.
Showalter
,
Elaine
, ed.
These Modern Women: Autobiographical Essays from the Twenties
.
New York
:
Feminist Press
,
1989
.
Siefert
,
Marsha
. “
The Audience at Home: The Early Recording Industry and the Marketing of Musical Taste
.” In
Audiencemaking: How the Media Create the Audience
, ed.
Ettma
James S.
and
Whitney
D. Charles
.
Thousand Oaks, CA
:
Sage
,
1994
.
Simmons
,
Christina
. “
Companionate Marriage and the Lesbian Threat
.” In
Women and Power in American History. Vol. 2: From 1870
, 2nd ed., ed.
Sklar
Kathryn Kish
and
Dublin
Thomas
.
Upper Saddle River, NJ
:
Prentice Hall
,
2002
.
Simmons
,
Christina
.
Making Marriage Modern: Women’s Sexuality from the Progressive Era to World War II
.
New York
:
Oxford University Press
,
2009
.
Simmons
,
Christina
. “
Modern Sexuality and the Myth of Victorian Repression
.” In
Passion and Power: Sexuality in History
, ed.
Peiss
Kathy
and
Simmons
Christina
.
Philadelphia
:
Temple University Press
,
1989
.
Sklar
,
Kathryn Kish
, and
Dublin
Thomas
, eds.
Women and Power in American History. Vol. 2: From 1870
. 2nd ed.
Upper Saddle River, NJ
:
Prentice Hall
,
2002
.
Slobin
,
Mark
.
Chosen Voices: The Story of the American Cantorate
.
Chicago
:
University of Illinois Press
,
2002
.
Slobin
,
Mark
.
Tenement Songs: The Popular Music of Jewish Immigrants
.
Chicago
:
University of Illinois Press
,
1982
.
Smart
,
Mary Ann
, ed.
Siren Songs: Representations of Gender and Sexuality in Opera
.
Princeton, NJ
:
Princeton University Press
,
2000
.
Smith
,
Jacob
.
Vocal Tracks: Performance and Sound Media
.
Berkeley
:
University of California Press
,
2008
.
Smith
,
Judith E.
Visions of Belonging: Family Stories, Popular Culture, and Postwar Democracy, 1940–1960
.
New York
:
Columbia University Press
,
2004
.
Smith
,
Kate
.
Living in a Great Big Way
.
New York
:
Blue Ribbon Books
,
1938
.
Smith
,
Susan
.
The Musical: Race, Gender, and Performance
.
New York
:
Wallflower Press
,
2005
.
Smoodin
,
Eric
.
Regarding Frank Capra: Audience, Celebrity, and American Film Studies, 1930–1960
.
Durham, NC
:
Duke University Press
,
2004
.
Smulyan
,
Susan
.
Selling Radio: The Commercialization of American Broadcasting 1920–1934
.
Washington, DC
:
Smithsonian Institution Press
,
1994
.
Smyth
,
Ron
,
Jacobs
Greg
, and
Rogers
Henry
. “
Male Voices and Perceived Sexual Orientation: An Experimental and Theoretical Approach
.”
Language in Society
32
, no.
3
(
2003
):
329
50
.
Snead
,
James
.
White Screens / Black Images: Hollywood from the Dark Side
.
New York
:
Routledge
,
1994
.
Snyder
,
Robert
.
The Voice of the City: Vaudeville and Popular Culture in New York
.
New York
:
Oxford University Press
,
1989
.
Soares
,
André
.
Beyond Paradise: The Life of Ramon Novarro
.
Jackson
:
University of Mississippi Press
,
2010
.
Socolow
,
Michael J.
Always in Friendly Competition: NBC and CBS in the First Decade of National Broadcasting
.” In
NBC: America’s Network
, ed.
Hilmes
Michele
.
Berkeley
:
University of California Press
,
2007
.
Solie
,
Ruth A.
, ed.
Musicology and Difference: Gender and Sexuality in Music Scholarship
.
Berkeley
:
University of California Press
,
1993
.
Sollors
,
Werner
.
The Invention of Ethnicity
.
New York
:
Oxford University Press
,
1989
.
Somerville
,
Siobhan B.
Queering the Color Line: Race and the Invention of Homosexuality in American Culture
.
Durham, NC
:
Duke University Press
,
2000
.
Spaeth
,
Sigmund
.
Fifty Years with Music
.
New York
:
Fleet
,
1959
.
Spaeth
,
Sigmund
.
A History of Popular Music in America
.
New York
:
Random House
,
1948
.
Spigel
,
Lynn
.
Make Room for TV: Television and the Family Ideal in Postwar America
.
Chicago
:
University of Chicago Press
,
1992
.
Spring
,
Katherine
.
Saying It with Songs: Popular Music and the Coming of Sound to Hollywood Cinema
.
New York
:
Oxford University Press
,
2013
.
Staiger
,
Janet
.
Interpreting Films: Studies in the Historical Reception of American Cinema
.
Princeton, NJ
:
Princeton University Press
,
1992
.
Staiger
,
Janet
.
Media Reception Studies
.
New York
:
New York University Press
,
2005
.
Stam
,
Michael
. “
The Sound of Print: Newspapers and Public Promotion of Early Radio Broadcasting in the United States
.” In
Sound in the Age of Mechanical Reproduction
, ed.
Suisman
David
and
Strasser
Susan
.
Philadelphia
:
University of Pennsylvania Press
,
2010
.
Stamp
,
Shelley
.
Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon
.
Princeton, NJ
:
Princeton University Press
,
2000
.
Stanfield
,
Peter
.
Body and Soul: Jazz and Blues in American Film, 1927–1933
.
Urbana
:
University of Illinois Press
,
2005
.
Stanfield
,
Peter
. “
An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and” St. Louis Blues, 1929–1937
.”
Cinema Journal
41
, no.
2
(
2002
):
84
108
.
Stanfield
,
Peter
.
Horse Opera: The Strange History of the 1930s Singing Cowboy
.
Urbana
:
University of Illinois Press
,
2002
.
Stanley
,
Douglas
,
Chadbourne
Norma Jean
, and
Chadbourne
E. Thomas A.
.
Singer’s Manual
.
Boston
:
Stanley Society
,
1950
.
Stanley
,
Douglas
, and
Maxfield
J. P.
.
The Voice: Its Production and Reproduction
.
New York
:
Putnam
,
1933
.
Stanley
,
Douglas
, and
Stanley
Alma
.
The Science of Voice
. 2nd ed.
New York
:
Carl Fischer
,
1933
.
Stanley
,
Douglas
, and
Stanley
Alma
.
The Science of Voice
. 3rd ed.
New York
:
Carl Fischer
,
1939
.
Stansell
,
Christine
.
American Moderns: Bohemian New York and the Creation of a New Century
.
New York
:
Owl Books
,
2000
.
Staples
,
Robert
.
The Black Male’s Role in American Society
.
San Francisco
:
Black Scholar Press
,
1982
.
Stark
,
James
.
Bel Canto: A History of Vocal Pedagogy
.
Toronto
:
University of Toronto Press
,
1999
.
Starr
,
Larry
, and
Waterman
Christopher
.
American Popular Music: From Minstrelsy to MTV
.
New York
:
Oxford University Press
,
2003
.
Stecopolous
,
Harry
, and
Uebel
Michael
, eds.
Race and the Subject of Masculinities
.
Durham, NC
:
Duke University Press
,
1997
.
Sterne
,
Jonathan
.
The Audible Past: Cultural Origins of Sound Reproduction
.
Durham, NC
:
Duke University Press
,
2003
.
Stowe
,
David
.
Swing Changes: Big-Band Jazz in New Deal America
.
Cambridge, MA
:
Harvard University Press
,
1994
.
Stowe
,
Harriet Beecher
.
Uncle Tom’s Cabin, or, Life among the Lowly
.
New York
:
Penguin Books
,
1981
.
Strasser
,
Susan
.
Satisfaction Guaranteed: The Making of the American Mass Market
.
Washington, DC
:
Smithsonian Books
,
1989
.
Studlar
,
Gaylyn
.
This Mad Masquerade: Stardom and Masculinity in the Jazz Age
.
New York
:
Columbia University Press
,
1996
.
Suisman
,
David
.
Selling Sounds: The Commercial Revolution in American Music
.
Cambridge, MA
:
Harvard University Press
,
2009
.
Summers
,
Harrison B.
, ed.
A Thirty-Year History of Programs Carried on National Radio Networks in the United States, 1926–1956
.
New York
:
Arno Press
,
1971
.
Susman
,
Warren
.
Culture as History: The Transformation of American Society in the Twentieth Century
.
New York
:
Pantheon Books
,
1984
.
Sutton
,
Allan
.
Recording the Twenties: The Evolution of the American Recording Industry, 1920–1929
.
Denver, CO
:
Mainspring Press
,
2008
.
Tatar
,
Elizabeth
.
Strains of Change: The Impact of Tourism on Hawaiian Music
.
Honolulu
:
Bishop Museum Press
,
1987
.
Tawa
,
Nicholas
.
Supremely American: Popular Song in the Twentieth Century: Styles and Singers and What They Said about America
.
Toronto
:
Scarecrow Press
,
2005
.
Taylor
,
Millie
.
Musical Theatre, Realism and Entertainment
.
Burlington, VT
:
Ashgate
,
2012
.
Taylor
,
Timothy D.
The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture
.
Chicago
:
University of Chicago Press
,
2012
.
Taylor
,
Timothy D.
Strange Sounds: Music, Technology, and Culture
.
New York
:
Routledge
,
2001
.
Terry
,
Jennifer
.
An American Obsession: Science, Medicine, and Homosexuality in Modern Society
.
Chicago
:
University of Chicago Press
,
1999
.
Théberge
,
Paul
.
Any Sound You Can Imagine: Making Music / Consuming Technology
.
Hanover, NH
:
Wesleyan University Press
,
1997
.
Thompson
,
Emily
.
The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900–1933
.
Cambridge, MA
:
MIT Press
,
2002
.
Thorburn
,
David
, and
Jenkins
Henry
, eds.
Rethinking Media Change
.
Cambridge, MA
:
MIT Press
,
2003
.
Tichi
,
Cecilia
.
High Lonesome: The American Culture of Country Music
.
Chapel Hill
:
University of North Carolina Press
,
1994
.
Toll
,
Robert C.
Blacking Up: The Minstrel Show in Nineteenth-Century America
.
New York
:
Oxford University Press
,
1974
.
Toll
,
Robert C.
On with the Show! The First Century of Show Business in America
.
New York
:
Oxford University Press
,
1976
.
Toll
,
Robert C.
