Skip to Main Content
Skip Nav Destination
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
This content is only available as PDF.

BIBLIOGRAPHY

Abel
,
Richard
.
The Ciné Goes to Town: French Cinema 1896–1914
.
Berkeley
:
University of California Press
,
1994
.
Acker
,
Ally
.
Reel Women: Pioneers of the Cinema, 1896 to the Present
.
New York
:
Continuum
,
1991
.
Althusser
,
Louis
. “
Ideology and Ideological State Apparatuses
.” In
Lenin and Philosophy and Other Essays
, translated by
Brewster
Ben
,
127
186
.
New York
:
Monthly Review Press
,
1971
.
Arthur
,
Paul
. “
Jargons of Authenticity (Three American Moments)
.” In
Theorizing Documentary
, edited by
Renov
Michael
,
108
134
.
New York
:
Routledge
,
1993
.
Bachelard
,
Gaston
.
The Poetics of Reverie
. Translated by
Russell
Daniel
.
New York
:
Orion Press
,
1969
.
Bachelard
,
Gaston
.
The Poetics of Space
.
1969
. Translated by
Jolas
Maria
.
Boston
:
Beacon Press
,
1994
.
Bachmann
,
Gideon
,
Drew
Robert
,
Leacock
Richard
, and
Pennebaker
D. A.
. “
The Frontiers of Realist Cinema
.”
Film Culture
, nos.
22–23
(summer
1961
):
12
23
.
Bal
,
Mieke
. “
Telling Objects: A Narrative Perspective on Collecting
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
,
97
115
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Balides
,
Constance
. “
Scenarios of Exposure in the Practice of Everyday Life: Women in the Cinema of Attractions
.”
Screen
34
, no.
1
(spring
1993
):
19
39
.
Bann
,
Stephen
.
The Clothing of Clio: A Study of the Representation of History in Nineteenth-Century Britain and France
.
London
:
Cambridge University Press
,
1984
.
Bann
,
Stephen
. “
Shrines, Curiosities, and the Rhetoric of Display
.” In
Visual Display: Culture beyond Appearances
, edited by
Cooke
Lynne
and
Wollen
Peter
,
15
29
.
Seattle
:
Bay Press
,
1995
.
Barthes
,
Roland
. “
The Death of the Author
.” In
Image/Music/Text
, translated by
Heath
Stephen
,
142
148
.
New York
:
Hill and Wang
,
1977
.
Baudrillard
,
Jean
. “
The System of Collecting
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
,
7
24
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Baudry
,
Jean-Louis
. “
The Apparatus
.”
Camera Obscura
1
(fall
1976
):
104
126
.
Baudry
,
Jean-Louis
. “
Ideological Effects of the Basic Cinematographic Apparatus
.”
Film Quarterly
28
, no.
2
(winter
1974–1975
):
39
47
.
Baym
,
Nina
.
Woman’s Fiction: A Guide to Novels by and about Women in America, 1820–1870
.
Ithaca, N.Y.
:
Cornell University Press
,
1978
.
Bazin
,
André
.
What Is Cinema?
Edited and translated by
Gray
Hugh
.
Berkeley
:
University of California Press
,
1967
.
Bean
,
Jennifer
, and
Negra
Diane
, eds.
A Feminist Reader in Early Cinema
.
Durham, N.C.
:
Duke University Press
,
2001
.
Beauchamp
,
Cari
.
Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood
.
Berkeley
:
University of California Press
,
1997
.
Beck
,
Calvin Thomas
.
Scream Queens: Heroines of the Horrors
.
New York
:
Collier Books
,
1978
.
Benjamin
,
Walter
.
Illuminations: Essays and Reflections
. Edited by
Arendt
Hannah
.
New York
:
Schocken Books
,
1985
.
Benjamin
,
Walter
.
Reflections: Essays, Aphorisms, Autobiographical Writings
. Edited by
Demetz
Peter
.
New York
:
Harcourt Brace Jovanovich
,
1978
.
Benstock
,
Shari
, “
Authorizing the Autobiographical
.” In
The Private Self: Theory and Practice of Women’s Autobiographical Writings
, edited by
Benstock
Shari
,
10
33
.
Chapel Hill
:
University of North Carolina Press
,
1988
.
Benstock
,
Shari
, ed.
The Private Self: Theory and Practice of Women’s Autobiographical Writings
.
Chapel Hill
:
University of North Carolina Press
,
1988
.
Benton
,
Susan Porter
.
Counter Cultures: Saleswomen, Managers and Customers in American Department Stores 1890–1940
.
Urbana
:
University of Illinois Press
,
1986
.
Benveniste
,
Emile
.
Problems in General Linguistics
. Translated by
Meek
Mary Elizabeth
.
Coral Gables, Fla.
:
University of Miami Press
,
1971
.
Bergson
,
Henri
.
Matter and Memory
. Translated by
Paul
Nancy Margaret
and
Palmer
W. Scott
.
New York
:
Zone Books
,
1991
.
Bergstrom
,
Janet
, and
Doane
Mary Ann
, eds.
The Spectatrix
.
Special issue of Camera Obscura
, nos.
20–21
(
1989
).
Bogle
,
Donald
.
Toms, Coons, Mulattoes, Mammies and Bucks: An Interpretive History of Blacks in American Film
.
New York
:
Continuum
,
1993
.
Bower
,
Anne
, ed.
Recipes for Reading: Community Cookbooks, Stories, Histories
.
Amherst
:
University of Massachusetts Press
,
1997
.
Bowser
,
Eileen
.
The Transformation of Cinema 1907–1915
.
New York
:
Charles Scribner’s Sons
,
1990
.
Boym
,
Svetlana
.
The Future of Nostalgia
.
New York
:
Basic Books
,
2001
.
Bratton
,
Jacky
,
Cook
Jim
, and
Gledhill
Christine
.
Melodrama: Stage, Picture, Screen
.
London
:
British Film Institute
,
1994
.
Brooks
,
Louise
.
Lulu in Hollywood
.
New York
:
Limelight Editions
,
1989
.
Brooks
,
Louise
. “
Why I Will Never Write My Memoirs
.”
Film Culture
, nos.
67–69
(
1979
):
216
220
.
Bruno
,
Giuliana
.
Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari
.
Princeton, N.J.
:
Princeton University Press
,
1993
.
Brunsdon
,
Charlotte
.
Films for Women
.
London
:
British Film Institute
,
1986
.
Buck-Morss
Susan
.
The Dialectics of Seeing: Walter Benjamin and the Arcades Project
.
Cambridge, Mass.
:
MIT Press
,
1991
.
Butler
,
Judith
.
Gender Trouble: Feminism and the Subversion of Identity
.
New York
:
Routledge
,
1990
.
Card
,
James
. “
The ‘Intense Isolation’ of Louise Brooks
.”
Sight and Sound
27
, no.
5
(summer 1958).
Cardinal
,
Roger
. “
Collecting and Collage-Making: The Case of Kurt Schwitters
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
,
68
96
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Carson
,
Linda
,
Dittmar
Linda
, and
Welsch
Janice R.
, eds.
Multiple Voices in Feminist Film Criticism
.
Minneapolis
:
University of Minnesota Press
,
1994
.
Caughie
,
John
, ed.
Theories of Authorship: A Reader
.
New York
:
Routledge
,
1981
.
Cha
,
Teresa Hak Kyung
, ed.
Cinematographic Apparatus: Selected Writings
.
New York
:
Tanam Press
,
1980
.
Clark
,
Vèvè
,
Hodson
Millicent
, and
Neiman
Catrina
, eds.
The Legend of Maya Deren: A Documentary Biography and Collected Works, Vol. 1, Part 1
.
New York
:
Anthology Film Archives/Film Culture
,
1984
.
Clark
,
Vèvè
,
Hodson
Millicent
, and
Neiman
Catrina
.
The Legend of Maya Deren: A Documentary Biography and Collected Works, Vol. 1, Part 2
.
New York
:
Anthology Film Archives/Film Culture
,
1988
.
Cooley
,
Nicole
.
The Afflicted Girls
.
Baton Rouge
:
Louisiana State University Press
,
2004
.
Cotter
,
Colleen
. “
Claiming a Piece of the Pie: How the Language of Recipes Defines Community
.” In
Recipes for Reading: Community Cookbooks, Stories, Histories
, edited by
Bower
Anne
,
51
71
.
Amherst
:
University of Massachusetts Press
,
1997
.
Creekmur
,
Corey
, and
Doty
Alexander
, eds.
Out in Culture: Gay, Lesbian and Queer Essays on Popular Culture
.
Durham, N.C.
:
Duke University Press
,
1995
.
Curry
,
Ramona
.
Too Much of a Good Thing: Mae West as Cultural Icon
.
Minneapolis
:
University of Minnesota Press
,
1996
.
Custen
,
George
.
Bio/Pics: How Hollywood Constructed Public History
.
New Brunswick, N.J.
:
Rutgers University Press
,
1992
.
Cvetokovich
,
Ann
.
An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures
.
Durham, N.C.
:
Duke University Press
,
2003
.
deCordova
Richard
. “
The Emergence of the Star System in America
.”
Wide Angle
6
, no.
4
(
1985
):
4
13
.
deCordova
Richard
.
Picture Personalities: The Emergence of the Star System in America
.
Urbana
:
University of Illinois Press
,
1990
.
Deleuze
,
Gilles
.
Cinema 1: The Movement-Image
.
Minneapolis
:
University of Minnesota Press
,
1986
.
Deleuze
,
Gilles
.
Cinema 2: The Time-Image
.
Minneapolis
:
University of Minnesota Press
,
1989
.
Deren
,
Maya
.
An Anagram of Ideas on Art, Form and Film
.
Yonkers, N.Y.
:
Alicat Book Shop Press
,
1946
.
Deren
,
Maya
. “
Cinematography: The Creative Use of Reality
.” In
The Art of Cinema: Selected Essays
, edited by
Amberg
George
.
New York
:
Arno Press and New York Times
,
1972
.
Dietrich
,
Marlene
.
Marlene Dietrich’s ABC
.
Garden City, N.Y.
:
Doubleday
,
1962
.
Dietrich
,
Marlene
.
Marlene Dietrich’s ABC
. 2nd ed.
New York
:
Ungar
,
1984
.
Doane
,
Mary Ann
. “
The Economy of Desire: The Commodity Form in/of the Cinema
.”
Quarterly Review of Film and Video
11
, no.
1
(
1989
):
23
33
.
Doane
,
Mary Ann
. “
The Erotic Barter: Pandora’s Box
.” In
Femmes Fatales: Feminism, Film Theory, Psychoanalysis
,
142
162
.
New York
:
Routledge
,
1991
.
