Skip to Main Content
Skip Nav Destination
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
This content is only available as PDF.

Works Cited

Adorno
,
Theodor
.
1991
. “
Culture Industry Reconsidered
.” In
The Culture Industry: Selected Essays on Mass Culture
, ed.
Bernstein
,
J. M
.
85
92
.
London
:
Routledge
.
Adorno
,
Theodor
, and
Max
Horkheimer
.
1972
.
The Dialectic of Enlightenment
.
New York
:
Continuum
.
Ahmed
,
Aijaz
.
1989
. “
‘Third World Literature’ and the Nationalist Ideology
.”
Journal of Arts and Ideas
17
18
(
June
):
117
35
.
Alter
,
Joseph S
.
1992
.
The Wrestler’s Body: Identity and Ideology in North India
.
Berkeley
:
University of California Press
.
Alter
,
Joseph S
.
1994
. “
Celibacy, Sexuality and the Transformation of Gender into Nationalism in North India
.”
Journal of Asian Studies
53
(
1
) (
February
):
45
66
.
Amariglio
,
Jack
, and
Antonio
Callari
.
1993
. “
Marxian Value Theory and the Subject
.” In
Fetishism as Cultural Discourse
, ed.
Apter
Emily
and
Pietz
,
William
186
216
.
Ithaca, N.Y
.:
Cornell University Press
.
Ambalal
,
Amit
.
1987
.
Krishna as Shrinathji: Rajasthani Paintings from Nathdwara
.
Ahmedabad
:
Mapin
.
Amin
,
Shahid
.
1984
.“
Gandhias Mahatma: Gorakhpur District, Eastern UP, 1921–22
.”In
Subaltern Studies III: Writings on South Asian History and Society
, ed.
Guha
,
Ranajit
1
61
.
Delhi
:
Oxford University Press
.
Ananda
,
Prakash
.
1986
.
A History of the Tribune
.
New Delhi
:
The Tribune Trust
.
Anantharaman
,
S. C
.
1980
. “
The Match Makers of Sivakasi—III: The Move into Printing
.” In
Sivakasi— Where Light and Sound Are Packaged: A Panorama of the Match, Fireworks and Printing Industries of South India
, ed.
All India Chamber of Match Industries
.
Sivakasi
:
All India Chamber of Match Industries.Originally published In Business Standard
,
10
March
.
Anderson
,
Benedict
.
1991
.
Imagined Communities
.
London
:
Verso
.
Appadurai
,
Arjun
.
1986
. “
Introduction: Commodities and the Politics of Value
.” In
The Social Life of Things
, ed.
Appadurai
,
Arjun
3
63
.
Cambridge
:
Cambridge University Press
.
Appadurai
,
Arjun
.
1995
. “
The Production of Locality
.” In
Counterworks
, ed.
Fardon
,
Richard
204
23
.
London
:
Routledge
.
Appadurai
,
Arjun
.
1996
.
Modernity at Large: Cultural Dimensions of Globalization
.
Minneapolis
:
University of Minnesota Press
.
Appasamy
,
Jaya
.
1980a
.
Indian Paintings in Glass
.
New Delhi
:
Indian Council for Cultural Relations
.
Appasamy
,
Jaya
.
1980b
.
Tanjavur Paintings of the Maratha Period
.
New Delhi
:
Abhinav Publications
.
Appasamy
,
Jaya
.
1985
. “
Early Oil Painting in Bengal
.”
Lalit Kala Contemporary
32
(
April
).
Appaswamy
,
A. J
.
1970
.
The Theology of Hindu Bhakti
.
Bangalore
:
Christian Literature Society.Archer, Mildred
.
1979
.
India and British Portraiture
.
London
:
Sotheby Parke Bernet
.
Archer
,
Mildred
, and
Archer
.
W. G
.
1955
.
Indian Painting for the British 1770–1880
.
London
:
Oxford University Press
.
Archer
,
W. G
.
1971
.
Kalighat Paintings
.
London
:
Her Majesty’s Stationery Office
.
Asendorf
,
Christoph
.
1993
.
Batteries of Life: On the History of Things and Their Perception
.
Trans. Don Reneau
.
Berkeley
:
University of California Press
.
Augusta
,
J.
, and
Z.
Burian
.
1960
.
Prehistoric Man
.
London
:
Paul Hamlyn
.
Awasthi
,
Suresh
.
1993
. “
Theatrical Connections with Ravi Varma’s Paintings
.” In
Raja Ravi Varma: New Perspectives (exhibition catalogue)
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
110
15
.
New Delhi
:
National Museum
.
Babb
,
Lawrence
.
1981
. “
Glancing: Visual Interaction in Hinduism
.”
Journal of Anthropological Research
37
(
4
):
378
410
.
Babb
,
Lawrence
.
1986
.
Redemptive Encounters: Three Modern Styles in the Hindu Tradition
.
Berkeley
:
University of California Press
.
Babb
,
Lawrence
, and
Susan S.
Wadley
, eds.
1995
.
Media and the Transformation of Religion in South Asia
.
Philadelphia
:
University of Pennsylvania Press
.
Bagchi
,
Amiya Kumar
.
1992
. “
Europeanand Indian Entrepreneurshipin India, 1900–30
.” In
Entrepreneurship and Industry in India 1800–1947
, ed.
Ray
,
Rajat K
.
157
96
.
Delhi
:
Oxford University Press
.
Baker
,
Houston
.
1987
.
Modernism and the Harlem Renaissance: Race, Gender, and Power in Modernism and the Harlem Renaissance
.
Chicago
:
University of Chicago Press
.
Balibar
,
Etienne
.
1994
. “
Subject and Subjectivation
.” In
Supposing the Subject
, ed.
Copjec
,
Joan
1
15
.
London
:
Verso
.
Basu
,
Major B. D
., ed.
1916/1974
.
The Sacred Books of the Hindus
. Vol.
14
,
The Brihadaranyaka Upanishad with the Commentary of Sri Madhavacharya
.
Trans. Rai Bahadur Sris Chandra Vasu and Pt. Ramaksya Bhattacharya. Vidyabhusana, Allahabad: Panini Office,. Bhuvaneswari Ashram. Repr
.
New York
:
AMS Press
.
Baudrillard
,
Jean
.
1975
.
The Mirror of Production
.
Trans. Mark Poster
.
St. Louis
:
Telos Press
.
Baudrillard
,
Jean
.
1981
.
Towards a Critique of the Political Economy of the Sign
.
Trans. Charles Levin
.
St. Louis
:
Telos Press
.
Baudrillard
,
Jean
.
1987
. “
The System of Objects
.”
Trans. Penny Sparke
.
In Design after Modernism
, ed.
Thackara
,
John
171
83
.
London
:
Thames and Hudson
.
Baudrillard
,
Jean
.
1990
. “
Mass Media Culture
.” In
Revenge of the Crystal
,
ed. and trans. Paul Foss and Julian Pefanis
,
63
97
.
Sydney
:
Pluto Press
.
Baxandall
,
Michael
.
1985
.
Patterns of Intention: On the Historical Explanation of Pictures
.
New Haven, Conn
.:
Yale University Press
.
Bayly
,
C. A
.
1983
.
Rulers, Townsmen and Bazaars: North Indian Society in the Age of British Expansion, 1770–1870
.
Cambridge
:
Cambridge University Press
.
Bayly
,
C. A
.
1986
. “
The Origins of Swadeshi (Home Industry): Cloth and Indian Society, 1700–1930
.” In
The Social Life of Things
, ed.
Appadurai
,
Arjun
285
321
.
Cambridge
:
Cambridge University Press
.
Bazin
,
Germain
.
1968
.
A Concise History of Art
,
part 2
.
London
:
Thames and Hudson
.
Belting
,
Hans
.
1987
.
The End of Art History
?
Chicago
:
University of Chicago Press
.
Benjamin
,
Walter
.
1969
.
Illuminations
. Ed.
Arendt
Hannah
.
Trans. Harry Zohn
.
NewYork
:
Schocken Books
.
Benjamin
,
Walter
.
1985
. “
Central Park
.”
New German Critique
34
(
winter
):
32
58
.
Bhabha
,
HomiK
.
1984
.“
Of MimicryandMan:TheAmbivalenceofColonialDiscourse
.”
October
28
(spring):
125
33
.
Bhabha
,
HomiK
.
1994
.
The Location of Culture
.
London
:
Routledge
.
Bhalekar
,
Vasant
.
1976
. “
Chitra Samrat Raghuvir Mulgaonkar
.”
Deepalakshmi
204
(
May
):
12
16
.
Bharucha
,
Rustom
.
1993
.
The Question of Faith
.
New Delhi
:
Orient Longman
.
Bhuvanesh
,
Kamal
.
1996
.“
CalendarBadalne ke Pher Mein Karodon keVaare-Nyaare” [Transactions worth crores in the business of changing calendars]
.
Jansatta
(
Hindi
),
9
December
.
Birdwood
,
G. C. M
.
1880/1986
.
The Arts of India
. Repr.
Jersey
:
British Book Company
.
Birla
,
G. D
.
1994
. “
KarmaYoga in the Gita (KrishnanVande Jagadgurum—15)
.”
Bhavan’s Journal
,
31
December
,
64
69
.
Bloch
,
M
.
, and
Parry
.
J
.
1989
. “
Introduction: Moneyand the Morality of Exchange
.”
InMoneyand the Morality of Exchange
, ed.
Parry
J
and
Bloch
,
M
.
1
32
.
Cambridge
:
Cambridge University Press
.
Bourdieu
,
Pierre
.
1977
.
Outline of a Theory of Practice
.
Cambridge
:
Cambridge University Press
.
Bourdieu
,
Pierre
.
1984
.
Distinction:ASocialCritiqueoftheJudgementofTaste
.
Cambridge, Mass
.:
Harvard University Press
.
Bourdieu
,
Pierre
.
1990
.
The Logic of Practice
.
Stanford, Calif
.:
Stanford University Press
.
Bourdieu
,
Pierre
.
2001
.
Masculine Domination
.
Trans. Richard Nice
.
Stanford, Calif
.:
Stanford University Press
.
Brooks
,
Peter
.
1975
.
The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess
.
New York
:
Columbia University Press
.
Brosius
,
Christiane
.
1997
. “
Motherland in Hindutva Iconography
.”
The India Magazine
17
(
12
):
22
28
.
Brosius
,
Christiane
.
1999
. “
IsThis the Real Thing? Packaging Cultural Nationalism
.” In
Image Journeys: AudioVisualMedia and Cultural Change in India
, ed.
Brosius
Christiane
and
Butcher
,
Melissa
99
138
.
New Delhi
:
Sage
.
Brown
,
Percy
. n. d.
Indian Painting
.
London
:
Oxford University Press
.
Bryson
,
Norman
,
Michael Ann
Holly
, and
Keith
Moxey
, eds.
1994
.
Visual Culture: Images and Interpretations
.
Hanover, N.H
.:
University Press of New England / Wesleyan University Press
.
Butler
,
Judith
.
1990a
.
Gender Trouble: Feminism and the Subversion of Identity
.
New York
:
Routledge
.
Butler
,
Judith
.
1990b
.“
PerformativeActsand GenderConstitution
.” In
PerformingFeminisms: Feminist Critical Theory and Theatre
, ed.
Case
,
Sue-Ellen
270
82
.
Baltimore
:
Johns Hopkins University Press
.
Butler
,
Judith
.
1993
.
Bodies That Matter: On the Discursive Limits of “Sex,”
New York
:
Routledge
.
Butler
,
Judith
.
1997a
.
Excitable Speech: A Politics of the Performative
.
London
:
Routledge
.
Butler
,
Judith
.
1997b
.
The Psychic Life of Power: Theories in Subjection
.
Stanford, Calif
.:
Stanford University Press
.
Cadène
,
Philippe
, and
Vidal
Denis
.
1997
. “
Kinship, Credit and Territory: Dynamics of Business Communities in Western India
.” In
Webs of Trade: Dynamics of Business Communities in Western India
, ed.
P.
Cadène
and
D.
Vidal
,
9
22
.
Delhi
:
Manohar/csh
.
Calhoun
,
Craig
,
ed.
1992
.
Habermas and the Public Sphere
.
Cambridge, Mass
.:
mit Press
.
Carter
,
Michael
.
1997
.
Putting a Face on Things: Studies in Imaginary Materials
.
Sydney
:
Power Publications
.
Case
,
Sue-Ellen
,
ed.
1990
.
Performing Feminisms: Feminist Critical Theoryand Theatre
.
Baltimore
:
Johns Hopkins University Press
.
Chakrabarty
,
Dipesh
.
1992
. “
Postcoloniality and the Artifice of History: Who Speaks for ‘Indian’ Pasts?
Representations
37
(winter):
1
26
.
Chakrabarty
,
Dipesh
.
1993
. “
Marx after Marxism: A Subaltern Historian’s Perspective
.”
Economic and Political Weekly
,
29
May
,
1094
96
.
Chakrabarty
,
Dipesh
.
2000
.
Provincialising Europe: Postcolonial Thought and Historical Difference
.
Princeton, N.J
.:
Princeton University Press
.
Chakravarti
,
V. R. Srisaila
.
1974
.
The Philosophy of Sri Ramanuja (Visistadvaita)
.
Madras
:
Bharati Vijayam Press
.
Chatterjee
,
Partha
.
1986
.
Nationalist Thought and the Colonial World: A Derivative Discourse
?
London
:
ZedBooks
.
Chatterjee
,
Partha
.
1993
.
The Nation and Its Fragments: Colonial and Postcolonial Histories
.
Princeton, N.J
.:
Princeton University Press
.
Chatterjee
,
Partha
.
1994
. “
Secularism and Toleration
.”
Economic and Political Weekly
,
9
July
,
1768
77
.
Chatterjee
,
Partha
.
1997
. “
Beyond the Nation? Or Within?”
Economic and Political Weekly
,
4
11
January
,
30
34
.
Chatterjee
,
Ramananda
.
1993
. “
Ravi Varma
.” In
Raja Ravi Varma: New Perspectives (exhibition catalogue)
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
144
46
.
New Delhi
:
National Museum. Originally published in The Modern Review
,
January
1907
.
Chattopadhyaya
,
Debiprasad
.
1964
.
Indian Philosophy: A Popular Introduction
.
New Delhi
:
People’s Publishing House
.
Chattopadhyaya
,
Debiprasad
.
1992
.
Lokayata: A Study in Ancient Indian Materialism
.
New Delhi
:
People’s Publishing House
.
Choonara
,
Samina
,
ed.
2003
. “
Official” Chronicle of the Mayo School of Arts: The Formative Years under Lockwood Kipling (1875–1993)
.
Lahore
:
National College of Arts
.
Clark
,
John
.
1989
.
Indian Popular Images (Basham Collection)
.
Catalogue and notes for an exhibition in Menzies Library, Department of Art History
,
Australian National University
,
August
1989
.
Clarke
,
David
.
1992
. “
The Icon and the Index: Modes of Invoking the Body’s Presence
.”
The American Journal of Semiotics
9
(
1
):
49
82
.
Cohen
,
Lawrence
.
1998
.
No Aging in India
.
Berkeley
:
University of California Press
.
Cohen
,
Lawrence
.
1999
. “
Manmohan’s Secret: Homosex and Indian Modernity.” Paper presented at conference titled “Sexualities, Masculinities and Culture in South Asia: Practices, Popular Culture and the State,”
Melbourne
,
6
8
July
.
Cohn
,
Bernard S
.
1964
. “
The Role of the Gosains in the Economy of Eighteenth- and Nineteenth-Century Upper India
.”
Indian Economic and Social History Review
1
(
4
):
175
82
.
Coomaraswamy
,
Ananda K
.
1907/1993
. “
ThePresent State of Indian Art
.”
The Modern Review
,
August
1907
.
Repr. In Raja Ravi Varma: New Perspectives(exhibition catalogue), ed. R. C. Sharma and Rupika Chawla
,
154
55
.
New Delhi
:
National Museum
.
Coomaraswamy
,
Ananda K
.
1923
.
Introduction to Indian Art
.
Madras
:
Theosophical Publishing House
.
Coomaraswamy
,
Ananda K
.
1956
.
The Transformation of Nature in Art
.
New York
:
Dover Publications
.
Cooper
,
Ilay
.
1995
. “
A Trade War in Pictures
.”
The India Magazine
,
February
,
6
15
.
Coronil
,
Fernando
.
1997
.
The Magical State: Nature, Money, and Modernity in Venezuela
.
Chicago
:
University of Chicago Press
.
Crow
,
Thomas
.
1996
. “
Response to Visual Culture Questionnaire
.”
October
77
:
43
36
.
Dalmia
,
Vasudha
.
1995
. “
‘The Only Real Religion of the Hindus’: Vaishnava Self-Representation in the Late Nineteenth Century
.” In
Representing Hinduism: The Construction of Religious Tradition and National Identity
, ed.
Dalmia
V
. and
Stietencron
.
H. von
New Delhi
:
Sage
.
Daniel
,
E. Valentine
.
1984
.
Fluid Signs: Being a Person the Tamil Way
.
Berkeley
:
University of California Press
.
Das
,
Gurcharan
.
1999
. “
The Problem
.”
Seminar
482
(
October
):
12
21
.
Das
,
Veena
.
1982
. “
The Mythological Film and Its Framework of Meaning: An Analysis of Jai Santoshi Ma
.”
India International Centre Quarterly
8
(
1
):
43
56
.
Das
,
Veena
.
1990
. “
OurWork to Cry: YourWork to Listen
.” In
Mirrors of Violence: Communities, Riots and Survivors in South Africa
, ed.
Das
,
Veena
345
95
.
Delhi
:
Oxford University Press
.
Davis
,
Richard
.
1991
.
Ritual in an Oscillating Universe
.
Princeton, N.J
.:
Princeton University Press
.
Davis
,
Richard
.
1997
.
Lives of Indian Images
.
Princeton, N.J
.:
Princeton University Press
.
Deleuze
,
Gilles
.
1983
. “
Plato and the Simulacrum
.”
Trans. Rosalind Krauss
.
October
27
(winter):
45
56
.
Deleuze
,
Gilles
.
1988
.
Spinoza: Practical Philosophy
.
Trans. Robert Hurley
.
San Francisco
:
City Lights Books
.
Deleuze
,
Gilles
.
1994
.
Difference and Repetition
.
Trans. Paul Patton
.
New York
:
Columbia University Press
.
Deleuze
,
Gilles
.
1995
.
Negotiations, 1972–1990
.
Trans. Martin Joughin
.
New York
:
Columbia University Press
.
Deleuze
,
Gilles
, and
Felix
Guattari
.
1977
.
Anti-Oedipus
.
Trans. Robert Hurley, Mark Seem, and Helen R. Lane
.
New York
:
Viking Books
.
Deleuze
,
Gilles
, and
Felix
Guattari
.
1987
. A
Thousand Plateaus
.
Trans. Brian Massumi
.
Minneapolis
:
University of Minnesota Press
.
de Man
Paul
.
1982
. “
Sign and Symbol in Hegel’s Aesthetics
.”
Critical Inquiry
8
(summer):
761
75
.
Derné
,
Steve
.
2000
.
Movies, Masculinity, and Modernity: An Ethnography of Men’s Filmgoing in India
.
Westport, Conn
.:
Greenwood Press
.
Derrida
,
Jacques
.
1976
.
Of Grammatology
.
Trans. Gayatri Chakravorty Spivak
.
Baltimore
:
Johns Hopkins University Press
.
Derrida
,
Jacques
.
1978
. “
Structure, Sign and Play in the Discourse of the Human Sciences
.” In
Writing and Difference
,
trans. Alan Bass
,
278
94
.
Chicago
:
University of Chicago Press
.
