Skip to Main Content
Skip Nav Destination

This essay offers an ethnographic entrée into Havana’s annual Hip Hop Festival as a site of overlapping and, at times, asymmetrical articulations of revolutionary internationalism at the millennial turn. The performative terrain of Cuban hip hop, Perry argues, offers a dynamic space in which to explore evolving dimensions of race, neoliberalism, and state interests in Cuba and their artistic mediation by young Cubans, while illuminating broader transnational fields—and potential limitations—of identity, music making, and liberatory envisioned political futures.

This content is only available as PDF.
You do not currently have access to this chapter.
Don't already have an account? Register

or Create an Account

Close Modal
Close Modal