Doane
,
Mary Ann
.
Femmes Fatales: Feminism, Film Theory, Psychoanalysis
.
New York
:
Routledge
,
1991
.
Doane
,
Mary Ann
,
Mellencamp
Patricia
, and
Williams
Linda
, eds.
Re-vision: Essays in Feminist Film Criticism
.
Los Angeles
:
American Film Institute
,
1984
.
Douglas
,
Ann
.
The Feminization of American Culture
.
New York
:
Knopf
,
1977
.
Dreyer
,
Carl Theodor
. “
Notes on My Craft
.”
Sight and Sound
(winter
1955–1956
).
Dubois
,
Phillipe
. “
Photography Mise-en-Film: Autobiographical (Hi)stories and Psychic Apparatuses
.” In
Fugitive Images: From Photography to Video
, edited by
Petro
Patrice
,
152
172
.
Bloomington
:
Indiana University Press
,
1995
.
Dulac
,
Germaine
. “
The Avant-Garde Cinema
.” In
The Avant-Garde Film: A Reader of Theory and Criticism
, edited by
Sitney
P. Adams
,
43
48
.
New York
:
New York University Press
,
1978
.
Dulac
,
Germaine
. “
Visual and Anti-visual Films
.” In
The Avant-Garde Film: A Reader of Theory and Criticism
, edited by
Sitney
P. Adams
,
31
35
.
New York
:
New York University Press
,
1978
.
Dyer
,
Richard
.
Heavenly Bodies: Film Stars and Society
.
New York
:
St. Martin’s Press
,
1986
.
Eakin
,
Paul John
. “
Fiction in Autobiography: Ask Mary McCarthy No Questions
.” In
Fictions in Autobiography: Studies in the Art of Self-Invention
,
3
55
.
Princeton, N.J.
:
Princeton University Press
,
1985
.
Egger
,
Rebecca
. “
Deaf Ears and Dark Continents: Dorothy Richardson’s Cinematic Epistemology
.”
Camera Obscura
30
(
May
1992
):
4
33
.
Eisenstein
,
Sergei
.
Film Form: Essays in Film Theory
. Edited and translated by
Leyda
Jay
.
New York
:
Harcourt, Brace
,
1949
.
Eisenstein
,
Sergei
.
The Film Sense
.
Edited and translated by Jay Leyda
.
New York
:
Harcourt
,
Brace
,
1947
.
Eisner
,
Lotte
. “
A Witness Speaks
.” In
Lulu in Hollywood
, by
Brooks
Louise
,
113
116
.
New York
:
Knopf
,
1982
.
Ellis
,
John
.
Visible Fictions: Cinema Television Radio
.
London
:
Routledge
,
1992
.
Elsaesser
,
Thomas
. “
Lulu and the Meter Man: Louise Brooks, Pabst, and ‘Pandora’s Box’
.”
Screen
24
, nos.
4–5
(
1983
):
4
36
.
Elsaesser
,
Thomas
, ed.
Early Cinema: Space Frame Narrative
.
London
:
British Film Institute
,
1990
.
Elsner
,
John
. “
A Collector’s Model of Desire: The House and Museum of Sir John Sloane
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
,
155
176
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Elsner
,
John
, and
Cardinal
Roger
, eds.
The Cultures of Collecting
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Erens
,
Patricia
, ed.
Issues in Feminist Film Criticism
.
Bloomington
:
Indiana University Press
,
1990
.
Fell
,
John
.
Film before Griffith
.
Berkeley
:
University of California Press
,
1983
.
Ferber
,
Marianne A.
, and
Nelson
Julie A.
, eds.
Beyond Economic Man: Feminist Theory and Economics
.
Chicago
:
University of Chicago Press
,
1993
.
Fetterley
,
Judith
, ed.
Provisions: A Reader from Nineteenth-Century American Women
.
Bloomington
:
Indiana University Press
,
1985
.
Film Culture
, no.
39
(winter
1965
).
Special issue on Maya Deren
.
Film Culture
, nos.
56–57
(spring
1973
).
Special issue on Leni Riefenstahl
.
Flitterman-Lewis
Sandy
. “
The Blossom and the Bole: Narrative and Visual Spectacle in Early Film Melodrama
.”
Cinema Journal
33
, no.
3
(spring
1994
):
3
15
.
Flitterman-Lewis
Sandy
.
To Desire Differently: Feminism and the French Cinema
.
Urbana
:
University of Illinois Press
,
1989
.
Fonda
,
Jane
.
Jane Fonda’s Workout Book
.
New York
:
Simon and Schuster
,
1981
.
Forrester
,
John
. “
‘Mille e tre’: Freud and Collecting
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
,
224
251
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Foucault
,
Michel
. “
What Is an Author?
” In
Language, Counter-Memory, Practice
, edited by
Bouchard
Donald F.
,
113
138
.
Oxford
:
Basil Blackwell
,
1977
.
Francke
,
Lizzie
.
Script Girls: Women Screenwriters in Hollywood
.
London
:
British Film Institute
,
1994
.
Freeman
,
Mark
.
Rewriting the Self: History, Memory, Narrative
.
New York
:
Routledge
,
1993
.
Fregoso
,
Rosa-Linda
.
meXicana Encounters: The Making of Social Identities on the Borderlands
.
Berkeley
:
University of California Press
,
2003
.
Freud
,
Sigmund
. “
A Disturbance of Memory on the Acropolis
.”
1936
. In
The Standard Edition of the Complete Psychological Works of Sigmund Freud
, translated by
Strachey
James
et al
.,
22
:
239
248
.
London
:
Hogarth Press and the Institute of Psycho-Analysis
,
1953
.
Freud
,
Sigmund
. “
A Note upon the ‘Mystic Writing Pad’
.”
1925
. In
The Standard Edition of the Complete Psychological Works of Sigmund Freud
, translated by
Strachey
James
et al
.,
21
:
227
232
.
London
:
Hogarth Press and the Institute of Psycho-Analysis
,
1953
.
Freud
,
Sigmund
. “
Notes upon a Case of Obsessional Neurosis
.”
1909
. In
Three Case Histories
, translated by
Strachey
James
,
15
102
.
New York
:
Collier Books
,
1963
.
Freud
,
Sigmund
. “
Screen Memories
.”
1899
. In
The Standard Edition of the Complete Psychological Works of Sigmund Freud
, translated by
Strachey
James
et al
.,
3
:
301
22
.
London
:
Hogarth Press and the Institute of Psycho-Analysis
,
1953
.
Friedberg
,
Anne
. “
And I Have Learned to Use the Small Projector’: H.D., Woman, History, Recognition
.”
Wide Angle
5
, no.
2
(
1982
):
26
31
.
Friedberg
,
Anne
.
Window Shopping: Cinema and the Postmodern
.
Berkeley
:
University of California Press
,
1993
.
Gaines
,
Jane
. “
From Elephants to Lux Soap: The Programming and ‘Flow’ of Early Motion Picture Exploitation
.”
Velvet Light Trap
25
(spring
1990
):
29
43
.
Giard
,
Luce
. “
Cooking
.” In
The Practice of Everyday Life, Vol. 2: Living and Cooking
, by
Certeau
Michel de
,
Giard
Luce
, and
Mayol
Pierre
, translated by
Tomasik
Timothy J.
,
149
247
.
Minneapolis
:
University of Minnesota Press
,
1998
.
Gilmore
,
Leigh
.
Autobiographics: A Feminist Theory of Women’s Self-Representation
.
Ithaca, N.Y.
:
Cornell University Press
,
1994
.
Gish
,
Lillian
, with
Pinchot
Ann
.
The Movies, Mr. Griffith, and Me
.
New York
:
Prentice Hall
,
1969
.
Grieveson
,
Lee
.
Policing Cinema: Movies and Censorship in Early-Twentieth-Century America
.
Berkeley
:
University of California Press
,
2004
.
Gunning
,
Tom
. “
An Aesthetic of Astonishment: Early Film and the (In)credulous Spectator
.”
Art and Text
34
(spring
1989
):
31
45
.
Gunning
,
Tom
. “
The Cinema of Attractions: Early Film, Its Spectator and the Avant-Garde
.” In
Early Cinema: Space, Frame, Narrative
, edited by
Elsaesser
Thomas
,
56
62
.
London
:
British Film Institute
,
1990
.
Gunning
,
Tom
.
D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph
.
Urbana
:
University of Illinois Press
,
1991
.
Guy Blaché
,
Alice
.
The Memoirs of Alice Guy Blaché
. Edited by
Slide
Anthony
.
Metuchen, N.J.
:
Scarecrow Press
,
1996
.
Hake
,
Sabine
. “
The Continuous Provocation of Louise Brooks
.”
German Politics and Society
32
(summer
1994
):
58
75
.
Hall
,
Jeanne
. “
Realism as a Style in Cinema Vérité: A Critical Analysis of Primary
.”
Cinema Journal
30
, no.
4
(summer
1991
):
24
50
.
Hamilton
,
Marybeth
.
“When I’m Bad, I’m Better”: Mae West, Sex, and American Entertainment
.
Berkeley
:
University of California Press
,
1997
.
Hansen
,
Miriam
.
Babel and Babylon: Spectatorship in American Silent Film
.
Cambridge, Mass.
:
Harvard University Press
,
1991
.
Harris
,
Susan
.
Nineteenth-Century American Women’s Novels: Interpretive Strategies
.
New York
:
Cambridge University Press
,
1990
.
Hastie
,
Amelie
. “
Louise Brooks, Star Witness
.”
Cinema Journal
36
, no.
3
(spring
1997
):
3
24
.
Hastie
,
Amelie
, and
Stamp
Shelley
, eds. “
Women and the Silent Screen: Cultural and Historical Practices
.”
Special issue, Film History
18
, no.
2
(spring
2006
).
Head
,
Edith
, and
Ardmore
Jane Kesner
.
The Dress Doctor
.
New York
:
Macfadden Books
,
1964
.
Heck-Rabi
Louise
.
Women Filmmakers: A Critical Reception
.
Metuchen, N.J.
:
Scarecrow Press
,
1984
.
Hobart
,
Rose
.
A Steady Digression to a Fixed Point
.
Metuchen, N.J.
:
Scarecrow Press
,
1994
.
hooks
,
bell
. “
In Our Glory: Photography and Black Life
.” In
Picturing Us: African American Identity in Photography
, edited by
Willis
Deborah
,
43
55
.
New York
:
New Press
,
1994
.
Hutton
,
Patrick
.
History as an Art of Memory
.
Hanover, N.H.
:
University Press of New England
,
1993
.
Jaccard
,
Roland
, ed.
Louise Brooks: Portrait of an Anti-Star
. Translated by
Schein
Gideon Y.
.