Derrida
,
Jacques
.
1988
. “
Signature, Event, Context
.” In
Limited Inc
. Ed.
Graff
Gerald
.
Trans. Samuel Weberand Jeffrey Mehlman
,
1
23
.
Evanston, Ill
.:
Northwestern University Press
.
Deshpande
,
Satish
.
1993
. “
Imagined Economies: Styles of Nation-Building in Twentieth-Century India
.”
Journal of Arts and Ideas 25–26
(
December
):
5
35
.
Dhareshwar
,
Vivek
.
1995a
. “
Our Time: History, Sovereignty, Politics
.”
Economic and Political Weekly
,
11
February
,
317
24
.
Dhareshwar
,
Vivek
.
1995b
. “
Postcolonial in the Postmodern, or, The Political after Modernity
.”
Economic and Political Weekly
,
29
July
,
PW104
12
.
Dhareshwar
,
Vivek
, and
Tejaswini
Niranjana
.
1996
. “
Kaadalan and the Politics of Resignification: Fashion, Violence and the Body
.”
Journal of Arts and Ideas
29
(
January
):
5
26
.
Douglas
,
Mary
.
1980
.
Purity and Danger: An Analysis of the Concepts of Pollution and Taboo
.
London
:
Routledge and Kegan Paul
.
Drewal
,
Henry
.
1988
. “
Performing the Other: Mami Wata Worship in Africa
.”
Drama Review
32
(
2
) (summer):
160
85
.
Durkheim
,
Emile
.
1965
.
The Elementary Forms of the Religious Life
.
New York
:
Free Press
.
Durkheim
,
Emile
.
1973
. “
Individuals and the Intellectuals
.” In
Emile Durkheim on Moralityand Society
,ed.
Bellah
Robert
.
Chicago
:
University of Chicago Press
.
Eagleton
,
Terry
.
1990
.
The Ideology of the Aesthetic
.
Cambridge, Mass
.:
Basil Blackwell
.
Eck
,
Diana L
.
1985
.
Darsan: Seeing the Divine Image in India
.
Chambersburg, Pa
.:
Anima Books
.
Edwards
,
Gregory J
.
1985
.
The International Film Poster
.
London
:
Columbus Books
.
Fabian
,
Johannes
.
1983
.
Time and the Other: How Anthropology Makes Its Object
.
New York
:
Columbia University Press
.
Falconer
,
John
.
1995
.
Essay in A Shifting Focus: Photography in India 1850–1900 (exhibition catalogue)
,
9
22
.
London
:
The British Council
.
Fanon
,
Frantz
.
1967
.
Black Skin, White Masks
.
Trans. Charles Lam Markmann
s.
New York
:
Grove Press
.
Fiske
,
John
.
1989
.
Understanding Popular Culture
.
Boston
:
Unwin Hyman
.
Foster
,
Hal
.
1996
. “
Obscene, Abject, Traumatic
.”
October
78
(fall):
107
24
.
Foucault
,
Michel
.
1970
. “
Representing
.” In
The Order of Things
.
London
:
Tavistock Publications
.
Foucault
,
Michel
.
1977
. “
Nietzsche, Genealogy, History
.” In
Language, Counter-Memory, Practice: Selected Essays and Interviews
, ed.
Bouchard
,
Donald F
.
trans. Donald F. Bouchard and Sherry Simon
,
139
64
.
Oxford
:
Basil Blackwell
.
Foucault
,
Michel
.
1980
.
Power/Knowledge: Selected Interviews and Other Writings, 1972–77
. Ed.
Gordon
Colin
.
New York
:
Pantheon
.
Foucault
,
Michel
.
1986
. “
Of Other Spaces
.”
Diacritics
16
(
1
) (spring):
22
27
.
Freitag
,
Sandria
,
ed.
1989
.
Culture and Power in Banaras: Community, Performance and Environment, 1800–1980
.
Berkeley
:
University of California Press
.
Freitag
,
Sandria
, ed.
199
1a
. “
Introduction.” Special issue on “Aspects of ‘the Public’ in Colonial South Asia
,”
South Asia
14
(
1
) (
June
):
1
13
.
Freitag
,
Sandria
,
ed.
1991b
. “
Enactments of Ram’s Story and the Changing Nature of ‘the Public’ in British India
.”
South Asia
14
(
1
) (
June
):
65
90
.
Freitag
,
Sandria
,
ed.
2001
. “
Visions of Nation: Theorizing the Nexus between Creation, Consumption, and Participation in the Public Sphere
.” In
Pleasure and the Nation: The History, Politics, and Consumption of Public Culture in India
, ed.
Dwyer
Rachel
and
Pinney
,
Christopher
35
75
.
New Delhi
:
Oxford University Press
.
Freud
,
Sigmund
.
1963
.
Jokes and Their Relation to the Unconscious
.
New York
:
Norton
.
Freud
,
Sigmund
.
1965
.
The Interpretation of Dreams
.
New York
:
Avon Books
.
Freud
,
Sigmund
.
1979
. “
Three Essays on the Theory of Sexuality.”
In
On Sexuality
.Vol.
7
of the Pelican Freud Library
.
Harmondsworth
:
Penguin Books
.
Frow
,
John
.
1996
. “
The Signature: Three Arguments about the Commodity Form
.” In
Aesthesia and the Economy of the Senses
, ed.
Grace
,
Helen
151
200
.
Nepean
:
pad Publications/University of Western Sydney
.
Frow
,
John
.
199
7a
. “
Is Elvisa God? Cult, Culture, Questions of Method
.”
Paper presented at the Cultural Studies Association of Australia conference
,
Melbourne
,
December
.
Frow
,
John
.
1997b
.
Time and Commodity Culture: Four Essays
.
Oxford
:
Clarendon Press
.
Fukuoka Art Museum
.
2000
.
From Goddess to Pin-Up: Icons of Femininity in Indian Calendar Art (Arts of People I)
.
Catalogue for exhibition curated by Patricia Uberoi and Pooja Sood
.
Fukuoka, Japan
:
Fukuoka Art Museum
.
Geertz
,
Clifford
.
1979
. “
Suq: The Bazaar Economy in Sefrou
.” In
Meaning and Order in Moroccan Society
, ed.
Geertz
C.
,
Geertz
,
H.
, and
Rosen
,
L.
,
123
225
.
Cambridge
:
Cambridge University Press
.
Geetashri
.
1981
.
“Chitrakar S. S. Shaikh” [The artist S. S. Shaikh]
.
Navneet
(
Hindi
),
September
,
45
49
.
Ghosh
,
Shalil
.
1978
. “
In Defence of Calendar Art
.”
Illustrated Weekly of India
,
26
March
,
32
35
.
Gilpin
,
William
. 1794/
1972
. “
Essay I: On Picturesque Beauty
.” In
Three Essays
. Repr.
Westmead
:
Gregg International Publishers
.
Girard
,
René
.
1978
.
To Double Business Bound
.
Baltimore
:
Johns Hopkins University Press
.
Gledhill
,
Christine
.
1985
. “
History of Genre Criticism
.” In
The Cinema Book
, ed.
Cook
,
Pam
52
71
.
London
:
BFI
.
Gold
,
Thomas
,
Guthrie
Douglas
, and
David
Wank
, eds.
2001
.
Social Networks in China: Institutions, Culture, and the Changing Nature of Guanxi
.
Cambridge
:
Cambridge University Press
.
Gopal
,
Sarvepalli
.
1984
.
Jawaharlal Nehru: A Biography
, vol.
3
,
1956
1964
.
London
:
Jonathan Cape
.
Gopalan
,
Lalitha
.
2002
.
Cinema of Interruptions: Action Genres in Contemporary Indian Cinema
,
London
:
BFI
.
Goswami
,
B. N
.
1986
.
Essence of Indian Art
.
Ahmedabad
:
Mapin/Asian Art Museum of San Francisco
.
Goswami
,
B. N.
and
A. L.
Dallapiccola
.
1981
. “
Anmerkuugen über eine serie von indischen Miniaturen aus dem XVIII Jahrundert
.”
Zeitschrift fur Religions—und Geistesgeschichte
33
(
1
):
3
41
.
Goswami
,
K
.
1982
. “
The Cult
.” In
Krishna the Divine Lover: Myth and Legend in Indian Art
, ed.
Isacco
Enrico
and
Dallapiccola
,
Anna L
.
123
42
.
Delhi
:
B. I. Publications
.
Goswami
,
Omkar
.
1992
. “
Sahibs, Babus and Banias: Changes in Industrial Control in Eastern India, 1918– 50
.” In
Entrepreneurship and Industry in India 1800–1947
, ed.
Ray
,
Rajat K
.
228
59
.
Delhi
:
Oxford University Press
.
Granovetter
,
Mark
.
1985
. “
Economic Action and Social Structure: The Problem of Embeddedness
.”
American Journal of Sociology
91
(
November
):
481
510
.
Greenberg
,
Clement
.
1939
. “
Avant-Garde and Kitsch
.”
Partisan Review
6
(
5
) (fall):
34
49
.
Grosz
,
Elizabeth
.
1994
.
Volatile Bodies: Towards a Corporeal Feminism
.
Sydney
:
Allen and Unwin
.
Guha-Thakurta
Tapati
.
1986
. “
Westernisation and Tradition in South India Painting in the Nineteenth Century: The Case of Raja Ravi Varma (1848–1906)
.”
Studies in History
2
(
2
):
164
98
.
Guha-Thakurta
Tapati
.
1991
. “
Women asCalendarArtIcons:Emergenceof PictorialStereotypein ColonialIndia
.”
Economic and Political Weekly of India
,
26
October
, WS-
91
99
.
Guha-Thakurta
Tapati
.
1992
.
The Making of a New “Indian” Art: Artists, Aesthetics and Nationalism in Bengal, c. 1850–1920
.
Cambridge
:
Cambridge University Press
.
Guha-Thakurta
Tapati
.
1994
. “
Bringing Gods to Life
.”
Seminar
429
(
November
):
14
18
.
Guha-Thakurta
Tapati
.
1995
. “
Visualizing the Nation: The Iconography of a ‘National Art’ in India.”
Journal of Arts and Ideas
27
28
(
March
):
7
40
.
Gunning
,
Tom
.
1989
. “
An Aesthetic of Astonishment: Early Film and the Incredulous Spectator
.”
Art and Text
34
(spring):
31
45
.
Gupta
,
Akhil
.
1998
.
Postcolonial Developments: Agriculture in the Making of Modern India
.
Durham, N.C
.:
Duke University Press
.
Gupta
,
Akhil
, and
James
Ferguson
.
1997
.
Culture, Power, Place: Explorations in Critical Anthropology
.
Durham, N.C
.:
Duke University Press
.
Gutman
,
Judith Mara
.
1982
.
Through Indian Eyes: Nineteenth and Early Twentieth Century Photography from India
.
New York
:
Oxford University Press/International Center of Photography
.
Haberman
,
David
.
1988
.
Acting as a Way of Salvation: A Study of Raganuga Bhakti Sadhana
.
New York
:
Oxford University Press
.
Habermas
Jürgen
.
1974
. “
The PublicSphere: An Encyclopedia Article
.”
NewGerman Critique
3
(fall):
49
55
.
Habermas
Jürgen
.
1989
.
The Structural Transformation of the Public Sphere
.
Trans. P. Burger and F. Lawrence
.
Cambridge, Mass
.:
MIT Press
.
Hage
,
Ghassan
.
1998
.
White Nation: Fantasies of White Supremacy in a Multicultural Society
.
Sydney
:
Pluto Press
.
Halbertal
,
Moshe
, and
Avishai
Margalit
.
1992
. “
Idolatry and Representation
.”
Res
22
(autumn):
19
32
.
Hansen
,
Kathryn
.
1989
. “
The Birth of Hindi Drama in Banaras, 1868–1885
.” In
Culture and Power in Banaras: Community, Performance and Environment
, ed.
Freitag
,
Sandria
62
92
.
Berkeley
:
University of California Press
.
Hansen
,
Kathryn
.
2001
. “
The Indar Sabha Phenomenon: Public Theatre and Consumption in Greater India (1853– 1956)
.” In
Pleasure and the Nation
, ed.
Dwyer
Rachel
and
Pinney
,
Christopher
76
114
.
Delhi
:
Oxford University Press
.
Hansen
,
Miriam
.
1993a
. “
Early Cinema, Late Cinema: Permutations of the Public Sphere
.”
Screen
34
(
3
)(autumn):
197
222
.
Hansen
,
Miriam
.
1993b
.“
Of Miceand Ducks: Benjamin and Adornoon Disney
.”
South Atlantic Quarterly
92
(
1
)(winter):
28
61
.
Hansen
,
Thomas Blom
.
1999
.
The Saffron Wave: Democracy and Hindu Nationalism in Modern India
.
Princeton, N.J
.:
Princeton University Press
.
Hardgrave
,
Robert L
., Jr.
1969
.
The Nadars of Tamilnad: The Political Culture of a Community in Change
.
Berkeley
:
University of California Press
.
Hardgrove
,
Anne
.
2002
.
CommunityandPublicCulture:TheMarwarisinCalcuttac.1897–1997
.
NewYork
:
Columbia University Press
.
Hardt
,
Michael
.
1993
.
An Apprenticeship in Philosophy: Gilles Deleuze
.
Minneapolis
:
University of Minnesota Press
.
Hardt
,
Michael
, and
Toni
Negri
.
2000
.
Empire
.
Cambridge, Mass
.:
Harvard University Press
.
Harpham
,
Geoffrey Galt
.
1994
. “
Aesthetics and the Fundamentals of Modernity
.” In
Aesthetics and Ideology
, ed.
Levine
,
George
124
49
.
New Brunswick, N.J
.:
Rutgers University Press
.
Haskell
,
T. L.
, and
R. F.
Teichgraeber
III
.
1993
. “
Introduction: The Culture of the Market
.” In
The Culture of the Market: Historical Essays
, ed.
Haskell
T. L
. and
Teichgraeber III
.
R. F
.
Cambridge
:
Cambridge University Press
.
Havell
,
E. B
.
1908
.
Indian Sculpture and Painting
.
London
:
John Murray
.
Hawley
,
John Stratton
.
1995
. “
The Saints Subdued: Domestic Virtue and National Integration”
In
Amar Chitra Katha.” In Media and the Transformation of Religion in South Asia,
ed.
Babb
Lawrence
and
Wadley
,
Susan S
.
107
34
.
Philadelphia
:
University of Pennsylvania Press
.
Hefner
,
Robert W
.
1998
. Introduction to
Market Cultures: Society and Morality in the New Asian Capitalisms
, ed.
Hefner
,
Robert W
.
1
40
.
Boulder, Colo
.:
Westview Press
.
Hegel
,
G. W. F
.
1967
.
The Philosophy of Right
.
Trans. T. M. Knox
.
Oxford
:
Oxford University Press
.
Hegel
,
G. W. F
.
1975
.
Aesthetics, Lectures on Fine Art
.
Trans. T. M. Knox
.
Oxford
:
Clarendon Press
.
Heller
,
Agnes
.
1992
. “
Modernity’s Pendulum.”
Thesis Eleven
31
:
1
13
.
Horstmann
,
Monika
.
1995
. “
Towards a Universal Dharma: Kalyan and the Tracts of the Gita Press
.” In
Representing Hinduism: The Construction of Religious Tradition and National Identity
, ed.
Dalmia
V
. and
Stietencron
,
H. von
294
305
.
New Delhi
:
Sage
.
Huyssen
,
Andreas
.
1986
. “
Mass Culture as Woman: Modernism’s Other
.” In
After the Great Divide: Modernism, Mass Culture, Postmodernism
.
Bloomington
:
Indiana University Press
.
Inden
,
Ronald
.
2000
. “
Imperial Puranas: Kashmir as Vaisnava Center of the World
.” In
Querying the Medieval: Texts and the History of Practices in South Asia
, ed.
Ronald
Inden
,
Jonathan
Walters
, and
Daud
Ali
,
29
98
.
Oxford
:
Oxford University Press
.
Inglis
,
Stephen
.
1995
. “
Suitable for Framing: The Work of a Modern Master
.” In
Media and the Transformation of Religion in South Asia
, ed.
Babb
Lawrence
and
Wadley
,
Susan S
.
51
75
.
Philadelphia
:
University of Pennsylvania Press
.
Jain
,
Jyotindra
.
1999
.
Kalighat Painting: Images from a Changing World
.
Ahmedabad
:
Mapin Publishing
.
Jain
,
Kajri
.
1995
. “
Of the Everyday and the National Pencil: Calendars in Postcolonial India.”
Journal of Arts and Ideas
27
28
:
57
89
.
Jain
,
Kajri
.
1996
. “
Calendar Art: A ‘Background.’
” In
Of Women: Icons/Stars/Feasts (catalogue for exhibition curated by Pooja Sood)
.
New Delhi
:
Eicher Gallery (with Kali for Women)
.
Jain
,
Kajri
.
1997
. “
Producing the Sacred: The Subjects of Calendar Art.” In “Sites of Art History: Canons and Expositions
,” ed.
Guha-Thakurta
,
Tapati
special issue,
Journal of Arts and Ideas
30
31
(
December
):
63
88
.
Jain
,
Kajri
.
2003
. “
Imagined and Performed Locality: TheTelevisual Field in a North Indian Industrial Town
.”
Unpublished paper
.
Jain
,
Madhu
.
2001
. “
Kitsch Kitsch Hota Hai: Kitsch and the Contemporary Imagination
.” In
Kitsch Kitsch Hota Hai (exhibition catalog)
, ed.
Habitat Centre
India
.
New Delhi
:
India Habitat Centre
.
Jameson
,
Fredric
.
1986
. “
Third World Literature inthe Eraof Multinational Capital
.”
Social Text
15
(autumn):
65
88
.
Jay
,
Martin
.
1993
.
Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought
.
Berkeley
:
University of California Press
.
Jay
,
Martin
.
1996
. “
Response to Visual Culture Questionnaire
.”
October
77
:
44
.
Jayamanne
,
Laleen
.
1999
. “
A Slapstick Time: Mimetic Convulsion, Convulsive Knowing
.” In
Falling for You: Essays on Cinema and Performance
, ed.
Kouvaros
George
and
Stern
,
Lesley
105
45
.
Sydney
:
Power Publicaions
.
Jenyns
,
R. Soame
.
1980
.
Chinese Art III
.
New York
:
Rizzoli
.
Juneja
,
Monica
.
1997
. “
Reclaiming the Public Sphere: Husain’s Portrayals of Saraswati and Draupadi
.”
Economic and Political Weekly
,
25
January
,
155
57
.
Kakar
,
Sudhir
.
1986
. “
Erotic Fantasy: The Secret Passion of Radha and Krishna
.” In
The Word and the World: Fantasy, Symbol and Record
, ed.
Das
,
Veena
75
94
.
New Delhi
:
Sage
.
Kale
,
Pramod
.
1979
. “
Ideas, Ideals and the Market: A Study of Marathi Films
.”
Economic and Political Weekly
,
1
September
,
1511
20
.
Kale
,
V. T
.
1989
.
S. M. Pandit: A Biography
.
Bangalore
:
Karnataka Lalithakala Academy
.
Kant
,
Immanuel
.
1987
.
Critique of Judgment
.
Trans. Werner S. Pluhar
.
Indianapolis
:
Hackett
.
Kapur
,
Anuradha
.
1990
.
Actors, Pilgrims and Gods: The Ramlila at Ramnagar
.
Calcutta
:
Seagull Books
.
Kapur
,
Anuradha
.
1993a
. “
Deity to Crusader: The Changing IconographyofRam
.”In
Hindus and Others
,ed.
Pandey
,
Gyanendra
79
109
.
New Delhi
:
Viking
.