Social Commentary in Late Nineteenth-Century White Minstrelsy
.” In
Inside the Minstrel Mask: Readings in Nineteenth-Century Blackface Minstrelsy
, ed.
Bean
Annemarie
,
Hatch
James V.
, and
McNamara
Brooks
.
Hanover, NH
:
Wesleyan University Press
,
1996
.
Tosches
,
Nick
.
Where Dead Voices Gather
.
New York
:
Random House
,
2002
.
Travis
,
Lee Edward
, ed.
The Handbook of Speech Pathology
.
New York
:
Appleton-Century-Crofts
,
1957
.
Travis
,
Lee Edward
.
The Handbook of Speech Pathology and Audiology
.
New York
:
Appleton-Century-Crofts
,
1971
.
Tucker
,
Sherrie
.
Swing Shift: All Girl Bands of the 1940s
.
Durham, NC
:
Duke University Press
,
2000
.
Tucker
,
Sophie
.
Some of These Days
.
London
:
Hammond
,
1945
.
Turner
,
Patricia
.
Ceramic Uncles and Celluloid Mammies: Black Images and Their Influence on Culture
.
Charlottesville
:
University of Virginia Press
,
1994
.
Tyler
,
Don
.
Hit Parade: 1920–1955
.
New York
:
William Morrow
,
1985
.
Ulanov
,
Barry
.
The Incredible Crosby
.
New York
:
McGraw-Hill
,
1948
.
Ullman
,
Sharon R.
Sex Seen: The Emergence of Modern Sexuality in America
.
Berkeley
:
University of California Press
,
1997
.
Utterson
,
Andrew
, ed.
Technology and Culture: The Film Reader
.
New York
:
Routledge
,
2005
.
Vallée
,
Rudy
.
Let the Chips Fall
.
Harrisburg, PA
:
Stackpole Books
,
1975
.
Vallée
,
Rudy
.
Vagabond Dreams Come True
.
New York
:
Grossett and Dunlap
,
1930
.
Vallée
,
Rudy
, with
McKean
Gil
.
My Time Is Your Time
.
New York
:
Ivan Obolensky
,
1962
.
Valliant
,
Derek
.
Sounds of Reform: Progressivism and Music in Chicago, 1873–1935
.
Chapel Hill
:
University of North Carolina Press
,
2006
.
Van Der Merwe
,
Peter
.
Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music
.
New York
:
Oxford University Press
,
1989
.
Van de Velde
,
Th. H.
Ideal Marriage: Its Physiology and Technique
.
New York
:
Random House
,
1930
.
Van Leeuwen
,
Theo
.
Speech, Music, Sound
.
New York
:
St. Martin’s Press
,
1999
.
Van Vechten
,
Carl
.
Nigger Heaven
.
New York
:
Knopf
,
1926
.
Verma
,
Neil
.
Theater of the Mind: Imagination, Aesthetics, and American Radio Drama
.
Chicago
:
University of Chicago Press
,
2012
.
Vermoral
,
Fred
.
Starlust: The Secret Fantasies of Fans
.
London
:
Faber and Faber
,
1985
.
Vicinus
,
Martha
. “
The Adolescent Boy: Fin de Siècle Femme Fatale?”
Journal of the History of Sexuality
5
, no.
1
(
1994
):
90
114
.
Vicinus
,
Martha
.
Independent Women: Work and Community for Single Women, 1850–1920
.
Chicago
:
University of Chicago Press
,
1985
.
Vinson
,
Jon
.
The Voices That Are Gone: Themes in Nineteenth-Century American Popular Song
.
New York
:
Oxford University Press
,
1994
.
Vogel
,
Shane
.
The Scene of the Harlem Cabaret: Race, Sexuality, Performance
.
Chicago
:
University of Chicago Press
,
2009
.
Wald
,
Elijah
.
Escaping the Delta: Robert Johnson and the Invention of the Blues
.
New York
:
HarperCollins
,
2004
.
Wald
,
Elijah
.
How the Beatles Destroyed Rock ’n’ Roll: An Alternative History of American Popular Music
.
New York
:
Oxford University Press
,
2009
.
Wald
,
Gayle
. “
Dreaming of Michael Jackson: Notes on Jewish Listening
.”
The Song Is Not the Same: Jews and American Popular Culture: The Jewish Role in American Life: An Annual Review
8
(
2011
):
1
8
.
Wald
,
Gayle
. “
‘I Want It That Way’: Teenybopper Music and the Girling of Boy Bands
.”
Genders
25
(
2002
). .
Wald
,
Gayle
. “
Women and Popular Culture: A Girl Issue?
Paper presented at the annual meeting of the American Studies Association
,
Montreal
,
October 1999
.
Walker
,
Stanley
.
The Night Club Era
.
Baltimore
:
Johns Hopkins University Press
,
1999
.
Wallace
,
Michele
.
Black Macho and the Myth of the Superwoman
. 2nd ed.
New York
:
Dial Press
,
1996
.
Walsh
,
Frank
.
Sin and Censorship: The Catholic Church and the Motion Picture Industry
.
New Haven, CT
:
Yale University Press
,
1996
.
Ware
,
Caroline F.
Greenwich Village, 1920–1930
.
Berkeley
:
University of California Press
,
1963
.
Ware
,
Susan
.
Holding Their Own: American Women in the 1930s
.
Boston
:
Twayne
,
1982
.
Ware
,
Susan
.
Modern American Women: A Documentary History
.
New York
:
McGraw-Hill
,
1997
.
Waring
,
Virginia
.
Fred Waring and the Pennsylvanians
.
Chicago
:
University of Illinois Press
,
1997
.
Warner
,
Michael
. “
Homo-Narcissism
.” In
Engendering Men: The Question of Male Feminist Criticism
, ed.
Boone
Joseph A.
and
Cannon
Michael
.
New York
:
Routledge
,
1990
.
Waters
,
Ethel
, with
Samuels
Charles
.
His Eye Is on the Sparrow
.
New York
:
Doubleday
,
1951
.
Watts
,
Jill
.
Hattie McDaniel: Black Ambition, White Hollywood
.
New York
:
HarperCollins
,
2005
.
Waugh
,
Thomas
. “
Posing and Performance: Glamour and Desire in Homoerotic Art Photography, 1920–1945
.” In
The Passionate Camera: Photography and Bodies of Desire
, ed.
Bright
Deborah
.
New York
:
Routledge
,
1998
.
Weheliye
,
Alexander
.
Phonographies: Grooves in Sonic Afro-Modernity
.
Durham, NC
:
Duke University Press
,
2005
.
Weisbard
,
Eric
, ed.
Listen Again: A Momentary History of Pop Music
.
Durham, NC
:
Duke University Press
,
2007
.
Weiss
,
Allen S.
Breathless: Sound Recording, Disembodiment, and the Transformation of Lyrical Nostalgia
.
Middletown, CT
:
Wesleyan University Press
,
2002
.
Welch
,
Walter L.
, and
Burt
Leah Brodbeck Stenzel
.
From Tinfoil to Stereo: The Acoustic Years of the Recording Industry, 1877–1929
.
Tampa
:
University Press of Florida
,
1994
.
Whitburn
,
Joel
.
Pop Memories: 1890–1954: The History of American Popular Music
.
Menomonee Falls, WI
:
Record Research
,
1986
.
Whitcomb
,
Ian
.
After the Ball: Pop Music from Rag to Rock
.
Baltimore
:
Penguin Books
,
1972
.
Whitcomb
,
Ian
. “
The Coming of the Crooners
.” In
The Rise of the Crooners
, ed.
Pitts
Michael
and
Hoffman
Frank
.
Lanham, MD
:
Scarecrow Press
,
2001
.
White
,
Kevin
.
The First Sexual Revolution: The Emergence of Male Heterosexuality in Modern America
.
New York
:
New York University Press
,
1993
.
Whiteley
,
Sheila
, ed.
Sexing the Groove: Popular Music and Gender
.
New York
:
Routledge
,
1997
.
Whiteley
,
Sheila
.
Too Much Too Young: Popular Music, Age and Gender
.
New York
:
Routledge
,
2005
.
Whiteley
,
Sheila
, and
Rycenga
Jennifer
.
Queering the Popular Pitch
.
New York
:
Routledge
,
2006
.
Wilder
,
Alec
.
American Popular Song: The Great Innovators, 1900–1950
.
New York
:
Oxford University Press
,
1972
.
Wilentz
,
Sean
, and
Marcus
Greil
, eds.
The Rose and the Briar: Death, Love, and Liberty in the American Ballad
.
New York
:
Norton
,
2005
.
Williams
,
Linda
.
Playing the Race Card: Melodramas of Black and White from Uncle Tom to O.J. Simpson
.
Princeton, NJ
:
Princeton University Press
,
2001
.
Williams
,
William H. A.
’Twas Only an Irishman’s Dream: The Image of Ireland and the Irish in American Popular Song Lyrics, 1800–1920
.
Chicago
:
University of Illinois Press
,
1996
.
Wilson
,
Carl
.
Let’s Talk about Love: A Journey to the End of Taste
.
New York
:
Continuum
,
2007
.
Wilson
,
Carl
.
Let’s Talk about Love: Why Other People Have Such Bad Taste
.
New York
:
Bloomsbury
,
2014
.
Wilson
,
Elizabeth
.
The Sphinx in the City: Urban Life, the Control of Disorder, and Women
.
Berkeley
:
University of California Press
,
1991
.
Wilson
,
James
.
Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance
.
Ann Arbor
:
University of Michigan Press
,
2010
.
Wise
,
Gene
. “
Some Elementary Axioms for an American Culture Studies
.” In
Prospects 4
, ed.
Salzman
Jack
.
New York
:
Burt Franklin
,
1979
.
Witmark
,
Isidore
, and
Goldberg
Isaac
.
The Story of the House of Witmark: From Ragtime to Swingtime
.
New York
:
Da Capo Press
,
1976
.
Wojcik
,
Pamela Robertson
, and
Knight
Arthur
, eds.
Soundtrack Available: Essays on Film and Popular Music
.
Durham, NC
:
Duke University Press
,
2001
.
Wolfe
,
Charles
. “
On the Track of the Vitaphone Short
.” In
The Dawn of Sound
, ed.
Bandy
Mary Lea
.
New York
:
Museum of Modern Art
,
1989
.
Wondrich
,
David
.
Stomp and Swerve: American Music Gets Hot, 1843–1924
.
Chicago
:
A Cappella Books
,
2003
.
Wood
,
Sharon E.
The Freedom of the Streets: Work, Citizenship, and Sexuality in a Gilded Age City
.
Chapel Hill
:
University of North Carolina Press
,
2005
.
Wurtzler
,
Steve J.
Electric Sounds: Technological Change and the Rise of Corporate Mass Media
.
New York
:
Columbia University Press
,
2007
.
Wurtzler
,
Steve J.
The Social Construction of Technological Change: American Mass Media and the Advent of Electrical Sound Technology
.”
PhD dissertation
,
University of Iowa
,
2001
.
Young
,
William H.
, and
Young
Nancy K.
.
American History through Music: Music of the Great Depression
.
Westport, CT
:
Greenwood Press
,
2005
.