New York
:
Zoetrope
,
1986
.
Jaffe
,
Patricia
. “
Editing Cinéma Vérité
.”
Film Comment
3
, no.
3
(summer
1965
).
Jennings
,
Ann L.
Public or Private? Institutional Economics and Feminism
.” In
Beyond Economic Man: Feminist Theory and Economics
, edited by
Ferber
Marianne A. Nelson
and
Nelson
Julie A.
,
111
129
.
Chicago
:
University of Chicago Press
,
1993
.
Johnston
,
Claire
. “
Women’s Cinema as Counter Cinema
.” In
Notes on Women’s Cinema
, edited by
Johnston
Claire
,
24
31
.
London
:
Society for Education in Film and Television
,
1973
.
Joyrich
,
Lynne
.
Re-viewing Reception: Television, Gender, and Postmodern Culture
.
Bloomington
:
Indiana University Press
,
1996
.
Karnick
,
Kristine Brunovska
, and
Jenkins
Henry
, eds.
Classical Hollywood Comedy
.
New York
:
Routledge
,
1995
.
Kelley
,
Mary
.
Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America
.
New York
:
Oxford University Press
,
1984
.
Kessler-Harris
Alice
.
Out to Work: A History of Wage-Earning Women in the United States
.
New York
:
Oxford University Press
,
1982
.
Koszarski
,
Richard
.
An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915–1928
.
New York
:
Charles Scribner’s Sons
,
1990
.
Kuhn
,
Annette
.
Family Secrets: Acts of Memory and Imagination
.
London
:
Verso
,
1995
.
Kuhn
,
Annette
.
Women’s Pictures: Feminism and the Cinema
. 2nd ed.
New York
:
Verso
,
1993
.
Lacassin
,
Francis
. “
Out of Oblivion: Alice Guy-Blaché
.”
Sight and Sound
40
, no.
3
(summer
1971
):
151
154
.
Leavitt
,
Sarah A.
From Catharine Beecher to Martha Stewart: A Cultural History of Domestic Advice
.
Chapel Hill
:
University of North Carolina Press
,
2002
.
LeGoff
,
Jacques
.
History and Memory
. Translated by
Rendall
Steven
and
Claman
Elizabeth
.
New York
:
Columbia University Press
,
1992
.
Leider
,
Emily Wortis
.
Becoming Mae West
.
New York
:
Farrar, Straus and Giroux
,
1997
.
Lejeune
,
Philippe
. “
The Autobiographical Pact
.” In
On Autobiography
, translated by
Leary
Katherine M.
,
3
30
.
Minneapolis
:
University of Minnesota Press
,
1989
.
Lesage
,
Julia
. “
The Political Aesthetics of the Feminist Documentary Film
.” In
Issues in Feminist Film Criticism
, edited by
Erens
Patricia
,
222
237
.
Bloomington
:
Indiana University Press
,
1991
.
Levin
,
G. Roy
.
Documentary Explorations: 15 Interviews with Film-makers
.
Garden City, N.Y.
:
Doubleday
,
1971
.
Loos
,
Anita
.
A Girl Like I
.
New York
:
Ballantine
,
1966
.
Loren
,
Sophia
.
In the Kitchen with Love
.
Garden City, N.Y.
:
Doubleday
,
1972
.
Loren
,
Sophia
.
Sophia Loren’s Recipes and Memories
.
New York
:
GT Publishing
,
1998
.
Mayne
,
Judith
.
Directed by Dorothy Arzner
.
Bloomington
:
Indiana University Press
,
1994
.
Mayne
,
Judith
.
Kino and the Woman Question
.
Columbus
:
Ohio State University Press
,
1989
.
McHugh
,
Kathleen
.
American Domesticity: From How-to Manual to Hollywood Melodrama
.
New York
:
Oxford University Press
,
1999
.
McLean
,
Adrienne
. “
‘I’m a Cansino’: Transformation, Ethnicity, and Authenticity in the Construction of Rita Hayworth, American Love Goddess
.”
Journal of Film and Video
44
, nos.
3–4
(fall-winter
1992–1993
):
8
26
.
McMahan
,
Alison
.
Alice Guy Blaché: Lost Visionary of the Cinema
.
New York
:
Continuum
,
2002
.
McPherson
,
Tara
.
Reconstructing Dixie: Race, Gender, and Nostalgia in the Imagined South
.
Durham, N.C.
:
Duke University Press
,
2003
.
Mellencamp
,
Patricia
.
A Fine Romance … Five Ages of Film Feminism
.
Philadelphia
:
Temple University Press
,
1995
.
Mellencamp
,
Patricia
.
Indiscretions: Avant-Garde Film, Video and Feminism
.
Bloomington
:
Indiana University Press
,
1990
.
Metz
,
Christian
.
The Imagining Signifier: Psychoanalysis and the Cinema
. Translated by
Britton
Celia
et al
.
Bloomington
:
Indiana University Press
,
1982
.
Moore
,
Colleen
.
Colleen Moore’s Doll House
.
Garden City, N.Y.
:
Doubleday
,
1979
.
Moore
,
Colleen
.
How Women Can Make Money in the Stock Market
.
Garden City, N.Y.
:
Doubleday
,
1969
.
Moore
,
Colleen
.
Silent Star
.
Garden City, N.Y.
:
Doubleday
,
1968
.
Morris
,
Meaghan
.
Too Soon Too Late: History in Popular Culture
.
Bloomington
:
Indiana University Press
,
1998
.
Morse
,
Margaret
. “
Artemis Aging: Exercise and the Female Body on Video
.”
Discourse
10
, no.
1
(
1987–1988
):
19
53
.
Mulvey
,
Laura
.
Citizen Kane
.
London
:
British Film Institute
,
1992
.
Mulvey
,
Laura
.
Feminism and Curiosity
.
Bloomington
:
Indiana University Press
,
1996
.
Mulvey
,
Laura
. “
Visual Pleasure and Narrative Cinema
.”
Screen
16
, no.
3
(autumn
1975
):
618
.
Muñoz
,
José Esteban
. “
Ephemera as Evidence: Introductory Notes to Queer Acts
.”
Women and Performance
8
, no.
2
(
1996
):
5
16
.
Münsterberg
,
Hugo
.
The Film: A Psychological Study
.
New York
:
Dover
,
1970
.
Nasaw
,
David
. “
Earthly Delights
.”
New Yorker
,
23
March
1998
,
66
79
.
Neff
,
Terry Ann
.
Within the Fairy Castle: Colleen Moore’s Dollhouse at the Museum of Science and Industry, Chicago
.
Chicago
:
Bulfinch Press
,
1998
.
Negra
,
Diane
. “
Immigrant Stardom in Imperial America: Pola Negri and the Problem of Typology
.” In
A Feminist Reader in Early Cinema
, edited by
Bean
Jennifer
and
Negra
Diane
,
374
403
.
Durham, N.C.
:
Duke University Press
,
2003
.
Newton
,
Sarah
.
Learning to Behave: A Guide to Conduct Books before 1900
.
Westport, Conn.
:
Greenwood Press
,
1994
.
Nichols
,
Bill
.
Ideology and the Image
.
Bloomington
:
Indiana University Press
,
1981
.
Nichols
,
Bill
.
Representing Reality
.
Bloomington
:
Indiana University Press
,
1991
.
Nichols
,
Bill
. “
The Voice of Documentary
.” In
Movies and Methods II
, edited by
Nichols
Bill
.
Berkeley
:
University of California Press
,
1985
.
Nicholson
,
Annabel
,
Sparrow
Felicity
,
Clarke
Jane
,
Iljon
Jeanette
,
Rhodes
Lis
,
Leece
Mary Pat
,
Murphy
Pat
, and
Stein
Susan
. “
Women and the Formal Film
.” In
Films for Women
, edited by
Brunsdon
Charlotte
,
186
188
.
London
:
British Film Institute
,
1986
.
Nora
,
Pierre
. “
Between Memory and History: Les Lieux de Mémoire
.”
Representations
26
(spring
1989
):
7
25
.
Olalquiaga
,
Celeste
.
The Artificial Kingdom: On the Kitsch Experience
.
Minneapolis
:
University of Minnesota Press
,
2002
.
Ono
,
Yoko
.
Grapefruit: A Book of Instructions and Drawings
.
New York
:
Simon and Schuster
,
1970
.
Paris
,
Barry
. “
Dollhouse Deluxe
.”
Art and Antiques
6
(
December
1989
):
98
102
.
Paris
,
Barry
.
Louise Brooks
.
New York
:
Knopf
,
1989
.
Pearson
,
Roberta E.
Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films
.
Berkeley
:
University of California Press
,
1992
.
Peary
,
Gerald
. “
Czarina of the Silent Screen: Solax’s Alice Blaché
.”
Velvet Light Trap
6
(
1974
):
3
7
.
Petro
,
Patrice
, ed.
Fugitive Images: From Photography to Video
.
Bloomington
:
Indiana University Press
,
1995
.
Petro
,
Patrice
. “
Historical Ennui, Feminist Boredom
.” In
The Persistence of History: Cinema, Television, and the Modern Event
, edited by
Sobchack
Vivian
,
187
199
.
New York
:
Routledge
,
1996
.
Petro
,
Patrice
.
Joyless Streets: Women and Melodramatic Representation in Weimar Germany
.
Princeton, N.J.
:
Princeton University Press
,
1989
.
Pickford
,
Mary
.
The Demi-Widow
.
New York
:
A.L. Burt
,
1935
.
Pickford
,
Mary
.
Sunshine and Shadow
.
Garden City, N.Y.
:
Doubleday
,
1954
.
Pickford
,
Mary
.
Why Not Try God?
New York
:
H.C. Kinsey
,
1934
.
Pines
,
Jim
, and
Willemen
Paul
, eds.
Questions of Third Cinema
.
London
:
British Film Institute
,
1989
.
Pitts
,
Zasu
, with
Horton
Edi
.
Candy Hits by Zasu Pitts
.
New York
:
Duell, Sloan, and Pearce
,
1963
.
Portuges
,
Catherine
.
Screen Memories: The Hungarian Cinema of Márta Mészáros
.
Bloomington
:
Indiana University Press
,
1993
.
Quart
,
Barbara Koenig
.
Women Directors: The Emergence of a New Cinema
.
New York
:
Praeger
,
1988
.
Rabinovitz
,
Lauren
.
Points of Resistance: Women, Power and Politics in the New York Avant-Garde Cinema, 1943–71
.
Urbana
:
University of Illinois Press
,
1991
.
Radstone
,
Susannah
. “
Cinema/Memory/History
.”
Screen
36
, no.
1
(spring
1995
):
34
47
.
Renov
,
Michael
. “
History and/as Autobiography: The Essayistic in Film and Video
.”
