A Language of Song: Journeys in the Musical World of the African Diaspora
Samuel Charters is a renowned and influential ethnomusicologist whose many books on music include A Trumpet around the Corner: The Story of New Orleans Jazz; The Blues Makers; The Roots of the Blues: An African Search, winner of an ASCAP Deems Taylor Award; Robert Johnson; The Life, the Times, the Songs of Country Joe and the Fish; The Bluesmen; and The Country Blues. In recognition of his writing, he was inducted into the Blues Hall of Fame in 1994. Charters is a Grammy-winning music producer, who has made many recordings as well as a documentary film, The Blues. He is also the author of four novels, numerous books of poetry, and a memoir.
In A Language of Song, Samuel Charters—one of the pioneering collectors of African American music—writes of a trip to West Africa where he found “a gathering of cultures and a continuing history that lay behind the flood of musical expression [he] encountered everywhere . . . from Brazil to Cuba, to Trinidad, to New Orleans, to the Bahamas, to dance halls of west Louisiana and the great churches of Harlem.” In this book, Charters takes readers along to those and other places, including Jamaica and the Georgia Sea Islands, as he recounts experiences from a half-century spent following, documenting, recording, and writing about the Africa-influenced music of the United States, Brazil, and the Caribbean.
Each of the book’s fourteen chapters is a vivid rendering of a particular location that Charters visited. While music is always his focus, the book is filled with details about individuals, history, landscape, and culture. In first-person narratives, Charters relates voyages including a trip to the St. Louis home of the legendary ragtime composer Scott Joplin and the journey to West Africa, where he met a man who performed an hours-long song about the Europeans’ first colonial conquests in Gambia. Throughout the book, Charters traces the persistence of African musical culture despite slavery, as well as the influence of slaves’ songs on subsequent musical forms. In evocative prose, he relates a lifetime of travel and research, listening to brass bands in New Orleans; investigating the emergence of reggae, ska, and rock-steady music in Jamaica’s dancehalls; and exploring the history of Afro-Cuban music through the life of the jazz musician Bebo Valdés. A Language of Song is a unique expedition led by one of music’s most observant and well-traveled explorers.
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