Figures & Tables

Contents

Advertisement

References

Bibliography

ARCHIVAL SOURCES

J. Walter Thompson Archive. The John W. Hartman Center for Sales, Advertising and Marketing History. Duke University, Durham, NC.

Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Beverly Hills (MHL).

Rudy Vallée Collection. Scrapbooks, Correspondence, Scripts, Periodicals, and Recordings. The American Radio Archives, The Thousand Oaks Library, Thousand Oaks, CA (RVC).

UCLA Film and Television Archive, University of California, Los Angeles.

Wendall Hall papers, State Historical Society of Wisconsin, Madison.

RECORDINGS: A NOTE

I have noted in the text both the original recording dates of popular songs and the release date of the “best of” CD reissues of them in the 1990s, where I first heard them. Most of the early 1920s crooners were released on specialty imprints by English companies such as Living Era (ASV Records) and Flapper (Pavilion Records); small U.S. labels such as Audiophile Records (New Orleans), Diamond Cut Productions (Edison archive, Hibernia, NJ), and The Old Masters (George Morrow collection, San Mateo, CA); and specialty imprints from large multinational corporations such as Art Deco (Columbia, Sony Music). Since then, many of these songs have become available on streaming music channels such as Pandora and Spotify, as well as on YouTube (see especially the recording historian Tim Gracyk’s constantly updated treasure trove of early crooner recordings on his YouTube channel).

FILMOGRAPHY

Note: I first saw many of these films on VHS copies passed around in graduate school or on nitrate in the UCLA Film and Television Archives. Fortunately, many films have since been released on DVD, which I have noted. For the collections, I have not listed all the shorts on the DVDS, just the ones relevant to this project.

Selected Shorts
Clinching a Sale (with Harry Richman)
. Directed by
Cozine
Ray
.
USA
:
Paramount
,
1930
.
UCLA Film Archives. YouTube
.
Crosby, Columbo, and Vallée (cartoon)
. Directed by
Isling
Rudolf
.
USA
:
Warner Bros.
,
1932
.
Private Collection. YouTube
.
Metro Movietone Revue I (Harry Rose, Van and Schenck, The Capitolians, Grace Rodgers)
. Directed by
Grinde
Nick
.
USA
:
MGM
,
1929
.
On The Dawn of Sound II. USA: MGM/UA Home Video, 1993. VHS. Also on The Broadway Melody. “Special Features.” USA: Turner Entertainment, 2005. DVD
.
Metro Movietone Revue II (Harry Rose, Johnny Marvin, George Dewey Washington, The Locust Sisters)
. Directed by
Grinde
Nick
.
USA
:
MGM
,
1929
.
On The Dawn of Sound II. USA: MGM/UA Home Video, 1993. VHS. Also on The Broadway Melody. “Special Features.” USA: Turner Entertainment, 2005. DVD
.
Metro Movietone Revue I (Jack Pepper, Joseph Regan)
. Directed by
Grinde
Nick
.
USA
:
MGM
,
1930
.
On The Dawn of Sound II. USA: MGM/UA Home Video, 1993. VHS. Also on The Broadway Melody. “Special Features.” USA: Turner Entertainment, 2005. DVD
.
Metro Movietone Revue II (Jack Pepper, Ella Shields, George Dewey Washington, Joseph Regan, The Ponce Sisters)
. Directed by
Grinde
Nick
.
USA
:
MGM
,
1930
.
On The Dawn of Sound II. USA: MGM/UA Home Video, 1993. VHS. Also on The Broadway Melody. “Special Features.” USA: Turner Entertainment, 2005. DVD
.
A Movietone Divertissement (Tom Waring, Johnny Marvin)
.
USA
:
MGM
,
1928
.
On The Broadway Melody. “Special Features” (as Movietone Revue #7). USA: Turner Entertainment, 2005. DVD
.
Our Gang: “Follies of 1938.”
Directed by
Douglas
Gordon
.
USA
:
Hal Roach Studios
,
1937
.
Private Collection. YouTube
.
Rudy Vallée and His Connecticut Yankees 771
. Directed by
Roth
Murray
.
USA
:
Warner Bros. Vitaphone
,
1929
.
Private Collection
.
Swooner Crooner
. Directed by
Tashlin
Frank
.
USA
:
Warner Bros.
,
1944
.
Private Collection
.
That Goes Double (with Russ Columbo) 1495–6
. Directed by
Henabery
Joseph
.
USA
:
Warner Bros. Vitaphone
,
1933
.
Private Collection
.
Selected Short Film Collections

