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Bibliography

Bibliography
Selected Sources for Reading Reggaeton
Allen
Ray
,
Wilcken
Lois
, eds.
Island Sounds in the Global City: Caribbean Popular Music and Identity in New York
.
Urbana
:
University of Illinois Press
,
2001
.
Báez
Jillian M.
En Mi Imperio: Competing Discourses of Agency in Ivy Queen’s Reggaetón
.”
Centro
18
, no.
2
(fall
2006
):
63
81
.
Baker
Ejima
. “
A Preliminary Step in Exploring Reggaetón
.” In
Critical Minded: New Approaches to Hip Hop Studies
, ed.
Hisama
Ellie M.
,
Rapport
Evan
,
107
23
.
Brooklyn
:
Institute for Studies in American Music
,
2005
.
Baker
Geovrey
. “
¡Hip hop, Revolución! Nationalizing Rap in Cuba
.”
Ethnomusicology
49
, no.
3
(
2005
):
368
402
.
Baker
Geovrey
. “
La Habana que no conoces: Cuban Rap and the Social Construction of Urban Space
.”
Ethnomusicology Forum
15
, no.
2
(
2006
):
215
46
.
Calderón
Tego
. “
Black Pride
.”
New York Post (Tempo)
.
February
15
,
2007
.
Delgado
Calo
,
Ann
Mary
,
Delgado
Raquel
,
Figueroa
Lourdes
,
López
Lennith
. “
Más allá del perreo
.”
Master’s thesis
,
Universidad de Puerto Rico
,
Río Piedras
,
2003
.
Caramanica
Jon
. “
The Conquest of America (North and South)
.”
New York Times
.
December
4
,
2005
.
Caramanica
Jon
. “
Grow Dem Bow
.”
Village Voice
.
January
10
,
2006
.
Castillo-Garstow
Melissa
. “
Latinos in Hip Hop to Reggaeton
.”
Latin Beat
.
March
2005
.
Cepeda
Raquel
. “
Riddims by the Reggaetón
.”
Village Voice
.
March
28
,
2005
.
Chang
Jev
.
Can’t Stop Won’t Stop: A History of the Hip-Hop Generation
.
New York
:
Picador
,
2005
.
Cooper
Carolyn
.
Noises in the Blood: Orality, Gender, and the “Vulgar” Body of Jamaican Popular Culture
.
London
:
Macmillan
,
1993
.
Cooper
Carolyn
.
Sound Clash: Jamaican Dancehall Culture at Large
.
New York
:
Palgrave Macmillan
,
2004
.
Corbett
Sara
. “
The King of Reggaetón
.”
New York Times
.
February
5
,
2006
.
Dinzey-Flores
Zaire
. “
From the Disco to the Projects: Urban Spatial Aesthetics and Policy to the Beat of Reggaeton
.”
Centro
20
, no.
2
(fall
2008
):
34
69
.
Flores
Juan
.
1992–93
. “
Puerto Rican and Proud, Boyee!: Rap, Roots and Amnesia
.”
Centro
5
, no.
1
(1992–93):
22
32
.
Flores
Juan
.
From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity
.
New York
:
Columbia University Press
,
2000
.
Flores
Juan
. “
Creolité in the ’Hood: Diaspora as Source and Challenge
.”
Centro Journal
16
, no.
2
(fall
2004
):
283
89
.
Forman
Murray
,
Neal
Mark Anthony
, ed.
That’s the Joint!: The Hip Hop Studies Reader
.
New York
:
Routledge
,
2004
.
Giovannetti
Jorge L.
Popular Music and Culture in Puerto Rico: Jamaican and Rap Music as Cross-Cultural Symbols
.” In
Musical Migrations: Transnationalism and Cultural Hybridity in Latin/o America
, ed.
Aparicio
Frances R.
,
Jáquez
Cándida F.
,
81
98
.
New York
:
Palgrave Macmillan
,
2003
.
González Acosta
Karla F.