Kapur
,
Anuradha
.
1993b
. “
The Representation of Gods and Heroes: Parsi Mythological Drama of the Early Twentieth Century
.”
Journal of Arts and Ideas
23
24
(
January
):
85
107
.
Kapur
,
Geeta
.
1989
. “
Ravi Varma: Representational Dilemmas of a Nineteenth-Century Indian Painter
.”
Journal of Arts and Ideas
17
18
(
June
):
59
80
.
Kapur
,
Geeta
.
1993a
.“
RaviVarma’sUnframedAllegory
.”In
RajaRaviVarma
:NewPerspectives(
exhibitioncatalogue
), ed.
Sharma
R. C
. and
Chawla
,
Rupika
96
103
.
New Delhi
:
National Museum
.
Kapur
,
Geeta
.
1993b
. “
Revelation and Doubt: Sant Tukaram and Devi
.” In
Interrogating Modernity: Culture and Colonialism in India
, ed.
Tejaswini
Niranjana
,
P.
Sudhir
, and
Vivek
Dhareshwar
,
19
46
.
Calcutta
:
Seagull Books. (Revised version of “Mythic Material in Indian Cinema,” Journal of Arts and Ideas 14–15[ 1987]: 79–108.)
Kapur
,
Geeta
.
2002
.
Bhupen Khakhar
.
Exhibition catalogue for retrospective show on Bhupen Khakar, Museo Nacional Centro de Arte Reina Sofia, Madrid
.
Kaur
,
Raminder
.
2000
. “
Rethinking the Public Sphere: The Ganapati Festival and Media Competitions in Mumbai
.”
Polygraph
12
:
137
58
.
Kearney
,
Richard
,
ed.
1984
.
Dialogues with Contemporary Thinkers
.
Manchester
:
Manchester University Press
.
Kesavan
,
B. S
.
1985
.
History of Printing and Publishing in India
. Vol.
1
.
New Delhi
:
National Book Trust
.
Khadilkar
,
Shriram
.
1991
. “
Aata Keval Swatah Satheech Painting Karnar” [Now I shall only paint for myself ]
.
Maharashtra Times (Marathi edition)
,
24
August
.
Khanna
,
Balraj
.
1993
.
Kalighat: Indian Popular Painting 1800–1930
.
Boston
:
Redstone Press
.
Kling
,
Blair
.
1992
. “
The Origin of the Managing Agency System in India
.” In
Entrepreneurship and Industry in India, 1800–1947
, ed.
Ray
,
Rajat K
.
83
98
.
Delhi
:
Oxford University Press
.
Kopytoff
,
Igor
.
1986
. “
The Cultural Biography of Things: Commoditization as Process
.” In
The Social Life of Things: Commodities in Cultural Perspective
, ed.
Appadurai
,
Arjun
64
91
.
Cambridge
:
Cambridge University Press
.
Krauss
,
Rosalind
.
1996
. “
Informe without Conclusion
.”
October
78
(fall):
89
105
.
Krishnamoorthi
,
Janaki
.
1994
1995
. “
Wall Art
.”
Metropolis on Saturday
(
India
),
31
December
1
January
.
Kumar
,
Nita
.
1988
.
The Artisans of Banaras: Popular Culture and Identity, 1880–1986
.
Princeton, N.J
.:
Princeton University Press
.
Kumar
,
Nita
.
2000
.
Lessons from Schools: The History of Education in Banaras
.
New Delhi
:
Sage
.
Laclau
,
Ernesto
, and
Chantal
Mouffe
.
1985
.
Hegemony and Socialist Strategy
.
London
:
Verso
.
Lash
,
Scott
, and
John
Urry
.
1987
.
The End of Organised Capitalism
.
Madison
:
University of Wisconsin Press
.
Lefort
,
Claude
.
1986
. “
The Image of the Body and Totalitarianism
.” In
The Political Forms of Modern Society
,
293
306
.
Oxford
:
Polity Press
.
Lingis
,
Alphonso
.
1994
. “
Faces, Idols, Fetishes
.” In
The Community of Those Who Have Nothing in Common
,
39
67
.
Bloomington
:
University of Indiana Press
.
Lutgendorf
,
Philip
.
1995
. “
All in the (Raghu) Family
.” In
Media and the Transformation of Religion in South Asia
, ed.
Babb
Lawrence A
. and
Wadley
,
Susan S
.
217
53
.
Philadelphia
:
University of Pennsylvania Press
.
Lutgendorf
,
Philip
.
2001
. “
Evolving a Monkey: Hanuman, Poster Art and Postcolonial Anxiety
.” In
Beyond Appearances
, ed.
Ramaswamy
,
Sumathi
71
112
.
New Delhi
:
Sage
.
Lyons
,
Tryna
.
1997
. “
Women Artists of the Nathadwara School
.” In
Representing the Body: Gender Issues in Indian Art
, ed.
Dehejia
,
Vidya
102
123
.
New Delhi
:
Kali for Women
.
Lyotard
,
Jean-François
.
1977
. “
Energumen Capitalism
.”
Semiotext(e)
2
(
3
):
11
26
.
Lyotard
,
Jean-François
.
1988
.
The Differend: Phrases in Dispute
.
Trans. George Van Den Abbeele
.
Manchester
:
Manchester University Press
.
Lyotard
,
Jean-François
.
1993
.
Libidinal Economy
.
Trans. I. H. Grant
.
Bloomington
:
Indiana University Press
.
Macpherson
,
C. B
.
1962
.
The Political Theory of Possessive Individualism: Hobbes to Locke
.
Oxford
:
Clarendon. Press
.
Maduro
,
Renaldo
.
1976
.
Artistic Creativity in a Brahmin Painter Community
.
Berkeley
:
University of California Press
.
Mahadevan
,
Raman
.
1984
. “
Entrepreneurship and Business Communities in Colonial Madras, 1900–1929: Some Preliminary Observations
.” In
Business Communities of India: A Historical Perspective
, ed.
Dwijendra Tripathi. New Delhi
:
Manohar
.
Mani
,
Lata
.
1998
.
Contentious Traditions: The Debate on Sati in Colonial India
.
Berkeley
:
University of California Press
.
Mani
,
V. R
.
1995
. “
Admirers Deify Shorthand Inventor
.”
The Times of India
,
7
July
.
Mankekar
,
Purnima
.
1999
.
Screening Culture, Viewing Politics: An Ethnography of Television, Womanhood and Nation in Postcolonial India
.
Durham, N.C
.:
Duke University Press
.
Marfatia
,
Mridula I
.
1967
.
The Philosophy of Vallabhacharya
.
Delhi
:
Munshiram Manoharlal
.
Marjit
,
Sugata
.
1994
. “
Trade Related Intellectual Property Rights and gatt: A Theoretical Evaluation
.”
Economic and Political Weekly
,
31
December
,
3327
32
.
Markovits
,
Claude
.
2000
.
The Global World of Indian Merchants, 1750–1947
.
Cambridge
:
Cambridge University Press
.
Marriot
,
McKim
.
1976
.“
HinduTransactions: Diversitywithout Dualism
.”In
Transaction and Meaning:Direc-tions in the Anthropology of Exchange and Symbolic Behaviour
, ed.
Kapferer
,
Bruce
109
42
.
Philadelphia
:
ISHI
.
Marx
,
Karl
.
1974
.
Grundrisse:Foundations of theCritique of PoliticalEconomy
.
Trans.Martin Nicolaus
.
Harmondsworth
:
Penguin Books
.
Marx
,
Karl
.
1976
.
Capita
l
. Vol.
1
.
Trans Ben Fowkes
.
Harmondsworth
:
Penguin/New Left Review
.
Masselos
,
Jim
.
1991
. “
Appropriating Urban Space: Social Constructs of Bombay in the Time of the Raj
.”
South Asia
14
(
1
):
33
63
.
Massumi
,
Brian
.
1992
.
User’s Guide to Capitalism and Schizophrenia
.
Cambridge, Mass
.:
mit Press
.
Massumi
,
Brian
.
1995
. “
The Autonomy of Affect
.”
Cultural Critique
(fall):
83
109
.
Mauss
,
Marcel
.
1967
.
The Gift: Forms of Exchange in Archaic Societies
.
Trans. Ian Cunnison
.
New York
:
Norton
.
Mazzarella
,
William
.
2003
.
Shoveling Smoke: Advertising and Globalization in Contemporary India
.
Durham, N.C
.:
Duke University Press
.
McDowell
,
StephenD
.
1997
. “
Globalization and Policy Choice: Television and Audiovisual Services Policies in India
.”
Media, Culture and Society
19
(
2
) (
March
):
151
72
.
McLeod
,
W. H
.
1991
.
Popular Sikh Art
.
Delhi
:
Oxford University Press
.
McNay
,
Lois
.
1999
. “
Gender, Habitus and the Field: Pierre Bourdieu and the Limits of Reflexivity
.”
Theory, Culture and Society
16
(
1
):
95
117
.
Minissale
,
Gregory
.
2000
. “
The Synthesis of European and Mughal Art in the Emperor Akbar’s Khamsa of Nizami
.”
Asianart.com
,
Mirzoeff
,
Nicholas
.
1999
.
An Introduction to Visual Culture
.
London
:
Routledge
.
Mitchell
,
W. J. T
.
1994
.
Picture Theory: Essays in Verbal and Visual Representation
.
Chicago
:
University of Chicago Press
.
Mitter
,
Partha
.
1977
.
Much Maligned Monsters: History of European Reactions to Indian Art
.
Oxford
:
Clarendon Press
.
Mitter
,
Partha
.
1994
.
Art and Nationalism in Colonial India, 1850–1922: Occidental Orientations
.
Cambridge
:
Cambridge University Press
.
Modi
,
Balchand
.
1940
.
Desh ke Hihas Mein Marwari Jati Kasthan
.
Calcutta
.
Mukhia
,
Harbans
.
1976
. “
The Ideology of the Bhakti Movement: The Case of Dadu Dayal
.” In
History and Society
, ed.
Chattopadhyaya
.
Debiprasad
Calcutta
:
K. P. Bagchi
.
Naipaul
,
V. S
.
1979
.
India: A Wounded Civilization
.
Harmondsworth
:
Penguin
.
Neale
,
Stephen
.
1980
.
Genre
.
London
:
BFI
.
Needham
,
Gerald
.
1988
.
19th Century Realist Art
.
New York
:
Harper and Row
.
Nehru
,
Jawaharlal
.
1980
.
Speech at the opening of the Nangal Canal, 8 July 1954
. In
Jawaharlal Nehru: An Anthology
, ed.
Gopal
,
Sarvepalli
213
15
.
Delhi
:
Oxford University Press
.
Nivedita
,
Sister
.
1993
. “
The Function of Art in Shaping Nationality
.” In
Raja Ravi Varma: New Perspectives (exhibition catalogue)
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
147
53
.
New Delhi
:
National Museum. Originally published In The Modern Review, January 1907
.
Nochlin
,
Linda
.
1971
.
Realism
.
Harmondsworth
:
Penguin Books
.
O’Neil
,
W. M
.
1975
. “
Indian Calendars
.” In
Time and the Calendars
.
Sydney
:
Sydney University Press
.
Pachori
,
Satya A
.,
ed.
1993
.
Sir William Jones: A Reader
.
Delhi
:
Oxford University Press
.
Page
,
David
, and
William
Crawley
.
2001
.
Satellites Over South Asia: Broadcasting, Culture and the Public Interest
.
New Delhi
:
Sage
.
Pai
,
Shirish
.
1989
. “
Chitrakaleche ‘Pandit’—S. M. Pandit” [“Pandit” of fine arts—S. M. Pandit]
.
Loksatta (“Kala Kunj” section)
,
28
January
.
Paliwal
,
Vidya
. n.d. “
Bio-data of Shri B. G. Sharma
.”
Handout of the B. G. Sharma Art Gallery handout. (Also published in Hindi as “Anutha Hai B. G. Sharma ka Chitra Sansar,”
31
July
1994
.)
Pandey
,
Gyanendra
.
1990
.
The Construction of Communalism in Colonial North India
.
Delhi
:
Oxford University Press
.
Pandian
,
M. S. S
.
1992
.
The Image Trap: M. G. Ramachandran in Film and Politics
.
New Delhi
:
Sage
.
Pandit
,
S. M
.
1981
.
Inaugural speech (Marathi) for the 22nd Maharashtra State Arts Exhibition
,
7
November
,
courtesy Baburao Sadwelkar
.
Panofsky
,
Erwin
.
1955
. “
Iconology and Iconography: An Introduction to the Study of Renaissance Art
.” In
Meaning in the Visual Arts
.
New York
:
Doubleday
.
Parry
,
Jonathan
.
1986
. “
The Gift, the Indian Gift and the ‘Indian Gift
.’”
Man
21
(
3
):
453
73
.
Parry
,
Jonathan
.
1989
. “
On the Moral Perils of Exchange
.” In
Money and the Morality of Exchange
, ed.
Parry
J
. and
Bloch
.
M
.
Cambridge
:
Cambridge University Press
.
Pattrea
,
Purnendu
.
1983
. “
The Continuity of the Battala Tradition: An Aesthetic Revaluation
.”
Woodcut Prints of Nineteenth-Century Calcutta
, ed.
Paul
,
Asit
50
79
.
Calcutta
:
Seagull Books
.
Paul
,
Ashit
,
ed.
1983
.
Woodcut Prints of Nineteenth-Century Calcutta
.
Calcutta
:
Seagull Books
.
Peabody
,
Norbert
.
1991
. “
In Whose Turban Does the Lord Reside?: The Objectification of Charisma and the Fetishism of Objects in the Hindu Kingdom of Kota
.”
Comparative Studies in Society and History
33
(
4
):
726
54
.
Perlin
,
Frank
.
1983
. “
Proto-Industrialisation and Pre-Colonial South Asia
.”
Past and Present
98
(
February
):
30
95
.
Pietz
,
William
.
1985
. “
Problem of the Fetish
.”
Part 1
.
Res
9
(spring):
5
17
.
Pietz
,
William
.
1987
. “
Problem of the Fetish
.” Part 2.
Res
13
(spring):
23
45
.
Pietz
,
William
.
1988
. “
Problem of the Fetish
.” Part 3a.
Res
16
(autumn):
105
23
.
Pietz
,
William
.
1993
. “
Fetishism and Materialism
.” In
Fetishism as Cultural Discourse
, ed.
Apter
Emily
and
Pietz
,
William
119
51
.
Ithaca, N.Y
.:
Cornell University Press
.
Pinney
,
Christopher
.
1997a
. “
The Nation (Un) Pictured? Chromolithography and ‘Popular’Politics in India, 1878–1995
.”
Critical Inquiry
23
(summer):
834
67
.
Pinney
,
Christopher
.
1997b
.
Camera Indica: The Social Lives of Indian Images
.
London
:
Reaktion
,
1997b
.
Pinney
,
Christopher
.
1999
. “
Indian Magical Realism: Notes on PopularVisual Culture
.” In
Subaltern Studies X
,ed.
Gautam
Bhadra
,
Gyan
Prakash
, and
Susie
Tharu
,
201
33
.
New Delhi
:
Oxford University Press
.
Pinney
,
Christopher
.
2004
.
“ Photos of the Gods ”: The Printed Image and Political Struggle in India
.
London
:
Reaktion Books
.
Pocock
,
J.G. A
.
1975
.
The Machiavellian Moment: Florentine Political Thought and the Atlantic Republican Tradition
.
Princeton, N.J
.:
Princeton University Press
.
Polanyi
,
Karl
,
1944
.
The Great Transformation
.
New York
:
Rinehart
.
Prakash
,
Gyan
.
1999
.
Another Reason: Science and the Imagination of Modern India
.
Princeton, N.J
.:
Princeton University Press
.
Prakash
,
Gyan
.
2002
. “
The Urban Turn
.” In Sarai Reader 2002:
The Cities of Everyday Life
,
2
7
.
Delhi
:
Sarai: The New Media Initiative; Amsterdam: Society for Old and New Media
.
Prasad
,
M. Madhava
.
1993
. “
Cinema and the Desire for Modernity
.”
Journal of Arts and Ideas
25
2
6
(
December
):
71
86
.
Prasad
,
M. Madhava
.
1998
.
Ideology of the Hindi Film: A Historical Construction
.
New Delhi
:
Oxford University Press
.
Preziosi
,
Donald
.
1998
. “
The Art of Art History
.” In
The Art of Art History: A Critical Anthology
, ed.
Preziosi
Donald
.
Oxford
:
Oxford University Press
.
Pritchett
,
Frances W
.
1995
. “
The World of Amar Chitra Katha
.” In
Media and the Transformation of Religion in South Asia
, ed.
Babb
Lawrence
and
Wadley
,
Susan S
.
76
106
.
Philadelphia
:
University of Pennsylvania Press
.
Qureshi
,
Regula Burckhardt
.
1995
. “
Recorded Sound and Religious Music: The Case of Qawwali
.” In
Media and the Transformation of Religion in South Asia
, ed.
Babb
Lawrence
and
Wadley
,
Susan S
.
139
66
.
Philadelphia
:
University of Pennsylvania Press
.
Radhakrishnan
,
S
.
1948
.
Indian Philosophy
. Vol.
1
.
London
:
George Allen and Unwin
.
Radhakrishnan
,
S
.
, and
Moore
.
Charles A
.
1957
.
A Sourcebook in Indian Philosophy
.
Princeton, N.J
.:
Princeton University Press
.
Rajadhyaksha
,
Ashish
.
1986
. “
Neo-Traditionalism: Film as Popular Art in India
.”
Framework
32
33
:
20
67
.
Rajadhyaksha
,
Ashish
.
1990
. “
Beaming Messages to the Nation
.”
Journal of Arts and Ideas
19
(
May
):
33
52
.
Rajadhyaksha
,
Ashish
.
1993a
. “
The Epic Melodrama
.”
Journal of Arts and Ideas
25
2
6
(
December
):
55
70
.
Rajadhyaksha
,
Ashish
.
1993b
. “
The Phalke Era: Conflict of Traditional Form and Modern Technology
.” In
Interrogating Modernity: Culture and Colonialism in India
, ed.
Tejaswini
Niranjana
,
P.
Sudhir
,
Vivek
Dhareshwar
,
47
82
.
Calcutta
:
Seagull Books. (Revised version of earlier article with the same title, Journal of Arts and Ideas 14–15[ 1987]: 47–78.)
Rajadhyaksha
,
Ashish
, and
Paul
Willemen
, eds.
1994
.
Encyclopedia of Indian Cinema
.
New Delhi
:
Oxford University Press and BFI Publishing
.
Rajagopal
,
Arvind
.
1993
.“
TheRiseofNationalProgramming: TheCaseofIndianTelevision
.”
Media, Culture and Society
15
(
January
):
91
111
.
Rajagopal
,
Arvind
.
1994
. “
Ram Janmabhoomi, Consumer Identity and Image-Based Politics
.”
Economic and Political Weekly
,
2
July
,
1659
68
.
Rajagopal
,
Arvind
.
2001
.
Politics after Television
.
Cambridge
:
Cambridge University Press
.
Rajagopal
,
Ranjani
.
1993
. “
Ravi Varma: A Biographical Sketch
.” In
Raja Ravi Varma: New Perspectives (exhibition catalogue)
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
126
42
.
New Delhi
:
National Museum
.
Raker
,
Joseph W.
, and
Ramashanker
Shukla
.
2002
.
English-Hindi/Hindi-English Dictionary
.
Delhi
:
Star Publications
.
Ramachandran
,
A
.
1993
. “
Raja Ravi Varma Exhibition—A Prologue
.” In
Raja Ravi Varma: New Perspectives
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
13
23
.
New Delhi
:
National Museum
.