Bing at Sennett, vols. 1–2. USA: Festival Films, 1995. VHS. Contains One More Chance (directed by Mack Sennett; Sennett Picture Corp., 1931); Sing, Bing, Sing (directed by Babe Stafford; Sennett Picture Corp., 1933); Billboard Girl (directed by Leslie Pearce; Sennett Picture Corp., 1932).

Hollywood Rhythm: The Paramount Musical Shorts, 1929–1941, Volumes 1–4. USA: Kino Video, 1997. VHS. Contains Musical Justice (directed by Aubrey Scotto; Paramount, 1931); Radio Rhythm (directed by Joseph Stanley; Paramount, 1929); I Surrender Dear (directed by Mack Sennett; Sennett Picture Corp., 1931).

Hollywood Rhythm: The Paramount Musical Shorts, Volume 2: The Best of Big Bands and Swing. USA: Kino Video, 2001. DVD. Contains Blue of the Night (directed by Leslie Pearce; Sennett Picture Corp., 1932); The Musical Doctor (directed by Ray Cozine; Paramount, 1932); Singapore Sue (directed by Casey Robinson; Paramount, 1932); Dream House (aka Crooner’s Holiday) (directed by Del Lord; Sennett Picture Corp., 1932).

The Jazz Singer Deluxe Edition. USA: Warner Bros. Home Video, 2007. DVD. Contains Al Jolson: A Plantation Act 359 (1926); Van and Schenck: The Pennant Winning Battery of Songland 395 (1926); The Police Quartette 2320 (1927); Adele Rowland: Stories in Song 2348 (1928); Dick Rich and His Melodious Monarchs 2595 (1928); Gus Arnheim and His Ambassadors 2585 (1928); Paul Tremaine and His Aristocrats 742 (1929); Baby Rose Marie: The Child Wonder 809 (1929); Larry Ceballas’ Roof Garden Revue 2627 (1928).

Vitaphone Cavalcade of Musical Comedy Shorts Collection. USA: Warner Bros. Home Video, 2010. DVD.

Vitaphone Varieties. USA: Warner Bros. Home Video, 2011. DVD. Contains The Revelers, 483 (1927), Morrissey and Miller Nightclub Revue 2293 (1927), Earl Burtnett (Collegiate Jazz Artist) and His Biltmore Hotel Orchestra 2285 (1927), Val and Ernie Stanton in “Cut Yourself a Piece of Cake” 2586 (1928), Jimmy Clemons in “The Dream Café” 2242 (1927), Gladys Brockwell in “Hollywood Bound” 2235 (1928), Jay C. Flippen in “The Ham What Am,” 2581 (1928), Dick Rich and His Synco-Symphonists 2594 (1928), Eddie White in “I Thank You” 2689 (1928), Jack Waldron in “A Little Breath of Broadway” 2681 (1928), Earl Burtnett (Collegiate Jazz Artist) and His Biltmore Hotel Orchestra 2295 (1928), The Rangers in “ After the Round Up” 2900 (1928), Frank Whitman in “The Surprising Fiddler” 703 (1929), Harry Fox and His Six American Beauties, 828 (1929), Jack White “The Premiere Clown of Broadway” and His Montrealers 791 (1929), Oklahoma Bob Albright and His Rodeo Do Flappers 810 (1920), Mel Klee in “The Prince of Wails” 826 (1929), The Gotham Rhythm Boys 832 (1929), Poor Aubrey 3674–5 (1929), Revival Day 367 (1926?).

Vitaphone Varieties. Vol. 2. USA: Warner Bros. Home Video, 2012. DVD. Contains Hawaiian Nights, 422 (1927), Waring’s Pennsylvanians 427, 428 (1927), The Happiness Boys 537 (1927), Harry Wayman and His Debutantes 2261 (1927), Earl Burtnett (Collegiate Jazz Artist) and His Biltmore Hotel Orchestra 2294 (1928), Abe Lyman and His Orchestra 2338 (1928), Eddie Peabody in Banjoland 2560 (1928), Roy Fox “The Whispering Cornettist” 2819.

Warner Bros. Big Band, Jazz and Swing Short Subject Collection. USA: Turner Entertainment Co., 2009. DVD. Contains Rambling Round Radio Row 1–6, 1932–33 Season; Rambling Round Radio Row 1–2, 1933–34 Season; Rambling Round Radio Row 1934–35 Season.