Frame/Work
2
, no.
3
(
1989
):
6
13
.
Renov
,
Michael
. “
The Subject in History: The New Autobiography in Film and Vi de o
.”
Afterimage
17
, no.
1
(summer
1989
):
4
7
.
Renov
,
Michael
.
Theorizing Documentary
.
New York
:
Routledge
,
1993
.
Rhodes
,
Lis
, and
Sparrow
Felicity
. “
Her Image Fades as Her Voice Rises
.” In
Multiple Voices in Feminist Film Criticism
, edited by
Carson
Diane
,
Dittmar
Linda
, and
Welsch
Janice R.
,
421
431
.
Minneapolis
:
University of Minnesota Press
,
1994
.
Riefenstahl
,
Leni
.
The Sieve of Time: The Memoirs of Leni Riefenstahl
.
New York
:
St. Martin’s Press
,
1993
.
Robertson
,
Pamela
.
Guilty Pleasures: Feminist Camp from Mae West to Madonna
.
Durham, N.C.
:
Duke University Press
,
1996
.
Rosen
,
Philip
.
Change Mummified: Cinema, Historicity, Theory
.
Minneapolis
:
University of Minnesota Press
,
2001
.
Rossellini
,
Isabella
.
Looking at Me: On Pictures and Photographers
.
Munich
:
Schirmer/Mosel
,
2002
.
Rossellini
,
Isabella
.
Some of Me
.
New York
:
Random House
,
1997
.
Rowe
,
Kathleen
.
The Unruly Woman: Gender and the Genres of Laughter
.
Austin
:
University of Texas Press
,
1995
.
Sarris
,
Andrew
. “
Notes on the Auteur Theory in 1962
.”
Film Culture
27
(winter
1962–1963
):
1
18
.
Schlüpmann
,
Heide
. “
The Brothel as an Arcadian Space? Diary of a Lost Girl (1929)
.” In
The Films of G. W. Pabst: An Extraterritorial Cinema
, edited by
Rentschler
Eric
,
80
90
.
New Brunswick, N.J.
:
Rutgers University Press
,
1990
.
Schor
,
Naomi
. “
Collecting Paris
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
.
Cambridge
:
Harvard University Press
,
1994
.
Scott
,
Joan Wallach
.
Gender and the Politics of History
.
New York
:
Columbia University Press
,
1989
.
Scott
,
Nina
. “
JuanaManuela Gorriti’s Cocina Eclectica: Recipes as Feminine Discourse
.” In
Recipes for Reading: Community Cookbooks, Stories, Histories
, edited by
Bower
Anne
,
189
199
.
Amherst
:
University of Massachusetts Press
,
1997
.
Shigley
,
Sally Bishop
. “
Empathy, Energy, and Eating: Politics and Power in the Black Family Dinner Quilt Cookbook
.” In
Recipes for Reading: Community Cookbooks, Stories, Histories
, edited by
Bower
Anne
,
118
131
.
Amherst
:
University of Massachusetts Press
,
1997
.
Shipman
,
Nell
.
The Silent Screen and My Talking Heart
.
Boise, Idaho
:
Boise State University
,
1987
.
Silverman
,
Kaja
.
The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema
.
Bloomington
:
Indiana University Press
,
1988
.
Simmon
,
Scott
. “
‘The Female of the Species’: D. W. Griffith, Father of the Woman’s Film
Film Quarterly
46
, no.
2
(winter
1992–1993
):
8
20
.
Slide
,
Anthony
.
Early Women Directors
.
New York
:
A.S. Barnes
,
1977
.
Slide
,
Anthony
.
The Silent Feminists: America’s First Women Directors
.
Lanham, Md.
:
Scarecrow Press
,
1996
.
Smith
,
Sharon
.
Women Who Make Movies
.
New York
:
Hopkinson and Blake
,
1975
.
Sobchack
,
Vivian
. “
What Is film history?, or, The Riddle of the Sphinxes
.” In
Reinventing Film Studies
, edited by
Gledhill
Christine
and
Williams
Linda
,
300
315
.
New York
:
Oxford University Press
,
2000
.
Sommer
,
Doris
. “
Not Just a Personal Story: Women’s Testimonios and the Plural Self
.” In
Life/Lines: Theorizing Women’s Autobiography
, edited by
Brodzki
Bella
and
Schenk
Celeste
,
107
130
.
Ithaca, N.Y.
:
Cornell University Press
,
1988
.
Spigel
,
Lynn
. “
From the Dark Ages to the Golden Age: Women’s Memories and Television Reruns
.”
Screen
36
, no.
1
(spring
1995
):
16
33
.
Spigel
,
Lynn
.
Make Room for TV: Television and the American Family in Postwar America
.
Chicago
:
University of Chicago Press
,
1992
.
Stamp
,
Shelley
. “
Lois Weber, Progressive Cinema, and the Fate of the ‘Work-a-Day’ Girl in Shoes
.”
Camera Obscura
56
(
2004
):
141
169
.
Steedman
,
Carolyn
.
Dust: The Archive and Cultural History
.
New Brunswick, N.J.
:
Rutgers University Press
,
2002
.
Steedman
,
Carolyn
.
Past Tenses: Essays on Writing, Autobiography and History
.
London
:
Rivers Oram Press
,
1992
.
Stewart
,
Susan
.
On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection
.
Durham, N.C.
:
Duke University Press
,
1993
.
St. Johns
,
Adela Rogers
.
How to Write a Story and Sell It
.
Garden City, N.Y.
:
Doubleday
,
1956
.
St. Johns
,
Adela Rogers
.
Some Are Born Great
.
Garden City, N.Y.
:
Doubleday
,
1974
.
Strasser
,
Susan
.
Never Done: History of American Housework
.
New York
:
Pantheon Books
,
1982
.
Strassmann
,
Diana
. “
Not a Free Market: The Rhetoric of Disciplinary Authority in Economics
.” In
Beyond Economic Man: Feminist Theory and Economics
, edited by
Ferber
Marianne A. Nelson
and
Nelson
Julie A.
,
54
67
.
Chicago
:
University of Chicago Press
,
1993
.
Studlar
,
Gaylyn
. “
The Perils of Pleasure? Fan Magazine Discourse as Women’s Commodified Culture in the 1920s
.”
Wide Angle
13
, no.
1
(
1991
):
6
33
.
Studlar
,
Gaylyn
.
This Mad Masquerade: Stardom and Masculinity in the Jazz Age
.
New York
:
Columbia University Press
,
1996
.
Swanson
,
Gloria
.
Swanson on Swanson
.
New York
:
Random House
,
1980
.
Tapert
,
Annette
. “
Colleen Moore: The Original Flapper in Bel-Air
.”
Architectural Digest
53
(
April
1996
):
216
221
.
Tompkins
,
Jane
.
Sensational Designs: The Cultural Work of American Fiction 1790–1860
.
New York
:
Oxford University Press
,
1985
.
Turim
,
Maureen
.
Flashbacks in Film: Memory and History
.
New York
:
Routledge
,
1989
.
Turlington
,
Christy
.
Living Yoga: Creating a Life Practice
.
New York
:
Hyperion
,
2002
.
Tynan
,
Kenneth
. “
The Girl in the Black Helmet
.”
New Yorker
,
11
June
1979
,
45
78
.
Waters
,
Ethel
, with
Samuels
Charles
.
His Eye Is on the Sparrow
.
Garden City, N.Y.
:
Doubleday
,
1951
.
Weiss
,
Andrea
.
Vampires and Violets: Lesbians in Film
.
New York
:
Penguin Books
,
1992
.
West
,
Mae
.
Mae West on Sex, Health, and ESP
.
London
:
W. H. Allen
,
1975
.
White
,
Patricia
. “
Black and White: Mercedes de Acosta’s Glorious Enthusiasms
.”
Camera Obscura
45
(
2001
):
226
265
.
White
,
Patricia
. “
Female Spectator, Lesbian Specter: The Haunting
.” In
Inside/Out: Lesbian Theories, Gay Theories
, edited by
Fuss
Diana
,
142
172
.
New York
:
Routledge
,
1991
.
White
,
Patricia
. “
Nazimova’s Veils: Salome at the Intersection of Histories
.” In
A Feminist Reader in Early Cinema
, edited by
Bean
Jennifer
and
Negra
Diane
,
60
87
.
Durham, N.C.
:
Duke University Press
,
2002
.
White
,
Patricia
.
unInvited: Classical Hollywood Cinema and Lesbian Representability
.
Bloomington
:
Indiana University Press
,
1999
.
Whitfield
,
Eileen
.
Pickford: The Woman Who Made Hollywood
.
Lexington
:
University Press of Kentucky
,
1997
.
Williams
,
Alan
.
The Republic of Images: A History of French Filmmaking
.
Cambridge, Mass.
:
Harvard University Press
,
1992
.
Winston
,
Brian
. “
Direct Cinema: The Third Decade
.” In
New Challenges for Documentary
, edited by
Rosenthal
Alan
.
Berkeley
:
University of California Press
,
1988
.
Winston
,
Brian
. “
The Documentary Film as Scientific Inscription
.” In
Theorizing Documentary
, edited by
Renov
Michael
,
37
57
.
New York
:
Routledge
,
1993
.
Wolfe
,
Charles
. “
Just in Time: Let Us Now Praise Famous Men and the Recovery of the Historical Subject
.” In
Fugitive Images: From Photography to Video
, edited by
Petro
Patrice
,
196
220
.
Bloomington
:
Indiana University Press
,
1995
.
Wollen
,
Peter
. “
The Auteur Theory
.” In
Theories of Authorship
, edited by
Caughie
John
,
138
151
.
New York
:
Routledge
,
1986
.
Wollen
,
Peter
. “
Brooks and the Bob
.”
Sight and Sound
4
, no.
2
(
February
1994
):
22
25
.
Woodward
,
Kathleen
. “
Bureaucratic and Binding Emotions: Angry American Autobiography
.”
Kenyon Review
17
, no.
1
(winter
1995
):
55
70
.
Woolf
,
Virginia
.
A Room of One’s Own
.
New York
:
Harcourt Brace Jovanovich
,
1929
.
Woolf
,
Virginia
.
Three Guineas
.
New York
:
Harcourt Brace Jovanovich
,
1938
.
Yates
,
Frances A.
The Art of Memory
.
Chicago
:
University of Chicago Press
,
1966
.
Zipes
,
Jack
.
Fairy Tales and the Art of Subversion: The Classical Genre for Children and the Process of Civilization
.
New York
:
Methuen
,
1983
.

Figures & Tables

Contents

Advertisement

References

BIBLIOGRAPHY

Abel
,
Richard
.
