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Mexican American Religions: Spirituality, Activism, and Culture

Edited by
Gastón Espinosa
Gastón Espinosa

Gastón Espinosa is Assistant Professor of Religious Studies at Claremont McKenna College. His books include Latino Religions and Civic Activism in the United States and Rethinking Latino Religions and Identity.

Mario T. García is Professor of History and Chicano Studies at the University of California, Santa Barbara. His books include Padre: The Life and Spiritual Journey of Father Virgil Cordano; Luis Leal: An Auto/Biography; and The Gospel of César Chávez.

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Mario T. García
Mario T. García

Gastón Espinosa is Assistant Professor of Religious Studies at Claremont McKenna College. His books include Latino Religions and Civic Activism in the United States and Rethinking Latino Religions and Identity.

Mario T. García is Professor of History and Chicano Studies at the University of California, Santa Barbara. His books include Padre: The Life and Spiritual Journey of Father Virgil Cordano; Luis Leal: An Auto/Biography; and The Gospel of César Chávez.

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Duke University Press
ISBN electronic:
978-0-8223-8895-1
Publication date:
2008

This collection presents a rich, multidisciplinary inquiry into the role of religion in the Mexican American community. Breaking new ground by analyzing the influence of religion on Mexican American literature, art, activism, and popular culture, it makes the case for the establishment of Mexican American religious studies as a distinct, recognized field of scholarly inquiry. Scholars of religion, Latin American, and Chicano/a studies as well as of sociology, anthropology, and literary and performance studies, address several broad themes. Taking on questions of history and interpretation, they examine the origins of Mexican American religious studies and Mario Barrera’s theory of internal colonialism. In discussions of the utopian community founded by the preacher and activist Reies López Tijerina, César Chávez’s faith-based activism, and the Los Angeles-based Católicos Por La Raza movement of the late 1960s, other contributors focus on mystics and prophets. Still others illuminate popular Catholicism by looking at Our Lady of Guadalupe, home altars, and Los Pastores dramas (nativity plays) as vehicles for personal, social, and political empowerment.

Turning to literature, contributors consider Gloria Anzaldúa’s view of the borderlands as a mystic vision and the ways that Chicana writers invoke religious symbols and rhetoric to articulate a moral vision highlighting social injustice. They investigate the role of healing, looking at it in relation to both the Latino Pentecostal movement and the practice of the curanderismo tradition in East Los Angeles. Delving into to popular culture, they reflect on Luis Valdez’s video drama La Pastorela: “The Shepherds’ Play,” the spirituality of Chicana art, and the religious overtones of the reverence for the slain Tejana music star Selena. This volume signals the vibrancy and diversity of the practices, arts, traditions, and spiritualities that reflect and inform Mexican American religion.

Contributors: Rudy V. Busto, Davíd Carrasco, Socorro Castañeda-Liles, Gastón Espinosa, Richard R. Flores, Mario T. García, María Herrera-Sobek, Luís D. León, Ellen McCracken, Stephen R. Lloyd-Moffett, Laura E. Pérez, Roberto Lint Saragena, Anthony M. Stevens-Arroyo, Kay Turner

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