Feature Films
Anchors Away
. Directed by
Sidney
George
.
USA
:
MGM
,
1945
.
DVD
.
Ann Carver’s Profession
. Directed by
Buzzell
Edward
.
USA
:
Columbia
,
1933
.
Private Collection. DVD
.
Anything Goes
. Directed by
Milestone
Lewis
.
USA
:
Paramount
,
1936
.
DVD
.
Applause
. Directed by
Mamoulian
Rouben
.
USA
:
Paramount
,
1929
.
DVD
.
The Bachelor and the Bobby-Soxer
. Directed by
Reis
Irving
.
USA
:
RKO
,
1947
.
DVD
.
The Big Broadcast of 1932
. Directed by
Tuttle
Frank
.
USA
:
Paramount
,
1932
.
Private Collection
.
Blessed Event
. Directed by
Ruth
Roy Del
.
USA
:
Warner Bros.
,
1932
.
DVD
.
Bondage
. Directed by
Santell
Alfred
.
USA
:
Fox Film Corp.
,
1933
.
UCLA Film Archives
.
Bonnie and Clyde
. Directed by
Penn
Arthur
.
USA
:
Warner Bros.
,
1967
.
DVD
.
The Broadway Melody
. Directed by
Beaumont
Henry
.
USA
:
MGM
,
1929
.
DVD
.
Broadway thru a Keyhole
. Directed by
Sherman
Lowell
.
USA
:
Twentieth Century Pictures
,
1933
.
DVD
.
The Call of the Flesh
. Directed by
Brabin
Charles
.
USA
:
MGM
,
1930
.
UCLA Film Archives
.
Chasing Rainbows (excerpts)
. Directed by
Reisner
Charles
.
USA
:
MGM
,
1930
.
UCLA Film Archives
.
Close Harmony
. Directed by
Cromwell
John
and
Sutherland
A. Edward
.
USA
:
Paramount
,
1929
.
UCLA Film Archives
.
College Humor
. Directed by
Ruggles
Wesley
.
USA
:
Paramount
,
1933
.
UCLA Film Archives. DVD
.
Crooner
. Directed by
Bacon
Lloyd
.
USA
:
Warner Bros.
,
1922
.
UCLA Film Archives / TCM Channel
.
Cuban Love Song
. Directed by
Dyke
W. S. Van
.
USA
:
MGM
,
1931
.
UCLA Film Archives
.
Dames
. Directed by
Enright
Ray
and
Berkeley
Busby
.
USA
:
Warner Bros.
,
1934
.
DVD
.
Devil May Care
. Directed by
Franklin
Sidney
.
USA
:
MGM
,
1929
.
UCLA Film Archives
.
Devil’s Holiday
. Directed by
Goulding
Edmund
.
USA
:
Paramount
,
1930
.
UCLA Film Archives
.
Do I Sound Gay?
Directed by
Thorpe
David
.
USA
:
IFC Films / Sundance Selects
,
2015
.
Theater
.
Double or Nothing
. Directed by
Reed
Theodore
.
USA
:
Paramount
,
1937
.
DVD
.
Follow Thru
. Directed by
Corrigan
Lloyd
.
USA
:
Paramount
,
1930
.
UCLA Film Archives
.
Footlight Parade
. Directed by
Bacon
Lloyd
.
USA
:
Warner Bros.
,
1933
.
DVD
.
42nd Street
. Directed by
Bacon
Lloyd
.
USA
:
Warner Bros.
,
1933
.
DVD
.
The Gay Divorcee
. Directed by
Sandrich
Mark
.
USA
:
RKO
,
1934
.
DVD
.
George White’s Scandals
. Directed by
Freeland
Thornton
,
Lachman
Harry
, and
White
George
.
USA
:
Fox
,
1934
.
TCM Channel / DVD
.
Glorifying the American Girl
. Directed by
Webb
Millard
.
USA
:
Paramount
,
1929
.
TCM Channel
.
Going Hollywood
. Directed by
Walsh
Raoul
.
USA
:
MGM
,
1933
.
DVD
.
Going My Way
. Directed by
McCarey
Leo
.
USA
:
Paramount
,
1944
.
DVD
.
Gold Diggers of Broadway (excerpts)
. Directed by
Ruth
Roy Del
.
USA
:
Warner Bros.
,
1929
.
UCLA Film Archives. On The Dawn of Sound I. USA: MGM/UA Home Video, 1992. VHS. Also on The Jazz Singer Deluxe Edition. USA: Warner Bros. Home Video, 2007. DVD
.
Gold Diggers of 1933
. Directed by
LeRoy
Mervyn
.
USA
:
Warner Bros.
,
1933
.
DVD
.
Good News (excerpts)
. Directed by
Grinde
Nick
.
USA
:
MGM
,
1930
.
UCLA Film and Television Archives
.
Good News
. Directed by
Walters
Charles
.
USA
:
MGM
,
1947
.
DVD
.
Hallelujah
. Directed by
Vidor
King
.
USA
:
MGM
,
1929
.
DVD
.
Holiday Inn
. Directed by
Sandrich
Mark
.
USA
:
Paramount
,
1942
.
DVD
.
The Hollywood Revue of 1929
. Directed by
Reisner
Charles
.
USA
:
MGM
,
1929
.
VHS Private Collection. DVD
.
How to Succeed in Business without Really Trying
. Directed by
Swift
David
.
USA
:
United Artists
,
1967
.
DVD
.
In Gay Madrid
. Directed by
Leonard
Robert Z.
.
USA
:
MGM
,
1930
.
UCLA Film Archives
.
International House
. Directed by
Sutherland
A. Edward
.
USA
:
Paramount
,
1933
.
DVD
.
The Jazz Singer
. Directed by
Crosland
Alan
.
USA
:
Warner Bros.
,
1927
.
DVD
.
The King of Jazz
. Directed by
Anderson
John Murray
.
USA
:
Universal
,
1930
.
DVD
.
The Letter
. Directed by
Limur
Jean De
.
USA
:
Warner Bros.
,
1929
.
DVD
.
Love Me Tonight
. Directed by
Mamoulian
Rouben
.
USA
:
Paramount
,
1932
.
DVD
.
Mississippi
. Directed by
Sutherland
Edward
.
USA
:
Paramount
,
1935
.
UCLA Film Archives. DVD
.
Mother’s Boy
. Directed by
Barker
Bradley
.
USA
:
Pathé Exchange
,
1929
.
UCLA Film Archives
.
Moulin Rouge
. Directed by
Lanfield
Sidney
.
USA
:
Twentieth Century Pictures
,
1934
.
UCLA Film Archives
.
My Own Private Idaho
. Directed by
Sant
Gus Van
.
USA
:
New Line Cinema
,
1991
.
DVD
.
On the Town
. Directed by
Kelly
Gene
and
Donen
Stanley
.
USA
:
MGM
,
1949
.
DVD
.
The Palm Beach Story
. Directed by
Sturges
Preston
.
USA
:
Paramount
,
1942
.
DVD
.
Paramount on Parade
. Directed by
Arzner
Dorothy
(10 others).
USA
:
Paramount
,
1930
.
Private Collection. VHS
.
Pennies from Heaven
. Directed by
McLeod
Norman
.
USA
:
Paramount
,
1936
.
UCLA Film Archives. DVD
.
Radio Days
. Directed by
Allen
Woody
.
USA
:
MGM
,
1987
.
DVD
.
Rhythm on the Range
. Directed by
Taurog
Norman
.
USA
:
Paramount
,
1936
.
DVD
.
Road to Morocco
. Directed by
Butler
David
.
USA
:
Paramount
,
1942
.
DVD
.
Road to Singapore
. Directed by
Schertzinger
Victor
.
USA
:
Paramount
,
1940
.
DVD
.
The Rogue Song
. Directed by
Barrymore
Lionel
.
USA
:
MGM
,
1930
.
UCLA Film Archives
.
Sadie McKee
. Directed by
Brown
Clarence
.
USA
:
MGM
,
1934
.
DVD
.
Second Fiddle
. Directed by
Lanfield
Sidney
.
USA
:
Twentieth Century Fox
,
1939
.
DVD
.
The Show of Shows
. Directed by
Adolfi
John G.
.
USA
:
Warner Bros.
,
1929
.
DVD
.
The Singing Fool
. Directed by
Bacon
Lloyd
.
USA
:
Warner Bros.
,
1928
.
DVD
.
Song o’ My Heart
. Directed by
Borzage
Frank
.
USA
.
1930
.
UCLA Film Archives. DVD
.
So This Is College
. Directed by
Wood
Sam
.
USA
:
MGM
,
1929
.
DVD
.
Stage Struck
. Directed by
Berkeley
Busby
.
USA
:
Warner Bros.
,
1936
.
UCLA Film Archives
.
Sweet Music
. Directed by
Green
Alfred E.
.
USA
:
Warner Bros.
,
1935
.
TCM Channel
.
Take Me Out to the Ballgame
. Directed by
Berkeley
Busby
.
USA
:
MGM
,
1949
.
DVD
.
Three on a Match
. Directed by
LeRoy
Mervyn
.
USA
:
Warner Bros.
,
1932
.
DVD
.
Too Much Harmony
. Directed by
Sutherland
Edward
.
USA
:
Paramount
,
1933
.
UCLA Film Archives
.
Top Hat
. Directed by
Sandrich
Mark
.
USA
:
RKO
,
1935
.
DVD
.
20 Million Sweethearts
. Directed by
Enright
Ray
.
USA
:
Warner Bros.
,
1934
.
TCM Channel
.
Unfaithfully Yours
. Directed by
Sturges
Preston
.
USA
:
Fox
,
1948
.
DVD
.
The Vagabond Lover
. Directed by
Neilan
Marshall
.
USA
:
RKO
,
1929
.
TCM Channel
.
Waikiki Wedding
. Directed by
Tuttle
Frank
.
USA
:
Paramount
,
1937
.
DVD
.
We’re Not Dressing
. Directed by
Milestone
Lewis
.
USA
:
Paramount
,
1936
.
DVD
.
Young at Heart
. Directed by
Douglas
Gordon
.
USA
:
Warner Bros.
,
1954
.
DVD
.
WRITTEN WORKS
Abbott
,
Lynn
, and
Seroff
Doug
.
Out of Sight: The Rise of African American Popular Music, 1889–1895
.
Jackson
:
University Press of Mississippi
,
2002
.
Abbott