El rap underground en Puerto Rico y la libertad de expresión
.”
Revista Jurídica Universidad Interamericana de Puerto Rico
37
, no.
1
(
September–December
2002
):
191
208
.
Gurza
Agustin
. “
When the Fad Goes Fizzle
.”
Los Angeles Times
.
April
16
,
2006
.
Jiménez
Félix
.
Las prácticas de la carne: Construcción y representación de las masculinidades puertorriqueñas
.
San Juan
:
Ediciones Vértigo
,
2004
.
Kenner
Rob
. “
Dancehall
.” In
The Vibe History of Hip-hop
, ed.
Light
Alan
,
350
57
.
New York
:
Three Rivers Press
,
1999
.
Manuel
Peter
,
Marshall
Wayne
. “
The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall
.”
Popular Music
25
, no.
3
(
2006
):
447
70
.
Marshall
Wayne
. “
Hearing Hip-hop’s Jamaican Accent
.”
Institute for Studies in American Music Newsletter
34
, no.
2
(
2005
):
8
9
,
14
15
.
Marshall
Wayne
. “
The Rise of Reggaetón: From Daddy Yankee to Tego Calderón, and Beyond
.”
Phoenix
.
January
19
,
2006
.
Marshall
Wayne
. “
We Use So Many Snares
.” In
Da Capo Best Music Writing 2006: The Year’s Finest Writing on Rock, Hip-Hop, Jazz, Pop, Country, & More
, ed.
Carr
Daphne
,
Gaitskill
Mary
,
260
71
.
New York
:
Da Capo Press
,
2006
.
Marshall
Wayne
. “
Routes, Rap, Reggae: Hearing the Histories of Hip-Hop and Reggae Together
.”
Ph.D. diss
.,
University of Wisconsin
,
Madison
,
2007
.
Miranda
Carolina
. “
Daddy Yankee, Reigning Champ of Reggaeton
.”
Time
.
May
8
,
2006
.
Mitchell
Tony
, ed.
Global Noise: Rap and Hip-Hop Outside the usa
.
Middletown, Conn
.:
Wesleyan University Press
,
2001
.
Moris García
Raúl
.
El rap vs. la 357: Historia del rap y reggaeton en Puerto Rico
. N.p., n.d. [
2005
].
Negrón-Muntaner
Frances
,
Rivera
Raquel Z.
. “
Reggaeton Nation
.”
NACLA Report on the Americas
40
, no.
6
(
November/December
2007
):
35
39
.
Pacini Hernandez
Deborah
. “
A View from the South: Spanish Caribbean Perspectives on World Beat
.”
World of Music
35
, no.
2
(
1993
):
48
69
.
Pereira
Joseph
. “
Translation or Transformation: Gender in Hispanic Reggae
.”
Social and Economic Studies
47
(
March
1998
):
79
88
.
Rivera
Raquel Z
Rap Music in Puerto Rico: Mass Consumption or Social Resistance?
Centro
5
, no.
1
(
1992–93
):
52
65
.
Rivera
Raquel Z.
Del underground a la superficie
.”
Claridad
.
February
10–16
,
1995
.
Rivera
Raquel Z.
Rap in Puerto Rico: Reflections from the Margins
.” In
Globalization and Survival in the Black Diaspora: The New Urban Challenge
, ed.
Green
Charles
,
109
27
.
Albany
:
State University of New York Press
,
1997
.
Rivera
Raquel Z.
Rapping Two Versions of the Same Requiem
.” In
Puerto Rican Jam: Rethinking Colonialism and Nationalism
, ed.
Negrón-Muntaner
Frances
,
Grosfoguel
Ramón
,
243
56
.
Minneapolis
:
University of Minnesota Press
,
1997
.
Rivera
Raquel Z.
Cultura y poder en el rap puertorriqueño
.”
Revista de Ciencias Sociales
, no.
4
(
January
1998
):
124
46
.
Rivera
Raquel Z.
New York Ricans from the Hip Hop Zone
.
