Search Results for xii

... Boatner, Edward, 118 Book of American Negro Poetry, The, xiv Book of American Negro Spirituals, The, xii; review of, 48-50 Boston Symphony Orchestra, 122 Boulanger, Nadia, 1, 88 Bowers, Thomas J., 116, 122 Brown, Hilda, 96 Burleigh, Harry T., vii, viii, 3, 7, 40, 63, 72, 97, 100, 117, 125, 126, 128 Burlin...

... Copyright © 1995 by Duke University Press 1995 Index Afro-American Folksongs, 8, 38, 45,239 Alabama State Normal College, xi, xii Allen, Ross (Mrs 121 Allen, William Francis, 18, 239 American Ballads and Folk Songs, 68, 184, 20I American Negro Songs, 235 Anderson, Charles, 152 Anderson...

..." (xii). During the forties, a new kind of black popular music evolved out of this world-rhythm and blues (R & B). It was a synthesis of gospel, big-band swing, and blues, which incorporated the new technology of the electric bass (xii). Such rhythm and blues stars as Dave Clark, King Curtis, Otis...

..." (xii). During the forties, a new kind of black popular music evolved out of this world-rhythm and blues (R & B). It was a synthesis of gospel, big-band swing, and blues, which incorporated the new technology of the electric bass (xii). Such rhythm and blues stars as Dave Clark, King Curtis, Otis...

... "Juba Dance," 109, 179 Judson, Arthur, 166, 170, 184 Kaintuck, 38, 87 Kay, Ulysses, 33, 49, 140, 184, 211, 225 King, Martin Luther, Jr., xiy 43 Kismet, 131 Kohn, Robert, n, 55 Krupa, Gene, n 8, 119 Kulas, E. J., 146 Lanterns on the Levee, 57 59 Latouche, John, 20 League of Composers, 146 Lee, Chauncey...

..., 269-70 "Cap'm, Time Done Come," 248-49 "Captain, Look-a Yonder xi, xii "City Called Heaven," 114 Clorindy, the Origin of the Cakewalk, 46,237 "Col' Iron," 259-60 "Come Off de Ilam" (Island), 99 "Conjai Babete;' 38, 39 "Coonjine Baby," 39, 41 "Couldn't Hear Nobody Pray;' 172, 187, 229 "Creepin...

...-18, 46; of African worship, 9, 12 contextual theology, 6, 40 Cyrene Mission, xiv, r9 dancing in worship, 10, 11, 12, 13, 14, 48; opposition to, 9, 10 drumming in worship, IO, 13, 14, 33, 48; opposition to, 9 Bible, contextual interpretation of, 6, IO, I2-I4 Blantyre Covenant, xi-xii, I -4, 54 Elliott...

... the substance of the proceedings and the tone of the discussions. Following this revision, the covenant was pre- xii Black Sacred Music sented to the plenary group. After discussion, modifications, and approval of the entire document, the Blantyre Covenant was adopted by the workshop participants...

... as an aid in arrangement and performance, and the role of the black college in preserving this great legacy of a people who survived oppression of the worst sort. Black Sacred Music 5:2, Fall 1991. Copyright ©1991 by Duke University Press. CCC 1043-945 5/ 91 / $1.50 xii Prelace That Dett took the time from...

..., Look-a Yonder" and "Cabin Boy Call 4. State Normal Journal 2, no.1 (March 1929): 52-53. xii Black Sacred Music In 1933, after five years at Alabama State Normal College, James joined the faculty of Spelman College in Atlanta, where he remained until his death in 1966. In the combined music department...

...-Arvey Papers. xíi Black Sacred Music Break/' which is essentially an extract from some of Still's longer autobiographical essays; short compositional essays such as "The Function of Piano Music in American Culture" and "On Composing for the Harp/' which deal with compositional ideas essentially cov­...

... turned the Lord loose at the crossroads were gambling away their chance to reap the eternal bounty. Blues- 39 Augustine. City of God, XII, 6. Quoted in H. Richard Niebuhr, Christ and Culture (New York: Harper and Row, 1951), p. 211. Oliver, Conversation with the Blues. p. 165. 41 Thomas, interview...

... World Press, 1988), 168-70. 10. Hal Foster, Postmodern Culture (London: Pluto Press, 1985), xii-xiii. manages to insert a unique brand of spiritual consciousness into his performances, yielding powerful forms of artistic, cultural, and religious expression. Jackson's spiritual and religious awareness...