Ramakrishnan
,
S
.
1983
. “
Shri Ghanshyamdasji—Some Glimpses
.”
Bhavan’s Journal
,
1
June
,
8
22
.
Ramalingam
,
Aparna
.
2001
. “
From Porn to Vern
.”
Business Today
,
2
June
.
Ramaswamy
,
Sumathi
.
1997
.
Passions of the Tongue: Language Devotion in Tamil India, 1891–1970
.
Berkeley
:
University of California Press
.
Ramaswamy
,
Sumathi
.
2003
. “
Visualising India’s Geo-Body
.” In
Beyond Appearances: Visual Practices and Ideologies in Modern India
, ed.
Ramaswamy
Sumathi
151
90
.
New Delhi
:
Sage
.
Ray
,
Niharranjan
.
1973
.
Idea and Image in Indian Art
.
Delhi
:
Munshiram Manoharlal
.
Ray
,
Niharranjan
.
1974
.
An Approach to Indian Art
.
Chandigarh
:
Panjab University
.
Ray
,
Pranabranjan
.
1983
. “
Printmaking by Woodblock up to 1901: A Social and Technological History
.” In
Woodcut Prints of Nineteenth-Century Calcutta
, ed.
Paul
,
Ashit
80
107
.
Calcutta
:
Seagull Books
.
Ray
,
Rajat Kanta
.
1979
.
Industrialization in India: Growth and Conflict in the Private Corporate Sector
:
1914
47
.
Delhi
:
Oxford University Press
.
Ray
,
Rajat Kanta
.
1984
. “
The Bazaar: Indigenous Sector of the Indian Economy
.” In
Business Communities of India: A Historical Perspective
, ed.
Tripathi
,
Dwijendra
241
67
.
Delhi
:
Manohar
.
Ray
,
Rajat Kanta
.
1992
.Introductionto
Entrepreneurshipand IndustryinIndia1800–194
7
, ed.
Ray
,
Rajat Kanta
1
69
.
Delhi
:
Oxford University Press
.
Rossi
,
Barbara
.
1998
.
From the Ocean of Painting: India’s Popular Paintings, 1589 to the Present
.
New York
:
Oxford University Press
.
Roy
,
Parama
.
1998
.
Indian Traffic: Identities in Question in Colonial and Postcolonial India
.
New Delhi
:
Sage
.
Rudner
,
David West
.
1994
.
Caste and Capitalism in Colonial India: The Nattukottai Chettiars
.
Berkeley
:
University of California Press
.
Rush
,
Dana
.
1999
. “
Eternal Potential: Chromolithographs in Vodunland
.”
African Arts
32
(
4
) (winter):
60
75
.
Sangari
,
Kumkum
.
1990
. “
Mirabai and the Spiritual Economy of Bhakti
.” Parts 1 and 2.
Economic and Political Weekly
,
7
July
,
1464
75
;
14
July
,
1537
52
.
Saraf
,
Babli Moitra
.
2002
.
Language, Advertising and Society: An Analysis of Language Change in the Advertising Industry in India 1984–94
.
New Delhi
:
Department of Sociology, Jamia Millia Islamia University
.
Sarkar
,
Nikhil
.
1983
. “
Calcutta Woodcuts: Aspects of a Popular Art
.” In
Woodcut Prints of Nineteenth-Century Calcutta
, ed.
Paul
,
Ashit
11
49
.
Calcutta
:
Seagull Books
.
Schechner
,
Richard
.
1983
.
Performative Circumstances from the Avant-garde to the Ramlila
.
Calcutta
:
Seagull Books
.
Sedgwick
,
Eve Kosofsky
.
1990
.
Epistemology of the Closet
.
Berkeley
:
University of California Press
.
Seizer
,
Susan
.
2005
.
Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India
.
Durham, N.C
.:
Duke University Press
.
Shah
,
J. G
.
1978
.
Shri Vallabhacharya and God-Realisation
.
Patan
:
Pushti Margiya Pathshala
.
Sharma
,
R.C
.
, and
Chawla
,
Rupika
eds.
1993
.
Raja Ravi Varma: New Perspectives (exhibition catalogue)
.
New Delhi
:
National Museum
.
Shaviro
,
Steven
.
1993
.
The Cinematic Body: Film Theory and Visual Fascination
.
Minneapolis
:
University of Minnesota Press
.
Sheikh
,
Gulam Mohammed
.
1993
. “
Ravi Varma in Baroda
.” In
Raja Ravi Varma: New Perspectives (exhibition catalogue)
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
77
85
.
New Delhi
:
National Museum
.
Sherman
,
Sandra
.
1996
.
Finance and Fictionality in the Early Nineteenth Century: Accounting for Defoe
.
Cambridge
:
Cambridge University Press
.
Singh
,
Ajay
.
1999
. “
Burned by Home Fires
.”
Asiaweek
,
15
January
.
Sinha
,
Mrinalini
.
1995
.
Colonial Masculinity: The “ Manly Englishman ” and the “Effeminate Bengali” in the Late Nineteenth Century
.
Manchester
:
Manchester University Press
.
Sinha
,
Narendra Krishna
.
1992
. “
Indian Business Enterprise: Its Failure in Calcutta (1800–1848)
.” In
Entrepreneurship and Industry in India: 1800–1947
, ed.
Ray
,
Rajat K
.
70
82
.
New Delhi
:
Oxford University Press
.
Sivaramamurti
,
C
.
1978
.
Chitrasutra of the Vishnudharmottara
.
New Delhi
:
Kanak Publications
.
Smith
,
Adam
.
1904
.
An Inquiry into the Nature and Causes of the Wealth of Nations
.
London
:
Methuen
.
Smith
,
H. Daniel
.
1988
.
Field notes for project titled
IndianPoster ArtinRelationto ContemporaryHinduism
.”
Smith Poster Archive, Special Collections Research Center
,
Syracuse University Library
.
Smith
,
H. Daniel
.
1994
.
The Smith Poster Archive, A Study Collection: User’s Guide
.
Syracuse, N.Y
.:
self-published
.
Smith
,
H. Daniel
.
1995
. “
Impact of ‘God Posters’ on Hindus and Their Devotional Traditions
.” In
Media and the Transformation of Religion in South Asia
, ed.
Babb
Lawrence
and
Wadley
.
Susan S
.
Philadelphia
:
University of Pennsylvania Press
.
Solomon
,
W. E. Gladstone
.
1924
?
The Bombay Revival of Indian Art: A Descriptive Account of the Indian Room Constructed and Decorated by the Staff and Students of the School of Art
.
Bombay
:
J. J. School of Art
.
Solomon
,
W. E. Gladstone
.
1926
.
The Charm of Indian Art
.
London
:
T. Fisher Unwin
.
Spivak
,
Gayatri Chakravorty
.
1985
. “
Scattered Speculations on the Question of Value
.”
Diacritics
15
(
4
) (winter):
73
93
.
Spivak
,
Gayatri Chakravorty
.
1988
. “
Can the Subaltern Speak?
” In
Marxism and the Interpretation of Culture
, ed.
Nelson
Cary
and
Grossberg
,
Lawrence
271
313
.
London
:
Macmillan
.
Srinivas
,
S. V
.
,
1996
. “
Devotion and Defiance in Fan Activity
.”
Journal of Arts and Ideas
29
(
January
):
67
83
.
Srivastava
,
Sanjay
.
2004
. “
Voice, Gender and Space in the Time of Five-Year Plans: The Idea of Lata Mangeshkar
.”
Economic and Political Weekly
,
17
February
:
2019
28
.
Srivatsan
,
R
.
1991
. “
Looking at Film Hoardings: Labour, Gender, Subjectivity and Everyday Life in India
.”
Public Culture
4
(
1
) (fall):
1
23
.
Srivatsan
,
R
.
1993
. “
Imaging Truth and Desire: Photography and the Visual Field in India
.” In
Interrogating Modernity: Culture and Colonialism in India
, ed.
Tejaswini
Niranjana
,
P.
Sudhir
, and
Vivek
Dhareshwar
.
Calcutta
:
Seagull Books
.
Stam
,
Robert
.
2000
.
Film Theory
.
Oxford
:
Blackwell
.
Stoler Miller
,
Barbara
.
1992
.
The Powers of Art: Patronage in Indian Culture
.
Delhi
:
Oxford University Press
.
Subrahmanyam
,
Sanjay
.
1990
. Introduction to
Merchants, Markets and the State in Early Modern India
, ed.
Subrahmanyam
,
Sanjay
1
17
.
Delhi
:
Oxford University Press
.
Subrahmanyam
,
Sanjay
.
1994
.Introduction to
Moneyandthe Marketin India1100–1700
, ed.
Subrahmanyam
,
Sanjay
1
56
.
Delhi
:
Oxford University Press
.
Subrahmanyam
,
S.
, and
C. A.
Bayly
.
1990
.
Portfolio Capitalists and the Political Economy of Early Modern India
.” In
Merchants, Markets, and the State in Early Modern India
, ed.
Sanjay
Subrahmanyam
,
242
65
.
Delhi
:
Oxford University Press
.
Subramanian
,
V
.
1987
. “
Karmayoga and the Rise of the Indian Middle Class
.”
Journal of Arts and Ideas
14
15
(
July–December
):
133
42
.
Sunder Rajan
,
Rajeshwari
.
1993
.
Real and Imagined Women: Gender, Culture and Postcolonialism
.
London
:
Routledge
.
Swami
,
M. M
.
, ed.
1994
.
Sivakasi Mini Japan: Directory 1994
.
Sridevi Publications
:
Sivakasi
.
Swaminathan
,
J
.
1963
. “
Manifesto
.” In
exhibition catalogue for Group 1890 show, Rabindra Bhavan
,
New Delhi
.
Tambiah
,
S. J
.
1984
.
The Buddhist Saints of the Forest and the Cult of the Amulets
.
Cambridge
:
Cambridge University Press
.
Taussig
,
Michael
.
1993a
. “
Maleficium: State Fetishism.” In Fetishism as Cultural Discourse
, ed.
Apter
Emily
and
Pietz
,
William
217
47
.
Ithaca N.Y
.:
Cornell University Press
.
Taussig
,
Michael
.
1993b
.
Mimesis and Alterity: A Particular History of the Senses
.
New York
:
Routledge
.
Taussig
,
Michael
.
1997
.
The Magic of the State
.
New York
:
Routledge
.
Taussig
,
Michael
.
1999
.
Defacement: Public Secrecy and the Labor of the Negative
.
Stanford, Calif
.:
Stanford University Press
.
Templeman
,
Dennis
.
1996
.
The Northern Nadars of Tamil Nadu: An Indian Caste in the Process of Change
.
Delhi
:
Oxford University Press
.
Tharu
,
Susie
, and
Lalitha
.
K
.
1995
. “
Literature of the Ancient and Medieval Periods: Reading Against the Orientalist Grain
.” In
Women Writing in India: 600 B.C. to the Present
, ed.
Tharu
Susie
and
Lalitha
,
K
.
41
64
. Vol.
1
.
Delhi
:
Oxford University Press
.
Thomas
Elsaesser
.
1987
. “
Tales of Sound and Fury: Observations on the Family Melodrama
.” In
Home Is Where the Heart Is: Studies in Melodrama and the Women’s Film
, ed.
Gledhill
,
Christine
43
69
.
London
:
BFI
.
Thomas
,
Nicholas
.
1991
.
Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific
.
Cambridge, Mass
.:
Harvard University Press
.
Thomas
,
Rosie
.
2005
. “
Zimbo and Son Meet the Girl with a Gun
.” In
Living Pictures: Perspectives on the Film Poster in India
, ed.
Blamey
David
and
D’Souza
,
Robert
27
44
.
London
:
Open Editions
.
Thompson
,
E. P
.
1991
.
Customs in Common
.
London
:
Merlin Press
.
Thompson
,
John B
.
1990
.
Ideology and Modern Culture: Critical Social Theory in the Era of Mass Communication
.
Oxford
:
Polity Press
.
Tillotson
,
G. H. R
.
1991
. “
The Indian Picturesque: Images of India in British Landscape Painting, 1780– 1880
.” In
An Illustrated History of Modern India: 1600–1947
, ed.
Bayly
,
C. A
.
141
51
.
Bombay
:
Oxford University Press
.
Timberg
,
Thomas A
.
1978
.
The Marwaris: From Traders to Industrialists
.
New Delhi
:
Vikas
.
Timberg
,
Thomas A
.
1992
. “
Three Types of the Marwari Firm
.” In
Entrepreneurship and Industry in India, 1800–1947
, ed.
Ray
,
R. K
.
127
56
.
Delhi
:
Oxford University Press
.
Tripathi
,
Dwijendra
, and
Makarand
Mehta
.
1990
.
Business Houses in Western India: A Study in Entrepreneurial Response, 1850–1956
.
London
:
Jaya Books
.
Tuli
,
Neville
.
2002
.
India: A Historical Lila
.
Ahmedabad
:
Mapin Publishing
.
Turner
,
Victor
, and
Turner
.
Edith
1978
.
Image and Pilgrimage in Christian Culture
.
New York
:
Columbia University Press
.
Tyler
,
Stephen A
.
1984
. “
The Vision Quest in the West, or What the Mind’s Eye Sees
.”
Journal of Anthropological Research
40
(
1
) (spring):
23
40
.
Uberoi
,
Patricia
.
1990
. “
Feminine Identity and National Ethos in Indian Calendar Art
.”
Economic and Political Weekly
,
28
April
,
WS41
48
.
Uberoi
,
Patricia
.
1996
. “
From Goddess to Pin-Up: Icons of Femininity in Indian Calendar Art, 1955–1995
.” In
Of Women: Icons/Stars/Feasts (catalogue for exhibition curated by Pooja Sood)
.
New Delhi
:
Eicher Gallery (with Kali for Women)
.
Uberoi
,
Patricia
.
1999
2000
. “
Times Past: Gender and the Nation in ‘Calendar Art.’
Indian Horizons
46
(
4
) and
47
(
1
):
24
39
.
Vachani
,
Lalit
.
1999
. “
Bachchan-alias: The Many Faces of a Film Icon
.” In
Image Journeys: Audio-Visual Media and Cultural Change in India
, ed.
Brosius
C
. and
Butcher
,
M
.
199
232
.
New Delhi
:
Sage
.
Vallejo
,
Boris
.
1985
.
Fantasy Art Techniques
.
New York
:
Arco Publications
.
Vardhan
,
Anand
.
1980
. “
Mini-paper Plants in Sivakasi Soon
.” In
Sivakasi—Where Light and Sound Are Packaged: A Panorama of the Match, Fireworks and Printing Industries of South India
, ed.
All India Chamber of Match Industries
.
Sivakasi
:
All India Chamber of Match Industries. Originally published In Economic Times
,
10
March
.
Vasseleu
,
Cathryn
.
1998
.
Textures of Light: Vision and Touch in Irigaray, Levinas and Merleau-Ponty
.
London
:
Routledge
.
Vasudevan
,
Ravi
.
1989
. “
The Melodramatic Mode and the Commercial Hindi Cinema: Notes on Film History, Narrative and Performance in the 1950s
.”
Screen
30
(
3
):
29
50
.
Venkat Narayan
,
S
.
1985
. “
The Phenomenon Called N.T.R., Actor-Turned-Politician
.” In
70 Years of Indian Cinema (1913–1983)
, ed.
Ramachandran
,
T. M
.
203
14
.
Bombay
:
Cinema India-International
.
Venniyoor
,
E. M. J
.
1981
.
Raja Ravi Varma
.
Trivandrum
:
Government of Kerala
.
Vidal
,
Denis
.
1997
. “
Rural Credit and the Fabric of Society in Colonial India: Sirohi District, Rajasthan
.” In
Webs of Trade: Dynamics of Business Communities in Western India
, ed.
Cadène
P
. and
Vidal
,
D
.
85
107
.
Delhi
:
Manohar/CSH
.
Visual Culture Questionnaire
.”
1996
.
October
77
:
25
70
.
Viswanathan
,
Gauri
.
1989
.
Masks of Conquest: Literary Study and British Rule in India
.
New York
:
Columbia University Press
.
Vitali
,
Valentina
.
2005
. “
Hong Kong-Hollywood-Bombay: On the Function of ‘Martial Art’ in the Hindi Action Cinema
.” In
Hong Kong Connections: Transnational Imagination in Action Cinema
, ed.
Meaghan
Morris
,
Siu-Leung
Li
, and
Stephen
Chan Ching-kiu
,
125
50
.
Durham, N. C
.:
Duke University Press
.
Vitsaxis
,
Vassilis G
.
1977
.
Hindu Epics, Myths andLegends in Popular Illustrations
.
Delhi
:
Oxford UniversityPress
.
Vuthikrisam
,
Ruengvuth
.
1997
. “
The Good Woman of Bangkok: Looking Back and Forth
.” In
The Filmmaker and the Prostitute: Dennis O’Rourke’s “The Good Woman of Bangkok
,” ed.
Chris
Berry
,
Annette
Hamilton
, and
Laleen
Jayamanne
,
202
7
.
Sydney
:
Power Publications
.
Vyas
,
Ramnarayan
.
1977
.
The Bhagavata Bhakti Cult and Three Advaita Acaryas: Sankara, Ramanuja and Vallabha
.
Delhi
:
Nag Publishers
.
Warner
,
Michael
.
1992
. “
The Mass Public and the Mass Subject
.” In
Habermas and the Public Sphere
, ed.
Calhoun
,
Craig
377
401
.
Cambridge, Mass
.:
mit Press
.
Weber
,
Max
.
1958
.
The Religion of India: The Sociologyof Hinduism and Buddhism
.
Trans. and ed. Hans H.Gerth and Don Martindale
.
New York
:
Free Press
.
Weber
,
Max
.
1976
.
The Protestant Ethic and the Spirit of Capitalism
.
Trans. Talcott Parsons
.
London
:
George Allen and Unwin
.
Weber
,
Samuel
.
1996
. “
Television: Set and Screen
.” In
Mass Mediauras: Form, Technics, Media
,
108
27
.
Sydney
:
Power Publications
.
Willemen
,
Paul
.
1993
. “
Negotiating the Transition to Capitalism: The Case of Andaz
.” In
Melodrama and Asian Cinema
, ed.
Dissanayake
,
Wimal
179
88
.
Cambridge
:
Cambridge University Press
.
Williams
,
Linda
.
1991
. “
Film Bodies: Gender, Genre and Excess
.”
Film Quarterly
44
(
4
):
2
13
.
Windsor
,
David
.
1998
. “
Nargis, Ray, Rushdie and the Real
.”
South Asia
21
(
1
):
229
42
.
Wisse
,
Jakob
.
1989
.
Ethos and Pathos from Aristotle to Cicero
.
Amsterdam
:
Adolf M. Hakkert
.
Woodmansee
,
Martha
.
1994
.
The Author, Art and the Market: Rereading the History of Aesthetics
.
New York
:
Columbia University Press
.
Yang
,
Anand A
.
1998
.
Bazaar India: Markets, Society, and the Colonial State in Bihar
.
Berkeley
:
University of California Press
.
Yang
,
Mayfair Mei-hui
.
1994
.
Gifts, Favors and Banquets: The Art of Social Relationships in China
.
Ithaca, N.Y
.:
Cornell University Press
.
Žižek
,
Slavoj
.
1989
.
The Sublime Object of Ideology
.
New York
:
Verso
.
Žižek
,
Slavoj
.
1991
.
For They Know Not What They Do
.
London
:
Verso
.
Žižek
,
Slavoj
.
1993
.
Tarrying with the Negative: Kant, Hegel and the Critique of Ideology
.
Durham, N.C
.:
Duke University Press
.

