Introduction: “The Looking-Glass Border”
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Published:October 2015
This chapter outlines the methodological, theoretical, and ethical arguments of the book. It does so by examining the subjective positions of the ethnographer and the ethical dilemmas encountered. Juxtaposing the iconic figures of the birangona and the razakar (collaborator), the introduction shows how both, as memories of a past, are shaping the present. It draws from and engages critically with the scholarship of feminist oral history. The chapter develops the analytical and theoretical concepts of “testimonial cultures,” “combing” (to hide and to search), “absence-presence,” and “spectral” to examine how the raped woman emerges as a horrific “wound” in the public memory of wartime rape during 1971. The public secrecies and “combing” inherent in this history making are explored throughout the book by examining the processes of historiography, documentation, scorn, local politics, masculinities, rehabilitation, violation of men, literary and visual representations, perceptions of the birangona as a traitor, and human rights testimonies.
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