New York
:
Palgrave Macmillan
,
2003
.
Rivera
Raquel Z.
Reggaeton: The Rise of the Boricua Underground
.”
Urban Latino
, no.
46
(
2003
):
31
32
.
Rivera
Raquel Z.
Entrevista a Tego Calderón
.”
Centro
16
, no.
2
(
2004
):
272
81
.
Rivera
Raquel Z.
Will the ‘Real’ Puerto Rican Culture Please Stand Up?: Thoughts on Cultural Nationalism
.” In
None of the Above: Puerto Ricans in the Global Era
, ed.
Negrón-Muntaner
Frances
,
217
31
.
New York
:
Palgrave Macmillan
,
2007
.
Rivera
Raquel Z.
Between Blackness and Latinidad in the Hip Hop Zone
.” In
A Companion to Latina/o Studies
, ed.
Rosaldo
Renato
,
Flores
Juan
,
351
62
.
Malden, Mass
.:
Blackwell
,
2007
.
Santos
Mayra
. “
Puerto Rican Underground
.”
Centro
8
, nos.
1 and 2
(
1996
):
219
31
.
Scholtes
Peter
. “
Reggaeton Animal
.”
City Pages
.
November
22
,
2006
. (accessed July 25, 2007).
Schloss
Joseph G.
Making Beats: The Art of Sample-Based Hip-Hop
.
Middletown, Conn
.:
Wesleyan University Press
,
2004
.
Spady
James G.
,
Samy Alim
H.
,
Meghelli
Samir
, ed.
Tha Global Cipha: Hip Hop Culture and Consciousness
.
Philadelphia
:
Black History Museum Press
,
2006
.
Stolzov
Norman
.
Wake the Town and Tell the People: Dancehall Culture in Jamaica
.
Durham, N.C
.:
Duke University Press
,
2000
.
Triviño
Jesús
. “
Spanish Fly
.”
Source
.
March
2004
.

Figures & Tables

Contents

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References

Bibliography

Bibliography
Selected Sources for Reading Reggaeton
Allen
Ray
,
Wilcken
Lois
, eds.
Island Sounds in the Global City: Caribbean Popular Music and Identity in New York
.
Urbana
:
University of Illinois Press
,
2001
.
Báez
Jillian M.
En Mi Imperio: Competing Discourses of Agency in Ivy Queen’s Reggaetón
.”
Centro
18
, no.
2
(fall
2006
):
63
81
.
Baker
Ejima
. “
A Preliminary Step in Exploring Reggaetón
.” In
Critical Minded: New Approaches to Hip Hop Studies
, ed.
Hisama
Ellie M.
,
Rapport
Evan
,
107
23
.
Brooklyn
:
Institute for Studies in American Music
,
2005
.
Baker
Geovrey
. “
¡Hip hop, Revolución! Nationalizing Rap in Cuba
.”
Ethnomusicology
49
, no.
3
(
2005
):
368
402
.
Baker
Geovrey
. “
La Habana que no conoces: Cuban Rap and the Social Construction of Urban Space
.”
Ethnomusicology Forum
15
, no.
2
(
2006
):
215
46
.
Calderón
Tego
. “
Black Pride
.”
New York Post (Tempo)
.
February
15
,
2007
.
Delgado
Calo
,
Ann
Mary
,
Delgado
Raquel
,
Figueroa
Lourdes
,
López
Lennith
. “
Más allá del perreo
.”
Master’s thesis
,
Universidad de Puerto Rico
,
Río Piedras
,
2003
.
Caramanica
Jon
. “
The Conquest of America (North and South)
.”
New York Times
.
December
4
,
2005
.
Caramanica
Jon
. “
Grow Dem Bow
.”
Village Voice
.
January
10
,
2006
.
Castillo-Garstow
Melissa
. “
Latinos in Hip Hop to Reggaeton
.”
Latin Beat
.
March
2005
.
Cepeda
Raquel
. “
Riddims by the Reggaetón
.”