Figures & Tables

Contents

Advertisement

References

Works Cited

Adorno
,
Theodor
.
1991
. “
Culture Industry Reconsidered
.” In
The Culture Industry: Selected Essays on Mass Culture
, ed.
Bernstein
,
J. M
.
85
92
.
London
:
Routledge
.
Adorno
,
Theodor
, and
Max
Horkheimer
.
1972
.
The Dialectic of Enlightenment
.
New York
:
Continuum
.
Ahmed
,
Aijaz
.
1989
. “
‘Third World Literature’ and the Nationalist Ideology
.”
Journal of Arts and Ideas
17
18
(
June
):
117
35
.
Alter
,
Joseph S
.
1992
.
The Wrestler’s Body: Identity and Ideology in North India
.
Berkeley
:
University of California Press
.
Alter
,
Joseph S
.
1994
. “
Celibacy, Sexuality and the Transformation of Gender into Nationalism in North India
.”
Journal of Asian Studies
53
(
1
) (
February
):
45
66
.
Amariglio
,
Jack
, and
Antonio
Callari
.
1993
. “
Marxian Value Theory and the Subject
.” In
Fetishism as Cultural Discourse
, ed.
Apter
Emily
and
Pietz
,
William
186
216
.
Ithaca, N.Y
.:
Cornell University Press
.
Ambalal
,
Amit
.
1987
.
Krishna as Shrinathji: Rajasthani Paintings from Nathdwara
.
Ahmedabad
:
Mapin
.
Amin
,
Shahid
.
1984
.“
Gandhias Mahatma: Gorakhpur District, Eastern UP, 1921–22
.”In
Subaltern Studies III: Writings on South Asian History and Society
, ed.
Guha
,
Ranajit
1
61
.
Delhi
:
Oxford University Press
.
Ananda
,
Prakash
.
1986
.
A History of the Tribune
.
New Delhi
:
The Tribune Trust
.
Anantharaman
,
S. C
.
1980
. “
The Match Makers of Sivakasi—III: The Move into Printing
.” In
Sivakasi— Where Light and Sound Are Packaged: A Panorama of the Match, Fireworks and Printing Industries of South India
, ed.
All India Chamber of Match Industries
.
Sivakasi
:
All India Chamber of Match Industries.Originally published In Business Standard
,
10
March
.
Anderson
,
Benedict
.
1991
.
Imagined Communities
.
London
:
Verso
.
Appadurai
,
Arjun
.
1986
. “
Introduction: Commodities and the Politics of Value
.” In
The Social Life of Things
, ed.
Appadurai
,
Arjun
3
63
.
Cambridge
:
Cambridge University Press
.
Appadurai
,
Arjun
.
1995
. “
The Production of Locality
.” In
Counterworks
, ed.
Fardon
,
Richard
204
23
.
London
:
Routledge
.
Appadurai
,
Arjun
.
1996
.
Modernity at Large: Cultural Dimensions of Globalization
.
Minneapolis
:
University of Minnesota Press
.
Appasamy
,
Jaya
.
1980a
.
Indian Paintings in Glass
.
New Delhi
:
Indian Council for Cultural Relations
.
Appasamy
,
Jaya
.
1980b
.
Tanjavur Paintings of the Maratha Period
.
New Delhi
:
Abhinav Publications
.
Appasamy
,
Jaya
.
1985
. “
Early Oil Painting in Bengal
.”
Lalit Kala Contemporary
32
(
April
).
Appaswamy
,
A. J
.
1970
.
The Theology of Hindu Bhakti
.
Bangalore
:
Christian Literature Society.Archer, Mildred
.
1979
.
India and British Portraiture
.
London
:
Sotheby Parke Bernet
.
Archer
,
Mildred
, and
Archer
.
W. G
.
1955
.
Indian Painting for the British 1770–1880
.
London
:
Oxford University Press
.
Archer
,
W. G
.
1971
.
Kalighat Paintings
.
London
:
Her Majesty’s Stationery Office
.
Asendorf
,
Christoph
.
1993
.
Batteries of Life: On the History of Things and Their Perception
.
Trans. Don Reneau
.
Berkeley
:
University of California Press
.
Augusta
,
J.
, and
Z.
Burian
.
1960
.
Prehistoric Man
.
London
:
Paul Hamlyn
.
Awasthi
,
Suresh
.
1993
. “
Theatrical Connections with Ravi Varma’s Paintings
.” In
Raja Ravi Varma: New Perspectives (exhibition catalogue)
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
110
15
.
New Delhi
:
National Museum
.
Babb
,
Lawrence
.
1981
. “
Glancing: Visual Interaction in Hinduism
.”
Journal of Anthropological Research
37
(
4
):
378
410
.
Babb
,
Lawrence
.
1986
.
Redemptive Encounters: Three Modern Styles in the Hindu Tradition
.
Berkeley
:
University of California Press
.
Babb
,
Lawrence
, and
Susan S.
Wadley
, eds.
1995
.
Media and the Transformation of Religion in South Asia
.
Philadelphia
:
University of Pennsylvania Press
.
Bagchi
,
Amiya Kumar
.
1992
. “
Europeanand Indian Entrepreneurshipin India, 1900–30
.” In
Entrepreneurship and Industry in India 1800–1947
, ed.
Ray
,
Rajat K
.
157
96
.
Delhi
:
Oxford University Press
.
Baker
,
Houston
.
1987
.
Modernism and the Harlem Renaissance: Race, Gender, and Power in Modernism and the Harlem Renaissance
.
Chicago
:
University of Chicago Press
.
Balibar
,
Etienne
.
1994
. “
Subject and Subjectivation
.” In
Supposing the Subject
, ed.
Copjec
,
Joan
1
15
.
London
:
Verso
.
Basu
,
Major B. D
., ed.
1916/1974
.
The Sacred Books of the Hindus
. Vol.
14
,
The Brihadaranyaka Upanishad with the Commentary of Sri Madhavacharya
.
Trans. Rai Bahadur Sris Chandra Vasu and Pt. Ramaksya Bhattacharya. Vidyabhusana, Allahabad: Panini Office,. Bhuvaneswari Ashram. Repr
.
New York
:
AMS Press
.
Baudrillard
,
Jean
.
1975
.
The Mirror of Production
.
Trans. Mark Poster
.
St. Louis
:
Telos Press
.
Baudrillard
,
Jean
.
1981
.
Towards a Critique of the Political Economy of the Sign
.
Trans. Charles Levin
.
St. Louis
:
Telos Press
.
Baudrillard
,
Jean
.
1987
. “
The System of Objects
.”
Trans. Penny Sparke
.
In Design after Modernism
, ed.
Thackara
,
John
171
83
.
London
:
Thames and Hudson
.
Baudrillard
,
Jean
.
1990
. “
Mass Media Culture
.” In
Revenge of the Crystal
,
ed. and trans. Paul Foss and Julian Pefanis
,
63
97
.
Sydney
:
Pluto Press
.
Baxandall
,
Michael
.
1985
.
Patterns of Intention: On the Historical Explanation of Pictures
.
New Haven, Conn
.:
Yale University Press
.
Bayly
,
C. A
.
1983
.
Rulers, Townsmen and Bazaars: North Indian Society in the Age of British Expansion, 1770–1870
.
Cambridge
:
Cambridge University Press
.
Bayly
,
C. A
.
1986
. “
The Origins of Swadeshi (Home Industry): Cloth and Indian Society, 1700–1930
.” In
The Social Life of Things
, ed.
Appadurai
,
Arjun
285
321
.
Cambridge
:
Cambridge University Press
.
Bazin
,
Germain
.
1968
.
A Concise History of Art
,
part 2
.
London
:
Thames and Hudson
.
Belting
,
Hans
.
1987
.
The End of Art History
?
Chicago
:
University of Chicago Press
.
Benjamin
,
Walter
.
1969
.
Illuminations
. Ed.
Arendt
Hannah
.
Trans. Harry Zohn
.
NewYork
:
Schocken Books
.
Benjamin
,
Walter
.
1985
. “
Central Park
.”
New German Critique
34
(
winter
):
32
58
.
Bhabha
,
HomiK
.
1984
.“
Of MimicryandMan:TheAmbivalenceofColonialDiscourse
.”
October
28
(spring):
125
33
.
Bhabha
,
HomiK
.
1994
.
The Location of Culture
.
London
:
Routledge
.
Bhalekar
,
Vasant
.
1976
. “
Chitra Samrat Raghuvir Mulgaonkar
.”
Deepalakshmi
204
(
May
):
12
16
.
Bharucha
,
Rustom
.
1993
.
The Question of Faith
.
New Delhi
:
Orient Longman
.
Bhuvanesh
,
Kamal
.
1996
.“
CalendarBadalne ke Pher Mein Karodon keVaare-Nyaare” [Transactions worth crores in the business of changing calendars]
.
Jansatta
(
Hindi
),
9
December
.
Birdwood
,
G. C. M
.
1880/1986
.
The Arts of India
. Repr.
Jersey
:
British Book Company
.
Birla
,
G. D
.
1994
. “
KarmaYoga in the Gita (KrishnanVande Jagadgurum—15)
.”
Bhavan’s Journal
,
31
December
,
64
69
.
Bloch
,
M
.
, and
Parry
.
J
.
1989
. “
Introduction: Moneyand the Morality of Exchange
.”
InMoneyand the Morality of Exchange
, ed.
Parry
J
and
Bloch
,
M
.
1
32
.
Cambridge
:
Cambridge University Press
.
Bourdieu
,
Pierre
.
1977
.
Outline of a Theory of Practice
.
Cambridge
:
Cambridge University Press
.
Bourdieu
,
Pierre
.
1984
.
Distinction:ASocialCritiqueoftheJudgementofTaste
.
Cambridge, Mass
.:
Harvard University Press
.
Bourdieu
,
Pierre
.
1990
.
The Logic of Practice
.
Stanford, Calif
.:
Stanford University Press
.
Bourdieu
,
Pierre
.
2001
.
Masculine Domination
.
Trans. Richard Nice
.
Stanford, Calif
.:
Stanford University Press
.
Brooks
,
Peter
.
1975
.
The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess
.
New York
:
Columbia University Press
.
Brosius
,
Christiane
.
1997
. “
Motherland in Hindutva Iconography
.”
The India Magazine
17
(
12
):
22
28
.
Brosius
,
Christiane
.
1999
. “
IsThis the Real Thing? Packaging Cultural Nationalism
.” In
Image Journeys: AudioVisualMedia and Cultural Change in India
, ed.
Brosius
Christiane
and
Butcher
,
Melissa
99
138
.
New Delhi
:
Sage
.
Brown
,
Percy
. n. d.
Indian Painting
.
London
:
Oxford University Press
.
Bryson
,
Norman
,
Michael Ann
Holly
, and
Keith
Moxey
, eds.
1994
.
Visual Culture: Images and Interpretations
.
Hanover, N.H
.:
University Press of New England / Wesleyan University Press
.
Butler
,
Judith
.
1990a
.
Gender Trouble: Feminism and the Subversion of Identity
.
New York
:
Routledge
.
Butler
,
Judith
.
1990b
.“
PerformativeActsand GenderConstitution
.” In
PerformingFeminisms: Feminist Critical Theory and Theatre
, ed.
Case
,
Sue-Ellen
270
82
.
Baltimore
:
Johns Hopkins University Press
.
Butler
,
Judith
.
1993
.
Bodies That Matter: On the Discursive Limits of “Sex,”
New York
:
Routledge
.
Butler
,
Judith
.
1997a
.
Excitable Speech: A Politics of the Performative
.
London
:
Routledge
.
Butler
,
Judith
.
1997b
.
The Psychic Life of Power: Theories in Subjection
.
Stanford, Calif
.:
Stanford University Press
.
Cadène
,
Philippe
, and
Vidal
Denis
.
1997
. “
Kinship, Credit and Territory: Dynamics of Business Communities in Western India
.” In
Webs of Trade: Dynamics of Business Communities in Western India
, ed.
P.
Cadène
and
D.
Vidal
,
9
22
.
Delhi
:
Manohar/csh
.
Calhoun
,
Craig
,
ed.
1992
.
Habermas and the Public Sphere
.
Cambridge, Mass
.:
mit Press
.
Carter
,
Michael
.
1997
.
Putting a Face on Things: Studies in Imaginary Materials
.
Sydney
:
Power Publications
.
Case
,
Sue-Ellen
,
ed.
1990
.
Performing Feminisms: Feminist Critical Theoryand Theatre
.
Baltimore
:
Johns Hopkins University Press
.
Chakrabarty
,
Dipesh
.
1992
. “
Postcoloniality and the Artifice of History: Who Speaks for ‘Indian’ Pasts?
Representations
37
(winter):
1
26
.
Chakrabarty
,
Dipesh
.
1993
. “
Marx after Marxism: A Subaltern Historian’s Perspective
.”
Economic and Political Weekly
,
29
May
,
1094
96
.
Chakrabarty
,
Dipesh
.
2000
.
Provincialising Europe: Postcolonial Thought and Historical Difference
.
Princeton, N.J
.:
Princeton University Press
.
Chakravarti
,
V. R. Srisaila
.
1974
.
The Philosophy of Sri Ramanuja (Visistadvaita)
.
Madras
:
Bharati Vijayam Press
.
Chatterjee
,
Partha
.
1986
.
Nationalist Thought and the Colonial World: A Derivative Discourse
?
London
:
ZedBooks
.
Chatterjee
,
Partha
.
1993
.
The Nation and Its Fragments: Colonial and Postcolonial Histories
.
Princeton, N.J
.:
Princeton University Press
.
Chatterjee
,
Partha
.
1994
. “
Secularism and Toleration
.”
Economic and Political Weekly
,
9
July
,
1768
77
.
Chatterjee
,
Partha
.
1997
. “
Beyond the Nation? Or Within?”
Economic and Political Weekly
,
4
11
January
,
30
34
.
Chatterjee
,
Ramananda
.
1993
. “
Ravi Varma
.” In
Raja Ravi Varma: New Perspectives (exhibition catalogue)
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
144
46
.
New Delhi
:
National Museum. Originally published in The Modern Review
,
January
1907
.
Chattopadhyaya
,
Debiprasad
.
1964
.
Indian Philosophy: A Popular Introduction
.
New Delhi
:
People’s Publishing House
.
Chattopadhyaya
,
Debiprasad
.
1992
.
Lokayata: A Study in Ancient Indian Materialism
.
New Delhi
:
People’s Publishing House
.
Choonara
,
Samina
,
ed.
2003
. “
Official” Chronicle of the Mayo School of Arts: The Formative Years under Lockwood Kipling (1875–1993)
.
Lahore
:
National College of Arts
.
Clark
,
John
.
1989
.
Indian Popular Images (Basham Collection)
.
Catalogue and notes for an exhibition in Menzies Library, Department of Art History
,
Australian National University
,
August
1989
.
Clarke
,
David
.
1992
. “
The Icon and the Index: Modes of Invoking the Body’s Presence
.”
The American Journal of Semiotics
9
(
1
):
49
82
.
Cohen
,
Lawrence
.
1998
.
No Aging in India
.
Berkeley
:
University of California Press
.
Cohen
,
Lawrence
.
1999
. “
Manmohan’s Secret: Homosex and Indian Modernity.” Paper presented at conference titled “Sexualities, Masculinities and Culture in South Asia: Practices, Popular Culture and the State,”
Melbourne
,
6
8
July
.
Cohn
,
Bernard S
.
1964
. “
The Role of the Gosains in the Economy of Eighteenth- and Nineteenth-Century Upper India
.”
Indian Economic and Social History Review
1
(
4
):
175
82
.
Coomaraswamy
,
Ananda K
.
1907/1993
. “
ThePresent State of Indian Art
.”
The Modern Review
,
August
1907
.
Repr. In Raja Ravi Varma: New Perspectives(exhibition catalogue), ed. R. C. Sharma and Rupika Chawla
,
154
55
.
New Delhi
:
National Museum
.
Coomaraswamy
,
Ananda K
.
1923
.
Introduction to Indian Art
.
Madras
:
Theosophical Publishing House
.
Coomaraswamy
,
Ananda K
.
1956
.
The Transformation of Nature in Art
.
New York
:
Dover Publications
.
Cooper
,
Ilay
.
1995
. “
A Trade War in Pictures
.”
The India Magazine
,
February
,
6
15
.
Coronil
,
Fernando
.
1997
.
The Magical State: Nature, Money, and Modernity in Venezuela
.
Chicago
:
University of Chicago Press
.
Crow
,
Thomas
.
1996
. “
Response to Visual Culture Questionnaire
.”
October
77
:
43
36
.
Dalmia
,
Vasudha
.
1995
. “
‘The Only Real Religion of the Hindus’: Vaishnava Self-Representation in the Late Nineteenth Century
.” In
Representing Hinduism: The Construction of Religious Tradition and National Identity
, ed.
Dalmia
V
. and
Stietencron
.
H. von
New Delhi
:
Sage
.
Daniel
,
E. Valentine
.
1984
.
Fluid Signs: Being a Person the Tamil Way
.
Berkeley
:
University of California Press
.
Das
,
Gurcharan
.
1999
. “
The Problem
.”
Seminar
482
(
October
):
12
21
.
Das
,
Veena
.
1982
. “
The Mythological Film and Its Framework of Meaning: An Analysis of Jai Santoshi Ma
.”
India International Centre Quarterly
8
(
1
):
43
56
.
Das
,
Veena
.
1990
. “
OurWork to Cry: YourWork to Listen
.” In
Mirrors of Violence: Communities, Riots and Survivors in South Africa
, ed.
Das
,
Veena
345
95
.
Delhi
:
Oxford University Press
.
Davis
,
Richard
.
1991
.
Ritual in an Oscillating Universe
.
Princeton, N.J
.:
Princeton University Press
.
Davis
,
Richard
.
1997
.
Lives of Indian Images
.
Princeton, N.J
.:
Princeton University Press
.
Deleuze
,
Gilles
.
1983
. “
Plato and the Simulacrum
.”
Trans. Rosalind Krauss
.
October
27
(winter):
45
56
.
Deleuze
,
Gilles
.
1988
.
Spinoza: Practical Philosophy
.
Trans. Robert Hurley
.
San Francisco
:
City Lights Books
.
Deleuze
,
Gilles
.
1994
.
Difference and Repetition
.
Trans. Paul Patton
.
New York
:
Columbia University Press
.
Deleuze
,
Gilles
.
1995
.
Negotiations, 1972–1990
.
Trans. Martin Joughin
.
New York
:
Columbia University Press
.
Deleuze
,
Gilles
, and
Felix
Guattari
.
1977
.
Anti-Oedipus
.
Trans. Robert Hurley, Mark Seem, and Helen R. Lane
.
New York
:
Viking Books
.
Deleuze
,
Gilles
, and
Felix
Guattari
.
1987
. A
Thousand Plateaus
.
Trans. Brian Massumi
.
Minneapolis
:
University of Minnesota Press
.
de Man
Paul
.
1982
. “
Sign and Symbol in Hegel’s Aesthetics
.”
Critical Inquiry
8
(summer):
761
75
.
Derné
,
Steve
.
2000
.
Movies, Masculinity, and Modernity: An Ethnography of Men’s Filmgoing in India
.
Westport, Conn
.:
Greenwood Press
.
Derrida
,
Jacques
.
1976
.
Of Grammatology
.
Trans. Gayatri Chakravorty Spivak
.
Baltimore
:
Johns Hopkins University Press
.
Derrida
,
Jacques
.
1978
. “
Structure, Sign and Play in the Discourse of the Human Sciences
.” In
Writing and Difference
,
trans. Alan Bass
,
278
94
.
Chicago
:
University of Chicago Press
.
Derrida
,
Jacques
.