The Ciné Goes to Town: French Cinema 1896–1914
.
Berkeley
:
University of California Press
,
1994
.
Acker
,
Ally
.
Reel Women: Pioneers of the Cinema, 1896 to the Present
.
New York
:
Continuum
,
1991
.
Althusser
,
Louis
. “
Ideology and Ideological State Apparatuses
.” In
Lenin and Philosophy and Other Essays
, translated by
Brewster
Ben
,
127
186
.
New York
:
Monthly Review Press
,
1971
.
Arthur
,
Paul
. “
Jargons of Authenticity (Three American Moments)
.” In
Theorizing Documentary
, edited by
Renov
Michael
,
108
134
.
New York
:
Routledge
,
1993
.
Bachelard
,
Gaston
.
The Poetics of Reverie
. Translated by
Russell
Daniel
.
New York
:
Orion Press
,
1969
.
Bachelard
,
Gaston
.
The Poetics of Space
.
1969
. Translated by
Jolas
Maria
.
Boston
:
Beacon Press
,
1994
.
Bachmann
,
Gideon
,
Drew
Robert
,
Leacock
Richard
, and
Pennebaker
D. A.
. “
The Frontiers of Realist Cinema
.”
Film Culture
, nos.
22–23
(summer
1961
):
12
23
.
Bal
,
Mieke
. “
Telling Objects: A Narrative Perspective on Collecting
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
,
97
115
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Balides
,
Constance
. “
Scenarios of Exposure in the Practice of Everyday Life: Women in the Cinema of Attractions
.”
Screen
34
, no.
1
(spring
1993
):
19
39
.
Bann
,
Stephen
.
The Clothing of Clio: A Study of the Representation of History in Nineteenth-Century Britain and France
.
London
:
Cambridge University Press
,
1984
.
Bann
,
Stephen
. “
Shrines, Curiosities, and the Rhetoric of Display
.” In
Visual Display: Culture beyond Appearances
, edited by
Cooke
Lynne
and
Wollen
Peter
,
15
29
.
Seattle
:
Bay Press
,
1995
.
Barthes
,
Roland
. “
The Death of the Author
.” In
Image/Music/Text
, translated by
Heath
Stephen
,
142
148
.
New York
:
Hill and Wang
,
1977
.
Baudrillard
,
Jean
. “
The System of Collecting
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
,
7
24
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Baudry
,
Jean-Louis
. “
The Apparatus
.”
Camera Obscura
1
(fall
1976
):
104
126
.
Baudry
,
Jean-Louis
. “
Ideological Effects of the Basic Cinematographic Apparatus
.”
Film Quarterly
28
, no.
2
(winter
1974–1975
):
39
47
.
Baym
,
Nina
.
Woman’s Fiction: A Guide to Novels by and about Women in America, 1820–1870
.
Ithaca, N.Y.
:
Cornell University Press
,
1978
.
Bazin
,
André
.
What Is Cinema?
Edited and translated by
Gray
Hugh
.
Berkeley
:
University of California Press
,
1967
.
Bean
,
Jennifer
, and
Negra
Diane
, eds.
A Feminist Reader in Early Cinema
.
Durham, N.C.
:
Duke University Press
,
2001
.
Beauchamp
,
Cari
.
Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood
.
Berkeley
:
University of California Press
,
1997
.
Beck
,
Calvin Thomas
.
Scream Queens: Heroines of the Horrors
.
New York
:
Collier Books
,
1978
.
Benjamin
,
Walter
.
Illuminations: Essays and Reflections
. Edited by
Arendt
Hannah
.
New York
:
Schocken Books
,
1985
.
Benjamin
,
Walter
.
Reflections: Essays, Aphorisms, Autobiographical Writings
. Edited by
Demetz
Peter
.
New York
:
Harcourt Brace Jovanovich
,
1978
.
Benstock
,
Shari
, “
Authorizing the Autobiographical
.” In
The Private Self: Theory and Practice of Women’s Autobiographical Writings
, edited by
Benstock
Shari
,
10
33
.
Chapel Hill
:
University of North Carolina Press
,
1988
.
Benstock
,
Shari
, ed.
The Private Self: Theory and Practice of Women’s Autobiographical Writings
.
Chapel Hill
:
University of North Carolina Press
,
1988
.
Benton
,
Susan Porter
.
Counter Cultures: Saleswomen, Managers and Customers in American Department Stores 1890–1940
.
Urbana
:
University of Illinois Press
,
1986
.
Benveniste
,
Emile
.
Problems in General Linguistics
. Translated by
Meek
Mary Elizabeth
.
Coral Gables, Fla.
:
University of Miami Press
,
1971
.
Bergson
,
Henri
.
Matter and Memory
. Translated by
Paul
Nancy Margaret
and
Palmer
W. Scott
.
New York
:
Zone Books
,
1991
.
Bergstrom
,
Janet
, and
Doane
Mary Ann
, eds.
The Spectatrix
.
Special issue of Camera Obscura
, nos.
20–21
(
1989
).
Bogle
,
Donald
.
Toms, Coons, Mulattoes, Mammies and Bucks: An Interpretive History of Blacks in American Film
.
New York
:
Continuum
,
1993
.
Bower
,
Anne
, ed.
Recipes for Reading: Community Cookbooks, Stories, Histories
.
Amherst
:
University of Massachusetts Press
,
1997
.
Bowser
,
Eileen
.
The Transformation of Cinema 1907–1915
.
New York
:
Charles Scribner’s Sons
,
1990
.
Boym
,
Svetlana
.
The Future of Nostalgia
.
New York
:
Basic Books
,
2001
.
Bratton
,
Jacky
,
Cook
Jim
, and
Gledhill
Christine
.
Melodrama: Stage, Picture, Screen
.
London
:
British Film Institute
,
1994
.
Brooks
,
Louise
.
Lulu in Hollywood
.
New York
:
Limelight Editions
,
1989
.
Brooks
,
Louise
. “
Why I Will Never Write My Memoirs
.”
Film Culture
, nos.
67–69
(
1979
):
216
220
.
Bruno
,
Giuliana
.
Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari
.
Princeton, N.J.
:
Princeton University Press
,
1993
.
Brunsdon
,
Charlotte
.
Films for Women
.
London
:
British Film Institute
,
1986
.
Buck-Morss
Susan
.
The Dialectics of Seeing: Walter Benjamin and the Arcades Project
.
Cambridge, Mass.
:
MIT Press
,
1991
.
Butler
,
Judith
.
Gender Trouble: Feminism and the Subversion of Identity
.
New York
:
Routledge
,
1990
.
Card
,
James
. “
The ‘Intense Isolation’ of Louise Brooks
.”
Sight and Sound
27
, no.
5
(summer 1958).
Cardinal
,
Roger
. “
Collecting and Collage-Making: The Case of Kurt Schwitters
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
,
68
96
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Carson
,
Linda
,
Dittmar
Linda
, and
Welsch
Janice R.
, eds.
Multiple Voices in Feminist Film Criticism
.
Minneapolis
:
University of Minnesota Press
,
1994
.
Caughie
,
John
, ed.
Theories of Authorship: A Reader
.
New York
:
Routledge
,
1981
.
Cha
,
Teresa Hak Kyung
, ed.
Cinematographic Apparatus: Selected Writings
.
New York
:
Tanam Press
,
1980
.
Clark
,
Vèvè
,
Hodson
Millicent
, and
Neiman
Catrina
, eds.
The Legend of Maya Deren: A Documentary Biography and Collected Works, Vol. 1, Part 1
.
New York
:
Anthology Film Archives/Film Culture
,
1984
.
Clark
,
Vèvè
,
Hodson
Millicent
, and
Neiman
Catrina
.
The Legend of Maya Deren: A Documentary Biography and Collected Works, Vol. 1, Part 2
.
New York
:
Anthology Film Archives/Film Culture
,
1988
.
Cooley
,
Nicole
.
The Afflicted Girls
.
Baton Rouge
:
Louisiana State University Press
,
2004
.
Cotter
,
Colleen
. “
Claiming a Piece of the Pie: How the Language of Recipes Defines Community
.” In
Recipes for Reading: Community Cookbooks, Stories, Histories
, edited by
Bower
Anne
,
51
71
.
Amherst
:
University of Massachusetts Press
,
1997
.
Creekmur
,
Corey
, and
Doty
Alexander
, eds.
Out in Culture: Gay, Lesbian and Queer Essays on Popular Culture
.
Durham, N.C.
:
Duke University Press
,
1995
.
Curry
,
Ramona
.
Too Much of a Good Thing: Mae West as Cultural Icon
.
Minneapolis
:
University of Minnesota Press
,
1996
.
Custen
,
George
.
Bio/Pics: How Hollywood Constructed Public History
.
New Brunswick, N.J.
:
Rutgers University Press
,
1992
.
Cvetokovich
,
Ann
.
An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures
.
Durham, N.C.
:
Duke University Press
,
2003
.
deCordova
Richard
. “
The Emergence of the Star System in America
.”
Wide Angle
6
, no.
4
(
1985
):
4
13
.
deCordova
Richard
.
Picture Personalities: The Emergence of the Star System in America
.
Urbana
:
University of Illinois Press
,
1990
.
Deleuze
,
Gilles
.
Cinema 1: The Movement-Image
.
Minneapolis
:
University of Minnesota Press
,
1986
.
Deleuze
,
Gilles
.
Cinema 2: The Time-Image
.
Minneapolis
:
University of Minnesota Press
,
1989
.
Deren
,
Maya
.
An Anagram of Ideas on Art, Form and Film
.
Yonkers, N.Y.
:
Alicat Book Shop Press
,
1946
.
Deren
,
Maya
. “
Cinematography: The Creative Use of Reality
.” In
The Art of Cinema: Selected Essays
, edited by
Amberg
George
.
New York
:
Arno Press and New York Times
,
1972
.
Dietrich
,
Marlene
.
Marlene Dietrich’s ABC
.
Garden City, N.Y.
:
Doubleday
,
1962
.
Dietrich
,
Marlene
.
Marlene Dietrich’s ABC
. 2nd ed.
New York
:
Ungar
,
1984
.
Doane
,
Mary Ann
. “
The Economy of Desire: The Commodity Form in/of the Cinema
.”
Quarterly Review of Film and Video
11
, no.
1
(
1989
):
23
33
.
Doane
,
Mary Ann
. “
The Erotic Barter: Pandora’s Box
.” In
Femmes Fatales: Feminism, Film Theory, Psychoanalysis
,
142
162
.
New York
:
Routledge
,
1991
.
Doane
,
Mary Ann
.
Femmes Fatales: Feminism, Film Theory, Psychoanalysis
.
New York
:
Routledge
,
1991
.