Village Voice
.
March
28
,
2005
.
Chang
Jev
.
Can’t Stop Won’t Stop: A History of the Hip-Hop Generation
.
New York
:
Picador
,
2005
.
Cooper
Carolyn
.
Noises in the Blood: Orality, Gender, and the “Vulgar” Body of Jamaican Popular Culture
.
London
:
Macmillan
,
1993
.
Cooper
Carolyn
.
Sound Clash: Jamaican Dancehall Culture at Large
.
New York
:
Palgrave Macmillan
,
2004
.
Corbett
Sara
. “
The King of Reggaetón
.”
New York Times
.
February
5
,
2006
.
Dinzey-Flores
Zaire
. “
From the Disco to the Projects: Urban Spatial Aesthetics and Policy to the Beat of Reggaeton
.”
Centro
20
, no.
2
(fall
2008
):
34
69
.
Flores
Juan
.
1992–93
. “
Puerto Rican and Proud, Boyee!: Rap, Roots and Amnesia
.”
Centro
5
, no.
1
(1992–93):
22
32
.
Flores
Juan
.
From Bomba to Hip-Hop: Puerto Rican Culture and Latino Identity
.
New York
:
Columbia University Press
,
2000
.
Flores
Juan
. “
Creolité in the ’Hood: Diaspora as Source and Challenge
.”
Centro Journal
16
, no.
2
(fall
2004
):
283
89
.
Forman
Murray
,
Neal
Mark Anthony
, ed.
That’s the Joint!: The Hip Hop Studies Reader
.
New York
:
Routledge
,
2004
.
Giovannetti
Jorge L.
Popular Music and Culture in Puerto Rico: Jamaican and Rap Music as Cross-Cultural Symbols
.” In
Musical Migrations: Transnationalism and Cultural Hybridity in Latin/o America
, ed.
Aparicio
Frances R.
,
Jáquez
Cándida F.
,
81
98
.
New York
:
Palgrave Macmillan
,
2003
.
González Acosta
Karla F.
El rap underground en Puerto Rico y la libertad de expresión
.”
Revista Jurídica Universidad Interamericana de Puerto Rico
37
, no.
1
(
September–December
2002
):
191
208
.
Gurza
Agustin
. “
When the Fad Goes Fizzle
.”
Los Angeles Times
.
April
16
,
2006
.
Jiménez
Félix
.
Las prácticas de la carne: Construcción y representación de las masculinidades puertorriqueñas
.
San Juan
:
Ediciones Vértigo
,
2004
.
Kenner
Rob
. “
Dancehall
.” In
The Vibe History of Hip-hop
, ed.
Light
Alan
,
350
57
.
New York
:
Three Rivers Press
,
1999
.
Manuel
Peter
,
Marshall
Wayne
. “
The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall
.”
Popular Music
25
, no.
3
(
2006
):
447
70
.
Marshall
Wayne
. “
Hearing Hip-hop’s Jamaican Accent
.”
Institute for Studies in American Music Newsletter
34
, no.
2
(
2005
):
8
9
,
14
15
.
Marshall
Wayne
. “
The Rise of Reggaetón: From Daddy Yankee to Tego Calderón, and Beyond
.”
Phoenix
.
January
19
,
2006
.
Marshall
Wayne
. “
We Use So Many Snares
.” In
Da Capo Best Music Writing 2006: The Year’s Finest Writing on Rock, Hip-Hop, Jazz, Pop, Country, & More
, ed.
Carr
Daphne
,
Gaitskill
Mary
,
260
71
.
New York
:
Da Capo Press
,
2006
.
Marshall
Wayne
. “
Routes, Rap, Reggae: Hearing the Histories of Hip-Hop and Reggae Together
.”
Ph.D. diss
.,
University of Wisconsin
,
Madison
,
2007
.
Miranda
Carolina
. “
Daddy Yankee, Reigning Champ of Reggaeton
.”
Time
.
May
8
,
2006
.