,
Lynn
, and
Seroff
Doug
.
Ragged but Right: Black Traveling Shows, “Coon Songs,” and the Dark Pathway to Blues and Jazz
.
Jackson
:
University Press of Mississippi
,
2007
.
Abel
,
Richard
.
Americanizing the Movies and “Movie-Mad” Audiences, 1910–1914
.
Berkeley
:
University of California Press
,
2006
.
Abel
,
Richard
. “
The Most American of Attractions, the Illustrated Song
.” In
The Sounds of Early Cinema
, ed.
Abel
Richard
and
Altman
Rick
.
Bloomington
:
Indiana University Press
,
2001
.
Abel
,
Richard
, and
Altman
Rick
, eds.
The Sounds of Early Cinema
.
Bloomington
:
Indiana University Press
,
2001
.
Abelove
,
Henry
. “
Freud, Male Homosexuality and the Americans
.” In
The Lesbian and Gay Studies Reader
, ed.
Abelove
Henry
,
Barale
Michele Aina
, and
Halperin
David
.
New York
:
Routledge
,
1993
.
Acland, Charles
,
R.
, ed.
Residual Media
.
Minneapolis
:
University of Minnesota Press
,
2007
.
Addison
,
Heather
.
Hollywood and the Rise of Physical Culture
.
New York
:
Routledge
,
2003
.
Adickes
,
Sandra
.
To Be Young Was Very Heaven: Women in New York before the First World War
.
New York
:
St. Martin’s Press
,
1997
.
Adorno
,
Theodor
. “
On Jazz
.”
Discourse
12
, no.
1
(
1989
):
44
69
.
Adorno
,
Theodor
.
Sound Figures
.
Stanford
:
Stanford University Press
,
1999
.
Albertson
,
Chris
.
Bessie
.
New Haven, CT
:
Yale University Press
,
2003
.
Allen
,
Frederick Lewis
.
Only Yesterday: An Informal History of the 1920’s
.
New York
:
Harper-Collins
,
2000
.
Allen
,
Robert C.
Horrible Prettiness: Burlesque and American Culture
.
Chapel Hill
:
University of North Carolina Press
,
1991
.
Altman
,
Rick
.
The American Film Musical
.
Bloomington
:
Indiana University Press
,
1987
.
Altman
,
Rick
. “
Cinema and Popular Song: The Lost Tradition
.” In
Soundtrack Available: Essays on Film and Popular Music
, ed.
Wocjik
Pamela Robertson
and
Knight
Arthur
.
Durham, NC
:
Duke University Press
,
2001
.
Altman
,
Rick
.
Silent Film Sound
.
New York
:
Columbia University Press
,
2004
.
Altman
,
Rick
, ed.
Sound Theory, Sound Practice
.
New York
:
Routledge
,
1992
.
Altman
,
Rick
. “
The Technology of the Voice, Part One
.”
Iris
3
, no.
1
(
1985
):
3
20
.
Altman
,
Rick
. “
The Technology of the Voice, Part Two
.”
Iris
4
, no.
1
(
1986
):
107
18
.
American Academy of Teachers in Singing
. “
Reasons for Studying Singing
.”
Etude
,
July
1931
,
510
.
American Academy of Teachers in Singing
.
Singing, the Well-Spring of Music
.
New York
:
American Academy of Teachers in Singing
,
1933
.
Anderson
,
Mark Lynn
.
Twilight of the Idols: Hollywood and the Human Sciences in 1920s America
.
Berkeley
:
University of California Press
,
2011
.
Anderton
,
Barries
.
Sonny Boy: The World of Al Jolson
.
London
:
Jupiter Books
,
1995
.
Antler
,
Joyce
.
You Never Call! You Never Write: A History of the Jewish Mother
.
New York
:
Oxford University Press
,
2007
.
Armstrong
,
Louis
.
Swing That Music
.
New York
:
Da Capo Press
,
1993
.
Arnheim
,
Rudolf
.
Radio
.
1936
.
New York
:
Arno Press
,
1971
.
Baade
,
Christina L.
Victory through Harmony: The BBC and Popular Music in World War II
.
New York
:
Oxford University Press
,
2012
.
Balio
,
Tino
.
Grand Design: Hollywood as a Modern Business Enterprise, 1930–1939
.
Berkeley
:
University of California Press
,
1993
.
Balk
,
Alfred
.
The Rise of Radio: From Marconi through the Golden Age
.
Jefferson, NC
:
Mc-Farland
,
2006
.
Barkin
,
Elaine
, and
Hamessley
Lydia
.
Audible Traces: Gender, Identity, and Music
.
Los Angeles
:
Carciofoli Verlagschaus
,
1999
.
Barnes
,
Ken
.
The Crosby Years
.
New York
:
St. Martin’s Press
,
1980
.
Barnes
,
Ken
.
Sinatra and the Great Song Stylists
.
London
:
Ian Allen
,
1972
.
Barnouw
,
Erik
.
A History of Broadcasting in the United States. Vol. 1: A Tower in Babel: To 1933
.
New York
:
Oxford University Press
,
1966
.
Barrios
,
Richard
.
Screened Out: Playing Gay in Hollywood from Edison to Stonewall
.
New York
:
Routledge
,
2003
.
Barrios
,
Richard
.
A Song in the Dark: The Birth of the Musical Film
. 2nd ed.
New York
:
Oxford University Press
,
2010
.
Barris
,
Alex
.
Hollywood’s Other Men
.
New York
:
A. S. Barnes
,
1975
.
Barthes
,
Roland
. “
The Grain of the Voice
.” In
Image, Music, Text
. Trans.
Heath
Stephen
.
New York
:
Hill and Wang
,
1977
.
Barthes
,
Roland
.
The Responsibility of Forms: Critical Essays on Music, Art, and Representation
. Trans.
Howard
Richard
.
New York
:
Hill and Wang
,
1985
.
Bauer
,
Barbara
.
Bing Crosby
.
Pyramid History of the Movies
.
New York
:
Pyramid
,
1977
.
Bean
,
Annemarie
,
Hatch
James V.
, and
McNamara
Brooks
, eds.
Inside the Minstrel Mask: Readings in Nineteenth Century Blackface Minstrelsy
.
Hanover, NH
:
Wesleyan University Press
,
1996
.
Bederman
,
Gail
.
Manliness and Civilization: A Cultural History of Gender and Race in the United States, 1880–1917
.
Chicago
:
University of Chicago Press
,
1995
.
Beebe
,
Roger
,
Fulbrook
Denise
, and
Saunders
Ben
, eds.
Rock over the Edge: Transformations in Popular Music Culture
.
Durham, NC
:
Duke University Press
,
2002
.
Bell
,
Anne Oliver
.
The Diary of Virginia Woolf: Volume One 1915–1919
.
San Diego
:
Harvest Books
,
1977
.
Bennett
,
Andy
.
Popular Music and Youth Culture: Music, Identity, and Place
.
New York
:
St. Martin’s Press
,
2000
.
Bennett
,
Chad
. “
Flaming the Fans: Shame and the Aesthetics of Queer Fandom in Todd Haynes’s Velvet Goldmine
.”
Cinema Journal
49
, no.
2
(
2010
):
17
39
.
Bennett
,
Tony
, with
Friedwald
Will
.
The Good Life
.
New York
:
Pocket Books
,
1998
.
Benson
,
Susan Porter
.
Counter Cultures: Saleswomen, Managers, and Customers in American Department Stores, 1890–1940
.
Champaign
:
University of Illinois Press
,
1986
.
Benson
,
Susan Porter
.
Household Accounts: Working-Class Family Economics in the Interwar United States
.
Ithaca, NY
:
Cornell University Press
,
2007
.
Bergreen
,
Laurence
.
As Thousands Cheer: The Life of Irving Berlin
.
New York
:
Penguin Books
,
1990
.
Berlant
,
Lauren
.
The Female Complaint: The Unfinished Business of Sentimentality in American Culture
.
Durham, NC
:
Duke University Press
,
2008
.
Biddle
,
Ian
, and
Gibson
Kirsten
, eds.
Masculinity and the Western Musical Practice
.
Burlington, VT
:
Ashgate
,
2009
.
Billman
,
Larry
.
Fred Astaire: A Bio-Bibliography
.
Westport, CT
:
Greenwood Press
,
1997
.
Binkley
,
Sam
.
Getting Loose: Lifestyle Consumption in the 1970s
.
Durham, NC
:
Duke University Press
,
2007
.
Biocca
,
Frank
. “
Media and Perceptual Shifts: Early Radio and the Clash of Musical Cultures
.”
Journal of Popular Culture
24
(Fall
1990
):
1
15
.
Blake
,
Angela M.
How New York Became American, 1890–1924
.
Baltimore
:
Johns Hopkins University Press
,
2006
.
Bodnar
,
John
.
The Transplanted: A History of Immigrants in Urban America
.
Bloomington
:
Indiana University Press
,
1987
.
Bookbinder
,
Robert
.
The Films of Bing Crosby