Doane
,
Mary Ann
,
Mellencamp
Patricia
, and
Williams
Linda
, eds.
Re-vision: Essays in Feminist Film Criticism
.
Los Angeles
:
American Film Institute
,
1984
.
Douglas
,
Ann
.
The Feminization of American Culture
.
New York
:
Knopf
,
1977
.
Dreyer
,
Carl Theodor
. “
Notes on My Craft
.”
Sight and Sound
(winter
1955–1956
).
Dubois
,
Phillipe
. “
Photography Mise-en-Film: Autobiographical (Hi)stories and Psychic Apparatuses
.” In
Fugitive Images: From Photography to Video
, edited by
Petro
Patrice
,
152
172
.
Bloomington
:
Indiana University Press
,
1995
.
Dulac
,
Germaine
. “
The Avant-Garde Cinema
.” In
The Avant-Garde Film: A Reader of Theory and Criticism
, edited by
Sitney
P. Adams
,
43
48
.
New York
:
New York University Press
,
1978
.
Dulac
,
Germaine
. “
Visual and Anti-visual Films
.” In
The Avant-Garde Film: A Reader of Theory and Criticism
, edited by
Sitney
P. Adams
,
31
35
.
New York
:
New York University Press
,
1978
.
Dyer
,
Richard
.
Heavenly Bodies: Film Stars and Society
.
New York
:
St. Martin’s Press
,
1986
.
Eakin
,
Paul John
. “
Fiction in Autobiography: Ask Mary McCarthy No Questions
.” In
Fictions in Autobiography: Studies in the Art of Self-Invention
,
3
55
.
Princeton, N.J.
:
Princeton University Press
,
1985
.
Egger
,
Rebecca
. “
Deaf Ears and Dark Continents: Dorothy Richardson’s Cinematic Epistemology
.”
Camera Obscura
30
(
May
1992
):
4
33
.
Eisenstein
,
Sergei
.
Film Form: Essays in Film Theory
. Edited and translated by
Leyda
Jay
.
New York
:
Harcourt, Brace
,
1949
.
Eisenstein
,
Sergei
.
The Film Sense
.
Edited and translated by Jay Leyda
.
New York
:
Harcourt
,
Brace
,
1947
.
Eisner
,
Lotte
. “
A Witness Speaks
.” In
Lulu in Hollywood
, by
Brooks
Louise
,
113
116
.
New York
:
Knopf
,
1982
.
Ellis
,
John
.
Visible Fictions: Cinema Television Radio
.
London
:
Routledge
,
1992
.
Elsaesser
,
Thomas
. “
Lulu and the Meter Man: Louise Brooks, Pabst, and ‘Pandora’s Box’
.”
Screen
24
, nos.
4–5
(
1983
):
4
36
.
Elsaesser
,
Thomas
, ed.
Early Cinema: Space Frame Narrative
.
London
:
British Film Institute
,
1990
.
Elsner
,
John
. “
A Collector’s Model of Desire: The House and Museum of Sir John Sloane
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
,
155
176
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Elsner
,
John
, and
Cardinal
Roger
, eds.
The Cultures of Collecting
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Erens
,
Patricia
, ed.
Issues in Feminist Film Criticism
.
Bloomington
:
Indiana University Press
,
1990
.
Fell
,
John
.
Film before Griffith
.
Berkeley
:
University of California Press
,
1983
.
Ferber
,
Marianne A.
, and
Nelson
Julie A.
, eds.
Beyond Economic Man: Feminist Theory and Economics
.
Chicago
:
University of Chicago Press
,
1993
.
Fetterley
,
Judith
, ed.
Provisions: A Reader from Nineteenth-Century American Women
.
Bloomington
:
Indiana University Press
,
1985
.
Film Culture
, no.
39
(winter
1965
).
Special issue on Maya Deren
.
Film Culture
, nos.
56–57
(spring
1973
).
Special issue on Leni Riefenstahl
.
Flitterman-Lewis
Sandy
. “
The Blossom and the Bole: Narrative and Visual Spectacle in Early Film Melodrama
.”
Cinema Journal
33
, no.
3
(spring
1994
):
3
15
.
Flitterman-Lewis
Sandy
.
To Desire Differently: Feminism and the French Cinema
.
Urbana
:
University of Illinois Press
,
1989
.
Fonda
,
Jane
.
Jane Fonda’s Workout Book
.
New York
:
Simon and Schuster
,
1981
.
Forrester
,
John
. “
‘Mille e tre’: Freud and Collecting
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
,
224
251
.
Cambridge, Mass.
:
Harvard University Press
,
1994
.
Foucault
,
Michel
. “
What Is an Author?
” In
Language, Counter-Memory, Practice
, edited by
Bouchard
Donald F.
,
113
138
.
Oxford
:
Basil Blackwell
,
1977
.
Francke
,
Lizzie
.
Script Girls: Women Screenwriters in Hollywood
.
London
:
British Film Institute
,
1994
.
Freeman
,
Mark
.
Rewriting the Self: History, Memory, Narrative
.
New York
:
Routledge
,
1993
.
Fregoso
,
Rosa-Linda
.
meXicana Encounters: The Making of Social Identities on the Borderlands
.
Berkeley
:
University of California Press
,
2003
.
Freud
,
Sigmund
. “
A Disturbance of Memory on the Acropolis
.”
1936
. In
The Standard Edition of the Complete Psychological Works of Sigmund Freud
, translated by
Strachey
James
et al
.,
22
:
239
248
.
London
:
Hogarth Press and the Institute of Psycho-Analysis
,
1953
.
Freud
,
Sigmund
. “
A Note upon the ‘Mystic Writing Pad’
.”
1925
. In
The Standard Edition of the Complete Psychological Works of Sigmund Freud
, translated by
Strachey
James
et al
.,
21
:
227
232
.
London
:
Hogarth Press and the Institute of Psycho-Analysis
,
1953
.
Freud
,
Sigmund
. “
Notes upon a Case of Obsessional Neurosis
.”
1909
. In
Three Case Histories
, translated by
Strachey
James
,
15
102
.
New York
:
Collier Books
,
1963
.
Freud
,
Sigmund
. “
Screen Memories
.”
1899
. In
The Standard Edition of the Complete Psychological Works of Sigmund Freud
, translated by
Strachey
James
et al
.,
3
:
301
22
.
London
:
Hogarth Press and the Institute of Psycho-Analysis
,
1953
.
Friedberg
,
Anne
. “
And I Have Learned to Use the Small Projector’: H.D., Woman, History, Recognition
.”
Wide Angle
5
, no.
2
(
1982
):
26
31
.
Friedberg
,
Anne
.
Window Shopping: Cinema and the Postmodern
.
Berkeley
:
University of California Press
,
1993
.
Gaines
,
Jane
. “
From Elephants to Lux Soap: The Programming and ‘Flow’ of Early Motion Picture Exploitation
.”
Velvet Light Trap
25
(spring
1990
):
29
43
.
Giard
,
Luce
. “
Cooking
.” In
The Practice of Everyday Life, Vol. 2: Living and Cooking
, by
Certeau
Michel de
,
Giard
Luce
, and
Mayol
Pierre
, translated by
Tomasik
Timothy J.
,
149
247
.
Minneapolis
:
University of Minnesota Press
,
1998
.
Gilmore
,
Leigh
.
Autobiographics: A Feminist Theory of Women’s Self-Representation
.
Ithaca, N.Y.
:
Cornell University Press
,
1994
.
Gish
,
Lillian
, with
Pinchot
Ann
.
The Movies, Mr. Griffith, and Me
.
New York
:
Prentice Hall
,
1969
.
Grieveson
,
Lee
.
Policing Cinema: Movies and Censorship in Early-Twentieth-Century America
.
Berkeley
:
University of California Press
,
2004
.
Gunning
,
Tom
. “
An Aesthetic of Astonishment: Early Film and the (In)credulous Spectator
.”
Art and Text
34
(spring
1989
):
31
45
.
Gunning
,
Tom
. “
The Cinema of Attractions: Early Film, Its Spectator and the Avant-Garde
.” In
Early Cinema: Space, Frame, Narrative
, edited by
Elsaesser
Thomas
,
56
62
.
London
:
British Film Institute
,
1990
.
Gunning
,
Tom
.
D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph
.
Urbana
:
University of Illinois Press
,
1991
.
Guy Blaché
,
Alice
.
The Memoirs of Alice Guy Blaché
. Edited by
Slide
Anthony
.
Metuchen, N.J.
:
Scarecrow Press
,
1996
.
Hake
,
Sabine
. “
The Continuous Provocation of Louise Brooks
.”
German Politics and Society
32
(summer
1994
):
58
75
.
Hall
,
Jeanne
. “
Realism as a Style in Cinema Vérité: A Critical Analysis of Primary
.”
Cinema Journal
30
, no.
4
(summer
1991
):
24
50
.
Hamilton
,
Marybeth
.
“When I’m Bad, I’m Better”: Mae West, Sex, and American Entertainment
.
Berkeley
:
University of California Press
,
1997
.
Hansen
,
Miriam
.
Babel and Babylon: Spectatorship in American Silent Film
.
Cambridge, Mass.
:
Harvard University Press
,
1991
.
Harris
,
Susan
.
Nineteenth-Century American Women’s Novels: Interpretive Strategies
.
New York
:
Cambridge University Press
,
1990
.
Hastie
,
Amelie
. “
Louise Brooks, Star Witness
.”
Cinema Journal
36
, no.
3
(spring
1997
):
3
24
.
Hastie
,
Amelie
, and
Stamp
Shelley
, eds. “
Women and the Silent Screen: Cultural and Historical Practices
.”
Special issue, Film History
18
, no.
2
(spring
2006
).
Head
,
Edith
, and
Ardmore
Jane Kesner
.
The Dress Doctor
.
New York
:
Macfadden Books
,
1964
.
Heck-Rabi
Louise
.
Women Filmmakers: A Critical Reception
.
Metuchen, N.J.
:
Scarecrow Press
,
1984
.
Hobart
,
Rose
.
A Steady Digression to a Fixed Point
.
Metuchen, N.J.
:
Scarecrow Press
,
1994
.
hooks
,
bell
. “
In Our Glory: Photography and Black Life
.” In
Picturing Us: African American Identity in Photography
, edited by
Willis
Deborah
,
43
55
.
New York
:
New Press
,
1994
.
Hutton
,
Patrick
.
History as an Art of Memory
.
Hanover, N.H.
:
University Press of New England
,
1993
.
Jaccard
,
Roland
, ed.
Louise Brooks: Portrait of an Anti-Star
. Translated by
Schein
Gideon Y.
.
New York
:
Zoetrope
,
1986
.
Jaffe
,
Patricia
. “
Editing Cinéma Vérité
.”
