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The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina

Edited by
Matthew B. Karush
Matthew B. Karush

Matthew B. Karush is Associate Professor of History and Director of Latin American Studies at George Mason University. He is the author of Workers or Citizens: Democracy and Identity in Rosario, Argentina, 1912–1930.

Oscar Chamosa is Assistant Professor of History at the University of Georgia.

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Oscar Chamosa
Oscar Chamosa

Matthew B. Karush is Associate Professor of History and Director of Latin American Studies at George Mason University. He is the author of Workers or Citizens: Democracy and Identity in Rosario, Argentina, 1912–1930.

Oscar Chamosa is Assistant Professor of History at the University of Georgia.

Search for other works by this author on:
Duke University Press
ISBN electronic:
978-0-8223-9286-6
Publication date:
2010

In nearly every account of modern Argentine history, the first Peronist regime (1946–55) emerges as the critical juncture. Appealing to growing masses of industrial workers, Juan Perón built a powerful populist movement that transformed economic and political structures, promulgated new conceptions and representations of the nation, and deeply polarized the Argentine populace. Yet until now, most scholarship on Peronism has been constrained by a narrow, top-down perspective. Inspired by the pioneering work of the historian Daniel James and new approaches to Latin American cultural history, scholars have recently begun to rewrite the history of mid-twentieth-century Argentina. The New Cultural History of Peronism brings together the best of this important new scholarship.

Situating Peronism within the broad arc of twentieth-century Argentine cultural change, the contributors focus on the interplay of cultural traditions, official policies, commercial imperatives, and popular perceptions. They describe how the Perón regime’s rhetoric and representations helped to produce new ideas of national and collective identity. At the same time, they show how Argentines pursued their interests through their engagement with the Peronist project, and, in so doing, pushed the regime in new directions. While the volume’s emphasis is on the first Perón presidency, one contributor explores the origins of the regime and two others consider Peronism’s transformations in subsequent years. The essays address topics including mass culture and melodrama, folk music, pageants, social respectability, architecture, and the intense emotional investment inspired by Peronism. They examine the experiences of women, indigenous groups, middle-class anti-Peronists, internal migrants, academics, and workers. By illuminating the connections between the state and popular consciousness, The New Cultural History of Peronism exposes the contradictions and ambivalences that have characterized Argentine populism.

Contributors: Anahi Ballent, Oscar Chamosa, María Damilakou, Eduardo Elena, Matthew B. Karush, Diana Lenton, Mirta Zaida Lobato, Natalia Milanesio, Mariano Ben Plotkin, César Seveso, Lizel Tornay

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