.
Secaucus, NJ
:
Citadel
,
1977
.
Bordman
,
Gerald
.
American Musical Theatre: A Chronicle
.
New York
:
Oxford University Press
,
1986
.
Bowlly
,
Al
.
Modern Style Singing
.
London
:
Henri Selmer
,
1934
.
Brackett
,
David
.
Interpreting Popular Music
.
Cambridge
:
Cambridge University Press
,
1995
.
Brackett
,
David
, ed.
The Pop, Rock, and Soul Reader: Histories and Debates
.
New York
:
Oxford University Press
,
2005
.
Braun
,
Hans-Joachim
, ed.
“I Sing the Body Electric”: Music and Technology in the 20th Century
.
New York
:
Wolke
,
2000
.
Brett
,
Philip
,
Wood
Elizabeth
, and
Thomas
Gary C.
, eds.
Queering the Pitch: The New Gay and Lesbian Musicology
.
New York
:
Routledge
,
1994
.
Brooks
,
Daphne
.
Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910
.
Durham, NC
:
Duke University Press
,
2006
.
Brooks
,
Daphne
. “
‘Once More with Feeling’: Popular Music Studies in the New Millennium
.”
Journal of Popular Music Studies
22
, no.
1
(
2010
).
Brooks
,
Daphne
. “
‘The Voice Which Is Not One’: Amy Winehouse Sings the Ballad of Sonic Blue(s)-face Culture
.”
Women and Performance
20
, no.
1
(
2010
).
Brooks
,
Tim
.
Lost Sounds: Blacks and the Birth of the Recording Industry, 1890–1919
.
Urbana
:
University of Illinois Press
,
2004
.
Brown
,
Jayna
.
Babylon Girls: Black Women Performers and the Shaping of the Modern
.
Durham, NC
:
Duke University Press
,
2008
.
Brundage
,
W. Fitzhugh
, ed.
Beyond Blackface: African Americans and the Creation of American Popular Culture, 1890–1930
.
Chapel Hill
:
University of North Carolina Press
,
2011
.
Bull
,
Michael
, and
Back
Les
.
The Auditory Culture Reader
.
New York
:
Berg Press
,
2003
.
Burnim
,
Mellonee V.
, and
Maultsby
Portia K.
.
African American Music: An Introduction
.
New York
:
Routledge
,
2006
.
Burrough
,
Bryan
.
Public Enemies: America’s Greatest Crime Wave and the Birth of the FBI, 1933–34
.
New York
:
Penguin Books
,
2004
.
Butler
,
Judith
.
Undoing Gender
.
New York
:
Routledge
,
2004
.
Butsch
,
Richard
.
The Citizen Audience: Crowds, Publics, and Individuals
.
New York
:
Routledge
,
2008
.
Butsch
,
Richard
.
The Making of American Audiences: From Stage to Television, 1750–1990
.
New York
:
Cambridge University Press
,
2000
.
Caffin
,
Caroline
.
Vaudeville: The Book
.
New York
:
Mitchell Kennerley
,
1914
.
Calverton
,
V. F.
The Bankruptcy of Marriage
.
New York
:
Macaulay
,
1928
.
Calverton
,
V. F.
, and
Schmalhausen
Samuel D.
, eds.
The New Generation: The Intimate Problems of Modern Parents and Children
.
New York
:
Macaulay
,
1930
.
Cantor
,
Eddie
.
My Life Is in Your Hands
.
New York
:
Harper and Brothers
,
1928
.
Cartei
,
Valentina
, and
Reby
David
. “
Acting Gay: Male Actors Shift the Frequency Components of Their Voices towards Female Values When Playing Homosexual Characters
.”
Journal of Nonverbal Behavior
36
, no.
1
(
2012
):
79
93
.
Carter
,
Julian B.
The Heart of Whiteness: Normal Sexuality and Race in America, 1880–1940
.
Durham, NC
:
Duke University Press
,
2007
.
Cavanaugh
,
Jack
.
Tunney: Boxing’s Brainiest Champ and His Upset of the Great Jack Dempsey
.
New York
:
Random House
,
2006
.
Cavicchi
,
Daniel
.
Listening and Longing: Music Lovers in the Age of Barnum
.
Middletown, CT
:
Wesleyan University Press
,
2011
.
Chafe
,
William Henry
.
The American Woman: Her Changing Social, Economic, and Political Roles, 1920–1970
.
New York
:
Oxford University Press
,
1972
.
Chanan
,
Michael
.
Repeated Takes: A Short History of Recording and Its Effects on Music
.
New York
:
Verso
,
1995
.
Charters
,
Ann
.
Nobody: The Story of Bert Williams
.
New York
:
Da Capo Press
,
1983
.
Chauncey
,
George
.
Gay New York: Gender, Urban Culture, and the Making of the Gay Male World 1890–1940
.
New York
:
Basic Books
,
1994
.
Chevigny
,
Paul
.
Gigs: Jazz and the Cabaret Law in New York City
. 2nd ed.
New York
:
Routledge
,
2005
.
Chude-Sokei
,
Louis
.
The Last Darky: Bert Williams, Black-on-Black Minstrelsy, and the African Diaspora
.
Durham, NC
:
Duke University Press
,
2006
.
Clement
,
Elisabeth
.
Love for Sale: Courting, Treating, and Prostitution in New York City, 1900–1945
.
Chapel Hill
:
University of North Carolina Press
,
2006
.
Coates
,
Norma
. “
(R)evolution Now? Rock and the Political Potential of Gender
.” In
Sexing the Groove: Popular Music and Gender
, ed.
Whiteley
Sheila
.
New York
:
Routledge
,
1997
.
Coben
,
Stanley
.
Rebellion against Victorianism: The Impetus for Cultural Change in 1920s America
.
New York
:
Oxford University Press
,
1991
.
Cockrell
,
Dale
.
Demons of Disorder: Early Blackface Minstrels and Their World
.
New York
:
Cambridge University Press
,
1997
.
Cohen
,
Lizabeth
.
A Consumer’s Republic: The Politics of Mass Consumption in Postwar America
.
New York
:
Vintage Books
,
2003
.
Cohen
,
Lizabeth
.
Making a New Deal: Industrial Workers in Chicago, 1919–1939
.
New York
:
Cambridge University Press
,
1990
.
Coilin
,
Sid
, and
Staveacre
Tony
.
Al Bowlly
.
London
:
Elm Tree Books
,
1977
.
Connell
,
R. W.
Masculinities
. 2nd ed.
Berkeley
:
University of California Press
,
2005
.
Connell
,
R. W.
The Social Organization of Masculinity
.” In
Feminist Theory Reader: Local and Global Perspectives
, ed.
McCann
Carol
and
Seung-Kyung
Kim
.
New York
:
Routledge
,
2009
.
Cook
,
Nicholas
, and
Pople
Anthony
, eds.
The Cambridge History of Twentieth-Century Music
.
New York
:
Cambridge University Press
,
2004
.
Cooke
,
James Francis
.
Great Singers on the Art of Singing: Educational Conferences with Foremost Artists
.
Philadelphia
:
Theo. Presser
,
1921
.
Coontz
,
Stephanie
.
Marriage, a History: From Obedience to Intimacy or How Love Conquered Marriage
.
New York
:
Viking
,
2005
.
Cooper
,
Kim
, and
Smay
David
, eds.
Bubblegum Music Is the Naked Truth
.
Los Angeles
:
Feral House
,
2001
.
Cott
,
Nancy F.
, ed.
History of Women in the United States: Historical Articles on Women’s Lives and Activities. Vol. 10: Sexuality and Sexual Behavior
.
New York
:
K. G. Sauer
,
1993
.
Cott
,
Nancy F.
, ed.
Public Vows: A History of Marriage and the Nation
.
Cambridge, MA
:
Harvard University Press
,
2000
.
Couvares
,
Francis G.
, ed.
Movie Censorship and American Culture
.
Washington, DC
:
Smithsonian Institution Press
,
1996
.
Coward
,
Noel
.
Private Lives
.
Garden City, NY
:
Doubleday
,
1930
.
Crafton
,
Donald
.
The History of American Cinema. Vol. 4: The Talkies: America’s Transition to Sound, 1926–1931
.
New York
:
Simon and Schuster
,
1997
.
Craig
,
Maxine Leeds
.
Sorry I Don’t Dance: Why Men Refuse to Move
.
New York
:
Oxford University Press
,
2013
.
Crosby
,
Bing
.
Call Me Lucky
. 2nd ed.
New York
:
Da Capo Press
,
1993
.
Crosby
,
Gary
, with
Firestone
Ross
.
Going My Own Way
.
New York
:
Doubleday
,
1983
.
Crosby
,
Ted
.
The Story of Bing Crosby
.
New York
:
World
,
1946
.
Czitrom
,
Daniel J.
Media and the American Mind: From Morse to McLuhan