Film Comment
3
, no.
3
(summer
1965
).
Jennings
,
Ann L.
Public or Private? Institutional Economics and Feminism
.” In
Beyond Economic Man: Feminist Theory and Economics
, edited by
Ferber
Marianne A. Nelson
and
Nelson
Julie A.
,
111
129
.
Chicago
:
University of Chicago Press
,
1993
.
Johnston
,
Claire
. “
Women’s Cinema as Counter Cinema
.” In
Notes on Women’s Cinema
, edited by
Johnston
Claire
,
24
31
.
London
:
Society for Education in Film and Television
,
1973
.
Joyrich
,
Lynne
.
Re-viewing Reception: Television, Gender, and Postmodern Culture
.
Bloomington
:
Indiana University Press
,
1996
.
Karnick
,
Kristine Brunovska
, and
Jenkins
Henry
, eds.
Classical Hollywood Comedy
.
New York
:
Routledge
,
1995
.
Kelley
,
Mary
.
Private Woman, Public Stage: Literary Domesticity in Nineteenth-Century America
.
New York
:
Oxford University Press
,
1984
.
Kessler-Harris
Alice
.
Out to Work: A History of Wage-Earning Women in the United States
.
New York
:
Oxford University Press
,
1982
.
Koszarski
,
Richard
.
An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915–1928
.
New York
:
Charles Scribner’s Sons
,
1990
.
Kuhn
,
Annette
.
Family Secrets: Acts of Memory and Imagination
.
London
:
Verso
,
1995
.
Kuhn
,
Annette
.
Women’s Pictures: Feminism and the Cinema
. 2nd ed.
New York
:
Verso
,
1993
.
Lacassin
,
Francis
. “
Out of Oblivion: Alice Guy-Blaché
.”
Sight and Sound
40
, no.
3
(summer
1971
):
151
154
.
Leavitt
,
Sarah A.
From Catharine Beecher to Martha Stewart: A Cultural History of Domestic Advice
.
Chapel Hill
:
University of North Carolina Press
,
2002
.
LeGoff
,
Jacques
.
History and Memory
. Translated by
Rendall
Steven
and
Claman
Elizabeth
.
New York
:
Columbia University Press
,
1992
.
Leider
,
Emily Wortis
.
Becoming Mae West
.
New York
:
Farrar, Straus and Giroux
,
1997
.
Lejeune
,
Philippe
. “
The Autobiographical Pact
.” In
On Autobiography
, translated by
Leary
Katherine M.
,
3
30
.
Minneapolis
:
University of Minnesota Press
,
1989
.
Lesage
,
Julia
. “
The Political Aesthetics of the Feminist Documentary Film
.” In
Issues in Feminist Film Criticism
, edited by
Erens
Patricia
,
222
237
.
Bloomington
:
Indiana University Press
,
1991
.
Levin
,
G. Roy
.
Documentary Explorations: 15 Interviews with Film-makers
.
Garden City, N.Y.
:
Doubleday
,
1971
.
Loos
,
Anita
.
A Girl Like I
.
New York
:
Ballantine
,
1966
.
Loren
,
Sophia
.
In the Kitchen with Love
.
Garden City, N.Y.
:
Doubleday
,
1972
.
Loren
,
Sophia
.
Sophia Loren’s Recipes and Memories
.
New York
:
GT Publishing
,
1998
.
Mayne
,
Judith
.
Directed by Dorothy Arzner
.
Bloomington
:
Indiana University Press
,
1994
.
Mayne
,
Judith
.
Kino and the Woman Question
.
Columbus
:
Ohio State University Press
,
1989
.
McHugh
,
Kathleen
.
American Domesticity: From How-to Manual to Hollywood Melodrama
.
New York
:
Oxford University Press
,
1999
.
McLean
,
Adrienne
. “
‘I’m a Cansino’: Transformation, Ethnicity, and Authenticity in the Construction of Rita Hayworth, American Love Goddess
.”
Journal of Film and Video
44
, nos.
3–4
(fall-winter
1992–1993
):
8
26
.
McMahan
,
Alison
.
Alice Guy Blaché: Lost Visionary of the Cinema
.
New York
:
Continuum
,
2002
.
McPherson
,
Tara
.
Reconstructing Dixie: Race, Gender, and Nostalgia in the Imagined South
.
Durham, N.C.
:
Duke University Press
,
2003
.
Mellencamp
,
Patricia
.
A Fine Romance … Five Ages of Film Feminism
.
Philadelphia
:
Temple University Press
,
1995
.
Mellencamp
,
Patricia
.
Indiscretions: Avant-Garde Film, Video and Feminism
.
Bloomington
:
Indiana University Press
,
1990
.
Metz
,
Christian
.
The Imagining Signifier: Psychoanalysis and the Cinema
. Translated by
Britton
Celia
et al
.
Bloomington
:
Indiana University Press
,
1982
.
Moore
,
Colleen
.
Colleen Moore’s Doll House
.
Garden City, N.Y.
:
Doubleday
,
1979
.
Moore
,
Colleen
.
How Women Can Make Money in the Stock Market
.
Garden City, N.Y.
:
Doubleday
,
1969
.
Moore
,
Colleen
.
Silent Star
.
Garden City, N.Y.
:
Doubleday
,
1968
.
Morris
,
Meaghan
.
Too Soon Too Late: History in Popular Culture
.
Bloomington
:
Indiana University Press
,
1998
.
Morse
,
Margaret
. “
Artemis Aging: Exercise and the Female Body on Video
.”
Discourse
10
, no.
1
(
1987–1988
):
19
53
.
Mulvey
,
Laura
.
Citizen Kane
.
London
:
British Film Institute
,
1992
.
Mulvey
,
Laura
.
Feminism and Curiosity
.
Bloomington
:
Indiana University Press
,
1996
.
Mulvey
,
Laura
. “
Visual Pleasure and Narrative Cinema
.”
Screen
16
, no.
3
(autumn
1975
):
618
.
Muñoz
,
José Esteban
. “
Ephemera as Evidence: Introductory Notes to Queer Acts
.”
Women and Performance
8
, no.
2
(
1996
):
5
16
.
Münsterberg
,
Hugo
.
The Film: A Psychological Study
.
New York
:
Dover
,
1970
.
Nasaw
,
David
. “
Earthly Delights
.”
New Yorker
,
23
March
1998
,
66
79
.
Neff
,
Terry Ann
.
Within the Fairy Castle: Colleen Moore’s Dollhouse at the Museum of Science and Industry, Chicago
.
Chicago
:
Bulfinch Press
,
1998
.
Negra
,
Diane
. “
Immigrant Stardom in Imperial America: Pola Negri and the Problem of Typology
.” In
A Feminist Reader in Early Cinema
, edited by
Bean
Jennifer
and
Negra
Diane
,
374
403
.
Durham, N.C.
:
Duke University Press
,
2003
.
Newton
,
Sarah
.
Learning to Behave: A Guide to Conduct Books before 1900
.
Westport, Conn.
:
Greenwood Press
,
1994
.
Nichols
,
Bill
.
Ideology and the Image
.
Bloomington
:
Indiana University Press
,
1981
.
Nichols
,
Bill
.
Representing Reality
.
Bloomington
:
Indiana University Press
,
1991
.
Nichols
,
Bill
. “
The Voice of Documentary
.” In
Movies and Methods II
, edited by
Nichols
Bill
.
Berkeley
:
University of California Press
,
1985
.
Nicholson
,
Annabel
,
Sparrow
Felicity
,
Clarke
Jane
,
Iljon
Jeanette
,
Rhodes
Lis
,
Leece
Mary Pat
,
Murphy
Pat
, and
Stein
Susan
. “
Women and the Formal Film
.” In
Films for Women
, edited by
Brunsdon
Charlotte
,
186
188
.
London
:
British Film Institute
,
1986
.
Nora
,
Pierre
. “
Between Memory and History: Les Lieux de Mémoire
.”
Representations
26
(spring
1989
):
7
25
.
Olalquiaga
,
Celeste
.
The Artificial Kingdom: On the Kitsch Experience
.
Minneapolis
:
University of Minnesota Press
,
2002
.
Ono
,
Yoko
.
Grapefruit: A Book of Instructions and Drawings
.
New York
:
Simon and Schuster
,
1970
.
Paris
,
Barry
. “
Dollhouse Deluxe
.”
Art and Antiques
6
(
December
1989
):
98
102
.
Paris
,
Barry
.
Louise Brooks
.
New York
:
Knopf
,
1989
.
Pearson
,
Roberta E.
Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films
.
Berkeley
:
University of California Press
,
1992
.
Peary
,
Gerald
. “
Czarina of the Silent Screen: Solax’s Alice Blaché
.”
Velvet Light Trap
6
(
1974
):
3
7
.
Petro
,
Patrice
, ed.
Fugitive Images: From Photography to Video
.
Bloomington
:
Indiana University Press
,
1995
.
Petro
,
Patrice
. “
Historical Ennui, Feminist Boredom
.” In
The Persistence of History: Cinema, Television, and the Modern Event
, edited by
Sobchack
Vivian
,
187
199
.
New York
:
Routledge
,
1996
.
Petro
,
Patrice
.
Joyless Streets: Women and Melodramatic Representation in Weimar Germany
.
Princeton, N.J.
:
Princeton University Press
,
1989
.
Pickford
,
Mary
.
The Demi-Widow
.
New York
:
A.L. Burt
,
1935
.
Pickford
,
Mary
.
Sunshine and Shadow
.
Garden City, N.Y.
:
Doubleday
,
1954
.
Pickford
,
Mary
.
Why Not Try God?
New York
:
H.C. Kinsey
,
1934
.
Pines
,
Jim
, and
Willemen
Paul
, eds.
Questions of Third Cinema
.
London
:
British Film Institute
,
1989
.
Pitts
,
Zasu
, with
Horton
Edi
.
Candy Hits by Zasu Pitts
.
New York
:
Duell, Sloan, and Pearce
,
1963
.
Portuges
,
Catherine
.
Screen Memories: The Hungarian Cinema of Márta Mészáros
.
Bloomington
:
Indiana University Press
,
1993
.
Quart
,
Barbara Koenig
.
Women Directors: The Emergence of a New Cinema
.
New York
:
Praeger
,
1988
.
Rabinovitz
,
Lauren
.
Points of Resistance: Women, Power and Politics in the New York Avant-Garde Cinema, 1943–71
.
Urbana
:
University of Illinois Press
,
1991
.
Radstone
,
Susannah
. “
Cinema/Memory/History
.”
Screen
36
, no.
1
(spring
1995
):
34
47
.
Renov
,
Michael
. “
History and/as Autobiography: The Essayistic in Film and Video
.”