Mitchell
Tony
, ed.
Global Noise: Rap and Hip-Hop Outside the usa
.
Middletown, Conn
.:
Wesleyan University Press
,
2001
.
Moris García
Raúl
.
El rap vs. la 357: Historia del rap y reggaeton en Puerto Rico
. N.p., n.d. [
2005
].
Negrón-Muntaner
Frances
,
Rivera
Raquel Z.
. “
Reggaeton Nation
.”
NACLA Report on the Americas
40
, no.
6
(
November/December
2007
):
35
39
.
Pacini Hernandez
Deborah
. “
A View from the South: Spanish Caribbean Perspectives on World Beat
.”
World of Music
35
, no.
2
(
1993
):
48
69
.
Pereira
Joseph
. “
Translation or Transformation: Gender in Hispanic Reggae
.”
Social and Economic Studies
47
(
March
1998
):
79
88
.
Rivera
Raquel Z
Rap Music in Puerto Rico: Mass Consumption or Social Resistance?
Centro
5
, no.
1
(
1992–93
):
52
65
.
Rivera
Raquel Z.
Del underground a la superficie
.”
Claridad
.
February
10–16
,
1995
.
Rivera
Raquel Z.
Rap in Puerto Rico: Reflections from the Margins
.” In
Globalization and Survival in the Black Diaspora: The New Urban Challenge
, ed.
Green
Charles
,
109
27
.
Albany
:
State University of New York Press
,
1997
.
Rivera
Raquel Z.
Rapping Two Versions of the Same Requiem
.” In
Puerto Rican Jam: Rethinking Colonialism and Nationalism
, ed.
Negrón-Muntaner
Frances
,
Grosfoguel
Ramón
,
243
56
.
Minneapolis
:
University of Minnesota Press
,
1997
.
Rivera
Raquel Z.
Cultura y poder en el rap puertorriqueño
.”
Revista de Ciencias Sociales
, no.
4
(
January
1998
):
124
46
.
Rivera
Raquel Z.
New York Ricans from the Hip Hop Zone
.
New York
:
Palgrave Macmillan
,
2003
.
Rivera
Raquel Z.
Reggaeton: The Rise of the Boricua Underground
.”
Urban Latino
, no.
46
(
2003
):
31
32
.
Rivera
Raquel Z.
Entrevista a Tego Calderón
.”
Centro
16
, no.
2
(
2004
):
272
81
.
Rivera
Raquel Z.
Will the ‘Real’ Puerto Rican Culture Please Stand Up?: Thoughts on Cultural Nationalism
.” In
None of the Above: Puerto Ricans in the Global Era
, ed.
Negrón-Muntaner
Frances
,
217
31
.
New York
:
Palgrave Macmillan
,
2007
.
Rivera
Raquel Z.
Between Blackness and Latinidad in the Hip Hop Zone
.” In
A Companion to Latina/o Studies
, ed.
Rosaldo
Renato
,
Flores
Juan
,
351
62
.
Malden, Mass
.:
Blackwell
,
2007
.
Santos
Mayra
. “
Puerto Rican Underground
.”
Centro
8
, nos.
1 and 2
(
1996
):
219
31
.
Scholtes
Peter
. “
Reggaeton Animal
.”
City Pages
.
November
22
,
2006
. (accessed July 25, 2007).
Schloss
Joseph G.
Making Beats: The Art of Sample-Based Hip-Hop
.
Middletown, Conn
.:
Wesleyan University Press
,
2004
.
Spady
James G.
,
Samy Alim
H.
,
Meghelli
Samir
, ed.
Tha Global Cipha: Hip Hop Culture and Consciousness
.
Philadelphia
:
Black History Museum Press
,
2006
.
Stolzov
Norman
.
Wake the Town and Tell the People: Dancehall Culture in Jamaica
.
Durham, N.C
.:
Duke University Press
,
2000
.
Triviño
Jesús
. “
Spanish Fly
.”
Source
.
March
2004
.
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