.
Chapel Hill
:
University of North Carolina Press
,
1982
.
Davis
,
Angela Y.
Blues Legacies and Black Feminism: Gertrude “Ma” Rainey, Bessie Smith and Billie Holiday
.
New York
:
Pantheon Books
,
1998
.
Davis
,
Janet
.
The Circus Age: Culture and Society under the American Big Top
.
Chapel Hill
:
University of North Carolina Press
,
2002
.
Davis
,
Katharine Bement
.
Factors in the Sex Life of Twenty-Two Hundred Women
.
New York
:
Arno Press, New York Times
,
1972
.
DeCordova
,
Richard
.
Picture Personalities: The Emergence of the Star System in America
.
Chicago
:
University of Illinois Press
,
1990
.
De La Pena
,
Carolyn Thomas
.
The Body Electric: How Strange Machines Build the Modern American
.
New York
:
New York University Press
,
2003
.
De La Pena
,
Carolyn Thomas
. “
Slow and Low Progress, or Why American Studies Should Do Technology
.”
American Quarterly
58
, no.
3
(
2006
):
915
41
.
DeLong
,
Thomas A.
The Mighty Music Box
.
Los Angeles
:
Amber Crest Books
,
1980
.
DeLong
,
Thomas A.
Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960
.
Jefferson, NC
:
McFarland
,
1996
.
D’Emilio
,
John
. “
Capitalism and Gay Identity
.” In
Powers of Desire: The Politics of Sexuality
, ed.
Snitow
Ann
,
Stansell
Christine
, and
Thompson
Sharon
.
New York
:
Monthly Review Press
,
1983
.
D’Emilio
,
John
, and
Freedman
Estelle
.
Intimate Matters: A History of Sexuality in America
.
New York
:
Harper and Row
,
1988
.
Denning
,
Michael
.
The Cultural Front: The Laboring of American Culture in the Twentieth Century
.
New York
:
Verso
,
1996
.
Deutsch
,
Sarah Jane
. “
From Ballots to Breadlines, 1920–1940
.” In
No Small Courage: A History of Women in the United States
, ed.
Cott
Nancy
.
New York
:
Oxford University Press
,
2000
.
Dimeglio
,
John E.
Vaudeville U.S.A.
Bowling Green, OH
:
Bowling Green University Popular Press
,
1973
.
Diner
,
Hasia R.
Erin’s Daughters in America: Irish Immigrant Women in the Nineteenth Century
.
Baltimore
:
Johns Hopkins University Press
,
1983
.
Doctor
,
Jennifer
.
The BBC and Ultra-Modern Music, 1922–1936: Shaping a Nation’s Tastes
.
Cambridge
:
Cambridge University Press
,
1999
.
Doerksen
,
Clifford J.
American Babel: Rogue Radio Broadcasters of the Jazz Age
.
Philadelphia
:
University of Pennsylvania Press
,
2005
.
Doherty
,
Thomas
.
Hollywood’s Censor: Joseph I. Breen and the Production Code
.
New York
:
Columbia University Press
,
2009
.
Doherty
,
Thomas
.
Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930–1934
.
New York
:
Columbia University Press
,
1999
.
Donnelly
,
K. J.
The Spectre of Sound: Music in Film and Television
.
London
:
British Film Institute
,
2005
.
Douglas
,
Ann
.
Terrible Honesty: Mongrel Manhattan in the 1920s
.
New York
:
Farrar, Straus and Giroux
,
1995
.
Douglas
,
George
.
The Early Days of Radio Broadcasting
.
Jefferson, NC
:
McFarland
,
1987
.
Douglas
,
Mary
.
Purity and Danger: An Analysis of the Concepts of Pollution and Taboo
.
New York
:
Praeger
,
1966
.
Douglas
,
Susan
.
Inventing American Broadcasting, 1899–1922
.
Baltimore
:
Johns Hopkins University Press
,
1987
.
Douglas
,
Susan
.
Listening In: Radio and the American Imagination
.
New York
:
Random House
,
1999
.
Douglas
,
Susan
.
Where the Girls Are: Growing Up Female with the Mass Media
.
New York
:
Random House
,
1994
.
Doyle
,
Peter
.
Echo and Reverb: Fabricating Space in Popular Music Recordings, 1900–1960
.
Middletown, CT
:
Wesleyan University Press
,
2005
.
Doyle
,
Peter
. “
From ‘My Blue Heaven’ to ‘Race with the Devil’: Echo, Reverb and (Dis)ordered Space in Early Popular Music Recording
.”
Popular Music
23
(
2004
):
31
49
.
Dragonette
,
Jessica
.
Faith Is a Song: The Odyssey of an American Artist
.
New York
:
David McKay
,
1951
.
Drutman
,
Irving
.
Good Company
.
Boston
:
Little, Brown
,
1976
.
Duberman
,
Martin
,
Vicinus
Martha
, and
Chauncey
George
Jr.
, eds.
Hidden from History: Reclaiming the Gay and Lesbian Past
.
New York
:
New American Library
,
1989
.
Duchan
,
Joshua S.
Powerful Voices: The Musical and Social World of Collegiate a Capella
.
Ann Arbor
:
University of Michigan Press
,
2012
.
Duggan
,
Lisa
. “
The Social Enforcement of Heterosexuality and Lesbian Resistance in the 1920s
.” In
Class, Race, and Sex: The Dynamics of Control
, ed.
Swerdlow
Amy
and
Lessinger
Hanna
.
Boston
:
G. K. Hall
,
1983
.
Dunning
,
John
.
On the Air: The Encyclopedia of Old-Time Radio
.
New York
:
Oxford University Press
,
1998
.
Durand
,
Regis
. “
The Disposition of the Voice
.” In
Mimesis, Masochism, and Mime: The Politics of Theatricality in Contemporary French Thought
, ed.
Murray
Timothy
.
Ann Arbor
:
University of Michigan Press
,
1997
.
Dyer
,
Richard
.
Heavenly Bodies: Film Stars and Society
.
New York
:
St. Martin’s Press
,
1986
.
Dyer
,
Richard
.
In the Space of a Song: The Uses of Song in Film
.
New York
:
Routledge
,
2012
.
Dyer
,
Richard
.
Only Entertainment
.
New York
:
Routledge
,
1992
.
Dyer
,
Richard
.
White
.
Routledge
:
New York
,
1997
.
Echols
,
Alice
.
Hot Stuff: Disco and the Remaking of American Culture
.
New York
:
Norton
,
2010
.
Ehrenreich
,
Barbara
.
The Hearts of Men: American Dreams and the Flight from Commitment
.
New York
:
Anchor
,
1987
.
Ehrenreich
,
Barbara
,
Hess
Elisabeth
, and
Jacobs
Gloria
. “
Beatlemania: A Sexually Defiant Subculture?
” In
The Subcultures Reader
, ed.
Gilder
Ken
and
Thornton
Sarah
.
New York
:
Routledge
,
1997
.
Emerson
,
Ken
.
DooDah! Stephen Foster and the Rise of American Popular Culture
.
New York
:
Da Capo Press
,
1997
.
Ennis
,
Philip H.
The Seventh Stream: The Emergence of RocknRoll in American Popular Music
.
Hanover, NH
:
Wesleyan University Press
,
1992
.
Erenberg
,
Lewis A.
From New York to Middletown: Repeal and the Legitimatization of Nightlife in the Great Depression
.”
American Quarterly
38
(
1986
):
761
68
.
Erenberg
,
Lewis A.
Steppin’ Out: New York Nightlife and the Transformation of American Culture, 1890–1930
.
Westport, CT
:
Greenwood Press
,
1981
.
Erenberg
,
Lewis A.
Swingin’ the Dream: Big Band Jazz and the Rebirth of American Culture
.
Chicago
:
University of Chicago Press
,
1998
.
Ericksen
,
Julia A.
, and
Steffen
Sally A.
.
Kiss and Tell: Surveying Sex in the Twentieth Century
.
Cambridge, MA
:
Harvard University Press
,
1999
.
Ewen
,
David
.
The Life and Death of Tin Pan Alley: The Golden Age of American Popular Music
.
New York
:
Funk and Wagnall
,
1964
.
Eyman
,
Scott
.
The Speed of Sound: Hollywood and the Talkie Revolution, 1926–1930
.
Baltimore
:
Johns Hopkins University Press
,
1997
.
Fass
,
Paula
.
The Damned and the Beautiful: American Youth in the 1920s
.
New York
:
Oxford University Press
,
1977
.
Faulkner
,
Howard J.
, and
Pruitt
Virginia D.
, eds.
Dear Dr. Menninger: Women’s Voices from the Thirties
.
Columbia
:
University of Missouri Press
,
1997
.
Feld
,
Steven
, and
Basso
Keith H.
, eds.