Frame/Work
2
, no.
3
(
1989
):
6
13
.
Renov
,
Michael
. “
The Subject in History: The New Autobiography in Film and Vi de o
.”
Afterimage
17
, no.
1
(summer
1989
):
4
7
.
Renov
,
Michael
.
Theorizing Documentary
.
New York
:
Routledge
,
1993
.
Rhodes
,
Lis
, and
Sparrow
Felicity
. “
Her Image Fades as Her Voice Rises
.” In
Multiple Voices in Feminist Film Criticism
, edited by
Carson
Diane
,
Dittmar
Linda
, and
Welsch
Janice R.
,
421
431
.
Minneapolis
:
University of Minnesota Press
,
1994
.
Riefenstahl
,
Leni
.
The Sieve of Time: The Memoirs of Leni Riefenstahl
.
New York
:
St. Martin’s Press
,
1993
.
Robertson
,
Pamela
.
Guilty Pleasures: Feminist Camp from Mae West to Madonna
.
Durham, N.C.
:
Duke University Press
,
1996
.
Rosen
,
Philip
.
Change Mummified: Cinema, Historicity, Theory
.
Minneapolis
:
University of Minnesota Press
,
2001
.
Rossellini
,
Isabella
.
Looking at Me: On Pictures and Photographers
.
Munich
:
Schirmer/Mosel
,
2002
.
Rossellini
,
Isabella
.
Some of Me
.
New York
:
Random House
,
1997
.
Rowe
,
Kathleen
.
The Unruly Woman: Gender and the Genres of Laughter
.
Austin
:
University of Texas Press
,
1995
.
Sarris
,
Andrew
. “
Notes on the Auteur Theory in 1962
.”
Film Culture
27
(winter
1962–1963
):
1
18
.
Schlüpmann
,
Heide
. “
The Brothel as an Arcadian Space? Diary of a Lost Girl (1929)
.” In
The Films of G. W. Pabst: An Extraterritorial Cinema
, edited by
Rentschler
Eric
,
80
90
.
New Brunswick, N.J.
:
Rutgers University Press
,
1990
.
Schor
,
Naomi
. “
Collecting Paris
.” In
The Cultures of Collecting
, edited by
Elsner
John
and
Cardinal
Roger
.
Cambridge
:
Harvard University Press
,
1994
.
Scott
,
Joan Wallach
.
Gender and the Politics of History
.
New York
:
Columbia University Press
,
1989
.
Scott
,
Nina
. “
JuanaManuela Gorriti’s Cocina Eclectica: Recipes as Feminine Discourse
.” In
Recipes for Reading: Community Cookbooks, Stories, Histories
, edited by
Bower
Anne
,
189
199
.
Amherst
:
University of Massachusetts Press
,
1997
.
Shigley
,
Sally Bishop
. “
Empathy, Energy, and Eating: Politics and Power in the Black Family Dinner Quilt Cookbook
.” In
Recipes for Reading: Community Cookbooks, Stories, Histories
, edited by
Bower
Anne
,
118
131
.
Amherst
:
University of Massachusetts Press
,
1997
.
Shipman
,
Nell
.
The Silent Screen and My Talking Heart
.
Boise, Idaho
:
Boise State University
,
1987
.
Silverman
,
Kaja
.
The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema
.
Bloomington
:
Indiana University Press
,
1988
.
Simmon
,
Scott
. “
‘The Female of the Species’: D. W. Griffith, Father of the Woman’s Film
Film Quarterly
46
, no.
2
(winter
1992–1993
):
8
20
.
Slide
,
Anthony
.
Early Women Directors
.
New York
:
A.S. Barnes
,
1977
.
Slide
,
Anthony
.
The Silent Feminists: America’s First Women Directors
.
Lanham, Md.
:
Scarecrow Press
,
1996
.
Smith
,
Sharon
.
Women Who Make Movies
.
New York
:
Hopkinson and Blake
,
1975
.
Sobchack
,
Vivian
. “
What Is film history?, or, The Riddle of the Sphinxes
.” In
Reinventing Film Studies
, edited by
Gledhill
Christine
and
Williams
Linda
,
300
315
.
New York
:
Oxford University Press
,
2000
.
Sommer
,
Doris
. “
Not Just a Personal Story: Women’s Testimonios and the Plural Self
.” In
Life/Lines: Theorizing Women’s Autobiography
, edited by
Brodzki
Bella
and
Schenk
Celeste
,
107
130
.
Ithaca, N.Y.
:
Cornell University Press
,
1988
.
Spigel
,
Lynn
. “
From the Dark Ages to the Golden Age: Women’s Memories and Television Reruns
.”
Screen
36
, no.
1
(spring
1995
):
16
33
.
Spigel
,
Lynn
.
Make Room for TV: Television and the American Family in Postwar America
.
Chicago
:
University of Chicago Press
,
1992
.
Stamp
,
Shelley
. “
Lois Weber, Progressive Cinema, and the Fate of the ‘Work-a-Day’ Girl in Shoes
.”
Camera Obscura
56
(
2004
):
141
169
.
Steedman
,
Carolyn
.
Dust: The Archive and Cultural History
.
New Brunswick, N.J.
:
Rutgers University Press
,
2002
.
Steedman
,
Carolyn
.
Past Tenses: Essays on Writing, Autobiography and History
.
London
:
Rivers Oram Press
,
1992
.
Stewart
,
Susan
.
On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection
.
Durham, N.C.
:
Duke University Press
,
1993
.
St. Johns
,
Adela Rogers
.
How to Write a Story and Sell It
.
Garden City, N.Y.
:
Doubleday
,
1956
.
St. Johns
,
Adela Rogers
.
Some Are Born Great
.
Garden City, N.Y.
:
Doubleday
,
1974
.
Strasser
,
Susan
.
Never Done: History of American Housework
.
New York
:
Pantheon Books
,
1982
.
Strassmann
,
Diana
. “
Not a Free Market: The Rhetoric of Disciplinary Authority in Economics
.” In
Beyond Economic Man: Feminist Theory and Economics
, edited by
Ferber
Marianne A. Nelson
and
Nelson
Julie A.
,
54
67
.
Chicago
:
University of Chicago Press
,
1993
.
Studlar
,
Gaylyn
. “
The Perils of Pleasure? Fan Magazine Discourse as Women’s Commodified Culture in the 1920s
.”
Wide Angle
13
, no.
1
(
1991
):
6
33
.
Studlar
,
Gaylyn
.
This Mad Masquerade: Stardom and Masculinity in the Jazz Age
.
New York
:
Columbia University Press
,
1996
.
Swanson
,
Gloria
.
Swanson on Swanson
.
New York
:
Random House
,
1980
.
Tapert
,
Annette
. “
Colleen Moore: The Original Flapper in Bel-Air
.”
Architectural Digest
53
(
April
1996
):
216
221
.
Tompkins
,
Jane
.
Sensational Designs: The Cultural Work of American Fiction 1790–1860
.
New York
:
Oxford University Press
,
1985
.
Turim
,
Maureen
.
Flashbacks in Film: Memory and History
.
New York
:
Routledge
,
1989
.
Turlington
,
Christy
.
Living Yoga: Creating a Life Practice
.
New York
:
Hyperion
,
2002
.
Tynan
,
Kenneth
. “
The Girl in the Black Helmet
.”
New Yorker
,
11
June
1979
,
45
78
.
Waters
,
Ethel
, with
Samuels
Charles
.
His Eye Is on the Sparrow
.
Garden City, N.Y.
:
Doubleday
,
1951
.
Weiss
,
Andrea
.
Vampires and Violets: Lesbians in Film
.
New York
:
Penguin Books
,
1992
.
West
,
Mae
.
Mae West on Sex, Health, and ESP
.
London
:
W. H. Allen
,
1975
.
White
,
Patricia
. “
Black and White: Mercedes de Acosta’s Glorious Enthusiasms
.”
Camera Obscura
45
(
2001
):
226
265
.
White
,
Patricia
. “
Female Spectator, Lesbian Specter: The Haunting
.” In
Inside/Out: Lesbian Theories, Gay Theories
, edited by
Fuss
Diana
,
142
172
.
New York
:
Routledge
,
1991
.
White
,
Patricia
. “
Nazimova’s Veils: Salome at the Intersection of Histories
.” In
A Feminist Reader in Early Cinema
, edited by
Bean
Jennifer
and
Negra
Diane
,
60
87
.
Durham, N.C.
:
Duke University Press
,
2002
.
White
,
Patricia
.
unInvited: Classical Hollywood Cinema and Lesbian Representability
.
Bloomington
:
Indiana University Press
,
1999
.
Whitfield
,
Eileen
.
Pickford: The Woman Who Made Hollywood
.
Lexington
:
University Press of Kentucky
,
1997
.
Williams
,
Alan
.
The Republic of Images: A History of French Filmmaking
.
Cambridge, Mass.
:
Harvard University Press
,
1992
.
Winston
,
Brian
. “
Direct Cinema: The Third Decade
.” In
New Challenges for Documentary
, edited by
Rosenthal
Alan
.
Berkeley
:
University of California Press
,
1988
.
Winston
,
Brian
. “
The Documentary Film as Scientific Inscription
.” In
Theorizing Documentary
, edited by
Renov
Michael
,
37
57
.
New York
:
Routledge
,
1993
.
Wolfe
,
Charles
. “
Just in Time: Let Us Now Praise Famous Men and the Recovery of the Historical Subject
.” In
Fugitive Images: From Photography to Video
, edited by
Petro
Patrice
,
196
220
.
Bloomington
:
Indiana University Press
,
1995
.
Wollen
,
Peter
. “
The Auteur Theory
.” In
Theories of Authorship
, edited by
Caughie
John
,
138
151
.
New York
:
Routledge
,
1986
.
Wollen
,
Peter
. “
Brooks and the Bob
.”
Sight and Sound
4
, no.
2
(
February
1994
):
22
25
.
Woodward
,
Kathleen
. “
Bureaucratic and Binding Emotions: Angry American Autobiography
.”
Kenyon Review
17
, no.
1
(winter
1995
):
55
70
.
Woolf
,
Virginia
.
A Room of One’s Own
.
New York
:
Harcourt Brace Jovanovich
,
1929
.
Woolf
,
Virginia
.
Three Guineas
.
New York
:
Harcourt Brace Jovanovich
,
1938
.
Yates
,
Frances A.
The Art of Memory
.
Chicago
:
University of Chicago Press
,
1966
.
Zipes
,
Jack
.
Fairy Tales and the Art of Subversion: The Classical Genre for Children and the Process of Civilization
.
New York
:
Methuen
,
1983
.
Close Modal

or Create an Account

Close Modal
Close Modal