... Copyright © 1989 by Duke University Press 1989 Seled Bibliography Adorno, Theodor W. Introduction to the Sociology of Music, trans. E. B. Ashton. New York: Continuum, 1988. Altizer, Thomas J. Mircea Eliade and the Dialectic of the Sacred. Philadelphia: Westminster Press, 1963. Brantlinger...

... Copyright © 1992 by Duke University Press 1992 Adorno, Theodor W Introduction to the Sociology of Music, trans. E. B. Ashton. New York: Continuum, 1988. Altizer, Thomas J. Mircea Eliade and the Dialectic of the Sacred. Philadel- phia: Westminster, 1963. Brantlinger, Patrick. Bread...

... Copyright © 1995 by Duke University Press 1995 Bibliography Allen, William Francis, Charles Pickard Ware, and Lucy McKim Garrison, eds. Slave Songs of the United States . New York: A. Simpson, 1867; New York: Peter Smith, 1929. Ballanta, Nicholas George Julius. St. Helena Island Spirituals...

... Copyright © 1991 by Duke University Press 1991 Select Bibliography looks Adler, Bill. Tougher than Leather: The Authorized Biography of Run-DMC. New York: New American Library, 1987. Elliot, Keith. Rap. Minneapolis: Lerner Publications, 1987 . George, Nelson, Sally Banes, Susan Flinker...

... of Music . New York: Dover, 1962. Barthes, Roland. The Responsibility of Forms : Critical Essays on Music, Art, and Representation. Translated by Richard Howard. Berkeley: University of California Press, 1991. Originally published in French in 1982. Best, Harold M. Music through the Eyes of Faith . San...

..., William Francis, et al. Slave Songs of the United States. New York: Peter Smith, 1951. Facsimile of 1867 book. Bailey, Ben E. Music in the History ofTougaloo College. Jackson, Mississippi: Tougaloo College, 1986. Gillett, Charlie. The Sound of the City: The Rise of Rock 'n' Roll. New York: Dell, 1970...

... of Liturgy and Worship. Phila- delphia : Westminster Press, 1986. Ellison, Mary. Lyrical Protes t: Black Mu sic's Struggle against Discrimination. N ew York : Praeger, 1989. Fogel, Robert William. With out Consent or Contra ct: Th e Rise and Fall of Am erican Slavery. New York : W.W. Norton, 1989. Glatthaar...

...-the conscious and the unconscious-that should (but usu- 1. Anthony Storr, The Essential Jung (Princeton, N.J.: Princeton University Press, 1983), 20. 2. C. G. Jung, The Archetypes and the Collective Unconscious (New York: Pantheon Books, 1959), 275-89. 3. C. G. Jung, The Development of Personality (New York...

... and 1930. The jug band accompanying performances of Elder Richard Bryant, recorded in Memphis in 1928, were also among the early recordings which captured the sound of rural black Holiness music of the mid-South. Born in South Carolina and raised in New York City, Thermon Ruth was first exposed to Holiness...

... popular "rag" songs, was written by Al Johns, an American Negro who had had European training and who still lives in New York City. "Castle on the River Nile" was one of the Cole and Johnson successes; "Under the Bamboo," another of the very early popular rags, was also written by J. Rosamond Johnson...

... Panther political manifesto."I Although Nelson George agrees, he identifies the contra- 1. Peter Guralnick, Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom (New York: Harper & Row, 1988), 221. Black Sacred Music 3:2, Fall 1989. Copyright © 1989 by Duke University Press. CCC 1043-9455...

... Evangelical Witness. Dobsonville, South Africa: Concerned Evangelicals, 1987. Cesaire, Aime. Discourse on Colonialism. Translated Joan Pinkham. New York: Monthly Review, 1972. Diop, Cheikh Anta. The African Origin of Civilization : Myth or Reality. Edited and translated by Mercer Cook. New York: Lawrence Hill...

... representation of jazz that speaks of its "essence," begins appropriately enough with a story. IOr maybe it begins with something like a story.) It thinks through-coins theory out of-Gunther Schuller's brief account of 1. Ernest Newman, "Summing Up Music's Case Against Jazz," New York Times Magazine, March 6...

... be gained by exploring some of the ways in which aspects of rhythm and ritual manifest themselves in con- r. William Butler Yeats, "The Second Coming," in The Norton Anthology of Poetry, 3d ed. (New York: Norton, 1983), 883. 2. Ibid., note 7. 3. Ibid., note 9. For further interpretation of Yeats's sense...

... Press, 1972); Geneva Smitherman, "The Power of the Rap: The Black Idiom and the New Black Poetry," Twentieth Century Literature 19, no. 4 (October 1973): 260; Lawrence W. Levine, Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom (New York: Oxford University Press...

... Moreover, the social dimension of black religious experience with its emphasis on participation and transmission of heritage and values must have influenced him also. For by the time he had assembled his first significant band in New York during the 192os-and, since he was born in 1899, during his twenties...

... 'em as I please, I'm the only one like the way I'm singin' 'em, I'll swear to goodness ain't no one else to please. James H. Cone is a professor at Union Theological Seminary, New York City. From The Spirituals and the Blues (Maryknoll, N .Y.: Orbis Press, 1991); reprinted with the permission...

...: Isaac Knapp, 1836 (Facsimile reprint: Freeport, New York: Books for Libraries Press, 1971). b36 Dett, R. Nathaniel, ed. Religious Folk-Songs ofthe Negro: As Sung at Hampton Institute. Hampton, Virginia: Hampton Institute Press, 1927. b27 Garrison, William .Lloyd.* A Selection of Anti-Slavery Hymns...

..., was played in New York, she read the reviews and was pleased with me. But that came later. In the early days, her disap­ proval was a bitter thing to bear fortunately, it destroyed neither From Etude 67 (January 1949): 7-8. Reprinted with the permission of the publisher. The Composer Needs Determination...

... we may al­ ways be proud. For around a half century he was baritone soloist at St. George Protestant Episcopal Church in New York City; for twenty-five years he also sang in the choir at Temple Emanuel, wealth­ iest synagogue in America. Every solo he sang brought the races closer together...