1988
. “
Signature, Event, Context
.” In
Limited Inc
. Ed.
Graff
Gerald
.
Trans. Samuel Weberand Jeffrey Mehlman
,
1
23
.
Evanston, Ill
.:
Northwestern University Press
.
Deshpande
,
Satish
.
1993
. “
Imagined Economies: Styles of Nation-Building in Twentieth-Century India
.”
Journal of Arts and Ideas 25–26
(
December
):
5
35
.
Dhareshwar
,
Vivek
.
1995a
. “
Our Time: History, Sovereignty, Politics
.”
Economic and Political Weekly
,
11
February
,
317
24
.
Dhareshwar
,
Vivek
.
1995b
. “
Postcolonial in the Postmodern, or, The Political after Modernity
.”
Economic and Political Weekly
,
29
July
,
PW104
12
.
Dhareshwar
,
Vivek
, and
Tejaswini
Niranjana
.
1996
. “
Kaadalan and the Politics of Resignification: Fashion, Violence and the Body
.”
Journal of Arts and Ideas
29
(
January
):
5
26
.
Douglas
,
Mary
.
1980
.
Purity and Danger: An Analysis of the Concepts of Pollution and Taboo
.
London
:
Routledge and Kegan Paul
.
Drewal
,
Henry
.
1988
. “
Performing the Other: Mami Wata Worship in Africa
.”
Drama Review
32
(
2
) (summer):
160
85
.
Durkheim
,
Emile
.
1965
.
The Elementary Forms of the Religious Life
.
New York
:
Free Press
.
Durkheim
,
Emile
.
1973
. “
Individuals and the Intellectuals
.” In
Emile Durkheim on Moralityand Society
,ed.
Bellah
Robert
.
Chicago
:
University of Chicago Press
.
Eagleton
,
Terry
.
1990
.
The Ideology of the Aesthetic
.
Cambridge, Mass
.:
Basil Blackwell
.
Eck
,
Diana L
.
1985
.
Darsan: Seeing the Divine Image in India
.
Chambersburg, Pa
.:
Anima Books
.
Edwards
,
Gregory J
.
1985
.
The International Film Poster
.
London
:
Columbus Books
.
Fabian
,
Johannes
.
1983
.
Time and the Other: How Anthropology Makes Its Object
.
New York
:
Columbia University Press
.
Falconer
,
John
.
1995
.
Essay in A Shifting Focus: Photography in India 1850–1900 (exhibition catalogue)
,
9
22
.
London
:
The British Council
.
Fanon
,
Frantz
.
1967
.
Black Skin, White Masks
.
Trans. Charles Lam Markmann
s.
New York
:
Grove Press
.
Fiske
,
John
.
1989
.
Understanding Popular Culture
.
Boston
:
Unwin Hyman
.
Foster
,
Hal
.
1996
. “
Obscene, Abject, Traumatic
.”
October
78
(fall):
107
24
.
Foucault
,
Michel
.
1970
. “
Representing
.” In
The Order of Things
.
London
:
Tavistock Publications
.
Foucault
,
Michel
.
1977
. “
Nietzsche, Genealogy, History
.” In
Language, Counter-Memory, Practice: Selected Essays and Interviews
, ed.
Bouchard
,
Donald F
.
trans. Donald F. Bouchard and Sherry Simon
,
139
64
.
Oxford
:
Basil Blackwell
.
Foucault
,
Michel
.
1980
.
Power/Knowledge: Selected Interviews and Other Writings, 1972–77
. Ed.
Gordon
Colin
.
New York
:
Pantheon
.
Foucault
,
Michel
.
1986
. “
Of Other Spaces
.”
Diacritics
16
(
1
) (spring):
22
27
.
Freitag
,
Sandria
,
ed.
1989
.
Culture and Power in Banaras: Community, Performance and Environment, 1800–1980
.
Berkeley
:
University of California Press
.
Freitag
,
Sandria
, ed.
199
1a
. “
Introduction.” Special issue on “Aspects of ‘the Public’ in Colonial South Asia
,”
South Asia
14
(
1
) (
June
):
1
13
.
Freitag
,
Sandria
,
ed.
1991b
. “
Enactments of Ram’s Story and the Changing Nature of ‘the Public’ in British India
.”
South Asia
14
(
1
) (
June
):
65
90
.
Freitag
,
Sandria
,
ed.
2001
. “
Visions of Nation: Theorizing the Nexus between Creation, Consumption, and Participation in the Public Sphere
.” In
Pleasure and the Nation: The History, Politics, and Consumption of Public Culture in India
, ed.
Dwyer
Rachel
and
Pinney
,
Christopher
35
75
.
New Delhi
:
Oxford University Press
.
Freud
,
Sigmund
.
1963
.
Jokes and Their Relation to the Unconscious
.
New York
:
Norton
.
Freud
,
Sigmund
.
1965
.
The Interpretation of Dreams
.
New York
:
Avon Books
.
Freud
,
Sigmund
.
1979
. “
Three Essays on the Theory of Sexuality.”
In
On Sexuality
.Vol.
7
of the Pelican Freud Library
.
Harmondsworth
:
Penguin Books
.
Frow
,
John
.
1996
. “
The Signature: Three Arguments about the Commodity Form
.” In
Aesthesia and the Economy of the Senses
, ed.
Grace
,
Helen
151
200
.
Nepean
:
pad Publications/University of Western Sydney
.
Frow
,
John
.
199
7a
. “
Is Elvisa God? Cult, Culture, Questions of Method
.”
Paper presented at the Cultural Studies Association of Australia conference
,
Melbourne
,
December
.
Frow
,
John
.
1997b
.
Time and Commodity Culture: Four Essays
.
Oxford
:
Clarendon Press
.
Fukuoka Art Museum
.
2000
.
From Goddess to Pin-Up: Icons of Femininity in Indian Calendar Art (Arts of People I)
.
Catalogue for exhibition curated by Patricia Uberoi and Pooja Sood
.
Fukuoka, Japan
:
Fukuoka Art Museum
.
Geertz
,
Clifford
.
1979
. “
Suq: The Bazaar Economy in Sefrou
.” In
Meaning and Order in Moroccan Society
, ed.
Geertz
C.
,
Geertz
,
H.
, and
Rosen
,
L.
,
123
225
.
Cambridge
:
Cambridge University Press
.
Geetashri
.
1981
.
“Chitrakar S. S. Shaikh” [The artist S. S. Shaikh]
.
Navneet
(
Hindi
),
September
,
45
49
.
Ghosh
,
Shalil
.
1978
. “
In Defence of Calendar Art
.”
Illustrated Weekly of India
,
26
March
,
32
35
.
Gilpin
,
William
. 1794/
1972
. “
Essay I: On Picturesque Beauty
.” In
Three Essays
. Repr.
Westmead
:
Gregg International Publishers
.
Girard
,
René
.
1978
.
To Double Business Bound
.
Baltimore
:
Johns Hopkins University Press
.
Gledhill
,
Christine
.
1985
. “
History of Genre Criticism
.” In
The Cinema Book
, ed.
Cook
,
Pam
52
71
.
London
:
BFI
.
Gold
,
Thomas
,
Guthrie
Douglas
, and
David
Wank
, eds.
2001
.
Social Networks in China: Institutions, Culture, and the Changing Nature of Guanxi
.
Cambridge
:
Cambridge University Press
.
Gopal
,
Sarvepalli
.
1984
.
Jawaharlal Nehru: A Biography
, vol.
3
,
1956
1964
.
London
:
Jonathan Cape
.
Gopalan
,
Lalitha
.
2002
.
Cinema of Interruptions: Action Genres in Contemporary Indian Cinema
,
London
:
BFI
.
Goswami
,
B. N
.
1986
.
Essence of Indian Art
.
Ahmedabad
:
Mapin/Asian Art Museum of San Francisco
.
Goswami
,
B. N.
and
A. L.
Dallapiccola
.
1981
. “
Anmerkuugen über eine serie von indischen Miniaturen aus dem XVIII Jahrundert
.”
Zeitschrift fur Religions—und Geistesgeschichte
33
(
1
):
3
41
.
Goswami
,
K
.
1982
. “
The Cult
.” In
Krishna the Divine Lover: Myth and Legend in Indian Art
, ed.
Isacco
Enrico
and
Dallapiccola
,
Anna L
.
123
42
.
Delhi
:
B. I. Publications
.
Goswami
,
Omkar
.
1992
. “
Sahibs, Babus and Banias: Changes in Industrial Control in Eastern India, 1918– 50
.” In
Entrepreneurship and Industry in India 1800–1947
, ed.
Ray
,
Rajat K
.
228
59
.
Delhi
:
Oxford University Press
.
Granovetter
,
Mark
.
1985
. “
Economic Action and Social Structure: The Problem of Embeddedness
.”
American Journal of Sociology
91
(
November
):
481
510
.
Greenberg
,
Clement
.
1939
. “
Avant-Garde and Kitsch
.”
Partisan Review
6
(
5
) (fall):
34
49
.
Grosz
,
Elizabeth
.
1994
.
Volatile Bodies: Towards a Corporeal Feminism
.
Sydney
:
Allen and Unwin
.
Guha-Thakurta
Tapati
.
1986
. “
Westernisation and Tradition in South India Painting in the Nineteenth Century: The Case of Raja Ravi Varma (1848–1906)
.”
Studies in History
2
(
2
):
164
98
.
Guha-Thakurta
Tapati
.
1991
. “
Women asCalendarArtIcons:Emergenceof PictorialStereotypein ColonialIndia
.”
Economic and Political Weekly of India
,
26
October
, WS-
91
99
.
Guha-Thakurta
Tapati
.
1992
.
The Making of a New “Indian” Art: Artists, Aesthetics and Nationalism in Bengal, c. 1850–1920
.
Cambridge
:
Cambridge University Press
.
Guha-Thakurta
Tapati
.
1994
. “
Bringing Gods to Life
.”
Seminar
429
(
November
):
14
18
.
Guha-Thakurta
Tapati
.
1995
. “
Visualizing the Nation: The Iconography of a ‘National Art’ in India.”
Journal of Arts and Ideas
27
28
(
March
):
7
40
.
Gunning
,
Tom
.
1989
. “
An Aesthetic of Astonishment: Early Film and the Incredulous Spectator
.”
Art and Text
34
(spring):
31
45
.
Gupta
,
Akhil
.
1998
.
Postcolonial Developments: Agriculture in the Making of Modern India
.
Durham, N.C
.:
Duke University Press
.
Gupta
,
Akhil
, and
James
Ferguson
.
1997
.
Culture, Power, Place: Explorations in Critical Anthropology
.
Durham, N.C
.:
Duke University Press
.
Gutman
,
Judith Mara
.
1982
.
Through Indian Eyes: Nineteenth and Early Twentieth Century Photography from India
.
New York
:
Oxford University Press/International Center of Photography
.
Haberman
,
David
.
1988
.
Acting as a Way of Salvation: A Study of Raganuga Bhakti Sadhana
.
New York
:
Oxford University Press
.
Habermas
Jürgen
.
1974
. “
The PublicSphere: An Encyclopedia Article
.”
NewGerman Critique
3
(fall):
49
55
.
Habermas
Jürgen
.
1989
.
The Structural Transformation of the Public Sphere
.
Trans. P. Burger and F. Lawrence
.
Cambridge, Mass
.:
MIT Press
.
Hage
,
Ghassan
.
1998
.
White Nation: Fantasies of White Supremacy in a Multicultural Society
.
Sydney
:
Pluto Press
.
Halbertal
,
Moshe
, and
Avishai
Margalit
.
1992
. “
Idolatry and Representation
.”
Res
22
(autumn):
19
32
.
Hansen
,
Kathryn
.
1989
. “
The Birth of Hindi Drama in Banaras, 1868–1885
.” In
Culture and Power in Banaras: Community, Performance and Environment
, ed.
Freitag
,
Sandria
62
92
.
Berkeley
:
University of California Press
.
Hansen
,
Kathryn
.
2001
. “
The Indar Sabha Phenomenon: Public Theatre and Consumption in Greater India (1853– 1956)
.” In
Pleasure and the Nation
, ed.
Dwyer
Rachel
and
Pinney
,
Christopher
76
114
.
Delhi
:
Oxford University Press
.
Hansen
,
Miriam
.
1993a
. “
Early Cinema, Late Cinema: Permutations of the Public Sphere
.”
Screen
34
(
3
)(autumn):
197
222
.
Hansen
,
Miriam
.
1993b
.“
Of Miceand Ducks: Benjamin and Adornoon Disney
.”
South Atlantic Quarterly
92
(
1
)(winter):
28
61
.
Hansen
,
Thomas Blom
.
1999
.
The Saffron Wave: Democracy and Hindu Nationalism in Modern India
.
Princeton, N.J
.:
Princeton University Press
.
Hardgrave
,
Robert L
., Jr.
1969
.
The Nadars of Tamilnad: The Political Culture of a Community in Change
.
Berkeley
:
University of California Press
.
Hardgrove
,
Anne
.
2002
.
CommunityandPublicCulture:TheMarwarisinCalcuttac.1897–1997
.
NewYork
:
Columbia University Press
.
Hardt
,
Michael
.
1993
.
An Apprenticeship in Philosophy: Gilles Deleuze
.
Minneapolis
:
University of Minnesota Press
.
Hardt
,
Michael
, and
Toni
Negri
.
2000
.
Empire
.
Cambridge, Mass
.:
Harvard University Press
.
Harpham
,
Geoffrey Galt
.
1994
. “
Aesthetics and the Fundamentals of Modernity
.” In
Aesthetics and Ideology
, ed.
Levine
,
George
124
49
.
New Brunswick, N.J
.:
Rutgers University Press
.
Haskell
,
T. L.
, and
R. F.
Teichgraeber
III
.
1993
. “
Introduction: The Culture of the Market
.” In
The Culture of the Market: Historical Essays
, ed.
Haskell
T. L
. and
Teichgraeber III
.
R. F
.
Cambridge
:
Cambridge University Press
.
Havell
,
E. B
.
1908
.
Indian Sculpture and Painting
.
London
:
John Murray
.
Hawley
,
John Stratton
.
1995
. “
The Saints Subdued: Domestic Virtue and National Integration”
In
Amar Chitra Katha.” In Media and the Transformation of Religion in South Asia,
ed.
Babb
Lawrence
and
Wadley
,
Susan S
.
107
34
.
Philadelphia
:
University of Pennsylvania Press
.
Hefner
,
Robert W
.
1998
. Introduction to
Market Cultures: Society and Morality in the New Asian Capitalisms
, ed.
Hefner
,
Robert W
.
1
40
.
Boulder, Colo
.:
Westview Press
.
Hegel
,
G. W. F
.
1967
.
The Philosophy of Right
.
Trans. T. M. Knox
.
Oxford
:
Oxford University Press
.
Hegel
,
G. W. F
.
1975
.
Aesthetics, Lectures on Fine Art
.
Trans. T. M. Knox
.
Oxford
:
Clarendon Press
.
Heller
,
Agnes
.
1992
. “
Modernity’s Pendulum.”
Thesis Eleven
31
:
1
13
.
Horstmann
,
Monika
.
1995
. “
Towards a Universal Dharma: Kalyan and the Tracts of the Gita Press
.” In
Representing Hinduism: The Construction of Religious Tradition and National Identity
, ed.
Dalmia
V
. and
Stietencron
,
H. von
294
305
.
New Delhi
:
Sage
.
Huyssen
,
Andreas
.
1986
. “
Mass Culture as Woman: Modernism’s Other
.” In
After the Great Divide: Modernism, Mass Culture, Postmodernism
.
Bloomington
:
Indiana University Press
.
Inden
,
Ronald
.
2000
. “
Imperial Puranas: Kashmir as Vaisnava Center of the World
.” In
Querying the Medieval: Texts and the History of Practices in South Asia
, ed.
Ronald
Inden
,
Jonathan
Walters
, and
Daud
Ali
,
29
98
.
Oxford
:
Oxford University Press
.
Inglis
,
Stephen
.
1995
. “
Suitable for Framing: The Work of a Modern Master
.” In
Media and the Transformation of Religion in South Asia
, ed.
Babb
Lawrence
and
Wadley
,
Susan S
.
51
75
.
Philadelphia
:
University of Pennsylvania Press
.
Jain
,
Jyotindra
.
1999
.
Kalighat Painting: Images from a Changing World
.
Ahmedabad
:
Mapin Publishing
.
Jain
,
Kajri
.
1995
. “
Of the Everyday and the National Pencil: Calendars in Postcolonial India.”
Journal of Arts and Ideas
27
28
:
57
89
.
Jain
,
Kajri
.
1996
. “
Calendar Art: A ‘Background.’
” In
Of Women: Icons/Stars/Feasts (catalogue for exhibition curated by Pooja Sood)
.
New Delhi
:
Eicher Gallery (with Kali for Women)
.
Jain
,
Kajri
.
1997
. “
Producing the Sacred: The Subjects of Calendar Art.” In “Sites of Art History: Canons and Expositions
,” ed.
Guha-Thakurta
,
Tapati
special issue,
Journal of Arts and Ideas
30
31
(
December
):
63
88
.
Jain
,
Kajri
.
2003
. “
Imagined and Performed Locality: TheTelevisual Field in a North Indian Industrial Town
.”
Unpublished paper
.
Jain
,
Madhu
.
2001
. “
Kitsch Kitsch Hota Hai: Kitsch and the Contemporary Imagination
.” In
Kitsch Kitsch Hota Hai (exhibition catalog)
, ed.
Habitat Centre
India
.
New Delhi
:
India Habitat Centre
.
Jameson
,
Fredric
.
1986
. “
Third World Literature inthe Eraof Multinational Capital
.”
Social Text
15
(autumn):
65
88
.
Jay
,
Martin
.
1993
.
Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought
.
Berkeley
:
University of California Press
.
Jay
,
Martin
.
1996
. “
Response to Visual Culture Questionnaire
.”
October
77
:
44
.
Jayamanne
,
Laleen
.
1999
. “
A Slapstick Time: Mimetic Convulsion, Convulsive Knowing
.” In
Falling for You: Essays on Cinema and Performance
, ed.
Kouvaros
George
and
Stern
,
Lesley
105
45
.
Sydney
:
Power Publicaions
.
Jenyns
,
R. Soame
.
1980
.
Chinese Art III
.
New York
:
Rizzoli
.
Juneja
,
Monica
.
1997
. “
Reclaiming the Public Sphere: Husain’s Portrayals of Saraswati and Draupadi
.”
Economic and Political Weekly
,
25
January
,
155
57
.
Kakar
,
Sudhir
.
1986
. “
Erotic Fantasy: The Secret Passion of Radha and Krishna
.” In
The Word and the World: Fantasy, Symbol and Record
, ed.
Das
,
Veena
75
94
.
New Delhi
:
Sage
.
Kale
,
Pramod
.
1979
. “
Ideas, Ideals and the Market: A Study of Marathi Films
.”
Economic and Political Weekly
,
1
September
,
1511
20
.
Kale
,
V. T
.
1989
.
S. M. Pandit: A Biography
.
Bangalore
:
Karnataka Lalithakala Academy
.
Kant
,
Immanuel
.
1987
.
Critique of Judgment
.
Trans. Werner S. Pluhar
.
Indianapolis
:
Hackett
.
Kapur
,
Anuradha
.
1990
.
Actors, Pilgrims and Gods: The Ramlila at Ramnagar
.
Calcutta
:
Seagull Books
.
Kapur
,
Anuradha
.
1993a
. “
Deity to Crusader: The Changing IconographyofRam
.”In
Hindus and Others
,ed.
Pandey
,
Gyanendra
79
109
.
New Delhi
:
Viking
.
Kapur
,
Anuradha
.
1993b
. “
The Representation of Gods and Heroes: Parsi Mythological Drama of the Early Twentieth Century
.”
Journal of Arts and Ideas
23
24
(
January
):
85
107
.
Kapur
,
Geeta
.
1989
. “
Ravi Varma: Representational Dilemmas of a Nineteenth-Century Indian Painter
.”
Journal of Arts and Ideas
17
18
(
June
):
59
80
.
Kapur
,
Geeta
.
1993a
.“
RaviVarma’sUnframedAllegory
.”In
RajaRaviVarma
:NewPerspectives(
exhibitioncatalogue
), ed.
Sharma
R. C
. and
Chawla
,
Rupika
96
103
.
New Delhi
:
National Museum
.
Kapur
,
Geeta
.
1993b
. “
Revelation and Doubt: Sant Tukaram and Devi
.” In
Interrogating Modernity: Culture and Colonialism in India
, ed.
Tejaswini
Niranjana
,
P.
Sudhir
, and
Vivek
Dhareshwar
,
19
46
.
Calcutta
:
Seagull Books. (Revised version of “Mythic Material in Indian Cinema,” Journal of Arts and Ideas 14–15[ 1987]: 79–108.)
Kapur
,
Geeta
.
2002
.
Bhupen Khakhar
.
Exhibition catalogue for retrospective show on Bhupen Khakar, Museo Nacional Centro de Arte Reina Sofia, Madrid
.
Kaur
,
Raminder
.
2000
. “
Rethinking the Public Sphere: The Ganapati Festival and Media Competitions in Mumbai
.”
Polygraph
12
:
137
58
.
Kearney
,
Richard
,
ed.
1984
.
Dialogues with Contemporary Thinkers
.
Manchester
:
Manchester University Press
.
Kesavan
,
B. S
.
1985
.
History of Printing and Publishing in India
. Vol.
1
.
New Delhi
:
National Book Trust
.
Khadilkar
,
Shriram
.
1991
. “
Aata Keval Swatah Satheech Painting Karnar” [Now I shall only paint for myself ]
.
Maharashtra Times (Marathi edition)
,
24
August
.
Khanna
,
Balraj
.
1993
.
Kalighat: Indian Popular Painting 1800–1930
.
Boston
:
Redstone Press
.
Kling
,
Blair
.
1992
. “
The Origin of the Managing Agency System in India
.” In
Entrepreneurship and Industry in India, 1800–1947
, ed.
Ray
,
Rajat K
.
83
98
.
Delhi
:
Oxford University Press
.
Kopytoff
,
Igor
.
1986
. “
The Cultural Biography of Things: Commoditization as Process
.” In
The Social Life of Things: Commodities in Cultural Perspective
, ed.
Appadurai
,
Arjun
64
91
.
Cambridge
:
Cambridge University Press
.
Krauss
,
Rosalind
.
1996
. “
Informe without Conclusion
.”
October
78
(fall):
89
105
.
Krishnamoorthi
,
Janaki
.
1994
1995
. “
Wall Art
.”
Metropolis on Saturday
(
India
),
31
December
1
January
.
Kumar
,
Nita
.
1988
.
The Artisans of Banaras: Popular Culture and Identity, 1880–1986
.
Princeton, N.J
.:
Princeton University Press
.
Kumar
,
Nita
.
2000
.
Lessons from Schools: The History of Education in Banaras
.
New Delhi
:
Sage
.
Laclau
,
Ernesto
, and
Chantal
Mouffe
.
1985
.
Hegemony and Socialist Strategy
.
London
:
Verso
.
Lash
,
Scott
, and
John
Urry
.
1987
.
The End of Organised Capitalism
.
Madison
:
University of Wisconsin Press
.
Lefort
,
Claude
.
1986
. “
The Image of the Body and Totalitarianism
.” In
The Political Forms of Modern Society
,
293
306
.
Oxford
:
Polity Press
.
Lingis
,
Alphonso
.
1994
. “
Faces, Idols, Fetishes
.” In
The Community of Those Who Have Nothing in Common
,
39
67
.
Bloomington
:
University of Indiana Press
.
Lutgendorf
,
Philip
.
1995
. “
All in the (Raghu) Family
.” In
Media and the Transformation of Religion in South Asia
, ed.
Babb
Lawrence A
. and
Wadley
,
Susan S
.
217
53
.
Philadelphia
:
University of Pennsylvania Press
.
Lutgendorf
,
Philip
.
2001
. “
Evolving a Monkey: Hanuman, Poster Art and Postcolonial Anxiety
.” In
Beyond Appearances
, ed.
Ramaswamy
,
Sumathi
71
112
.
New Delhi
:
Sage
.
Lyons
,
Tryna
.
1997
. “
Women Artists of the Nathadwara School
.” In
Representing the Body: Gender Issues in Indian Art
, ed.
Dehejia
,
Vidya
102
123
.
New Delhi
:
Kali for Women
.
Lyotard
,
Jean-François
.
1977
. “
Energumen Capitalism
.”
Semiotext(e)
2
(
3
):
11
26
.
Lyotard
,
Jean-François
.
1988
.
The Differend: Phrases in Dispute
.
Trans. George Van Den Abbeele
.
Manchester
:
Manchester University Press
.
Lyotard
,
Jean-François
.
1993
.
Libidinal Economy
.
Trans. I. H. Grant
.
Bloomington
:
Indiana University Press
.
Macpherson
,
C. B
.
1962
.
The Political Theory of Possessive Individualism: Hobbes to Locke
.
Oxford
:
Clarendon. Press
.
Maduro
,
Renaldo
.
1976
.
Artistic Creativity in a Brahmin Painter Community
.
Berkeley
:
University of California Press
.
Mahadevan
,
Raman
.
1984
. “
Entrepreneurship and Business Communities in Colonial Madras, 1900–1929: Some Preliminary Observations
.” In
Business Communities of India: A Historical Perspective
, ed.
Dwijendra Tripathi. New Delhi
:
Manohar
.
Mani
,
Lata
.
1998
.
Contentious Traditions: The Debate on Sati in Colonial India
.
Berkeley
:
University of California Press
.
Mani
,
V. R
.
1995
. “
Admirers Deify Shorthand Inventor
.”
The Times of India
,
7
July
.
Mankekar
,
Purnima
.
1999
.
Screening Culture, Viewing Politics: An Ethnography of Television, Womanhood and Nation in Postcolonial India
.
Durham, N.C
.:
Duke University Press
.
Marfatia
,
Mridula I
.
1967
.
The Philosophy of Vallabhacharya
.
Delhi
:
Munshiram Manoharlal
.
Marjit
,
Sugata
.
1994
. “
Trade Related Intellectual Property Rights and gatt: A Theoretical Evaluation
.”
Economic and Political Weekly
,
31
December
,
3327
32
.
Markovits
,
Claude
.
2000
.
The Global World of Indian Merchants, 1750–1947
.
Cambridge
:
Cambridge University Press
.
Marriot
,
McKim
.
1976
.“
HinduTransactions: Diversitywithout Dualism
.”In
Transaction and Meaning:Direc-tions in the Anthropology of Exchange and Symbolic Behaviour
, ed.
Kapferer
,
Bruce
109
42
.
Philadelphia
:
ISHI
.
Marx
,
Karl
.
1974
.
Grundrisse:Foundations of theCritique of PoliticalEconomy
.
Trans.Martin Nicolaus
.
Harmondsworth
:
Penguin Books
.
Marx
,
Karl
.
1976
.
Capita
l
. Vol.
1
.
Trans Ben Fowkes
.
Harmondsworth
:
Penguin/New Left Review
.
Masselos
,
Jim
.
1991
. “
Appropriating Urban Space: Social Constructs of Bombay in the Time of the Raj
.”
South Asia
14
(
1
):
33
63
.
Massumi
,
Brian
.
1992
.
User’s Guide to Capitalism and Schizophrenia
.
Cambridge, Mass
.:
mit Press
.
Massumi
,
Brian
.
1995
. “
The Autonomy of Affect
.”
Cultural Critique
(fall):
83
109
.
Mauss
,
Marcel
.
1967
.
The Gift: Forms of Exchange in Archaic Societies
.
Trans. Ian Cunnison
.
New York
:
Norton
.
Mazzarella
,
William
.
2003
.
Shoveling Smoke: Advertising and Globalization in Contemporary India
.
Durham, N.C
.:
Duke University Press
.
McDowell
,
StephenD
.
1997
. “
Globalization and Policy Choice: Television and Audiovisual Services Policies in India
.”
Media, Culture and Society
19
(
2
) (
March
):
151
72
.
McLeod
,
W. H
.
1991
.
Popular Sikh Art
.
Delhi
:
Oxford University Press
.
McNay
,
Lois
.
1999
. “
Gender, Habitus and the Field: Pierre Bourdieu and the Limits of Reflexivity
.”
Theory, Culture and Society
16
(
1
):
95
117
.
Minissale
,
Gregory
.
2000
. “
The Synthesis of European and Mughal Art in the Emperor Akbar’s Khamsa of Nizami
.”
Asianart.com
,
Mirzoeff
,
Nicholas
.
1999
.
An Introduction to Visual Culture
.
London
:
Routledge
.
Mitchell
,
W. J. T
.
1994
.
Picture Theory: Essays in Verbal and Visual Representation
.
Chicago
:
University of Chicago Press
.
Mitter
,
Partha
.
1977
.
Much Maligned Monsters: History of European Reactions to Indian Art
.
Oxford
:
Clarendon Press
.
Mitter
,
Partha
.
1994
.
Art and Nationalism in Colonial India, 1850–1922: Occidental Orientations
.
Cambridge
:
Cambridge University Press
.
Modi
,
Balchand
.
1940
.
Desh ke Hihas Mein Marwari Jati Kasthan
.
Calcutta
.
Mukhia
,
Harbans
.
1976
. “
The Ideology of the Bhakti Movement: The Case of Dadu Dayal
.” In
History and Society
, ed.
Chattopadhyaya
.
Debiprasad
Calcutta
:
K. P. Bagchi
.
Naipaul
,
V. S
.
1979
.
India: A Wounded Civilization
.
Harmondsworth
:
Penguin
.
Neale
,
Stephen
.
1980
.
Genre
.
London
:
BFI
.
Needham
,
Gerald
.
1988
.
19th Century Realist Art
.
New York
:
Harper and Row
.
Nehru
,
Jawaharlal
.
1980
.
Speech at the opening of the Nangal Canal, 8 July 1954
. In
Jawaharlal Nehru: An Anthology
, ed.
Gopal
,
Sarvepalli
213
15
.
Delhi
:
Oxford University Press
.
Nivedita
,
Sister
.
1993
. “
The Function of Art in Shaping Nationality
.” In
Raja Ravi Varma: New Perspectives (exhibition catalogue)
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
147
53
.
New Delhi
:
National Museum. Originally published In The Modern Review, January 1907
.
Nochlin
,
Linda
.
1971
.
Realism
.
Harmondsworth
:
Penguin Books
.
O’Neil
,
W. M
.
1975
. “
Indian Calendars
.” In
Time and the Calendars
.
Sydney
:
Sydney University Press
.
Pachori
,
Satya A
.,
ed.
1993
.
Sir William Jones: A Reader
.
Delhi
:
Oxford University Press
.
Page
,
David
, and
William
Crawley
.
2001
.
Satellites Over South Asia: Broadcasting, Culture and the Public Interest
.
New Delhi
:
Sage
.
Pai
,
Shirish
.
1989
. “
Chitrakaleche ‘Pandit’—S. M. Pandit” [“Pandit” of fine arts—S. M. Pandit]
.
Loksatta (“Kala Kunj” section)
,
28
January
.
Paliwal
,
Vidya
. n.d. “
Bio-data of Shri B. G. Sharma
.”
Handout of the B. G. Sharma Art Gallery handout. (Also published in Hindi as “Anutha Hai B. G. Sharma ka Chitra Sansar,”
31
July
1994
.)
Pandey
,
Gyanendra
.
1990
.
The Construction of Communalism in Colonial North India
.
Delhi
:
Oxford University Press
.
Pandian
,
M. S. S
.
1992
.
The Image Trap: M. G. Ramachandran in Film and Politics
.
New Delhi
:
Sage
.
Pandit
,
S. M
.
1981
.
Inaugural speech (Marathi) for the 22nd Maharashtra State Arts Exhibition
,
7
November
,
courtesy Baburao Sadwelkar
.
Panofsky
,
Erwin
.
1955
. “
Iconology and Iconography: An Introduction to the Study of Renaissance Art
.” In
Meaning in the Visual Arts
.
New York
:
Doubleday
.
Parry
,
Jonathan
.
1986
. “
The Gift, the Indian Gift and the ‘Indian Gift
.’”
Man
21
(
3
):
453
73
.
Parry
,
Jonathan
.
1989
. “
On the Moral Perils of Exchange
.” In
Money and the Morality of Exchange
, ed.
Parry
J
. and
Bloch
.
M
.
Cambridge
:
Cambridge University Press
.
Pattrea
,
Purnendu
.
1983
. “
The Continuity of the Battala Tradition: An Aesthetic Revaluation
.”
Woodcut Prints of Nineteenth-Century Calcutta
, ed.
Paul
,
Asit
50
79
.
Calcutta
:
Seagull Books
.
Paul
,
Ashit
,
ed.
1983
.
Woodcut Prints of Nineteenth-Century Calcutta
.
Calcutta
:
Seagull Books
.
Peabody
,
Norbert
.
1991
. “
In Whose Turban Does the Lord Reside?: The Objectification of Charisma and the Fetishism of Objects in the Hindu Kingdom of Kota
.”
Comparative Studies in Society and History
33
(
4
):
726
54
.
Perlin
,
Frank
.
1983
. “
Proto-Industrialisation and Pre-Colonial South Asia
.”
Past and Present
98
(
February
):
30
95
.
Pietz
,
William
.
1985
. “
Problem of the Fetish
.”
Part 1
.
Res
9
(spring):
5
17
.
Pietz
,
William
.
1987
. “
Problem of the Fetish
.” Part 2.
Res
13
(spring):
23
45
.
Pietz
,
William
.
1988
. “
Problem of the Fetish
.” Part 3a.
Res
16
(autumn):
105
23
.
Pietz
,
William
.
1993
. “
Fetishism and Materialism
.” In
Fetishism as Cultural Discourse
, ed.
Apter
Emily
and
Pietz
,
William
119
51
.
Ithaca, N.Y
.:
Cornell University Press
.
Pinney
,
Christopher
.
1997a
. “
The Nation (Un) Pictured? Chromolithography and ‘Popular’Politics in India, 1878–1995
.”
Critical Inquiry
23
(summer):
834
67
.
Pinney
,
Christopher
.
1997b
.
Camera Indica: The Social Lives of Indian Images
.
London
:
Reaktion
,
1997b
.
Pinney
,
Christopher
.
1999
. “
Indian Magical Realism: Notes on PopularVisual Culture
.” In
Subaltern Studies X
,ed.
Gautam
Bhadra
,
Gyan
Prakash
, and
Susie
Tharu
,
201
33
.
New Delhi
:
Oxford University Press
.
Pinney
,
Christopher
.
2004
.
“ Photos of the Gods ”: The Printed Image and Political Struggle in India
.
London
:
Reaktion Books
.
Pocock
,
J.G. A
.
1975
.
The Machiavellian Moment: Florentine Political Thought and the Atlantic Republican Tradition
.
Princeton, N.J
.:
Princeton University Press
.
Polanyi
,
Karl
,
1944
.
The Great Transformation
.
New York
:
Rinehart
.
Prakash
,
Gyan
.
1999
.
Another Reason: Science and the Imagination of Modern India
.
Princeton, N.J
.:
Princeton University Press
.
Prakash
,
Gyan
.
2002
. “
The Urban Turn
.” In Sarai Reader 2002:
The Cities of Everyday Life
,
2
7
.
Delhi
:
Sarai: The New Media Initiative; Amsterdam: Society for Old and New Media
.
Prasad
,
M. Madhava
.
1993
. “
Cinema and the Desire for Modernity
.”
Journal of Arts and Ideas
25
2
6
(
December
):
71
86
.
Prasad
,
M. Madhava
.
1998
.
Ideology of the Hindi Film: A Historical Construction
.
New Delhi
:
Oxford University Press
.
Preziosi
,
Donald
.
1998
. “
The Art of Art History
.” In
The Art of Art History: A Critical Anthology
, ed.
Preziosi
Donald
.
Oxford
:
Oxford University Press
.
Pritchett
,
Frances W
.
1995
. “
The World of Amar Chitra Katha
.” In
Media and the Transformation of Religion in South Asia
, ed.
Babb
Lawrence
and
Wadley
,
Susan S
.
76
106
.
Philadelphia
:
University of Pennsylvania Press
.
Qureshi
,
Regula Burckhardt
.
1995
. “
Recorded Sound and Religious Music: The Case of Qawwali
.” In
Media and the Transformation of Religion in South Asia
, ed.
Babb
Lawrence
and
Wadley
,
Susan S
.
139
66
.
Philadelphia
:
University of Pennsylvania Press
.
Radhakrishnan
,
S
.
1948
.
Indian Philosophy
. Vol.
1
.
London
:
George Allen and Unwin
.
Radhakrishnan
,
S
.
, and
Moore
.
Charles A
.
1957
.
A Sourcebook in Indian Philosophy
.
Princeton, N.J
.:
Princeton University Press
.
Rajadhyaksha
,
Ashish
.
1986
. “
Neo-Traditionalism: Film as Popular Art in India
.”
Framework
32
33
:
20
67
.
Rajadhyaksha
,
Ashish
.
1990
. “
Beaming Messages to the Nation
.”
Journal of Arts and Ideas
19
(
May
):
33
52
.
Rajadhyaksha
,
Ashish
.
1993a
. “
The Epic Melodrama
.”
Journal of Arts and Ideas
25
2
6
(
December
):
55
70
.
Rajadhyaksha
,
Ashish
.
1993b
. “
The Phalke Era: Conflict of Traditional Form and Modern Technology
.” In
Interrogating Modernity: Culture and Colonialism in India
, ed.
Tejaswini
Niranjana
,
P.
Sudhir
,
Vivek
Dhareshwar
,
47
82
.
Calcutta
:
Seagull Books. (Revised version of earlier article with the same title, Journal of Arts and Ideas 14–15[ 1987]: 47–78.)
Rajadhyaksha
,
Ashish
, and
Paul
Willemen
, eds.
1994
.
Encyclopedia of Indian Cinema
.
New Delhi
:
Oxford University Press and BFI Publishing
.
Rajagopal
,
Arvind
.
1993
.“
TheRiseofNationalProgramming: TheCaseofIndianTelevision
.”
Media, Culture and Society
15
(
January
):
91
111
.
Rajagopal
,
Arvind
.
1994
. “
Ram Janmabhoomi, Consumer Identity and Image-Based Politics
.”
Economic and Political Weekly
,
2
July
,
1659
68
.
Rajagopal
,
Arvind
.
2001
.
Politics after Television
.
Cambridge
:
Cambridge University Press
.
Rajagopal
,
Ranjani
.
1993
. “
Ravi Varma: A Biographical Sketch
.” In
Raja Ravi Varma: New Perspectives (exhibition catalogue)
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
126
42
.
New Delhi
:
National Museum
.
Raker
,
Joseph W.
, and
Ramashanker
Shukla
.
2002
.
English-Hindi/Hindi-English Dictionary
.
Delhi
:
Star Publications
.
Ramachandran
,
A
.
1993
. “
Raja Ravi Varma Exhibition—A Prologue
.” In
Raja Ravi Varma: New Perspectives
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
13
23
.
New Delhi
:
National Museum
.
Ramakrishnan
,
S
.
1983
. “
Shri Ghanshyamdasji—Some Glimpses
.”
Bhavan’s Journal
,
1
June
,
8
22
.
Ramalingam
,
Aparna
.
2001
. “
From Porn to Vern
.”
Business Today
,
2
June
.
Ramaswamy
,
Sumathi
.
1997
.
Passions of the Tongue: Language Devotion in Tamil India, 1891–1970
.
Berkeley
:
University of California Press
.
Ramaswamy
,
Sumathi
.
2003
. “
Visualising India’s Geo-Body
.” In
Beyond Appearances: Visual Practices and Ideologies in Modern India
, ed.
Ramaswamy
Sumathi
151
90
.
New Delhi
:
Sage
.
Ray
,
Niharranjan
.
1973
.
Idea and Image in Indian Art
.
Delhi
:
Munshiram Manoharlal
.
Ray
,
Niharranjan
.
1974
.
An Approach to Indian Art
.
Chandigarh
:
Panjab University
.
Ray
,
Pranabranjan
.
1983
. “
Printmaking by Woodblock up to 1901: A Social and Technological History
.” In
Woodcut Prints of Nineteenth-Century Calcutta
, ed.
Paul
,
Ashit
80
107
.
Calcutta
:
Seagull Books
.
Ray
,
Rajat Kanta
.
1979
.
Industrialization in India: Growth and Conflict in the Private Corporate Sector
:
1914
47
.
Delhi
:
Oxford University Press
.
Ray
,
Rajat Kanta
.
1984
. “
The Bazaar: Indigenous Sector of the Indian Economy
.” In
Business Communities of India: A Historical Perspective
, ed.
Tripathi
,
Dwijendra
241
67
.
Delhi
:
Manohar
.
Ray
,
Rajat Kanta
.
1992
.Introductionto
Entrepreneurshipand IndustryinIndia1800–194
7
, ed.
Ray
,
Rajat Kanta
1
69
.
Delhi
:
Oxford University Press
.
Rossi
,
Barbara
.
1998
.
From the Ocean of Painting: India’s Popular Paintings, 1589 to the Present
.
New York
:
Oxford University Press
.
Roy
,
Parama
.
1998
.
Indian Traffic: Identities in Question in Colonial and Postcolonial India
.
New Delhi
:
Sage
.
Rudner
,
David West
.
1994
.
Caste and Capitalism in Colonial India: The Nattukottai Chettiars
.
Berkeley
:
University of California Press
.
Rush
,
Dana
.
1999
. “
Eternal Potential: Chromolithographs in Vodunland
.”
African Arts
32
(
4
) (winter):
60
75
.
Sangari
,
Kumkum
.
1990
. “
Mirabai and the Spiritual Economy of Bhakti
.” Parts 1 and 2.
Economic and Political Weekly
,
7
July
,
1464
75
;
14
July
,
1537
52
.
Saraf
,
Babli Moitra
.
2002
.
Language, Advertising and Society: An Analysis of Language Change in the Advertising Industry in India 1984–94
.
New Delhi
:
Department of Sociology, Jamia Millia Islamia University
.
Sarkar
,
Nikhil
.
1983
. “
Calcutta Woodcuts: Aspects of a Popular Art
.” In
Woodcut Prints of Nineteenth-Century Calcutta
, ed.
Paul
,
Ashit
11
49
.
Calcutta
:
Seagull Books
.
Schechner
,
Richard
.
1983
.
Performative Circumstances from the Avant-garde to the Ramlila
.
Calcutta
:
Seagull Books
.
Sedgwick
,
Eve Kosofsky
.
1990
.
Epistemology of the Closet
.
Berkeley
:
University of California Press
.
Seizer
,
Susan
.
2005
.
Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India
.
Durham, N.C
.:
Duke University Press
.
Shah
,
J. G
.
1978
.
Shri Vallabhacharya and God-Realisation
.
Patan
:
Pushti Margiya Pathshala
.
Sharma
,
R.C
.
, and
Chawla
,
Rupika
eds.
1993
.
Raja Ravi Varma: New Perspectives (exhibition catalogue)
.
New Delhi
:
National Museum
.
Shaviro
,
Steven
.
1993
.
The Cinematic Body: Film Theory and Visual Fascination
.
Minneapolis
:
University of Minnesota Press
.
Sheikh
,
Gulam Mohammed
.
1993
. “
Ravi Varma in Baroda
.” In
Raja Ravi Varma: New Perspectives (exhibition catalogue)
, ed.
Sharma
R. C
. and
Chawla
,
Rupika
77
85
.
New Delhi
:
National Museum
.
Sherman
,
Sandra
.
1996
.
Finance and Fictionality in the Early Nineteenth Century: Accounting for Defoe
.
Cambridge
:
Cambridge University Press
.
Singh
,
Ajay
.
1999
. “
Burned by Home Fires
.”
Asiaweek
,
15
January
.
Sinha
,
Mrinalini
.
1995
.
Colonial Masculinity: The “ Manly Englishman ” and the “Effeminate Bengali” in the Late Nineteenth Century
.
Manchester
:
Manchester University Press
.
Sinha
,
Narendra Krishna
.
1992
. “
Indian Business Enterprise: Its Failure in Calcutta (1800–1848)
.” In
Entrepreneurship and Industry in India: 1800–1947
, ed.
Ray
,
Rajat K
.
70
82
.
New Delhi
:
Oxford University Press
.
Sivaramamurti
,
C
.
1978
.
Chitrasutra of the Vishnudharmottara
.
New Delhi
:
Kanak Publications
.
Smith
,
Adam
.
1904
.
An Inquiry into the Nature and Causes of the Wealth of Nations
.
London
:
Methuen
.
Smith
,
H. Daniel
.
1988
.
Field notes for project titled
IndianPoster ArtinRelationto ContemporaryHinduism
.”
Smith Poster Archive, Special Collections Research Center
,
Syracuse University Library
.
Smith
,
H. Daniel
.
1994
.
The Smith Poster Archive, A Study Collection: User’s Guide
.
Syracuse, N.Y
.:
self-published
.
Smith
,
H. Daniel
.
1995
. “
Impact of ‘God Posters’ on Hindus and Their Devotional Traditions
.” In
Media and the Transformation of Religion in South Asia
, ed.
Babb
Lawrence
and
Wadley
.
Susan S
.
Philadelphia
:
University of Pennsylvania Press
.
Solomon
,
W. E. Gladstone
.
1924
?
The Bombay Revival of Indian Art: A Descriptive Account of the Indian Room Constructed and Decorated by the Staff and Students of the School of Art
.
Bombay
:
J. J. School of Art
.
Solomon
,
W. E. Gladstone
.
1926
.
The Charm of Indian Art
.
London
:
T. Fisher Unwin
.
Spivak
,
Gayatri Chakravorty
.
1985
. “
Scattered Speculations on the Question of Value
.”
Diacritics
15
(
4
) (winter):
73
93
.
Spivak
,
Gayatri Chakravorty
.
1988
. “
Can the Subaltern Speak?
” In
Marxism and the Interpretation of Culture
, ed.
Nelson
Cary
and
Grossberg
,
Lawrence
271
313
.
London
:
Macmillan
.
Srinivas
,
S. V
.
,
1996
. “
Devotion and Defiance in Fan Activity
.”
Journal of Arts and Ideas
29
(
January
):
67
83
.
Srivastava
,
Sanjay
.
2004
. “
Voice, Gender and Space in the Time of Five-Year Plans: The Idea of Lata Mangeshkar
.”
Economic and Political Weekly
,
17
February
:
2019
28
.
Srivatsan
,
R
.
1991
. “
Looking at Film Hoardings: Labour, Gender, Subjectivity and Everyday Life in India
.”
Public Culture
4
(
1
) (fall):
1
23
.
Srivatsan
,
R
.
1993
. “
Imaging Truth and Desire: Photography and the Visual Field in India
.” In
Interrogating Modernity: Culture and Colonialism in India
, ed.
Tejaswini
Niranjana
,
P.
Sudhir
, and
Vivek
Dhareshwar
.
Calcutta
:
Seagull Books
.
Stam
,
Robert
.
2000
.
Film Theory
.
Oxford
:
Blackwell
.
Stoler Miller
,
Barbara
.
1992
.
The Powers of Art: Patronage in Indian Culture
.
Delhi
:
Oxford University Press
.
Subrahmanyam
,
Sanjay
.
1990
. Introduction to
Merchants, Markets and the State in Early Modern India
, ed.
Subrahmanyam
,
Sanjay
1
17
.
Delhi
:
Oxford University Press
.
Subrahmanyam
,
Sanjay
.
1994
.Introduction to
Moneyandthe Marketin India1100–1700
, ed.
Subrahmanyam
,
Sanjay
1
56
.
Delhi
:
Oxford University Press
.
Subrahmanyam
,
S.
, and
C. A.
Bayly
.
1990
.
Portfolio Capitalists and the Political Economy of Early Modern India
.” In
Merchants, Markets, and the State in Early Modern India
, ed.
Sanjay
Subrahmanyam
,
242
65
.
Delhi
:
Oxford University Press
.
Subramanian
,
V
.
1987
. “
Karmayoga and the Rise of the Indian Middle Class
.”
Journal of Arts and Ideas
14
15
(
July–December
):
133
42
.
Sunder Rajan
,
Rajeshwari
.
1993
.
Real and Imagined Women: Gender, Culture and Postcolonialism
.
London
:
Routledge
.
Swami
,
M. M
.
, ed.
1994
.
Sivakasi Mini Japan: Directory 1994
.
Sridevi Publications
:
Sivakasi
.
Swaminathan
,
J
.
1963
. “
Manifesto
.” In
exhibition catalogue for Group 1890 show, Rabindra Bhavan
,
New Delhi
.
Tambiah
,
S. J
.
1984
.
The Buddhist Saints of the Forest and the Cult of the Amulets
.
Cambridge
:
Cambridge University Press
.
Taussig
,
Michael
.
1993a
. “
Maleficium: State Fetishism.” In Fetishism as Cultural Discourse
, ed.
Apter
Emily
and
Pietz
,
William
217
47
.
Ithaca N.Y
.:
Cornell University Press
.
Taussig
,
Michael
.
1993b
.
Mimesis and Alterity: A Particular History of the Senses
.
New York
:
Routledge
.
Taussig
,
Michael
.
1997
.
The Magic of the State
.
New York
:
Routledge
.
Taussig
,
Michael
.
1999
.
Defacement: Public Secrecy and the Labor of the Negative
.
Stanford, Calif
.:
Stanford University Press
.
Templeman
,
Dennis
.
1996
.
The Northern Nadars of Tamil Nadu: An Indian Caste in the Process of Change
.
Delhi
:
Oxford University Press
.
Tharu
,
Susie
, and
Lalitha
.
K
.
1995
. “
Literature of the Ancient and Medieval Periods: Reading Against the Orientalist Grain
.” In
Women Writing in India: 600 B.C. to the Present
, ed.
Tharu
Susie
and
Lalitha
,
K
.
41
64
. Vol.
1
.
Delhi
:
Oxford University Press
.
Thomas
Elsaesser
.
1987
. “
Tales of Sound and Fury: Observations on the Family Melodrama
.” In
Home Is Where the Heart Is: Studies in Melodrama and the Women’s Film
, ed.
Gledhill
,
Christine
43
69
.
London
:
BFI
.
Thomas
,
Nicholas
.
1991
.
Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific
.
Cambridge, Mass
.:
Harvard University Press
.
Thomas
,
Rosie
.
2005
. “
Zimbo and Son Meet the Girl with a Gun
.” In
Living Pictures: Perspectives on the Film Poster in India
, ed.
Blamey
David
and
D’Souza
,
Robert
27
44
.
London
:
Open Editions
.
Thompson
,
E. P
.
1991
.
Customs in Common
.
London
:
Merlin Press
.
Thompson
,
John B
.
1990
.
Ideology and Modern Culture: Critical Social Theory in the Era of Mass Communication
.
Oxford
:
Polity Press
.
Tillotson
,
G. H. R
.
1991
. “
The Indian Picturesque: Images of India in British Landscape Painting, 1780– 1880
.” In
An Illustrated History of Modern India: 1600–1947
, ed.
Bayly
,
C. A
.
141
51
.
Bombay
:
Oxford University Press
.
Timberg
,
Thomas A
.
1978
.
The Marwaris: From Traders to Industrialists
.
New Delhi
:
Vikas
.
Timberg
,
Thomas A
.
1992
. “
Three Types of the Marwari Firm
.” In
Entrepreneurship and Industry in India, 1800–1947
, ed.
Ray
,
R. K
.
127
56
.
Delhi
:
Oxford University Press
.
Tripathi
,
Dwijendra
, and
Makarand
Mehta
.
1990
.
Business Houses in Western India: A Study in Entrepreneurial Response, 1850–1956
.
London
:
Jaya Books
.
Tuli
,
Neville
.
2002
.
India: A Historical Lila
.
Ahmedabad
:
Mapin Publishing
.
Turner
,
Victor
, and
Turner
.
Edith
1978
.
Image and Pilgrimage in Christian Culture
.
New York
:
Columbia University Press
.
Tyler
,
Stephen A
.
1984
. “
The Vision Quest in the West, or What the Mind’s Eye Sees
.”
Journal of Anthropological Research
40
(
1
) (spring):
23
40
.
Uberoi
,
Patricia
.
1990
. “
Feminine Identity and National Ethos in Indian Calendar Art
.”
Economic and Political Weekly
,
28
April
,
WS41
48
.
Uberoi
,
Patricia
.
1996
. “
From Goddess to Pin-Up: Icons of Femininity in Indian Calendar Art, 1955–1995
.” In
Of Women: Icons/Stars/Feasts (catalogue for exhibition curated by Pooja Sood)
.
New Delhi
:
Eicher Gallery (with Kali for Women)
.
Uberoi
,
Patricia
.
1999
2000
. “
Times Past: Gender and the Nation in ‘Calendar Art.’
Indian Horizons
46
(
4
) and
47
(
1
):
24
39
.
Vachani
,
Lalit
.
1999
. “
Bachchan-alias: The Many Faces of a Film Icon
.” In
Image Journeys: Audio-Visual Media and Cultural Change in India
, ed.
Brosius
C
. and
Butcher
,
M
.
199
232
.
New Delhi
:
Sage
.
Vallejo
,
Boris
.
1985
.
Fantasy Art Techniques
.
New York
:
Arco Publications
.
Vardhan
,
Anand
.
1980
. “
Mini-paper Plants in Sivakasi Soon
.” In
Sivakasi—Where Light and Sound Are Packaged: A Panorama of the Match, Fireworks and Printing Industries of South India
, ed.
All India Chamber of Match Industries
.
Sivakasi
:
All India Chamber of Match Industries. Originally published In Economic Times
,
10
March
.
Vasseleu
,
Cathryn
.
1998
.
Textures of Light: Vision and Touch in Irigaray, Levinas and Merleau-Ponty
.
London
:
Routledge
.
Vasudevan
,
Ravi
.
1989
. “
The Melodramatic Mode and the Commercial Hindi Cinema: Notes on Film History, Narrative and Performance in the 1950s
.”
Screen
30
(
3
):
29
50
.
Venkat Narayan
,
S
.
1985
. “
The Phenomenon Called N.T.R., Actor-Turned-Politician
.” In
70 Years of Indian Cinema (1913–1983)
, ed.
Ramachandran
,
T. M
.
203
14
.
Bombay
:
Cinema India-International
.
Venniyoor
,
E. M. J
.
1981
.
Raja Ravi Varma
.
Trivandrum
:
Government of Kerala
.
Vidal
,
Denis
.
1997
. “
Rural Credit and the Fabric of Society in Colonial India: Sirohi District, Rajasthan
.” In
Webs of Trade: Dynamics of Business Communities in Western India
, ed.
Cadène
P
. and
Vidal
,
D
.
85
107
.
Delhi
:
Manohar/CSH
.
Visual Culture Questionnaire
.”
1996
.
October
77
:
25
70
.
Viswanathan
,
Gauri
.
1989
.
Masks of Conquest: Literary Study and British Rule in India
.
New York
:
Columbia University Press
.
Vitali
,
Valentina
.
2005
. “
Hong Kong-Hollywood-Bombay: On the Function of ‘Martial Art’ in the Hindi Action Cinema
.” In
Hong Kong Connections: Transnational Imagination in Action Cinema
, ed.
Meaghan
Morris
,
Siu-Leung
Li
, and
Stephen
Chan Ching-kiu
,
125
50
.
Durham, N. C
.:
Duke University Press
.
Vitsaxis
,
Vassilis G
.
1977
.
Hindu Epics, Myths andLegends in Popular Illustrations
.
Delhi
:
Oxford UniversityPress
.
Vuthikrisam
,
Ruengvuth
.
1997
. “
The Good Woman of Bangkok: Looking Back and Forth
.” In
The Filmmaker and the Prostitute: Dennis O’Rourke’s “The Good Woman of Bangkok
,” ed.
Chris
Berry
,
Annette
Hamilton
, and
Laleen
Jayamanne
,
202
7
.
Sydney
:
Power Publications
.
Vyas
,
Ramnarayan
.
1977
.
The Bhagavata Bhakti Cult and Three Advaita Acaryas: Sankara, Ramanuja and Vallabha
.
Delhi
:
Nag Publishers
.
Warner
,
Michael
.
1992
. “
The Mass Public and the Mass Subject
.” In
Habermas and the Public Sphere
, ed.
Calhoun
,
Craig
377
401
.
Cambridge, Mass
.:
mit Press
.
Weber
,
Max
.
1958
.
The Religion of India: The Sociologyof Hinduism and Buddhism
.
Trans. and ed. Hans H.Gerth and Don Martindale
.
New York
:
Free Press
.
Weber
,
Max
.
1976
.
The Protestant Ethic and the Spirit of Capitalism
.
Trans. Talcott Parsons
.
London
:
George Allen and Unwin
.
Weber
,
Samuel
.
1996
. “
Television: Set and Screen
.” In
Mass Mediauras: Form, Technics, Media
,
108
27
.
Sydney
:
Power Publications
.
Willemen
,
Paul
.
1993
. “
Negotiating the Transition to Capitalism: The Case of Andaz
.” In
Melodrama and Asian Cinema
, ed.
Dissanayake
,
Wimal
179
88
.
Cambridge
:
Cambridge University Press
.
Williams
,
Linda
.
1991
. “
Film Bodies: Gender, Genre and Excess
.”
Film Quarterly
44
(
4
):
2
13
.
Windsor
,
David
.
1998
. “
Nargis, Ray, Rushdie and the Real
.”
South Asia
21
(
1
):
229
42
.
Wisse
,
Jakob
.
1989
.
Ethos and Pathos from Aristotle to Cicero
.
Amsterdam
:
Adolf M. Hakkert
.
Woodmansee
,
Martha
.
1994
.
The Author, Art and the Market: Rereading the History of Aesthetics
.
New York
:
Columbia University Press
.
Yang
,
Anand A
.
1998
.
Bazaar India: Markets, Society, and the Colonial State in Bihar
.
Berkeley
:
University of California Press
.
Yang
,
Mayfair Mei-hui
.
1994
.
Gifts, Favors and Banquets: The Art of Social Relationships in China
.
Ithaca, N.Y
.:
Cornell University Press
.
Žižek
,
Slavoj
.
1989
.
The Sublime Object of Ideology
.
New York
:
Verso
.
Žižek
,
Slavoj
.
1991
.
For They Know Not What They Do
.
London
:
Verso
.
Žižek
,
Slavoj
.
1993
.
Tarrying with the Negative: Kant, Hegel and the Critique of Ideology
.
Durham, N.C
.:
Duke University Press
.
Close Modal

or Create an Account

Close Modal
Close Modal